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Wyszukujesz frazę "symbolism," wg kryterium: Temat


Tytuł:
Miejsce symboliki chrzcielnej w mistagogii liturgicznej
The place of baptismal symbolism in liturgical mystagogy
Autorzy:
Mateja, Erwin
Powiązania:
https://bibliotekanauki.pl/articles/496580.pdf
Data publikacji:
2013
Wydawca:
Towarzystwo Naukowe Franciszka Salezego
Tematy:
Mystagogy
Liturgical symbolism
Opis:
This article concerns two problems. The first is baptismal symbolism, and the second liturgical mystagogy understood as a constant initiation of the faithful into the understanding of the faith. Hence, the first part shows the assumptions of contemporary liturgical mystagogy, which calls for an appropriate approach to the baptism of children on the part of both pastors and parents. The baptismal rites, rich in symbolism, can be helpful in this respect. The second part of the paper provides an explanation of baptismal symbolism. It discusses the importance of baptism, the presence of the community, the questioning of the parents and the godparents, the significance of the church door, the name of the child, the sign of the cross, the procession to the chancel, the exorcism, the blessing of water, the renunciation of evil, the profession of faith, the matter and form of the sacrament, the anointing with chrism, the putting on of a white garment, the giving of a lighted candle and the procession to the altar.
Źródło:
Seminare. Poszukiwania naukowe; 2013, 33; 27-37
1232-8766
Pojawia się w:
Seminare. Poszukiwania naukowe
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
On the combination of the Ophelian and the narcissistic in the poetry of Georges Rodenbach
Autorzy:
Malinowski, Wiesław Mateusz
Sobierajska, Alicja
Powiązania:
https://bibliotekanauki.pl/articles/606199.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Rodenbach
symbolism in poetry
Ophelia
Narcissus
Symbolism in Poetry
Ophelia, Narcissus
Opis:
Der Band enthält die Abstracts ausschließlich in englischer Sprache.
The paper examines a special place that the characters of Ophelia and Narcissus, so closely connected with the motif of water, occupy in the poetic imaginarium of George Rodenbach. What we deal with here is an unhealthy obsession within which two characters of literature and mythology, unhappily in love, are presented as two alter egos of the poet himself. An endless sequence of images associating water with death reveals the fascination and trepidation of the symbolist, who uses the Opheliac depths and Narcissus’s water mirror as a reflection of different states of his soul.
The paper examines a special place that the characters of Ophelia and Narcissus, so closely connected with the motif of water, occupy in the poetic imaginarium of George Rodenbach. What we deal with here is an unhealthy obsession within which two characters of literature and mythology, unhappily in love, are presented as two alter egos of the poet himself. An endless sequence of images associating water with death reveals the fascination and trepidation of the symbolist, who uses the Opheliac depths and Narcissus’s water mirror as a reflection of different states of his soul. 
Том содержит аннотацию только на английском языке.
Źródło:
Lublin Studies in Modern Languages and Literature; 2018, 42, 3
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Une palette intentionnelle et significative : le symbolisme des couleurs dans quelques romans zoliens
Autorzy:
Kaczmarek-Wiśniewska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/559912.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:
Zola
Rougon-Macquart
colour
symbolism
Opis:
An intentional and significant palette : colour symbolism in some of Emile Zola’s novels In naturalist novels, aiming to depict the reality as faithfully as possible, colours are particularly important, and need to be carefully selected. An attentive reader of Zola’s Rougon-Macquart series might notice a very special use of colours that are often charged with an important symbolic value: being not only an ornament or a detail, they frequently influence and/or express the characters’ features. The proposed classification shows some most relevant examples of Zola’s conception of colours in selected parts of the series.
Źródło:
Orbis Linguarum; 2018, 50; 249-259
1426-7241
Pojawia się w:
Orbis Linguarum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Short and Sweet. Symbolism of Strawberries in Katherine Mansfield’s Short Stories
Autorzy:
Kwiatkowska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/578834.pdf
Data publikacji:
2018
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
Katherine Mansfield
strawberry
fruit
symbolism
Opis:
Strawberries were the fruit that the Modernists and Modernism were very fond of. It thus should not be a surprise that strawberries also feature in Modernist prose texts of Katherine Mansfield. Although they make their appearance only in a couple of stories, and then merely for a brief moment, they should not by any means be treated as mere tiny blots belonging to the background. For when we take a closer look at them it turns out that, as is usually the case with Mansfield’s short stories, there is more to it than meets the eye. Seemingly unimportant, often unnoticed and therefore frequently underestimated, this small, sweet, red and fragrant fruit makes a significant statement in every text it is mentioned.
Źródło:
Zagadnienia Rodzajów Literackich; 2018, 61, 1(125); 101-113
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Muzyka w filmie Ewangelia wg św. Mateusza Piera Paola Pasoliniego
Music in The Gospel According to St. Matthew by Pier Paolo Pasolini
Autorzy:
Okołowicz, Julia
Powiązania:
https://bibliotekanauki.pl/articles/514065.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Pasolini
neorealism
soundtrack
symbolism
film
Opis:
The Gospel According to St. Matthew (1964) was the third film made by an Italian intellectual Pier Paolo Pasolini. After many scandals and court trials which concerned seditious character of his earlier shortmovie La ricotta (making part of Ro.Go.Pa.G., 1963), he decided to dedicate his new film to the history of Christ, choosing the text of The Gospel According to St. Matthew, naming it the one which in the best way represents the human nature of Christ and his „being a man among men”. The film he made is an interesting work of art because of many reasons: it was filmed in the area of the South of Italy, it’s maintained in the neorealism aesthetics, and thanks to the actors who starred in the film (one of the Apostles was played by Giorgio Agamben, an Italian philosopher, Jesus was played by a Spanish student, a strong follower of communism and Mary was played by Pasolini’s own mother – Susanna). Nevertheless, The Gospel According to St. Matthew, among other Pasolini’s film, has the most complex and refined soundtrack list, because, this time, the music is the element which plays the major role in the film, being the factor of the stylistic contamination he applied in his works. The story of Christ is portrayed by unusual music choices such as Sometimes I Feel Like a Motherless Child by Odetta Williams, Gloria from the Kongo mass Missa Luba, Prokofiev’s Alexander Nevsky and others. Thus, it is important to have a closer look at the film’s music, and by decoding the intertextual figures such as quotations and allusions, try to understand its narrative symbolism and hidden, autobiographical motives created by Pasolini.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2015, 3 (26); 4-22
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ritual as an inseparable component of political propaganda: a politological analysis with account being taken of certain anthropological elements
Autorzy:
Golanko, Adriana
Kosmala, Szymon
Powiązania:
https://bibliotekanauki.pl/articles/2167877.pdf
Data publikacji:
2020
Wydawca:
Fundacja Instytut Nauki o Polityce
Tematy:
Ritual
propaganda
political anthropology
symbolism
Opis:
The study deals with political propaganda considered as a space for the performance of rituals and ritual behaviours. Such an approach allows for investigating that phenomenon from another perspective than so far proposed by classical propaganda research schools. Special categories of the analysis include the symbolic sphere and conventionality, while emphasis is placed on researching propaganda within politically significant structures. The article provides information on how the phenomenon has been analysed with the use of anthropological research categories.
Źródło:
Polish Journal of Political Science; 2020, 6, 1; 91-117
2391-3991
Pojawia się w:
Polish Journal of Political Science
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Od Baudelaire’a do Mallarmégo. W poszukiwaniu ideału muzyczności
From Baudelaire to Mallarmé. In search of the ideal of musicality
Autorzy:
Opiela-Mrozik, Anna
Powiązania:
https://bibliotekanauki.pl/articles/649296.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
muzyczność
korespondencje sztuk
francuski symbolism
ideał
cisza
Musicality
Correspondences
French Symbolism
Ideal
Silence
Opis:
This article undertakes the topic of the evolution in perceiving the ideal of literary musicality among representatives of French symbolism, taking into account Baudelaire and Mallarmé. The former, who is considered to be the precursor of symbolism, used prosody and combined the arts and music to convey the metaphor of painting and poetry. On the other hand, in Mallarmé’s oeuvre, it is poetry that moves closer to music on the level of form. Next, the utilization of the acoustic aspect of text, which is characteristic of Verlaine, is degraded in René Ghil’s artificial system of verbal instrumentation. The work of Villiers de l’Isle Adam and Jules Laforgue shows that music-related topics are gradually set aside and the music theme is softened and gives way to silence. Silence itself is the best way that presents Mallarmé’s ideal of musicality as a silent concert that resonates in the reader’s mind.
Artykuł podejmuje temat ewolucji w postrzeganiu ideału literackiej muzyczności wśród przedstawicieli francuskiego symbolizmu koncentrując uwagę zwłaszcza twórczość Baudelaire’a i Mallarmégo. Pierwszy z nich, uważany za prekursora symbolizmu, stosował prozodię, co można zaobserwować w jego twórczości łączącej różne sztuki i wykorzystującej tematy muzyczne do budowania metaforycznych ujęć malarstwa i poezji. Natomiast poezja Mallarmégo zbliża się do muzyki na poziomie formy. Wykorzystanie akustycznego aspektu tekstu, charakterystyczne dla poezji Verlaine, przechodzi przez sztuczny system instrumentacji słownej René Ghila. Z kolei, utwory Villiers de l’Isle Adama i Jules Laforgue’a pokazują, że tematy muzyczne są stopniowo marginalizowane, co otwiera drogę do milczenia. To zupełna cisza, która w najlepszy sposób przedstawia ideał muzyczności Mallarmégo jako cichy koncert, rozbrzmiewający w umyśle czytelnika.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2019, 52, 1; 275-289
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
L’absence qui devient présence : la vie et l’Idée dans Sixtine de Remy de Gourmont
Absence Which Becomes Presence: Life and Idea in Sixtine by Remy de Gourmont
Autorzy:
Sadkowska-Fidala, Agata
Powiązania:
https://bibliotekanauki.pl/articles/483622.pdf
Data publikacji:
2011
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
idea
symbolism
love
sterility
art
Opis:
Sixtine by Remy de Gourmont marks the refusal of nature and tangible reality and the choice of imagination to the detriment of reality. Its principal character, Hubert d’Entragues is a faithful disciple of idealism of symbolism. Since he chooses to think rather that to live, it is not surprising that the plot of the novel is almost nonexistent. The plot develops around of d’Entragues’ desire to win the beautiful Sixtine, which is in itself condemned to failure since he is doing nothing to reach her and refuses to take any effort. The woman, who could have served as the principal impulse of the plot, is practically inexistent in this story (though it is a passionate story) and is replaced by the ideal woman: the story is doubled by the second story, e.g. a novel written by the character which is a transposition of his “cerebral” relation with Sixtine and a realisation of presence of the latter. Art replaces life and life does not exist in itself. It is shaped by thought. But the chosen absence of any facts of life is fruitful: it gives birth to a novel. It is a story of a prisoner in love with the statute of the Virgin which he sees while taking a daily walk. In this novel the carnal accomplishment is not necessary in order for a true and sincere passion to develop and the satisfaction of desire may destroy the dream and the ideal.
Źródło:
Quêtes littéraires; 2011, 1; 32-38
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Die Bande des Bluts und des Wassers. Das Bad in Wszscinsk von Siegfried Lenz und Das schwäbische Bad von Herta Müller
Autorzy:
Pilipowicz, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/571944.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Warszawski. Wydział Neofilologii
Tematy:
blood symbolism
corporeality
Herta Müller
Opis:
Na podstawie dwóch opowiadań – Kąpiel we Wszscińsku Siegfrieda Lenza i Szwabska kąpiel Herty Müller – została podjęta próba określenia więzi rodzinnych w kontekście krwi i wody. Więzy wody, które stają się widoczne podczas wspólnej kąpieli, odzwierciedlają więzy krwi, inicjowane aktem płciowym. W wymiarze duchowym oba rodzaje więzów wykazują zindywidualizowaną zdolność w kształtowaniu kontaktów interpersonalnych (ich stopnia bliskości i oddalenia), ale w wymiarze fizycznym poddane są one ścisłej weryfikacji kulturowej i cechuje je inwersja: o ile relacja wody eksponuje przynależność genealogiczną członków rodziny (integruje swoich i separuje obcych), o tyle relacja krwi zapobiega sytuacjom kazirodczym (łączy obcych i dzieli swoich).
Źródło:
Acta Philologica; 2014, 45; 186-194
0065-1524
Pojawia się w:
Acta Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Symbolika włosów w polskiej kulturze ludowej
Hair Symbolism in the Polish Folk Culture
Autorzy:
Figiel, Anna
Powiązania:
https://bibliotekanauki.pl/articles/966796.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Hair
Symbolism
Polish Folk Culture
Opis:
Of all the elements of the human body, hair has been one of the most well-developed symbols. It has been the subject of a variety of activities to which many meanings have been assigned. A specific hairstyle, its shape, length, weave or color in different cultures have meant belonging to particular social groups or determining economic or social status. The author focuses her attention on the aspects of folk rituals using hair, including the symbolic meaning of manipulation of hair, such as combing, pinning and cutting. In addition to determining social status, the important role in the ritual’s calendar and family life, hair has been associated with broadly understood symbolism and various meanings. The purpose of the text is to also show the relationship between the belief function and the appearance of the hair and the actions by which they are affected.
Źródło:
Zeszyty Wiejskie; 2017, 23; 125-137
1506-6541
Pojawia się w:
Zeszyty Wiejskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La cathédrale gothique et la crypte: de l’ascension à la descente
Autorzy:
Jakubczyk, Radosław
Powiązania:
https://bibliotekanauki.pl/articles/2076893.pdf
Data publikacji:
2016
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Gothic Cathedral
Crypt
Ascension
Descent
Symbolism
Opis:
The article deals with the symbolism of the Gothic cathedral and crypt in Wyspiański’s “French” letters to Rydel, Huysmans’ and Berent’s novels, and in the art from the late 19th century through the early 20th century (Monet, Rodin). The cathedral represented in the examined works becomes a symbol of the need of the human soul to free oneself from the body and fly up to heaven. The crypt is considered a space of self-reflection and refuge.
Źródło:
Kwartalnik Neofilologiczny; 2016, 4; 523-533
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Religious symbolism and contemporary culture. The case of Europe
Autorzy:
Sztajer, Sławomir
Powiązania:
https://bibliotekanauki.pl/articles/943533.pdf
Data publikacji:
2018
Wydawca:
Polskie Towarzystwo Religioznawcze
Tematy:
religious symbolism
European culture
popular culture
Opis:
The aim of this paper is to analyze the ways in which religious symbols are present in non-religious spheres of contemporary European culture. It is widely known that, as a result of secularization, religious symbolic language is no longer present in the public sphere and culture of contemporary European societies in the same way as it was in the past. At first sight, it seems that it has lost its relevance for other fields of culture as well as for everyday communication, and that religion has become a relatively closed system of communication. However, more thorough investigation shows that various religious symbols are widely used in many fields of secular culture. The fundamental question concerning religious symbols is whether and, if yes, in what particular way, they change their meaning as a result of being used in non-religious cultural activity. What is the reason that previously marginalized religious symbols reappear in secular culture? It may be hypothesized that religious symbols are not culturally contingent, but they constitute a universal dimension of culture and are deeply rooted in the human mind.
Źródło:
Przegląd Religioznawczy; 2018, 1/267
1230-4379
Pojawia się w:
Przegląd Religioznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Great Code(r) Of Serbian Literature
Autorzy:
Damjanov, Sava
Powiązania:
https://bibliotekanauki.pl/articles/694487.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Literature
Serbian symbolism
Djordje Marković Koder
Opis:
Koder’s life and work still remain a big secret and mysterious code of Serbian literature: this writer is defi ned as a precursor of (post) modernism 20th and 21th century. During his lifetime (1806–1891) as a writer he was not accepted: after death is all but forgotten. Innovations introduced in the literature of his contemporaries were distant and vague, but they fi t perfectly into the context that has become the dominant one hundred years later. Koder’s life destiny and fate of his work here is viewed as a whole, and in the second part analyzes his relationship with symbolism and early modern in the late 19th century. In this way, Djordje Marković Koder appears as the forerunner of modern literary and artistic process.
Źródło:
Slavica Lodziensia; 2017, 1
2544-1795
Pojawia się w:
Slavica Lodziensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zobaczyć niewidoczne, czyli o tym, jak Polska zaślubiała morze
Autorzy:
Golonka-Czajkowska, Monika
Powiązania:
https://bibliotekanauki.pl/articles/644509.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
anthropology
politics
history
symbolism
ritual
nationalism
Opis:
Policies are not only being expressed by symbols and rituals, but their transmission and the use are being shaped by symbolic meanings. They teach how to understand world, putting it in order and help to overcome feeling of the chaos. To a large extent a so-called political reality is being created by symbolic meanings, even if it is hard for us to be reconciled with it. With the help of the appropriate selected set of multi-sensual, dramatic measures the political ritual allows more or less to capture participants and shape social imagination according to intentions of his organizers. Reconstructing or confirming existing political order the official ceremony with its performative nature tries with similar power as the ritual to involve its participants, seeks to generate feeling and images preferred by the authority. 10 January 1920, in accordance with provisions of the Treaty of Versailles the Republic of Poland took back Pomerania (annexed by Kingdom of Prussia in 1772 during First Partition of Poland). According to this, the special celebration was organized on the Puck Bay one month later. An episode with throwing the platinum ring into waters of the Baltic, called Poland’s Wedding to the Sea became soon the most important event in the great national story about the return of Pomerania to the motherland. It established the paradigmatic pattern for another state celebrations, which confirmed the northern boundary of Poland symbolically and state’s territorial integrity. Events in 1945 and 2010 were the variants of Poland’s Wedding to the Sea settled in their own historical context. On the one hand these ceremonies served as performative instruments for national legitimization of the power, but on the other hand they were used by political elites for creating and playing their own, different vision of the state.
