Skocz do pozycji: 1.

Tytuł:

Powieść reportażowa czy dziennikarska? Uwagi o międzywojennej twórczości prozatorskiej Jalu Kurka
Journalistic or Reportage Novel? Notes on Jalu Kurek’s Interwar Prose

Autorzy:

Adamczewska, Izabella

Powiązania:

https://bibliotekanauki.pl/articles/967727.pdf

Data publikacji:

2015

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

journalistic novel
reportage novel
journalism and the novel
interwar Polish novel
non-fiction
Jalu Kurek

Opis:

The paper focuses on genealogical aspects of three interwar novels by Jalu Kurek – Andrzej Panik, Grypa szaleje w Naprawie, Woda wyżej) – which have often been described by critics as “reportage novels”. The author examines the past critical reception of the novels and the intentio auctioris. The main goal of the article is to suggest a more capacious genealogical term: the journalistic novel.

Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2015, 28, 2
1505-9057
2353-1908

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Polonica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 2.

Tytuł:

Contextos mitopéicos da prosa de Mia Couto nos romances Varanda do Frangipani, O Último Voo do Flamingo e Terra Sonâmbula
Mythopoeic contexts in the prose of Mia Couto in the novels Varanda do Frangipani, O Último Voo do Flamingo and Terra Sonâmbula

Autorzy:

Trocha, Bogdan
Charchalis, Wojciech

Powiązania:

https://bibliotekanauki.pl/articles/43665661.pdf

Data publikacji:

2023

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

mythopoeia
mozambican novel
mozambican litteratute
african novel

Opis:

This paper presents an analysis of mythopoeic elements in three novels by Mia Couto. Starting from Mircea Eliade’s definition of myth, we look for elements of the Living Cosmos with its axis mundi, centre and periphery, chaos and harmony and quest in the novels. Such structure of the analysis allows us to consider the cultural colonization and decolonization of contemporary Mozambique. We conclude that the analysis of the mythopoetic schema in Mia Couto’s novels demonstrates a crisis of cultural harmony in the contemporary Mozambican state and nation. On the other hand, however, the mythopoetic reveals a horizon of cultural and traditional models of persistence that save not only from chaos but above all from the dehumanization of society.    

Źródło:

Studia Romanica Posnaniensia; 2023, 50, 2; 73-91
0137-2475
2084-4158

Pojawia się w:

Studia Romanica Posnaniensia

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 3.

Tytuł:

Budyjska koncepcja transmigracji jako chwyt kompozycyjny "Hōjō no umi" Mishimy Yukio
The Buddhist Concept of Transmigration as a Structural Trick in Mishima Yukio’s „The Sea of Fertility”

Autorzy:

Wolska-Lenarczyk, Joanna

Powiązania:

https://bibliotekanauki.pl/articles/961624.pdf

Data publikacji:

2014

Wydawca:

Polskie Towarzystwo Orientalistyczne

Tematy:

transmigration
consciousness-only
samsara
novel structure
anti-novel

Opis:

The article takes up the problem of the structure of the last work of Mishima Yukio, the tetralogy Hōjō no umi (The Sea of Fertility). The book is considered to be Mishima’s opus magnum and his literary testament for the next generations. The article focuses on the Buddhist concept of transmigration which seems to be the writer’s structural trick on readers, a kind of perversive play in which the readers are not able to judge whether Mishima really believes in the concept of transmigration (jap. tenshō, sanskr. saṃsāra) or he is only mocking. Why did Mishima make this particular concept the axis of his book? The article aims at giving the answer to this question and suggests that the ultimate conclusion is yuishiki “consciousness only” (sanskr. vijñapti-mātratā).

Źródło:

Przegląd Orientalistyczny; 2014, 3-4; 188-206
0033-2283

Pojawia się w:

Przegląd Orientalistyczny

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 4.

Tytuł:

Bałuty w krzywym zwierciadle: fantasmagoria – literatura – historia. Uwagi nad książką: Jisroel Rabon, Bałuty. Powieść z przedmieścia, pod red. Krystyny Radziszewskiej, Natalii Krynickiej przy współpracy Izabeli Olejnik i Jacka Walickiego. Przekład z jidysz Natalia Krynicka i Izabela Olejnik, Łódź 2016, Wydawnictwo Uniwersytetu Łódzkiego, s. 175
Baluty in a distorting mirror: phantasmagoria – literature – history. The remarks over the book: Jisroel Rabon, Bałuty. Powieść z przedmieścia, pod red. Krystyny Radziszewskiej, Natalii Krynickiej przy współpracy Izabeli Olejnik i Jacka Walickiego. Przekład z jidysz Natalia Krynicka i Izabela Olejnik, Łódź 2016, Wydawnictwo Uniwersytetu Łódzkiego, s. 175

Autorzy:

Woźniak, Krzysztof Paweł

Powiązania:

https://bibliotekanauki.pl/articles/649252.pdf

Data publikacji:

2017

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

–
Lodz
Baluty
Izrael Rabon
action novel
episode novel

Opis:

The article comments on the Polish edition of Izrael Rabon’s Bałut: a roman fun a forsztot (1934). It includes exegesis of a novel, omitted by the publisher. Reminds and discusses earlier transaltion attemps of its parts into Polish. It classifies the Rabon’s work as an action novel, meant, by the author, to be published in parts in a newspaper. The article also portrays a variety of similar works published in Lodz press in 1918–1939. It recognizes the first print publisher and describes the profile of his printing house. Serves as a review of polish-jewish literature scene in Mid War time. It also conveys a polemic with presented in book vision of Baluty district as a place inhabited mainly by Jews and Poles. There is an attempt of correcting mistakes and omissions of the above mentioned publication.
–

Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2017, 40, 2
1505-9057
2353-1908

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Polonica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 5.

Tytuł:

Prijevod usmenih strahova u pisanu tjeskobu ili poetički učinci predajnih elemenata u romanima Živi i mrtvi Josipa Mlakića i Črna mati zemla Kristiana Novaka
The transposition of the oral fears into the written anxiety or the poetic effects of the narrative elements of belief legends in the novels Živi i mrtvi by Josip Mlakić and Črna mati zemla by Kristian Novak).

Autorzy:

Rudan, Evelina

Powiązania:

https://bibliotekanauki.pl/articles/951582.pdf

Data publikacji:

2018

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

novel
emotion
fear
belief legend
war novel
anxiety

Opis:

Belief legends, especially those regarding fear and its realization, transformation and embodiment, are important narrative substrate. Forms of belief legends and/or their segments are often, in many ways and functions, intertextually inscribed in Croatian novelistic production. This paper shall analyse the way in which the motifs and topics related to the belief legends, as well as their development: defining and unmasking fear, are employed in the novels Živi i mrtvi (The Living and the Dead) by Josip Mlakić and Črna mati zemla (Black Mother Earth) by Kristian Novak. In the novel Živi i mrtvi, the elements of the belief legends poetically recreate a strong sense of horror of war, here represented through the growing fear felt by a small isolated group made up of a couple of soldiers. A different type of terror, a personal trauma that leaves the under-aged protagonist of Črna mati zemla completely isolated from the world and his loved ones, is poetically recreated especially through some of the elements of the belief legends.

Źródło:

Poznańskie Studia Slawistyczne; 2018, 15; 273-286
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 6.

Tytuł:

Powieść uniwersytecka Alicji Iwańskiej
Alicja Iwańska’s campus novel

Autorzy:

Wal, Anna

Powiązania:

https://bibliotekanauki.pl/articles/511350.pdf

Data publikacji:

2020

Wydawca:

Wydawnictwo Uniwersytetu Śląskiego

Tematy:

campus novel
migration

Opis:

The paper discusses the novel Baśń amerykańska [An American Fairy Tale] by Alicja Iwańska, a Polish writer and sociologist who worked at American universities for many years. The paper discusses the picture of the academic community at a state university in the USA in the 1960s and the way in which it is presented, which makes it possible to classify the text as a campus novel, which is an extremely popular genre in English-language literature. The paper also points to the author’s demythologising view of the USA, challenging the American myth characteristic of the Polish awareness.

Źródło:

Postscriptum Polonistyczne; 2020, 25, 1; 251-260
1898-1593
2353-9844

Pojawia się w:

Postscriptum Polonistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 7.

Tytuł:

Investigations of strength, thermal expansion and engine of novel pistons for combustion engines

Autorzy:

Siemińska, B.

Powiązania:

https://bibliotekanauki.pl/articles/243623.pdf

Data publikacji:

2008

Wydawca:

Instytut Techniczny Wojsk Lotniczych

Tematy:

combustion engine
engine pistons
novel alloys
novel materials
thermal expansion

Opis:

Pistons of internal-combustion engines work in the conditions of high mechanical and thermal loads. The typical alloy materials applied on pistons of internal-combustion engines have inadequate parameters for such applications. It mainly refers to the fatigue strength of the mechanical and thermal character and to the thermal shocks. In relation with fact that the piston of internal-combustion engine has unsymmetrical shape, that in every case of the piston temperature increase the unequal deformations appear and stresses related with this, what causes fatigue loads of the piston structure. The paper presents special demands, which pistons of contemporary of internal-combustion engines must fulfil with respect to strength, thermal and useful properties, mirrored in the engine work parameters, like engine oil consumption, fuel consumption, noise, gas blow by to the crankcase and the emission of toxic exhaust elements, mainly hydrocarbons. One turned attention on the new material that can be used in manufacture of pistons for the internal-combustion engines, which is the carbon material. In the article the results of research for the mechanical, thermal and engine properties are submitted for the pistons manufactured from a new material. On the emphasis deserve fact, that the application of new materials permits on the obtainment of the small difference in the coefficient of linear thermal expansion during the heating and the cooling, that will bring many profitable effects of both functional and useful nature.

Źródło:

Journal of KONES; 2008, 15, 3; 471-478
1231-4005
2354-0133

Pojawia się w:

Journal of KONES

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 8.

Tytuł:

Nowe życie Orhana Pamuka i Jeśli zimową nocą podróżny Italo Calvino, czyli o książce w książce

Autorzy:

Młynarczyk, Anna

Powiązania:

https://bibliotekanauki.pl/articles/915265.pdf

Data publikacji:

2015-12-01

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Turkish novel
Italian novel
reader
postmodernism
Orhan Pamuk
Italo Calvino

Opis:

This article presents two aspects of showing the power of literature. Orhan Pamuk, a Turkish Nobel prize winner, in his book New life is more focused on the content of the novel. Main characters of the story are entirely devoted to one book that totally changes their lives. Italo Calvino is more focused on the structure. His characters take part in a great adventure just to find the end of the story that they are interested in. The main goal of this article is to show differences and similarities in showing the same literary issue. Italo Calvino's novel is more optimistic and positive. Literature has good influence on his characters. On the other side, Orhan Pamuk's novel shows a destructive side of literature. Characters in his book seem to be defeated from the very beginning. Those two books show in a very good way the difference between European optimism and Oriental, especially Turkish, sentimentality, which in Turkish language has its own name – hüzün. It can be translated as 'blues, sadness, spleen'.Both novels present the power of literature and its influence on readers.

