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Tytuł:
„Trucizna płynąca w moich żyłach”: postpamięć Wielkiej Wojny we współczesnych narracjach (auto)biograficznych
Autorzy:
Kusek, Robert
Powiązania:
https://bibliotekanauki.pl/articles/636914.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Great War, postmemory, diaries
Opis:
„The poison running in my veins”: postmemory of the Great War in contemporary (auto)biographical narrativesThe paper addresses the issue of an inherited memory of the Great War and traces its manifestations in contemporary (auto)biographical narratives. Two writers’ memoirs, i.e. Christopher Isherwood’s Kathleen and Frank (1971) and Doris Lessing’s Alfred and Emily, (2008) have been selected for an in-depth analysis which aims to show how the children of the survivors/casualties of the Great War have struggled with – to use Doris Lessing’s expression – “the poison running in [their] veins”, namely with an inherited memory and trauma of the trenches. Most importantly, the paper postulates that literary and cultural studies on postmemory should be expanded, both thematically and generically, and cover the memory of the Great War.
Źródło:
Przegląd Kulturoznawczy; 2014, 4(22)
1895-975X
2084-3860
Pojawia się w:
Przegląd Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La problemática judía en la novela Sefarad de Antonio Muñoz Molina
Jewish issues in the novel “Sefarad” by Antonio Muñoz Molina
Autorzy:
Agata Zep, Agata Zep
Powiązania:
https://bibliotekanauki.pl/articles/1597024.pdf
Data publikacji:
2017-06-30
Wydawca:
Akademia Ignatianum w Krakowie
Tematy:
Sefarad
Holocausto
postmemoria
Holocaust
postmemory
Opis:
El objetivo de este trabajo es el análisis de la problemática judía en la novela Sefarad de Antonio Muñoz Molina, en el contexto del discurso de la memoria histórica. Esta novela es interpretada como un inten- to de reconstruir la memoria colectiva e individual. El estudio se cen- tra en la imagen literaria de dos acontecimientos históricos: la expul- sión de los judíos de España en 1492 y el Holocausto. La comparación de estos acontecimientos revela los mecanismos históricos que pueden repetirse. El análisis de los recursos literarios utilizados en Sefarad de- muestra el funcionamiento de la memoria y el papel de la narración en la reinterpretación del pasado. Se emplea el concepto de la “post- memoria” para explicar la transmisión de los recuerdos traumáticos entre las generaciones. La reconstrucción de la memoria histórica per- mite salvar del olvido las historias de las víctimas. Además, parece ser necesaria para entender los problemas actuales, así como para la pla- nificación del futuro.
The aim of this work is the analysis of the Jewish themes in Antonio Mu- ñoz Molina’s novel Sefarad, in the context of discourse of the historical memory. This novel is interpreted as an attempt to reconstruct the col- lective and individual memory. The study is focused on the literary im- age of two historical events: the expulsion of the Jews from Spain in 1492 and the Holocaust. The comparison of this two events reveals the his- torical mechanisms that may repeat themselves. The analysis of literary devices used in Sefarad demonstrates the functioning of the memory and the role of the narration in the reinterpretation of the past. The concep- tion of the “postmemory” is employed to explain the trasmission of the traumatic memories between generations. The reconstruction of the his- torical memory allows to save the victims’ stories from being forgotten. Moreover, it seems necessary to understand the current problems, as well as for the planification of the future.