Źródło:
Prace Etnograficzne; 2014, 42, 4; 335-348
0083-4327
2299-9558
Pojawia się w:
Prace Etnograficzne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Narodowe i transnarodowe aspekty ptasiej symboliki duszy w ujęciu etnolingwistycznym
Autorzy:
Masłowska, Ewa Jadwiga
Powiązania:
https://bibliotekanauki.pl/articles/34670870.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
bird symbolism
bird national symbolism
bird transnational symbolism
bird symbolism of the soul
profiling symbolic meanings of birds
ptasia symbolika dusz
narodowa symbolika ptaków
transnarodowa symbolika ptaków
profilowanie znaczeń symbolicznych ptaków-dusz
Opis:
Autorka podjęła próbę ukazania narodowej i ponadnarodowej symboliki ptaków w sferze duszy w polskiej kulturze ludowej na tle słowiańskim. Celem pracy jest prześledzenie różnorodności w sposobie obrazowania egzystencji dusz zmarłych oraz ich relacji ze światem żywych. Analiza materiału wykazała, że różnice kulturowe dają się zaobserwować na poziomie gatunków ptaków. Cechy gatunkowe ptaka (wygląd, tryb życia, barwa upierzenia) oraz konteksty kulturowe (odziedziczone i lokalne) stanowią podstawę do profilowania ich znaczeń symbolicznych.
The article deals with national and transnational symbolism of birds in the sphere of the soul in Polish folk culture against the Slavic background. The study aims to observe the variety of the imagery in the post-mortal existence of souls and their relation with the living. The analysis shows that there are cultural differences on the level of bird species. The symbolic meanings of birds are based on the characteristics of their species (the size, appearance, lifestyle, colour of plumage, nesting place) and the cultural context (both inherited and developed locally).
Źródło:
Etnolingwistyka. Problemy Języka i Kultury; 2022, 34; 181-200
0860-8032
Pojawia się w:
Etnolingwistyka. Problemy Języka i Kultury
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Miasto w Biblii Hebrajskiej. Perspektywa teologiczna
The City in the Hebrew Bible. A Theological Perspective
Autorzy:
Stanek, Teresa
Powiązania:
https://bibliotekanauki.pl/articles/607439.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
synchronic interpretation - symbolism of the city
Opis:
The Christian and rabbinic concept of the city asserts a symbolic dimension of the city derived fundamentally from the theological themes of the Hebrew Bible, which redefined the symbolism of the city compared to that of the neighboring nations. The concept of the city in the Bible extends from the synonym of a place that concentrates in itself all the evil (e.g. Gn 19,20-32; Is 1,9-10; Jr 19,13), to a place with the status of special holiness (e.g. 2S 20,19; Is 62,10-12; Tb 13,10) or identified with God’s special protection (e.g. 2K 19,34; 20,6; Is 37,31-35; 38,6; Mi 4,7-8; Dn 3,28).The transformation of this theme in the present article is analyzed through the occurrence of the Hebrew term 1'l1. Since in the rhetorical perspective it is assumed that the occurrence ofa particular word is not incidental but points the reader to the message of the text, the tracing of occurrence of the term 1'l1, might be helpful in understanding the development of the theological meaning of the concept of the city.
Źródło:
Poznańskie Studia Teologiczne; 2012, 26; 7-27
0209-3472
Pojawia się w:
Poznańskie Studia Teologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poezja i poznanie. O poemacie "Eliasz" Bolesława Leśmiana
Poetry and Cognition – on Bolesław Leśmian Poem "Eliasz"
Autorzy:
Łazicka, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/951590.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
symbolism
poetry
cognition
Bolesław Leśmian
Eliasz
Opis:
The author attempts to demonstrate that the poem "Eliasz" by Bolesław Leśmian has cognitive character. She devotes a lot of attention to the connections between Leśmian poetry and realistic symbolism. Part of the article concerns the poet’s description of the netherworld. Furthermore, it inquires whether the poem accomplishes the ultimate pursuit of poetry – remaining open to one true reality, free of individualism and intellectual constraints. Eventually, the interpretation demonstrates how, through a detached protagonist – "Eliasz", Leśmian begins to doubt the power of poetry to bring one back to primeval cognitive context, to such state of mind where reality is experienced directly through intuition and imagination.
Źródło:
Białostockie Studia Literaturoznawcze; 2015, 7
2082-9701
2720-0078
Pojawia się w:
Białostockie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Apokalipsa Abrahama 1-6. Propozycja interpretacji symbolicznej
Autorzy:
Rubinkiewicz, Ryszard
Powiązania:
https://bibliotekanauki.pl/articles/1177649.pdf
Data publikacji:
1982
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
Apokalipsa Abrahama
symbolika
Apocalypse of Abraham
symbolism
Opis:
Der Verfasser des vorliegenden Artikels stellt seine eigene Interpretationsvoraussetzung der ersten sechs Kapitels der Abrahams Apokalypse dar. In dieser Abrahams Apokalypse 1-6 kann man dieser Interpretation nach zwei Bedeutungsschichten unterscheiden. Erste haggadische Lage stellt eine Kritik der Abgötterei dar. Zweite symbolische Lage sieht in den Idolenbenennungen und in ihrer Geschichte eine Kritik der Imperien, die Israel unterdrückt haben, Und so Marumat symbolisiert Rom, fünf aus Stein ausgeschnitzten Idole stellen fünf römische Kaiser: Galba, Otton, Vitelius, Vespasian und Titus dar. Der Idol Nachin würde Nerodarstellen, der Idol Barysat würde von Persien besiegte Babylonien versinnbildlichen. Solche Idole wie Suzuch und Ioavan sollte man entsprechend auf Cyrus und Alexander den Grossen beziehen. Es würde sich daher um wier Imperien: Rom Babylonien, Persien und Griechenland handeln. Indem der Verfasser der Abrahams Apokalypse eine Kritik dieser Idole durchführt, möchte er darauf hinweisen, dass keine dieser Mächte ein wirklicher Israels Erreter war, und die mit ihnen geschlossenen Bündnisse nur Schaden brachten.
Źródło:
The Biblical Annals; 1982, 29, 1; 79-95
2083-2222
2451-2168
Pojawia się w:
The Biblical Annals
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Une traduction qui fait un manifeste Art poétique de Verlaine et Sztuka poetycka de Miriam
Autorzy:
Łukaszyk, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/700485.pdf
Data publikacji:
2017
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
symbolism
translation
ars poetica
Verlaine
Young Poland
Opis:
The Polish translation of Verlaine’s Art poétique marks an important step in the process of acquisition of symbolism as a new paradigm of poetic creation. The analysis presented in this paper puts in the limelight the problem of positioning the translated text in the receptive literary system. The analytic proposal implies the employment of the term “embeddedness,” originally introduced by the historian Karl Polanyi, to render the implication of the non-economic factors in the process of production. Analogically, the production of literary texts is conditioned by factors situated at the frontier of literature. Those wishing to adopt a foreign aesthetics must vanquish the resistance of the local, traditionalist context. As a result, the translation is “embedded” as a manifesto, even if Verlaine’s Art poétique is a parody of the genre and an expression of the poet’s creative doubts rather than a truly prescriptive text. The auto-ironic dimension of the original poem disappears in the Polish translation by Miriam, which becomes a rigorous ars poetica.
Źródło:
Romanica Silesiana; 2017, 12
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
On colour oppositions in Polish hydronymy (running waters)
O opozycjach kolorystycznych w hydronimii Polski (wody płynące)
Autorzy:
Stachowski, Kamil
Powiązania:
https://bibliotekanauki.pl/articles/2084620.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
hydronymy
etymology
colour
colour symbolism
colour opposition
Opis:
There are more than 350 fl owing waters in Poland with names containing a colour adjective. Etymological propositions mention sometimes various physical attributes such as the colour of the water or of the bottom, or even a possible symbolical usage connected e.g. with the cardinal directions, but most often they limit themselves to citing the literary version of the adjective, and there end their inquiry. The goal of the present paper is to establish to what degree physical attributes can explain the use of colour epithets; and if they cannot, then whether there is any reason to believe that there existed in the past a more elaborate system of colour symbolism.
Źródło:
Rocznik Slawistyczny; 2019, 68; 125-158
0080-3588
Pojawia się w:
Rocznik Slawistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pionierski niedosyt
Pioneering unquenched desire
Autorzy:
Hoffmann, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/1535310.pdf
Data publikacji:
2009-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Leśmian’s poems
Russian symbolism
iconology
theology
Opis:
The book Twórczość Leśmiana w kręgu filozoficznej myśli symbolizmu rosyjskiego written by Sobieska is a pioneering attempt at combining a discussion on the literary output of the author of Dziejba leśna with the reflection stemming from the tradition of the Eastern Orthodox Church. The book, notwithstanding its shortcomings and self-imposed limitations, comprehensively discusses views and opinions hitherto unknown to the Polish reader, introduces and explains the context of the findings of such thinkers as Soloviov or Biely, compares texts written by Russian symbolists with Leśmian’s poems. Sobieska categorizes the problem issues into subsequent thematic ranges (epiphany insight into the nature of being, musicality and the notion of poetical metre, creative imagination, mystical femininity) in order to point at potential sources of the recontextualization of Leśmian’s poetical sensitivity. The findings, being an example of classic comparatistic studies, have been enhanced by iconological and musicological observations as well as by some additional guiding elements facilitating the understanding of Orthodox theology. The present sketch discusses the book and is complemented with a polemics with some of its methodological solutions.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2009, 16; 153-162
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fenomen kobiecości w wyobraźni poetyckiej Bolesława Leśmiana na tle europejskiej refleksji antropologicznej
The phenomenon of femininity in the poetical imagination of Bolesław Leśmian against the background of European anthropological reflection
Autorzy:
Karwowska, Marzena
Powiązania:
https://bibliotekanauki.pl/articles/1535457.pdf
Data publikacji:
2009-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
archetypal figures
mythical figures
misogynism
symbolism
remithologization
Opis:
In the early decades of the twentieth century the misogynist philosophical conceptions proposed by Schopenhauer, Nietzsche and Weininger exerted a particular influence upon the image of woman. In the literary output of Leśmian this phenomenon takes on the form decidedly divergent from the patterns prevalent at the time manifesting in the typical features of archetypal and mythical figures. In the construction of his literary lovers, Leśmian makes references to ritual symbolism. His almost hieratic female figures, notionally available to woman, guide the way in a possible passage between the beyond (spiritual world) and the world of mortals. The poet accentuates the analogies between the sacredness of woman and the sacrum of Tellus Mater and adopts the at- titude of a neophyte who endows women with the power of initiation into the mystery of regeneration. The notional female figures created by Leśmian, with the typical for the poet positive and exhilarating valorization of woman’s body, have the power of euphemising thanatical fears and anxiety. Leśmian treats the corporeal nature of woman as hierophany: a female, revealing the sacral character of the universe, forms and contributes to its spiritual order. Schopenhauer, Nietzsche and Weininger demythologize the phenomenon of femininity, Leśmian remythologizes it back again.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2009, 16; 51-62
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Elementy kodu miłosnego w liryce Haliny Poświatowskiej
Love Code Elements in the Lyrics of Halina Poświatowska
Autorzy:
Skubalanka, Teresa
Powiązania:
https://bibliotekanauki.pl/articles/953980.pdf
Data publikacji:
2010-12-30
Wydawca:
Uniwersytet Opolski
Tematy:
love code
lyrics
poetry
symbolism
nature
style
Opis:
The author exhibits the presence o f various elements o f traditional love code in the lyrics of the poet. These elements include appeals and allusions to love divinities, phraseology of heart and amorous fires, some fragments of descriptions of lovers’ beauty, and selected connections with the world of nature. Stylistic innovativeness o f these lyrics consists in the formation of the style, which is brief and full of simplicity, and in the exploitation of symbolism connected to the nature.
Źródło:
Stylistyka; 2010, 19; 209-238
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Symbolika ratuszy w przestrzeni miasta średniowiecznego. Wybrane przykłady
Autorzy:
Eysymontt, Rafał
Powiązania:
https://bibliotekanauki.pl/articles/949894.pdf
Data publikacji:
2014
Wydawca:
Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie
Tematy:
town hall
urban community
municipal building
symbolism
Opis:
Town halls have always been the best example of the aspirations and possibilities of urban communities. The location of the town hall building was related to its central role in the political system and functioning of the town. This was the case, irrespective of the period in which the building was raised, or its size. Its functional and ideological centrality in the urban space was achieved in several ways. The first, dating back to the ancient tradition, is associated with the classical structure of a city based on a rectilinear grid of streets – the town hall takes the place of the Roman praetorium, which was in the castrum at the intersection of the cardo and decumanus. This was not only the case in cities in the Apennine Peninsula, but also in colonized areas – in the towns established on the former sites of Roman camps. If the town hall building was part of a densely developed area, its form always distinguished it from the other buildings, and if it was a free-standing building, it competed with the church buildings with regards to its shape and location. Another way of emphasizing the central role of the main municipal building in the urban layout was to make it the main vertical accent, by accentuating its height with regard to the church towers – as in the solutions associated with the Flemish idea of the beffroi. The third important aspect regarding the spatial composition of medieval cities was the location of the town hall building in close relation to the “dynamic” diagonal axis of the town’s layout linking the town hall with the cathedral or parish church. This kind of layout can be found both on the Apennine Peninsula and in Silesia. The signifi cant analogies, which are visible at first glance, between the functioning of various town hall buildings in various geographical regions far away from one another, confirm the appropriateness of undertaking further research on the various groups of buildings in urban layouts both in the context of contemporary ideas and archetypes that had an influence throughout the whole of Europe, which in this context appears to be a culturally homogenous area.
Źródło:
Roczniki Dziejów Społecznych i Gospodarczych; 2014, 74
0080-3634
Pojawia się w:
Roczniki Dziejów Społecznych i Gospodarczych
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Paradis oriental, paradis occidental: une lecture du jardin sandien (Laura, ou Voyage dans le cristal)
Autorzy:
Kocik, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/638444.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
George Sand, garden, imagination, hypotext, orientalism, symbolism
Opis:
An Eastern Paradise, a Western Paradise: a Reading of George Sand’s Garden (Laura, or a Journey into the Crystal) The paper proposes a reading of the depiction of a garden in Laura, or a Journey into the Crystal in the contexts of The Tales of One Hundred and One Nights, of the hypotexts of the Bible as well as of the Epic of Gilgamesh, of the Persian miniature and of Bachelard’s concept of material imagination. The symbolic dimension of mineral paradise in Sand’s vision is the focus of reflection. The vision stems partly from the romantic anti-materialistic concepts, and partly seems to be the expression of the preoccupations with the material and the oriental both of the epoch and of the author of Laura... herself.
Źródło:
Romanica Cracoviensia; 2012, 12, 2
2084-3917
Pojawia się w:
Romanica Cracoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O symbolicznych wizerunkach psa i hieny w kulturze Hausa
On Symbolic Images of the Dog and the Hyena in Hausa Culture
Autorzy:
Siwierska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/522878.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Warszawski. Katedra Języków i Kultur Afryki. Polskie Towarzystwo Afrykanistyczne
Tematy:
dog (kare)
hyena (kura)
Hausa culture
symbolism
Opis:
Animals, their appearance, characteristics and behaviour play an important role in the shaping of human thinking and perception of the world. The attitude of people towards animals found its reflection in language, which constitutes a crucial component of culture and a key to understanding the philosophy of life. This article is meant to present symbolic meanings of the dog (kare) and the hyena (kura) in Hausa aphorisms and proverbs. These wise sayings serve as a medium for the metaphorical expression of their knowledge, attitudes and values.
Źródło:
Afryka; 2019, 49; 33-60
1234-0278
Pojawia się w:
Afryka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sound Symbolism in Foreign Language Phonological Acquisition
Autorzy:
Wrembel, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/620806.pdf
Data publikacji:
2010-09-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
sound symbolism
synaesthetic vowel mappings
pronunciation pedagogy
Opis:
The paper aims at investigating the idea of a symbolic nature of sounds and its implications for in the acquisition of foreign language phonology. Firstly, it will present an overview of universal trends in phonetic symbolism, i.e. non-arbitrary representations of a phoneme by specific semantic criteria. Secondly, the results of a preliminary study on different manifestations of sound symbolism including emotionally-loaded representations of phonemes and other synaesthetic associations shall be discussed. Finally, practical pedagogical implications of sound symbolism will be explored and a number of innovative classroom activities involving sound symbolic associations will be presented.
