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Tytuł:
Edutainment jako przestrzeń edukacji nieformalnej. Edukacyjny potencjał programów telewizyjnych w świetle analizy serialu „Głęboka woda” i wypowiedzi jego odbiorców
Autorzy:
Anioł, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1997545.pdf
Data publikacji:
2017-03-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
edutainment
TV series
media
welfare
Opis:
Television is now recognized as a key source of knowledge about the social and cultural reality. TV series is one of the genre with special role on this field. It’s norm-creating properties have been spotted already in the 70’s and used to construct the first, based on narrative, edutainment programs. The article is focused on the series about social workers “Into deep water”. This TV show was creating by Ministry of Labor and Social Policy and it’s first example of education series in Poland. The author analyzes pop culture text based on education-entertainment strategy and educational potential of series. The empirical basis for article are written expression and qualitative research interviews. The aim of the research was verification the educational extent of the “Into deep water” and what it is. The main conclusion that results from the analysis is that the show is more PR tool than educational.
Źródło:
Kultura i Edukacja; 2017, 1(115); 182-198
1230-266X
Pojawia się w:
Kultura i Edukacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O lokowaniu produktu jako elemencie strategii reklamowej na przykładzie polskiego serialu Przyjaciółki
Product placement as an element of advertising strategy on the example of the Polish TV series Przyjaciółki
Autorzy:
MYŚLAK, DOMINIKA AGATA
Powiązania:
https://bibliotekanauki.pl/articles/546535.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
product placement
advertising
TV series
Opis:
Product placement is an example of a popular form of advertising characteristic for the Polish TV shows. Film and TV writers in Poland are keen on using this method also in TV shows. As product placement has got a strong influence on the audience, the viewers perceive the film reality as the reflection of real life. TV series fiction in turn influences the consumerist preferences of the adresses. The strategy of product placement in the Polish TV series, however, still leaves much to be desired as directors find it difficult to apply the method to suitable scenes in a subtle way. It happens that the product being placed remains onscreen for too long, the number of the products per single episode is too high and the dialogues aimed at highlighting the advantages of given products seem too artificial. All those actions have a negative result on the final decision of the viewers on whether to buy the advertised goods or not.
Źródło:
Civitas et Lex; 2016, 1(9); 7-21
2392-0300
Pojawia się w:
Civitas et Lex
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Krzysztof Kieślowski’s “Decalogue” as a Quality TV Series
Autorzy:
Talarczyk, Monika
Powiązania:
https://bibliotekanauki.pl/articles/923219.pdf
Data publikacji:
2019-03-25
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Polish television
tv series
quality television
Opis:
The text is dedicated to The Decalogue (Dekalog,1988) by Krzysztof Kieslowski and analyses the television series through the prism of genre and contemporary television studies, including the concept of quality television. Kieslowski’s series fulfills all the criteria assigned to the contemporary new generation television series, and can act as a reference point for interpreting Poland’s first new generation series by HBO, In treatment (Bez tajemnic, 2011–2013). The two titles are also linked by the same Polish film tradition, i.e. the cinema of moral concern, even though In treatment is based on foreign format.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 24, 33; 38-46
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Sex Education”, czyli serial jako źródło wiedzy o świecie młodzieży
Sex Education or a TV show as a Source of Knowledge About the Work of Young People
Autorzy:
Jakubowski, Witold
Powiązania:
https://bibliotekanauki.pl/articles/1071061.pdf
Data publikacji:
2020-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
TV series
youth
popular culture
education
Opis:
Can a TV series be treated as a space for pedagogical discourses? The answer seems obvious. For modern culture pedagogy, it is a reservoir of knowledge about society. TV series is a characteristic phenomenon in contemporary audiovisual culture. It describes our world in a very honest way. At the same time, it talks about problems affecting various social groups, which are often considered to be “not serious” in informal debates. The television series, as an element of popular art, is an interesting and valuable “social document”. The goal of modern education is to develop a reflective critical view of audiovisual products that surround us. A critical look at fictitious images of reality helps us better understand our world that is the most real. The article is a voice in the discussion on the Sex Education series, as an example of the image of today’s youth, their dilemmas and anxieties woven into school reality, as well as their relations with peer groups and parents.