Źródło:

Studia Azjatystyczne; 2015, 1; 101-114
2449-5433

Pojawia się w:

Studia Azjatystyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 9.

Tytuł:

Léo Dex et les romans « aérostatiques »
Léo Dex and the “aerostatic” novel

Autorzy:

Puyo, Jean-Yves

Powiązania:

https://bibliotekanauki.pl/articles/43665644.pdf

Data publikacji:

2023

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

geographical novel
aerostatic novel
Edouard Deburaux
Léo Dex
Jules Verne

Opis:

Between 1895 and 1904, Captain Edouard Deburaux, under the name Léo Dex, wrote several novels that fully embraced the codes of the geographical novel. Most of his writings, following in the footsteps of Jules Verne’s Cinq semaines en ballon (1863), were intended to take the reader mainly to Africa. So, is he a mere imitator? In fact, he differs from Verne in that he himself was a nationally and internationally recognized balloonist. And if he did not invent the “balloon novel”, he was nonetheless the most prolific contributor to the genre.

Źródło:

Studia Romanica Posnaniensia; 2023, 50, 1; 55-68
0137-2475
2084-4158

Pojawia się w:

Studia Romanica Posnaniensia

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 10.

Tytuł:

W hołdzie dla Diderota. Milan Kundera, Kubuś Fatalista i ich pan
In tribute to Diderot: Milan Kundera, Jacques the Fatalist and their Master

Autorzy:

Gawarecka, Anna

Powiązania:

https://bibliotekanauki.pl/articles/635442.pdf

Data publikacji:

2018

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

enlightenment novel
postmodern novel
literary fiction
poetics of variations
meta-literariness

Opis:

In his meta-literary and para-textual statements, Milan Kundera has been frequently turning to the issue of the enlightenment narrative experiments considered as the initial ones for the twentieth-century (post)modern creative strategies. Those experiments resulted from the striving for suppression of the over-prescription characterized the classicist rules, and they managed to direct attention to the literary genres which were undermined by the Enlightenment era that is in other words and above all, novel. In order to reveal this “modernity” of the eighteenth-century prose, the Czech writer in the work entitled Jacques and his master (1971) performed a “cultural translation” (variation) of the famous text by Diderot into the form of drama. Kundera was focused on the devices used by the French encyclopaedist which enabled him to expose the “evidence of trick” regarding the anti-illusion and fictitious character of literary representation of the world. He was, therefore, interested not so much in the philosophical and ideological background of Diderot’s tale dedicated to the romances of Jacques the Fatalist, but in the author’s freedom in his “play with the romance’s conventions” which even then was undergoing the process of fast schematisation.

Źródło:

Poznańskie Studia Slawistyczne; 2018, 15
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 11.

Tytuł:

Ananda Devi – pisarka skrzyżowania kultur
Ananda Devi: a writer at the crossroads of cultures

Autorzy:

Wiśniewska-Szaran, Katarzyna

Powiązania:

https://bibliotekanauki.pl/articles/1912978.pdf

Data publikacji:

2020-12-04

Wydawca:

Wydawnictwo Uniwersytetu Śląskiego

Tematy:

Ananda Devi
Mauritius
novel

Opis:

Ananda Devi is a francophone-Mauritian writer who lives (and creates) near Geneva. She is the author of numerous novels, short stories and volumes of poetry. Although the stories of her characters are fictitious, Devi’s texts are strongly inspired by her native island, its history and its ethnic, cultural and linguistic heterogeneity. In her novels, Devi employs numerous stylistic devices to empower individuals who are regarded as worse, excluded from the society due to their deficits.

Źródło:

Śląskie Studia Polonistyczne; 2020, 16, 2; 1-10
2084-0772
2353-0928

Pojawia się w:

Śląskie Studia Polonistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 12.

Tytuł:

Ja i moja towarzyszka niedoli, Turcja
Me and my misery companion, Turkey

Autorzy:

Sulimowicz-Keruth, Anna
Meryem, Hatice

Powiązania:

https://bibliotekanauki.pl/articles/950465.pdf

Data publikacji:

2020-05-28

Wydawca:

Polskie Towarzystwo Orientalistyczne

Tematy:

Turkey
novel
Hatice Maryem

Źródło:

Przegląd Orientalistyczny; 2019, 3-4(271-272); 309-312
0033-2283

Pojawia się w:

Przegląd Orientalistyczny

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 13.

Tytuł:

Formen des Religiösen in ausgewählten Werken Gertrud von Le Forts
Forms of religiosity in selected works by Gertrud von le Fort

Autorzy:

Piasta, Ewa Anna

Powiązania:

https://bibliotekanauki.pl/articles/679668.pdf

Data publikacji:

2018

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

literature
religion
novella
novel

Opis:

Works by Gertrud von le Fort belong with literary religious discourse and enter a debate between Roman Catholicism and Protestantism.The writer sets her plots in the past, most frequently in the Middle Ages, which enables her to offer a critical assessment of contemporary political, ethical and religious issues.The article presents various connections between literature and religion, in terms of both motifs and style. References to religion are found in the thematic, axiological and linguistic layers of her texts. The analysed works comprise the novellas Der Dom (The Cathedral) and Am Tor des Himmels (At the Heavenly Gate) as well as the novel Magdeburgische Hochzeit (The Magdeburg Wedding). These works also reflect the phenomenon of the so-called cultural Christianity. Le Fort’s characters are not indifferent to the religious system, even if they do not fully identify with it.

Źródło:

Acta Universitatis Lodziensis. Folia Germanica; 2018, 14; 83-91
2449-6820

Pojawia się w:

Acta Universitatis Lodziensis. Folia Germanica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 14.

Tytuł:

Powieść autobiograficzna – kariera pojęcia
Autobiographical Novel: The Development of the Term

Autorzy:

Pokrywka, Rafał

Powiązania:

https://bibliotekanauki.pl/articles/27311215.pdf

Data publikacji:

2013

Wydawca:

Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego

Tematy:

poetics
novel
autobiographical novel
autobiography
poetyka
genologia
powieść
powieść autobiograficzna
autobiografia

Opis:

W artykule podjęty zostaje temat powieści autobiograficznej i jej naukowego uzasadnienia. Podstawowe problemy w użyciu pojęcia wynikają z różnorodnego rozumienia terminu „autobiograficzny”, co zostaje omówione w części pierwszej. Część druga podejmuje skrótowy przegląd ważnych stanowisk wobec powieści autobiograficznej, głównie w polskim literaturoznawstwie. Najbardziej rozpowszechnione są w tym obszarze metody biograficzne i rozmaite odmiany paktu autobiograficznego. Każdy wybór metodologiczny zakłada jednak jakąś stratę, powieść autobiograficzna oferuje bowiem kilka wykluczających się wzajemnie możliwości odczytań. Znamienne jest, że wiele z aktualnych pytań rzadko podejmowanych jest dzisiaj, dotyczą one przede wszystkim receptywnego i medialnego wymiaru pojęcia, w którym powieść autobiograficzna mogłaby zaistnieć jako „figura odczytywania”. Pytania te zostają postawione w części końcowej.
The article discusses the subject of autobiographical novel and its scientific justification. In the first part the author draws the readers’ attention to the fact that certain basic problems concerning the use of the very notion stem from different ways of understanding the term “autobiographical.” The second part of the article outlines certain important approaches to autobiographical novel, predominantly in the Polish literary studies. In this area the most common are biographical methods and various forms of autobiographical treaty. Every single methodological choice entails a certain loss, since autobiographical novel offers several mutually exclusive interpretations. However, there are numerous questions which are rarely posed nowadays, and which concern receptive and medial dimension of the notion in which an autobiographical novel could exist as an “interpretation figure”. These questions are posed in the final part of the work.

Źródło:

Tematy i Konteksty; 2013, 8, 3; 164-181
2299-8365

Pojawia się w:

Tematy i Konteksty

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 15.

Tytuł:

Dérouter le lecteur ou comment dépasser le stéréotype du roman de la route au Québec au XXIe siècle – l’exemple de François Blais
Confusing the reader or how to move beyond the stereotype of road novel in Quebec in the 21st century – the example of François Blais

Autorzy:

Berek, Ewelina

Powiązania:

https://bibliotekanauki.pl/articles/1368340.pdf

Data publikacji:

2021-02-23

Wydawca:

Wydawnictwo Uniwersytetu Śląskiego

Tematy:

François Blais
road novel in the 21st century
contemporary Quebecer novel

Opis:

The article discusses the stereotype of road novel in Québec in the 21st century, exemplified by François Blais’s sixth novel entitled Document 1 published in 2012. Blais’s novel appears different from the typical road novels by playing with the genre’s codes in order to create something altogether new. The aim of the article is to shed light on the character development, the representations of place and the journey itself presented in the novel.

Źródło:

Romanica Silesiana; 2019, 16, 2; 179-190
1898-2433
2353-9887

Pojawia się w:

Romanica Silesiana

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 16.

Tytuł:

La Modernité de la Construction du Personnage de Cripure dans Le Sang Noir de Louis Guilloux

Autorzy:

Bizek-Tatara, Renata

Powiązania:

https://bibliotekanauki.pl/articles/606229.pdf

Data publikacji:

2008

Wydawca:

Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej

Tematy:

Louis Guilloux
New Novel

Opis:

After André Gide and Marcel Proust, Louis Guilloux is one of the first writers of the 20th century who rejects the 19th-century literary tradition, creating in 1935 an exceptional and innovative novel – Le Sang Noir. Its innovation resides in the similarity to the New Novel from the 50s on the level of composition, narration, organization of spatio-temporal setting, role of the reader and character construction. The article discusses the innovative character construction employed by Guilloux in the creation of Cripure, the protagonist. By means of the techniques of internal monologue and various points of view, the author created a protagonist with highly complex personality, impossible to be unambiguously characterized. An anonymous narrator, showing dualistic approach towards the protagonist, constantly shifts the points of view, rendering any description of the protagonist’s identity unfeasible as the information provided about him by the narrator and other characters is contrary. Guilloux uses elliptic constructions, enabling the reader to interpret characters’ conduct. However, the constructions do not reveal the motivation of their actions, but are limited to presenting events, citing characters’ statements and, above all, demonstrating their behavior. The reader has to fill the gaps and interpret characters’ conduct themselves. Two decades later, this “adventure of writing” rather than “writing of adventure” will become one of the fundamental principles of the New Novel.

Źródło:

Lublin Studies in Modern Languages and Literature; 2008, 32; 20-30
0137-4699

Pojawia się w:

Lublin Studies in Modern Languages and Literature

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 17.

