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Tytuł:
Powieść reportażowa czy dziennikarska? Uwagi o międzywojennej twórczości prozatorskiej Jalu Kurka
Journalistic or Reportage Novel? Notes on Jalu Kurek’s Interwar Prose
Autorzy:
Adamczewska, Izabella
Powiązania:
https://bibliotekanauki.pl/articles/967727.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
journalistic novel
reportage novel
journalism and the novel
interwar Polish novel
non-fiction
Jalu Kurek
Opis:
The paper focuses on genealogical aspects of three interwar novels by Jalu Kurek – Andrzej Panik, Grypa szaleje w Naprawie, Woda wyżej) – which have often been described by critics as “reportage novels”. The author examines the past critical reception of the novels and the intentio auctioris. The main goal of the article is to suggest a more capacious genealogical term: the journalistic novel.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2015, 28, 2
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Budyjska koncepcja transmigracji jako chwyt kompozycyjny "Hōjō no umi" Mishimy Yukio
The Buddhist Concept of Transmigration as a Structural Trick in Mishima Yukio’s „The Sea of Fertility”
Autorzy:
Wolska-Lenarczyk, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/961624.pdf
Data publikacji:
2014
Wydawca:
Polskie Towarzystwo Orientalistyczne
Tematy:
transmigration
consciousness-only
samsara
novel structure
anti-novel
Opis:
The article takes up the problem of the structure of the last work of Mishima Yukio, the tetralogy Hōjō no umi (The Sea of Fertility). The book is considered to be Mishima’s opus magnum and his literary testament for the next generations. The article focuses on the Buddhist concept of transmigration which seems to be the writer’s structural trick on readers, a kind of perversive play in which the readers are not able to judge whether Mishima really believes in the concept of transmigration (jap. tenshō, sanskr. saṃsāra) or he is only mocking. Why did Mishima make this particular concept the axis of his book? The article aims at giving the answer to this question and suggests that the ultimate conclusion is yuishiki “consciousness only” (sanskr. vijñapti-mātratā).
Źródło:
Przegląd Orientalistyczny; 2014, 3-4; 188-206
0033-2283
Pojawia się w:
Przegląd Orientalistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bałuty w krzywym zwierciadle: fantasmagoria – literatura – historia. Uwagi nad książką: Jisroel Rabon, Bałuty. Powieść z przedmieścia, pod red. Krystyny Radziszewskiej, Natalii Krynickiej przy współpracy Izabeli Olejnik i Jacka Walickiego. Przekład z jidysz Natalia Krynicka i Izabela Olejnik, Łódź 2016, Wydawnictwo Uniwersytetu Łódzkiego, s. 175
Baluty in a distorting mirror: phantasmagoria – literature – history. The remarks over the book: Jisroel Rabon, Bałuty. Powieść z przedmieścia, pod red. Krystyny Radziszewskiej, Natalii Krynickiej przy współpracy Izabeli Olejnik i Jacka Walickiego. Przekład z jidysz Natalia Krynicka i Izabela Olejnik, Łódź 2016, Wydawnictwo Uniwersytetu Łódzkiego, s. 175
Autorzy:
Woźniak, Krzysztof Paweł
Powiązania:
https://bibliotekanauki.pl/articles/649252.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:

Lodz
Baluty
Izrael Rabon
action novel
episode novel
Opis:
The article comments on the Polish edition of Izrael Rabon’s Bałut: a roman fun a forsztot (1934). It includes exegesis of a novel, omitted by the publisher. Reminds and discusses earlier transaltion attemps of its parts into Polish. It classifies the Rabon’s work as an action novel, meant, by the author, to be published in parts in a newspaper. The article also portrays a variety of similar works published in Lodz press in 1918–1939. It recognizes the first print publisher and describes the profile of his printing house. Serves as a review of polish-jewish literature scene in Mid War time. It also conveys a polemic with presented in book vision of Baluty district as a place inhabited mainly by Jews and Poles. There is an attempt of correcting mistakes and omissions of the above mentioned publication.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2017, 40, 2
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Prijevod usmenih strahova u pisanu tjeskobu ili poetički učinci predajnih elemenata u romanima Živi i mrtvi Josipa Mlakića i Črna mati zemla Kristiana Novaka
The transposition of the oral fears into the written anxiety or the poetic effects of the narrative elements of belief legends in the novels Živi i mrtvi by Josip Mlakić and Črna mati zemla by Kristian Novak).