Źródło:
Perspektywy Kultury; 2017, 17, 2; 113-136
2081-1446
2719-8014
Pojawia się w:
Perspektywy Kultury
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Les romans de Gilles Rozier ou les langues et la post-mémoire juives sorties de l’impasse du silence
Gilles Roziers novels; or Jewish languages and postmemory transcend the impasse of silence
Autorzy:
Sadkowski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/1051159.pdf
Data publikacji:
2013-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Jewishness
postmemory
languages
survivors
narratable
Opis:
The aim of the article is to provide a reading of Gilles Rozier’s novels in the context of the phenomenon of Jewish postmemory (Hirsch), which in recent literature acquires a new dimension. The texts selected for disscussion exemplify the return to narrative and to the subject in contemporary novel and signal a new approach to postmemory employed by the third generation of survivors, participants of the Jewish revival. In Rozier’s novels, and in texts by other contemporary writers (e.g., Daniel Mendelsohn in the USA or Piotr Paziński in Poland), while the memory of WWII does not disappear, the focus most often falls on the narrative of Jewish life before and after the Holocaust. Postmemory exists in those texts in the form of the transmission of the word, repossession of the language of ancestors, cultural continuity rather than silence and separation, which characterised the output of earlier generations of writers (such as, for example, Georges Perec).
Źródło:
Studia Romanica Posnaniensia; 2013, 40, 4; 41-50
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Korzenie pamięci. O Mirabelce Cezarego Harasimowicza
The Roots of Memory. On Mirabelle by Cezary Harasimowicz
Autorzy:
Kwiatkowska, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/784503.pdf
Data publikacji:
2020
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
hauntology
memory
postmemory
Holocaust
Jewish culture
Opis:
The article attempts to interpret the novel Mirabelle in the light of hauntology, taken from Jacques Derrida’s works, existing in the Polish literary studies first and foremost thanks to the works of Jakub Momro and Andrzej Marzec. Harasimowicz’s novel recounts the history of Warsaw from the 1920s until the present-day period. The mirabelle plum tree growing on one of the backyards in Warsaw tells the story of the following generations of the city dwellers who fade away and fall into oblivion. The Holocaust, depicted in the beginning of the novel, does not, however, become the past. The recollection of the genocide is inscribed in contemporary Warsaw, in the city space and the consciousness of its inhabitants. The phantoms of the former dwellers of Nalewki, the Jewish district in Warsaw, visit their homes, little stores, and workshops, trying to end unfinished businesses and engaging with the representatives of the present-day citizens. The gesture of remembrance, which is the replanting and redeveloping a new mirabelle tree in the place of the damaged one, gives people hope for the restoration of balance and strengthens the bonds between the living and the dead.
Źródło:
Paidia i Literatura; 2020, 2; 67-76
2719-4167
Pojawia się w:
Paidia i Literatura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Postmemory Twice: Poetic and Narrative Transformation in George Szirtes’s Biographies of His Mother
Autorzy:
Katalin, Szlukovényi
Powiązania:
https://bibliotekanauki.pl/articles/30147287.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Gdański. Wydział Filologiczny
Tematy:
contemporary poetry
biography
postmemory
Holocaust
identity
Opis:
The Hungarian-born English contemporary poet George Szirtes has written several times about two traumas of his family history: the Holocaust, which both his parents survived, while several of their relatives perished, and the Revolution of 1956, which forced them into exile. My paper focuses on two major narratives about Szirtes’s mother: a cycle of poems “Metro” (1988) and a biography in prose The Photographer at Sixteen (2019). Exploring the differences in perspective and form as well as the similarities in themes and structure, I seek the answer to the questions how one’s own memories are intertwined with the past of the communities where one belongs; how these controversial sets of memories might lead to internal conflicts; and how the memory of one’s predecessors are being transformed by the process of the speaker’s own transformation in the time span of three decades. Investigating these aspects, I argue that Marianne Hirsch’s concept of postmemory not only proves to be instrumental in understanding several books by Szirtes better but also that Szirtes goes one step further than Hirsch by revealing how individual memory not only is embedded into and influenced by communal memory, but also is constructed in the form of family memories passed on from one generation to the next.
