Informacja

Drogi użytkowniku, aplikacja do prawidłowego działania wymaga obsługi JavaScript. Proszę włącz obsługę JavaScript w Twojej przeglądarce.

English (EN)·Polski (PL)·Yкраїнський (UK)
Przejdź do strony domowej biblioteki Centralna Biblioteka Wojskowa Link otwiera się w nowym oknie Logo biblioteki Prolib Integro - strona głównaCentralna Biblioteka Wojskowa

Wyszukujesz frazę "Actor" wg kryterium: Temat

  Lista filtrów
Wyrównaj
Wyświetlanie 1-15 z 149
Tytuł:
To Play, To Imitate, To Embody. On Acting in a Biographical Film
Autorzy:
KOŁOS, SYLWIA
Powiązania:
https://bibliotekanauki.pl/articles/920966.pdf
Data publikacji:
2016-11-03
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
biographical film
actor
Opis:
What does an actor do in a biographical film? This question may seem inane, or at least less than serious; however, the terms frequently used to describe and assess the actors work in general - to embody a character, to play them, to play a role - suggests the existence of a certain designatum, which is the point of reference for the role. In the case of a fictional story, we may ignore the semantic multivalence of such terms. In a biographical film, however, the existence of a real originator of the role gives additional, almost ontological meaning to phrases such as “embodying a character” or “playing a role”. In my reflections, I use as my starting point the assumption that the actors performance in a biographical film and the “conception of a character” result from two basic components: 1. Interpretation of the role - constituting a proposal to analyse the heros character. It is usually supposed to extract more profound meanings and senses out of the biography. To put it more simply, the interpretation of the role is supposed above all to help the viewer to answer the question of who the hero was (what they were like) and why? 2. Adaptation - this includes the physicality of the character: their appearance, body language, facial expressions, voice (the tone, modulation, accent, phrasing, dialect - if the authentic person used one, etc.) In my article I try to answer the questions: Where should we seek the essence of biographic acting? How can we avoid exaggeration and falsehood, which could kill the role?
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 75-94
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Circulation of Knowledge in Humanities: A Case Study from the Perspective of Actor–Network Theory
Autorzy:
Markiewka, Tomasz Szymon
Powiązania:
https://bibliotekanauki.pl/articles/2199830.pdf
Data publikacji:
2018
Wydawca:
Projekt Avant
Tematy:
Latour
Derrida
Callon
black box
Actor–Network Theory
actor
literary studies
Opis:
There are many case studies showing the benefits of the conceptual framework of Actor– Network Theory (ANT). It is enough to mention the classic texts by Bruno Latour on the Amazon forest and Michel Callon on scallop fishing. However, there are not many case studies discussing the circulation of knowledge in the humanities with the use of vocabulary taken from ANT. This text tries to partially fill the gap, analyzing a case encompassing the areas of both literary studies and philosophy. The main topic of the paper is the circulation of Jacques Derrida’s views – or the views attributed to Derrida – as exemplified by one of his theses. The purpose of the text is not to reflect on the value of Derrida’s reflections, but only to show how the knowledge of his thought spread from France, through the USA, to Poland, from the 1960s to the beginning of the 21st century. Besides proving that the ANT vocabulary is suitable for studying the phenomenon of the circulation of knowledge in the humanities, the case study also shows that this vocabulary should be enriched. The author of the text proposes the concept of symbolization to better understand how Derrida and the ideas attributed to him have been perceived in various texts.
