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Tytuł:
„Trucizna płynąca w moich żyłach”: postpamięć Wielkiej Wojny we współczesnych narracjach (auto)biograficznych
Autorzy:
Kusek, Robert
Powiązania:
https://bibliotekanauki.pl/articles/636914.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Great War, postmemory, diaries
Opis:
„The poison running in my veins”: postmemory of the Great War in contemporary (auto)biographical narrativesThe paper addresses the issue of an inherited memory of the Great War and traces its manifestations in contemporary (auto)biographical narratives. Two writers’ memoirs, i.e. Christopher Isherwood’s Kathleen and Frank (1971) and Doris Lessing’s Alfred and Emily, (2008) have been selected for an in-depth analysis which aims to show how the children of the survivors/casualties of the Great War have struggled with – to use Doris Lessing’s expression – “the poison running in [their] veins”, namely with an inherited memory and trauma of the trenches. Most importantly, the paper postulates that literary and cultural studies on postmemory should be expanded, both thematically and generically, and cover the memory of the Great War.
Źródło:
Przegląd Kulturoznawczy; 2014, 4(22)
1895-975X
2084-3860
Pojawia się w:
Przegląd Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La problemática judía en la novela Sefarad de Antonio Muñoz Molina
Jewish issues in the novel “Sefarad” by Antonio Muñoz Molina
Autorzy:
Agata Zep, Agata Zep
Powiązania:
https://bibliotekanauki.pl/articles/1597024.pdf
Data publikacji:
2017-06-30
Wydawca:
Akademia Ignatianum w Krakowie
Tematy:
Sefarad
Holocausto
postmemoria
Holocaust
postmemory
Opis:
El objetivo de este trabajo es el análisis de la problemática judía en la novela Sefarad de Antonio Muñoz Molina, en el contexto del discurso de la memoria histórica. Esta novela es interpretada como un inten- to de reconstruir la memoria colectiva e individual. El estudio se cen- tra en la imagen literaria de dos acontecimientos históricos: la expul- sión de los judíos de España en 1492 y el Holocausto. La comparación de estos acontecimientos revela los mecanismos históricos que pueden repetirse. El análisis de los recursos literarios utilizados en Sefarad de- muestra el funcionamiento de la memoria y el papel de la narración en la reinterpretación del pasado. Se emplea el concepto de la “post- memoria” para explicar la transmisión de los recuerdos traumáticos entre las generaciones. La reconstrucción de la memoria histórica per- mite salvar del olvido las historias de las víctimas. Además, parece ser necesaria para entender los problemas actuales, así como para la pla- nificación del futuro.
The aim of this work is the analysis of the Jewish themes in Antonio Mu- ñoz Molina’s novel Sefarad, in the context of discourse of the historical memory. This novel is interpreted as an attempt to reconstruct the col- lective and individual memory. The study is focused on the literary im- age of two historical events: the expulsion of the Jews from Spain in 1492 and the Holocaust. The comparison of this two events reveals the his- torical mechanisms that may repeat themselves. The analysis of literary devices used in Sefarad demonstrates the functioning of the memory and the role of the narration in the reinterpretation of the past. The concep- tion of the “postmemory” is employed to explain the trasmission of the traumatic memories between generations. The reconstruction of the his- torical memory allows to save the victims’ stories from being forgotten. Moreover, it seems necessary to understand the current problems, as well as for the planification of the future.
Źródło:
Perspektywy Kultury; 2017, 17, 2; 113-136
2081-1446
2719-8014
Pojawia się w:
Perspektywy Kultury
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Les romans de Gilles Rozier ou les langues et la post-mémoire juives sorties de l’impasse du silence
Gilles Roziers novels; or Jewish languages and postmemory transcend the impasse of silence
Autorzy:
Sadkowski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/1051159.pdf
Data publikacji:
2013-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Jewishness
postmemory
languages
survivors
narratable
Opis:
The aim of the article is to provide a reading of Gilles Rozier’s novels in the context of the phenomenon of Jewish postmemory (Hirsch), which in recent literature acquires a new dimension. The texts selected for disscussion exemplify the return to narrative and to the subject in contemporary novel and signal a new approach to postmemory employed by the third generation of survivors, participants of the Jewish revival. In Rozier’s novels, and in texts by other contemporary writers (e.g., Daniel Mendelsohn in the USA or Piotr Paziński in Poland), while the memory of WWII does not disappear, the focus most often falls on the narrative of Jewish life before and after the Holocaust. Postmemory exists in those texts in the form of the transmission of the word, repossession of the language of ancestors, cultural continuity rather than silence and separation, which characterised the output of earlier generations of writers (such as, for example, Georges Perec).