Źródło:
Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2023, 16; 105-114
2353-4699
Pojawia się w:
Jednak Książki. Gdańskie Czasopismo Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“True fiction” – the memory and the postmemory of traumatic war events in a picturebook
Autorzy:
Howorus-Czajka, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1388162.pdf
Data publikacji:
2016-05-29
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Tematy:
memory
postmemory
Polish picturebook
Polish contemporary art
Opis:
The World War II has left an emotional wound, and its direct victims as well as new generations have to cope with it. The main subject of my presentation will be an analysis of methods for presenting World War II history in against the background of a theory of memory and postmemory of war’s trauma through the example of picturebooks which were published in Poland during the first two decades of the XXI century. I would like to discuss the main trends in presenting the issues pertaining to the war. The transcription of the Second World War memory into picturebooks is especially interesting for me as a historian of art. I analyse the artistic styles adapted by the artists to express difficult topics, such as the holocaust, the horror of concentrations camps, hunger, fear, loss of family, death. Composition, artistic techniques, colour, vocabulary, typography – these are the tools in the hands of artists through which they can not only tell the story, but also stir up emotions and shape the personality. The picturebook, like other types of art, operates through the language of fiction to tell the truth. Art is one of the languages of historical narration.
Źródło:
Problemy Wczesnej Edukacji; 2016, 34, 3; 94-106
1734-1582
2451-2230
Pojawia się w:
Problemy Wczesnej Edukacji
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“The Symbol of My Condition”: Dynamics of Alignment with Power in Sarah Schulman’s „Rat Bohemia”
Autorzy:
Milewski, Jarosław
Powiązania:
https://bibliotekanauki.pl/articles/653539.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Sarah Schulman
AIDS
queer
postmemory
witnessing literature
Opis:
This article considers how Sarah Schulman in her novel Rat Bohemia and other works utilizes her intersectional position as a Jewish lesbian writer to bear witness to her experience of AIDS epidemic. It analyzes how Schulman represents family as an institution of power to hold it accountable for the spread of AIDS epidemic in the context of her postmemory of Holocaust. It deals also with mechanisms of alignment with power within the gay community itself. Finally, it focuses on the central symbol of rats in Rat Bohemia understood as an indexical sign of the obscene. All these issues are theorized in the context of the problem of witnessing as strategies to write a testimony that remains loyal to the community and the reality of a crisis event.
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2018, 5, 1; 21-31
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Widma i kości. Pandemiczna lektura „Kości, które nosisz w kieszeni” Łukasza Barysa
Spectres and bones. Pandemic reading of "The bones you carry in your pocket" by Łukasz Barys
Autorzy:
Michalski, Mateusz Adam
Powiązania:
https://bibliotekanauki.pl/articles/2215868.pdf
Data publikacji:
2022-09-29
Wydawca:
Uniwersytet Gdański. Wydział Filologiczny
Tematy:
pandemic
literary space
spectre
postmemory
trauma
silence
Opis:
This article presents a pandemic interpretation of Łukasz Barys 2021 debut, The bones you carry in your pocket. It aims to analyze the impact of the virus as a „spectrum” (Derrida) on the life of the individual and to look at the „assamblage” (Žižek) effect of the pandemic. It encompasses the „human and the non-human” (Žižek), bringing together a constellation of „postmemory” (Hirsh) spectres, traumas, bones, death and past that begins to dominate reality. The narrative is thus the testimony of an individual living in a world of blight. However, it is a latent and silent testimony. It can be found in the descriptions underlined between family traumas and the grime of everyday life, in which death, love and illness are constantly mixed together.