Źródło:
Research in Language; 2010, 8; 1-14
1731-7533
Pojawia się w:
Research in Language
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The rhetoric of disenchantement through symbolism
Autorzy:
Munyangeyo, Theophile
Powiązania:
https://bibliotekanauki.pl/articles/780929.pdf
Data publikacji:
2012-12
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
disenchantment
discourse analysis
representation
sociological reading
symbolism
Opis:
The symbolism of flowers has always been a significant part of cultures around the world due to their functional meaning in daily life. From their decorative to their aromatic role, flowers and their symbolic meaning trigger emotions, convey wishes and represent thoughts that can not be explicitly expressed. In this regard, an elaborate language based on flower symbolism was developed in many societies, to convey clear messages to the recipient. However, in some cultural contexts, although the flower symbolism has social connotations, it is mainly associated with economic references. As flowers are an essential precursor to fruits, they are inevitably a source of expectations and hence foster a set of hopes and dreams, which can ultimately lead to excitement or disappointment.Through a discourse analysis based on factional narratives, this article explores the parameters through which the symbolism of bifaceted meaning of flowers fictionalises a space that refers to the social reality. This association between the fictional world and social reference has highlighted that writing can profoundly be a means of representing social events through the rhetoric of symbolism. Through a sociological reading approach, this paper aims to analyse how the symbolism of flowers informs the rhetoric of disenchantment that can foster a content-based pedagogy in language learning where silencing practices engender imagery to exercise the freedom of expression.
Źródło:
Studies in Second Language Learning and Teaching; 2012, 2, 4; 561-577
2083-5205
2084-1965
Pojawia się w:
Studies in Second Language Learning and Teaching
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Il nero di Cluny contro il bianco di Cîteaux: aspetti simbolici e cromatici degli abiti monastici medievali
The back of Cluny vs. The white of Citeaux: chromatic and symbolic aspects of medieval monastic garb
Autorzy:
Del Mastro, Diana
Powiązania:
https://bibliotekanauki.pl/articles/2139053.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego
Tematy:
the Middle Ages
Cistercian
monastic dress
symbolism
Opis:
At the beginning of the 11th Century, in the variegated universe that characterized the monastic religious orders with hermit tendencies, or monastic brotherhoods, and religious organizations, the choice of the habit began to take on profound implications, because it allowed people to recognize between the different communities of the sole Ecclesial body. Because of its clearly and doctrinal purpose, the problem of the garb could not be left to chance; in fact, it ended up giving rise to acrimonious quarrels between the monks, such as the chromatic controversy (black vs. white) which opposed, during the 12th Century, two French abbeys, Cluny and Citeaux, on topics not only theological, but also aesthetic. Soon it became essential to establish clear rules and policy on the choice of colour and appropriate tone to the religious lifestyle. Obviously, countless were considerations about the cut, the length of the habit, the style of the hood and, of course, the colour
Źródło:
Colloquia Theologica Ottoniana; 2013, 1; 91-106
1731-0555
2353-2998
Pojawia się w:
Colloquia Theologica Ottoniana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Symbolika wody w Koranie
Autorzy:
Siwierska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/2142068.pdf
Data publikacji:
2021
Wydawca:
Uniwersytet Warszawski. Katedra Języków i Kultur Afryki. Polskie Towarzystwo Afrykanistyczne
Tematy:
water
Islam
Koranic symbolism
God’s attributes
Opis:
The object of this paper is to analyze the Koranic symbolism of water in the light of the Islamic conception of nature as well as God’s attributes and His attitude towards His creatures. According to the Qur’an, God made from water every living thing. Rain, rivers, seas, streams and springs are signs and manifestations of God’s existence in the universe. Water is also regarded as one of God’s favors on His servants. There are numerous Koranic verses relating water as a vehicle of penalty both in the wordly life and in the hereafter. In the Koranic eschatological descriptions, it also appears as God’s reward for believers in paradise.
Źródło:
Afryka; 2021, 51/52; 89-109
1234-0278
Pojawia się w:
Afryka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Elf, wróżka, kameleon… Metaforyczno-symboliczny portret polskiej Safo zwerbalizowany w książce Marioli Pryzwan Lilka. Pawlikowska Jasnorzewska we wspomnieniach i listach
Elf, fairy, chameleon… A metaphorical-symbolic portrait of the Polish Safo presented in Mariola Pryzwan’s Lilka. Pawlikowska Jasnorzewska in memoirs and letters
Autorzy:
Węgorowska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/40256321.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
Maria Jasnorzewska-Pawlikowska
metaphor
symbolism
personality
verbalization
Opis:
Human personality is The complexity of human personality is confirmed in its psychological, pedagogical and lexicographical definitions. This complexity is clearly seen Pawlikowska-Jasnorzewska’s personality. The aim of this publication is to describe the personality traits of Maria Pawlikowska‑Jasnorzewska, a playwright, painter, a descendant of the Kossak family and one of Poland’s greatest poets. The metaphorical terms used to refer to Pawlikowska-Jasnorzewska include: colorful butterfly, bracken, hummingbird, lioness, salamander, rose, exotic flower, fortune-teller, or a fairy, to name but a few, and are all characterized by symbolic meaning. This was discussed in Mariola Pryzwan’s biographical work complementary to the existing portraits of Pawlikowska-Jasnorzewska – the woman and the artist, whose subtlety and softness were paradoxically coupled with her strong sense of realism were reflected in her unrivalled literary works.
Źródło:
Białostockie Archiwum Językowe; 2022, 22; 325-344
1641-6961
Pojawia się w:
Białostockie Archiwum Językowe
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La Figure de l’enfant viator chez Le Clézio, un nouveau type de pícaro
The Image of the viator child with Le Clézio, a new type of pícaro
Autorzy:
Presadă, Diana
Powiązania:
https://bibliotekanauki.pl/articles/483542.pdf
Data publikacji:
2014
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
childhood
picaro
vagrancy
alienation
initiation
lyricism
symbolism
Opis:
The first short story in the volume Mondo and Other Stories serves as a model for the other stories in the collection in terms of the themes, the representation of the child’s portrait and the stylistic peculiarities of the text. More exactly, the story describes the world of “children seen as kings” (Brée, 1990: 100) where everything is dominated by goodness, purity, beauty and magic. As the reference to Sinbad the Sailor at the beginning of the book suggests, the story depicts a moving journey in pursuit of a dream. This is the journey of a child who, refusing the adult world from which he feels alienated, is in search of himself and the unknown. As an image of the viator child, can we consider Mondo a new type of vagabond? Why is he emblematic of the author’s fictional universe and of universal literature? By answering these questions, the purpose of the paper is to demonstrate the originality and uniqueness of Le Clézio’s writing.
Źródło:
Quêtes littéraires; 2014, 4; 129-137
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Religijność w Księdze Kapłańskiej
Religiousness in the Book of Leviticus
Autorzy:
Stanek, Teresa
Powiązania:
https://bibliotekanauki.pl/articles/607277.pdf
Data publikacji:
2009
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Leviticus
religion of Israel
symbolism
synchronic analysis
Opis:
The Book of Leviticus appears as a compilation of fragmentary cultic and ethical prescriptions, coming from different periods of religious history of Israel. The synchronic analysis, started by Mary Douglas, proved that the editor of final version of Leviticus was a great artist, with a religious goal. Leviticus is a book that presents multiple layers of meaning. In this article the Book of Leviticus was considered from the Religionswissenschaft point of view. The text was divided on a major blocks according to its theme, and then asked what message was delivered through each one of them; and subsequently, what was message of the whole Book. Careful analysis of vocabulary, as well as the time and place of action, allow to suggest a new structure - the four final chapters might serve as the endings for three blocks of text. The theme leads the reader from the temple to the community; from the present to the future.
Źródło:
Poznańskie Studia Teologiczne; 2009, 23; 41-54
0209-3472
Pojawia się w:
Poznańskie Studia Teologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Black Love: On the Colours of Feelings in “Confiteor” by Antoni Szandlerowski
Autorzy:
Ejzak, Bartosz
Powiązania:
https://bibliotekanauki.pl/articles/1032176.pdf
Data publikacji:
2019-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Antoni Szandlerowski
Confiteor
symbolism
epistolography
black colouristics
Opis:
The imagination of Antoni Szandlerowski in his collection of letters to Helena Beatus (Confiteor), his beloved one, is dominated by black. The aim of this article is to show that this colour plays a major role in Confiteor therefore it is used be the author most of the times. When he writes about how pure and beautiful Helena Beatus is, he uses metaphors such as: black dove, black iris, dark cloud, dark corridor. It shows how pessimistic about the future and how guilty about the love he felt Antoni Szandlerowski was. The internal conflict was caused by the will to fulfil as a lover and the duty to continue priestly services. Antoni Szandlerowski is full of doubts. He misses Helena Beatus and feels that he cannot be happy without her. On the other hand, he knows that they cannot make their desire to live side by side real. Since the world is a place of pain and misery where the love cannot thrive due to social norms, lovers can bind together only after death. This way of thinking led Szandlerowski to many neurological disorders, caused nightmares and a painful impression that the whole world around fades away. Szandlerowski uses symbols such as a black dove and a black iris to describe his beloved one and to show the dichotomy of his perception. Therefore love is the source of all the pain and suffering for him.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2019, 8; 349-360
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Silentiaires fin-de-siècle : émergence et épuisement d’un motif poétique
Fin-de-siècle Silencers: rise and fall of a poetical motive
Autorzy:
Piantoni, Antoine
Powiązania:
https://bibliotekanauki.pl/articles/1038096.pdf
Data publikacji:
2017
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
fin-de-siècle
symbolism
mysticism
parody
silence
Opis:
The parallel urge of introspection and meditation which comes with the evocation of silence acts as landmark for a whole current of fin de siecle literature. The symbolist era gives the impression that its actors were obsessed with silence. Symbolist poetry took possession of silence as a way to encapsulate the ineffability of feelings and the various states of mind it explored, leaning towards an aesthetical mysticism. Yet that tendency soon turned into a form of cliché that opened a path towards parody, silence becoming a stigma of the ideological shortcomings of symbolism in the eye of its detractors. The attempt to seize the silence led to a harsh confrontation with void
Źródło:
Quêtes littéraires; 2017, 7; 93-104
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Językowy sposób wyrażania doświadczenia mistycznego w polskim tłumaczeniu Nocy ciemnej św. Jana od Krzyża
Linguistic manner of expressing mystical experience on the basis of polish translation of The Dark Night St. John of the Cross
Autorzy:
Gawrońska-Garstka, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1045085.pdf
Data publikacji:
2016-08-02
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
religious language
symbol (symbolism)
mystic
revelation
transcendence
Opis:
The article presents the issues of mystical language in the book The Dark Night St. John of the Cross. The analysis of the material shows rich repertoire of linguistic forms used by the author. The characteristics of mystical language: expression, simple syntax, dialogue, subjectivity, persuasion, symbolism and ambiguity.
Źródło:
Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2016, 23, 1; 9-19
1233-8672
2450-4939
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Językoznawcza
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
From a Noble Substance to an Imitative Body. The Image and Meaning of Wax Figures in a Votive Offering
Autorzy:
Jagla, Jowita
Powiązania:
https://bibliotekanauki.pl/articles/1798729.pdf
Data publikacji:
2019-10-30
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
wax, wax figure, votive offering, iconography, symbolism
Opis:
The Polish version of the article was published in Roczniki Humanistyczne vol. 62, issue 4 (2014). In a wealth of votive gifts, the wax ones undoubtedly deserve special attention. They were common as early as in the Middle Ages, and they were used until the 20th century. There was a variety of such votive offerings, starting with candles, through lumps of wax, and ending with full-scale wax figures that started being used as a votive gesture at the break of the 13th and 14th centuries in the north of Europe. In the 15th and 16th centuries this custom became popular among the wealthy German, Austrian and Italian noblemen. Making wax votive figures took a lot of skill so they were made by specially qualified artists (in Italy wax figures called Boti were produced by sculptors called Cerajuoli or Fallimagini). Religious orders collaborated with the artists-artisans, undertaking to supply wax, whereas the artisans prepared wooden frames, natural hair, glass eyes, paints, textiles and brocade. In the following centuries, the production of wax figures developed ever more dynamically, especially in the north of Europe, with less skilled wax modellers, artisans and gingerbread makers often being their producers. The latter ones mainly made smaller wax figures, cast or squeezed from two-part concave models (this type of items in their form and type reminded of figures made of gingerbread). Wax votive figures (especially of children aged three to 12) funded in the area of Upper and Lower Franconia (the Bamberg and Würzburg dioceses) from the mid-19th to the mid-20th century are a separate and rather unusual phenomenon. Popularity of this votive offering became stable about 1880, in the years 1900–1910 it reached its climax; and in the 1950s it came to an end. Franconian offerings were always constructed in a similar way: they had wax faces and hands (more rarely feet), and the other members were made of wood, metal and some other padding materials. Dolls were a dominating model for the production of these votes, and that is why, like dolls, they had wigs made of natural hair on their heads, glass eyes and open mouths. A very important role was played by clothing, in which figures were willingly dressed; they were children’s natural, real clothes (girls were often dressed in the First Communion dresses); moreover, the effigies had complete clothing, which means they had genuine underwear, tights, leather shoes. The figures were supplied with rosaries and bouquets held in their hands, and on the heads of girls there were garlands. The figures were put in cabinets and glass cases, sometimes with wallpaper on the back wall, and they had a longer text on the front glass with the name of the child, or possibly of its parents, and the time when the figure was offered. Despite the many features making the Franconian offering deposits different from votive figures from other regions, all these items are joined by a timeless and universal idea, in which—to quote H. Belting—“an artificial body has assumed the religious representation of a living body…”
Źródło:
Roczniki Humanistyczne; 2019, 67, 4 Selected Papers in English; 59-79
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Topos lasu w poezji Bolesława Leśmiana. Natura – człowiek – Bóg
Topos of the Forest in Bolesław Leśmians Poetry. Nature – Human – God
Autorzy:
Sobieraj, Sławomir
Powiązania:
https://bibliotekanauki.pl/articles/1833679.pdf
Data publikacji:
2021-11-03
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
forest
nature
man
symbolism
God
Bolesław Leśmian
Opis:
The article presents interpretations of poems by Bolesław Leśmian, where a motif of the forest can be found. Initially, the forest in Leśmian's poetry appears as symbolism of spiritual states: melancholy, longing and sadness, which are the characteristic features of the Young Poland poetry, which was primarily patronized by Kazimierz Przerwa-Tetmajer. Then, in the poems from Orchard, he announces the project of a union of human and nature and a turn towards the original instinctuality, the implementation of which the next volume will bring.Aa essential text is the poem Green Hour. This is the mystery of the existential tragedy of the human who lives on the border between the worlds: nature, human civilization and God. Here we can see the unveiling of the idea of realistic symbolism, which involves the search for mediation between different entities. However, he does not come to it because of the fact that the protagonist of the described events is under the influence of principio individuationis. Only the resignation from this principle - which occurs in the poems of Oak and Desire, and in other works of The Meadow - shows the space of the forest as a place of reconciliation between beings. In the interpretation, it was noticed that Leśmian's cosmogonic concepts were inspired by the philosophical thought of Friedrich Nietzsche and Henri Bergson.
Źródło:
Conversatoria Litteraria; 2021, 15
1897-1423
Pojawia się w:
Conversatoria Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Polska i Rosja w narracji historycznej Partii Politycznej „Zmiana”
Poland and Russia in the historical narrative of a political party „Change”
Autorzy:
Tokarz, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/521483.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Wrocławski. Wydział Nauk Społecznych. Instytut Studiów Międzynarodowych
Tematy:
Party "Change"
symbolism
Russian Federation
political system
Opis:
Article refers to the ratio Party activists groups „Change” to the recent history of Polish-Russian relations. In what way it is portrayed in contemporary Poland. They show their importance for historical policy pursued for in elite of the Third Republic. It shows the importance of symbols. We analyzed the documents that have been issued by this group. The author also reached the journalistic speech, as well as representatives of the scientific Party „Change”.
Źródło:
Wschodnioznawstwo; 2016, 10; 271-278
2082-7695
Pojawia się w:
Wschodnioznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Літературна дуель Булгакова і Куліша з позиції сьогодення
Literary Duel of Bulhakov and Kulish in the Light of Nowadays
Autorzy:
Hudzenko, Ołena
Powiązania:
https://bibliotekanauki.pl/articles/1844581.pdf
Data publikacji:
2015-07-26
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
literary text
symbolism
character
drama of ideas
Opis:
There has been given the modern interpretation of literary dialogue between the Ukrainian writer Mykola Kulish and the Russian writer Myhailo Bulhakov which was started almost a century ago but it wasn’t grasped in full even until today. However this interpretation has been very vital and the processes occurring in the aspect of social consciousness in modern Ukraine vividly confirm it. Having analyzed the peculiarities of composition, plot and characters in ”Pathetic Sonata” by M. Kulish and «The White Guard” («Days of the Turbiny’s”) by M. Bulhakov, we come to the conclusion that this peculiar literary duel had for an object to displace the guidelines mainly in ideological aspect. It was also noted by the contemporaries: there appeared a great dispute in artistic circles, there is even a shorthand record of the meeting of Stalin and the Ukrainian writers which testifies it. But the disputes concerning the subjects raised in these writings are still raging in our days. So, obviously, it is too early to announce the winners of the literary duel.