Źródło:
Studia Romanica Posnaniensia; 2013, 40, 4; 41-50
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Korzenie pamięci. O Mirabelce Cezarego Harasimowicza
The Roots of Memory. On Mirabelle by Cezary Harasimowicz
Autorzy:
Kwiatkowska, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/784503.pdf
Data publikacji:
2020
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
hauntology
memory
postmemory
Holocaust
Jewish culture
Opis:
The article attempts to interpret the novel Mirabelle in the light of hauntology, taken from Jacques Derrida’s works, existing in the Polish literary studies first and foremost thanks to the works of Jakub Momro and Andrzej Marzec. Harasimowicz’s novel recounts the history of Warsaw from the 1920s until the present-day period. The mirabelle plum tree growing on one of the backyards in Warsaw tells the story of the following generations of the city dwellers who fade away and fall into oblivion. The Holocaust, depicted in the beginning of the novel, does not, however, become the past. The recollection of the genocide is inscribed in contemporary Warsaw, in the city space and the consciousness of its inhabitants. The phantoms of the former dwellers of Nalewki, the Jewish district in Warsaw, visit their homes, little stores, and workshops, trying to end unfinished businesses and engaging with the representatives of the present-day citizens. The gesture of remembrance, which is the replanting and redeveloping a new mirabelle tree in the place of the damaged one, gives people hope for the restoration of balance and strengthens the bonds between the living and the dead.
Źródło:
Paidia i Literatura; 2020, 2; 67-76
2719-4167
Pojawia się w:
Paidia i Literatura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Postmemory Twice: Poetic and Narrative Transformation in George Szirtes’s Biographies of His Mother
Autorzy:
Katalin, Szlukovényi
Powiązania:
https://bibliotekanauki.pl/articles/30147287.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Gdański. Wydział Filologiczny
Tematy:
contemporary poetry
biography
postmemory
Holocaust
identity
Opis:
The Hungarian-born English contemporary poet George Szirtes has written several times about two traumas of his family history: the Holocaust, which both his parents survived, while several of their relatives perished, and the Revolution of 1956, which forced them into exile. My paper focuses on two major narratives about Szirtes’s mother: a cycle of poems “Metro” (1988) and a biography in prose The Photographer at Sixteen (2019). Exploring the differences in perspective and form as well as the similarities in themes and structure, I seek the answer to the questions how one’s own memories are intertwined with the past of the communities where one belongs; how these controversial sets of memories might lead to internal conflicts; and how the memory of one’s predecessors are being transformed by the process of the speaker’s own transformation in the time span of three decades. Investigating these aspects, I argue that Marianne Hirsch’s concept of postmemory not only proves to be instrumental in understanding several books by Szirtes better but also that Szirtes goes one step further than Hirsch by revealing how individual memory not only is embedded into and influenced by communal memory, but also is constructed in the form of family memories passed on from one generation to the next.
Źródło:
Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2023, 16; 105-114
2353-4699
Pojawia się w:
Jednak Książki. Gdańskie Czasopismo Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“True fiction” – the memory and the postmemory of traumatic war events in a picturebook
Autorzy:
Howorus-Czajka, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1388162.pdf
Data publikacji:
2016-05-29
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Tematy:
memory
postmemory
Polish picturebook
Polish contemporary art
Opis:
The World War II has left an emotional wound, and its direct victims as well as new generations have to cope with it. The main subject of my presentation will be an analysis of methods for presenting World War II history in against the background of a theory of memory and postmemory of war’s trauma through the example of picturebooks which were published in Poland during the first two decades of the XXI century. I would like to discuss the main trends in presenting the issues pertaining to the war. The transcription of the Second World War memory into picturebooks is especially interesting for me as a historian of art. I analyse the artistic styles adapted by the artists to express difficult topics, such as the holocaust, the horror of concentrations camps, hunger, fear, loss of family, death. Composition, artistic techniques, colour, vocabulary, typography – these are the tools in the hands of artists through which they can not only tell the story, but also stir up emotions and shape the personality. The picturebook, like other types of art, operates through the language of fiction to tell the truth. Art is one of the languages of historical narration.