Źródło:
Avant; 2018, 9, 3; 81-95
2082-6710
Pojawia się w:
Avant
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The electoral situation as a chronotope
Autorzy:
Hnatenko, Pavlo
Powiązania:
https://bibliotekanauki.pl/articles/16538511.pdf
Data publikacji:
2023-03-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
political landscape
political actor
actor-network theory
frame
frame analysis
сhronotope
elections
electoral situation
Opis:
This article explores the phenomenon of elections as a political chronotope, a spatio-temporal realm where the mechanisms of democracy unfold. Its aim is to elucidate the unique socio-political nature of elections. The author establishes that the spatial and temporal characteristics define the format and regulations governing electoral interactions. The term «chronotope» is understood as an interdisciplinary concept that captures the essential connections between temporal and spatial features within a specific order of phenomena. Although extensive research has focused on the social, technical, and psychological aspects of expressing one›s will, the ontology of elections, which encompasses the comprehension of the «unity of time and place of action» and the involvement of political actors in the electoral scenario, has been largely overlooked. Additionally, this study concentrates on the concept of the electoral situation, which delineates the synchronous and diachronic connections wherein citizens’ political choices are positioned, realized, and interpreted. The notion of the electoral situation can be correlated with the term «political landscape», which is only partially related to actual geography but predominantly pertains to the comprehensive conditions of an electoral competition (the coordinate system) and the participants involved in this process. The article’s author illustrates how the electoral situation constructs synchronous and diachronic connections at various levels of political interaction. Notably, these connections are facilitated by political mythologems, which serve as unifying and integrative factors within the electoral chronotope. By examining these mythologems, the author highlights their role in shaping the narrative and symbolism surrounding elections, ultimately influencing the dynamics and outcomes of the electoral process. Overall, this article delves into the intricate relationship between elections and the spatio-temporal framework in which they occur. By emphasizing the significance of the electoral situation and its connection to the broader political landscape, the author sheds light on the multifaceted nature of electoral processes, enriching our understanding of democracy’s fundamental mechanisms.
Źródło:
Copernicus Political and Legal Studies; 2023, 5; 74-80
2720-6998
Pojawia się w:
Copernicus Political and Legal Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Active resources concept of computation for enterprise software
Autorzy:
Koryl, M.
Powiązania:
https://bibliotekanauki.pl/articles/229189.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
domain-driven design
REST
actor model
Opis:
Traditional computational models for enterprise software are still to a great extent centralized. However, rapid growing of modern computation techniques and frameworks causes that contemporary software becomes more and more distributed. Towards development of new complete and coherent solution for distributed enterprise software construction, synthesis of three well-grounded concepts is proposed: Domain-Driven Design technique of software engineering, REST architectural style and actor model of computation. As a result new resources-based framework arises, which after first cases of use seems to be useful and worthy of further research.
Źródło:
Archives of Control Sciences; 2017, 27, 2; 279-291
1230-2384
Pojawia się w:
Archives of Control Sciences
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Aktor teatralny i filmowy w teatrze życia codziennego. Esej socjologiczny na podstawie badań własnych
Theater and Film Actor in the Theater of Everyday Life. Sociological Sketch
Autorzy:
Zimnica-Kuzioła, Emilia
Powiązania:
https://bibliotekanauki.pl/articles/2096338.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Instytut Socjologii
Tematy:
theater actor
film actor
social role
everyday life
aktor teatralny
aktor filmowy
rola społeczna
życie codzienne
Opis:
The aim of the article is to show a theatre and film actor in the “theatre of everyday life”. The author, using sociological literature on social roles (e.g. E. Goffman, M. Łoś, W. J. Goode) discusses the problem of actors’ performing their professional roles. She is particularly interested in self-promotional strategies used by actors on a daily basis. As an exemplification of a “performance” outside the artistic context, (stage or film set), the author analyses the course of the Great Actor's meeting with the audience and defines it as a quasi-spectacle requiring the adoption of certain roles, both by the artist and the audience. A new concept of “celebrity illusion” appears in the text, which concerns the illusory conviction of many artists that everyone should know them. They take it for granted that as “inhabitants of the mass imagination” they should be noticed in public space and correctly identified. The article uses the following sources: (1) existing: journalistic interviews with theatre and film actors published in popular monthlies and on the Internet; (2) evoked: in-depth free interviews with theatre artists (mainly actors) representing six Polish theatre centres. In 2015-2017, the author conducted twenty interviews - the respondents were recruited using the “snowball” method. Younger and older generation artists, fourteen men and six women, participated in the study The research technique was supported by the observation of actors' behaviour in non-artistic contexts (e.g. during meetings with the audience).
