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Tytuł:
To Play, To Imitate, To Embody. On Acting in a Biographical Film
Autorzy:
KOŁOS, SYLWIA
Powiązania:
https://bibliotekanauki.pl/articles/920966.pdf
Data publikacji:
2016-11-03
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
biographical film
actor
Opis:
What does an actor do in a biographical film? This question may seem inane, or at least less than serious; however, the terms frequently used to describe and assess the actors work in general - to embody a character, to play them, to play a role - suggests the existence of a certain designatum, which is the point of reference for the role. In the case of a fictional story, we may ignore the semantic multivalence of such terms. In a biographical film, however, the existence of a real originator of the role gives additional, almost ontological meaning to phrases such as “embodying a character” or “playing a role”. In my reflections, I use as my starting point the assumption that the actors performance in a biographical film and the “conception of a character” result from two basic components: 1. Interpretation of the role - constituting a proposal to analyse the heros character. It is usually supposed to extract more profound meanings and senses out of the biography. To put it more simply, the interpretation of the role is supposed above all to help the viewer to answer the question of who the hero was (what they were like) and why? 2. Adaptation - this includes the physicality of the character: their appearance, body language, facial expressions, voice (the tone, modulation, accent, phrasing, dialect - if the authentic person used one, etc.) In my article I try to answer the questions: Where should we seek the essence of biographic acting? How can we avoid exaggeration and falsehood, which could kill the role?
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 75-94
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Circulation of Knowledge in Humanities: A Case Study from the Perspective of Actor–Network Theory
Autorzy:
Markiewka, Tomasz Szymon
Powiązania:
https://bibliotekanauki.pl/articles/2199830.pdf
Data publikacji:
2018
Wydawca:
Projekt Avant
Tematy:
Latour
Derrida
Callon
black box
Actor–Network Theory
actor
literary studies
Opis:
There are many case studies showing the benefits of the conceptual framework of Actor– Network Theory (ANT). It is enough to mention the classic texts by Bruno Latour on the Amazon forest and Michel Callon on scallop fishing. However, there are not many case studies discussing the circulation of knowledge in the humanities with the use of vocabulary taken from ANT. This text tries to partially fill the gap, analyzing a case encompassing the areas of both literary studies and philosophy. The main topic of the paper is the circulation of Jacques Derrida’s views – or the views attributed to Derrida – as exemplified by one of his theses. The purpose of the text is not to reflect on the value of Derrida’s reflections, but only to show how the knowledge of his thought spread from France, through the USA, to Poland, from the 1960s to the beginning of the 21st century. Besides proving that the ANT vocabulary is suitable for studying the phenomenon of the circulation of knowledge in the humanities, the case study also shows that this vocabulary should be enriched. The author of the text proposes the concept of symbolization to better understand how Derrida and the ideas attributed to him have been perceived in various texts.
Źródło:
Avant; 2018, 9, 3; 81-95
2082-6710
Pojawia się w:
Avant
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The electoral situation as a chronotope
Autorzy:
Hnatenko, Pavlo
Powiązania:
https://bibliotekanauki.pl/articles/16538511.pdf
Data publikacji:
2023-03-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
political landscape
political actor
actor-network theory
frame
frame analysis
сhronotope
elections
electoral situation
Opis:
This article explores the phenomenon of elections as a political chronotope, a spatio-temporal realm where the mechanisms of democracy unfold. Its aim is to elucidate the unique socio-political nature of elections. The author establishes that the spatial and temporal characteristics define the format and regulations governing electoral interactions. The term «chronotope» is understood as an interdisciplinary concept that captures the essential connections between temporal and spatial features within a specific order of phenomena. Although extensive research has focused on the social, technical, and psychological aspects of expressing one›s will, the ontology of elections, which encompasses the comprehension of the «unity of time and place of action» and the involvement of political actors in the electoral scenario, has been largely overlooked. Additionally, this study concentrates on the concept of the electoral situation, which delineates the synchronous and diachronic connections wherein citizens’ political choices are positioned, realized, and interpreted. The notion of the electoral situation can be correlated with the term «political landscape», which is only partially related to actual geography but predominantly pertains to the comprehensive conditions of an electoral competition (the coordinate system) and the participants involved in this process. The article’s author illustrates how the electoral situation constructs synchronous and diachronic connections at various levels of political interaction. Notably, these connections are facilitated by political mythologems, which serve as unifying and integrative factors within the electoral chronotope. By examining these mythologems, the author highlights their role in shaping the narrative and symbolism surrounding elections, ultimately influencing the dynamics and outcomes of the electoral process. Overall, this article delves into the intricate relationship between elections and the spatio-temporal framework in which they occur. By emphasizing the significance of the electoral situation and its connection to the broader political landscape, the author sheds light on the multifaceted nature of electoral processes, enriching our understanding of democracy’s fundamental mechanisms.