Źródło:
Problemy Wczesnej Edukacji; 2016, 34, 3; 94-106
1734-1582
2451-2230
Pojawia się w:
Problemy Wczesnej Edukacji
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“The Symbol of My Condition”: Dynamics of Alignment with Power in Sarah Schulman’s „Rat Bohemia”
Autorzy:
Milewski, Jarosław
Powiązania:
https://bibliotekanauki.pl/articles/653539.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Sarah Schulman
AIDS
queer
postmemory
witnessing literature
Opis:
This article considers how Sarah Schulman in her novel Rat Bohemia and other works utilizes her intersectional position as a Jewish lesbian writer to bear witness to her experience of AIDS epidemic. It analyzes how Schulman represents family as an institution of power to hold it accountable for the spread of AIDS epidemic in the context of her postmemory of Holocaust. It deals also with mechanisms of alignment with power within the gay community itself. Finally, it focuses on the central symbol of rats in Rat Bohemia understood as an indexical sign of the obscene. All these issues are theorized in the context of the problem of witnessing as strategies to write a testimony that remains loyal to the community and the reality of a crisis event.
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2018, 5, 1; 21-31
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Widma i kości. Pandemiczna lektura „Kości, które nosisz w kieszeni” Łukasza Barysa
Spectres and bones. Pandemic reading of "The bones you carry in your pocket" by Łukasz Barys
Autorzy:
Michalski, Mateusz Adam
Powiązania:
https://bibliotekanauki.pl/articles/2215868.pdf
Data publikacji:
2022-09-29
Wydawca:
Uniwersytet Gdański. Wydział Filologiczny
Tematy:
pandemic
literary space
spectre
postmemory
trauma
silence
Opis:
This article presents a pandemic interpretation of Łukasz Barys 2021 debut, The bones you carry in your pocket. It aims to analyze the impact of the virus as a „spectrum” (Derrida) on the life of the individual and to look at the „assamblage” (Žižek) effect of the pandemic. It encompasses the „human and the non-human” (Žižek), bringing together a constellation of „postmemory” (Hirsh) spectres, traumas, bones, death and past that begins to dominate reality. The narrative is thus the testimony of an individual living in a world of blight. However, it is a latent and silent testimony. It can be found in the descriptions underlined between family traumas and the grime of everyday life, in which death, love and illness are constantly mixed together.
Źródło:
Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2022, 14; 96-108
2353-4699
Pojawia się w:
Jednak Książki. Gdańskie Czasopismo Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Narraciones del nazismo: El viajero de Agartha de Abel Posse y Les bienveillantes de Jonathan Littell entre la historia y el mito
Autorzy:
Cichocka, Marta
Powiązania:
https://bibliotekanauki.pl/articles/2079150.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Warszawski. Wydział Neofilologii
Tematy:
historical novel
reading strategies
history
myth
postmemory
Opis:
Este estudio comparativo de El viajero de Agartha de Abel Posse (1989) y Les Bienveillantes (o “Las Benévolas”) de Jonathan Littell (Premio Goncourt 2006) es un pretexto para abrir la reflexión desde el punto de vista del lector en torno a las estrategias de la novela histórica contemporánea frente al peso del pasado y a sus fantasmas sepultados. La antigua oposición entre la historia (narración verídica) y el mito (relato ambiguo), está profundamente arraigada en el lenguaje y la percepción. Sin embargo, resulta ilusoria a la luz de los recientes estudios sobre el funcionamiento de la memoria humana y social, y sobre los mecanismos de “construcción” de los recuerdos – cada vez más evidentes en la actual generación de la post-memoria que accede al palimpsesto del pasado en su dimensión afectiva.