Źródło:
Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2022, 14; 96-108
2353-4699
Pojawia się w:
Jednak Książki. Gdańskie Czasopismo Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Narraciones del nazismo: El viajero de Agartha de Abel Posse y Les bienveillantes de Jonathan Littell entre la historia y el mito
Autorzy:
Cichocka, Marta
Powiązania:
https://bibliotekanauki.pl/articles/2079150.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Warszawski. Wydział Neofilologii
Tematy:
historical novel
reading strategies
history
myth
postmemory
Opis:
Este estudio comparativo de El viajero de Agartha de Abel Posse (1989) y Les Bienveillantes (o “Las Benévolas”) de Jonathan Littell (Premio Goncourt 2006) es un pretexto para abrir la reflexión desde el punto de vista del lector en torno a las estrategias de la novela histórica contemporánea frente al peso del pasado y a sus fantasmas sepultados. La antigua oposición entre la historia (narración verídica) y el mito (relato ambiguo), está profundamente arraigada en el lenguaje y la percepción. Sin embargo, resulta ilusoria a la luz de los recientes estudios sobre el funcionamiento de la memoria humana y social, y sobre los mecanismos de “construcción” de los recuerdos – cada vez más evidentes en la actual generación de la post-memoria que accede al palimpsesto del pasado en su dimensión afectiva.
Źródło:
Itinerarios; 2014, 20; 139-154
1507-7241
Pojawia się w:
Itinerarios
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“All Hell Let Loose” on the Post-war Homefront: Postmemorial Engagement of Returning Combatants of World War II
Autorzy:
Howes, Christina
Powiązania:
https://bibliotekanauki.pl/articles/30147289.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Gdański. Wydział Filologiczny
Tematy:
postmemory
postmemoir
World War Two
veterans
homecoming
Opis:
This article examines a sub-genre of postmemoirs which have been published since the mid1980s, written by children and grandchildren of veteran combatants of the Allied Forces. These British and American generational texts both preserve and unveil hidden historical memory of these men’s participation in what is often referred to as the deadliest war in human history. The silent suffering of these veterans and their families had not been widely disclosed until Stephen Spielberg’s film Saving Private Ryan opened a Pandora’s box. And yet, it remains an enigmatic memory in the collective consciousness of the post-war period. These writers recount the experiences not only of their fathers’ wars, but of homecoming and the subsequent psychological impact of the war on family life, whilst also attempting to understand and come to terms with their own traumatic resonances rooted in these veterans’ Post-Traumatic Stress Disorder. I discuss some examples of these texts, which include writers such as Germaine Greer, Lucinda Franks, Leila Levinson, Cole Moreton, or Carol Schultz Vento, who have written within this postmemoir sub-genre. I discuss some common approaches to these postmemorial narratives, which interweave tropes of archival romance, confessional literature, and historiographic metafiction. These family postmemoirs challenge the oft mythologized cultural memory of the ‘Good War’, question the meaning of heroism, and reveal the unspoken traumas of post-war familial life, and ultimately contribute not only to disclosing an unknown history but to broadening the thematic horizons of postmemory to the post-generations of Allied ex-servicemen.
Źródło:
Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2023, 16; 59-71
2353-4699
Pojawia się w:
Jednak Książki. Gdańskie Czasopismo Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Postpamięć jako marzenie senne – Achtung Zelig! Druga wojna Krzysztofa Gawronkiewicza i Krystiana Rosenberga
Autorzy:
Gajewska, Grażyna
Powiązania:
https://bibliotekanauki.pl/articles/919853.pdf
Data publikacji:
2011-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Holocaust
postmemory
posttraumatic culture
comics
postpamięć
kultura posttraumatyczna
Opis:
The comic book is a product of popculture. It got deeply rooted in American and Western European popular culture in the 1970s. In France, this type of sequential art told in pictorial stories was presented in daily papers and developed humorously-told threads of the plot. In the UK it won juvenile audience with its simple jokes, genre scenes and shortened and abridged versions of fables. In the United States, in turn, crude science fiction, horror or joke graphic stories were most popular. However, in the late 1990s these depictions increasingly started to develop into something of much different nature. On the one hand, popular culture embraced more and more different creative areas, wrestled with subject and themes that so far had been tackled only by more sophisticated literature (for example, war themes). On the