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Wyszukujesz frazę "play time" wg kryterium: Temat


Wyświetlanie 1-6 z 6
Tytuł:
Oczyma wyobraźni – o znaczeniu zabawy w rozwoju dzieci niewidomych
In the Mind’s Eye – on the Significance of Pay for the Development of Blind Children
Autorzy:
Lewandowska, Patrycja
Jakoniuk-Diallo, Anna
Powiązania:
https://bibliotekanauki.pl/articles/50447593.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
play time
rehabilitation
blind child
toy
development
Opis:
The Article points to the meaning of children’s play time, in the stimulation of development in blind People. The authors highlight the role of specialized types of play, i.e. didactical and rehabilitation, in the process of supporting early development.
Źródło:
Studia Edukacyjne; 2022, 67; 95-104
1233-6688
Pojawia się w:
Studia Edukacyjne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
James Joyces Play with Dramatic Conventions in Ulysses (1922): Episode 15 (Circe)
Autorzy:
Vasylenko, Roman
Powiązania:
https://bibliotekanauki.pl/articles/601253.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
James Joyce, Ulysses, dramatic conventions, play, modernism, time, space.
Opis:
Abstract. This essay focuses on the fifteenth episode of James Joyce’s Ulysses(1922), „Circe”, which is written in the form of a drama script. My claim is that in „Circe” Joyce subverts the traditional Western view of drama, established by Aristotle in Poetics(c. 335 BCE), particularly with respect to the principles of imitation, the plot structure, the process of interpretation, and the role of dramatis personae. Yet, the focal point of the analysis is Joyce's vision of the categories of time and space categories and their implementation in „Circe”.
Źródło:
New Horizons in English Studies; 2019, 4
2543-8980
Pojawia się w:
New Horizons in English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Being Otherwise: How Events Become Things? Or Levinas Reads Hamlet.
Autorzy:
Zouidi, Nizar
Powiązania:
https://bibliotekanauki.pl/articles/579290.pdf
Data publikacji:
2013
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
play
monument
otherwise
time
continuity
simultaneity
Opis:
Performance is usually seen as a transient event. Hamlet calls it a thing. How can an event become a thing? Philosophy distinguishes between things and events. The two orders are different. Their difference is articulated in terms of time. Things are continuous, while events are evanescent. Hamlet calls the play within the play a ‘thing’ (Hamlet. II. Ii. 612). He thus thrusts it into the order of the continuous. Levinas introduces the concept of being otherwise. In order to explain the evanescent continuity, we will make use of this concept. Acting introduces a new mode of being that differs from that of writing. It is „eventive” continuity that we wish to speak about. An actor is only otherwise. By this, we mean that s/he is essentially a difference. An actor is only what s/he is not. By being a difference, the actor survives. Actors do not die. It is true that actors are mortals but the role will survive being acted. Unlike writing, where the word survives as a fixed monument, the role survives through repetition. This repetition is a recreation through repetitive simultaneity. When Iago says: I am not what I am (Othello. I. i. 65), he defines himself as a simultaneous difference. To be only as difference is quite challenging. Indeed, if the only mode of being is being otherwise, we speak about pure difference. Pure difference — total otherness that has no other — is the essence of acting. In the following essay, we intend to explore the generic question of temporality through a comparison between the monumentality of writing and that of acting. We will try to explain how a play is a thing, a continuous mode of being.
Źródło:
Zagadnienia Rodzajów Literackich; 2013, 56/111 z. 1; 123-137
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zabawa jako dodatkowa kategoria strukturalizacji czasu
Play as a new category in time structuring
Autorzy:
Mokrzycka, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/445743.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Humanistyczno-Przyrodniczy im. Jana Długosza w Częstochowie. Wydawnictwo Uczelniane
Tematy:
play
time structuring
zabawa
strukturalizacja czasu
analiza transakcyjna
Transactional Analysis
Opis:
The purpose of the article was to draw attention to usefulness of a relatively recently separated, additional time structuring category: play. This category refers to Natural Child’s activity state, under which a person consciously takes actions with a high level of spontaneity, which is a source of pleasant emotions. This way of time structuring, despite having some common points, differs both from pastimes, games, activities and intimacy, covering some categorisation gaps in Berne’s categorisation system. It was confirmed by my own study on the link between students’ style of living and time structuring, which showed that play has an important role in their lives.
Źródło:
Edukacyjna Analiza Transakcyjna; 2015, 4; 89-99
2299-7466
Pojawia się w:
Edukacyjna Analiza Transakcyjna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Aktualizacja, fragmentaryzacja, trwanie – próba opisu perspektyw czasowych współczesnego dokumentu
Actualization, fragmentation, duration – an attempt to describe temporal perspectives of contemporary documentary
Autorzy:
Boratyn, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/923105.pdf
Data publikacji:
2018-04-26
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
documentary film
time
immediacy
fragmentation
individualization
immersion
Farocki
Riahi
Noujaim
Deep Play
Everyday Rebellion
The Square
Opis:
The article describes certain changes that have taken place over the last several years in the temporal perspective found in documentary films. Humanity’s current technological and media environment are influencing the documentary’s content and means of expression. They express a “universal present”, as Mirosław Przylipiak has pointed out, under the influence of television, and the former dominance of statements addressed to the camera gave way to looks into the past. At present, the documentary is once again shifting its orientation toward a strictly defined and changing form of the present. Time in the temporally non-linear works commonly found among contemporary documentaries has become fragmented and individualized. There is also a tendency in non-fiction works to strive for immersion – focusing on the experience of time rather than the telling of a story.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 21, 30
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ZABAWA W KONTEKŚCIE KULTUROWYM. CZĘŚĆ II. KORELACJA ZABAWY Z PRACĄ
PLAY IN A CULTURAL CONTEXT. PART TWO: CORRELATION BETWEEN WORK AND PLAY
Autorzy:
Romanowska, Teresa
Powiązania:
https://bibliotekanauki.pl/articles/546585.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
folk culture,
work,
play,
homo ludens,
handmade toys,
social life,
annual customs,
celebrations,
holidays,
everyday life,
correlation,
recurrence,
free time,
spontaneity
Opis:
The article analyses own research and literature findings about correlation between work and play. The research was conducted by using the following methods: ethnographic interviews with Elk region citizens, analysis of diaries and autobiographies. From a contemporary perspective, the author reaches for memories of people in various age. They describe their childhood, when work was usually related with play and toys were handmade by children and adults. These memories are presented as a continuation of theoretical presentation of the topic in the first chapter of the article. In traditional cultures adults had designated time for work, and for rest and celebration. The memories show that children despite having work duties were able to play also during noncelebration time and sometimes they perceived work as something fun to do. Such attitude is natural for children. It is easier for them to go outside their everyday life and find some temporary activities. Characteristic for folk culture recurrence is the reason that some annual customs has survived and both children and adults participate in them. However everyday life of the authors of the memories and also of other people has changed significantly, mainly due to modern technologies.
Źródło:
Civitas et Lex; 2018, 3(19); 63-76
2392-0300
Pojawia się w:
Civitas et Lex
Dostawca treści:
Biblioteka Nauki
Artykuł
    Wyświetlanie 1-6 z 6

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