Autorzy:
Rudan, Evelina
Powiązania:
https://bibliotekanauki.pl/articles/951582.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
novel
emotion
fear
belief legend
war novel
anxiety
Opis:
Belief legends, especially those regarding fear and its realization, transformation and embodiment, are important narrative substrate. Forms of belief legends and/or their segments are often, in many ways and functions, intertextually inscribed in Croatian novelistic production. This paper shall analyse the way in which the motifs and topics related to the belief legends, as well as their development: defining and unmasking fear, are employed in the novels Živi i mrtvi (The Living and the Dead) by Josip Mlakić and Črna mati zemla (Black Mother Earth) by Kristian Novak. In the novel Živi i mrtvi, the elements of the belief legends poetically recreate a strong sense of horror of war, here represented through the growing fear felt by a small isolated group made up of a couple of soldiers. A different type of terror, a personal trauma that leaves the under-aged protagonist of Črna mati zemla completely isolated from the world and his loved ones, is poetically recreated especially through some of the elements of the belief legends.
Źródło:
Poznańskie Studia Slawistyczne; 2018, 15; 273-286
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Powieść uniwersytecka Alicji Iwańskiej
Alicja Iwańska’s campus novel
Autorzy:
Wal, Anna
Powiązania:
https://bibliotekanauki.pl/articles/511350.pdf
Data publikacji:
2020
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
campus novel
migration
Opis:
The paper discusses the novel Baśń amerykańska [An American Fairy Tale] by Alicja Iwańska, a Polish writer and sociologist who worked at American universities for many years. The paper discusses the picture of the academic community at a state university in the USA in the 1960s and the way in which it is presented, which makes it possible to classify the text as a campus novel, which is an extremely popular genre in English-language literature. The paper also points to the author’s demythologising view of the USA, challenging the American myth characteristic of the Polish awareness.
Źródło:
Postscriptum Polonistyczne; 2020, 25, 1; 251-260
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Investigations of strength, thermal expansion and engine of novel pistons for combustion engines
Autorzy:
Siemińska, B.
Powiązania:
https://bibliotekanauki.pl/articles/243623.pdf
Data publikacji:
2008
Wydawca:
Instytut Techniczny Wojsk Lotniczych
Tematy:
combustion engine
engine pistons
novel alloys
novel materials
thermal expansion
Opis:
Pistons of internal-combustion engines work in the conditions of high mechanical and thermal loads. The typical alloy materials applied on pistons of internal-combustion engines have inadequate parameters for such applications. It mainly refers to the fatigue strength of the mechanical and thermal character and to the thermal shocks. In relation with fact that the piston of internal-combustion engine has unsymmetrical shape, that in every case of the piston temperature increase the unequal deformations appear and stresses related with this, what causes fatigue loads of the piston structure. The paper presents special demands, which pistons of contemporary of internal-combustion engines must fulfil with respect to strength, thermal and useful properties, mirrored in the engine work parameters, like engine oil consumption, fuel consumption, noise, gas blow by to the crankcase and the emission of toxic exhaust elements, mainly hydrocarbons. One turned attention on the new material that can be used in manufacture of pistons for the internal-combustion engines, which is the carbon material. In the article the results of research for the mechanical, thermal and engine properties are submitted for the pistons manufactured from a new material. On the emphasis deserve fact, that the application of new materials permits on the obtainment of the small difference in the coefficient of linear thermal expansion during the heating and the cooling, that will bring many profitable effects of both functional and useful nature.
Źródło:
Journal of KONES; 2008, 15, 3; 471-478
1231-4005
2354-0133
Pojawia się w:
Journal of KONES
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nowe życie Orhana Pamuka i Jeśli zimową nocą podróżny Italo Calvino, czyli o książce w książce
Autorzy:
Młynarczyk, Anna
Powiązania:
https://bibliotekanauki.pl/articles/915265.pdf
Data publikacji:
2015-12-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Turkish novel
Italian novel
reader
postmodernism
Orhan Pamuk
Italo Calvino
Opis:
This article presents two aspects of showing the power of literature. Orhan Pamuk, a Turkish Nobel prize winner, in his book New life is more focused on the content of the novel. Main characters of the story are entirely devoted to one book that totally changes their lives. Italo Calvino is more focused on the structure. His characters take part in a great adventure just to find the end of the story that they are interested in. The main goal of this article is to show differences and similarities in showing the same literary issue. Italo Calvino's novel is more optimistic and positive. Literature has good influence on his characters. On the other side, Orhan Pamuk's novel shows a destructive side of literature. Characters in his book seem to be defeated from the very beginning. Those two books show in a very good way the difference between European optimism and Oriental, especially Turkish, sentimentality, which in Turkish language has its own name – hüzün. It can be translated as 'blues, sadness, spleen'.Both novels present the power of literature and its influence on readers.
