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Tytuł:
Powieść reportażowa czy dziennikarska? Uwagi o międzywojennej twórczości prozatorskiej Jalu Kurka
Journalistic or Reportage Novel? Notes on Jalu Kurek’s Interwar Prose
Autorzy:
Adamczewska, Izabella
Powiązania:
https://bibliotekanauki.pl/articles/967727.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
journalistic novel
reportage novel
journalism and the novel
interwar Polish novel
non-fiction
Jalu Kurek
Opis:
The paper focuses on genealogical aspects of three interwar novels by Jalu Kurek – Andrzej Panik, Grypa szaleje w Naprawie, Woda wyżej) – which have often been described by critics as “reportage novels”. The author examines the past critical reception of the novels and the intentio auctioris. The main goal of the article is to suggest a more capacious genealogical term: the journalistic novel.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2015, 28, 2
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Contextos mitopéicos da prosa de Mia Couto nos romances Varanda do Frangipani, O Último Voo do Flamingo e Terra Sonâmbula
Mythopoeic contexts in the prose of Mia Couto in the novels Varanda do Frangipani, O Último Voo do Flamingo and Terra Sonâmbula
Autorzy:
Trocha, Bogdan
Charchalis, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/43665661.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
mythopoeia
mozambican novel
mozambican litteratute
african novel
Opis:
This paper presents an analysis of mythopoeic elements in three novels by Mia Couto. Starting from Mircea Eliade’s definition of myth, we look for elements of the Living Cosmos with its axis mundi, centre and periphery, chaos and harmony and quest in the novels. Such structure of the analysis allows us to consider the cultural colonization and decolonization of contemporary Mozambique. We conclude that the analysis of the mythopoetic schema in Mia Couto’s novels demonstrates a crisis of cultural harmony in the contemporary Mozambican state and nation. On the other hand, however, the mythopoetic reveals a horizon of cultural and traditional models of persistence that save not only from chaos but above all from the dehumanization of society.    
Źródło:
Studia Romanica Posnaniensia; 2023, 50, 2; 73-91
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Budyjska koncepcja transmigracji jako chwyt kompozycyjny "Hōjō no umi" Mishimy Yukio
The Buddhist Concept of Transmigration as a Structural Trick in Mishima Yukio’s „The Sea of Fertility”
Autorzy:
Wolska-Lenarczyk, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/961624.pdf
Data publikacji:
2014
Wydawca:
Polskie Towarzystwo Orientalistyczne
Tematy:
transmigration
consciousness-only
samsara
novel structure
anti-novel
Opis:
The article takes up the problem of the structure of the last work of Mishima Yukio, the tetralogy Hōjō no umi (The Sea of Fertility). The book is considered to be Mishima’s opus magnum and his literary testament for the next generations. The article focuses on the Buddhist concept of transmigration which seems to be the writer’s structural trick on readers, a kind of perversive play in which the readers are not able to judge whether Mishima really believes in the concept of transmigration (jap. tenshō, sanskr. saṃsāra) or he is only mocking. Why did Mishima make this particular concept the axis of his book? The article aims at giving the answer to this question and suggests that the ultimate conclusion is yuishiki “consciousness only” (sanskr. vijñapti-mātratā).
Źródło:
Przegląd Orientalistyczny; 2014, 3-4; 188-206
0033-2283
Pojawia się w:
Przegląd Orientalistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bałuty w krzywym zwierciadle: fantasmagoria – literatura – historia. Uwagi nad książką: Jisroel Rabon, Bałuty. Powieść z przedmieścia, pod red. Krystyny Radziszewskiej, Natalii Krynickiej przy współpracy Izabeli Olejnik i Jacka Walickiego. Przekład z jidysz Natalia Krynicka i Izabela Olejnik, Łódź 2016, Wydawnictwo Uniwersytetu Łódzkiego, s. 175
Baluty in a distorting mirror: phantasmagoria – literature – history. The remarks over the book: Jisroel Rabon, Bałuty. Powieść z przedmieścia, pod red. Krystyny Radziszewskiej, Natalii Krynickiej przy współpracy Izabeli Olejnik i Jacka Walickiego. Przekład z jidysz Natalia Krynicka i Izabela Olejnik, Łódź 2016, Wydawnictwo Uniwersytetu Łódzkiego, s. 175
Autorzy:
Woźniak, Krzysztof Paweł
Powiązania:
https://bibliotekanauki.pl/articles/649252.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
–
Lodz
Baluty
Izrael Rabon
action novel
episode novel
Opis:
The article comments on the Polish edition of Izrael Rabon’s Bałut: a roman fun a forsztot (1934). It includes exegesis of a novel, omitted by the publisher. Reminds and discusses earlier transaltion attemps of its parts into Polish. It classifies the Rabon’s work as an action novel, meant, by the author, to be published in parts in a newspaper. The article also portrays a variety of similar works published in Lodz press in 1918–1939. It recognizes the first print publisher and describes the profile of his printing house. Serves as a review of polish-jewish literature scene in Mid War time. It also conveys a polemic with presented in book vision of Baluty district as a place inhabited mainly by Jews and Poles. There is an attempt of correcting mistakes and omissions of the above mentioned publication.
–
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2017, 40, 2
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Prijevod usmenih strahova u pisanu tjeskobu ili poetički učinci predajnih elemenata u romanima Živi i mrtvi Josipa Mlakića i Črna mati zemla Kristiana Novaka
The transposition of the oral fears into the written anxiety or the poetic effects of the narrative elements of belief legends in the novels Živi i mrtvi by Josip Mlakić and Črna mati zemla by Kristian Novak).
Autorzy:
Rudan, Evelina
Powiązania:
https://bibliotekanauki.pl/articles/951582.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
novel
emotion
fear
belief legend
war novel
anxiety
Opis:
Belief legends, especially those regarding fear and its realization, transformation and embodiment, are important narrative substrate. Forms of belief legends and/or their segments are often, in many ways and functions, intertextually inscribed in Croatian novelistic production. This paper shall analyse the way in which the motifs and topics related to the belief legends, as well as their development: defining and unmasking fear, are employed in the novels Živi i mrtvi (The Living and the Dead) by Josip Mlakić and Črna mati zemla (Black Mother Earth) by Kristian Novak. In the novel Živi i mrtvi, the elements of the belief legends poetically recreate a strong sense of horror of war, here represented through the growing fear felt by a small isolated group made up of a couple of soldiers. A different type of terror, a personal trauma that leaves the under-aged protagonist of Črna mati zemla completely isolated from the world and his loved ones, is poetically recreated especially through some of the elements of the belief legends.
Źródło:
Poznańskie Studia Slawistyczne; 2018, 15; 273-286
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Powieść uniwersytecka Alicji Iwańskiej
Alicja Iwańska’s campus novel
Autorzy:
Wal, Anna
Powiązania:
https://bibliotekanauki.pl/articles/511350.pdf
Data publikacji:
2020
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
campus novel
migration
Opis:
The paper discusses the novel Baśń amerykańska [An American Fairy Tale] by Alicja Iwańska, a Polish writer and sociologist who worked at American universities for many years. The paper discusses the picture of the academic community at a state university in the USA in the 1960s and the way in which it is presented, which makes it possible to classify the text as a campus novel, which is an extremely popular genre in English-language literature. The paper also points to the author’s demythologising view of the USA, challenging the American myth characteristic of the Polish awareness.
Źródło:
Postscriptum Polonistyczne; 2020, 25, 1; 251-260
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Investigations of strength, thermal expansion and engine of novel pistons for combustion engines
Autorzy:
Siemińska, B.