Źródło:
Itinerarios; 2014, 20; 139-154
1507-7241
Pojawia się w:
Itinerarios
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“All Hell Let Loose” on the Post-war Homefront: Postmemorial Engagement of Returning Combatants of World War II
Autorzy:
Howes, Christina
Powiązania:
https://bibliotekanauki.pl/articles/30147289.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Gdański. Wydział Filologiczny
Tematy:
postmemory
postmemoir
World War Two
veterans
homecoming
Opis:
This article examines a sub-genre of postmemoirs which have been published since the mid1980s, written by children and grandchildren of veteran combatants of the Allied Forces. These British and American generational texts both preserve and unveil hidden historical memory of these men’s participation in what is often referred to as the deadliest war in human history. The silent suffering of these veterans and their families had not been widely disclosed until Stephen Spielberg’s film Saving Private Ryan opened a Pandora’s box. And yet, it remains an enigmatic memory in the collective consciousness of the post-war period. These writers recount the experiences not only of their fathers’ wars, but of homecoming and the subsequent psychological impact of the war on family life, whilst also attempting to understand and come to terms with their own traumatic resonances rooted in these veterans’ Post-Traumatic Stress Disorder. I discuss some examples of these texts, which include writers such as Germaine Greer, Lucinda Franks, Leila Levinson, Cole Moreton, or Carol Schultz Vento, who have written within this postmemoir sub-genre. I discuss some common approaches to these postmemorial narratives, which interweave tropes of archival romance, confessional literature, and historiographic metafiction. These family postmemoirs challenge the oft mythologized cultural memory of the ‘Good War’, question the meaning of heroism, and reveal the unspoken traumas of post-war familial life, and ultimately contribute not only to disclosing an unknown history but to broadening the thematic horizons of postmemory to the post-generations of Allied ex-servicemen.
Źródło:
Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2023, 16; 59-71
2353-4699
Pojawia się w:
Jednak Książki. Gdańskie Czasopismo Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Postpamięć jako marzenie senne – Achtung Zelig! Druga wojna Krzysztofa Gawronkiewicza i Krystiana Rosenberga
Autorzy:
Gajewska, Grażyna
Powiązania:
https://bibliotekanauki.pl/articles/919853.pdf
Data publikacji:
2011-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Holocaust
postmemory
posttraumatic culture
comics
postpamięć
kultura posttraumatyczna
Opis:
The comic book is a product of popculture. It got deeply rooted in American and Western European popular culture in the 1970s. In France, this type of sequential art told in pictorial stories was presented in daily papers and developed humorously-told threads of the plot. In the UK it won juvenile audience with its simple jokes, genre scenes and shortened and abridged versions of fables. In the United States, in turn, crude science fiction, horror or joke graphic stories were most popular. However, in the late 1990s these depictions increasingly started to develop into something of much different nature. On the one hand, popular culture embraced more and more different creative areas, wrestled with subject and themes that so far had been tackled only by more sophisticated literature (for example, war themes). On the other hand, the Polish reader had a better chance to experience new titles and pictorial stories from the West or other far-away cultures that represented high artistic skills and offered original and remarkable stories. This, in turn, created a new situation in which adult readers turned to comic books. Moreover, comic books became a subject of interests for academics beyond those who were professionally involved in documenting and understanding popular culture, i.e. for methodologists of history, modern culture anthropologists, researchers in literature and art historians. A particular type of comics is the one that presents historical and memory contents. Works of brilliant artists from different cultures such as, for example: Maus by Art Spiegelman, Persepolis by Mariane Satrapi, Achtung Zelig! by Krzysztof Gawronkiewicz and Krystian Rosenberg or Marzi by Marzena Sowa and Sylvain Savoia have become available on the Polish publishing market and have been widely reviewed and discussed academically. In the present article I am concentrating on the phenomenon postmemory. Analysing Achtung Zelig! by Gawronkiewicz and Rosenberg I am trying to show main trademarks postmemory: borrowing another person’s stories, phenomen of secondary memory, fetishization of the past.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2011, 9, 17-18; 69-82
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Alice Zeniter ou l’art du renouveau
Alice Zeniter or The Art of renewal
Autorzy:
Pawlicki, Jędrzej
Powiązania:
https://bibliotekanauki.pl/articles/1048392.pdf
Data publikacji:
2018-11-22
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Alice Zeniter
postmemory
archaeological novel
Algerian War
harki
Opis:
L’Art de perdre (Flammarion, 2017) is the fifth and latest novel of Alice Zeniter, French novelist and dramatist. She published her first novel at the age of sixteen. In this paper I will present L’Art de perdre as a novel related to the common history of France and Algeria. My main goal is to analyze the issues of memory according to the concepts of postmemory by Marianne Hirsch and archaeological novel by Dominique Viart. The article aims also at following a comparative study of L’Art de perdre and previous novels by Alice Zeniter: Jusque dans nos bras and Juste avant l’Oubli.