Źródło:
Studia Azjatystyczne; 2015, 1; 101-114
2449-5433
Pojawia się w:
Studia Azjatystyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W hołdzie dla Diderota. Milan Kundera, Kubuś Fatalista i ich pan
In tribute to Diderot: Milan Kundera, Jacques the Fatalist and their Master
Autorzy:
Gawarecka, Anna
Powiązania:
https://bibliotekanauki.pl/articles/635442.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
enlightenment novel
postmodern novel
literary fiction
poetics of variations
meta-literariness
Opis:
In his meta-literary and para-textual statements, Milan Kundera has been frequently turning to the issue of the enlightenment narrative experiments considered as the initial ones for the twentieth-century (post)modern creative strategies. Those experiments resulted from the striving for suppression of the over-prescription characterized the classicist rules, and they managed to direct attention to the literary genres which were undermined by the Enlightenment era that is in other words and above all, novel. In order to reveal this “modernity” of the eighteenth-century prose, the Czech writer in the work entitled Jacques and his master (1971) performed a “cultural translation” (variation) of the famous text by Diderot into the form of drama. Kundera was focused on the devices used by the French encyclopaedist which enabled him to expose the “evidence of trick” regarding the anti-illusion and fictitious character of literary representation of the world. He was, therefore, interested not so much in the philosophical and ideological background of Diderot’s tale dedicated to the romances of Jacques the Fatalist, but in the author’s freedom in his “play with the romance’s conventions” which even then was undergoing the process of fast schematisation.
Źródło:
Poznańskie Studia Slawistyczne; 2018, 15
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ananda Devi – pisarka skrzyżowania kultur
Ananda Devi: a writer at the crossroads of cultures
Autorzy:
Wiśniewska-Szaran, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1912978.pdf
Data publikacji:
2020-12-04
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Ananda Devi
Mauritius
novel
Opis:
Ananda Devi is a francophone-Mauritian writer who lives (and creates) near Geneva. She is the author of numerous novels, short stories and volumes of poetry. Although the stories of her characters are fictitious, Devi’s texts are strongly inspired by her native island, its history and its ethnic, cultural and linguistic heterogeneity. In her novels, Devi employs numerous stylistic devices to empower individuals who are regarded as worse, excluded from the society due to their deficits.
Źródło:
Śląskie Studia Polonistyczne; 2020, 16, 2; 1-10
2084-0772
2353-0928
Pojawia się w:
Śląskie Studia Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ja i moja towarzyszka niedoli, Turcja
Me and my misery companion, Turkey
Autorzy:
Sulimowicz-Keruth, Anna
Meryem, Hatice
Powiązania:
https://bibliotekanauki.pl/articles/950465.pdf
Data publikacji:
2020-05-28
Wydawca:
Polskie Towarzystwo Orientalistyczne
Tematy:
Turkey
novel
Hatice Maryem
Źródło:
Przegląd Orientalistyczny; 2019, 3-4(271-272); 309-312
0033-2283
Pojawia się w:
Przegląd Orientalistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Formen des Religiösen in ausgewählten Werken Gertrud von Le Forts
Forms of religiosity in selected works by Gertrud von le Fort
Autorzy:
Piasta, Ewa Anna
Powiązania:
https://bibliotekanauki.pl/articles/679668.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
literature
religion
novella
novel
Opis:
Works by Gertrud von le Fort belong with literary religious discourse and enter a debate between Roman Catholicism and Protestantism.The writer sets her plots in the past, most frequently in the Middle Ages, which enables her to offer a critical assessment of contemporary political, ethical and religious issues.The article presents various connections between literature and religion, in terms of both motifs and style. References to religion are found in the thematic, axiological and linguistic layers of her texts. The analysed works comprise the novellas Der Dom (The Cathedral) and Am Tor des Himmels (At the Heavenly Gate) as well as the novel Magdeburgische Hochzeit (The Magdeburg Wedding). These works also reflect the phenomenon of the so-called cultural Christianity. Le Fort’s characters are not indifferent to the religious system, even if they do not fully identify with it.
Źródło:
Acta Universitatis Lodziensis. Folia Germanica; 2018, 14; 83-91
2449-6820
Pojawia się w:
Acta Universitatis Lodziensis. Folia Germanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Powieść autobiograficzna – kariera pojęcia
Autobiographical Novel: The Development of the Term
Autorzy:
Pokrywka, Rafał
Powiązania:
https://bibliotekanauki.pl/articles/27311215.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
poetics
novel
autobiographical novel
autobiography
poetyka
genologia
powieść
powieść autobiograficzna
autobiografia
Opis:
W artykule podjęty zostaje temat powieści autobiograficznej i jej naukowego uzasadnienia. Podstawowe problemy w użyciu pojęcia wynikają z różnorodnego rozumienia terminu „autobiograficzny”, co zostaje omówione w części pierwszej. Część druga podejmuje skrótowy przegląd ważnych stanowisk wobec powieści autobiograficznej, głównie w polskim literaturoznawstwie. Najbardziej rozpowszechnione są w tym obszarze metody biograficzne i rozmaite odmiany paktu autobiograficznego. Każdy wybór metodologiczny zakłada jednak jakąś stratę, powieść autobiograficzna oferuje bowiem kilka wykluczających się wzajemnie możliwości odczytań. Znamienne jest, że wiele z aktualnych pytań rzadko podejmowanych jest dzisiaj, dotyczą one przede wszystkim receptywnego i medialnego wymiaru pojęcia, w którym powieść autobiograficzna mogłaby zaistnieć jako „figura odczytywania”. Pytania te zostają postawione w części końcowej.