Powiązania:
https://bibliotekanauki.pl/articles/243623.pdf
Data publikacji:
2008
Wydawca:
Instytut Techniczny Wojsk Lotniczych
Tematy:
combustion engine
engine pistons
novel alloys
novel materials
thermal expansion
Opis:
Pistons of internal-combustion engines work in the conditions of high mechanical and thermal loads. The typical alloy materials applied on pistons of internal-combustion engines have inadequate parameters for such applications. It mainly refers to the fatigue strength of the mechanical and thermal character and to the thermal shocks. In relation with fact that the piston of internal-combustion engine has unsymmetrical shape, that in every case of the piston temperature increase the unequal deformations appear and stresses related with this, what causes fatigue loads of the piston structure. The paper presents special demands, which pistons of contemporary of internal-combustion engines must fulfil with respect to strength, thermal and useful properties, mirrored in the engine work parameters, like engine oil consumption, fuel consumption, noise, gas blow by to the crankcase and the emission of toxic exhaust elements, mainly hydrocarbons. One turned attention on the new material that can be used in manufacture of pistons for the internal-combustion engines, which is the carbon material. In the article the results of research for the mechanical, thermal and engine properties are submitted for the pistons manufactured from a new material. On the emphasis deserve fact, that the application of new materials permits on the obtainment of the small difference in the coefficient of linear thermal expansion during the heating and the cooling, that will bring many profitable effects of both functional and useful nature.
Źródło:
Journal of KONES; 2008, 15, 3; 471-478
1231-4005
2354-0133
Pojawia się w:
Journal of KONES
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nowe życie Orhana Pamuka i Jeśli zimową nocą podróżny Italo Calvino, czyli o książce w książce
Autorzy:
Młynarczyk, Anna
Powiązania:
https://bibliotekanauki.pl/articles/915265.pdf
Data publikacji:
2015-12-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Turkish novel
Italian novel
reader
postmodernism
Orhan Pamuk
Italo Calvino
Opis:
This article presents two aspects of showing the power of literature. Orhan Pamuk, a Turkish Nobel prize winner, in his book New life is more focused on the content of the novel. Main characters of the story are entirely devoted to one book that totally changes their lives. Italo Calvino is more focused on the structure. His characters take part in a great adventure just to find the end of the story that they are interested in. The main goal of this article is to show differences and similarities in showing the same literary issue. Italo Calvino's novel is more optimistic and positive. Literature has good influence on his characters. On the other side, Orhan Pamuk's novel shows a destructive side of literature. Characters in his book seem to be defeated from the very beginning. Those two books show in a very good way the difference between European optimism and Oriental, especially Turkish, sentimentality, which in Turkish language has its own name – hüzün. It can be translated as 'blues, sadness, spleen'.Both novels present the power of literature and its influence on readers.
Źródło:
Studia Azjatystyczne; 2015, 1; 101-114
2449-5433
Pojawia się w:
Studia Azjatystyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Léo Dex et les romans « aérostatiques »
Léo Dex and the “aerostatic” novel
Autorzy:
Puyo, Jean-Yves
Powiązania:
https://bibliotekanauki.pl/articles/43665644.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
geographical novel
aerostatic novel
Edouard Deburaux
Léo Dex
Jules Verne
Opis:
Between 1895 and 1904, Captain Edouard Deburaux, under the name Léo Dex, wrote several novels that fully embraced the codes of the geographical novel. Most of his writings, following in the footsteps of Jules Verne’s Cinq semaines en ballon (1863), were intended to take the reader mainly to Africa. So, is he a mere imitator? In fact, he differs from Verne in that he himself was a nationally and internationally recognized balloonist. And if he did not invent the “balloon novel”, he was nonetheless the most prolific contributor to the genre.
Źródło:
Studia Romanica Posnaniensia; 2023, 50, 1; 55-68
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W hołdzie dla Diderota. Milan Kundera, Kubuś Fatalista i ich pan
In tribute to Diderot: Milan Kundera, Jacques the Fatalist and their Master
Autorzy:
Gawarecka, Anna
Powiązania:
https://bibliotekanauki.pl/articles/635442.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
enlightenment novel
postmodern novel
literary fiction
poetics of variations
meta-literariness
Opis:
In his meta-literary and para-textual statements, Milan Kundera has been frequently turning to the issue of the enlightenment narrative experiments considered as the initial ones for the twentieth-century (post)modern creative strategies. Those experiments resulted from the striving for suppression of the over-prescription characterized the classicist rules, and they managed to direct attention to the literary genres which were undermined by the Enlightenment era that is in other words and above all, novel. In order to reveal this “modernity” of the eighteenth-century prose, the Czech writer in the work entitled Jacques and his master (1971) performed a “cultural translation” (variation) of the famous text by Diderot into the form of drama. Kundera was focused on the devices used by the French encyclopaedist which enabled him to expose the “evidence of trick” regarding the anti-illusion and fictitious character of literary representation of the world. He was, therefore, interested not so much in the philosophical and ideological background of Diderot’s tale dedicated to the romances of Jacques the Fatalist, but in the author’s freedom in his “play with the romance’s conventions” which even then was undergoing the process of fast schematisation.
Źródło:
Poznańskie Studia Slawistyczne; 2018, 15
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ananda Devi – pisarka skrzyżowania kultur
Ananda Devi: a writer at the crossroads of cultures
Autorzy:
Wiśniewska-Szaran, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1912978.pdf
Data publikacji:
2020-12-04
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Ananda Devi
Mauritius
novel
Opis:
Ananda Devi is a francophone-Mauritian writer who lives (and creates) near Geneva. She is the author of numerous novels, short stories and volumes of poetry. Although the stories of her characters are fictitious, Devi’s texts are strongly inspired by her native island, its history and its ethnic, cultural and linguistic heterogeneity. In her novels, Devi employs numerous stylistic devices to empower individuals who are regarded as worse, excluded from the society due to their deficits.
Źródło:
Śląskie Studia Polonistyczne; 2020, 16, 2; 1-10
2084-0772
2353-0928
Pojawia się w:
Śląskie Studia Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ja i moja towarzyszka niedoli, Turcja
Me and my misery companion, Turkey
Autorzy:
Sulimowicz-Keruth, Anna
Meryem, Hatice
Powiązania:
https://bibliotekanauki.pl/articles/950465.pdf
Data publikacji:
2020-05-28
Wydawca:
Polskie Towarzystwo Orientalistyczne
Tematy:
Turkey
novel
Hatice Maryem
Źródło:
Przegląd Orientalistyczny; 2019, 3-4(271-272); 309-312
0033-2283
Pojawia się w:
Przegląd Orientalistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Formen des Religiösen in ausgewählten Werken Gertrud von Le Forts
Forms of religiosity in selected works by Gertrud von le Fort
Autorzy:
Piasta, Ewa Anna
Powiązania:
https://bibliotekanauki.pl/articles/679668.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
literature
religion
novella
novel
Opis:
Works by Gertrud von le Fort belong with literary religious discourse and enter a debate between Roman Catholicism and Protestantism.The writer sets her plots in the past, most frequently in the Middle Ages, which enables her to offer a critical assessment of contemporary political, ethical and religious issues.The article presents various connections between literature and religion, in terms of both motifs and style. References to religion are found in the thematic, axiological and linguistic layers of her texts. The analysed works comprise the novellas Der Dom (The Cathedral) and Am Tor des Himmels (At the Heavenly Gate) as well as the novel Magdeburgische Hochzeit (The Magdeburg Wedding). These works also reflect the phenomenon of the so-called cultural Christianity. Le Fort’s characters are not indifferent to the religious system, even if they do not fully identify with it.