Źródło:
Studia Romanica Posnaniensia; 2018, 45, 3; 109-118
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Esa historia no puede contarse”. La dificultad de representar el pasado en dos novelas de Javier Cercas
“This story is impossible to be told. Difficulty in depicting the past in two novels by Javier Cercas
Autorzy:
Potok, Magda
Powiązania:
https://bibliotekanauki.pl/articles/1051221.pdf
Data publikacji:
2013-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
contemporary Spanish fiction
Javier Cercas
postmemory
historiographic metafiction
Opis:
In two novels based on the subject of war: Soldados de Salamina (“Soldiers of Salamis”) (2001) and Velocidad de la luz (“the Speed of Light”) (2005), Javier Cercas raises the problem of recuperation of a traumatic past through literary discourse. The questions which these novels discuss and which we want to examine here concern complex relations between fiction and reality, history and memory (individual and collective), guilt and responsibility. In order to confront the historical reality from the contemporary perspective, from postmemory, Javier Cercas proposes a narrative with a clear metafictional dimension creating interferences in distinct narrative levels.
Źródło:
Studia Romanica Posnaniensia; 2013, 40, 2; 133-142
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
(Re)konstruowanie pamięci o Rewolucji w nowym kinie rumuńskim
(Re)construction of Memories of the Revolution in Contemporary Romanian Cinema
Autorzy:
Syska, Rafał
Powiązania:
https://bibliotekanauki.pl/articles/920923.pdf
Data publikacji:
2015-06-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
film
Romania
postmemory
history
communism
1989
political transformation
Opis:
The article examines contemporary Romanian cinema from a postmemory methodological perspective (based on the ideas of Marianne Hirsch, Dominick LaCapra and others). In the first section, a few key aspects of this concept are presented, and developed as a methodology for research on contemporary cinema, and then the history of the 1989 Revolution in Romania is outlined. In the second part of the text, the process of falsifying the Revolutionarch on contemporary cinema, and then the history of ctivity in the Ceauty in era. In the third section, contemporary topics in Romania are described, with emphasis on traumas in today’s society and the sins committed in the previous era.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 17, 26; 5-14
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The He(A)rt of the Witness: Remembering Australian Prisoners of War in Richard Flanagan’s The Narrow Road to the Deep North
Autorzy:
Šlapkauskaitė, Rūta
Powiązania:
https://bibliotekanauki.pl/articles/2049127.pdf
Data publikacji:
2021-10-06
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Australia
Richard Flanagan
POWs
trauma
postmemory
haiku
affective remembering
Opis:
This paper engages Cathy Caruth’s thinking about trauma, Marianne Hirsch’s notion of postmemory, and Giorgio Agamben’s theorising of bearing witness to examine the affective performance of remembering in Richard Flanagan’s novel The Narrow Road to the Deep North. Reading the narrative as a postmemorial account of Japan’s internment of Australian POWs in Burma during the Second World War, I focus on the body as a site of both wounding and witnessing to show how the affective relays between pleasure and pain reanimate the epistemological drama of lived experience and highlight the ambivalence of passion as a trope for both suffering and love. Framed by its intertextual homage to Matsuo Bashō’s poetic masterpiece of the same name, the Australian narrative of survival is shown to emerge from the collapse of the referential certainties underlying the binaries of victim/ victimiser, witness/perpetrator, human/inhuman, and remembering/forgetting. In Flanagan’s ethical imagination, bearing witness calls for a visceral rethinking of historical subjectivity that binds the world to consciousness as a source of both brutality and beauty.