Źródło:
Studia Edukacyjne; 2020, 57; 17-32
1233-6688
Pojawia się w:
Studia Edukacyjne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przemoc zwielokrotniona. Wokół izraelskiego serialu pt. „Fauda”
The violence multiplied. On the Israeli TV series “Fauda"
Autorzy:
Wielewska-Baka, Martyna
Powiązania:
https://bibliotekanauki.pl/articles/30147290.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Gdański. Wydział Filologiczny
Tematy:
Fauda
TV series
Israel
Palestine
conflict
terrorism
violence
Opis:
One of the most discussed TV series of recent years is Fauda (directed by A. Issaharoff and L. Raz). In the article, I discuss the reception of the film in the Israeli and Western media, as well as the ways of representing the Israeli-Palestinian conflict in the series in the context of the so-called war on terrorism and forms of violence. In my work, I am particularly interested in the following questions: in what form did the idea of conflict return to the screens and to the public debate? How has the Palestinian issue been marginalized in the Israeli public consciousness? Under what conditions does the violence intensify? Taking into account the forms of violence presented in the series, I am inclined to the thesis that the creators of “Fauda” are trying, sometimes with greater, sometimes less success, to look critically at the reality dictated by the laws of war.
Źródło:
Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2023, 16; 129-141
2353-4699
Pojawia się w:
Jednak Książki. Gdańskie Czasopismo Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Avatars Going Mainstream: Typology of Tropes in Avatar-Based Storytelling Practices
Autorzy:
Tymińska, Marta
Powiązania:
https://bibliotekanauki.pl/articles/682897.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
avatars
narrative
storytelling
movies
tv series
light novels
Opis:
Due to the growing popularity of video games, gaming itself has become a shared experience among media audiences worldwide. The phenomenon of avatar-based games has led to the emergence of new storytelling practices. The paper proposes a typology of tropes in these avatar-based narratives focusing on non-game case studies. Suggested tropes are also confronted with the latest research on avatars in the area of game studies and current knowledge of the issues concerning the player-avatar relationship. Some of the most popular misconceptions regarding the gameplay experience and its representation in non-game media are exposed as a result of this analysis. The research confirms that popular culture perceives gaming experience as closely related to the player identity, as the latter inspires new genres of non-game narratives.
Źródło:
Replay. The Polish Journal of Game Studies; 2016, 3, 1; 101-117
2391-8551
2449-8394
Pojawia się w:
Replay. The Polish Journal of Game Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wandering Monsters. Serial Peregrinations and Transfictionality
Autorzy:
Olkusz, Ksenia
Powiązania:
https://bibliotekanauki.pl/articles/1964520.pdf
Data publikacji:
2018
Wydawca:
Ośrodek Badawczy Facta Ficta
Tematy:
transfictionality
TV series
horror
literature
gothic fiction
narrative
Opis:
The post-modern gothic simultaneously makes reference to already well-grounded experience, such as the repertoire of motifs and narrative prefigurations which have entered the artistic canon of the convention for good. A lot of figures and characters identified with horror become a part of the transfictional process of allocating them in new settings and re-designing their fictional biographies. Although in TV series reinterpretations of classical literary narratives quite often focus on instilling a positive image of erstwhile impersonation of numinosum, they do offer in return a construal of more contemporaneous fears, aligned with today’s socio-political-economic landscape. This article will include the following series based on literary prototypes representing the very canon of gothic fiction: Dracula, Penny Dreadful, Jekyll and Hyde, Second Chance and Sleepy Hollow as well as elements of productions connected with literary narrations of horror, such as Once Upon a Time.
Źródło:
Facta Ficta. Journal of Theory, Narrative & Media; 2018, 2, 2; 73-89
2719-8278
Pojawia się w:
Facta Ficta. Journal of Theory, Narrative & Media
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Catholic Church and the Italian public television. An enduring relation with an interlude: the Council
Kościół katolicki i włoska telewizja publiczna. Wieloletnie związki i soborowe interludium
Autorzy:
Ruozzi, Federico
Powiązania:
https://bibliotekanauki.pl/articles/964082.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
second vatican council
italian public television
pope
tv series
Opis:
The article presents the entanglement of the Catholic Church and the media by focusing on the case of the Second Vatican Council and the television broadcast of its events. The mass media attention of the council stimulated, according to the author, a double level: the media conveyed more information about the church event than it had ever done before, but at the same time, the mass media influenced the discussion of the council fathers. The article also analyzes, through the lens of the Council, the recent relationship between the Catholic Church and the Italian television.