Źródło:
Studia Ucrainica Varsoviensia; 2015, 3; 283-290
2299-7237
Pojawia się w:
Studia Ucrainica Varsoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
На пути к «морали ценности». Рыцарская топика или аксиология нового рыцарства – опыт соотнесения: Бедный рыцарь Елены Гуро и Рыцарь кубков Терренса Малика
Autorzy:
Mielniczuk, Jekatierina
Powiązania:
https://bibliotekanauki.pl/articles/2141886.pdf
Data publikacji:
2022-06-30
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Guro
Malick
Knight of Cups
knightly symbolism
Opis:
The subject of the research was E. Guro’s novel The Poor Knight and T. Malick’s film Knight of the Cups. The analysis, inspired N. Bierdiayev’s reflections on the “ethics of values” and the concept of “new knighthood”, indicates the dialogical relations between distant texts of culture. The comparative analysis reveals the following: 1. Guro introduces a new type of literary hero that has a palimpsest character; 2. updates the axiological sense of the knight; 3. the continuity of the knight’s ethos is brought out by the analogy to Malick’s film – their “common places” are: the initiation scheme, the Master / teacher archetype, and the concept of a knight’s mission.
Źródło:
Acta Neophilologica; 2022, 2, XXIV; 165-180
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nowożytna ikonografia wybranych świętych depczących smoka (z kręgu łacińskiego). Szkic
Modern Iconography of Selected Saints Trampling the Dragon (from the Latin Word). A Sketch
Autorzy:
Sprutta, Justyna
Powiązania:
https://bibliotekanauki.pl/articles/28408333.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Opolski. Redakcja Wydawnictw Wydziału Teologicznego
Tematy:
Calcatio
ikonografia
smok
symbolika
iconography
dragon
symbolism
Opis:
Najczęściej występujące w sztuce chrześcijańskiej kręgu łacińskiego przedstawienia zwycięstwa odniesionego nad smokiem jako uosobieniem szatana, grzesznych żądz, pokus czy herezji ukazują pokonanie tego stwora (lub jego substytutu) za pomocą krzyża, miecza, włóczni, natomiast rzadziej – za pomocą gestu calcatio, czyli przez podeptanie.W tradycji katolickiej najczęściej depczą smoka i jego substytut, np. węża, Matka Boża, archanioł Michał i św. Małgorzata. Artykuł szkicuje tę problematykę, ponieważ jejprzedmiot jest bardzo obszerny, a przybliża prawdę o zwycięstwie możliwym do odniesienia tylko dzięki mocy Bożej.
The most frequent representations of the victory achieved against the dragon as the personification of Satan, sinful lusts, temptations, or heresy in Christian art of the Latin world, shows the defeat of this creature (or its substitute) by means of a cross, sword or spear, however while rarely by means of by the gesture of calcatio, that is by trampling.In Catholic tradition Mother of God, Archangel Michael and Saint Margaret trample the dragon, and its substitute. This article only sketches the problem because its subject is very broad, but despite this modesty, it brings the truth about the victory possible only thanks to the power of God.
Źródło:
Studia Teologiczno-Historyczne Śląska Opolskiego; 2022, 42, 2; 121-136
0137-3420
Pojawia się w:
Studia Teologiczno-Historyczne Śląska Opolskiego
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Symbolika wybranych elementów ornamentu ukraińskich druków Iwana Fiodorowa
Autorzy:
Wierucka, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/681248.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Fiodorov Ivan   
Symbolika
Ornamentyka
Drukarstwo
Symbolism
Ornamentation
Printing
Źródło:
Folia Bibliologica; 2011-2012, 53-54; 11-23
2449-8246
1230-2376
Pojawia się w:
Folia Bibliologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Literackie figury domu w prozie Danuty Mostwin
Literary figures of the home in Danuta Mostwin’s prose
Autorzy:
Pasterska, Jolanta
Powiązania:
https://bibliotekanauki.pl/articles/1068663.pdf
Data publikacji:
2020-12-28
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Danuta Mostwin
emigracja
dom
symbolika
emigration
home
symbolism
Opis:
W artykule została podjęta próba opisu literackich figur domu w siedmiotomowej „sadze polskiej” Danuty Mostwin, (Dom starej lady, Londyn 1958, Ameryko! Ameryko!, Warszawa 1981, Cień księdza Piotra, Warszawa 1985, Szmaragdowa zjawa, Warszawa 1988, Tajemnica zwyciężonych, Londyn 1992, Nie ma domu, Lublin 1996, Słyszę, jak śpiewa Ameryka, Londyn 1998). Biografia autorki Domu starej lady wpisuje się w życiorysy wielopokoleniowych polskich rodzin doświadczonych zaborami, wojnami, komunizmem, wychodźstwem. Ten rys autobiograficzny stał się pożywką większości utworów powieściowych Mostwin. Rozważania prowadzone w kontekście filozoficzno-aksjologicznych i teoretycznoliterackich ustaleń pokazują przemiany kreacji figury domu w tych prozach. Ewolucja obrazów domu obejmuje dom jako arkadię poprzez „anty-dom”, „dom-arkę” i dom odzyskany. Odpowiada to obranej postawie filozoficznej Danuty Mostwin, która owo połączenie wartości wyniesionych z kraju urodzenia i wartości nabytych w kraju osiedlenia uważała za najbardziej optymalną formę obrony polskości na emigracji.
The paper attempts to describe the literary figures of the home in Danuta Mostwin’s seven volume “Polish saga” (Dom starej lady, London 1958, Ameryko! Ameryko!, Warszawa 1981, Cień księdza Piotra, Warszawa 1985, Szmaragdowa zjawa, Warszawa 1988, Tajemnica zwyciężonych, London 1992, Nie ma domu, Lublin 1996, Słyszę, jak śpiewa Ameryka, London 1998). The biography of the author of Dom starej lady matches the biographies of multigenerational Polish families that had endured the partitions of Poland, wars, communism, and exile. This autobiographical feature become the substrate for most of Mostwin’s novels. The deliberations, set in the context of philosophical and axiological as well as literary theory findings show the transformations in the creation of the figure of the home in these prose writings. The evolution of the imagery of the home ranges from an Arcadian home to an “anti home”, “home as an ark”, and “home regained”. This corresponds to Danuta Mostwin’s philosophical position, as she considered this combination of values brought from her native country and the values acquired in the country where she settled as most optimal form of defending Polish identity in exile.
Źródło:
Postscriptum Polonistyczne; 2020, 26, 2; 131-141
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Symbole i ich starzenie się w ujęciu Thomasa Carlyle ’a
Autorzy:
MAŁECKA, ANNA
Powiązania:
https://bibliotekanauki.pl/articles/957598.pdf
Data publikacji:
2007
Wydawca:
Uniwersytet Opolski
Tematy:
symbolism
symbol
clothes philosophy
ageing of symbols
simulacra
Opis:
The paper discusses Thomas Carlyle’s symbolism - „clothes philosophy” - and the problem of ageing of symbols. First, the category of clothes as symbols is analysed, in the view of contemporary semiotics. Next, the spiritual meaning of clothes philosophy is outlined. In the Scottish philosopher’s opinion, clothes-symbols gradually wear out wi- thin the historie process, and can no longer “dress” the spirit. Baudrillard’s concept is quoted in this context. Carlylean inauthentic symbols become hollow shells or simulacra - signs with no reference to any reality which they were designed to point at, and - within certain limits - substitute. The need for new forms and „clothes”, which would appeal to contemporary generation, emerges, and the fundamental role here is to be played by hero- es. The tailor should be re-tailored, as the title of Carlyle’s masterpiece Sartor Resartus suggests.
Źródło:
Stylistyka; 2007, 16; 117-124
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La poétique de la Ville de Georges Rodenbach
The Poetics of the City in Georges Rodenbach’s Works
Autorzy:
Paigneau, David
Powiązania:
https://bibliotekanauki.pl/articles/2056914.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Rodenbach (Georges)
19th Century
Symbolism
Analogy
Bruges.
Opis:
Georges Rodenbach est l'auteur d'ouvrages en prose et en vers explorant la résonance des signes reçus du monde extérieur sur la subjectivité individuelle. Ses fictions, poèmes et essais se penchent sur les interactions entre les personnages et la ville – généralement Bruges – dans laquelle ils évoluent, chargeant la réalité objective de symboles révélant leurs propres déterminations intimes. L’influence réelle ou symbolique de la Ville sur les développements narratifs, exprimée par une poétique de l’Analogie, est le sujet de cette étude, qui tentera de faire ressortir la cohérence globale des œuvres de Rodenbach à travers la permanence de sa « Poétique de la Ville ».
Georges Rodenbach is the author of works in prose and verses exploring the resonance of the signs received from the outside world on the individual subjectivity. His fictions, poems and essays look into the interactions between the characters and the city - generally Bruges - in which they evolve, charging the objective reality with symbols revealing their own intimate determinations. The real or symbolic influence of the City on narrative developments, expressed by a poetics of Analogy, is the topic of this study, which will attempt to bring out the overall coherence of Rodenbach’s works through the permanence of his “Poetics of the City”.
Źródło:
Lublin Studies in Modern Languages and Literature; 2020, 44, 4; 5-15
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kategorie poetyki w czytaniu przestrzeni muzealnych
Categories of Poetics in Reading Museum Space
Autorzy:
Czermińska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1520148.pdf
Data publikacji:
2018-12-20
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
museum space
continuous narrative
anthology
collection
architectural symbolism
Opis:
The article seeks to address the question of functionality of poetics in understanding the organization of cultural space such as a museum or art gallery. The author asserts that reading museum space can correspond with reading a continuous narrative which includes all art collection, or that it can be read as anthology of individual and varied pieces of art. The comprehension of a museum should also involve the understanding of its contextual elements such as the symbolism of its architectural design or location. The author analyzes twosituations: when the buildingis designed to function as museum and when the museum building has been adapted for this purpose. This latter function may pose a challenge as in this case its past will remain present and will interfere with the new narrative.
Źródło:
Białostockie Studia Literaturoznawcze; 2018, 13; 23-36
2082-9701
2720-0078
Pojawia się w:
Białostockie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pale Horse, Pale Rider: A Modern Allegory of an Encounter with Death
Autorzy:
Kahol, Navdeep
Powiązania:
https://bibliotekanauki.pl/articles/35193243.pdf
Data publikacji:
2023
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Spanish flu
modernism
pandemic
symbolism
dream
death
war
Opis:
The novella Pale Horse, Pale Rider, authored by Katherine Anne Porter and published in 1939, is set against the backdrop of the 1918–1919 Spanish flu pandemic towards the end of World War I. It narrates the dual story of individual and societal trauma and survival amidst the pandemic, contributing to the cultural memory of that era in American history. The narrative draws heavily on autobiographical elements, with the protagonist Miranda’s experiences closely reflecting Porter’s own. As Miranda battles a life-threatening flu, her delirious mind traverses past, present, and future, blurring the boundaries between them. This paper examines Porter’s employment of modernist techniques such as dreams, visions, archetypes, biblical allusions, and stream of consciousness to articulate Miranda’s harrowing yet transformative passage through a liminal space between life and death. Porter’s novelistic approach is distinctly modern in its exploration of mortality and the portrayal of Miranda’s near-death experience, aligning her with modernist contemporaries like T. S. Eliot and James Joyce, who also eschewed traditional literary forms to depict the profound dislocations of their time. The enduring appeal of Pale Horse, Pale Rider lies in its rich symbolism and psychological depth in addressing themes of death and illness.
Źródło:
Review of International American Studies; 2023, 16, 2; 105-118
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
SYMBOLIKA „SOLIDARNOŚCI” W KAMPANII WYBORCZEJ DO SEJMU W ROKU 2011 W OKRĘGU WYBORCZYM NR 25. PRZYKŁAD UPRAWIANIA POLITYKI SYMBOLICZNEJ NA POLSKIEJ SCENIE POLITYCZNEJ
THE SYMBOLISM OF "SOLIDARITY" IN THE 2011 PARLIAMENTARY ELECTION CAMPAIGN IN ELECTORAL DISTRICT NUMBER 25: AN EXAMPLE OF POLITICAL SYMBOLISM ON THE POLISH POLITICAL SCENE
Autorzy:
Szuta, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/513119.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
political symbolism
electoral campaign
myths
"Solidarity"
Lech Wałęsa
Opis:
The issue of the harnessing of symbols by politicians is essential, because it ex-plains to what extent government representatives are able to make an impact on society and how much identifying with specific symbols can be viewed as an acceptance of political myths and ideas by voters. This topic is particularly valid in the light of upcom-ing local government elections. Time caesuras of the analyzed subject will be limited by the duration of the election campaign that took place in 2011, from the announcement by the President of the Repub-lic of Poland to the start of electoral silence. Territorial coverage of the undertaken re-search will apply to constituency No. 25: the Gdańsk constituency which covers the following counties: Gdańsk, Kwidzyn, Malbork, Nowy Dwór, Starogard, Sztum, Tczew and cities with county rights like Gdańsk and Sopot. The intention of this article is to indicate the manner and intensity in which the symbol of “Solidarity” was used during the parliamentary election campaign by candi-dates from the Gdańsk constituency as well as to answer if, and to what extent it contrib-uted towards their electoral success.
Źródło:
Polityka i Społeczeństwo; 2015, 13, 1; 104-117 (14)
1732-9639
Pojawia się w:
Polityka i Społeczeństwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cтановлення інституту демократичної громадянськості в Україні з урахуванням впливу символічної складової
Kształtowanie się instytucji obywatelskości demokratycznej na Ukrainie z uwzględnieniem wymiaru symbolicznego
Autorzy:
Ярошенко, Віра
Powiązania:
https://bibliotekanauki.pl/articles/489341.pdf
Data publikacji:
2015
Wydawca:
Polskie Towarzystwo Naukowe w Żytomierzu
Tematy:
civic consciousness,
symbol,
reality,
archetypical,
symbolism,
stereotypes,
identity
Opis:
The conceptual structure of the institute of democratic civic consciousness with the effect of symbolic component influence on the process of formation of the Institute for Democratic Citizenship is determined in this work. In this investigation are used the institutional approach for the understanding of civic consciousness as a political institution and determination of the conceptual framework of the components of citizenship through its social purpose as part of the community which is a bearer of identity as the source of personality and ability to organize themselves in a political context. With the help of the psychological approach the essence of the functioning of the institute of civic consciousness is considered, where an important role is played by symbolic component. The analysis of the survey on the impact of political symbols on the mood of students of the Southern region of Ukraine which were conducted by the author in December 2014 is provided. The influence of internal and external challenges of the Ukrainian society of the end of 2013th and beginning of 2015th on the formation of a collective citizenship i.e. civic consciousness as a political practice is investigated. The study has scientific and practical value and the purpose of determining the strategy of the national policy of political socialization of citizens, taking into account the effect of unifying influence of the state national symbols and national language.
Źródło:
Studia Politologica Ucraino-Polona; 2015, 5; 122-132
2312-8933
Pojawia się w:
Studia Politologica Ucraino-Polona
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Motyw cherubina w ukraińskich drukach Iwana Fiodorowa. Propozycja interpretacji
Autorzy:
Wierucka, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/681208.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Fiodorov Ivan
Symbolika
Aniołowie
Drukarstwo
Symbolism
Angels
Printing
Źródło:
Folia Bibliologica; 2010, 52; 67-84
2449-8246
1230-2376
Pojawia się w:
Folia Bibliologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Neandertalczyk i człowiek anatomicznie współczesny w ujęciu najnowszych źródeł archeologicznych i paleoantropologicznych
Autorzy:
Dec, Olga
Powiązania:
https://bibliotekanauki.pl/articles/1023842.pdf
Data publikacji:
2019-09-16
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Middle Palaeolithic
Neandertals
anatomically modern humans
symbolism
archaeogenetic
Opis:
The article summarises recent discoveries regarding Neandertals and anatomically modern humans (AMH), and tries to examine currently leading trends in the fields of archaeology and palaeoanthropology. Collected evidence suggests that modern research focuses mostly on discussions on the origin of symbolism, cultural and cognitive capacities, and analyses of ancient DNA. Although archaeology and palaeoanthropology undoubtedly provide the highest number of sources, other sciences such as cognitive neuroscience also deliver new, equally valuable perspectives and information.
Źródło:
Folia Praehistorica Posnaniensia; 2018, 23; 49-60
0239-8524
2450-5846
Pojawia się w:
Folia Praehistorica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Spreading the Word: Oral Transmission of the Bogomil Teachings, its Symbolism, and Biblical Exegesis
Autorzy:
Radovanović, Bojana
Powiązania:
https://bibliotekanauki.pl/articles/2027717.pdf
Data publikacji:
2021-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
the Bogomils
oral transmission
Biblical exegesis
preaching
symbolism
Opis:
The oral biblical exegesis and oral transmission, or the unwritten tradition, represent pillars in the circulation of texts and ideas since the very dawn of Christianity, both in orthodox and heterodox circles. Namely, this vast topic encompasses the concepts related to the concepts of the written sources and the spoken word, and their interrelation, and, furthermore, to the symbolism of the ear, Logos, and secret teachings (arcana). The role and impact of the oral transmission will be examined on the example of the Bogomils, and this paper will re-assess the importance and function of the oral transmission of the Bogomil doctrine. Therefore, the Biblical exegesis will also be analyzed in that key, and the question of the Bogomil preachers will be addressed. More broadly, the oral transmission of the Bogomil teachings can be observed as one of the modi operandi that the Bogomils resorted to in the aim of propagating their ideas, as well as possibly their interpretative manner to approach the Scriptural material and parables.  