Źródło:
Anglica. An International Journal of English Studies; 2021, 30(3); 141-161
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Never Trust a Survivor”: Historical Trauma, Postmemory and the Armenian Genocide in Kurt Vonnegut’s Bluebeard
Autorzy:
Piechucka, Alicja
Powiązania:
https://bibliotekanauki.pl/articles/2032721.pdf
Data publikacji:
2021-11-22
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Vonnegut
Hirsch
Armenian Genocide
historical trauma
postmemory
art
feminism
Opis:
The article focuses on Kurt Vonnegut’s lesser-known and underappreciated 1987 novel Bluebeard, which is analyzed and interpreted in the light of Marianne Hirsch’s seminal theory of postmemory. Even though it was published prior to Hirsch’s formulation of the concept, Vonnegut’s novel intuitively anticipates it, problematizing the implications of inherited, second-hand memory. To further complicate matters, Rabo Karabekian, the protagonist-narrator of Bluebeard, a World War II veteran, amalgamates his direct, painful memories with those of his parents, survivors of the Armenian Genocide. Both the novel and the theory applied to it centre on the problematics of historical and personal trauma, engendered by two genocides which are often the object of comparative analyses: the Armenian Genocide, also referred to as the Armenian Holocaust, and the Jewish Holocaust. The latter is central to Hirsch’s interdisciplinary work in the field of memory studies, encompassing literature, the visual arts and gender studies. In Bluebeard, Vonnegut holds to account a humanity responsible for the atrocities of twentieth-century history: two world wars and two genocides for which they respectively established the context. The article examines the American writer’s reflection on death and violence, man’s destructive impulse and annihilation. In a world overshadowed by memories of mass extermination, Vonnegut interrogates the possibility of a new beginning, pointing to women as agents of renewal and sociopolitical change. He also identifies the role that art plays in the process of potential reconstruction, the story of Karabekian, a failed artist and highly successful art collector, being a Künstlerroman with a feminist edge.
Źródło:
Text Matters: A Journal of Literature, Theory and Culture; 2021, 11; 240-262
2083-2931
2084-574X
Pojawia się w:
Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Memorabilia Marii Stiepanowej w eposie "Памяти Памяти" – fotografia
Memorabilia by Maria Stepanova in the Novel "Pamyati Pamyati" ("In Memory of Memory") – a Photography
Autorzy:
Tarkowska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/2031398.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
memory
postmemory
photography
gesture of passage
viewer’s dictatorship
Źródło:
Slavia Orientalis; 2020, LXIX, 2; 247-260
0037-6744
Pojawia się w:
Slavia Orientalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Con gli occhi dell’assassino? Ovvero “In Polonia non si è soliti parlare dell’Olocausto con l’ausilio di mattoncini assemblabili”
With the Eyes of the Murderer? Or “In Poland We Are Not Used Speaking About the Holocaust With the Help of Lego Bricks”
Autorzy:
Quercioli, Laura
Powiązania:
https://bibliotekanauki.pl/articles/28409291.pdf
Data publikacji:
2018
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Postmemory
Contemporary Polish visual art
Representations of the Holocaust
Opis:
The article describes the works of the Polish participants in the ground-breaking New York exhibition held at the Jewish Museum in 2002, Mirroring Evil. Nazi Imaginary/Recent Art, curated by Norman L. Kleeblatt. The works here exposed (Lego Concentration Camp by Zbigniew Libera, The Nazis by Piotr Uklański and Obsession by Macjej Toporowicz) show three different ways of confronting the past – the past of Europe and Poland ‒ of representing the ‘un-representable’, of working through the paths of postmemory.