Tytuł:

„Österreichische“ und andere Ironie in den Texten von Olga Flor, Teresa Präauer und Cordula Simon
“AUSTRIAN” AND OTHER IRONY IN THE FICTION BY OLGA FLOR, TERESA PRÄAUER AND CORDULA SIMON

Autorzy:

Kupczyńska, Kalina

Powiązania:

https://bibliotekanauki.pl/articles/910296.pdf

Data publikacji:

2020-04-30

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

contemporary Austrian novel
irony

Opis:

Den Ausgangspunkt für den Artikel bildet die Aussage von Kathrin Röggla, derzufolge „Was in Österreich – nicht nur in der Literatur – Tradition hat, ist Ironie“. Den Gegenstand der Untersuchung bilden Ironie-Konzepte in drei Romanen der österreichischen Autorinnen der Gegenwart Olga Flor, Teresa Präauer, Cordula Simon. Die Fragestellung ist auf die spezifisch „österreichische“ Ironie ausgerichtet, die, so die These, eine besondere Form der Auseinandersetzung mit aktuellen sozialen und politischen Themenkomplexen darstellt.
“There is a tradition of irony in Austria, not only in literature”, said Kathrin Röggla in an interview in 2012; my article considers the assertion as a starting point to an analysis of three novels by contemporary Austrian women authors Flor, Präauer and Simon. The aim is to examine the different patterns of irony by Flor, Präauer and Simon in order to assess what the “Austrian” concept of irony can mean today. Furthermore, I would like to consider the „Austrian“ irony as a specific Austrian cue to express involvement in current political matters.

Źródło:

Studia Germanica Posnaniensia; 2019, 40; 21-36
0137-2467

Pojawia się w:

Studia Germanica Posnaniensia

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 18.

Tytuł:

Il nuovo romanzo storico in Polonia e Lituania

Autorzy:

Ranocchi, Emiliano

Powiązania:

https://bibliotekanauki.pl/articles/28409078.pdf

Data publikacji:

2015

Wydawca:

Associazione Italiana Polonisti (AIP)

Tematy:

Historical novel
Polish literature

Źródło:

pl.it / rassegna italiana di argomenti polacchi; 2015, 6; 191-198
2384-9266

Pojawia się w:

pl.it / rassegna italiana di argomenti polacchi

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 19.

Tytuł:

Clockwork novel: the mechanics behind Frances Burney’s prose composition

Autorzy:

Paluchowska-Messing, Anna

Powiązania:

https://bibliotekanauki.pl/articles/572000.pdf

Data publikacji:

2016

Wydawca:

Uniwersytet Warszawski. Wydział Neofilologii

Tematy:

third-person narration
free-indirect discourse
polyphonic novel
heteroglossia
narrative voice
didactic novel
eighteenth-century novel eighteenth-century women writers

Opis:

The paper explores the didactic potential of the novels by the eighteenth-century English writer Frances Burney. To this end, it takes up the metaphor of a life-like automaton – a symbol of human ingenuity and artistic mastery, and a popular object of entertainment in the eighteenth century – and examines its applicability to describe the act of construing a novelistic text. The analysis yields the conclusion that Burney’s experiments with narrative techniques (third-person narration, free indirect discourse, heteroglossia) were employed to ensure the narrator’s authority through the strategic withdrawal of the authorial feminine voice, and were also instrumental in achieving a text which would be both aesthetically pleasing and instructive to the readers. Burney’s didacticism, moreover, proves to be very modern, that is not prescriptively moralizing, but rather training the readers in the exercise of empathy.

Źródło:

Acta Philologica; 2016, 49; 139-150
0065-1524

Pojawia się w:

Acta Philologica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 20.

Tytuł:

Alegoria w czeskiej powieści historycznej lat 60. XX wieku (Václav Kaplický „Kladivo na čarodějnice” i Jiri Šotola „Tovaryšstvo Jezišovo”)
Allegory in Czech historical novel of the 60s of the 20th century

Autorzy:

Królak, Joanna

Powiązania:

https://bibliotekanauki.pl/articles/2012728.pdf

Data publikacji:

2017-06-01

Wydawca:

Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego

Tematy:

powieść historyczna
powieść rozrachunkowa
alegoria
historical novel
political ‘clearing accounts’ novel
allegory

Opis:

The article concerns the problem of allegory in two Czech historical novels from the beginning and the end of the 60s of the twentieth century: Kladivo na čarodějnice by Václav Kaplický and Tovaryšstvo ježišovo by Jiři Šotola. Both novels are also considered to be important political ‘clearing accounts’ novels. Application of allegory as a method of reception allows us to answer the question about the participation of the reader in the setting up of allegory in the Czech prose of the twentieth century .

Źródło:

Prace Filologiczne. Literaturoznawstwo; 2017, 7(10); 219-230
2084-6045
2658-2503

Pojawia się w:

Prace Filologiczne. Literaturoznawstwo

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 21.

Tytuł:

Zjawy, kociaki i Milicja Obywatelska. Literackie i społeczne konteksty Strachów w Biesalu Jerzego Putramenta
Apparitions, kittens and Citizens’ Militia. Literary and social contexts of Strachy w Biesalu (Fears in Biesal) by Jerzy Putrament

Autorzy:

Dudziński, Robert

Powiązania:

https://bibliotekanauki.pl/articles/2231103.pdf

Data publikacji:

2023-06-30

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

Jerzy Putrament
odwilż
powieść detektywistyczna
powieść milicyjna
Khrushchev Thaw
detective novel
militia novel

Opis:

Artykuł stanowi próbę kulturowej analizy powieści kryminalnej Jerzego Putramenta Strachy w Biesalu (1958). Utwór osadzony został w literackim i społecznym kontekście epoki, co pozwoliło na scharakteryzowanie jego genezy, formy oraz recepcji. W toku analizy omówione zostały trzy główne aspekty dzieła Putramenta. W pierwszej części tekstu autor opisuje, w jaki sposób powieść wpisywała się w charakterystyczny dla okresu postalinowskiej odwilży proces przemiany oficjalnego stosunku do literatury sensacyjnej. Zaakceptowano wówczas powieść kryminalną jako gatunek rozrywkowy i oczekiwano, że sięgną po niego cieszący się uznaniem pisarze – wierzono bowiem, że zapewni to wysoki poziom powstającym w ten sposób utworów. W drugiej części artykułu analizie poddano metafikcjonalny i pastiszowy charakter powieści Putramenta, która dzięki licznym odwołaniom do metaforyki teatralnej ujawnia i tematyzuje mechanizmy rządzące konwencją kryminalną. W części ostatniej zrekonstruowany został społeczny kontekst Strachów w Biesalu – powieść odnosi się bowiem do charakterystycznych dla drugiej połowy lat 50. procesów emancypacji kobiet i wykorzystuje genderowe stereotypy związane z tymi procesami. Powieść Putramenta stanowi zatem także satyrę wykpiwającą środowisko artystyczne oraz młode, zafascynowane modą i kulturą Zachodu kobiety. Autor artykułu dowodzi jednak, że krytycznemu tonowi powieści towarzyszy także mimowolna fascynacja wyemancypowaną kobiecością.
The article looks at three aspects of the crime novel Strachy w Biesalu (Fears in Biesal, 1958) penned by Jerzy Putrament. In the first part of the text, the author describes how this work aligned with the process of changing the official stand on action novels, a shift that was characteristic of the post-Stalinist thaw. The second segment of the article features an analysis of the metafictional and pastiche protagonist of Putrament's novel, revealing and extracting themes related to mechanisms governing the convention of crime fiction. The final part reconstructs the social and cultural context of Fears in Biesal – the novel refers to the processes of women's emancipation and gender stereotypes associated with these processes that were characteristic of the second half of the 1950s.

Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2023, 66, 1; 177-195
1505-9057
2353-1908

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Polonica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 22.

Tytuł:

From The Laboratory Of The 1990s To The Novel Of The 21st Century – Contemporary Bulgarian Literature In Highlights

Autorzy:

Dimitrova, Elka

Powiązania:

https://bibliotekanauki.pl/articles/694499.pdf

Data publikacji:

2017

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

contemporary Bulgarian literature
novel
postmodernism

Opis:

The text presents the main trends in Bulgarian literary development from the 1990s to the present day through the highlights of the lyrical boom of the 1990s and the novel wave since 2001 on. Some lines of continuity are outlined, tracing back to the 1960s (regarding the literary experiment and dissident attitude), and the period before 1944 (the adoption/challenge of the modernist tradition in the 1990s). A separate research topic is the fi xation of the critical interest on certain writers’ personalities.

Źródło:

Slavica Lodziensia; 2017, 1
2544-1795

Pojawia się w:

Slavica Lodziensia

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 23.

Tytuł:

Nieznośna lekkość przyjęć, czyli o różnych wcieleniach pani Dalloway
The Unbearable Lightness of Parties or Various Incarnations of Mrs Dalloway

Autorzy:

Izdebska, Agnieszka

Powiązania:

https://bibliotekanauki.pl/articles/579270.pdf

Data publikacji:

2016

Wydawca:

Łódzkie Towarzystwo Naukowe

Tematy:

Intertextuality
literary re-cycling
novel

Opis:

The main issues discussed in this article are the intertextual relationships between two novels: one the most famous modernistic texts — Mrs Dalloway by Virginia Woolf and The Hours by Michael Cunningham. The American writer’s novel alludes already in the title to Woolf’s work. The Hours was the working title for Mrs Dalloway. The detailed analysis of the various references to it acknowledges the hypotext in the Cunningham novel and proves that intertextuality in this case has its mainly existential dimension: for heroines of The Hours Mrs Dalloway provides an opportunity for not only re-writing or re-reading but for re-existing as well.

Źródło:

Zagadnienia Rodzajów Literackich; 2016, 59/119 z. 3; 41-55
0084-4446

Pojawia się w:

Zagadnienia Rodzajów Literackich

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 24.

Tytuł:

Zdania inicjalne w powieściach Marka Krajewskiego
Opening sentences in Marek Krajewski’s novels

Autorzy:

Ruszkowski, Marek

Powiązania:

https://bibliotekanauki.pl/articles/615495.pdf

Data publikacji:

2016

Wydawca:

Uniwersytet Opolski

Tematy:

opening sentences
novel
Marek Krajewski

Opis:

Opening sentences raise a lot of interest of both linguists and common Polish speakers. It is evident from numerous websites in which Internet users share their observations on the best opening sentences of books (most often novels), as well as theoretical papers and writing guides. The analysis of opening sentences of ten novels by Marek Krajewski (co-author of two of them being Mariusz Czubaj) is to provide an answer to the question to what extent the utterance opening of the texts of the Wroc³aw-based prose writer fulfill the requirements to be met by such type of constructions. It turns out that most crucial are syntactic and semantic features rather than lexical ones. The clash between theoretical assumptions and the M. Krajewski’s writing practice shows that opening sentences of his novels not always fall into classical determinants of incipient formulas. It also illustrates the thesis that a skillful writer does not need to cling to theoretical assumptions to create good opening sentences and novels translated into nearly twenty languages.

Źródło:

Stylistyka; 2016, 25; 267-276
1230-2287
2545-1669

Pojawia się w:

Stylistyka

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 25.