Źródło:
Studia Ceranea; 2021, 11; 387-403
2084-140X
2449-8378
Pojawia się w:
Studia Ceranea
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Marble relief ‘Nero and Armenia’ from the Sebasteion at aPhrodisias in Caria (Asia Minor)
Autorzy:
Markaryan, Hasmik Z.
Powiązania:
https://bibliotekanauki.pl/articles/1774802.pdf
Data publikacji:
2019-12-30
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Armenia
Roman Empire
Aphrodisias
Sebasteion
relief
personification
symbolism
Opis:
The article is devoted to an artistic and historical study of a marble relief with a symbolic scene of Nero’s victory over Armenia from the Sebasteion sanctuary complex in the ancient town of Aphrodisias in Asia Minor. The temple complex was dedicated to the cult of the Julio-Claudian imperial dynasty. The artistic and stylistic analysis of the relief was performed in the context of the sculptural program and decoration of the whole complex, and took into consideration other images of Nero in the Sebasteion. Through a comparative analysis of the figure personifying Armenia depicted on the marble relief in Aphrodisias, as well as a series of images on coins and small statuary samples, characteristic iconographic traits of Armenia in the Roman imperial art were revealed. Along with this, the paper presents an in-depth ‘reading’ of this scene within the context of specific epi- sodes from the history of the Parthian-Roman conflict and the Roman struggle for Armenia during the period of 54–68 AD.
Źródło:
Światowit; 2018, 57; 185-206
0082-044X
Pojawia się w:
Światowit
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Deconstrution of Interpretative Models of Lesya Ukrainka’s 'The Forest Song'
Autorzy:
Moklytsia, Mariia
Powiązania:
https://bibliotekanauki.pl/articles/2154616.pdf
Data publikacji:
2019-12-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Lesya Ukrainka
The Forest Song
neoromanticism
neoclassicism
symbolism
Opis:
The article explores a need to provide a permanent revision of the ways of reading classical texts. The fairy drama The Forest Song was written by Lesya Ukrainka, who is acclaimed as an outstanding dramatist of Ukrainian literature. This play has a vast bibliography and serves as a target of a variety of critical approaches. The point is, however, that the predominant position among them still belongs to the interpretative models generated by Lesya Ukrainka’s contemporaries. This refers, first of all, to those who have hitherto interpreted The Forest Song within the following two frameworks: neoromantic, grounded in Polissyan folklore and the author’s mythology, and neoclassical, launched by neoclassicists of the 1920s and based on the ties of Lesya Ukrainka’s play with classical drama. The scholars overlook, though, a conflict between the two interpretations. Each model, employed with no regard for the other one, operates on certain elements of the text. The scholars neglect the need to correlate their work with the other, totally inverse, model (neoromanticism and neoclassicism are, at a fundamental level, as aesthetically opposed to each other as are romanticism and classicism). The article offers a new model for reading the text of Lesya Ukrainka through the lens of symbolism. This model allows us to account for the congruence of classical normativity and romantic liberty within a single text.
Źródło:
Studia Polsko-Ukraińskie; 2019, 6; 159-174
2353-5644
2451-2958
Pojawia się w:
Studia Polsko-Ukraińskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gift and the Coefficient of Sociability Relational Sociology and the Anti-Utilitarian Movement in the Social Sciences
Autorzy:
Hałas, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/1790281.pdf
Data publikacji:
2020-12-16
Wydawca:
Polskie Towarzystwo Socjologiczne
Tematy:
anti-utilitarian movement
gift
relational sociology
symbolism
Marcel Mauss
Opis:
At the beginning of the 1980s, Pierpaolo Donati initiated in Italy the relational turn in sociology, while in France Alain Caillé stipulated the anti-utilitarian movement in social sciences. The acronym MAUSS (from Mouvement Anti-Utilitariste en Sciences Sociales) simultaneously refers to the surname of Marcel Mauss, author of the pioneering work on the gift-Essai sur le don. This movement forms and spreads a new gift paradigm. The notion of the gift has shifted from a specific phenomenon researched in archaic societies towards a basic category for theorizing social order and taking a central position in research on modern transformations. The relational paradigm also focuses on the gift as a crucial aspect of social relations, and on its importance for the civil society. The article traces and discusses various interpretations of the concept of gift, along with the influence of the anti-utilitarian movement and the gift paradigm on relational sociology.
Źródło:
Polish Sociological Review; 2020, 212, 4; 399-410
1231-1413
2657-4276
Pojawia się w:
Polish Sociological Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The omnipresence of the sea in the writing of Jean Muno
Autorzy:
Moreels, Isabelle
Powiązania:
https://bibliotekanauki.pl/articles/605856.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Jean Muno
sea
symbolism
Francophone Belgian literature
mer
symbolisme
Opis:
Der Artikel enthält keine Abstracts in deutscher Sprache.
The aim of this paper is to explore the specific and symbolic role of the sea in the whole work of Jean Muno (1924-1988), not only in his fantastic narratives. By including in this study some unknown but significant texts of this French-speaking Belgian writer, we will examine the reasons for the recurrence of the maritime landscape. We will highlight the strong links between the fictional creations of the author and his experience on different coasts - especially of the North Sea littoral - during his stays in holiday resorts (illustrated in the photos).
L'objectif de cet article consistera à analyser la présence et le rôle spécifique de la mer dans l’ensemble de l’œuvre de l’écrivain belge francophone Jean Muno (1924-1988), sans nous limiter au pan de ses récits fantastiques et en incluant dans notre étude des textes méconnus pourtant significatifs de sa trajectoire.Après l'introduction, notre contribution s'articulera en trois parties, consacrées respectivement au bord de mer comme villégiature créatrice pour J. Muno, à l'ancrage diégétique maritime de ses fictions et à la symbolique de la mer qui y apparaît, en tant qu'horizon de liberté, et ce, avant de conclure notre réflexion.
Том не содержит аннотаций на русском языке.
Źródło:
Lublin Studies in Modern Languages and Literature; 2018, 42, 3
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Мiф як джерело символикi реклами (на матерiалi українських рекламних текстiв)
The myth as a source o f advertising symbolism (based on material in Ukrainian advertising texts)
Autorzy:
Gładyś-Seta, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/481498.pdf
Data publikacji:
2012-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
a source of advertising
symbolism of Ukrainian advertising slogans
Opis:
In the article, a semiotic description of Ukrainian advertising slogans was made, based on the symbolism of image-archetypes and other mythic motives, constituting the implicit content of an advertisement. The analysis allows the advertisement to be treated as a double structure (the denotational and connotational meanings of advertising content), as well as the ritual-mythic domain, embodying a separate, perfect world, subject to the consumer’s interpretation.
Źródło:
Acta Polono-Ruthenica; 2012, 1, XVII; 191-204
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Los człowieka na płótnie wyhaftowany – ręcznik obrzędowy jako symbol kultury materialnej Białorusinów z Podlasia
The fate of man on canvas embroidered – a ritual towel as a symbol of material culture of Belarusians from Podlasie region
Autorzy:
Siegień-Matyjewicz, Alicja Joanna
Powiązania:
https://bibliotekanauki.pl/articles/481622.pdf
Data publikacji:
2020-06-30
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
ritual towel
embroidery
symbolism
ornamentation
rituals
family rites
Belarusians
Opis:
W niniejszym artykule ukazano istotę ręcznika obrzędowego, czyli jego zdobnictwo, rodzaje, zastosowanie, symbolikę, motywy tworzenia, a także miejsce, jakie zajmuje w życiu Białorusinów zamieszkujących region wschodniej Polski. Ręcznik towa-rzyszy Białorusinom od narodzin, przy zaręczynach, ślubie, na weselu, aż do śmierci. Na Podlasiu występują dwa rodzaje ręczników białoruskich: codzienny i obrzędowy. Pełnią one funkcje praktyczne, estetyczne, kultowe, symboliczne, oczyszczające, ochronne oraz magiczne. Treści zawarte w artykule uzyskano dzięki: analizie literatury bezpośrednio związanej z przedmiotem badań, analizie formalnej dokumentów i wytworów zastanych jednostki, obserwacji oraz wywiadom swobodnym. Poprzez zastosowanie tych technik badawczych odczytano symbolikę białoruskiego ręcznika obrzędowego oraz ustalono jego miejsce i sposób wykorzystania przez Białorusinów w określonych rytuałach i zwyczajach.
This article shows the importance of a ritual towel, its ornamentation, types, application, symbolism, creation motifs and the place it occupies in the lives of Belarusians living in the region of eastern Poland. The towel accompanies Belarusians from birth, engagement, through marriage, wedding, to death. There are two types of Belorussian towels in the Podlasie Region: casual and ceremonial towels. They perform practical, aesthetic, religious, symbolic, cleansing, protective and mystical functions. The content of the article was obtained by an analysis of literature directly related to the subject of research, formal analysis of documents and products of research, observations and in-depth ethnographic interviews. By using these research techniques, the author interpreted the symbolism of the Belarusian ceremonial towel. The presented research also helped to determine its place and manner of use by Belarusians in specific rituals and customs.
Źródło:
Acta Polono-Ruthenica; 2020, 2, XXV; 103-120
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sakralna przestrzeń – charakterystyka oraz wybrane treści ideowe i symboliczne
Sacred space: characteristic and selected ideas and symbols
Autorzy:
Nowiński, Janusz
Powiązania:
https://bibliotekanauki.pl/articles/496276.pdf
Data publikacji:
2011
Wydawca:
Towarzystwo Naukowe Franciszka Salezego
Tematy:
Sacred space
Symbolism of churches
Iconography of sacred interiors
Opis:
The present characteristics of a sacred space, understood as a liturgical space, focus mainly on the ideas and symbols behind its development throughout the centuries. The dividing line for the present study is the liturgical reforms following Vatican Council II. The symbolic development of a liturgical space begins with the practice of first Christian communities whose members prayed facing the East and the rising sun, symbolizing the risen Christ – the True Light. The interior of east-oriented Christian basilicas was not homogenous. Instead, it was hierarchized and symbolic: the church building (ecclesia) was interpreted as the material image of the spiritual community of the faithful (Ecclesia); it was also understood as the representation of God’s heavenly temple – Domus Dei. The area around the altar (sanctuary) was enclosed by a balustrade (cancelli) and inaccessible to the laity. It was interpreted as the Sanctum Sanctorum, following the Biblical Holy of Holies and the Solomon’s Temple. The division of the church into the part of laypeople (nave and aisles) and the enclosed part of the sanctuary with the high altar, accessible only to the clergy, was continued by medieval churches. The sanctuary, interpreted as the Sanctum Sanctorum, was separated from the rest of the church by a rood screen. Such a division of a sacred space reflected the two ways of Christian life: vita active, represented by the clergy gathered within the sanctuary. After the Council of Trent, emphasis was put on the role of the high altar and the Eucharist present there which, tamquam cor in pectore et mens in animo, should constitute the center of the Church as a religious community and of the space of a church as a sacred building. As a result of these changes, the rood screen was removed from Catholic churches. The chancel and the choir, invariably perceived as a sanctuary inaccessible to the laity, retained their distance from the nave, enhanced by raised floor level and altar rails. The interior of Baroque churches where the theatrum sacrum of the liturgy was celebrated, became similar to the interior of a theater.
Źródło:
Seminare. Poszukiwania naukowe; 2011, 29; 269-283
1232-8766
Pojawia się w:
Seminare. Poszukiwania naukowe
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Murky Images. The Poetics of Intertextual Dissonance in the Apocryphal Films of Andrei Zviagyntsev
Autorzy:
Pawłowska-Jądrzyk, Brygida
Powiązania:
https://bibliotekanauki.pl/articles/555585.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Russian cinema
Andrei Zvyagintsev
intertextuality
modern apocrypha
Christian symbolism
Opis:
The first two films of Andrei Zvyagintsev, The Return and The Banishment, deserve to be called modern apocrypha, as they methodically and compre- hensively utilise elements of Christian symbolism and are part of the non- -canonical dialogue with religious messages. The films are characterised by a multiplicity of thematic plans that are outlined mainly through a variety of intertextual references. Among these relationships, a particular place is occupied by biblical and evangelical references, which are mostly mediated by artistic intertexts (especially paintings). The Russian director entangles the viewer in a subtle play of meanings: he evokes canonical scenes and stories, but distorts symbolic references, multiplying and confusing further interpretive clues. In addition to (completely inconsistent) references to the works of others, intertextual tensions are shown in his work on at least two levels: between different elements or levels of a given film (the function of the photograph motif next to the rest of the film text) and between the various films of Zvyagintsev himself (casting the same actor in both leading roles). The talented successor to Tarkovsky follows the mystery of human fate, eager to capture the metaphysical community of critical experiences. This mystery in the work of Zvyagintsev emerges in a quite obvious way from the eternal truths established in archetypes, in biblical and evangelical wis- dom. It is much easier to see it in the fusion of ‛murky imagesʼ than it is to understand.
Źródło:
Załącznik Kulturoznawczy; 2015, 2; 240-255
2392-2338
Pojawia się w:
Załącznik Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sanctus Amor (1908) Нины Петровской как жизнетворческий манифест
Autorzy:
Samarin, Aleksey
Powiązania:
https://bibliotekanauki.pl/articles/1022356.pdf
Data publikacji:
2020-10-27
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Nina Petrovskaya
Sergey Auslender
Sanctus Amor
life-creation
symbolism
Opis:
Sanctus Amor is the only intravital storybook by Nina Petrovskaya, dedicated to Sergey Auslender. The title of the book, borrowed from the poem by Andrey Bely, initiates a literary polylogue addressed to several lovers of Petrovskaya: to Bely, as he once was her teacher of heavenly love; to Valery Bryusov, as he was Petrovskaya’s beloved one at the time of publication; to Auslender as the addressee of dedication and a new contender for being Petrovskaya’s favorite. Sanctus Amor represents the ideal of the Saintly Love, the manifesto which Petrovskaya followed rigorously in real life. Her letters to Bryusov and Vladislav Khodasevich reveal multiple congruences with the novels of Sanctus Amor, which demonstrate the inextricable character of life and literature in Petrovskaya’s worldview. The paper is devoted to the analysis of Sanctus Amor in the aspect of life-creating practices and its meaning in the literary dialogue with Auslender. Sanctus Amor is a complicated prescriptive symbolic message designed to proclaim its own, and to program another’s, concept of love.
Źródło:
Studia Rossica Posnaniensia; 2020, 45, 2; 23-53
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Symbolika średniowiecznych motywów liturgicznych w powieści arturiańskiej na przykładzie "Poszukiwania świętego Graala" (La Queste del Saint Graal)
Autorzy:
Hadrian, Kryśkiewicz,
Powiązania:
https://bibliotekanauki.pl/articles/897401.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Arthurian prose
Middle Ages
symbolism
literature
cult
Holy Grail
Opis:
The presented paper focuses on the topic of liturgical motifs – their variety, as well as symbolism – found in The Quest for the Holy Grail: one of the novel parts that altogether form the 13th-century saga of Arthurian prose. The main aim of the article is to highlight the references and allegories of both religious as well as ideological nature, which have been implemented by the (anonymous) author of the writing. What follows is the classification (methodological categorisation) of such motifs, definition of their potential purpose, and – last but not the least – an attempt to comprehend their origin in view of the cultural landscape of the historical period, in which the Quest has been composed.
Źródło:
Przegląd Humanistyczny; 2016, 60(2 (453)); 137-153
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Overt and Covert Chagall
Chagall jawny i ukryty
Autorzy:
Ruth, Dorot
Powiązania:
https://bibliotekanauki.pl/articles/964059.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Chagall
shtetl
real-fantastic
symbolism
floating-hovering
archetype
metarealism
Opis:
In this paper, the authors chooses the theory of metarealism as a tool to reveal the worlds of Marc Chagall - the physical and metaphysical ones which function simultaneously. The purpose behind it is to help readers discover Chagall’s magical, mysterious and mystical environments which he so adroitly conveyed via his colourful creations. For this end, I analyzed three of his well-known paintings, each of which helped uncover his world of harsh reality merged with his life of fantasy, both spiced with symbolism.
Źródło:
Studia Europaea Gnesnensia; 2016, 14; 229-239
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Koherencja mitów odrodzenia natury, człowieka I ojczyzny w późnych wierszach Tadeusza Micińskiego (Hymn, Widzenie Polski)
Autorzy:
Sobieraj, Sławomir
Powiązania:
https://bibliotekanauki.pl/articles/1833699.pdf
Data publikacji:
2020-07-10
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
Tadeusz Miciński
poetry
myth of revival
nature
homeland
symbolism
Opis:
The article presents interpretations of the little-known late poetry of Tadeusz Miciński from 1914-1915, where the myth of revival occurs. It has been shown that alongside with the myths of individual and national revival found in the writer’s earlier works, there appears the rite of renewal of nature, which functions in the close connection with them in the poems Hymn/Anthem and Widzenie Polski/Vision of Poland. This is the new formula of the author's lyrics. It has been proved that the coherence of the mentioned myths is subordinated to the idea of renouncing personal happiness in favor of the national cause and the vision of resurrection of the homeland (Poland) in specific geographical dimension. Attention was paid to the symbolism of the language of the analyzed texts.