W ostatnich latach wszystkie religie zaczęły włączać się organizacyjnie w system medialny. Artykuł przedstawia powiązania Kościoła katolickiego z mediami, skupiając się na kwestii telewizyjnych transmisji obrad II Soboru Watykańskiego. Autor przedstawia tło i historię Soboru, a także dzieli się spostrzeżeniami na temat polityki relacjonowania wydarzeń soborowych we włoskiej telewizji publicznej. Jego zdaniem, skupienie uwagi środków masowego przekazu na soborze miało dwojaki wymiar: choć media przekazywały więcej informacji o Kościele niż kiedykolwiek przedtem, jednocześnie wywierały wpływ na debaty ojców soborowych. Artykuł wieńczą uwagi na temat obrazu Kościoła katolickiego we współczesnej telewizji włoskiej.
Źródło:
Studia Europaea Gnesnensia; 2015, 11; 179-199
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Rebel Behind the Wheel: An Examination of the ‘Redneck’ Rebel Cultural Trope in The Dukes of Hazzard
Autorzy:
Starnes, John Eric
Powiązania:
https://bibliotekanauki.pl/articles/2076915.pdf
Data publikacji:
2021-12-19
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
cars
television series
redneck culture
The Dukes of Hazzard
Opis:
The heyday of ‘Redneck’ cinema—the 1970s to early 1980s, saw the rise of the Redneck Rebel—a Southern or otherwise ‘hick’ anti-hero who rode around the countryside like a modern-day cowboy vanquishing evil. His ‘horse’ was his car—a beefed up/souped up muscle car that often became the star of the show and overshadowed the anti-hero himself. This article examines the Redneck Rebel through the lens of one American TV series—The Dukes of Hazzard. This popular 1980s TV series, along with its antecedents and contemporaries, underscore several important points that reinforce typical conservative American virtues: freedom, fighting the ‘good fight,’ an overt heterosexuality, a particular reveling in a sarcastic ‘sticking out the tongue’ at the overly sophisticated, overly arrogant, ‘anti-American,’ and well-heeled parts of American society.
Źródło:
Review of International American Studies; 2021, 14, 2; 89-102
1991-2773
Pojawia się w:
Review of International American Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kein Mensch ist ein Ich-Land. Metafora wyspy w refleksji o przyjaźni
Kein Mensch ist ein Ich-Land [No man is an island]. The metaphorof an island in reflections on friendship
Autorzy:
Roszak, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1535123.pdf
Data publikacji:
2010-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
interpretation
the television series Lost
friendship
“I” land
island
Opis:
In her essay, the author recalls literary contexts (including John Donne, Michel Houellebecq and Ernest Hemingway) and philosophical and anthropological contexts (including Aristotle, Thomas Merton, Maurice Blanchot, Jean-Paul Sartre and Gilles Deleuze) presenting the poetic “I’s” various ways of approaching friendship. The quotation from a German translation of John Donne’s poem used in the title of the article is in itself a meaningful phonetic wordplay: “Kein Mensch ist ein Ich-Land” (no man is an “I” land, no man is an island). The main part of the essay includes an interpretation of the television series Lost — Joanna Roszak investigates philosophical references in the series and indicates biblical contexts (“Am I my brother’s keeper?”). A very apt comment to many episodes in the series is, according to the author, the formula told by Z. Herbert’s Fortinbras: Ani nam witać się ani żegnać żyjemy na archipelagach/ A ta woda te słowa cóż mogą cóż mogą” [It is not for us to greet each other or bid farewell we live on archipelagos/ and that water these words what can they do what can they do prince]. It is a similar defencelessness in which the main characters of Lost try to struggle the reality, even if they live together, and die all alone. Collective memory has become a safeguard for the community in the world, which is to be destined for homelessness and forlornness. The other person though becomes a reference point — it is him or her that makes it possible to find the way home.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2010, 17; 111-124
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Transnational TV Series Adaptations: What Artificial Intelligence Can Tell Us About Gender Inequality In France And The US
Autorzy:
Digeon, Landry
Amin, Anjal
Powiązania:
https://bibliotekanauki.pl/articles/2150853.pdf
Data publikacji:
2021
Wydawca:
Univerzita sv. Cyrila a Metoda. Fakulta masmediálnej komunikácie
Tematy:
Transnational TV series
Artificial intelligence
Big data
Gender inequality
Opis:
The present research analyzes the inequality of gender representation in transnational TV series. For this purpose, a content analysis was carried out on 18 episodes of the US crime show Law & Order: Criminal Intent and its French adaptation Paris Enquêtes Criminelles. To conduct this research, we used the artificial intelligence toolkit the Möbius Trip, which is equipped with a gender and emotion recognition feature and relies on big data. The main findings indicate that male characters overwhelmingly dominate the onscreen time equally in both the US and the French versions. The data also show that male characters are more emotionally expressive and that women tend to display a wider range of emotions. The French characters are slightly more emotionally expressive than their American counterparts. The data also suggest that male characters tend to display violent behavior and that female characters tend to be portrayed as a victim in both versions of the show. The emotions-related results show a trend, but the difference of emotions between male and female characters and between the French and American cultures remain fairly narrow.