Źródło:
Acta Universitatis Lodziensis. Folia Germanica; 2018, 14; 83-91
2449-6820
Pojawia się w:
Acta Universitatis Lodziensis. Folia Germanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Powieść autobiograficzna – kariera pojęcia
Autobiographical Novel: The Development of the Term
Autorzy:
Pokrywka, Rafał
Powiązania:
https://bibliotekanauki.pl/articles/27311215.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
poetics
novel
autobiographical novel
autobiography
poetyka
genologia
powieść
powieść autobiograficzna
autobiografia
Opis:
W artykule podjęty zostaje temat powieści autobiograficznej i jej naukowego uzasadnienia. Podstawowe problemy w użyciu pojęcia wynikają z różnorodnego rozumienia terminu „autobiograficzny”, co zostaje omówione w części pierwszej. Część druga podejmuje skrótowy przegląd ważnych stanowisk wobec powieści autobiograficznej, głównie w polskim literaturoznawstwie. Najbardziej rozpowszechnione są w tym obszarze metody biograficzne i rozmaite odmiany paktu autobiograficznego. Każdy wybór metodologiczny zakłada jednak jakąś stratę, powieść autobiograficzna oferuje bowiem kilka wykluczających się wzajemnie możliwości odczytań. Znamienne jest, że wiele z aktualnych pytań rzadko podejmowanych jest dzisiaj, dotyczą one przede wszystkim receptywnego i medialnego wymiaru pojęcia, w którym powieść autobiograficzna mogłaby zaistnieć jako „figura odczytywania”. Pytania te zostają postawione w części końcowej.
The article discusses the subject of autobiographical novel and its scientific justification. In the first part the author draws the readers’ attention to the fact that certain basic problems concerning the use of the very notion stem from different ways of understanding the term “autobiographical.” The second part of the article outlines certain important approaches to autobiographical novel, predominantly in the Polish literary studies. In this area the most common are biographical methods and various forms of autobiographical treaty. Every single methodological choice entails a certain loss, since autobiographical novel offers several mutually exclusive interpretations. However, there are numerous questions which are rarely posed nowadays, and which concern receptive and medial dimension of the notion in which an autobiographical novel could exist as an “interpretation figure”. These questions are posed in the final part of the work.
Źródło:
Tematy i Konteksty; 2013, 8, 3; 164-181
2299-8365
Pojawia się w:
Tematy i Konteksty
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dérouter le lecteur ou comment dépasser le stéréotype du roman de la route au Québec au XXIe siècle – l’exemple de François Blais
Confusing the reader or how to move beyond the stereotype of road novel in Quebec in the 21st century – the example of François Blais
Autorzy:
Berek, Ewelina
Powiązania:
https://bibliotekanauki.pl/articles/1368340.pdf
Data publikacji:
2021-02-23
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
François Blais
road novel in the 21st century
contemporary Quebecer novel
Opis:
The article discusses the stereotype of road novel in Québec in the 21st century, exemplified by François Blais’s sixth novel entitled Document 1 published in 2012. Blais’s novel appears different from the typical road novels by playing with the genre’s codes in order to create something altogether new. The aim of the article is to shed light on the character development, the representations of place and the journey itself presented in the novel.
Źródło:
Romanica Silesiana; 2019, 16, 2; 179-190
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La Modernité de la Construction du Personnage de Cripure dans Le Sang Noir de Louis Guilloux
Autorzy:
Bizek-Tatara, Renata
Powiązania:
https://bibliotekanauki.pl/articles/606229.pdf
Data publikacji:
2008
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Louis Guilloux
New Novel
Opis:
After André Gide and Marcel Proust, Louis Guilloux is one of the first writers of the 20th century who rejects the 19th-century literary tradition, creating in 1935 an exceptional and innovative novel – Le Sang Noir. Its innovation resides in the similarity to the New Novel from the 50s on the level of composition, narration, organization of spatio-temporal setting, role of the reader and character construction. The article discusses the innovative character construction employed by Guilloux in the creation of Cripure, the protagonist. By means of the techniques of internal monologue and various points of view, the author created a protagonist with highly complex personality, impossible to be unambiguously characterized. An anonymous narrator, showing dualistic approach towards the protagonist, constantly shifts the points of view, rendering any description of the protagonist’s identity unfeasible as the information provided about him by the narrator and other characters is contrary. Guilloux uses elliptic constructions, enabling the reader to interpret characters’ conduct. However, the constructions do not reveal the motivation of their actions, but are limited to presenting events, citing characters’ statements and, above all, demonstrating their behavior. The reader has to fill the gaps and interpret characters’ conduct themselves. Two decades later, this “adventure of writing” rather than “writing of adventure” will become one of the fundamental principles of the New Novel.
Źródło:
Lublin Studies in Modern Languages and Literature; 2008, 32; 20-30
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Österreichische“ und andere Ironie in den Texten von Olga Flor, Teresa Präauer und Cordula Simon
“AUSTRIAN” AND OTHER IRONY IN THE FICTION BY OLGA FLOR, TERESA PRÄAUER AND CORDULA SIMON
Autorzy:
Kupczyńska, Kalina
Powiązania:
https://bibliotekanauki.pl/articles/910296.pdf
Data publikacji:
2020-04-30
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
contemporary Austrian novel
irony
Opis:
Den Ausgangspunkt für den Artikel bildet die Aussage von Kathrin Röggla, derzufolge „Was in Österreich – nicht nur in der Literatur – Tradition hat, ist Ironie“. Den Gegenstand der Untersuchung bilden Ironie-Konzepte in drei Romanen der österreichischen Autorinnen der Gegenwart Olga Flor, Teresa Präauer, Cordula Simon. Die Fragestellung ist auf die spezifisch „österreichische“ Ironie ausgerichtet, die, so die These, eine besondere Form der Auseinandersetzung mit aktuellen sozialen und politischen Themenkomplexen darstellt.
“There is a tradition of irony in Austria, not only in literature”, said Kathrin Röggla in an interview in 2012; my article considers the assertion as a starting point to an analysis of three novels by contemporary Austrian women authors Flor, Präauer and Simon. The aim is to examine the different patterns of irony by Flor, Präauer and Simon in order to assess what the “Austrian” concept of irony can mean today. Furthermore, I would like to consider the „Austrian“ irony as a specific Austrian cue to express involvement in current political matters.
Źródło:
Studia Germanica Posnaniensia; 2019, 40; 21-36
0137-2467
Pojawia się w:
Studia Germanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Clockwork novel: the mechanics behind Frances Burney’s prose composition
Autorzy:
Paluchowska-Messing, Anna
Powiązania:
https://bibliotekanauki.pl/articles/572000.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydział Neofilologii
Tematy:
third-person narration
free-indirect discourse
polyphonic novel
heteroglossia
narrative voice
didactic novel
eighteenth-century novel eighteenth-century women writers
Opis:
The paper explores the didactic potential of the novels by the eighteenth-century English writer Frances Burney. To this end, it takes up the metaphor of a life-like automaton – a symbol of human ingenuity and artistic mastery, and a popular object of entertainment in the eighteenth century – and examines its applicability to describe the act of construing a novelistic text. The analysis yields the conclusion that Burney’s experiments with narrative techniques (third-person narration, free indirect discourse, heteroglossia) were employed to ensure the narrator’s authority through the strategic withdrawal of the authorial feminine voice, and were also instrumental in achieving a text which would be both aesthetically pleasing and instructive to the readers. Burney’s didacticism, moreover, proves to be very modern, that is not prescriptively moralizing, but rather training the readers in the exercise of empathy.
Źródło:
Acta Philologica; 2016, 49; 139-150
0065-1524
Pojawia się w:
Acta Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Alegoria w czeskiej powieści historycznej lat 60. XX wieku (Václav Kaplický „Kladivo na čarodějnice” i Jiri Šotola „Tovaryšstvo Jezišovo”)
Allegory in Czech historical novel of the 60s of the 20th century
Autorzy:
Królak, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/2012728.pdf
Data publikacji:
2017-06-01
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
powieść historyczna
powieść rozrachunkowa
alegoria
historical novel
political ‘clearing accounts’ novel
allegory
Opis:
The article concerns the problem of allegory in two Czech historical novels from the beginning and the end of the 60s of the twentieth century: Kladivo na čarodějnice by Václav Kaplický and Tovaryšstvo ježišovo by Jiři Šotola. Both novels are also considered to be important political ‘clearing accounts’ novels. Application of allegory as a method of reception allows us to answer the question about the participation of the reader in the setting up of allegory in the Czech prose of the twentieth century .