Celem artykułu jest ukazanie aktora teatralnego i filmowego w „teatrze życia codziennego”. Autorka, wykorzystując literaturę socjologiczną dotyczącą roli społecznej (m.in. E. Goffman, M. Łoś, W. J. Goode), omawia problem realizowania przez aktorów roli zawodowej. Szczególnie interesują ją strategie autopromocyjne, jakie stosują aktorzy na co dzień. Jako egzemplifikację „występu” poza kontekstem artystycznym (scena lub plan filmowy), analizuje przebieg spotkania Wielkiego Aktora z publicznością. Określa je jako  quasi spektakl wymagający przyjęcia określonych ról, zarówno przez artystę, jak i przez publiczność. W tekście pojawia się nowe pojęcie „iluzji celebryckiej”, które dotyczy złudnego przeświadczenia wielu artystów, że każdy powinien ich znać. Uważają za oczywiste,  że jako „mieszkańcy masowej wyobraźni” powinni być zauważani w przestrzeni publicznej i poprawnie identyfikowani. W artykule wykorzystano następujące źródła: (1) zastane, a więc opublikowane w popularnych miesięcznikach i w Internecie prasowe wywiady dziennikarskie z aktorami teatralnymi i filmowymi; (2) wywołane, czyli pogłębione wywiady swobodne z twórcami teatralnymi (przede wszystkim z aktorami) reprezentującymi sześć polskich ośrodków teatralnych. W latach 2015–2017 autorka przeprowadziła dwadzieścia wywiadów – respondenci rekrutowani byli metodą „śnieżnej kuli”. W badaniu partycypowali artyści młodszej i starszej generacji, czternastu mężczyzn i sześć kobiet. Wspomagającą technikę badawczą stanowiła obserwacja zachowań aktorów w kontekstach pozaartystycznych (np. podczas spotkań z publicznością).
Źródło:
Konteksty Społeczne; 2019, 7, 2; 133-142
2300-6277
Pojawia się w:
Konteksty Społeczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Między słowem a obrazem. Z notatnika reżysera
Between script and film camera
Autorzy:
Gliński, Robert
Powiązania:
https://bibliotekanauki.pl/articles/919800.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Word Camera
Script
Director
Actor
Rehearsals
Opis:
Between script and film cameraFor the film director the film is, in a way, “ready” before the shooting. Everything what is important for the film must be planned and worked out before its shooting. The interval between writing the script and the shooting the film is the intensive time of work for the director. He/she must decide what (kind of) movie he/she wants to do. The director must know how to organize the scenes for the shots, how the film should start and end. He/she must know who will play in the film and find a way to inspire the actors. The director prepares the rehearsals. He/she is also supposed to find interiors and exteriors for shooting, write the screenplay and draw the storyboard. The satisfy all these requirements of director has to be not only talented but work hard, be concentrated and persistent. Effects of his/her devotion to film are revealed in how the text of the script is turned into film.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2011, 8, 15-16; 123-148
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gender roles in teff value chain in borecha district of south western Ethiopia: husband and wife comparisions
Autorzy:
Bekele, Adugna Eneyew
Tekalign, Sisaynesh
Mitiku, Fikadu
Powiązania:
https://bibliotekanauki.pl/articles/1902619.pdf
Data publikacji:
2020-04-02
Wydawca:
Uniwersytet Przyrodniczy w Poznaniu. Wydawnictwo Uczelniane
Tematy:
Actor
Gender
Multiple regression
Teff
Value chain
Opis:
Teff is a highly valuable grain for Ethiopian people in generating income and achieving food security. Using unique cross-sectional data from husbands and wives, descriptive statistics and an econometric model, this paper analyzes gender roles in the teff value chain in south-western Ethiopia. Primary data was collected from 117 farmers, 38 traders and 14 consumers. Findings indicate that women contribute more than their husbands to teff production, and their labor burden exceeds that of their husbands since they perform reproductive activities in which men do not participate. Most women are involved in the production, processing and retailing of teff. In turn, their husbands control the wholesale process and cash generated. However, it is difficult to calculate the labor share of women in the household. There are very weak linkages between actors of the entire teff value chain. Among the main determinants of teff market supply, education of the respondent, land area, market information and cooperative membership have a positive effect. Conversely, distance to market negatively affected teff market supply. Therefore, enhancing cooperation between teff value chain actors and providing women with access to training, education and extension services should be a policy priority in the study areas.