Źródło:
Conversatoria Litteraria; 2020, 14; 185-199
1897-1423
Pojawia się w:
Conversatoria Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Entre puissance et faiblesse, en proie au désir. "L’Heure sexuelle" de Rachilde
Autorzy:
Staroń, Anita
Powiązania:
https://bibliotekanauki.pl/articles/2083841.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Rachilde
symbolism
power
weakness
will
symbolizm
moc
słabość
wola
Opis:
The protagonists of Rachilde's novels often have unwavering will and great strength of character. However, they are not free from the desires they sometimes succumb to. The paper tackles the analysis of will, strength and desire in the novel L’Heure sexuelle (1898), in order to compare them to the theory of creative excellence presented in the novel, and to the concepts based on the philosophy of Nietzsche and Schopenhauer.
Bohaterowie powieści Rachilde często odznaczają się niezłomną wolą i wielką siłą charakteru. Nie są jednak wolni od pragnień, którym czasem ulegają. Wszystkie trzy pojęcia znajdziemy w powieści L'Heure sexuelle (1898). Ich wyjściowa analiza pozwala następnie skonfrontować je zarówno z teorią doskonałości twórczej przedstawioną w powieści, jak i z koncepcjami opartymi na filozofii Nietzschego i Schopenhauera.
Źródło:
Kwartalnik Neofilologiczny; 2020, 2; 222-229
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Symbol of the Phoenix in the Catacombs of Priscilla in Rome and Its Transformation in Early Christianity
Autorzy:
Kardis, Mária
Tlučková, Dominika
Powiązania:
https://bibliotekanauki.pl/articles/2089508.pdf
Data publikacji:
2022-01-27
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
phoenix symbolism
catacombs of Priscilla
mythology
Early Christianity art
Opis:
The presented study deals with the oldest Christian depiction of a phoenix found in the Catacombs of Priscilla in Rome. Since catacomb art is a narrative depiction of biblical stories, it is important to incorporate the motive of phoenix into historical context. The study performs analysis and comparison the links and connections of the phoenix symbol in pagan and Christian thought. As Christian iconography is associated with allegorical symbols, the intention is to anticipate the meaning, origin and etymology of the phoenix symbol. The article therefore summarizes how the symbol and position of the phoenix found in the catacombs evolved from Egyptian myths through Greek and Roman culture to the transformation in Christian literature and Christian thought, especially in the Gospel of John, which connects the symbol of the phoenix with the palm and Lazarus.
Źródło:
The Biblical Annals; 2022, 12, 1; 65-88
2083-2222
2451-2168
Pojawia się w:
The Biblical Annals
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Dog in Pagan Beliefs of Early Medieval North-Western Slavs
Pies w wierzeniach pogańskich wczesnośredniowiecznych Słowian Północno-Zachodnich
Autorzy:
Kajkowski, Kamil
Powiązania:
https://bibliotekanauki.pl/articles/958145.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Rzeszowski. Instytut Archeologii Uniwersytetu Rzeszowskiego. Muzeum Okręgowe w Rzeszowie
Tematy:
North-Western Slavs
religion
symbolism
ritual practices
foundation deposits
dog
Opis:
Archaeological discoveries of dog teeth and their contexts imply that dogs may have played an important role in the worldviews of North-Western Slavs. Dog remains are found at sites strictly associated with cult practices but also at settlements, and they can be interpreted in various ways. So far discussions of dog remains have been limited in scope and very sporadically scholars have attempted to study them in a broader perspective. The aim of this paper is to look at the finds of dog remains in the area populated by North-Western Slavs in a more holistic way than ever attempted before and with a particular focus on the symbolic meanings that these animals could have had in the past. What was the role of dogs in religious practices? What function did they have in mythology? How were they perceived in pagan beliefs? The present paper will seek to find answers to these questions.
Źródło:
Analecta Archaeologica Ressoviensia; 2015, 10; 199-240
2084-4409
Pojawia się w:
Analecta Archaeologica Ressoviensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tra legge, corpo e simbolo La paternità omosessuale e la cultura androcentrica in Sei come sei di Melania G. Mazzucco
Autorzy:
Kornacka, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/700529.pdf
Data publikacji:
2017
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Italian contemporary novel
homosexual paternity
body
gender
androcentric culture
symbolism
Opis:
The following paper analyzes the theme of homosexual paternity. It analyzes Mazzucco’s novel on three different levels: the legal and social context, the gender perspective, and the level of literary and artistic symbols. In each of these areas we can observe the importance given to traditional paternity, seen as legal power or divine creation of the men. On the contrary, homosexual paternity is excluded by law, denied as containing maternal elements, and endowed with modest symbolic power.
Źródło:
Romanica Silesiana; 2017, 12
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
New issue of the Dictionary of folk stereotypes and symbols
Новый выпуск Словаря народных стереотипов и символов
Autorzy:
Толстая, Светлана М.
Powiązania:
https://bibliotekanauki.pl/articles/2084495.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish folk culture
cultural stereotypes
ethnolinguistics
dictionary
semantics
symbolism
flowers
Opis:
The next issue of the Dictionary of folk stereotypes and symbols, published in Lublin under the editorship of Prof. E. Bartminski, is dedicated to the theme Flowers. Unlike many types of plants, whose cultural semantics "superimpose" on their practical significance in human life, flowers have an almost exclusively symbolic function – they serve as a decoration of the home space and a means of marking persons and objects that perform special ceremonial roles.
Źródło:
Rocznik Slawistyczny; 2020, 69; 237-244
0080-3588
Pojawia się w:
Rocznik Slawistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rzeczywistość czy sen – o funkcji symboliki onirycznej w opowiadaniu Vladimira Nabokova "Zgroza"
Reality or Dream: on the Function of Oneiric Symbolism in Vladimir Nabokov’s Short Story "Terror"
Autorzy:
Ułanek, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/2032480.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Vladimir Nabokov
Terror
oneiric symbolism
Dostoyevsky
Pushkin
demonism of laughter
Źródło:
Slavia Orientalis; 2018, LXVII, 3; 477-488
0037-6744
Pojawia się w:
Slavia Orientalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ikonografia ogrodów symbolizmu rosyjskiego. Bez
Iconography of the Gardens of Russian Symbolism. Lilac
Autorzy:
Malej, Izabella
Powiązania:
https://bibliotekanauki.pl/articles/2012189.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
ogród
ikonografia
symbolizm rosyjski
bez
garden
iconography
Russian Symbolism
lilac
Opis:
Lilac has been the symbol of Russian gardens for ages, gradually becoming their inseparable attribute. The Russian word ‘’ (lilac) is derived from Greek ‘syrinx’ meaning a pipe (musical instrument). This name has also its own mythic explanation of double i.e. Greek and Scandinavian origin. Since the 19th century lilac has been attracting attention of many Russian poets and painters, becoming the source of their inspiration. The most eminent painter of lilac is Mikhail Vrubel, whose “portraits” of lilac: Lilac bush () , 1900) and Lilac (, 1900 and 1901) are magical, ambiguous and  stunning with their enchanting, iridescent colours and the atmosphere of mystery. Vrubel gives his paintings a profound philosophical meaning playing with the ambivalence of his subject. This subject is the transformation of Chaos into Cosmos. The same attitude can be observed in the poems of A. Blok, K. Balmont, I. Annenski. In each of the iconic representations of lilac analysed by the author of this article, lilac obtains the status of a symbol as an artistic sign with a complex semantic structure and definite, melancholically sensual emotional quality. In this way lilac becomes an iconic announcement with a multi-level structure for Russian symbolists. The process of perception of poetry and paintings becomes the way a realibus ad realiora, from matter to feeling. It leads to the conclusion that Russian artists of the turn of the 19th and 20th centuries saw in lilac the sign of a higher, better world, where all its elements (real, mystic, mythic and fantastic) coexist, the sign of yearning for the idea of harmony.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2011, 1(4); 135-155
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Judas Iscariot’s Semiotic Image in Ukrainian Literature at the Beginning of the Twentieth Century
Semiotyka przedstawień Judasza Iskarioty w literaturze ukraińskiej początku XX wieku
Autorzy:
Khajrulina, Nailia
Powiązania:
https://bibliotekanauki.pl/articles/1038212.pdf
Data publikacji:
2020-03-01
Wydawca:
Akademia Ignatianum w Krakowie
Tematy:
semiotyka
archetyp
semiotyka portretu
symbolizm
semiotics
archetype
portrait semiotics
symbolism
Opis:
The article under consideration is devoted to the semiotic analyses of the biblical apostle Judas Iscariot, one of the most contradictory religious characters. The article demonstrates the semiotic paradigm of Judas, including portrait semiotics (paleness, timidity, secrecy and slouch), gesture semiotics (abrupt movements) and symbolic semiotics (hopelessness, suicide). The research stresses the aspect of venality. It is proved that Judas Iscariot became the archetype of venality not only in literature, but in art generally. The article’s summary will be used for students learning literary criticism and philologists.
Artykuł poświęcono semiotycznej analizie biblijnej postaci Judasza Iskarioty. Biorąc pod uwagę wieloaspektowość jego przedstawienia religijnego, postać Judasza w kulturze stanowi przedmiot współczesnych badań. Artykuł ukazuje paradygmat semiotyczny obrazu Judasza, na który składa się semiotyka portretu (blada cera, zawstydzenie, skrytość), semiotyka gestu (gwałtowne ruchy) oraz semiotyka symbolu (beznadzieja, rozpacz). Nacisk położono na elementy zdrady i sprzedajności człowieka. Udowodniono, że Judasz Iskariota reprezentuje archetyp zdrajcy.
Źródło:
Perspektywy Kultury; 2020, 28, 1; 37-42
2081-1446
2719-8014
Pojawia się w:
Perspektywy Kultury
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kulturowo-religijny wymiar kwiatu lotosu
The Cultural and Religious Dimension of the Lotus Flower
Autorzy:
Szuppe, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/480593.pdf
Data publikacji:
2019-06-30
Wydawca:
Wydawnictwo Księży Werbistów Verbinum
Tematy:
kultura
kwiat lotosu
religia
symbolika
lotus flower
symbolism
culture
religion
Opis:
Rośliny zajmują ważne miejsce we wszystkich kulturach i religiach świata. Posiadają nie tylko leczniczy, ale także sakralny charakter. Stają się częstym obiektem kultu, symbolem stworzenia, przemijalności, cnót. Zawierają bogatą symbolikę, ukazującą rzeczywistość ziemską oraz nadprzyrodzoną. W graficznym wyobrażeniu przedstawiają świat doczesny i transcendentny. Wywołują u odbiorcy określone myśli, zachowania, postawy. Artykuł przedstawia kulturowo-religijny wymiar kwiatu lotosu. Ukazuje jego sakralne znaczenie oraz bogatą symbolikę w poszczególnych kulturach i religiach. Dla starożytnych Egipcjan lotos oznaczał stworzenie, odrodzenie, słońce, bóstwo. W Indiach symbolizuje czystość, doskonałość, piękno, świętość. Na Dalekim Wschodzie (Chiny, Tybet) wyraża kosmiczną harmonię, jedność pierwiastków męskiego i żeńskiego. W Europie stanowi zapowiedź raju, ukazując zarazem perspektywę życia wiecznego.
Plants occupy an important place in all cultures and religions of the world. They have not only a healing character but also a sacred one. They become a frequent object of worship, a symbol of creation, transience and virtue. They contain a rich symbolism showing the earthly and supernatural reality. They depict the temporal and transcendental world in a graphic image. They evoke specific thoughts, behaviors and attitudes in the recipient. This article presents the cultural and religious dimension of the lotus flower. It shows its sacred significance as well as rich symbolism in various cultures and religiosities. For ancient Egyptians it meant creation, rebirth, sun, deity. In India it symbolizes purity, perfection, beauty, holiness. In the Far East (China, Tibet) it expresses the cosmic harmony, the unity of male and female elements. In Europe it refers to the announcement of paradise, showing the perspective of eternal life.
Źródło:
Nurt SVD; 2019, 1; 107-116
1233-9717
Pojawia się w:
Nurt SVD
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Перспективи дослiдження української лiтератури в контекстi архетипальної критики
The prospects for the study of Ukrainian literature in the context of archetypal criticism
Autorzy:
Betko, Iryna
Powiązania:
https://bibliotekanauki.pl/articles/481206.pdf
Data publikacji:
2011-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Ukrainian literature
spiritual symbolism of archetypes of the collective unconscious
Opis:
The article examines the prospects for the study of Ukrainian literature in the context ofarchetypal criticism. The rich spiritual symbolism of archetypes of the collective unconscious, asPersona and Shadow, Anima and Animus, Wise Old Man and a Great Mother, and specially theSelf, helps open new contents parameters in the analysis of religious and philosophical works. Inthis regard, attention is focused on appropriate archetypal motifs of Garden o f Divine Song ofGregory Skovoroda and the novel Double Leon of Yuri Izdryk.
Źródło:
Acta Polono-Ruthenica; 2011, 1, XVI; 7-20
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La crise psychique dans "Les Vies encloses" de Georges Rodenbach
The Psychic Crisis in "Les Vies encloses" by Georges Rodenbach
Autorzy:
Sasin, Eliza
Powiązania:
https://bibliotekanauki.pl/articles/2130998.pdf
Data publikacji:
2022-08-12
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
crise psychique
Georges Rodenbach
poésie
symbolisme
psychic crisis
poetry
symbolism
Opis:
La fin du XIXe siècle en France est marquée par plusieurs crises parmi lesquelles la crise sociale et la crise de la littérature. Dans ce contexte, Georges Rodenbach a élaboré un poème en plusieurs parties, Les Vies encloses qui, dans la lignée des courants du symbolisme et du décadentisme, contient de nombreuses références à la philosophie de Schopenhauer. L’auteur y montre l’âme isolée aux prises avec le monde, sa recherche d’identité et sa découverte d’une vie intérieure profonde. À partir de ce qu’Edgar Morin dit de la crise et des pensées de Rodenbach lui-même, il est possible d’interpréter les différentes phases de la crise psychique que traverse cette âme, manifeste dans le contraste entre la lumière et les ténèbres, les mondes extérieur et intérieur, la sécurité et le danger et, finalement, entre la vie et la mort.
The end of the 19th century in France is marked by several crises, including the social crisis and the crisis of literature. Under these circumstances, Georges Rodenbach wrote a multi-part poem Les Vies encloses, which in line with Symbolist and Decadent movements contains numerous references to Schopenhauer’s philosophy. The author presents the struggle between the isolated soul which is searching for its own identity and discovering a deeper inner life, and the outside world. Based on the study of the crisis by Edgar Morin and the views of Rodenbach himself, it is possible to distinguish various phases of the crisis that the soul goes through. Indeed, this crisis is a result of the dilemmas that affect the soul and it is reflected by the contrast between light and darkness, external and internal world, security and danger, and eventually, life and death.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Romanica; 2022, 17, 1; 169-179
1505-9065
2449-8831
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Byzantine symbolism in sacred architecture in Eastern Galicia at the turn of the XIX-early XX century
Autorzy:
Cherkes, B.
Borys, A.
Powiązania:
https://bibliotekanauki.pl/articles/345351.pdf
Data publikacji:
2015
Wydawca:
Politechnika Krakowska im. Tadeusza Kościuszki. Wydział Architektury. Katedra Kształtowania Środowiska Mieszkaniowego
Tematy:
byzantine symbolism
sacred architecture
Eausten Galicia
Bizancjum
symbolika
architektura sakralna
Opis:
Sacral architecture in Western Ukraine, first of all in Galicia, since the beginning of the twentieth century defined by the obvious search and articulation of local identity, arose in terms of the general process of political nations in Eastern Europe. The long break both in the continuity of generations and in the practice of sacred buildings design between periods at the turn of XIX–XX and at the turn of XX–XXI centuries, led to significant losses in the theoretical and practical use of the experience of the galaxy of Galician architects of the Austrian and Inter-War periods, which formed morphological basis of the architectural definition of a church in Ukrainian-Byzantine tradition.
Źródło:
Środowisko Mieszkaniowe; 2015, 14; 118-121
1731-2442
2543-8700
Pojawia się w:
Środowisko Mieszkaniowe
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Drzwi kościelne jako brama wiary
The church door as a gateway to faith
Autorzy:
Knapiński, Ryszard
Powiązania:
https://bibliotekanauki.pl/articles/2151026.pdf
Data publikacji:
2015-12
Wydawca:
Wyższe Seminarium Duchowne Diecezji Elbląskiej w Elblągu
Tematy:
Church art
architecture
church
door
gate
symbolism
iconography
Church Fathers
Opis:
Church doors are one of many symbolic elements of the church body. In the Old Testament it developed eschatological significance that have taken the gate, understood as the gates of hell. In this sense the church gate appear in the iconography of the Court of God. This symbolism was taken over by Christianity. Allegorical and symbolic significance of the church doors was lined in the writings of the apologists of the faith and the Church Fathers.