Źródło:
Media Literacy and Academic Research; 2021, 4, 1; 6-23
2585-8726
Pojawia się w:
Media Literacy and Academic Research
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Ubiquitous Absence of Jack: Ripper Street and the (Neo-)Victorian Obsession
Autorzy:
Krawczyk-Żywko, Lucyna
Powiązania:
https://bibliotekanauki.pl/articles/888768.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Jack the Ripper
Ripper Street - TV series
Neo-Victorianism
Opis:
Despite the title reference, the BBC’s Ripper Street (2012‒2014) was not intended as another Jack the Ripper story; the infamous killer’s absence is acutely felt in its first three seasons, though. The paper examines the way his acts are being recalled for the characters and viewers, but also reconstructed in a performance and copycat murders, and how, even though the Ripper is long gone, people may become his victims. The absence as echoed in the series plot and setting is a commentary on both the Victorian and modern fascination with the unsolved case.
Źródło:
Anglica. An International Journal of English Studies; 2016, 25/1; 171-180
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Świat przedstawiony w emitowanych w Polsce audycjach dla dzieci i młodzieży
Autorzy:
Gackowski, Tomasz
Brylska, Karolina
Łączyński, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/1997193.pdf
Data publikacji:
2017-03-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
animated TV broadcasts
TV series for children
content analysis
education
media
Opis:
The article is devoted to the content analysis of 19 broadcasts for children and teens in six leading television channels dedicated to minors recipients in Poland. The study has been conducted on the basis of 16 criteria reflecting the positive and negative attributes of the programmes. It has aimed to answer the question of how the world is depicted in these broadcasts, and furthermore what socio-cultural patterns are transmitted to children and adolescents watching their favourite fairy tales and film heroes. The research conducted has proved that it is possible to identify both the best, most valuable from the point of view of the child’s development and socialization channel (it is MiniMini+) and the most harmful, presenting negative values and negative patterns channel (which is Cartoon Network). The text presents the first in Polish media and sociological studies comparative analysis of such a large number of broadcasts for children and youth, and the analysis so widely verifying the content and formal elements of these broadcasts.
Źródło:
Kultura i Edukacja; 2017, 1(115); 151-181
1230-266X
Pojawia się w:
Kultura i Edukacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Biomedical and patient-centred discourse on the basis of Polish medical TV series Medics (Lekarze)
Autorzy:
Zabielska, Magdalena
Żelazowska-Sobczyk, Magda
Powiązania:
https://bibliotekanauki.pl/articles/28407901.pdf
Data publikacji:
2021-12-30
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Doctor
Medical education
Medical TV series
Biomedical discourse
Patient-centred discourse
Opis:
The aim of this paper is to draw attention to the potential didactic value of medical series in the context of patient-centred and biomedical approaches to medical practice, as well as to the way they are represented in language. We shall argue that these two paradigms dictate given modes of reasoning as to, for example, what health/ disease is and the patient-doctor role relationship. The biomedical model establishes disease as a malfunction of the body (which can be restored) and the patient as a passive recipient of treatment. By contrast, patient-centred medicine advocates a holistic approach to wellness by taking into consideration psychosocial aspects. Having these two models in mind and by adopting a social-constructivist approach to language, it is possible to analyse communication in a particular (pop)cultural text and examine the message from the perspective of mediated content about broadly understood health. The paper is organised as follows: it starts with a discussion of the evolution of medical TV series and a systematic review of studies dealing with their pedagogic role. Next it provides the analysis of two seasons of the Polish medical series Medics (Pol. Lekarze), giving special attention to the holistic presentation of the patient found in this multimodal media text.