Tytuł:

“Reread me backwards”: Deciphering the Past in Elizabeth Bowen’s The Heat of the Day

Autorzy:

Johnson, Stephanie

Powiązania:

https://bibliotekanauki.pl/articles/653525.pdf

Data publikacji:

2016

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

Bowen
spy novel
reading
Blitz

Opis:

Set during the midst of the London Blitz, Elizabeth Bowen’s The Heat of the Day revolves around a narrative of espionage, but unlike many novels from the spy genre, it refuses to disclose all of its secrets. Instead, the novel’s dense and complex language, which so effectively expresses the dislocating effects of a city under attack, resists an easy or uncomplicated reading. This article examines the motif of reading within the novel, which manifests when its protagonist, Stella Rodney, learns her lover Robert is a Nazi spy. In her efforts to locate proof of his defection, Stella becomes caught in a recurrent but indeterminable task of rereading past events, a movement which attempts to remember the past but also foregrounds a fundamental inability to ever wholly resolve its enigmas. When Stella fails to read her past for lost clues, she is prevented from viewing the events of her life as a coherent and meaningful narrative. The novel’s difficult language reflects this lack of resolution, refusing to assimilate the events it depicts into a straightforward account. With its wartime setting as a disorienting backdrop, The Heat of the Day undermines the purpose of reading as the discovery of sense and meaning, producing instead only more questions and mysteries.

Źródło:

Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2016, 4, 1
2353-6098

Pojawia się w:

Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 26.

Tytuł:

Roll a Hard Six: Losing Your Noodle in Raymond Federman’s Double or Nothing

Autorzy:

Guenther, Shawna

Powiązania:

https://bibliotekanauki.pl/articles/653547.pdf

Data publikacji:

2015

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

surfiction
Holocaust
concrete novel
psychology

Opis:

Raymond Federman’s Double or Nothing is a convoluted representation of the mentallyunstable mind existing as a series of six characters that are at once separate and conjoined: the horrors and traumatic events of the narrative past dismantle the unified subject into a series of schizophrenic sub-personalities, parts of the destabilized Author’s psyche, existing as separate fragments that eventually collide. Further, the imaginary room emerges as the Fifth Person, promising, but failing, to be a central stabilizer of the other fractured selves. Finally, the design of the text echoes the patterns of the traumatized mind, illustrating the inability of a narrative to construct a stable, unified subject and demonstrating the inadequacy of traditional narrative forms. The text, with its obliterations, cropped phrases, and pictorial manifestations, becomes the Sixth Person. However, in the end, the text shows that the past cannot be erased, explained, or reversed; neither can the experimental nature of the novel reach beyond the traumatized, schizoid subject to represent the horrors of the past that caused the Author’s psychotic breach. Federman has rolled a hard six that will repeatedly fragment and unite, just as the traumatic past continues to repeat itself as one that defies representation.

Źródło:

Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2015, 3, 2
2353-6098

Pojawia się w:

Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 27.

Tytuł:

Formy literackie używane w wybranych utworach Klementyny z Tańskich Hoffmanowej na przykładzie powieści Listy Elżbiety Rzeczyckiej do przyjaciółki swojej Urszuli

Autorzy:

Kossowska, Katarzyna

Powiązania:

https://bibliotekanauki.pl/articles/2130262.pdf

Data publikacji:

2020

Wydawca:

Instytut Studiów Międzynarodowych i Edukacji Humanum

Tematy:

enlightenment
novel
women’s education

Opis:

One of the main features of 18th-century Polish literature was its didactic coverage. It was related to the great civilization, moral and cultural changes that took place in the 18th century, the contemporary situation of Polish education and – at the end of the century – the partitions of the Polish-Lithuanian Commonwealth. A novel by Klementyna Hoffmanowa née Tańska "Listy Elżbiety Rzeczyckiej do przyjaciółki swojej Urszuli za panowania Augusta III pisane", achieve the didactic goals set by the author.

Źródło:

Humanum. Międzynarodowe Studia Społeczno-Humanistyczne; 2020, 1(36); 83-91
1898-8431

Pojawia się w:

Humanum. Międzynarodowe Studia Społeczno-Humanistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 28.

Tytuł:

Novel oral anticoagulants in the treatment of cancer patients

Autorzy:

Biernacka, Renata
Lewandowski, Tomasz
Andrzejuk, Jolanta
Szmyd, Marek

Powiązania:

https://bibliotekanauki.pl/articles/1065830.pdf

Data publikacji:

2014

Wydawca:

Medical Education

Tematy:

cancer
novel anticoagulants
venous thromboembolism

Opis:

Cancer and its treatment are well-recognized risk factors for venous thromboembolism. The risk of thrombotic complications increases 4–7-fold in cancer patients and coexistence of both pathologies is associated with shorter survival. Incidence of thrombosis depends on the tumour type, antineoplastic and supportive therapy, and patient-related factors such as age, physical activity and comorbidities. Current recommendations of scientific societies indicate a dominant role of low molecular weight heparins in the treatment and prevention of venous thromboembolism in cancer patients. Long duration of the anticoagulant effect, and the subcutaneous administration route of heparins call for a safer therapeutic option, and one that would be more convenient for the patient. New oral anticoagulants: dabigatran, rivaroxaban, and apixaban, are indicated as prevention of venous thromboembolism following an orthopaedic surgery, and as stroke prevention in nonvalvular atrial fibrillation, with rivaroxaban also applied in the treatment of acute deep vein thrombosis and pulmonary embolism. In the trials evaluating the efficacy of novel oral anticoagulants, they have been compared with enoxaparin or vitamin K antagonists. Cancer patients accounted for a small percentage of the trial population, and they were rarely analysed in subgroup analysis. It was only in the phase II ADVOCATE study that the target group were patients receiving chemotherapy. Direct comparison between test drug and low molecular weight heparins was not performed. The currently available study results do not allow us to recommend the new oral anticoagulants for the treatment and prevention of venous thromboembolism associated with cancer.

Źródło:

OncoReview; 2014, 4, 1; A11-17
2450-6125

Pojawia się w:

OncoReview

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 29.

Tytuł:

Nazewnictwo szlachty w Krzyżakach Henryka Sienkiewicza na tle polskiego systemu antroponimicznego dawnych epok

Autorzy:

Kubiak, Monika

Powiązania:

https://bibliotekanauki.pl/articles/1046628.pdf

Data publikacji:

2020-12-08

Wydawca:

Wyższa Szkoła Gospodarki w Bydgoszczy. Wydawnictwo Uczelniane

Tematy:

onomastics
anthroponymy
h. sienkiewicz novel the knights of the cross
names
historical novel

Opis:

The article presents the procedure of altering Polish last names as it is pictured in examples of anthroponyms taken from the historical novel The Knights of the Cross written by Henryk Sienkiewicz. Characteristics of onomastics, as the one of many fields of the linguistic studies and the literary onomastics, which is a part of it, preludes the analysis performed in this paper. The emphasis has been put on one of the areas of this study – anthroponymy. According to this discipline, it was possible to investigate Polish surnames and depict the history of their advancement and modifications throughout centuries, basing on the mentioned novel. Author used the literary realism in the historical novel – genre recognizable for positivism and genuinely showed the process of transformations and modifications in Polish names, which was held within social groups like nobility, the middle class, peasantry and clergy. This thesis shows how did the author assort each personal name and directs to sources, that could have inspired him to create his characters and name them accordingly to the proper period and particular social group.

Źródło:

Heteroglossia- studia kulturoznawczo-filologiczne; 2020, 10; 81-98
2084-1302

Pojawia się w:

Heteroglossia- studia kulturoznawczo-filologiczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 30.

Tytuł:

Zwolennik Bourgeta. Stefan Żeromski i psychologia powieści
The Supporter of Bourget. Stefan Żeromski and the Psychology of the Novel

Autorzy:

Jauksz, Marcin

Powiązania:

https://bibliotekanauki.pl/articles/1042022.pdf

Data publikacji:

2016-11-17

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

psychological novel
French novel
writing techniques
intimate writings
experience
love and career plots

Opis:

The article presents young Żeromski’s fascination with the writings of Paul Bourget. Basing on the Polish writer’s journal entries concerned with Une crime d’amour and Mensonges one can trace an ambivalent attitude towards those psychological novels developed in the late 1880s. By young Żeromski’s standards Bourget falls behind other masters of prose he admires at the time, namely Turgenev and Dostoyevsky. Still, despite Bourget’s didacticism, the aspiring youth cannot refrain from fascination for the descriptions of characters, whose emotions so often so clearly mirror his own. There are at least a few plots (an aspiring writer’s ambitions in the great world, the memory of a love lost etc.) which could have caught Żeromski’s attention as valid attempts to capture experiences known to him as well. It is therefore the identification process that stands in the way of condemning the moralistic ambitions of Bourget and allows the French writer’s works to remain an important point of reference for the Polish witer’s upcoming writing endeavors.

Źródło:

Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 27; 103-116
1233-8680
2450-4947

Pojawia się w:

Poznańskie Studia Polonistyczne. Seria Literacka

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 31.

Tytuł:

Kto lepiej rządził Polską, czyli na tropie królów, historii i …smaku landrynek (o emocjach w powieści Jadwiga kontra Jagiełło Grażyny Bąkiewicz)
Who Was a Better Ruler of Poland, or: Tracking Kings, History, Taste of Druit Drops... About Emotions in Grażyna Bąkiewicz’s Jadwiga kontra Jagiełło

Autorzy:

Jonca, Magdalena

Powiązania:

https://bibliotekanauki.pl/articles/2031242.pdf

Data publikacji:

2020

Wydawca:

Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe

Tematy:

literature for children
modernist historical novel
emotions in the historical novel
Queen Jadwiga

Opis:

The author of the article analyses Grażyna Bąkiewicz’s Jadwiga kontra Jagiełło, a historical novel for children about the life and time of Polish Queen Jadwiga (1374-1399). The novel is the first such publication in over 50 years; the last one being Jadwiga i Jagienka by Czesława Niemyska--Rączaszkowa). The article shows the tensions between biographical events, history, and historical tidings (historical news); and well as the syncretic form of the novel (narrative structure; comic book elements; the element of a dream to go back in time that may symbolically soon come true during a multimedia history lesson).

Źródło:

Filoteknos; 2020, 10; 334-341
2657-4810

Pojawia się w:

Filoteknos

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 32.