Źródło:
Journal of Agribusiness and Rural Development; 2020, 55, 1; 93-105
1899-5241
Pojawia się w:
Journal of Agribusiness and Rural Development
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dramat - scena - aktor*
Drama – stage – actor
Autorzy:
SARNA, ANNA
Powiązania:
https://bibliotekanauki.pl/articles/920933.pdf
Data publikacji:
2016-11-03
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
theatre stage
Józef Tischner
character
actor
role
Opis:
 The author discusses the issue of acting and theatrical stage in the context of Józef Tischner’s philosophy, which sees the stage as the platform for freedom, and the meeting and parting of people, as well as their relationship with the Absolute. The language of the character is created by: the actor, screenplay, costumes, lighting and music. He introduces the idea of objectifying the stage and familiarising onself with role, the basis of which are relations between the plays characters.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 35-46
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Praca nad rolą - Ryszard III*
Working on the role –Richard III
Autorzy:
KAŁUŻYŃSKI, MAREK
Powiązania:
https://bibliotekanauki.pl/articles/920949.pdf
Data publikacji:
2016-11-03
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
actor
stage role
director
William Shakespeare
translation
Opis:
The author describes the contexts for working on the title role of Shakespeares Richard III. He points to specific stages in working on the role: familiarising oneself with the original text and associated literature (research), creating the character (concealing intentions, plans and emotions from other characters in the play, the characters internal struggle, perceiving psychological truths); developing relationships with the director and other actors; the use of scenography, costumes, lighting and music to create characters for the stage, considering the meaning of translation and rapport with the audience.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 211-230
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The selected premises for the reconfiguration of the disability model. The posthumanist perspective
Autorzy:
ŻÓŁKOWSKA, TERESA
KALISZEWSKA, KAROLINA
Powiązania:
https://bibliotekanauki.pl/articles/938549.pdf
Data publikacji:
2020-01-23
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
disability
paradigm
posthumanism
the Actor-Network theory
Opis:
In the contemporary special pedagogy, it is clearly seen, that we are dealing with a situation of passing over scholarly programmes that refer, i.a. to the medical and social model of disability. We remain in a inter-paradigmatic transition period, in which new views on disability are appearing. One of the most popular scholarly approaches is the posthumanism, the characteristics of which are, i.a.: the critique of humanism, the departure from anthropocentrism, the appearance of a new materialism, the direction of research towards objects, animals, as well as, the relations of people and non-people. The example of such posthumanist approach, that may constitute the context for the creation of new models of disability, is the Actor-Network theory developed by Bruno Latour and his associates.
Źródło:
Interdyscyplinarne Konteksty Pedagogiki Specjalnej; 2019, 25; 55-81
2300-391X
Pojawia się w:
Interdyscyplinarne Konteksty Pedagogiki Specjalnej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The ecologization of agricultural development and the Treadmill of sustainable development. A critique a state of transition
Autorzy:
Barbier, Marc
Powiązania:
https://bibliotekanauki.pl/articles/413024.pdf
Data publikacji:
2010
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
Sustainable development
Actor-Network-Theory
modernization
biopolitics
Opis:
This communication tries to shape and to ground the idea that Rural Studies and Rural Sociology have a particularly promising job to do in re-assembling the Social, the Natural and the Technical within the treadmill of sustainable development. It is argued that the cross-fertilization of the ecological modernization movement and Social Studies of Science and Technology (particularly Actor- Network-Theory) is giving the opportunity to establish a perspective that might enlighten and accompany the processes of making agricultural sciences and technology more ecological. But this requires specific conditions and ways of doing social studies in situations that include those processes.