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2021, 12; 92-109
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wywiad grupowy z wykorzystaniem materiałow filmowych - reflekscje badacza.
Group interview supported by film material – the researcher’s remark
Autorzy:
Łuczaj, Kamil
Powiązania:
https://bibliotekanauki.pl/articles/413599.pdf
Data publikacji:
2013-12-31
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
FGI
badania wizualne
materiał filmowy
visual studies
film material
TV series
Opis:
Artykuł prezentuje założenia metodologiczne oraz wskazówki praktyczne dotyczące prowadzenia wywiadu grupowego z wykorzystaniem materiałów filmowych. Rozważania oparte zostały na doświadczeniach własnych z okresu realizacji projektu, który dotyczył recepcji seriali tradycyjnych i seriali typu post-soap. W tym celu zorganizowałem i poprowadziłem w różnych częściach Polski cztery wywiady grupowe z mieszkankami wsi popegeerowskich (minigrupy, osoby znające się wcześniej). Celem artykułu jest pokazanie, że wywiady grupowe są dobrą techniką badań także w kontekście akademickim, a nie tylko, jak zwykło się przyjmować, w komercyjnych badaniach marketingowych. Artykuł składa się z pięciu części. W pierwszej prezentuję dorobek polskich studiów kulturowych w zakresie badania publiczności telewizyjnych. Następnie omawiam ogólne założenia wywiadów grupowych z wykorzystaniem materiałów filmowych. W trzeciej części przedstawiam przeprowadzony przez siebie projekt badawczy, na którego podstawie wyprowadziłem przedstawiane tu wnioski. Część czwarta stanowi analizę korzyści i zagrożeń, które powoduje zastosowanie tego typu wywiadów. W piątej części, podsumowującej, prezentuję zaś schemat przygotowania badania z wykorzystaniem materiałów filmowych.
The article presents the methodological assumptions and practical guidance on conducting a group interview supported by film material. The discussion is based on my own experience from the project, which dealt with the reception of traditional TV series and post-soap series. To this end, I organized and led in various parts of Poland four focus groups with residents of the post-PGR villages (mini-group, affinity group). The aim of this paper is to show that the group interviews are a good research technique not only in commercial marketing research, as it is usually taken for granted, but also in an academic context. The article consists of five parts. First, I present the achievements of Polish cultural studies in the field of television audience research. Next, I discuss general assumptions of group interviews supported by film material. In the third part I present my research project, which helped me to draw the conclusions. The fourth part is an analysis of the benefits and risks of such interviews. In the fifth, summarizing part, I present a research scheme involving the group interviews supported by film material.
Źródło:
Przegląd Socjologiczny; 2013, 62, 1; 101 - 116
0033-2356
Pojawia się w:
Przegląd Socjologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Egyptian Ramadan TV Series and National Fight with Drug Addiction
Autorzy:
Wolny-Abouelwafa, Edyta
Powiązania:
https://bibliotekanauki.pl/articles/18761990.pdf
Data publikacji:
2023-06-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Ramaḍān
Ramaḍān TV series
Egyptian TV series
drug addiction
media
Egypt
Opis:
In 2019, half a million people all over the world died as a result of drug abuse. This topic is a very sensitive issue in a number of countries, including the Arab Republic of Egypt, where the government informs its citizens every few months about steps to take to combat this problem. Creating a TV series to be aired during Ramaḍān, the most important part of year from the Islamic point of view and also because of the media industry, is one of the tools to create awareness of the danger of drug addiction. In the article, the results of the research conducted on a very popular Ramaḍān TV series from 2015 entitled Taḥt as-Sayṭara are presented. The research focused on the presentation of this problem, in particular whether or not the problem was presented in a realistic way, thus aiding in the fight with drug addiction. This series was special, as it was the first and the only which was devoted so directly to the problem of drug addiction; the sickness covered about 89‒90% of the plot.