other hand, the Polish reader had a better chance to experience new titles and pictorial stories from the West or other far-away cultures that represented high artistic skills and offered original and remarkable stories. This, in turn, created a new situation in which adult readers turned to comic books. Moreover, comic books became a subject of interests for academics beyond those who were professionally involved in documenting and understanding popular culture, i.e. for methodologists of history, modern culture anthropologists, researchers in literature and art historians. A particular type of comics is the one that presents historical and memory contents. Works of brilliant artists from different cultures such as, for example: Maus by Art Spiegelman, Persepolis by Mariane Satrapi, Achtung Zelig! by Krzysztof Gawronkiewicz and Krystian Rosenberg or Marzi by Marzena Sowa and Sylvain Savoia have become available on the Polish publishing market and have been widely reviewed and discussed academically. In the present article I am concentrating on the phenomenon postmemory. Analysing Achtung Zelig! by Gawronkiewicz and Rosenberg I am trying to show main trademarks postmemory: borrowing another person’s stories, phenomen of secondary memory, fetishization of the past.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2011, 9, 17-18; 69-82
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Alice Zeniter ou l’art du renouveau
Alice Zeniter or The Art of renewal
Autorzy:
Pawlicki, Jędrzej
Powiązania:
https://bibliotekanauki.pl/articles/1048392.pdf
Data publikacji:
2018-11-22
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Alice Zeniter
postmemory
archaeological novel
Algerian War
harki
Opis:
L’Art de perdre (Flammarion, 2017) is the fifth and latest novel of Alice Zeniter, French novelist and dramatist. She published her first novel at the age of sixteen. In this paper I will present L’Art de perdre as a novel related to the common history of France and Algeria. My main goal is to analyze the issues of memory according to the concepts of postmemory by Marianne Hirsch and archaeological novel by Dominique Viart. The article aims also at following a comparative study of L’Art de perdre and previous novels by Alice Zeniter: Jusque dans nos bras and Juste avant l’Oubli.
Źródło:
Studia Romanica Posnaniensia; 2018, 45, 3; 109-118
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Esa historia no puede contarse”. La dificultad de representar el pasado en dos novelas de Javier Cercas
“This story is impossible to be told. Difficulty in depicting the past in two novels by Javier Cercas
Autorzy:
Potok, Magda
Powiązania:
https://bibliotekanauki.pl/articles/1051221.pdf
Data publikacji:
2013-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
contemporary Spanish fiction
Javier Cercas
postmemory
historiographic metafiction
Opis:
In two novels based on the subject of war: Soldados de Salamina (“Soldiers of Salamis”) (2001) and Velocidad de la luz (“the Speed of Light”) (2005), Javier Cercas raises the problem of recuperation of a traumatic past through literary discourse. The questions which these novels discuss and which we want to examine here concern complex relations between fiction and reality, history and memory (individual and collective), guilt and responsibility. In order to confront the historical reality from the contemporary perspective, from postmemory, Javier Cercas proposes a narrative with a clear metafictional dimension creating interferences in distinct narrative levels.
Źródło:
Studia Romanica Posnaniensia; 2013, 40, 2; 133-142
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
(Re)konstruowanie pamięci o Rewolucji w nowym kinie rumuńskim
(Re)construction of Memories of the Revolution in Contemporary Romanian Cinema
Autorzy:
Syska, Rafał
Powiązania:
https://bibliotekanauki.pl/articles/920923.pdf
Data publikacji:
2015-06-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
film
Romania
postmemory
history
communism
1989
political transformation
Opis:
The article examines contemporary Romanian cinema from a postmemory methodological perspective (based on the ideas of Marianne Hirsch, Dominick LaCapra and others). In the first section, a few key aspects of this concept are presented, and developed as a methodology for research on contemporary cinema, and then the history of the 1989 Revolution in Romania is outlined. In the second part of the text, the process of falsifying the Revolutionarch on contemporary cinema, and then the history of ctivity in the Ceauty in era. In the third section, contemporary topics in Romania are described, with emphasis on traumas in today’s society and the sins committed in the previous era.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 17, 26; 5-14
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
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