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2018, 9; 144-162
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Postmemory, stereotype, and the return home. Rewriting pre-existing narratives in Sofi Oksanen’s "Purge"
Autorzy:
Mrozewicz, Anna Estera
Powiązania:
https://bibliotekanauki.pl/articles/1162300.pdf
Data publikacji:
2016-11-10
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Sofi Oksanen
Lilya 4-ever
stereotype
postcommunist
transnational travel
postmemory
Opis:
The article offers a discussion of Sofi Oksanen’s novel Purge, focusing on the book’s strategy of evoking stereotypical narratives about Eastern Europe, such as the (postcommunist) fallen woman and (Russian) return home narratives, as well as related intertexts, primarily Lukas Moodysson’s film Lilya 4-ever. I argue that Oksanen constructs the plot around clichés in order to challenge them in a subversive fashion, first and foremost, in the name of recuperating the notion of Home. Related to locality and the feeling of being at-home, where the wholeness of the (national) subject is possible, ‘home’ is staged as an alternative to stereotypes, associated with transnational travel and the apparatus of colonization. A significant counter-narrative embedded in the novel – and hitherto rarely discussed – is the exilic perspective with its idealization of the lost and imagined home(land). In Purge, this is mediated through the main character’s postmemory. By means of a postexilic narrative, home is reconfigured as a ‘third space’ – neither fully ideal and (ethnically) pure nor adhering to the aforementioned stereotypical narratives. The positive valorisation of home, despised by some critics as simplistic and conservative, does not prevent movement and dislocation from being included in the new experience of home(land) emerging from the post-Soviet condition.
Źródło:
Folia Scandinavica Posnaniensia; 2016, 19; 133-152
1230-4786
2299-6885
Pojawia się w:
Folia Scandinavica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
War, Postmemory, and Exhibition Design in Greece. The “Asia Minor Hellenism: Heyday-Catastrophe-Displacement-Rebirth” Exhibition at the Benaki Museum (2022–2023)
Autorzy:
Moschou, Maria G.
Powiązania:
https://bibliotekanauki.pl/articles/30147291.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Gdański. Wydział Filologiczny
Tematy:
1922 Catastrophe
civilianization of war
postmemory
commemorative exhibitions
national identity
Opis:
In the paper, I critically discuss the commemorative exhibition “Asia Minor Hellenism: Heyday-Catastrophe-Displacement-Rebirth” (Athens, Benaki Museum, 2022–2023), examining the role of postmemory in the shaping of national identity in contemporary Greece. Building my analysis on Marianne Hirsch’s concept of postmemory, I draw attention to commemorative exhibition practices and the intergenerational transmission of collective traumatic experiences related to dark events of national significance. Touching upon issues concerning the civilianization of war, I interrogate commemorative exhibitions as prefabricated events, bringing to the fore the selective management of collective memory through exhibition design.
Źródło:
Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2023, 16; 83-104
2353-4699
Pojawia się w:
Jednak Książki. Gdańskie Czasopismo Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O kinie postradzieckim, przedwojennym
About Post-Soviet, Pre-War Cinema
Autorzy:
Viren, Denis
Powiązania:
https://bibliotekanauki.pl/articles/26850593.pdf
Data publikacji:
2022
Wydawca:
Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:
kino rosyjskie
trauma
postpamięć
Wielki Terror
Russian cinema
postmemory
Great Terror
Opis:
Recenzja pierwszej polskiej książki filmoznawczej stanowiącej syntezę kina postradzieckiego. Jej autorka przygląda się najważniejszym filmom dotyczącym przepracowania sowieckiej traumy po rozpadzie ZSRR, przy czym nie tylko szczegółowo je analizuje, ale także wpisuje w szeroki kontekst społeczno-polityczny.
A review of the first Polish film studies book constituting a synthesis of post-Soviet cinema. Its author looks at the most important films about working through the Soviet trauma after the collapse of the USSR, and not only analyzes them in detail, but also places them in a broad socio-political context.