Źródło:
African Journal of Economics, Politics and Social Studies; 2023, 2(1); 47-58
2956-2686
Pojawia się w:
African Journal of Economics, Politics and Social Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The History of Sharing Video Content in Poland: Analog copies of the 1980s as a Factor of Digital Peer Re-production in the 2000s
Autorzy:
Piotr, Toczyski,
Mirosław, Filiciak,
Powiązania:
https://bibliotekanauki.pl/articles/903473.pdf
Data publikacji:
2018-12-22
Wydawca:
Akademia Pedagogiki Specjalnej im. Marii Grzegorzewskiej. Wydawnictwo APS
Tematy:
Polska
file-sharing
peer re-production
video content
TV series
post-network
Opis:
We depict practices of Polish audiences in communist Poland and the transition of these practices after the fall of communism. In Eastern Europe, digital distribution of video content has been built on semi-peripheral culture of VHS tapes copying and sharing. Although the unique Polish 20th century historical trajectory contains the experience of being excluded from Western popular culture, the first decade of 21st century brought unlimited digital access to audiovisual content. Peer re-production, a non-creative mode of participation increased. Our article provides new historical data illustrating this specificity both in terms of historical experience and globalizing technological progress.
Źródło:
Studies in Global Ethics and Global Education; 2018, 9; 60-77
2392-0890
Pojawia się w:
Studies in Global Ethics and Global Education
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Social Reality and Cultural Propagation in Funke Akindele-Bello’s Jenifa’s Diary
Autorzy:
Okpadah, Stephen Ogheneruro
Powiązania:
https://bibliotekanauki.pl/articles/1035719.pdf
Data publikacji:
2021-05-06
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Television series
Jenifa’s Diary
Nigeria
Funke Akindele
Popular Culture
Social Construct
Opis:
Apart from originating contemporary norms and cultures among its viewers, Nigerian television series portray new and emerging constructions and practices that the populace is able to identify with. Recently, one television series that has become popular in Nigeria is Jenifa’s Diary. Its popularity stems from its incorporation of the Nigerian English, the British English and the indigenous Yoruba language, as well as the antics and codification(s) of the eponymous character, Jennifer. Her utility of a distinctive English language which deviates from the Nigerian Pidgin and the British English, has made this series popular among viewers. This has created a new linguistic culture and also appropriated what I term the Jenifanlingua franca. It is not a rarity to see children, teenagers and adults communicate in the same manner as Jennifer. Against this backdrop, this paper examines Funke Akindele-Bello’s television series Jenifa’s Diary as Nigerian social reality and a medium for cultural propagation. This study examines socio-cultural nuances in Jenifas Diary. The research is qualitative as it utilises the literary and content analysis methods. The study reveals that Jenifa’s Diary captures the plight of the African been to in the Western world and that the television serial is rich with its incorporation of the Nigerian Pidgin English, the British English and some indigenous Nigerian languages such as the Yoruba language, as well as the antics and codification(s) of the eponymous character, Jennifer. While Jenifa’s Diary and other Nigerian television series are products of social realities, they also create spaces for new socio-cultural landscapes. The study has been able to explain the imperative of television series on the Nigerian socio-cultural space. Cineastes should produce television serials that will educate and stimulate the populace towards becoming better people in the society.
Źródło:
Przegląd Krytyczny; 2021, 3, 1; 99-110
2657-8964
Pojawia się w:
Przegląd Krytyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Patriotyzm jako wartość w serialu telewizyjnym na przykładzie Czasu honoru. Powstanie
Patriotism as a value in a TV series on the example of Czas honoru. Powstanie
Autorzy:
Molicka, Paulina
Powiązania:
https://bibliotekanauki.pl/articles/960127.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
television series
patriotism
values
attitudes
Opis:
This article is devoted to the issue of valuation in a television series. The exemplification material comes from the popular Polish production Czas honoru. Powstanie. The text aims to present representative examples – mainly the attitudes of young people who can be a model for modern generations of Poles.