Źródło:
Copernicus Political and Legal Studies; 2023, 5; 74-80
2720-6998
Pojawia się w:
Copernicus Political and Legal Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Active resources concept of computation for enterprise software
Autorzy:
Koryl, M.
Powiązania:
https://bibliotekanauki.pl/articles/229189.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
domain-driven design
REST
actor model
Opis:
Traditional computational models for enterprise software are still to a great extent centralized. However, rapid growing of modern computation techniques and frameworks causes that contemporary software becomes more and more distributed. Towards development of new complete and coherent solution for distributed enterprise software construction, synthesis of three well-grounded concepts is proposed: Domain-Driven Design technique of software engineering, REST architectural style and actor model of computation. As a result new resources-based framework arises, which after first cases of use seems to be useful and worthy of further research.
Źródło:
Archives of Control Sciences; 2017, 27, 2; 279-291
1230-2384
Pojawia się w:
Archives of Control Sciences
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Aktor teatralny i filmowy w teatrze życia codziennego. Esej socjologiczny na podstawie badań własnych
Theater and Film Actor in the Theater of Everyday Life. Sociological Sketch
Autorzy:
Zimnica-Kuzioła, Emilia
Powiązania:
https://bibliotekanauki.pl/articles/2096338.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Instytut Socjologii
Tematy:
theater actor
film actor
social role
everyday life
aktor teatralny
aktor filmowy
rola społeczna
życie codzienne
Opis:
The aim of the article is to show a theatre and film actor in the “theatre of everyday life”. The author, using sociological literature on social roles (e.g. E. Goffman, M. Łoś, W. J. Goode) discusses the problem of actors’ performing their professional roles. She is particularly interested in self-promotional strategies used by actors on a daily basis. As an exemplification of a “performance” outside the artistic context, (stage or film set), the author analyses the course of the Great Actor's meeting with the audience and defines it as a quasi-spectacle requiring the adoption of certain roles, both by the artist and the audience. A new concept of “celebrity illusion” appears in the text, which concerns the illusory conviction of many artists that everyone should know them. They take it for granted that as “inhabitants of the mass imagination” they should be noticed in public space and correctly identified. The article uses the following sources: (1) existing: journalistic interviews with theatre and film actors published in popular monthlies and on the Internet; (2) evoked: in-depth free interviews with theatre artists (mainly actors) representing six Polish theatre centres. In 2015-2017, the author conducted twenty interviews - the respondents were recruited using the “snowball” method. Younger and older generation artists, fourteen men and six women, participated in the study The research technique was supported by the observation of actors' behaviour in non-artistic contexts (e.g. during meetings with the audience).