Źródło:
Kwartalnik Filmowy; 2022, 119; 189-194
0452-9502
2719-2725
Pojawia się w:
Kwartalnik Filmowy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Towards postmemory of hope: the case of Gabriel Josipovicis In a Hotel Garden
Autorzy:
Sawa, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/41460032.pdf
Data publikacji:
2023
Wydawca:
Wyższa Szkoła Gospodarki w Bydgoszczy. Wydawnictwo Uczelniane
Tematy:
Marianne Hirsch
Gabriel Josipovici
postmemory
In a Hotel Garden
trauma transmission
Opis:
This article analyses Gabriel Josipovici’s novella In a Hotel Garden (1993) in the context of Marianne Hirsch’s notion of postmemory, introduced in her 1993 article Family Pictures: Maus, Mourning, and Post-Memory, and successively expanded in subsequent publications. Insofar as both the writer and the scholar have their own experience of struggle with the inherited memory of the Holocaust, their views on the way the lives of the postgeneration (i.e., children and grandchildren of survivors of cultural or collective traumatization) are affected by their ancestors’ trauma appear to differ. While Hirsch concentrates on aesthetic representation of trauma transmission, Josipovici aims in his book at rechannelling the idea of postmemory into the direction of hope and healing. Interestingly, by doing so Josipovici does not oppose Hirsch but anticipates the evolution of her thinking. Gesturing beyond the dominating tendency in Holocaust studies, still very much alive today, to perceive the descendants of Holocaust survivors in terms of “subsequent generations of trauma carriers”, Josipovici’s stance in In a Hotel Garden seems consistent with the results of scientific research according to which (in)direct contact with trauma may engender a variety of reactions and the link between the horrific experience and subsequent disorders in family members is not deterministic.
Źródło:
Heteroglossia- studia kulturoznawczo-filologiczne; 2023, 15; 73-89
2084-1302
Pojawia się w:
Heteroglossia- studia kulturoznawczo-filologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Codzienność rozszczelniona. O "Codziennej walce" Manu larceneta
Autorzy:
Kaja, Damian
Powiązania:
https://bibliotekanauki.pl/articles/44930533.pdf
Data publikacji:
2023-12-31
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
everyday life in literature
epiphany
comics
Manu Larcenet
memory
postmemory
identity
Opis:
In the proposed reading of Manu Larcenet’s Le Combat Ordinaire, everyday life appears not only as the setting of the story but also its fundamental—though by no means obvious, despite the abundance of everyday life imagery and motifs—theme. In Larcenet’s unspectacular narration, conducted in a tone oscillating between buffo and serious, human day-to-day affairs, obscured by the facade of ritual, appear as an effort, a task to complete, a risk to be taken, a problem of existence in the “cracks” of which the most important experiences occur, defined by the dialectics of life and death, health and illness, nature and culture, order and disorder. The article presents an analysis of the key dimensions of this “everyday struggle:” from the textual game whose stake is the axiology of everyday life (the issue of intimate diary, the value of journalism as a profession), to the sense of locality and the construction of identity based on memory and postmemory, to use Marianne Hirsch’s concept (references to the war in Algeria). The interpretation of Larcenet’s graphic novel was carried out based on three premises: (1) the everyday settles into fiction thanks to mimesis; (2) contact with everyday life may lead to an epiphanic revelation of a spiritual truth (drawing on Jolanta Brach-Czaina’s concept described in her philosophical essay Szczeliny istnienia [Cracks in Existence], this phenomenon can be called the “unsealing” of everyday life); (3) literary depictions of human daily existence are where literature and sociology intersect, as a result of which literary works (or, comics in this case) help reveal the structures of everyday life.
Źródło:
Załącznik Kulturoznawczy; 2023, 10, 10; 81-105
2392-2338
Pojawia się w:
Załącznik Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Служит ли форма выживанию? Опыт наследования памяти о Холокосте и психологические функции его нарративизации в прозе Магдалены Тулли
Does the Form Serve Surviving? The Experience of Inheriting the Memory of the Holocaust and Psychological Functions of It’s Narrativization in Prose of Magdalena Tulli
Autorzy:
Адельгейм, Ирина
Powiązania:
https://bibliotekanauki.pl/articles/635655.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Holocaust
postmemory
autobiographical memory
verbalization for traumatic experience
constructing of autobiography
Opis:
The article considers the experience of inheriting the traumatic memory in prose of Magdalena Tulli and autopsychotherapeutic functions of it’s narrativization with the help of elements of psychotherapeutic methods (family constellations, a dialogue with a child in yourself, deconstruction and reconstruction of the life narratives, re-membering, therapeutic metaphor, focusing). The narrativization of the trauma in the process of artistic narration contributes processing traumatic experience, is an important element of constructing of autobiography, gives a chance to retrieve own history, which is not overshadowed with tragic parental discourse, helps to achieve balance between traumatic and positive contents of autobiographical memory, fulfills interpsychological functions.
Źródło:
Poznańskie Studia Slawistyczne; 2019, 16; 15-32
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-25 z 65

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