Tytuł:

Czy istnieje polski kryminał gejowski? Rekonesans
Is there a Polish gay crime novel? A study

Autorzy:

Tuszyńska, Justyna

Powiązania:

https://bibliotekanauki.pl/articles/2231116.pdf

Data publikacji:

2023-06-30

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

LGBTQ
crime fiction
gay novel
naturalistic novel
powieść kryminalna
powieść gejowska
powieść środowiskowa

Opis:

Artykuł stanowi próbę odpowiedzi na pytania: Jak możemy rozumieć pojęcie „kryminał gejowski”? Czy w Polsce wyodrębniła się taka odmiana gatunkowa? Czy jest to odmiana kryminału, czy raczej powieści gejowskiej? Przedmiot zainteresowania stanowią między innymi utwory Edwarda Pasewicza (Śmierć w darkroomie), Michała Witkowskiego (Drwal, Zbrodniarz i dziewczyna) i Andrzeja Selerowicza (Kryptonim „Hiacynt”, Zbrodnia, której nie było). Analiza tych utworów skupia się na sposobie wykorzystania schematu kryminalnego oraz wybranych taktyk pisarskich w kontekście najpopularniejszych strategii charakterystycznych dla konwencji kryminalnej (np. zwrot w stronę powieści społecznie zaangażowanej, eksplorowanie przestrzeni miejskiej, psychologizacja bohaterów), a także najważniejszych cech powieści środowiskowej (różne koncepcje przedstawiania grup społecznych). W konsekwencji definicja kryminału gejowskiego odnosi się zarówno do cech powieści środowiskowej, jak i kryminalnej, sytuując analizowany fenomen literacki w domenie odmian gatunkowych literatury popularnej, wraz z właściwymi jej historycznymi przekształceniami poetyki oraz semantyki tekstów.
This paper is an attempt at finding answers to the following questions: How can the term gay crime novel be understood? Has such a sub-genre been established in Poland? Is it a sub-genre of crime fiction or rather gay novel? The author examines works by such writers as Edward Pasewicz (Śmierć w darkroomie [The Death in the Darkroom]), Michał Witkowski (Drwal [The Woodcutter], Zbrodniarz i dziewczyna [The Criminal and the Girl]), and Andrzej Selerowicz (Kryptonim „Hiacynt” [Codename Hyacinth], Zbrodnia, której nie było [The Crime that Never Was]). The analysis of the works is focused on the use of the crime scheme and selected writ-ing techniques in the context of the most popular strategies typical of crime fiction convention (e.g. a shift towards a socially engaged novel, urban space exploration, psychologisation of protagonists) as well as the most important characteristics of naturalistic novel (different ideas of presenting social groups).

Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2023, 66, 1; 71-94
1505-9057
2353-1908

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Polonica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 33.

Tytuł:

Праблемна-тэматычная i жанрава-стылëвая полiфанiчнасць у раманах Вiктара Марцiновiча
Problem – thematic and genre – stylistic poliphony in Viktar Martsinovich’s novels

Autorzy:

Nawasielcawa, Hanna

Powiązania:

https://bibliotekanauki.pl/articles/2131027.pdf

Data publikacji:

2021

Wydawca:

Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku

Tematy:

novel
polyproblematic art form
genre-style distinctiveness
“I”-narrative strategy
novel organization
philosophical concept

Opis:

Viktar Martsinovich’s novels reveal the aesthetic searches conducted in modern Belarusian literature. In the work “Sphagnum” the classical form of the social novel is originally reproduced, where various representatives of the society are convincingly shown in colorful images-types. The novels “Lake of Joy” and “Revolution” reveal first of all the psychological reflection of main characters, who act as symbolic incarnations of the spiritual aspirations of our time. Novels with assessments of psychological anti-utopia “Language” and “Night” represent the author’s prediction of the loss of national identity and spiritual literary tradition.

Źródło:

Białorutenistyka Białostocka; 2021; 237-248
2081-2515

Pojawia się w:

Białorutenistyka Białostocka

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 34.

Tytuł:

An Analysis of the Polish Translation of Grant Morrison’s Arkham Asylum: A Serious House on Serious Earth

Autorzy:

Elżbieta, Niewiadoma,

Powiązania:

https://bibliotekanauki.pl/articles/888755.pdf

Data publikacji:

2020-09-15

Wydawca:

Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego

Tematy:

graphic novel
Scottish graphic novel
comic translation
literal translation
Grant Morrison
English-Polish translation

Opis:

Grant Morrison’s work has greatly added to the Scottish graphic novel tradition. In this regard, this paper will look at the recent Polish translation of the 25th anniversary edition of one of his iconic and groundbreaking Batman graphic novels, Arkham Asylum: A Serious House on Serious Earth. A brief description and publishing history of the graphic novel will be provided, followed by an analysis of the quality, style and publishing history of the translation in order to produce a final commentary on how Morrison’s work has been rendered into the Polish language. It is concluded the translation is largely faithful to its original although it is marred with a number of careless and confusing errors which ultimately have an impact on the reading experience.

Źródło:

Anglica. An International Journal of English Studies; 2020, 29/3; 195-210
0860-5734

Pojawia się w:

Anglica. An International Journal of English Studies

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 35.

Tytuł:

Перифраза: объем и содержание понятия
Periphrasis: scope and content of concept

Autorzy:

Sikorska, Marina

Powiązania:

https://bibliotekanauki.pl/articles/481733.pdf

Data publikacji:

2012-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

periphrasis
Ludmila Ulickaya
novel Sonechka

Opis:

The article studies the scope and the content of the concept of periphrasis on the basis of a modern Russian novel Sonechka written by Ludmila Ulickaya, in which the phenomenon is often used. The basic and the secondary criteria of periphrasis were revealed by general analysis of dictionary definitions and by comparing them with other stylistic devices of language and speech.

Źródło:

Acta Polono-Ruthenica; 2012, 1, XVII; 149-157
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 36.

Tytuł:

L’absence chez Michel Butor. L’Emploi du temps et Degrés
The absence in Michel Butor’s Novels. Passing time and Degrees

Autorzy:

Mrozowicki, Michał

Powiązania:

https://bibliotekanauki.pl/articles/483554.pdf

Data publikacji:

2012

Wydawca:

Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset

Tematy:

French new novel
absence
labirynth

Opis:

Michel Butor, born in 1926, one of the leaders of the French New Novel movement, has written only four novels between 1954 and 1960. The most famous of them is La Modification (Second thoughts), published in 1957. The author of the paper analyzes two other Butor’s novels: L’Emploi du temps (Passing time) – 1956, and Degrés (Degrees) – 1960. The theme of absence is crucial in both of them. In the former, the novel, presented as the diary of Jacques Revel, a young Frenchman spending a year in Bleston (a fictitious English city vaguely similar to Manchester), describes the narrator’s struggle to survive in a double – spatial and temporal – labyrinth. The first of them, formed by Bleston’s streets, squares and parks, is symbolized by the City plan. During his one year sojourn in the city, using its plan, Revel learns patiently how to move in its different districts, and in its strange labyrinth – strange because devoid any centre – that at the end stops annoying him. The other, the temporal one, symbolized by the diary itself, the labyrinth of the human memory, discovered by the narrator rather lately, somewhere in the middle of the year passed in Bleston, becomes, by contrast, more and more dense and complex, which is reflected by an increasinly complex narration used to describe the past. However, at the moment Revel is leaving the city, he is still unable to recall and to describe the events of the 29th of February 1952. This gap, this absence, symbolizes his defeat as the narrator, and, in the same time, the human memory’s limits. In Degrees temporal and spatial structures are also very important. This time round, however, the problems of the narration itself, become predominant. Considered from this point of view, the novel announces Gerard Genette’s work Narrative Discourse and his theoretical discussion of two narratological categories: narrative voice and narrative mode. Having transgressed his narrative competences, Pierre Vernier, the narrator of the first and the second parts of the novel, who, taking as a starting point, a complete account of one hour at school, tries to describe the whole world and various aspects of the human civilization for the benefit of his nephew, Pierre Eller, must fail and disappear, as the narrator, from the third part, which is narrated by another narrator, less audacious and more credible.

Źródło:

Quêtes littéraires; 2012, 2; 66-80
2084-8099
2657-487X

Pojawia się w:

Quêtes littéraires

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 37.

Tytuł:

Se perdre afin de se retrouver : limportance du passage entre l’absence et la présence dans Œdipe sur la route de Henry Bauchau
Getting lost to find oneself – significance of the passage between absence and presence in Bauchau’s novel Oedipus on the road

Autorzy:

Ślusarska, Alicja

Powiązania:

https://bibliotekanauki.pl/articles/483667.pdf

Data publikacji:

2012

Wydawca:

Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset

Tematy:

Belgian novel
passage
depersonalization
lucidity

Opis:

Retracing in his novel the labyrinthine journey that leads Oedipus from the place of his abomination (Thebes) to the city of his future glory (Colonus), Henry Bauchau fills the emptiness between Sophocles’s Oedipus the King and Oedipus at Colonus. Bauchau’s hero, a powerful king, loses everything and stabs his eyes out when the cruel truth about his real identity is revealed. Blind, homeless, devoid of meaning of life, Oedipus leaves on a journey to pass away anywhere. However, his way to death turns out to be, thanks to benevolent presence of others and art’s liberating power, the road to personal elucidation. The story of Bauchau’s Oedipus, who finally recognizes himself as a truly human, is based therefore on the passage between absence and presence, between darkness and lucidity, on the union of contradictions which symbolize the complexity of human nature. This paper attempts to analyse different representations of absence in Bauchau’s novel. Afterwards, the article focuses on the ways which facilitate Oedipus’s road leading from depersonalization to rediscovery of his own identity.

Źródło:

Quêtes littéraires; 2012, 2; 116-123
2084-8099
2657-487X

Pojawia się w:

Quêtes littéraires

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 38.

Tytuł:

University or Universal? Revaluating the Academic Novel

Autorzy:

Głowala, Zbigniew

Powiązania:

https://bibliotekanauki.pl/articles/605938.pdf

Data publikacji:

2010

Wydawca:

Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej

Tematy:

academic novel
Lodge
Bradbury
Amis

Opis:

The purpose of the article is to present the campus novel from an angle that would expose the qualities latent in a genre by pointing to the theme of conflict. The paper has been divided into three parts, each addressing one kind of conflict which can be distinguished from the generic pattern (the story about academics in the university setting). The analysed themes are recurrent in the campus novel – a town and gown row, a teacher-teacher conflict, and a clash between a teacher and a student. The conflicts are illustrated by works of David Lodge, Malcolm Bradbury and Kingsley Amis.

Źródło:

Lublin Studies in Modern Languages and Literature; 2010, 34; 20-34
0137-4699

Pojawia się w:

Lublin Studies in Modern Languages and Literature

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 39.

Tytuł:

Narcyzm i historia. Narcyzm zbiorowy i narcyzm indywidualny w historiach alternatywnych i powieściach historycznych ostatnich lat
Narcissism and history . Collective narcissism and individual narcissisc in alternate histories and historical novels

Autorzy:

Tomczok, Paweł

Powiązania:

https://bibliotekanauki.pl/articles/579372.pdf

Data publikacji:

2018

Wydawca:

Łódzkie Towarzystwo Naukowe

Tematy:

historical novel
alternate histories
narcissism

Opis:

The aim of the article is the description of the Polish historical novels of Szczepan Twardoch, Marcin Wolski and others. The theoretical basis of the research is the concept of narcissism propossed by Erich Fromm, Alexander Lowen and Christopher Lasch. Two concepts of narcissism allow to explore different novels that represent collective phantams of Polish culture and individual problems with culture of the late capitlism and consumerism.

Źródło:

Zagadnienia Rodzajów Literackich; 2018, 61, 3(127); 89-104
0084-4446

Pojawia się w:

Zagadnienia Rodzajów Literackich

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 40.