Celem artykułu jest ukazanie aktora teatralnego i filmowego w „teatrze życia codziennego”. Autorka, wykorzystując literaturę socjologiczną dotyczącą roli społecznej (m.in. E. Goffman, M. Łoś, W. J. Goode), omawia problem realizowania przez aktorów roli zawodowej. Szczególnie interesują ją strategie autopromocyjne, jakie stosują aktorzy na co dzień. Jako egzemplifikację „występu” poza kontekstem artystycznym (scena lub plan filmowy), analizuje przebieg spotkania Wielkiego Aktora z publicznością. Określa je jako  quasi spektakl wymagający przyjęcia określonych ról, zarówno przez artystę, jak i przez publiczność. W tekście pojawia się nowe pojęcie „iluzji celebryckiej”, które dotyczy złudnego przeświadczenia wielu artystów, że każdy powinien ich znać. Uważają za oczywiste,  że jako „mieszkańcy masowej wyobraźni” powinni być zauważani w przestrzeni publicznej i poprawnie identyfikowani. W artykule wykorzystano następujące źródła: (1) zastane, a więc opublikowane w popularnych miesięcznikach i w Internecie prasowe wywiady dziennikarskie z aktorami teatralnymi i filmowymi; (2) wywołane, czyli pogłębione wywiady swobodne z twórcami teatralnymi (przede wszystkim z aktorami) reprezentującymi sześć polskich ośrodków teatralnych. W latach 2015–2017 autorka przeprowadziła dwadzieścia wywiadów – respondenci rekrutowani byli metodą „śnieżnej kuli”. W badaniu partycypowali artyści młodszej i starszej generacji, czternastu mężczyzn i sześć kobiet. Wspomagającą technikę badawczą stanowiła obserwacja zachowań aktorów w kontekstach pozaartystycznych (np. podczas spotkań z publicznością).
Źródło:
Konteksty Społeczne; 2019, 7, 2; 133-142
2300-6277
Pojawia się w:
Konteksty Społeczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Między słowem a obrazem. Z notatnika reżysera
Between script and film camera
Autorzy:
Gliński, Robert
Powiązania:
https://bibliotekanauki.pl/articles/919800.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Word Camera
Script
Director
Actor
Rehearsals
Opis:
Between script and film cameraFor the film director the film is, in a way, “ready” before the shooting. Everything what is important for the film must be planned and worked out before its shooting. The interval between writing the script and the shooting the film is the intensive time of work for the director. He/she must decide what (kind of) movie he/she wants to do. The director must know how to organize the scenes for the shots, how the film should start and end. He/she must know who will play in the film and find a way to inspire the actors. The director prepares the rehearsals. He/she is also supposed to find interiors and exteriors for shooting, write the screenplay and draw the storyboard. The satisfy all these requirements of director has to be not only talented but work hard, be concentrated and persistent. Effects of his/her devotion to film are revealed in how the text of the script is turned into film.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2011, 8, 15-16; 123-148
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gender roles in teff value chain in borecha district of south western Ethiopia: husband and wife comparisions
Autorzy:
Bekele, Adugna Eneyew
Tekalign, Sisaynesh
Mitiku, Fikadu
Powiązania:
https://bibliotekanauki.pl/articles/1902619.pdf
Data publikacji:
2020-04-02
Wydawca:
Uniwersytet Przyrodniczy w Poznaniu. Wydawnictwo Uczelniane
Tematy:
Actor
Gender
Multiple regression
Teff
Value chain
Opis:
Teff is a highly valuable grain for Ethiopian people in generating income and achieving food security. Using unique cross-sectional data from husbands and wives, descriptive statistics and an econometric model, this paper analyzes gender roles in the teff value chain in south-western Ethiopia. Primary data was collected from 117 farmers, 38 traders and 14 consumers. Findings indicate that women contribute more than their husbands to teff production, and their labor burden exceeds that of their husbands since they perform reproductive activities in which men do not participate. Most women are involved in the production, processing and retailing of teff. In turn, their husbands control the wholesale process and cash generated. However, it is difficult to calculate the labor share of women in the household. There are very weak linkages between actors of the entire teff value chain. Among the main determinants of teff market supply, education of the respondent, land area, market information and cooperative membership have a positive effect. Conversely, distance to market negatively affected teff market supply. Therefore, enhancing cooperation between teff value chain actors and providing women with access to training, education and extension services should be a policy priority in the study areas.