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2017, 7(10); 219-230
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zjawy, kociaki i Milicja Obywatelska. Literackie i społeczne konteksty Strachów w Biesalu Jerzego Putramenta
Apparitions, kittens and Citizens’ Militia. Literary and social contexts of Strachy w Biesalu (Fears in Biesal) by Jerzy Putrament
Autorzy:
Dudziński, Robert
Powiązania:
https://bibliotekanauki.pl/articles/2231103.pdf
Data publikacji:
2023-06-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Jerzy Putrament
odwilż
powieść detektywistyczna
powieść milicyjna
Khrushchev Thaw
detective novel
militia novel
Opis:
Artykuł stanowi próbę kulturowej analizy powieści kryminalnej Jerzego Putramenta Strachy w Biesalu (1958). Utwór osadzony został w literackim i społecznym kontekście epoki, co pozwoliło na scharakteryzowanie jego genezy, formy oraz recepcji. W toku analizy omówione zostały trzy główne aspekty dzieła Putramenta. W pierwszej części tekstu autor opisuje, w jaki sposób powieść wpisywała się w charakterystyczny dla okresu postalinowskiej odwilży proces przemiany oficjalnego stosunku do literatury sensacyjnej. Zaakceptowano wówczas powieść kryminalną jako gatunek rozrywkowy i oczekiwano, że sięgną po niego cieszący się uznaniem pisarze – wierzono bowiem, że zapewni to wysoki poziom powstającym w ten sposób utworów. W drugiej części artykułu analizie poddano metafikcjonalny i pastiszowy charakter powieści Putramenta, która dzięki licznym odwołaniom do metaforyki teatralnej ujawnia i tematyzuje mechanizmy rządzące konwencją kryminalną. W części ostatniej zrekonstruowany został społeczny kontekst Strachów w Biesalu – powieść odnosi się bowiem do charakterystycznych dla drugiej połowy lat 50. procesów emancypacji kobiet i wykorzystuje genderowe stereotypy związane z tymi procesami. Powieść Putramenta stanowi zatem także satyrę wykpiwającą środowisko artystyczne oraz młode, zafascynowane modą i kulturą Zachodu kobiety. Autor artykułu dowodzi jednak, że krytycznemu tonowi powieści towarzyszy także mimowolna fascynacja wyemancypowaną kobiecością.
The article looks at three aspects of the crime novel Strachy w Biesalu (Fears in Biesal, 1958) penned by Jerzy Putrament. In the first part of the text, the author describes how this work aligned with the process of changing the official stand on action novels, a shift that was characteristic of the post-Stalinist thaw. The second segment of the article features an analysis of the metafictional and pastiche protagonist of Putrament's novel, revealing and extracting themes related to mechanisms governing the convention of crime fiction. The final part reconstructs the social and cultural context of Fears in Biesal – the novel refers to the processes of women's emancipation and gender stereotypes associated with these processes that were characteristic of the second half of the 1950s.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2023, 66, 1; 177-195
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
From The Laboratory Of The 1990s To The Novel Of The 21st Century – Contemporary Bulgarian Literature In Highlights
Autorzy:
Dimitrova, Elka
Powiązania:
https://bibliotekanauki.pl/articles/694499.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
contemporary Bulgarian literature
novel
postmodernism
Opis:
The text presents the main trends in Bulgarian literary development from the 1990s to the present day through the highlights of the lyrical boom of the 1990s and the novel wave since 2001 on. Some lines of continuity are outlined, tracing back to the 1960s (regarding the literary experiment and dissident attitude), and the period before 1944 (the adoption/challenge of the modernist tradition in the 1990s). A separate research topic is the fi xation of the critical interest on certain writers’ personalities.
Źródło:
Slavica Lodziensia; 2017, 1
2544-1795
Pojawia się w:
Slavica Lodziensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nieznośna lekkość przyjęć, czyli o różnych wcieleniach pani Dalloway
The Unbearable Lightness of Parties or Various Incarnations of Mrs Dalloway
Autorzy:
Izdebska, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/579270.pdf
Data publikacji:
2016
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
Intertextuality
literary re-cycling
novel
Opis:
The main issues discussed in this article are the intertextual relationships between two novels: one the most famous modernistic texts — Mrs Dalloway by Virginia Woolf and The Hours by Michael Cunningham. The American writer’s novel alludes already in the title to Woolf’s work. The Hours was the working title for Mrs Dalloway. The detailed analysis of the various references to it acknowledges the hypotext in the Cunningham novel and proves that intertextuality in this case has its mainly existential dimension: for heroines of The Hours Mrs Dalloway provides an opportunity for not only re-writing or re-reading but for re-existing as well.
Źródło:
Zagadnienia Rodzajów Literackich; 2016, 59/119 z. 3; 41-55
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zdania inicjalne w powieściach Marka Krajewskiego
Opening sentences in Marek Krajewski’s novels
Autorzy:
Ruszkowski, Marek
Powiązania:
https://bibliotekanauki.pl/articles/615495.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Opolski
Tematy:
opening sentences
novel
Marek Krajewski
Opis:
Opening sentences raise a lot of interest of both linguists and common Polish speakers. It is evident from numerous websites in which Internet users share their observations on the best opening sentences of books (most often novels), as well as theoretical papers and writing guides. The analysis of opening sentences of ten novels by Marek Krajewski (co-author of two of them being Mariusz Czubaj) is to provide an answer to the question to what extent the utterance opening of the texts of the Wroc³aw-based prose writer fulfill the requirements to be met by such type of constructions. It turns out that most crucial are syntactic and semantic features rather than lexical ones. The clash between theoretical assumptions and the M. Krajewski’s writing practice shows that opening sentences of his novels not always fall into classical determinants of incipient formulas. It also illustrates the thesis that a skillful writer does not need to cling to theoretical assumptions to create good opening sentences and novels translated into nearly twenty languages.
Źródło:
Stylistyka; 2016, 25; 267-276
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Reread me backwards”: Deciphering the Past in Elizabeth Bowen’s The Heat of the Day
Autorzy:
Johnson, Stephanie
Powiązania:
https://bibliotekanauki.pl/articles/653525.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Bowen
spy novel
reading
Blitz
Opis:
Set during the midst of the London Blitz, Elizabeth Bowen’s The Heat of the Day revolves around a narrative of espionage, but unlike many novels from the spy genre, it refuses to disclose all of its secrets. Instead, the novel’s dense and complex language, which so effectively expresses the dislocating effects of a city under attack, resists an easy or uncomplicated reading. This article examines the motif of reading within the novel, which manifests when its protagonist, Stella Rodney, learns her lover Robert is a Nazi spy. In her efforts to locate proof of his defection, Stella becomes caught in a recurrent but indeterminable task of rereading past events, a movement which attempts to remember the past but also foregrounds a fundamental inability to ever wholly resolve its enigmas. When Stella fails to read her past for lost clues, she is prevented from viewing the events of her life as a coherent and meaningful narrative. The novel’s difficult language reflects this lack of resolution, refusing to assimilate the events it depicts into a straightforward account. With its wartime setting as a disorienting backdrop, The Heat of the Day undermines the purpose of reading as the discovery of sense and meaning, producing instead only more questions and mysteries.