Źródło:
Studia Elbląskie; 2015, 16; 309-324
1507-9058
Pojawia się w:
Studia Elbląskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Kill a donkey”
„Zabić osiołka”
Autorzy:
Rozmus, Dariusz
Powiązania:
https://bibliotekanauki.pl/articles/444062.pdf
Data publikacji:
2017
Wydawca:
Wyższa Szkoła Humanitas
Tematy:
Symbolism of animals
donkey symbolism
The state and city of Maria
the covenant
symbolika zwierząt
symbolika osła
państwo i miasto Marii
zawarcie przymierza
Opis:
For thousands of years, we can observe that the donkey, an animal commonly used in the Mediterranean world and Asia as a beast of burden, has a rich symbolism associated with religion. It was ridden by ancient heroes, prophets, patriarchs and gods. In the Judaic and Christian traditions, there are positive aspects of this animal that are associated with messianic symbolism. The donkey was also used in the legal practices of the ancient East. Phrase to kill a donkey used in the existing in the second millennium BC in the present territory of Syria and Iraq, the city and the country of Mary, has become a technical term meaning the conclusion of the covenant.
Przez tysiące lat możemy obserwować, że osioł – zwierzę powszechnie używane w świecie śródziemnomorskim i w Azji jako zwierze juczne, pociągowe i do jazdy – posiada bogatą symbolikę związaną z treściami religijnymi. Dosiadali go starożytni bohaterowie, prorocy, patriarchowie i bogowie. W tradycji judaistycznej i chrześcijańskiej przeważają pozytywne aspekty tego zwierzęcia wiążące się z symboliką mesjańską. Osioł był też wykorzystywany w praktykach prawnych starożytnego Wschodu. Fraza zabić osła używana w istniejącym w drugim tysiącleciu p.n.e. na terenie współczesnych Syrii i Iraku mieście i państwie Mari stała się terminem technicznym oznaczającym zawarcie przymierza.
Źródło:
Roczniki Administracji i Prawa; 2017, 17/1; 103-112
1644-9126
Pojawia się w:
Roczniki Administracji i Prawa
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Biblical Word of Animals
Biblijny świat zwierząt
Autorzy:
Wajda, Anna Maria
Powiązania:
https://bibliotekanauki.pl/articles/671901.pdf
Data publikacji:
2013
Wydawca:
Polskie Towarzystwo Teologiczne
Tematy:
Zwierzęta
Biblia
klasyfikacja
znaczenie
symbolika
Animals
Bible
classification
significance
symbolism
Opis:
Liczne wzmianki o zwierzętach na kartach Biblii są potwierdzeniem dobrej znajomości świata przyrody przez autorów natchnionych. W odniesieniu do obowiązującej obecnie klasyfikacji organizmów żywych i metod badawczych, jakimi posługuje się współczesna zoologia, nie mają one charakteru dociekań naukowych. Świadczą natomiast o umiejętności wnikliwej obserwacji zwierząt, czego wyrazem jest nie tylko znajomość wyglądu przedstawicieli poszczególnych gatunków, ale także specyficznych zachowań związanych ze sposobem ich życia. Dotyczy to nie tylko zwierząt udomowionych i hodowanych przez człowieka w celu pozyskania mięsa, mleka, skór oraz siły roboczej, ale i dzikich reprezentantów świata fauny. Biblijne wzmianki o tych ostatnich odnoszą się do gatunków postrzeganych jako szczególnie niebezpieczne dla człowieka i zwierząt domowych, do których zaliczyć należy lwy, wilki, niedźwiedzie, lamparty czy węże. Wśród biblijnych dzikich zwierząt są również takie, które swym wyglądem i zręcznością budziły podziw, czego przykładem są odniesienia do gazeli, jeleni, koziorożców, a nawet gołębi. Równocześnie należy podkreślić, że ten bogaty świat zwierzęcy jest jedynie barwnym tłem dla biblijnej historii zbawienia oraz narzędziem pomocnym w przekładaniu orędzia Boga na język ludzki. Dlatego poznanie znaczenia i symboliki zwierząt pojawiających się na kartach Pisma Świętego pozwala współczesnemu człowiekowi lepiej zrozumieć perykopy biblijne, w których są one przywoływane.
Numerous references to animals in the Bible show that biblical authors had a broad knowledge of nature. According to the current classification of living organisms and method of research used by modern zoology, it is stated that these observations do not have the characteristics of scientific research. In spite of this, they are the evidence of the clear-sighted observation of animals, which is reflected not only in the knowledge of the appearance of individual species, but also of specific behaviours related to their way of life. It concerns not only domestic animals, raised for the purpose of gaining meat, fur, hide and labour, but also wild representatives of the fauna. Bible references concerning the latter apply to the species perceived as highly dangerous to man and domestic animals, i.e.: lions, wolves, bears, leopards or snakes. Amongst the Bible animals one can distinguish these which aroused admiration because of their appearance, such as gazelle, deer, ibex or dove. At the same time, it is essential to emphasise the fact that this rich animal world is just a vivid background of the biblical story of Salvation and a tool used to translate God’s address into human language. For this reason, the knowledge of animal symbolism in the Sacred Scripture makes more accurate understanding of the pericopes possible.
Źródło:
Ruch Biblijny i Liturgiczny; 2013, 66, 4
2391-8497
0209-0872
Pojawia się w:
Ruch Biblijny i Liturgiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Miłość, natura i miasto. Wpływ Émile’a Verhaerena na twórczość Takamury Kōtarō
Love, Nature and The City. the Influence of Émile Verhaeren on The Works of Takamura Kōtarō
Autorzy:
Sonnenberg, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1179155.pdf
Data publikacji:
2016-12-07
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Takamura Kōtarō
Émile Verhaeren
symbolism
nature
city
symbolizm
natura
miasto
Opis:
Poezja, malarstwo i rzeźba francuska były inspiracją dla wielu japońskich twórców należących do kręgu Miłośników Pana (Pan no kai). Jednym z nich był Takamura Kōtarō (1883-1956) – poeta i rzeźbiarz, który zasłynął przede wszystkim ze swoich liryków miłosnych adresowanych do żony Chieko. Artykuł stanowi próbę analizy wpływów, jakie wywarły na Takamurę życie i twórczość Émile’a Verhaerena, belgijskiego poety piszącego po francusku, ważnego przedstawiciela francuskiego symbolizmu. Wpływy te rozpatrywane na przykładzie poezji miłosnej Takamury (Chieko shō) oraz obrazów natury i miasta w jego twórczości.
French poetry, painting and sculpture inspired a great number of Japanese artists gathered around Pan no Kai (The Pan Society). One of them was Takamura Kōtarō (1883-1956), a poet and sculptor, well known for his love poems addressed to his wife Chieko and collected in the volume Chieko shō. The article is an attempt to analyse the impact the life and work of Émile Verhaeren, Belgian poet writing in French and famous representative of French symbolism, had on Takamura’s oeuvre, especially with regards to his love poetry and images of nature and city.
Źródło:
Porównania; 2016, 18; 135-154
1733-165X
Pojawia się w:
Porównania
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Transformation of the Memory and Symbolism of Local Space in the Process of European Integration
Autorzy:
Niżnik, Józef
Powiązania:
https://bibliotekanauki.pl/articles/1790801.pdf
Data publikacji:
2017-06-20
Wydawca:
Polskie Towarzystwo Socjologiczne
Tematy:
European integration
memory
territorial identity
local space
symbolism of space
Opis:
European integration impacts the perception and symbolism of space, and the resultant transformation seems to be linked to changes in memory. Both of these factors belong to the deep, although not always conscious effects of integration. Memory is rarely stable. The biographical events in an individual’s life, along with changes in the meaning of the broad European space, affect the symbolism of a local space as developed in both individual and collective memory. This also transforms the memory and symbolism of even the most intimate experience of a local space-and again, this takes place both in the memory of individuals and in the collective memory of local communities. Its form greatly depends on the variety of agents involved in public discourse, such as the media and the arguments made by political and religious leaders. One of the factors involved is the change in social and cultural perspective created by the expanded area of easily accessible space, which in today’s EU includes countries once separated by physically experienced borders. In the article I will attempt to identify and describe the mechanisms involved in transforming the symbolism of local space. One of the issues addressed will be the confrontation between advancing cosmopolitanism and the rise of attachment to localities.
Źródło:
Polish Sociological Review; 2017, 198, 2; 127-140
1231-1413
2657-4276
Pojawia się w:
Polish Sociological Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"Андрей Рублев" Николая Гумилева – святее всех святых
'Andrei Rublev' by Nikolay Gumilyov – Holier Than Thou
Autorzy:
Sklyarov, Valeriy
Powiązania:
https://bibliotekanauki.pl/articles/2031751.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
literary study
Nikolai Gumilev
Andrei Rublev
the poetry of symbolism
Źródło:
Slavia Orientalis; 2019, LXVIII, 2; 311-324
0037-6744
Pojawia się w:
Slavia Orientalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czym się bawić? Funkcje marek dla dzieci – raport z badań siedmiolatków
Autorzy:
Duda, Aneta
Powiązania:
https://bibliotekanauki.pl/articles/2050218.pdf
Data publikacji:
2014-06-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
brand relationships
brand symbolism
consumer culture
child consumer
consumer socialization
Opis:
The purpose of this article is to provide a theoretical and empirical explanation of how the consumer socialization works with children of 7/8 years. This paper poses questions about the way brands are discussed in social situations in the environment of school class. It explores children’s socializations into consumer-brand relationships and the influence that marketing texts have on their everyday social experiences. The analysis of children’s talk about brands is critical in order to understand the ways that brands (with parents, siblings and peers) socialize them into consumer culture. The first section presents contemporary discussion of children’s consumption phenomena. The second section emphasis on researching with 14 groups of primary Polish pupils in Lublin. It uses data analysis born of in-depth interviews analysis. This study is based on principles of cultural studies and discourse and functional analysis which approach as a means to enhance richness and uniqueness in the area of children’s consumption. In order to understand children’s brand consumption the paper indicates five main functions emerged from the data: 1. Exploring consumer culture through play and gratification 2. Seeking safety in an overabundance 3. Identification and gender socialization 4. Belonging to a group and rivalry 5. Utilitarian functions. Author argues that consumption ideology and their discourses are not increasingly define children’s everyday social experiences. 7/8-year-olds were not a coherent group significantly interested in brands and consumption, but on the other hand, they were not a group that did not interested in them at all. Counter to the (mainly polish) literature children have not extensive knowledge of brands and brands are not so emerging in their lives.
Źródło:
Kultura i Edukacja; 2014, 3(103); 288-312
1230-266X
Pojawia się w:
Kultura i Edukacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Symbolika wody w pismach św. Jana Ewangelisty i w Qumran
Autorzy:
Szojda, Damian
Powiązania:
https://bibliotekanauki.pl/articles/1162158.pdf
Data publikacji:
1966
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
woda
symbolika
Qumran
Ewangelia według św. Jana
water
symbolism
John
Opis:
Le rite l’introduction exigé par les règles de Qumran pouvait avoir sa genèse dans le baptême des prosélytes juifs. Le quatrième Évangile mentionne un baptême semblable quand il parle de S. Jean Baptiste. Les convergences qui existent entre les rites d’introduction de Qumran et le baptême des prosélytes ainsi que celui de Jean, indiquent la provenance de ces rites de l’Ancien Testament. Les Qumraniens, ainsi que S. Jean, unissent l’eau et l’esprit. Dans les écrits esséniens l’eau opère la purification du corps. Elle constitue aussi le symbole de la pureté morale chez S. Jean. L’eau forme l’image de la réalité nouvelle qui s’accomplit dans le baptisé par 1’opération de l’Esprit Saint. On peut trouver la genèse de 1’association de l’eau et de 1’Esprit dans les écrits de 1’Ancien Testament où l’eau en tant que symbole de la vie devient l’image de Dieu ou bien de son Esprit puisque Dieu donne la vie et opère la purification. L’association de l’eau à l’Esprit était faite par les prophètes. La dernière promesse, unissant l’eau à 1’Esprit fut donnée à Joël (3, 1). Elle fut accomplie le jour de la Pentecôte. Ce qui constitue un élément nouveau dans la doctrine de S. Jean, représentant 1’Esprit Saint à l’aide de 1’image de l’eau , c’est la liaison avec le Sacrifice de la Croix. La mort de Notre Seigneur sur la croix est à l’origine de la descente der Esprit Saint et du baptême chrétien. L’essai de comparaison entre le symbolisme de l’eau dans les écrits de S. Jean et dans ceux de Qumran laisse supposer la connaissance de la doctrine essénienne par S. Jean Évangéliste. S. Jean a pu connaître la doctrine des Esséniens concernant l’eau et son symbolisme rituel soit en Palestine soit à l’étranger. Le symbolisme de l’eau dans les écrits de S. Jean diffère pourtant complètement de la doctrine de Qumran. Cette différence exclut l’existence de dépendances directes entre les écrits de S. Jean Évangéliste et les manuscrits de la Mer-Morte.
Źródło:
The Biblical Annals; 1966, 13, 1; 105-121
2083-2222
2451-2168
Pojawia się w:
The Biblical Annals
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Internety się palą. O wybranych semiotyzacjach pożaru katedry Notre Dame
Autorzy:
Jankowska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1186504.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Notre Dame Cathedral
fire
symbolism of fire
culture wars
information bubble
Opis:
The aim of the article is to analyse some online reactions to the Notre Dame fire, especially the content of social media. The fire has often been interpreted through biblical symbolism as a sign of God’s presence, a warning or even a punishment. At the same time, various information bubbles have used the opportunity to discuss some basic global issues, e.g. climate change, comparing the burning cathedral to the burning Siberian and Amazonian forests. There are also some examples of the pure netlore which can be seen as an element of the process of carnivalization – a way out from the apocalyptic narratives of any kind.
Źródło:
Załącznik Kulturoznawczy; 2019, 6; 41-76
2392-2338
Pojawia się w:
Załącznik Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
POEZJA PASYJNA SYMEONA Z POŁOCKA
Passion Poetry by Symeon of Polotsk
Autorzy:
Kozak, Barbara
Powiązania:
https://bibliotekanauki.pl/articles/444434.pdf
Data publikacji:
2011-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
passion poetry,
baroque poetry,
symbolism,
Christ’s suffering, Symeon of Polotsk
Opis:
Passion poetry plays an important part in the early creative work of Symeon of Polotsk. Visions of Christ’s suffering sparkle in his poems with baroque ornaments - sophisticated symbo- lism and exquisite metaphors structured on contrast. Describing last hours of Christ before the crucifixion, Symeon does not run from vivid, naturalist imagery, full of cruelty and pain. The suffering does not belittle Jesus, on the contrary, in the eyes of Symeon it makes Him more powerful, the true Lord of all creation. The most characteristic for this series of poems is their emotional flavour. Symeon is very personal in these works. He does not scare from using a strong, graphic language that should engage all senses of the reader, even bring him/her to tears. Filled with imagery, the passion poetry of Symeon is designed to resonate with the inner world of the reader and induce mystical experiences. To that end Symeon uses the brutality of Christ’s suffering and other sophisticated literary concepts.
Źródło:
Acta Neophilologica; 2011, XIII; 177-187
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Scena religijna wobec realizmu. Portret wotywny i portret ukryty w obrazie „Opłakiwanie” z kościoła św. Katarzyny w Braniewie
Religious Scene Towards Realism. The Votive Portrait and the Hidden Portrait in the „Mourning” Picture from St. Catherine Church in Braniewo
Autorzy:
Jagla, Jowita
Powiązania:
https://bibliotekanauki.pl/articles/512349.pdf
Data publikacji:
2012
Wydawca:
Wydawnictwo Diecezjalne Adalbertinum
Tematy:
symbolism of portrait
“Mourning” picture
Cardinal Hozjusz
St. Catherine church
Braniewo
Opis:
The authoress analyzes the „Mourning” picture from St. Catherine church in Braniewo. In her interpretation she remarks that the whole expressive scene is dedicated to the death of Christ, which on one hand side is focused on the Lord’s Passion, but on the other – does not confine itself only to religious contents. The picture contains some kind of moralizing message due to taking advantage of possibilities delivered by the symbolism of portrait. A spectator is introduced by the artist into the epicenter of the portrayed occurrence. The painter not only spotlights himself pride-fully as an author of the work, but also indicates the direction of perception: from oppressed Christ to Cardinal Hozjusz as the founder of the picture, and an exemplary Christian.