Źródło:
Journal of Agribusiness and Rural Development; 2020, 55, 1; 93-105
1899-5241
Pojawia się w:
Journal of Agribusiness and Rural Development
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dramat - scena - aktor*
Drama – stage – actor
Autorzy:
SARNA, ANNA
Powiązania:
https://bibliotekanauki.pl/articles/920933.pdf
Data publikacji:
2016-11-03
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
theatre stage
Józef Tischner
character
actor
role
Opis:
 The author discusses the issue of acting and theatrical stage in the context of Józef Tischner’s philosophy, which sees the stage as the platform for freedom, and the meeting and parting of people, as well as their relationship with the Absolute. The language of the character is created by: the actor, screenplay, costumes, lighting and music. He introduces the idea of objectifying the stage and familiarising onself with role, the basis of which are relations between the plays characters.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 35-46
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Praca nad rolą - Ryszard III*
Working on the role –Richard III
Autorzy:
KAŁUŻYŃSKI, MAREK
Powiązania:
https://bibliotekanauki.pl/articles/920949.pdf
Data publikacji:
2016-11-03
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
actor
stage role
director
William Shakespeare
translation
Opis:
The author describes the contexts for working on the title role of Shakespeares Richard III. He points to specific stages in working on the role: familiarising oneself with the original text and associated literature (research), creating the character (concealing intentions, plans and emotions from other characters in the play, the characters internal struggle, perceiving psychological truths); developing relationships with the director and other actors; the use of scenography, costumes, lighting and music to create characters for the stage, considering the meaning of translation and rapport with the audience.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 211-230
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The selected premises for the reconfiguration of the disability model. The posthumanist perspective
Autorzy:
ŻÓŁKOWSKA, TERESA
KALISZEWSKA, KAROLINA
Powiązania:
https://bibliotekanauki.pl/articles/938549.pdf
Data publikacji:
2020-01-23
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
disability
paradigm
posthumanism
the Actor-Network theory
Opis:
In the contemporary special pedagogy, it is clearly seen, that we are dealing with a situation of passing over scholarly programmes that refer, i.a. to the medical and social model of disability. We remain in a inter-paradigmatic transition period, in which new views on disability are appearing. One of the most popular scholarly approaches is the posthumanism, the characteristics of which are, i.a.: the critique of humanism, the departure from anthropocentrism, the appearance of a new materialism, the direction of research towards objects, animals, as well as, the relations of people and non-people. The example of such posthumanist approach, that may constitute the context for the creation of new models of disability, is the Actor-Network theory developed by Bruno Latour and his associates.
Źródło:
Interdyscyplinarne Konteksty Pedagogiki Specjalnej; 2019, 25; 55-81
2300-391X
Pojawia się w:
Interdyscyplinarne Konteksty Pedagogiki Specjalnej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The ecologization of agricultural development and the Treadmill of sustainable development. A critique a state of transition
Autorzy:
Barbier, Marc
Powiązania:
https://bibliotekanauki.pl/articles/413024.pdf
Data publikacji:
2010
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
Sustainable development
Actor-Network-Theory
modernization
biopolitics
Opis:
This communication tries to shape and to ground the idea that Rural Studies and Rural Sociology have a particularly promising job to do in re-assembling the Social, the Natural and the Technical within the treadmill of sustainable development. It is argued that the cross-fertilization of the ecological modernization movement and Social Studies of Science and Technology (particularly Actor- Network-Theory) is giving the opportunity to establish a perspective that might enlighten and accompany the processes of making agricultural sciences and technology more ecological. But this requires specific conditions and ways of doing social studies in situations that include those processes.
Źródło:
Przegląd Socjologiczny; 2010, 59, 2; 9-28
0033-2356
Pojawia się w:
Przegląd Socjologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jestem twój
I’m yours
Autorzy:
CZOP, IRENEUSZ
Powiązania:
https://bibliotekanauki.pl/articles/920950.pdf
Data publikacji:
2016-11-03
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
film role
actor
acting skills
screenplay
director
Opis:
The author analyses in detail the structure of the leading role based on the film “I’m yours” His analysis takes into account acting skills, the relations between the protagonists and adversaries and also cinematic time and space. He appreciates the role played by the screenwriter and establishes the principles for cooperation between actors and the director.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 199-210
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fascynacje. Peter Brook*
Fascinations. Peter Brook
Autorzy:
CZOP, IRENEUSZ
Powiązania:
https://bibliotekanauki.pl/articles/920995.pdf
Data publikacji:
2016-11-03
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
actor
film role
Peter Brook
director
screenplay
Opis:
The author analyses various aspects of acting in the context of Peter Brooks theory of acting. This discussion takes into account role construction, the authenticity and originality of the character, the problem of the actors identification with the character and the importance of cooperation between the actor and the director in the pre-production process and on the shoot.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 69-74
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
You are so kind – and I am kind and smart: Actor – Observer Differences in the Interpretation of On-going Behavior
Autorzy:
Abele, Andrea E.