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2016, 4, 1
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Roll a Hard Six: Losing Your Noodle in Raymond Federman’s Double or Nothing
Autorzy:
Guenther, Shawna
Powiązania:
https://bibliotekanauki.pl/articles/653547.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
surfiction
Holocaust
concrete novel
psychology
Opis:
Raymond Federman’s Double or Nothing is a convoluted representation of the mentallyunstable mind existing as a series of six characters that are at once separate and conjoined: the horrors and traumatic events of the narrative past dismantle the unified subject into a series of schizophrenic sub-personalities, parts of the destabilized Author’s psyche, existing as separate fragments that eventually collide. Further, the imaginary room emerges as the Fifth Person, promising, but failing, to be a central stabilizer of the other fractured selves. Finally, the design of the text echoes the patterns of the traumatized mind, illustrating the inability of a narrative to construct a stable, unified subject and demonstrating the inadequacy of traditional narrative forms. The text, with its obliterations, cropped phrases, and pictorial manifestations, becomes the Sixth Person. However, in the end, the text shows that the past cannot be erased, explained, or reversed; neither can the experimental nature of the novel reach beyond the traumatized, schizoid subject to represent the horrors of the past that caused the Author’s psychotic breach. Federman has rolled a hard six that will repeatedly fragment and unite, just as the traumatic past continues to repeat itself as one that defies representation.
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2015, 3, 2
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Formy literackie używane w wybranych utworach Klementyny z Tańskich Hoffmanowej na przykładzie powieści Listy Elżbiety Rzeczyckiej do przyjaciółki swojej Urszuli
Autorzy:
Kossowska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/2130262.pdf
Data publikacji:
2020
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
enlightenment
novel
women’s education
Opis:
One of the main features of 18th-century Polish literature was its didactic coverage. It was related to the great civilization, moral and cultural changes that took place in the 18th century, the contemporary situation of Polish education and – at the end of the century – the partitions of the Polish-Lithuanian Commonwealth. A novel by Klementyna Hoffmanowa née Tańska "Listy Elżbiety Rzeczyckiej do przyjaciółki swojej Urszuli za panowania Augusta III pisane", achieve the didactic goals set by the author.
Źródło:
Humanum. Międzynarodowe Studia Społeczno-Humanistyczne; 2020, 1(36); 83-91
1898-8431
Pojawia się w:
Humanum. Międzynarodowe Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Novel oral anticoagulants in the treatment of cancer patients
Autorzy:
Biernacka, Renata
Lewandowski, Tomasz
Andrzejuk, Jolanta
Szmyd, Marek
Powiązania:
https://bibliotekanauki.pl/articles/1065830.pdf
Data publikacji:
2014
Wydawca:
Medical Education
Tematy:
cancer
novel anticoagulants
venous thromboembolism
Opis:
Cancer and its treatment are well-recognized risk factors for venous thromboembolism. The risk of thrombotic complications increases 4–7-fold in cancer patients and coexistence of both pathologies is associated with shorter survival. Incidence of thrombosis depends on the tumour type, antineoplastic and supportive therapy, and patient-related factors such as age, physical activity and comorbidities. Current recommendations of scientific societies indicate a dominant role of low molecular weight heparins in the treatment and prevention of venous thromboembolism in cancer patients. Long duration of the anticoagulant effect, and the subcutaneous administration route of heparins call for a safer therapeutic option, and one that would be more convenient for the patient. New oral anticoagulants: dabigatran, rivaroxaban, and apixaban, are indicated as prevention of venous thromboembolism following an orthopaedic surgery, and as stroke prevention in nonvalvular atrial fibrillation, with rivaroxaban also applied in the treatment of acute deep vein thrombosis and pulmonary embolism. In the trials evaluating the efficacy of novel oral anticoagulants, they have been compared with enoxaparin or vitamin K antagonists. Cancer patients accounted for a small percentage of the trial population, and they were rarely analysed in subgroup analysis. It was only in the phase II ADVOCATE study that the target group were patients receiving chemotherapy. Direct comparison between test drug and low molecular weight heparins was not performed. The currently available study results do not allow us to recommend the new oral anticoagulants for the treatment and prevention of venous thromboembolism associated with cancer.
Źródło:
OncoReview; 2014, 4, 1; A11-17
2450-6125
Pojawia się w:
OncoReview
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nazewnictwo szlachty w Krzyżakach Henryka Sienkiewicza na tle polskiego systemu antroponimicznego dawnych epok
Autorzy:
Kubiak, Monika
Powiązania:
https://bibliotekanauki.pl/articles/1046628.pdf
Data publikacji:
2020-12-08
Wydawca:
Wyższa Szkoła Gospodarki w Bydgoszczy. Wydawnictwo Uczelniane
Tematy:
onomastics
anthroponymy
h. sienkiewicz novel the knights of the cross
names
historical novel
Opis:
The article presents the procedure of altering Polish last names as it is pictured in examples of anthroponyms taken from the historical novel The Knights of the Cross written by Henryk Sienkiewicz. Characteristics of onomastics, as the one of many fields of the linguistic studies and the literary onomastics, which is a part of it, preludes the analysis performed in this paper. The emphasis has been put on one of the areas of this study – anthroponymy. According to this discipline, it was possible to investigate Polish surnames and depict the history of their advancement and modifications throughout centuries, basing on the mentioned novel. Author used the literary realism in the historical novel – genre recognizable for positivism and genuinely showed the process of transformations and modifications in Polish names, which was held within social groups like nobility, the middle class, peasantry and clergy. This thesis shows how did the author assort each personal name and directs to sources, that could have inspired him to create his characters and name them accordingly to the proper period and particular social group.
Źródło:
Heteroglossia- studia kulturoznawczo-filologiczne; 2020, 10; 81-98
2084-1302
Pojawia się w:
Heteroglossia- studia kulturoznawczo-filologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zwolennik Bourgeta. Stefan Żeromski i psychologia powieści
The Supporter of Bourget. Stefan Żeromski and the Psychology of the Novel
Autorzy:
Jauksz, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/1042022.pdf
Data publikacji:
2016-11-17
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
psychological novel
French novel
writing techniques
intimate writings
experience
love and career plots
Opis:
The article presents young Żeromski’s fascination with the writings of Paul Bourget. Basing on the Polish writer’s journal entries concerned with Une crime d’amour and Mensonges one can trace an ambivalent attitude towards those psychological novels developed in the late 1880s. By young Żeromski’s standards Bourget falls behind other masters of prose he admires at the time, namely Turgenev and Dostoyevsky. Still, despite Bourget’s didacticism, the aspiring youth cannot refrain from fascination for the descriptions of characters, whose emotions so often so clearly mirror his own. There are at least a few plots (an aspiring writer’s ambitions in the great world, the memory of a love lost etc.) which could have caught Żeromski’s attention as valid attempts to capture experiences known to him as well. It is therefore the identification process that stands in the way of condemning the moralistic ambitions of Bourget and allows the French writer’s works to remain an important point of reference for the Polish witer’s upcoming writing endeavors.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 27; 103-116
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kto lepiej rządził Polską, czyli na tropie królów, historii i …smaku landrynek (o emocjach w powieści Jadwiga kontra Jagiełło Grażyny Bąkiewicz)
Who Was a Better Ruler of Poland, or: Tracking Kings, History, Taste of Druit Drops... About Emotions in Grażyna Bąkiewicz’s Jadwiga kontra Jagiełło
Autorzy:
Jonca, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/2031242.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:
literature for children
modernist historical novel
emotions in the historical novel
Queen Jadwiga
Opis:
The author of the article analyses Grażyna Bąkiewicz’s Jadwiga kontra Jagiełło, a historical novel for children about the life and time of Polish Queen Jadwiga (1374-1399). The novel is the first such publication in over 50 years; the last one being Jadwiga i Jagienka by Czesława Niemyska--Rączaszkowa). The article shows the tensions between biographical events, history, and historical tidings (historical news); and well as the syncretic form of the novel (narrative structure; comic book elements; the element of a dream to go back in time that may symbolically soon come true during a multimedia history lesson).