Źródło:
Przegląd Socjologiczny; 2010, 59, 2; 9-28
0033-2356
Pojawia się w:
Przegląd Socjologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jestem twój
I’m yours
Autorzy:
CZOP, IRENEUSZ
Powiązania:
https://bibliotekanauki.pl/articles/920950.pdf
Data publikacji:
2016-11-03
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
film role
actor
acting skills
screenplay
director
Opis:
The author analyses in detail the structure of the leading role based on the film “I’m yours” His analysis takes into account acting skills, the relations between the protagonists and adversaries and also cinematic time and space. He appreciates the role played by the screenwriter and establishes the principles for cooperation between actors and the director.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 199-210
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fascynacje. Peter Brook*
Fascinations. Peter Brook
Autorzy:
CZOP, IRENEUSZ
Powiązania:
https://bibliotekanauki.pl/articles/920995.pdf
Data publikacji:
2016-11-03
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
actor
film role
Peter Brook
director
screenplay
Opis:
The author analyses various aspects of acting in the context of Peter Brooks theory of acting. This discussion takes into account role construction, the authenticity and originality of the character, the problem of the actors identification with the character and the importance of cooperation between the actor and the director in the pre-production process and on the shoot.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 69-74
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
You are so kind – and I am kind and smart: Actor – Observer Differences in the Interpretation of On-going Behavior
Autorzy:
Abele, Andrea E.
Bruckmüller, Susanne
Wojciszke, Bogdan
Powiązania:
https://bibliotekanauki.pl/articles/430804.pdf
Data publikacji:
2014-12-01
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
actor-observer differences
agency
communion
dual perspective model
Opis:
: The dual perspective model of agency and communion predicts that observers tend to interpret a target’s behavior more in terms of communion than agency, whereas actors interpret their behavior more in terms of agency. The present research for the first time tests this model in real interactions. Previously unacquainted participants had a short conversation and afterwards rated their own behavior (actor perspective) and their interaction partner’s behavior (observer perspective) in terms of agency(self-confident, assertive) and communion(trustworthy, empathic). Supporting the dual perspective model, observers rated the actor’s behavior higher on communion than on agency, and higher on communion than actors themselves did. Findings for actors were more complex: Actors rated their own behavior as more agentic than observers did. However, they also rated their behavior high on communion. We discuss implications for the dual perspective model as well as for (mis)understandings in social interactions.
Źródło:
Polish Psychological Bulletin; 2014, 45, 4; 394-401
0079-2993
Pojawia się w:
Polish Psychological Bulletin
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jeśli podmiotu nie ma… O wpływie, aktorach, horrorze i innych zmartwieniach tzw. Koła Krakowskiego
If there is no subject: On influence, actors, horror, and other worries of the so-called Krakow Circle
Autorzy:
Krupnik, Seweryn
Powiązania:
https://bibliotekanauki.pl/articles/904273.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Ekonomiczny w Krakowie, Małopolska Szkoła Administracji Publicznej
Tematy:
podmiotowość
aktor
wpływ
mit
subjectivity
actor
influence
myth
Opis:
Celem tekstu jest krytyczne odniesienie się do dotychczasowych rozważań dotyczących podmiotowości podejmowanych w Kole Krakowskim. Autor argumentuje, że podmiotowość jest zbędna jako kategoria analityczna służąca zrozumieniu rzeczywistości społecznej. Można ją bowiem zastąpić innymi pojęciami, które są precyzyjniejsze. Jednocześnie jednak pojęcie to jest nieodzowne jako normatywny punkt odniesienia, samookreślenia się badaczy rzeczywistości społecznej.
The aim of the paper is to critically review previous considerations concerning subjectivity. The author argues that subjectivity is both unnecessary and biased as an analytical category applied in order to understand the social reality. At the same time, however, the concept is indispensable as a normative reference.
Źródło:
Zarządzanie Publiczne / Public Governance; 2014, 3(29); 134-145
1898-3529
2658-1116
Pojawia się w:
Zarządzanie Publiczne / Public Governance
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 149

Ta witryna wykorzystuje pliki cookies do przechowywania informacji na Twoim komputerze. Pliki cookies stosujemy w celu świadczenia usług na najwyższym poziomie, w tym w sposób dostosowany do indywidualnych potrzeb. Korzystanie z witryny bez zmiany ustawień dotyczących cookies oznacza, że będą one zamieszczane w Twoim komputerze. W każdym momencie możesz dokonać zmiany ustawień dotyczących cookies