Bruckmüller, Susanne
Wojciszke, Bogdan
Powiązania:
https://bibliotekanauki.pl/articles/430804.pdf
Data publikacji:
2014-12-01
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
actor-observer differences
agency
communion
dual perspective model
Opis:
: The dual perspective model of agency and communion predicts that observers tend to interpret a target’s behavior more in terms of communion than agency, whereas actors interpret their behavior more in terms of agency. The present research for the first time tests this model in real interactions. Previously unacquainted participants had a short conversation and afterwards rated their own behavior (actor perspective) and their interaction partner’s behavior (observer perspective) in terms of agency(self-confident, assertive) and communion(trustworthy, empathic). Supporting the dual perspective model, observers rated the actor’s behavior higher on communion than on agency, and higher on communion than actors themselves did. Findings for actors were more complex: Actors rated their own behavior as more agentic than observers did. However, they also rated their behavior high on communion. We discuss implications for the dual perspective model as well as for (mis)understandings in social interactions.
Źródło:
Polish Psychological Bulletin; 2014, 45, 4; 394-401
0079-2993
Pojawia się w:
Polish Psychological Bulletin
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jeśli podmiotu nie ma… O wpływie, aktorach, horrorze i innych zmartwieniach tzw. Koła Krakowskiego
If there is no subject: On influence, actors, horror, and other worries of the so-called Krakow Circle
Autorzy:
Krupnik, Seweryn
Powiązania:
https://bibliotekanauki.pl/articles/904273.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Ekonomiczny w Krakowie, Małopolska Szkoła Administracji Publicznej
Tematy:
podmiotowość
aktor
wpływ
mit
subjectivity
actor
influence
myth
Opis:
Celem tekstu jest krytyczne odniesienie się do dotychczasowych rozważań dotyczących podmiotowości podejmowanych w Kole Krakowskim. Autor argumentuje, że podmiotowość jest zbędna jako kategoria analityczna służąca zrozumieniu rzeczywistości społecznej. Można ją bowiem zastąpić innymi pojęciami, które są precyzyjniejsze. Jednocześnie jednak pojęcie to jest nieodzowne jako normatywny punkt odniesienia, samookreślenia się badaczy rzeczywistości społecznej.
The aim of the paper is to critically review previous considerations concerning subjectivity. The author argues that subjectivity is both unnecessary and biased as an analytical category applied in order to understand the social reality. At the same time, however, the concept is indispensable as a normative reference.
Źródło:
Zarządzanie Publiczne / Public Governance; 2014, 3(29); 134-145
1898-3529
2658-1116
Pojawia się w:
Zarządzanie Publiczne / Public Governance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Interakcje człowiek-komputer-robot z perspektywy nauk społecznych
Human-computer-robot interactions
Autorzy:
Krzysztofek, K.