Źródło:
Studia Ełckie; 2012, 14; 541-555
1896-6896
2353-1274
Pojawia się w:
Studia Ełckie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Katedra gnieźnieńska: polsko-niemieckie zmagania o symbole w czasie zaborów, dwudziestolecia międzywojennego i okupacji hitlerowskiej
The Gniezno cathedral: Polish-German struggle for symbols in the time of the partitions, interwar period and the German nazi occupation
Autorzy:
Sołomieniuk, Michał Przemysław
Powiązania:
https://bibliotekanauki.pl/articles/494822.pdf
Data publikacji:
2018-10-22
Wydawca:
Towarzystwo Naukowe Franciszka Salezego
Tematy:
Gniezno
katedra gnieźnieńska
symbolika
okupacja niemiecka
Gniezno cathedral
symbolism
German occupation
Opis:
W czasie niewoli narodowej oraz w dwudziestoleciu międzywojennym rosła symboliczna rola Gniezna, religijna i narodowa. Symbolika ta skupiała się wokół katedry i wyraziła się w upamiętnianiu tablicami i pomnikami ważnych osób i wydarzeń, w publikacjach książkowych o charakterze historycznym oraz w uroczystościach religijnych. W czasie zaborów Niemcy starali się ograniczać symboliczną rolę katedry. Podczas II wojny światowej zamknęli katedrę dla Polaków a z czasem wykluczyli z niej kult religijny. Dzieła zniszczenia niemal dopełniła Armia Czerwona, która bez powodu zbombardowała katedrę dwa dni po „wyzwoleniu”.
In the time of partitions of Poland and in the interwar period the national and religious symbolic significance of Gniezno was increasing. This symbolism focused on its cathedral and was expressed in tables and monuments dedicated to important persons and events, in publications on history, in common prayer of the Polish Catholics. In the Prussian times the civil authorities strove to limit the symbolic role of Gniezno. During the World War II the Germans closed the cathedral for the Polish people and later excluded from it any religious service. Their work of destruction has been almost completed by the Red Army who bombarded the church two days after the “liberation”.
Źródło:
Seminare. Poszukiwania naukowe; 2018, 39, 3; 169-181
1232-8766
Pojawia się w:
Seminare. Poszukiwania naukowe
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Entre portrait symbolique et vision sociale de la femme. La sirène dans des poèmes choisis de la fin du XIXe siècle
Between Symbolic Portrait and Social Vision of Woman: Siren in Selected Poems at the End of the 19th Century
Autorzy:
Sasin, Eliza
Powiązania:
https://bibliotekanauki.pl/articles/28411221.pdf
Data publikacji:
2023-12-16
Wydawca:
Komisja Nauk Filologicznych Oddziału Polskiej Akademii Nauk we Wrocławiu
Tematy:
poetry of Symbolism
water symbolism
femme fatale
French poetry
woman
society of 19th century
poésie symboliste
symbolisme aquatique
poésie française
femme
société du XIXe siècle
Opis:
This article aims to show the relationship between the woman in the social context of nineteenth-century France and the female portrait presented in symbolist poetry. Allegiances between the philosophical influence of Schopenhauer and Baudelaire, the woman of the theatre as well as the femme fatale and the mermaid, her mythological prototype, are proven. The presented portrait is based on woman’s primal relationship with nature and with artificiality depending on the development in society; the main elements are the dependence of the woman on the man and their mutual manipulation.
Źródło:
Academic Journal of Modern Philology; 2023, 20; 307-314
2299-7164
2353-3218
Pojawia się w:
Academic Journal of Modern Philology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The psycholinguistic world of “zdziwienie” - “astonishment” and “zaskoczenie” - “surprise”
Autorzy:
Jasielska, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/430487.pdf
Data publikacji:
2015-09-01
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
surprise
astonishment
psycholinguistics
denotative and connotative meaning
emotional valence
conventional sound symbolism
Opis:
The aim of the study was to answer the question whether the words “zaskoczenie” [phon. zaskɔˈʧ̑ɛ̃ɲɛ]- “surprise” and “zdziwienie” [phon. ʑʥ̑iˈvjɛ̇̃ɲɛ]- “astonishment”, which are treated in the Polish language as synonyms, possess a fixed pattern of application, and whether the colloquial context of using these words differs in terms of its emotional valence. The theoretical background for this investigation was the triadic approach to language cognition that includes perception, conceptualization and symbolization, and corresponding to this approach concept of mental representation of emotions. The obtained results have shown that people tend to use the word “zaskoczenie” to describe emotions that occur in positive situations, whereas the word “zdziwienie” is more frequently applied in negative situations. The observed emotive connotation of the investigated words has been explained by the rules of phonetic symbolism and implicative meaning of the words preserved in the popular/colloquial understanding.
Źródło:
Polish Psychological Bulletin; 2015, 46, 3; 384-392
0079-2993
Pojawia się w:
Polish Psychological Bulletin
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Narracja architektoniczna – interpretacje, spekulacje czy fakty empiryczne?
Architectural narration – interpretations, speculations or empirical facts?
Autorzy:
Niezabitowski, A.
Powiązania:
https://bibliotekanauki.pl/articles/1366535.pdf
Data publikacji:
2016
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
narracja architektoniczna
postmodernizm
symbolika w architekturze
architectural narration
postmodernism
symbolism in architecture
Opis:
Znaczenie w architekturze, a w szczególności zagadnienia związane ze strukturami symbolicznymi, należą niewątpliwie do najtrudniejszych tematów w teorii architektury. Problematyka ta wychodzi znacznie poza zakres zagadnień techniczno-użytkowych, stąd wymaga zastosowania specyficznych podejść badawczych, zbliżonych do tych, jakie stosowane są w naukach humanistycznych i społecznych. W ostatnich dekadach daje się zaobserwować wyraźne przesunięcie punktu ciężkości zainteresowań projektantów architektury z zagadnień techniczno-użytkowych ku problemom związanym z ekspresją artystyczną, a w związku z tym także ku symbolizmowi. Być może jest to rodzaj ucieczki od sfery nie dającej już projektantom tak rozległych możliwości samorealizacji, jaką oferuje sfera ekspresji symbolicznej. Zjawisko takie jest znamienne dla schyłkowych okresów w historii architektury i sztuki takich, jak np. manieryzm czy secesja, a wiele przesłanek wskazuje na to, że w podobnym okresie żyjemy.
Meaning in architecture, particularly in terms of symbolic structures, is undoubtedly one of the most challenging themes in the theory of architecture. The discussion of meaning goes far beyond purely technical and utilitarian concepts, and therefore needs to employ unique research methods, more in line with those used in humanities and social studies. The past decades saw architects make a definite shift from a technical and utilitarian perspective towards artistic expression, and consequently – symbolism. Such a change of focus might be a form of flight from an over-exploited and restricting approach towards one that, like symbolism, still offers room for creative self-expression. The phenomenon is by no means a new one – we have seen it emerge throughout history towards the end of architectural or artistic periods; it was reflected in Mannerism or Art Nouveau, and there are reasons to believe we are witnessing a similar process now.
Źródło:
Kwartalnik Architektury i Urbanistyki; 2016, 61, 1; 5-30
0023-5865
Pojawia się w:
Kwartalnik Architektury i Urbanistyki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Intermedijalna osjetljivost” poezije Antuna Gustava Matoša, perspektiva lirskog subjekta
„Intermedial Sensitivity” of Antun Gustav Matoš’s Poetry, the Perspective of the Lyrical Subject
Autorzy:
Jukić, Sanja
Powiązania:
https://bibliotekanauki.pl/articles/635458.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
intermedial sensitivity
poetic subject
cultural construction of the subject
symbolism
modernism
artism
Opis:
The paper aims to show that the lyrical subject of Matošʼs poetry is indeed a media hybrid structure. This subject usually identifies with the signifiers of other artistic media, such as the theater, dance, music, painting, fashion and architecture. Therefor, Matoš’s lyrical subject reveals itself as a media hybrid being, which is defined by both time and culture.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"Declaration of Immortality" – Inspirations Derived from Creative Documentaries by Wojciech Wiszniewski
Autorzy:
Tes, Urszula
Powiązania:
https://bibliotekanauki.pl/articles/918068.pdf
Data publikacji:
2014-06-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
artistic creation
form
heroes of socialism
symbolism
metaphysics
Marcin Koszałka
Wojciech Wiszniewski
Opis:
In his documentary Declaration of Immortality, Marcin Koszałka intentionally refers to the style of Wojciech Wiszniewski. Visual creativity is strongly exposed here, both in the style of fi lming and the presentation of the hero. Th e main character in the fi lm, Piotr Korc zak, reminds of the monument-like heroes from Wiszniewski’s fi lms, like protagonist from Wanda Gościmińska. A Weaver Koszałka fi lmed the scenes in the Potocki Palace in Krzeszowice in the manner of Wiszniewski’s long tracking shots. Visual creativity in Koszałka’s and Wiszniewski’s fi lms encompasses the staging, precise frame composition, and their intentional artifi ciality, which does not nullify the documentary their nature. Form in the works of the directors of Primer (Wiszniewski) and Declaration of Immortality (Koszałka) interacts more or less with the spirit of Stanisław Witkiewicz’s art. Koszałka, like Wiszniewski, ‘dismantles’ reality, exposing the illusion of cinema to present a guru of mountain climbing (Korczak) as a ‘hostage of immortality’. Th e lonely hero from Wiszniewski-like staged scenes in Declaration of Immortality is presented as an ‘outgoing star’ whose fame has passed, giving way to alienation or a sense of failure. Th e tension from Declaration of Immortality emerges from the contrast between the way of fi lming (heroic style), and the meaning of particular scenes. Th e cinema of Wojciech Wiszniewski includes symbols, metaphors, and allegories. Th is artistic conception goes well with Marcin Koszałka’s concept of cinema, which – since the making of Existence (2007) – has become more and more symbolic, incorporating Baroque-like formal ideas based on strong contrasts to evoke ‘cognitive discomfort’ in the viewer. 
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 15, 24; 145-154
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rosliny ozdobne w tradycji i kulturze roznych narodow
Autorzy:
Bach, A
Powiązania:
https://bibliotekanauki.pl/articles/810161.pdf
Data publikacji:
2006
Wydawca:
Szkoła Główna Gospodarstwa Wiejskiego w Warszawie. Wydawnictwo Szkoły Głównej Gospodarstwa Wiejskiego w Warszawie
Tematy:
sztuka
symbolika
rosliny ozdobne
tradycje
zwyczaje
art
symbolism
ornamental plant
tradition
custom
Opis:
Rośliny ozdobne od początku dziejów towarzyszyły ludzkości. Istniały we wszystkich znanych nam cywilizacjach. Były obecne w kulturze Mezopotamii, Egiptu, Grecji i antycznego Rzymu. Ludzie już w zamierzchłych czasach zajmowali się nie tylko uprawą roślin użytecznych, lecz także uprawą roślin ozdobnych, ceniąc ich walory dekoracyjne i korzystne oddziaływanie na środowisko człowieka. Już w starożytnym Rzymie praca na roli oraz pielęgnowanie roślin rolniczych i ogrodniczych zostały uznane za podstawowe, najbardziej godne oraz najszlachetniejsze dziedziny ludzkiej działalności. Rola roślin, zwłaszcza roślin ozdobnych, w rozwoju tradycji i kultury, w całokształcie dorobku duchowego i materialnego ludzkości, jest ogromna. Zarówno w przeszłości, jak i w czasach współczesnych roślinom przypisywane jest bogate znaczenie symboliczne. Rośliny kwiatowe stanowią źródło inspiracji twórczej dla artystów, znajdują znamienite miejsce w sztuce i literaturze, są źródłem pożywienia i leków. Tradycyjny związek człowieka z roślinami znalazł swój wyraz także w obyczajach, obrzędach i rytuałach różnych narodów. Celem opracowania, które powstało w wyniku analizy materiałów źródłowych, jest ukazanie roli roślin ozdobnych w rozwoju kultury i tradycji różnych narodów, tym samym przyczynienie się do rejestracji i zachowania polskich zwyczajów oraz tradycji odbywających się z udziałem roślin ozdobnych.
For many centuries ornamental plants have accompanied the humanity. They subsisted in all civilizations. They were present in the Mesopotamian culture, ancient Egypt, Greece and Rome. Already in antique times people were planting not only agronomical, economical value plants but also ornamental plants. They appreciated their decorative values and positive influence on human environment. In ancient Rome, agricultural work and taking care of agricultural and horticultural plants were considered as the most noble and appropriate fields of human activity. The function of plants, in particular ornamental plants in the development of tradition and culture and the spiritual and material accomplishment of humanity is enormous. For many years plants have been considered to have a significant symbolical meaning. Flower plants inspired artists; they also played an important role in art and literature and were used as food and medications as well. The traditional relationship between a humans and plants is reflected in traditions and rituals of various nations. The aim of this study, which was elaborated after an analysis of original materials, is to present the role of ornamental plants in the development of culture and traditions of different nations. In particular, to contribute to the registration and preservation of Polish customs and traditions which concern ornamental plants.
Źródło:
Zeszyty Problemowe Postępów Nauk Rolniczych; 2006, 510, 1; 31-38
0084-5477
Pojawia się w:
Zeszyty Problemowe Postępów Nauk Rolniczych
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ogrody pamięci jako "dzieła sztuki ogrodniczej" na przykładzie jednego z najcenniejszych terenów zieleni Szczecina - Cmentarza Centralnego (Część pierwsza)
The memory gardens as pieces of gardening art, exemplified with one of the most valuable green areas of Szczecin - the Central Cemetery (Part one)
Autorzy:
Dębczak, S.
Powiązania:
https://bibliotekanauki.pl/articles/369687.pdf
Data publikacji:
2010
Wydawca:
Zachodniopomorski Uniwersytet Technologiczny w Szczecinie. Wydawnictwo Uczelniane ZUT w Szczecinie
Tematy:
ogrody pamięci
układ przestrzenny
historia
symbolika
Memory Gardens
spatial arrangement
history
symbolism
Opis:
Nekropolie odgrywają istotna rola w kompleksowym postrzeganiu (planowaniu) miejskich obszarów zieleni i są ściśle powiązane z układem krajobrazowym miasta. Najświetniejsze obiekty cechują się malowniczościa i parkowa scenerią, estetyka i funkcjonalnością w pełni dopasowaną do potrzeb miejsca. Mają charakter dydaktycznych ogrodów botanicznych, a dodatkowo także habitatów różnych gatunków zwierząt.
Necropolis play an important role in the comprehensive perception (planning) of urban greenery and are closely connected with the townscape arrangement. Their finest elements contribute to the general aesthetics and park sceneries, according to the place requirements. They not only have the character of botanic gardens, but provide habitats to numerous plant and animal species.
Źródło:
Przestrzeń i Forma; 2010, 14; 33-44
1895-3247
2391-7725
Pojawia się w:
Przestrzeń i Forma
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wątki melancholijne w twórczości Paula Verlaine’a i Ireny Wieniawskiej (na przykładzie Crépuscule du soir mystique)
The melancholic trends in works by Paul Verlaine and Irena Wieniawska (based on Crépuscule du soir mystique)
Autorzy:
Al-Araj, Anna
Powiązania:
https://bibliotekanauki.pl/articles/32304168.pdf
Data publikacji:
2023
Wydawca:
Fundacja PSC
Tematy:
melancholy
19th-century French poetry
symbolism
song for voice and piano
Opis:
The aim of this article is to present the possibility of adapting the category of melancholy to the analysis of the word (poetic) and musical works. In the first part, different definitions of melancholy created by philosophers and cultural researchers are taken into consideration. Then I try to interpret the word and musical layers of the poem (and the song) called Crépuscule du soir mystique in the light of solutions typical for melancholic moods. In the last part of the article, I propose to extract a separate expressive category, which will be helpful to analyze pieces from the circle of symbolism in particular.
Źródło:
Alcumena. Pismo Interdyscyplinarne; 2023, 3(15); 5-17
2719-9851
Pojawia się w:
Alcumena. Pismo Interdyscyplinarne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Symbolika księżyca w Enarrationes in psalmos św. Augustyna
Symbolism of the Moon in The enarrationes in psalmos by st. Augustine
Autorzy:
Zgraja, Brunon
Powiązania:
https://bibliotekanauki.pl/articles/611967.pdf
Data publikacji:
2018
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
Św. Augustyn
Enarrationes in Psalmos
księżyc
symbolika
St. Augustine
moon
symbolism
Opis:
The present article proves that Augustine, explaining in Enarrationes in Psalmos the texts of Psalms, does not treat references occurig in them, to the moon merely as a part of the descriptions of beauty of the created world, but tries to perceive in it a hidden meaning, the disclosure of which serves the interpreation of different theological questions. For the bishop of Hippo, the moon is a metaphor of God the Creator, of Christ, of the Church and of the human being. With reference to God the Creator, the moon is to remind Christians, that God creating everything as being good and beautiful, He himself is the Good and the Beauty. Furthermore, the motive of the moon is to point to God’s self-sufficiency, his freedom and independence. The moon as metaphor of Christ, in turn, allows to perceive in Him the true God who, through the event of Incarnation, revealed to the human being the eternal plan of salvation. The ecclesiological dimension of the symbolism of the moon, however, introduces the concept of the beginnings of the Church, points out to its persecutions and to the presence of sinful people in it. What’s more, the moon-Church is the mystical Body of Christ and Christi s its Head. It is, furthermore, a Glorious Church that will be reigning with Christ for ever. Through the antropological dimension of the figure of the moon, Augustine exposes to the listeners of his sermons the truth about human fragility, corporality and mortality, moral inconstancy and a necessity for gaining more and more perfection with the suport of the Holy Spirit. The moon is salso to direct the human thinking at the truth of resurrection.
Źródło:
Vox Patrum; 2018, 69; 735-753
0860-9411
2719-3586
Pojawia się w:
Vox Patrum
Dostawca treści:
Biblioteka Nauki
Artykuł

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