Źródło:
Filoteknos; 2020, 10; 334-341
2657-4810
Pojawia się w:
Filoteknos
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czy istnieje polski kryminał gejowski? Rekonesans
Is there a Polish gay crime novel? A study
Autorzy:
Tuszyńska, Justyna
Powiązania:
https://bibliotekanauki.pl/articles/2231116.pdf
Data publikacji:
2023-06-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
LGBTQ
crime fiction
gay novel
naturalistic novel
powieść kryminalna
powieść gejowska
powieść środowiskowa
Opis:
Artykuł stanowi próbę odpowiedzi na pytania: Jak możemy rozumieć pojęcie „kryminał gejowski”? Czy w Polsce wyodrębniła się taka odmiana gatunkowa? Czy jest to odmiana kryminału, czy raczej powieści gejowskiej? Przedmiot zainteresowania stanowią między innymi utwory Edwarda Pasewicza (Śmierć w darkroomie), Michała Witkowskiego (Drwal, Zbrodniarz i dziewczyna) i Andrzeja Selerowicza (Kryptonim „Hiacynt”, Zbrodnia, której nie było). Analiza tych utworów skupia się na sposobie wykorzystania schematu kryminalnego oraz wybranych taktyk pisarskich w kontekście najpopularniejszych strategii charakterystycznych dla konwencji kryminalnej (np. zwrot w stronę powieści społecznie zaangażowanej, eksplorowanie przestrzeni miejskiej, psychologizacja bohaterów), a także najważniejszych cech powieści środowiskowej (różne koncepcje przedstawiania grup społecznych). W konsekwencji definicja kryminału gejowskiego odnosi się zarówno do cech powieści środowiskowej, jak i kryminalnej, sytuując analizowany fenomen literacki w domenie odmian gatunkowych literatury popularnej, wraz z właściwymi jej historycznymi przekształceniami poetyki oraz semantyki tekstów.
This paper is an attempt at finding answers to the following questions: How can the term gay crime novel be understood? Has such a sub-genre been established in Poland? Is it a sub-genre of crime fiction or rather gay novel? The author examines works by such writers as Edward Pasewicz (Śmierć w darkroomie [The Death in the Darkroom]), Michał Witkowski (Drwal [The Woodcutter], Zbrodniarz i dziewczyna [The Criminal and the Girl]), and Andrzej Selerowicz (Kryptonim „Hiacynt” [Codename Hyacinth], Zbrodnia, której nie było [The Crime that Never Was]). The analysis of the works is focused on the use of the crime scheme and selected writ-ing techniques in the context of the most popular strategies typical of crime fiction convention (e.g. a shift towards a socially engaged novel, urban space exploration, psychologisation of protagonists) as well as the most important characteristics of naturalistic novel (different ideas of presenting social groups).
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2023, 66, 1; 71-94
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Праблемна-тэматычная i жанрава-стылëвая полiфанiчнасць у раманах Вiктара Марцiновiча
Problem – thematic and genre – stylistic poliphony in Viktar Martsinovich’s novels
Autorzy:
Nawasielcawa, Hanna
Powiązania:
https://bibliotekanauki.pl/articles/2131027.pdf
Data publikacji:
2021
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
novel
polyproblematic art form
genre-style distinctiveness
“I”-narrative strategy
novel organization
philosophical concept
Opis:
Viktar Martsinovich’s novels reveal the aesthetic searches conducted in modern Belarusian literature. In the work “Sphagnum” the classical form of the social novel is originally reproduced, where various representatives of the society are convincingly shown in colorful images-types. The novels “Lake of Joy” and “Revolution” reveal first of all the psychological reflection of main characters, who act as symbolic incarnations of the spiritual aspirations of our time. Novels with assessments of psychological anti-utopia “Language” and “Night” represent the author’s prediction of the loss of national identity and spiritual literary tradition.
Źródło:
Białorutenistyka Białostocka; 2021; 237-248
2081-2515
Pojawia się w:
Białorutenistyka Białostocka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
An Analysis of the Polish Translation of Grant Morrison’s Arkham Asylum: A Serious House on Serious Earth
Autorzy:
Elżbieta, Niewiadoma,
Powiązania:
https://bibliotekanauki.pl/articles/888755.pdf
Data publikacji:
2020-09-15
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
graphic novel
Scottish graphic novel
comic translation
literal translation
Grant Morrison
English-Polish translation
Opis:
Grant Morrison’s work has greatly added to the Scottish graphic novel tradition. In this regard, this paper will look at the recent Polish translation of the 25th anniversary edition of one of his iconic and groundbreaking Batman graphic novels, Arkham Asylum: A Serious House on Serious Earth. A brief description and publishing history of the graphic novel will be provided, followed by an analysis of the quality, style and publishing history of the translation in order to produce a final commentary on how Morrison’s work has been rendered into the Polish language. It is concluded the translation is largely faithful to its original although it is marred with a number of careless and confusing errors which ultimately have an impact on the reading experience.
Źródło:
Anglica. An International Journal of English Studies; 2020, 29/3; 195-210
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Перифраза: объем и содержание понятия
Periphrasis: scope and content of concept
Autorzy:
Sikorska, Marina
Powiązania:
https://bibliotekanauki.pl/articles/481733.pdf
Data publikacji:
2012-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
periphrasis
Ludmila Ulickaya
novel Sonechka
Opis:
The article studies the scope and the content of the concept of periphrasis on the basis of a modern Russian novel Sonechka written by Ludmila Ulickaya, in which the phenomenon is often used. The basic and the secondary criteria of periphrasis were revealed by general analysis of dictionary definitions and by comparing them with other stylistic devices of language and speech.
Źródło:
Acta Polono-Ruthenica; 2012, 1, XVII; 149-157
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
L’absence chez Michel Butor. L’Emploi du temps et Degrés
The absence in Michel Butor’s Novels. Passing time and Degrees
Autorzy:
Mrozowicki, Michał
Powiązania:
https://bibliotekanauki.pl/articles/483554.pdf
Data publikacji:
2012
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
French new novel
absence
labirynth
Opis:
Michel Butor, born in 1926, one of the leaders of the French New Novel movement, has written only four novels between 1954 and 1960. The most famous of them is La Modification (Second thoughts), published in 1957. The author of the paper analyzes two other Butor’s novels: L’Emploi du temps (Passing time) – 1956, and Degrés (Degrees) – 1960. The theme of absence is crucial in both of them. In the former, the novel, presented as the diary of Jacques Revel, a young Frenchman spending a year in Bleston (a fictitious English city vaguely similar to Manchester), describes the narrator’s struggle to survive in a double – spatial and temporal – labyrinth. The first of them, formed by Bleston’s streets, squares and parks, is symbolized by the City plan. During his one year sojourn in the city, using its plan, Revel learns patiently how to move in its different districts, and in its strange labyrinth – strange because devoid any centre – that at the end stops annoying him. The other, the temporal one, symbolized by the diary itself, the labyrinth of the human memory, discovered by the narrator rather lately, somewhere in the middle of the year passed in Bleston, becomes, by contrast, more and more dense and complex, which is reflected by an increasinly complex narration used to describe the past. However, at the moment Revel is leaving the city, he is still unable to recall and to describe the events of the 29th of February 1952. This gap, this absence, symbolizes his defeat as the narrator, and, in the same time, the human memory’s limits. In Degrees temporal and spatial structures are also very important. This time round, however, the problems of the narration itself, become predominant. Considered from this point of view, the novel announces Gerard Genette’s work Narrative Discourse and his theoretical discussion of two narratological categories: narrative voice and narrative mode. Having transgressed his narrative competences, Pierre Vernier, the narrator of the first and the second parts of the novel, who, taking as a starting point, a complete account of one hour at school, tries to describe the whole world and various aspects of the human civilization for the benefit of his nephew, Pierre Eller, must fail and disappear, as the narrator, from the third part, which is narrated by another narrator, less audacious and more credible.