Powiązania:
https://bibliotekanauki.pl/articles/277255.pdf
Data publikacji:
2011
Wydawca:
Sieć Badawcza Łukasiewicz - Przemysłowy Instytut Automatyki i Pomiarów
Tematy:
komputer
robot
aktor-sieć
humanoid
computer
actor-network
Opis:
Autor wychodzi od stwierdzenia, że przez wiele dekad refleksja nt. robotów i ich wpływu na ludzi nie była traktowana jako główne zadanie badawcze humanistyki i nauk społecznych. Socjologia została ufundowana na badaniu zdarzeń interpersonalnych i społecznych. Nie wypracowała wystarczających metod badania techno-ludzkich i socjotechnicznych fenomenów. Tymczasem zrozumienie i objaśnienie roli przedmiotów jest niezbędne do zrozumienia natury społeczeństwa zdominowanego przez technologie, wśród których na czoło wysuwają się zaawansowane komputery inkorporowane w humanoidalnych robotach. Autor stwierdza w konkluzji, że usługi oferowane przez ludzi są zastępowane przez usługi wykonywane przez same technologie. To per se redukuje znaczenie struktur społecznych. Zmiana społeczna mniej zależy od sieci interpersonalnych , a bardziej od ekspansji sieci techno-ludzkich, przy czym ludzie oczekują coraz więcej od maszyn, a coraz mniej od siebie nawzajem.
The Author starts from by saying that for several decades our reflection on non-human actors and their impact on humans have not been seen as a major task of humanities and social sciences. These were focused on research of interpersonal and social practices and did not work out sufficient and effective methods and approaches in examining techno-human and techno-social phenomena. Yet, it becomes more and more evident that understanding and explaining the role of objects and tools is indispensable to grasp the nature of technology saturated societies, in particular smart technologies incorporated into anthropomorphic robots. The Author concludes that services offered by humans are more and more replaced by those conducted by computers and robots. This per se reduces the importance of social structures. As a result the social change depends less on interpersonal networks and more on techno-human ones. This means that humans expect more from machines and less for each other.
Źródło:
Pomiary Automatyka Robotyka; 2011, 15, 3; 76-82
1427-9126
Pojawia się w:
Pomiary Automatyka Robotyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dipingere sulla scena i «toni dell’anima»
Representing “Tones of Soul” on Stage
Autorzy:
Dygul, Jolanta
Powiązania:
https://bibliotekanauki.pl/articles/1048463.pdf
Data publikacji:
2018-07-05
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
emotion
actor
emotional acting
Goldoni
Gozzi
Mirandolina
Tartaglia
Opis:
Emotions are expressed not only with words but also with a gesture, body posture, miming or voice modulation. Actor reproduces on stage the external effects of emotions which the audience can read. In the 18th century, theatre and actor became the subject of theoretical reflection comprising two contrasting theories: either living or pretending the feelings of a character played. In Italy, the first theory prevailed, presented by Luigi Riccoboni in his treaties: Dell’arte rappresentativa (1728) and Pensées sur la déclamation (1738). The main objective of this article is to examine how the emotional acting was performed in practice in the 18th century Italian theatre. To this aim, two examples will be closely analysed which are very different in terms of style but not distant in time and what is more, intended for the same Venetian audience. For the purpose of analysis, two monologues were chosen which show an outbreak of anger leading in consequence to a revenge: Mirandolina’s first monologue from Carl Goldoni’s comedy titled La locandiera (1753) and Tartaglia’s first monologue from a scenic fable by Carlo Gozzi titled Il re cervo (1762). The analysis will focus on the power of word expressing emotions and performative traces buried in the text as well as indirect and direct reports of the contemporary audience which will approximately allow to reproduce the style of acting.
Źródło:
Studia Romanica Posnaniensia; 2018, 45, 1; 127-141
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sceny strachu, czyli lazzi di paura w komedii dell’arte
Scenes of Fear, or lazzi di paura in Comedia dell’arte
Scènes de peur, ou lazzi di paura dans la comedia dell’arte
Autorzy:
Dygul, Jolanta
Powiązania:
https://bibliotekanauki.pl/articles/31339755.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
comique
peur
acteur
scénario
comic
fear
actor
scenario
Opis:
Le lazzo est une courte scène de nature comique qui peut être comparée à un gag moderne. Les acteurs italiens disposaient de plusieurs catégories de scènes de ce type dans leurs répertoires (mimico-gestuelle, acrobatique, verbale ou mixte). Une telle séquence scénique toute prête pouvait être montée dans diverses intrigues. L’objectif de cet article est d’analyser les scènes de peur dans une sélection de scénarios dell’arte. Pour illustrer la variété des scènes de peur improvisées par les acteurs italiens, quatre scénarios ont été choisis pour adapter un seul texte littéraire, La dama duende de Calderón de la Barca, une œuvre très populaire aux XVIIe et XVIIIe siècles (La Dame Diablesse, manuscrit de la Bibliothèque nationale de Paris; La dama Demonio, manuscrit de la collection de la Bibliothèque du Vatican; La dama creduta spirito folletto de la collection napolitaine; La dama demonio e la serva diavolo de la collection d’arguments de la cour d’Auguste III).