Tytuł:

Angielska Bovary. O „The Doctor’s Wife” Mary E. Braddon
A British Madame Bovary. On „The Doctor’s Wife” by Mary E. Braddon

Autorzy:

Budrewicz, Aleksandra

Powiązania:

https://bibliotekanauki.pl/articles/649104.pdf

Data publikacji:

2018

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

Braddon
Flaubert
bovarism
novel
imitation

Opis:

This article is a comparative analysis of Mary Elizabeth Braddon’s The Doctor’s Wife and Gustave Flaubert’s Madame Bovary. Braddon’s novel has been interpreted as an imitation of Flaubert’s. The basis of the analysis is a Polish translation of Braddon’s novel (Żona doktora, „Gazeta Warszawska” 1867). This translation was published earlier than the translation of Madame Bovary (1878). Braddon’s works were quite popular in Poland and they were translated into Polish as well. It is shown that Braddon’s novel was not a copy of Flaubert’s work. The similarities concern the plot (a married woman’s affair) and psychological characterisation of the eponymous character (a girl who is absorbed her books and lives in the world of fantasy). In the crucial scene of the novel, Braddon makes a different choice than Flaubert does: her protagonist, who is in love with a seducer, does not commit adultery. Braddon explained that this was due to Protestantism and platonic concept of love which does not need physical involvement. Braddon shows three stages of the protagonist’s history: 1) her youth filled with books; 2) her unhappy marriage (the wife does not love the husband but the seducer); 3) after her husband’s and lover’s deaths the protagonist receives a large amount of money and begins to perform important social roles. This is how Braddon criticises the educational system of Victorian England and depicts a model which is a form of pedagogy preparing people for practical life.
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Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2018, 49, 3; 43-60
1505-9057
2353-1908

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Polonica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 41.

Tytuł:

ДА ЖАНРАВА-СТЫЛЯВЫХ АСАБЛІВАСЦЕЙ РАМАНА ЯНКІ БРЫЛЯ ПТУШКІ І ГНЁЗДЫ
GENERIC AND STYLISTIC FEATURES IN YANKA BRYL’S NOVEL PTUSHKI I GNYOZDI

Autorzy:

Alsztyniuk, Anna

Powiązania:

https://bibliotekanauki.pl/articles/444220.pdf

Data publikacji:

2015-06-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

novel
lyricism
autobiography
hero
patriotism

Opis:

This article is devoted to the analysis of generic and stylistic features in Yanka Bryl’s novel Ptushki i gnyozdi. The discussion is focused on the ways the main hero is presented as well as on the role of lyricism in the novel. The hero is in the center of composition that describes his feeling and expresses his thoughts and attitudes.

Źródło:

Acta Neophilologica; 2015, XVII/1; 87-93
1509-1619

Pojawia się w:

Acta Neophilologica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 42.

Tytuł:

Measures of Time of Literature. Review of Rafał Pokrywka’s book titled „Współczesna powieść niemieckojęzyczna”, Universitas, Kraków 2018

Autorzy:

Szymańska, Katarzyna

Powiązania:

https://bibliotekanauki.pl/articles/1032154.pdf

Data publikacji:

2019-12-30

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

German-language literature
novel
modernity

Opis:

The article is a discussion of a study by Rafał Pokrywka titled Współczesna powieść niemieckojęzyczna (Kraków 2018). The author of the study analysed selected works written at the turn of the 21st century, and – in an interesting manner – developed his discussion around a progression of three dimensions of time: the past, the present, and the future, which constitute the contexts for reading individual narratives. The interpretations of German, Austrian, and Swiss novels, both these which exist as Polish translations and these which have not yet been translated, are accompanied by cultural and sociological contexts, while the (re)definitions of the words used in the title of Pokrywka’s volume presented in the introduction enable one to place this original overview in the context of modern studies on the most recent literature.

Źródło:

Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2019, 8; 395-403
2299-7458
2449-8386

Pojawia się w:

Czytanie Literatury. Łódzkie Studia Literaturoznawcze

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 43.

Tytuł:

Le crime du comte Neville d’Amélie Nothomb ou le roman familial d’une névrosée

Autorzy:

Hastings, Valerie

Powiązania:

https://bibliotekanauki.pl/articles/700489.pdf

Data publikacji:

2017

Wydawca:

Wydawnictwo Uniwersytetu Śląskiego

Tematy:

patricide
infanticide
autofiction
origins
novel

Opis:

The Crime of Count Neville is primarily a story of a complex father–daughter relationship, culminating in the attempted murder of the count’s daughter by her own father. Infanticide is inevitable for Sérieuse, which parallels the mythological story of Iphigenia. But Nothomb also develops on an extra-diegetic level, as the meta-narrative of the genesis of the Freudian Family Romance or the Novel itself. Between the concepts of “bastard” and “foundling,” this novel contains many autobiographical elements and borrows from other literary works, most noticeably from Oscar Wilde’s collection Lord Arthur Savile’s Crime.

Źródło:

Romanica Silesiana; 2017, 12
1898-2433
2353-9887

Pojawia się w:

Romanica Silesiana

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 44.

Tytuł:

Jan Karski, leroe dei fumetti

Autorzy:

Rizzo, Marco

Powiązania:

https://bibliotekanauki.pl/articles/28409053.pdf

Data publikacji:

2014

Wydawca:

Associazione Italiana Polonisti (AIP)

Tematy:

Jan Karski
Comics
Graphic novel

Źródło:

pl.it / rassegna italiana di argomenti polacchi; 2014, 5; 128-135
2384-9266

Pojawia się w:

pl.it / rassegna italiana di argomenti polacchi

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 45.

Tytuł:

Użycie konwencji. Instrumentarium grozy i jego misja w Ciemno, prawie noc Joanny Bator

Autorzy:

Zatora, Anna

Powiązania:

https://bibliotekanauki.pl/articles/630637.pdf

Data publikacji:

2015

Wydawca:

Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej

Tematy:

gothic novel
horror novel
detective story
fairytale
Joanna Bator
powieść gotycka
horror
kryminał
baśń

Opis:

The article is an attempt at presenting Joanna Bator’s novel Ciemno, prawie noc as a book belonging to engaged literature and using the popular convention to criticise society. The first part contains examples and theoretical considerations about the changes in the convention of the horror novel, which consists of a gothic novel with various genres such as horror, thriller and detective story. The matter of their social dimension was touched on, for instance, with reference to Noël Caroll’s theory, Scandinavian detective story or the books by Alice Munro. The second part of article is composed of the review of conventional implements used by Bator that are typical of gothic novel, detective story, horror and fairytale. The use of specific implements, their accumulation and the disturbance of the convention are interpreted as a way of getting the readers to loose the well-known schema and drawing their attention to the relevant social problems. The convention of popular literature in Ciemno, prawie noc is designed for something more than only entertainment.
Artykuł stanowi próbę przedstawienia powieści Joanny Bator Ciemno, prawie noc jako utworu należącego do literatury zaangażowanej i wykorzystującego popularną konwencję w celu dokonania krytyki społeczeństwa. W części pierwszej znajdują się głównie poparte przykładami teoretyczne rozważania na temat przeobrażeń konwencji powieści grozy. Zalicza się do niej powieść gotycką z jej dalszymi odmianami gatunkowymi, takimi jak horror, thriller i kryminał. Kwestia ich potencjalnego wymiaru społecznego zostaje poruszona w nawiązaniu między innymi do teorii Noëla Carolla, kryminałów skandynawskich czy utworów Alice Munro. Na część drugą tekstu składa się przegląd wykorzystanych przez Bator konwencjonalnych narzędzi przynależnych do powieści gotyckiej, kryminału, horroru i baśni. Użycie określonego instrumentarium, jego nagromadzenie i zaburzenie konwencji jest zinterpretowane jako sposób na wytrącenie odbiorcy ze znanego schematu i zwrócenie jego uwagi na istotne problemy społeczne. Konwencja literatury popularnej służy w Ciemno, prawie noc czemuś więcej niż tylko rozrywce.

Źródło:

Acta Humana; 2015, 6
2082-4459

Pojawia się w:

Acta Humana

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 46.

Tytuł:

Grunt to historia? Vicente Luis Mora i jego "Centroeuropa" (2020) jako metapowieść intrahistoryczna
History from the ground up? Luis Mora and his Centroeuropa (2020) as an intrahistorical metanovel

Autorzy:

Eloy Cichocka, Marta

Powiązania:

https://bibliotekanauki.pl/articles/40615068.pdf

Data publikacji:

2023-12-30

Wydawca:

Uniwersytet Komisji Edukacji Narodowej w Krakowie

Tematy:

Vicente Luis Mora
paratext
metanovel
historical novel
intrahistorical novel
paratekst
metapowieść
powieść historyczna
powieść intrahistoryczna

Opis:

The purpose of the essay is to introduce the figure of a contemporary Spanish author, Vicente Luis Mora, and his novel Centroeuropa to the Polish literary researchers, as well as to analyze the special character of this novel in terms of reading agreement and the most adequate terminology concerning the literary genre, to which it belongs, based on the form of typological characteristics of a novel that includes ten essential points: paratext, plot, narration, time structure, poetics, the question of mimesis, the loyalty of history towards History, metatextuality, ideological character and the strategies used by the author. On the basis of these reflections it can be concluded that Centroeuropa by Vicente Luis Mora is a metanovel about a man who is looking for his way in a breakthrough moment in the history of Europe, between the 18th and 19th century, in the declining feudal‑absolutist Prussia and the emerging liberal‑capitalist Prussia, in the embryonic society, where economic and political norms haven’t been fully constructed yet and women are not full‑fledged members of society. Centroeuropa is a multi‑dimensional novel inspired by the past of Central Europe, but – above all – a metanovel about writing and its servitude.

Źródło:

Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2023, 23; 383-403
2081-1853

Pojawia się w:

Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 47.

Tytuł:

Perspectives on novel vaccine development

Autorzy:

Wang, Y.B.
Wang, L.P.
Li, P.

Powiązania:

https://bibliotekanauki.pl/articles/2087687.pdf

Data publikacji:

2018

Wydawca:

Polska Akademia Nauk. Czytelnia Czasopism PAN

Tematy:

vaccination
vaccinology
novel vaccine development
perspectives

Źródło:

Polish Journal of Veterinary Sciences; 2018, 21, 3; 643-649
1505-1773

Pojawia się w:

Polish Journal of Veterinary Sciences

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 48.

Tytuł:

Powrót do czytelników Szatana z siódmej klasy Kornela Makuszyńskiego w książce Konrada T. Lewandowskiego
Return to Readers of Satan From the Seventh Grade of Kornel Makuszyński in the Book by Konrad T. Lewandowski

Autorzy:

Nadolna-Tłuczykont, Marta

Powiązania:

https://bibliotekanauki.pl/articles/2031277.pdf

Data publikacji:

2020

Wydawca:

Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe

Tematy:

novel
child
young recipient
Polish Folk

Opis:

The article aims to draw attention to Konrad Tomasz Lewandowski’s Satan and Company. Further Adventure of Satan from the Seventh Grade (2017), the official continuation of Kornel Makuszyńsk’s Satan from the Seventh Grade. Moreover, the author presented a short description of Satan from the Seventh Grade original publication, taking into account the reasons for the current lower level of about Makuszyński. The author shows that Makuszyński’s novel inspired Lewandowski to create an intriguing story, full of surprising twists and turns, set in the cyberworld, important for the contemporary young readers. Satan and Company can be considered a worthy continuation of Makuszyński’s novel, showing a cheerful life philosophy. Lewandowksi provides his readers with humour and optimism that were the hallmarks of Makuszyński’s fiction. In the contemporary world, often difficult, full of sadness and suffering, it seems to be a right way of showing children that despite adversities, it is worth smiling, also while reading a good book.