Źródło:
Quêtes littéraires; 2012, 2; 66-80
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Se perdre afin de se retrouver : limportance du passage entre l’absence et la présence dans Œdipe sur la route de Henry Bauchau
Getting lost to find oneself – significance of the passage between absence and presence in Bauchau’s novel Oedipus on the road
Autorzy:
Ślusarska, Alicja
Powiązania:
https://bibliotekanauki.pl/articles/483667.pdf
Data publikacji:
2012
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
Belgian novel
passage
depersonalization
lucidity
Opis:
Retracing in his novel the labyrinthine journey that leads Oedipus from the place of his abomination (Thebes) to the city of his future glory (Colonus), Henry Bauchau fills the emptiness between Sophocles’s Oedipus the King and Oedipus at Colonus. Bauchau’s hero, a powerful king, loses everything and stabs his eyes out when the cruel truth about his real identity is revealed. Blind, homeless, devoid of meaning of life, Oedipus leaves on a journey to pass away anywhere. However, his way to death turns out to be, thanks to benevolent presence of others and art’s liberating power, the road to personal elucidation. The story of Bauchau’s Oedipus, who finally recognizes himself as a truly human, is based therefore on the passage between absence and presence, between darkness and lucidity, on the union of contradictions which symbolize the complexity of human nature. This paper attempts to analyse different representations of absence in Bauchau’s novel. Afterwards, the article focuses on the ways which facilitate Oedipus’s road leading from depersonalization to rediscovery of his own identity.
Źródło:
Quêtes littéraires; 2012, 2; 116-123
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
University or Universal? Revaluating the Academic Novel
Autorzy:
Głowala, Zbigniew
Powiązania:
https://bibliotekanauki.pl/articles/605938.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
academic novel
Lodge
Bradbury
Amis
Opis:
The purpose of the article is to present the campus novel from an angle that would expose the qualities latent in a genre by pointing to the theme of conflict. The paper has been divided into three parts, each addressing one kind of conflict which can be distinguished from the generic pattern (the story about academics in the university setting). The analysed themes are recurrent in the campus novel – a town and gown row, a teacher-teacher conflict, and a clash between a teacher and a student. The conflicts are illustrated by works of David Lodge, Malcolm Bradbury and Kingsley Amis.
Źródło:
Lublin Studies in Modern Languages and Literature; 2010, 34; 20-34
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Narcyzm i historia. Narcyzm zbiorowy i narcyzm indywidualny w historiach alternatywnych i powieściach historycznych ostatnich lat
Narcissism and history . Collective narcissism and individual narcissisc in alternate histories and historical novels
Autorzy:
Tomczok, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/579372.pdf
Data publikacji:
2018
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
historical novel
alternate histories
narcissism
Opis:
The aim of the article is the description of the Polish historical novels of Szczepan Twardoch, Marcin Wolski and others. The theoretical basis of the research is the concept of narcissism propossed by Erich Fromm, Alexander Lowen and Christopher Lasch. Two concepts of narcissism allow to explore different novels that represent collective phantams of Polish culture and individual problems with culture of the late capitlism and consumerism.
Źródło:
Zagadnienia Rodzajów Literackich; 2018, 61, 3(127); 89-104
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Angielska Bovary. O „The Doctor’s Wife” Mary E. Braddon
A British Madame Bovary. On „The Doctor’s Wife” by Mary E. Braddon
Autorzy:
Budrewicz, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/649104.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Braddon
Flaubert
bovarism
novel
imitation
Opis:
This article is a comparative analysis of Mary Elizabeth Braddon’s The Doctor’s Wife and Gustave Flaubert’s Madame Bovary. Braddon’s novel has been interpreted as an imitation of Flaubert’s. The basis of the analysis is a Polish translation of Braddon’s novel (Żona doktora, „Gazeta Warszawska” 1867). This translation was published earlier than the translation of Madame Bovary (1878). Braddon’s works were quite popular in Poland and they were translated into Polish as well. It is shown that Braddon’s novel was not a copy of Flaubert’s work. The similarities concern the plot (a married woman’s affair) and psychological characterisation of the eponymous character (a girl who is absorbed her books and lives in the world of fantasy). In the crucial scene of the novel, Braddon makes a different choice than Flaubert does: her protagonist, who is in love with a seducer, does not commit adultery. Braddon explained that this was due to Protestantism and platonic concept of love which does not need physical involvement. Braddon shows three stages of the protagonist’s history: 1) her youth filled with books; 2) her unhappy marriage (the wife does not love the husband but the seducer); 3) after her husband’s and lover’s deaths the protagonist receives a large amount of money and begins to perform important social roles. This is how Braddon criticises the educational system of Victorian England and depicts a model which is a form of pedagogy preparing people for practical life.
-
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2018, 49, 3; 43-60
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ДА ЖАНРАВА-СТЫЛЯВЫХ АСАБЛІВАСЦЕЙ РАМАНА ЯНКІ БРЫЛЯ ПТУШКІ І ГНЁЗДЫ
GENERIC AND STYLISTIC FEATURES IN YANKA BRYL’S NOVEL PTUSHKI I GNYOZDI
Autorzy:
Alsztyniuk, Anna
Powiązania:
https://bibliotekanauki.pl/articles/444220.pdf
Data publikacji:
2015-06-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
novel
lyricism
autobiography
hero
patriotism
Opis:
This article is devoted to the analysis of generic and stylistic features in Yanka Bryl’s novel Ptushki i gnyozdi. The discussion is focused on the ways the main hero is presented as well as on the role of lyricism in the novel. The hero is in the center of composition that describes his feeling and expresses his thoughts and attitudes.
Źródło:
Acta Neophilologica; 2015, XVII/1; 87-93
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Measures of Time of Literature. Review of Rafał Pokrywka’s book titled „Współczesna powieść niemieckojęzyczna”, Universitas, Kraków 2018
Autorzy:
Szymańska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1032154.pdf
Data publikacji:
2019-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
German-language literature
novel
modernity
Opis:
The article is a discussion of a study by Rafał Pokrywka titled Współczesna powieść niemieckojęzyczna (Kraków 2018). The author of the study analysed selected works written at the turn of the 21st century, and – in an interesting manner – developed his discussion around a progression of three dimensions of time: the past, the present, and the future, which constitute the contexts for reading individual narratives. The interpretations of German, Austrian, and Swiss novels, both these which exist as Polish translations and these which have not yet been translated, are accompanied by cultural and sociological contexts, while the (re)definitions of the words used in the title of Pokrywka’s volume presented in the introduction enable one to place this original overview in the context of modern studies on the most recent literature.
Źródło:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2019, 8; 395-403
2299-7458
2449-8386
Pojawia się w:
Czytanie Literatury. Łódzkie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le crime du comte Neville d’Amélie Nothomb ou le roman familial d’une névrosée
Autorzy:
Hastings, Valerie
Powiązania:
https://bibliotekanauki.pl/articles/700489.pdf
Data publikacji:
2017
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
patricide
infanticide
autofiction
origins
novel
Opis:
The Crime of Count Neville is primarily a story of a complex father–daughter relationship, culminating in the attempted murder of the count’s daughter by her own father. Infanticide is inevitable for Sérieuse, which parallels the mythological story of Iphigenia. But Nothomb also develops on an extra-diegetic level, as the meta-narrative of the genesis of the Freudian Family Romance or the Novel itself. Between the concepts of “bastard” and “foundling,” this novel contains many autobiographical elements and borrows from other literary works, most noticeably from Oscar Wilde’s collection Lord Arthur Savile’s Crime.
Źródło:
Romanica Silesiana; 2017, 12
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Użycie konwencji. Instrumentarium grozy i jego misja w Ciemno, prawie noc Joanny Bator
Autorzy:
Zatora, Anna
Powiązania:
https://bibliotekanauki.pl/articles/630637.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
gothic novel
horror novel
detective story
fairytale
Joanna Bator
powieść gotycka
horror
kryminał
baśń
Opis:
The article is an attempt at presenting Joanna Bator’s novel Ciemno, prawie noc as a book belonging to engaged literature and using the popular convention to criticise society. The first part contains examples and theoretical considerations about the changes in the convention of the horror novel, which consists of a gothic novel with various genres such as horror, thriller and detective story. The matter of their social dimension was touched on, for instance, with reference to Noël Caroll’s theory, Scandinavian detective story or the books by Alice Munro. The second part of article is composed of the review of conventional implements used by Bator that are typical of gothic novel, detective story, horror and fairytale. The use of specific implements, their accumulation and the disturbance of the convention are interpreted as a way of getting the readers to loose the well-known schema and drawing their attention to the relevant social problems. The convention of popular literature in Ciemno, prawie noc is designed for something more than only entertainment.