Lazzo is a short scene of a comic nature that can be compared to a modern-day gag. Italian actors had various categories of such scenes in their repertoires (mimic-gestual, acrobatic, verbal or mixed). Such a ready-made stage sequence was suitable for editing into various plots. The purpose of this paper is to analyze scenes of fear in selected scenarios dell’arte. To illustrate the variety of fear scenes improvised by Italian actors, four scenarios were chosen to adapt a single literary text, Calderón de la Barca’s La dama duende, a very popular work in the 17th and 18th centuries (La Dame Diablesse, manuscript from the Bibliothèque Nationale in Paris; La dama Demonio, manuscript from the collection of the Vatican Library; La dama creduta spirito folletto from the Neapolitan collection; La dama demonio e la serva diavolo from the collection of arguments of the court of August III).
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Romanica; 2022, 17, 2; 171-181
1505-9065
2449-8831
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Przyjaciel Moskali”. Daniel Olbrychski wobec Rosji i Rosjan
A friend of the Muscsovietes. Daniel Olbrychski, Russia and the Russians
Autorzy:
Kalita, Liliana
Powiązania:
https://bibliotekanauki.pl/articles/481467.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Daniel Olbrychski
film actor
Polish-Russian cultural relations
Opis:
The text presents the relationship between Daniel Olbrychski (one of the most famous Polish actors in the world) and Russia, as well as his attitude towards the Russians. The author discusses, among others, Olbrychski’s roles in Russian films, and the characters of Russians he created in cinema worldwide. There are also reflections on the actor’s friendship, among others, with Vladimir Vysotzky and Nikita Michalkov, as well as Olbrychski’s attitude towards Vladimir Putin and contemporary Russian policy.
Źródło:
Acta Polono-Ruthenica; 2017, 4, XXII; 21-31
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Notes on the documentarity of theatre atelier photography
Autorzy:
Kędziora, Alicja
Powiązania:
https://bibliotekanauki.pl/articles/640292.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
theatre atelier photography, documentarity, theatre, actor, visual culture
Opis:
The ability of perception and interpretation of photographs, a fundamental component of visual culture, is today indispensable cultural and scientific competence. This article is intended to define field of analysis and interpretation of the theatre atelier photography, with an emphasis on one of its features – documentarity. It is also an attempt to justify the need for a comprehensive study of the theater the second half of the 19th age and equal treatment of materials documenting the phenomenon.
Źródło:
Zarządzanie w Kulturze; 2012, 13, 4
2084-3976
Pojawia się w:
Zarządzanie w Kulturze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O nadświadomości według Stanisławskiego
Superconsciousness According to Stanislavski
Autorzy:
Zaorska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/444383.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Stanislavski
superconsciousness
consciousness
subconsciousness
rearing of the actor
Opis:
The article is dedicated to the concept of “superconsciousness” which was for the first time put into the theatre dictionary by Stanislavski. Discussed area of psychical activity of the artist, also called creative intuition, has been deeply analysed by psychophysiologist P. Simonow and P. Jerszow, theatre practitioner and theoretician, and it is the key to understanding of Stanislavski’s “system”. The important aspect in the process of rearing of the actor is skillful incitement of the consciousness and subconsciousness of creative subject in order to awake the sphere of superconsciousness – the essence of creativity.