Źródło:

Filoteknos; 2020, 10; 212-224
2657-4810

Pojawia się w:

Filoteknos

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 49.

Tytuł:

Intertextuality and The Depiction of Ideological Conflicts. the Case of V for Vendetta

Autorzy:

Lewandowski, Wojciech

Powiązania:

https://bibliotekanauki.pl/articles/1199481.pdf

Data publikacji:

2020

Wydawca:

Fundacja Copernicus na rzecz Rozwoju Badań Naukowych

Tematy:

intertextuality
graphic novel
ideology
conflict
politics

Opis:

Intertextuality seems to be Alan Moore’s trademark. In his most famous comic books and graphic novels, such as V for Vendetta, Watchmen, Lost Girls or The League of Extraordinary Gentlemen, he often refers to other texts of high and low culture. Therefore, a certain level of cultural competence is required to decode various messages hidden by the British writer. In V for Vendetta intertextuality is employed to convey certain political and ideological messages in a more subtle and indirect way. Through various allusions and quotations, Moore presents his views on the condition of the depicted society as well as on the political clash between a fascist state and its anarchist enemy. Intertextual references are also included in the graphics of the comic book. It is the aim of this paper to discuss if, how and to what extent intertextuality can influence the complexity of the graphic novel’s message and be used to indirectly convey particular political and social ideas.

Źródło:

The Copernicus Journal of Political Studies; 2020, 2; 85-100
2299-4335

Pojawia się w:

The Copernicus Journal of Political Studies

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 50.

Tytuł:

Narkotyczna odyseja z rozkładem społecznym w tle – „Ślepnąc od świateł” Jakuba Żulczyka
Narcotic Odyssey with Social Decay in the Background: “Ślepnąc od świateł” by Jakub Żulczyk

Autorzy:

Piechota, Dariusz

Powiązania:

https://bibliotekanauki.pl/articles/1520297.pdf

Data publikacji:

2018-12-20

Wydawca:

Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku

Tematy:

novel
narcissistic society
drugs
consumerism
space

Opis:

The article interprets Ślepnąc od świateł [Blind from the Lights] as a postmodern environmental novel which shows the life of residents in a large metropolis, entangled in constant consumption. The author reads the story as a continuation of the nineteenth century novel about a social decay. He proves that the depicted society, delighted with consumer culture, wastes its opportunities for development. As a result of the breakdown of social ties and constant work, urbanites suffer from permanent loneliness. The disillusionment is alsointensified by the disappearance of spirituality.. The crisis of authority and social antagonisms further undermine the integrity and the sense of coherencein the self. But Żulczyk’s characters fail to reflect on life, which the author of the article sees as the sign of immaturity.

Źródło:

Białostockie Studia Literaturoznawcze; 2018, 13; 219-232
2082-9701
2720-0078

Pojawia się w:

Białostockie Studia Literaturoznawcze

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 51.

Tytuł:

Men as Puns in the feminist African novel

Autorzy:

Onuoha, Onyekachi Peter
Oyndamola, Opere Humuani

Powiązania:

https://bibliotekanauki.pl/articles/1062816.pdf

Data publikacji:

2019-06-30

Wydawca:

Akademia Pedagogiki Specjalnej. Language and Society Research Committee

Tematy:

Chinweizu
Men
Pun
Feminist
African Novel

Opis:

The dominant hierarchy upon which the order of existence is predetermined has placed the man at the centre of creation; which is also substantiated by cultural norms that prioritized generic divides. The principles of feminism have been created to alter patriarchal hegemony in order to reconstruct the distorted female self of an egalitarian society. However, in an attempt to reconstruct these misconceptions upheld by patriarchy, most feminist texts and criticisms have denied the woman the agency of freewill and independent choices, except the continuous emphasis on feminist objectification that patriarchy seem to propagate. It is against this backdrop, that this paper interrogates the subjugation of the woman by her fellow woman and to outline a model of feminist liberation. This is consequent upon the fact that even at the disruption of patriarchy, some feminist scholars have failed to account for the role of women in using men as puns in the subjugation of their fellow women in the African novel. Consequently, this paper replicates Chinweizu’s Masculinist Dissection of Matriarchy and uses feminist-deconstruction to interrogate Ama Ata Aidoo’s Changes and Nawal El Saadawi’s A Woman at point Zero. To this effect, it submits that women are stakeholders in the structure of matriarchy and the substructure of patriarchy and men are mere puns in the structure of matriarchal subjugation of their fellow woman. The concept of pun(s) which is play on word is used in its expounded form on how women manipulate men physically and psychologically for their economic and political gains.

Źródło:

Language, Discourse & Society; 2019, 7, 1; 163-186
2239-4192

Pojawia się w:

Language, Discourse & Society

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 52.

Tytuł:

Financial Crime in Crime Fiction in Socialist Poland

Autorzy:

Skotarczak, Dorota

Powiązania:

https://bibliotekanauki.pl/articles/1390721.pdf

Data publikacji:

2017-02-07

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

crime novel
socialist Poland
financial crime.

Opis:

Financial crime was one of the recurring themes in crime stories written in the period of socialist Poland. The writer who first undertook this subject was Leopold Tyrmand in his book “The Man with the White Eyes” (1955). The publication of this book is considered one of the symptoms of the cultural “thaw” and the end of real socialism. Tyrmand shows crime which develops when the state, cooperative and private businesses meet, but also the corruption and powerlessness of Citizen’s Militia. During Władysław Gomułka’s administration (1956–1970), this problem often recurred e.g. in the books written by Anna Kłodzińska and Barbara Gordon. Very often the villain was the “fraudulent director”. Both the meat scandal and the leather scandal were described in crime novels. Edward Gierek’s administration (1970–1980) was the time when the theme of financial crime was abandoned, but it returned after the introduction of martial law in 1981. This time, it was pointed out that it was the previous administration that had committed frauds. Crime novels accurately described the economic abnormalities of socialist Poland, the hampering of individual initiatives and the omnipresent corruption, but they also reflected the state’s policy towards the people in power who were illegally gaining wealth.

Źródło:

Studia Historiae Oeconomicae; 2016, 34; 33-44
0081-6485

Pojawia się w:

Studia Historiae Oeconomicae

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 53.

Tytuł:

Consumers’ attitudes towards novel foods as illustrated by the example of ethnic food

Autorzy:

Kowalczuk, Iwona
Gębski, Jerzy
Milewska, Katarzyna

Powiązania:

https://bibliotekanauki.pl/articles/952083.pdf

Data publikacji:

2017

Wydawca:

Uniwersytet Przyrodniczy w Poznaniu. Wydawnictwo Uczelniane

Tematy:

novel foods
ethnic foods
consumer attitudes

Opis:

The purpose of this study was to investigate the consumers’ attitudes towards selected ethnic cuisines. Accordingly, a quantitative assessment (based on a survey questionnaire) and a qualitative assessment (FGI) were carried out. The quantitative assessment was conducted with 500 respondents selected using quota-sampling, taking their gender and age into consideration. This allowed to determine the frequency of eating selected ethnic cuisines (Japanese, Chinese, Mexican and American), hear the respondents’ opinions on the characteristics of specific cuisines, and develop the profiles of consumers moderately or strongly interested in the consumption of the relevant products (referred to as “light users” and “heavy users”). In 2016, focus group interviews were conducted with the two consumer groups (2 interviews for each cuisine). As a result, the interviews provided information about the respondents’ motivation to eat ethnic food, their views on the market offering and sources of information about this type of products. Also, it enabled outlining the image of ethnic meal eaters. As shown by this study, Polish consumers differ in their interest in ethnic food which is driven by product availability, moderate prices and access to information. Also, differences were discovered in their attitudes towards specific cuisines, depending on the demographic, economic and social characteristics of the respondents.

Źródło:

Journal of Agribusiness and Rural Development; 2017, 46, 4; 795-803
1899-5241

Pojawia się w:

Journal of Agribusiness and Rural Development

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 54.

Tytuł:

Механизмы памяти в романе Е.Г. Водолазкина Авиатор

Autorzy:

Królikiewicz, Natalia

Powiązania:

https://bibliotekanauki.pl/articles/956444.pdf

Data publikacji:

2020-12-08

Wydawca:

Wyższa Szkoła Gospodarki w Bydgoszczy. Wydawnictwo Uczelniane

Tematy:

vodolazkin
aviator
memory
memories
novel structure

Opis:

In this article we focus on the problem of memory realised in the artistic space of E.G. Vodolazkin’s Aviator. The aim of the study is to analyse memory as a mechanism shaping the novel’s structure. In order to reach this goal, it seems important to explore the structure of the literary text, to understand the meaning of categories of memory and memories, while searching for key ideas of the text. The analysis reveals the significance of the category of memory, emphasising not only the specificity of the novel’s fictional and compositional structure, but also revealing a complex of philosophical ideas and motifs related in particular to understanding the theme of memory as overcoming time (including death) and the issue of spiritual identity formation.

Źródło:

Heteroglossia- studia kulturoznawczo-filologiczne; 2020, 10; 27-35
2084-1302

Pojawia się w:

Heteroglossia- studia kulturoznawczo-filologiczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 55.

Tytuł:

Metafiction, Figures of Time and Language Interface in "Guyana" by Élise Turcotte

Autorzy:

Defraeye, Julien

Powiązania:

https://bibliotekanauki.pl/articles/606337.pdf

Data publikacji:

2016

Wydawca:

Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej

Tematy:

metafiction
trauma
historiographic novel
polyphonic narrative

Opis:

Der Band enthält die Abstracts ausschließlich in englischer Sprache.
In 2011 Élise Turcotte released Guyana, a historiographic metafiction in which the characters come to realize the sheer impossibility of accessing a collective imagination. The famous Jonestown massacre surges to the forefront of the writing through the murder of Kimi, a hairdresser from Montreal, and initiates a frantic quest for the understanding of self through another, in order to get past the ineffable characteristic of the past. This article will explore the metafictional aspect of Guyana and its polyphonic narration before revaluating the stakes of, and the way in which we perceive, tales of trauma.
Le numéro contient uniquement les résumés en anglais.
Том не содержит аннотаций на английском языке.

Źródło:

Lublin Studies in Modern Languages and Literature; 2016, 40, 2
0137-4699

Pojawia się w:

Lublin Studies in Modern Languages and Literature

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 56.