The article discusses the subject of autobiographical novel and its scientific justification. In the first part the author draws the readers’ attention to the fact that certain basic problems concerning the use of the very notion stem from different ways of understanding the term “autobiographical.” The second part of the article outlines certain important approaches to autobiographical novel, predominantly in the Polish literary studies. In this area the most common are biographical methods and various forms of autobiographical treaty. Every single methodological choice entails a certain loss, since autobiographical novel offers several mutually exclusive interpretations. However, there are numerous questions which are rarely posed nowadays, and which concern receptive and medial dimension of the notion in which an autobiographical novel could exist as an “interpretation figure”. These questions are posed in the final part of the work.
Źródło:
Tematy i Konteksty; 2013, 8, 3; 164-181
2299-8365
Pojawia się w:
Tematy i Konteksty
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La Modernité de la Construction du Personnage de Cripure dans Le Sang Noir de Louis Guilloux
Autorzy:
Bizek-Tatara, Renata
Powiązania:
https://bibliotekanauki.pl/articles/606229.pdf
Data publikacji:
2008
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Louis Guilloux
New Novel
Opis:
After André Gide and Marcel Proust, Louis Guilloux is one of the first writers of the 20th century who rejects the 19th-century literary tradition, creating in 1935 an exceptional and innovative novel – Le Sang Noir. Its innovation resides in the similarity to the New Novel from the 50s on the level of composition, narration, organization of spatio-temporal setting, role of the reader and character construction. The article discusses the innovative character construction employed by Guilloux in the creation of Cripure, the protagonist. By means of the techniques of internal monologue and various points of view, the author created a protagonist with highly complex personality, impossible to be unambiguously characterized. An anonymous narrator, showing dualistic approach towards the protagonist, constantly shifts the points of view, rendering any description of the protagonist’s identity unfeasible as the information provided about him by the narrator and other characters is contrary. Guilloux uses elliptic constructions, enabling the reader to interpret characters’ conduct. However, the constructions do not reveal the motivation of their actions, but are limited to presenting events, citing characters’ statements and, above all, demonstrating their behavior. The reader has to fill the gaps and interpret characters’ conduct themselves. Two decades later, this “adventure of writing” rather than “writing of adventure” will become one of the fundamental principles of the New Novel.
Źródło:
Lublin Studies in Modern Languages and Literature; 2008, 32; 20-30
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Österreichische“ und andere Ironie in den Texten von Olga Flor, Teresa Präauer und Cordula Simon
“AUSTRIAN” AND OTHER IRONY IN THE FICTION BY OLGA FLOR, TERESA PRÄAUER AND CORDULA SIMON
Autorzy:
Kupczyńska, Kalina
Powiązania:
https://bibliotekanauki.pl/articles/910296.pdf
Data publikacji:
2020-04-30
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
contemporary Austrian novel
irony
Opis:
Den Ausgangspunkt für den Artikel bildet die Aussage von Kathrin Röggla, derzufolge „Was in Österreich – nicht nur in der Literatur – Tradition hat, ist Ironie“. Den Gegenstand der Untersuchung bilden Ironie-Konzepte in drei Romanen der österreichischen Autorinnen der Gegenwart Olga Flor, Teresa Präauer, Cordula Simon. Die Fragestellung ist auf die spezifisch „österreichische“ Ironie ausgerichtet, die, so die These, eine besondere Form der Auseinandersetzung mit aktuellen sozialen und politischen Themenkomplexen darstellt.
“There is a tradition of irony in Austria, not only in literature”, said Kathrin Röggla in an interview in 2012; my article considers the assertion as a starting point to an analysis of three novels by contemporary Austrian women authors Flor, Präauer and Simon. The aim is to examine the different patterns of irony by Flor, Präauer and Simon in order to assess what the “Austrian” concept of irony can mean today. Furthermore, I would like to consider the „Austrian“ irony as a specific Austrian cue to express involvement in current political matters.
Źródło:
Studia Germanica Posnaniensia; 2019, 40; 21-36
0137-2467
Pojawia się w:
Studia Germanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł

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