Źródło:
Acta Neophilologica; 2012, XIV/2; 245-257
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O przemieniającym życie mroku postaci
On the darkness of the character that transforms life
Autorzy:
WIERZCHOWSKI, MARCIN
Powiązania:
https://bibliotekanauki.pl/articles/920976.pdf
Data publikacji:
2016-11-03
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
theatre role
actor
acting skills
William Shakespeare
director
Opis:
The author analyses the relationship between the actor's life and the character they create on stage. He points to the interdependencies between the actor and their role. He determines the conditions in which the role should be constructed and also discusses the on- and off-stage circumstances that determine the value of a particular role. This analysis is supported by the authors own experience as a theatre director.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 47-60
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pięć pytań o postać w konwencji STAND UP COMEDY na podstawie przedstawień Seks, prochy i rock and roll i Czołem wbijając gwoździe w podłogę*
Five questions on the character within the STAND UP COMEDY convention – based on the following shows: Sex, drugs and rock’n’roll, and Head-hammering nails into the floor
Autorzy:
WROCŁAWSKI, BRONISŁAW
Powiązania:
https://bibliotekanauki.pl/articles/920971.pdf
Data publikacji:
2016-11-03
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
actor
acting
character
monodrama
Konstanty Stanisławski
five questions technique
Opis:
The author presents the circumstances related to role construction, which can be formulated in the following questions: who, when, where, why, what for and how. The author utilizes the technique of five questions created by Konstanty Stanisławski to develop his own method designed for the STAND UP COMEDY convention. He analyses various theatre roles, taking into account time and space, as well as the other characters’ motives for action.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 61-68
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
CHOROBY ŚMIERĆ UPRZEDZAJĄ (DISEASES PRECEDE DEATH), OR ON THE UNDERSTANDING OF DISEASE IN POLISH AND ITALIAN PROVERBS (16TH–20TH CENTURY)
Autorzy:
Skuza, Sylwia
Powiązania:
https://bibliotekanauki.pl/articles/646691.pdf
Data publikacji:
2018
Wydawca:
Akademia Górniczo-Hutnicza im. Stanisława Staszica w Krakowie
Tematy:
disability, social model of disability, translation, actor‑network theory
Opis:
The purpose of the paper is to analyse the folk understanding of physical and mental illness in Polish and Italian proverbs. The analysis shows that this is not a uniform picture, and that acceptance of disease and itstreatment have had several dimensions in the world of premonitions, superstitions and religion, and the physician treating a disease is just one and not the most important component in the process of recovery. The image of the disease in Italian proverbs seems to be similar to Polish proverbs, though not identical. It is extremely interesting that a part of the folk world connected with diseases and the fight against them has survived in modern Polish and standard Italian languages.
Źródło:
Studia Humanistyczne AGH; 2018, 17, 3
2084-3364
Pojawia się w:
Studia Humanistyczne AGH
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
DISABILITY, REPRESENTATION AND TRANSLATION: HOW CAN SOCIOLOGY MOVE BEYOND THE SOCIAL MODEL?
Autorzy:
Rudnicki, Seweryn
Powiązania:
https://bibliotekanauki.pl/articles/647165.pdf
Data publikacji:
2018
Wydawca:
Akademia Górniczo-Hutnicza im. Stanisława Staszica w Krakowie
Tematy:
disability, social model of disability, translation, actor‑network theory
Opis:
The aim of this article is to propose a new conceptual tool and an inspiration for sociological analysis of disability as an alternative to the predominant social model. It first discusses the social model and argues that in spite of its numerous merits it may be regarded as a manifestation of sociological reductionism of the actual complexity of disability. The notions of representation and translation are then contrasted, the former being the core of the social constructionist accounts and the latter being deeply rooted in a post‑constructivist perspective of actor‑network theory. Next, examples of translation, related to data visualization, disability simulation technologies and disability certification schemas are presented and discussed, emphasizing the action possibilities they enable by this impacting both the situation of people with disabilities and policy‑making processes. Finally, it is argued that sociology could engage in not only the examination but also the development of translational tools, which could be an important and welcome contribution of the discipline to disability policies.
Źródło:
Studia Humanistyczne AGH; 2018, 17, 3
2084-3364
Pojawia się w:
Studia Humanistyczne AGH
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-25 z 152

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