Źródło:
Dydaktyka Polonistyczna; 2018, 4 (13); 189-198
2451-0939
Pojawia się w:
Dydaktyka Polonistyczna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Crime and Punishment: The Selected Tenets of the Decalogue in the Polish Television Series Ojciec Mateusz [Fr. Matthew]
Autorzy:
Kisielewska, Alicja
Powiązania:
https://bibliotekanauki.pl/articles/2149981.pdf
Data publikacji:
2021
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
Decalogue
television series
moral theology
Opis:
This article considers whether the popular Polish drama-crime television series Ojciec Mateusz [Father Matthew], which is directed by Maciej Dejczer and has been broadcast on TVP1 since 2008, prompts viewers to reflect on Christian moral norms. This research includes the fields of cultural studies and moral theology. From the point of view of moral theology, the theme of Ojciec Mateusz is the battle between good and evil, the basis of which is the tenets of the Decalogue. This study attempts to answer the questions: Is the religiosity hidden in this series, which does not assume the religiosity of the series’ viewers, evoke religious sentiments among those who believe? And, does the series affect the moral formation of those who do not believe?
Źródło:
Rocznik Teologii Katolickiej; 2021, 20; 213-224
1644-8855
Pojawia się w:
Rocznik Teologii Katolickiej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
(Re)visions télévisuelles de la colonisation du Nord – série médiatique d’Un homme et son péché de Claude-Henri Grignon
Television (re)visions of the colonisation of the North – Claude-Henri Grignon’s Un homme et son péché media series
Autorzy:
Wójcik, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1053758.pdf
Data publikacji:
2020-12-28
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
adaptation
television series
Québec
colonisation
Opis:
Claude-Henri Grignon’s novel Un homme et son péché presents the life of French Canadian colonial settlers of the Laurentides region at the end of XIXth century. It depicts a realistic image of the colonisation period of Quebec history. The novel is at the origin of a media series that englobes a radio adaptation, three filmic adaptations, theater adaptations, a comic, and two television series. The aim of this article is to discuss the vision of colonisation by analysing two television series based on Un homme et son péché: Les Belles Histoires des pays d’en haut broadcast from 1956 to 1970 and Les Pays d’en haut broadcast from 2016 to 2019 on ICI Radio-Canada Télé 1. The analysis will try to trace modifications inherent to the process of adaptation on different levels (protagonists, representation of space, ideological discourse) and their influence on the vision of the colonisation period.
Źródło:
Romanica Silesiana; 2020, 18, 2; 86-97
1898-2433
2353-9887
Pojawia się w:
Romanica Silesiana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Product placement jako forma promocji miejsc w serialach telewizyjnych
Product placement as a formof promotion of places in tv series
Autorzy:
Posadzińska, I.
Adamczyk, P
Powiązania:
https://bibliotekanauki.pl/articles/323101.pdf
Data publikacji:
2018
Wydawca:
Politechnika Śląska. Wydawnictwo Politechniki Śląskiej
Tematy:
promotion
product placement
city placement
TV series
promocja
lokowanie produktu
lokowane miejsca
seriale telewizyjne
Opis:
The article reviews the theoretical and empirical sources for city placement in TV series. Problem related to city placement as an independent marketing communication tool was discussed. The main research problem is to look for the answer to the question – how does product placement affect recipients of messages during the broadcast of a TV series? The aim of the article is to identify and evaluate product placement based on theoretical and empirical sources in the series as a form of promotional message regarding places and services associated with them. The subject of the study became the series "Rodzinka.pl", chosen for its long-lasting production and emission, high ratings and numerous examples of products placed. The concept of product placement was explained, the mechanism of impacting buyers in the series as a message carrier, the advantages and disadvantages in the context of marketing communication, the analysis of the cases of city placement in the series "Rodzinka.pl" was made. The message concerning the promotion of places included in the story of the series allowed to use new presentation possibilities and strengthen the reaction of viewers through the recommendations of actors and natural scenes from life resulting from the story.