Artykuł stanowi próbę przedstawienia powieści Joanny Bator Ciemno, prawie noc jako utworu należącego do literatury zaangażowanej i wykorzystującego popularną konwencję w celu dokonania krytyki społeczeństwa. W części pierwszej znajdują się głównie poparte przykładami teoretyczne rozważania na temat przeobrażeń konwencji powieści grozy. Zalicza się do niej powieść gotycką z jej dalszymi odmianami gatunkowymi, takimi jak horror, thriller i kryminał. Kwestia ich potencjalnego wymiaru społecznego zostaje poruszona w nawiązaniu między innymi do teorii Noëla Carolla, kryminałów skandynawskich czy utworów Alice Munro. Na część drugą tekstu składa się przegląd wykorzystanych przez Bator konwencjonalnych narzędzi przynależnych do powieści gotyckiej, kryminału, horroru i baśni. Użycie określonego instrumentarium, jego nagromadzenie i zaburzenie konwencji jest zinterpretowane jako sposób na wytrącenie odbiorcy ze znanego schematu i zwrócenie jego uwagi na istotne problemy społeczne. Konwencja literatury popularnej służy w Ciemno, prawie noc czemuś więcej niż tylko rozrywce.
Źródło:
Acta Humana; 2015, 6
2082-4459
Pojawia się w:
Acta Humana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Grunt to historia? Vicente Luis Mora i jego "Centroeuropa" (2020) jako metapowieść intrahistoryczna
History from the ground up? Luis Mora and his Centroeuropa (2020) as an intrahistorical metanovel
Autorzy:
Eloy Cichocka, Marta
Powiązania:
https://bibliotekanauki.pl/articles/40615068.pdf
Data publikacji:
2023-12-30
Wydawca:
Uniwersytet Komisji Edukacji Narodowej w Krakowie
Tematy:
Vicente Luis Mora
paratext
metanovel
historical novel
intrahistorical novel
paratekst
metapowieść
powieść historyczna
powieść intrahistoryczna
Opis:
The purpose of the essay is to introduce the figure of a contemporary Spanish author, Vicente Luis Mora, and his novel Centroeuropa to the Polish literary researchers, as well as to analyze the special character of this novel in terms of reading agreement and the most adequate terminology concerning the literary genre, to which it belongs, based on the form of typological characteristics of a novel that includes ten essential points: paratext, plot, narration, time structure, poetics, the question of mimesis, the loyalty of history towards History, metatextuality, ideological character and the strategies used by the author. On the basis of these reflections it can be concluded that Centroeuropa by Vicente Luis Mora is a metanovel about a man who is looking for his way in a breakthrough moment in the history of Europe, between the 18th and 19th century, in the declining feudal‑absolutist Prussia and the emerging liberal‑capitalist Prussia, in the embryonic society, where economic and political norms haven’t been fully constructed yet and women are not full‑fledged members of society. Centroeuropa is a multi‑dimensional novel inspired by the past of Central Europe, but – above all – a metanovel about writing and its servitude.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2023, 23; 383-403
2081-1853
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Perspectives on novel vaccine development
Autorzy:
Wang, Y.B.
Wang, L.P.
Li, P.
Powiązania:
https://bibliotekanauki.pl/articles/2087687.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
vaccination
vaccinology
novel vaccine development
perspectives
Źródło:
Polish Journal of Veterinary Sciences; 2018, 21, 3; 643-649
1505-1773
Pojawia się w:
Polish Journal of Veterinary Sciences
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Powrót do czytelników Szatana z siódmej klasy Kornela Makuszyńskiego w książce Konrada T. Lewandowskiego
Return to Readers of Satan From the Seventh Grade of Kornel Makuszyński in the Book by Konrad T. Lewandowski
Autorzy:
Nadolna-Tłuczykont, Marta
Powiązania:
https://bibliotekanauki.pl/articles/2031277.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:
novel
child
young recipient
Polish Folk
Opis:
The article aims to draw attention to Konrad Tomasz Lewandowski’s Satan and Company. Further Adventure of Satan from the Seventh Grade (2017), the official continuation of Kornel Makuszyńsk’s Satan from the Seventh Grade. Moreover, the author presented a short description of Satan from the Seventh Grade original publication, taking into account the reasons for the current lower level of about Makuszyński. The author shows that Makuszyński’s novel inspired Lewandowski to create an intriguing story, full of surprising twists and turns, set in the cyberworld, important for the contemporary young readers. Satan and Company can be considered a worthy continuation of Makuszyński’s novel, showing a cheerful life philosophy. Lewandowksi provides his readers with humour and optimism that were the hallmarks of Makuszyński’s fiction. In the contemporary world, often difficult, full of sadness and suffering, it seems to be a right way of showing children that despite adversities, it is worth smiling, also while reading a good book.
Źródło:
Filoteknos; 2020, 10; 212-224
2657-4810
Pojawia się w:
Filoteknos
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Intertextuality and The Depiction of Ideological Conflicts. the Case of V for Vendetta
Autorzy:
Lewandowski, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/1199481.pdf
Data publikacji:
2020
Wydawca:
Fundacja Copernicus na rzecz Rozwoju Badań Naukowych
Tematy:
intertextuality
graphic novel
ideology
conflict
politics
Opis:
Intertextuality seems to be Alan Moore’s trademark. In his most famous comic books and graphic novels, such as V for Vendetta, Watchmen, Lost Girls or The League of Extraordinary Gentlemen, he often refers to other texts of high and low culture. Therefore, a certain level of cultural competence is required to decode various messages hidden by the British writer. In V for Vendetta intertextuality is employed to convey certain political and ideological messages in a more subtle and indirect way. Through various allusions and quotations, Moore presents his views on the condition of the depicted society as well as on the political clash between a fascist state and its anarchist enemy. Intertextual references are also included in the graphics of the comic book. It is the aim of this paper to discuss if, how and to what extent intertextuality can influence the complexity of the graphic novel’s message and be used to indirectly convey particular political and social ideas.
Źródło:
The Copernicus Journal of Political Studies; 2020, 2; 85-100
2299-4335
Pojawia się w:
The Copernicus Journal of Political Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Narkotyczna odyseja z rozkładem społecznym w tle – „Ślepnąc od świateł” Jakuba Żulczyka
Narcotic Odyssey with Social Decay in the Background: “Ślepnąc od świateł” by Jakub Żulczyk
Autorzy:
Piechota, Dariusz
Powiązania:
https://bibliotekanauki.pl/articles/1520297.pdf
Data publikacji:
2018-12-20
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
novel
narcissistic society
drugs
consumerism
space
Opis:
The article interprets Ślepnąc od świateł [Blind from the Lights] as a postmodern environmental novel which shows the life of residents in a large metropolis, entangled in constant consumption. The author reads the story as a continuation of the nineteenth century novel about a social decay. He proves that the depicted society, delighted with consumer culture, wastes its opportunities for development. As a result of the breakdown of social ties and constant work, urbanites suffer from permanent loneliness. The disillusionment is alsointensified by the disappearance of spirituality.. The crisis of authority and social antagonisms further undermine the integrity and the sense of coherencein the self. But Żulczyk’s characters fail to reflect on life, which the author of the article sees as the sign of immaturity.
Źródło:
Białostockie Studia Literaturoznawcze; 2018, 13; 219-232
2082-9701
2720-0078
Pojawia się w:
Białostockie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
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