W artykule dokonano przeglądu źródeł teoretycznych i empirycznych dotyczących lokowania produktu w serialach telewizyjnych. Omówiono problem związany z product placement jako samodzielnym instrumentem komunikacji marketingowej. Główny problem badawczy sprowadza się do poszukiwania odpowiedzi na pytanie – w jaki sposób product placement oddziałuje na odbiorców komunikatów w trakcie emisji serialu telewizyjnego? Celem artykułu jest identyfikacja i ocena w oparciu o źródła teoretyczne i empiryczne product placement w serialu jako formie przekazu promocyjnego dotyczącego miejsc i usług z nimi związanych. Przedmiotem badania stał się serial „Rodzinka.pl”, wybrany ze względu na długotrwałą produkcję i emisję, dużą oglądalność oraz liczne przykłady lokowanych produktów, w tym miejsc. Wyjaśniono pojęcie product placement, określono mechanizm oddziaływania na odbiorców komunikatu w serialu jako nośniku, wskazano zalety i wady w kontekście komunikacji marketingowej, dokonano analizy przypadków product placement i city placement w serialu „Rodzinka.pl”. Przekaz dotyczący promocji miejsc włączony w fabułę serialu pozwolił wykorzystać nowe możliwości prezentacji oraz wzmocnić reakcję widzów poprzez rekomendacje aktorów i naturalne sceny z życia wynikające z fabuły.
Źródło:
Zeszyty Naukowe. Organizacja i Zarządzanie / Politechnika Śląska; 2018, 129; 417-430
1641-3466
Pojawia się w:
Zeszyty Naukowe. Organizacja i Zarządzanie / Politechnika Śląska
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Narracyjna złożoność współczesnego serialu telewizyjnego na przykładzie Breaking Bad Vince’a Gilligana
The Narrative Complexity of Contemporary TV Series Based on Vince Gilligan’s Breaking Bad
Autorzy:
Lewandowska, Zuzanna
Powiązania:
https://bibliotekanauki.pl/articles/920486.pdf
Data publikacji:
2015-01-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Breaking Bad
Vince Gilligan
TV series
contemporary television
quality television
post-network era
quality drama
narrative complexity
Opis:
The formula of the contemporary TV series, as a product of quality television, differs significantly from the traditional series in terms of its narrative structure and ways of building a plot line. Th is article presents an analysis of  the Breaking Bad series’ “narrative complexity”, which is the most distinguishing feature of the modern TV series. “Narrative complexity” can be understood not only as a series of innovative narrative devices, such as cold opens, flashbacks and flashforwards, but is also based on the multiplicity of plot lines present in each episode, constituting a whole story over the course of the seasons. Looking at the ways used to construct a plot and the narrative techniques adopted in Vince Gilligan’s Breaking Bad, that is, his use of parallels and symmetries, and the plot’s focus on the development of the series’ (anti)hero, the show can be interpreted as a “result drama"and “mirroring drama”. Th rough its use of the above-listed features of “narrative complexity”, the show meets the standards for a contemporary, quality television series.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 16, 25; 43-52
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Seriale telewizyjne jako wspólnoty symboliczne
TV series as symbolic communities
Autorzy:
Kisielewska, Alicja
Powiązania:
https://bibliotekanauki.pl/articles/423160.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
TV series
symbolic community
lead role
main character
myth
serial telewizyjny
wspólnota symboliczna
bohater serialu
mit
Opis:
The object of consideration in this article are TV series present on the Polish media market, produced since the 1990s until today. The series are both American and Polish. In this article they are considered as symbolic communities. I scrutinize the characters presented in each of the series to demonstrate that they impersonate television myths belonging to a wider symbolic process of creating television mythologies. By conceiving series’ characters as symbolic constructions I attempt to answer the question, what those popular series myths tell us and what kind of communities emerge around them.
Źródło:
IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych; 2016, 28/2; 91-106
0860-4487
Pojawia się w:
IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Constructing collective memory through a documentary. The case of “The Italian Americans” (PBS, 2015)
Autorzy:
Podemski, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/2083458.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Italian American
identity
collective memory
documentary
TV series
Opis:
The present paper is a case study of the U.S. Public Broadcasting Service (PBS) series: “The Italian Americans” (2015). It is argued that the series’ authors have aimed to deconstruct the anti-Italian stereotype, widespread in the United States. In exchange, they have proposed a new, positive image of the Italian community in America promoting the accomplishments of its prominent members. The entire PBS project, “The American Experience”, reflects an evolution of U.S. identity patterns from the homogeneous “melting pot” toward the diverse “salad bowl”, and hence – from monologue to polylogue.
Źródło:
Kwartalnik Neofilologiczny; 2019, 2; 279-288
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
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