Tytuł:

D’une hétérotopie à l’autre où le vagabondage au féminin (Jean Echenoz, Un an)
From one Heterotopia to another or the Vagrancy at the Feminine Gender (Jean Echenoz, One Year)

Autorzy:

Jişa, Simona

Powiązania:

https://bibliotekanauki.pl/articles/483536.pdf

Data publikacji:

2014

Wydawca:

Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset

Tematy:

vagrancy
heterotopias
non-places
culpability
novel

Opis:

Jean Echenoz’s text presents Victoria’s story who runs away from Paris, believing that she has killed her lover. Her straying (that embraces the form of a relative deterritorialization in a Deleuzian sense) lasts one year and it is built up geographically upon a descent (more or less symbolical) to the South of France and, after that, she comes back to Paris and encloses the spatial and textual curl. From a spatial point of view, she turns into a heterotopia (Foucault) every place where she is located, fact that reflects her incapability of constituting a personal, intimate space. The railway stations, the trains, the hotels, the improvised houses of those with no fixed abode are turning, according to Marc Augé’s terminology, into a « non-lieux » that excludes human being. Her vagrancy is characterized through a continuous flight from police and people and through a continuous decrease of her standard of living and dignity. It’s not about a quest of oneself, but about a loss of oneself. Urged by a strong feeling of culpability, her vagrancy is a self-punishment that comes to an end when the concerns of her problems disappear and she finds out that her lover is alive.

Źródło:

Quêtes littéraires; 2014, 4; 156-163
2084-8099
2657-487X

Pojawia się w:

Quêtes littéraires

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 57.

Tytuł:

Le Jugement dernier de Léon Delmont : déplacements du sacré dans La Modification de Michel Butor
The last Judgement of Leon Delmont: Moving Sacred in Michel Butor’s A Change of Heart

Autorzy:

Guermès, Sophie

Powiązania:

https://bibliotekanauki.pl/articles/483566.pdf

Data publikacji:

2013

Wydawca:

Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset

Tematy:

Michel Butor
Rome
novel
Christianity
salvation

Opis:

The compartment in A Change of Heart is a secular space. However, the Sacred will gradually invade it through hallucinations of the narrator. Thus an unexpected and fantastic struggle led by the Pope, priests, cardinals, prophets and sibyls against Leon Delmont will cause a change of his initial decision, motivating and justifying the novel’s title.

Źródło:

Quêtes littéraires; 2013, 3; 133-141
2084-8099
2657-487X

Pojawia się w:

Quêtes littéraires

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 58.

Tytuł:

Poetyka (nie)wyrażalnego pożądania, czyli zarys historii powie- ści gejowskiej w Polsce na tle socjologiczno-kulturowym

Autorzy:

Jackowiak, Adrianna

Powiązania:

https://bibliotekanauki.pl/articles/630805.pdf

Data publikacji:

2014

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

interdisciplinarity
gay novel
homosexuality
Berek
Lubiewo.

Opis:

The aim of the paper is to show the history of Polish gay novel and explain the very term. However, the essence of the research problem is not the history itself, but drawing attention to the need of adopting a multidimensional perspective in the deliberations concerning homosexuality in general (including gay novel). An interdisciplinary approach to the issue enables one to make observations concerning the impact of social and political realities on literature, while at the same time to analyse a work of art as a statement in public debate on homosexuality and homosexuals.

Źródło:

Studia Europaea Gnesnensia; 2014, 10; 169-194
2082-5951

Pojawia się w:

Studia Europaea Gnesnensia

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 59.

Tytuł:

Eugène Savitzkaya: une quête formelle pour savourer la vie
Eugène Svitzkaya: formal experiments in an effort to make the most of life

Autorzy:

Teklik, Joanna

Powiązania:

https://bibliotekanauki.pl/articles/1051166.pdf

Data publikacji:

2013-01-01

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Belgium
contemporary novel
Savitzkaya
formal experiments

Opis:

Savitzkaya, hardly known to French public, delights contemporary readers with his style, displaying both peculiar and variegated characteristics. Although he dispenses with the matters of genre, his latest texts (Célébration d’un mariage improbable et illimité, 2002, Exquise Louise, 2003, Fou trop poli, 2005) are still thought to represent the novel. His peculiarity lies in that he contrasts a daily routine with brilliantly worked form, nevertheless well suited to depict it. His predilection for language is pervasive in his style, showing strong preference for details (still, it stands in a stark contrast to the practice of the Nouveaux Romanciers of the 20th century). Savitzkaya asserts himself with the aid of conciseness, draws to a large extent upon surprising stylistic devices, juggles with words, even if paying careful attention to their precision. Finally, he acts as a genuine poet, reviving fragrances and colors of childhood. All in all, the whole of his work is designed to bring his readers to take pleasure in living.

Źródło:

Studia Romanica Posnaniensia; 2013, 40, 4; 67-75
0137-2475
2084-4158

Pojawia się w:

Studia Romanica Posnaniensia

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 60.

Tytuł:

„Likwidacja” / „Sotnikau” Wasyla Bykawa i cenzura na Białorusi

Autorzy:

Andriej, Moskwin,

Powiązania:

https://bibliotekanauki.pl/articles/902227.pdf

Data publikacji:

2016

Wydawca:

Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego

Tematy:

Wasyl Bykau
censorship
novel
Belarusian
Sotnikau

Opis:

The article compares the two versions of the novel Sotnikau written by leading Belarusian writer Wasyl Bykau. This novel was published in the Belorussian magazine „Połymia” (1970/11). First, author’s version, which was titled Lequidation, changed significantly by the censorship – it has been done about a hundred cuts and abbrevioations. The novel received another title – Sotnikau (the name of main character). As a result the Belarusian censors changed the author’s intentions.

Źródło:

Studia Interkulturowe Europy Środkowo-Wschodniej; 2016, 9; 187-199
1898-4215

Pojawia się w:

Studia Interkulturowe Europy Środkowo-Wschodniej

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 61.

Tytuł:

Animal models – a critical evaluation

Autorzy:

Gee, Jennifer M.

Powiązania:

https://bibliotekanauki.pl/articles/2051053.pdf

Data publikacji:

2003

Wydawca:

Instytut Rozrodu Zwierząt i Badań Żywności Polskiej Akademii Nauk w Olsztynie

Tematy:

animal models
intestine
novel foods
evaluation

Opis:

This review addresses the need to evaluate the biological effects of novel foods, how this can be achieved and the role of animal models in this process. The selection of an appropriate model or combination of approaches is most important, together with an awareness of the shortcomings of that particular method. In mammals the gastrointestinal tract not only acts as the site of absorption of nutrients and non-nutrients, but provides a protective barrier between the environment and the body. As such this interface is exposed to relatively high concentrations of the individual chemicals that are dietary components. It is therefore essential to understand how novel foods can change the structure, growth and function of the gut in particular. Effects may be both beneficial and detrimental and have an impact on the function of other organs in the body. However, due to the wide-ranging implications of this broad topic, the discussion here will focus on events within the gastrointestinal tract, in the context of the evaluation of novel foods.

Źródło:

Polish Journal of Food and Nutrition Sciences; 2003, 53, 1s; 35-38
1230-0322
2083-6007

Pojawia się w:

Polish Journal of Food and Nutrition Sciences

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 62.

Tytuł:

La famosa invasione degli orsi in Sicilia di Dino Buzzati: una fiaba-romanzo tra testo e immagini d’autore
The Bears’ famous invasion of Sicily by Dino Buzzati: A FAIRY-TALE novel Between Text and Original Drawings

Autorzy:

Terrusi, Alessia

Powiązania:

https://bibliotekanauki.pl/articles/446640.pdf

Data publikacji:

2017-06-30

Wydawca:

Wydawnictwo Adam Marszałek

Tematy:

Buzzati
fairy tale
novel
images
fantasy

Opis:

This article proposes a reflection on a tale that can be a bridge between “literature for children and teens” and “literature for adults”: The Bears’ Famous Invasion of Sicily by Dino Buzzati. It offers a link between fable and fantasy novel and contains all of the elements of the fairy tale that Vladimir Propp planned in 1928: loss, departure, challenges to overcome, reward, and return. It is closely connected to its historical reality (the period after the Second World War), but at the same time it detaches itself from that period through the fantastic element. In short, the book is a mirror of Buzzati’s literary personality and the first literary work of a restless but sensitive author who always felt linked to painting and writing, to adults and children, to reality and evasion.
Il presente contributo propone una riflessione su un racconto da sempre in grado di fare da ponte tra “letteratura per bambini e ragazzi” e “letteratura per adulti”: La famosa invasione degli orsi in Sicilia di Dino Buzzati è infatti un romanzo di confine, un anello di congiunzione tra fiaba e romanzo fantastico. Ha in sé tutti gli elementi della fiaba magistralmente gerarchizzati da Vladimir Propp nel 1928 (mancanza, partenza, prove, premio, ritorno), è strettamente connesso alla realtà storica del suo tempo (il secondo dopoguerra) e al tempo stesso se ne distacca con garbo tramite l’elemento fantastico. È, insomma, specchio della personalità letteraria di Dino Buzzati, la prima prova di un autore inquieto e insensibile, da sempre legato da un doppio filo a pittura e scrittura, adulti e bambini, contemporaneità ed evasione.

Źródło:

Italica Wratislaviensia; 2017, 8.1; 191-210
2084-4514

Pojawia się w:

Italica Wratislaviensia

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 63.

Tytuł:

Jean-Pierre Camus : la moralisation d’un genre immoral est-elle possible ?
Jean-Pierre Camus: Is It Possible to Render an ‘Immoral Genre’ Moral?

Autorzy:

Pawłowska, Maja

Powiązania:

https://bibliotekanauki.pl/articles/483433.pdf

Data publikacji:

2013

Wydawca:

Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset

Tematy:

Jean-Pierre Camus
roman dévot (pious romance)
novel
immoral genre
French 17th century novel

Opis:

Camus complements his novels with long peritexts, thus using his ecclesiastic authority to legitimise their moral and didactic value. In these peritexts he juxtapposes the licentious novels with his own devout works of fiction, which are, in his own words, not only valuable and worth recommending, but also capable of saving the readers’ souls, put in danger by other texts. In any case, a close reading of these peritexts reveals a view which challenges the idea of the novel’s insidiousness and which bears witness to Camus’s great fascination with this officially condemned literary genre.

Źródło:

Quêtes littéraires; 2013, 3; 32-39
2084-8099
2657-487X

Pojawia się w:

Quêtes littéraires

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 64.

Tytuł:

Detektyw Fryga na tropie Henryk Nagiel "Tajemnica Nalewek" i "Sęp"
Detective Fryga on track. Henryk Nagiel’s "Tajemnica Nalewek" ("Mystery of Nalewki") and "Sęp" ("Vulture")

Autorzy:

Stachura-Lupa, Renata

Powiązania:

https://bibliotekanauki.pl/articles/648969.pdf

Data publikacji:

2018

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

XIX wiek
powieść kryminalna
powieść tajemnic
Henryk Nagiel
19th century
crime novel
mystery novel

Opis:

Nagiel’s novels have not attracted researchers’ attention, except for some references to works devoted to the development of mystery novels in Poland, the image of Warsaw in Polish literature of the 19th century, or the history of Polish immigrant society press. When writing his crime novels – Tajemnica Nalewek and Sęp – the author followed the example of foreign novels, mainly English and French ones. The main character of his crime novels, detective Fryga, is not the scientist type who investigates data in his quiet office, library or laboratory. He resembles Vidocq and one of his literary counterparts, the character of Gaboriau’s novel – policeman Lecoq. In his investigation, he owes a lot to coincidence and luck; he is active, energetic and creative, trying to speed up events, he takes the initiative in the fight against crime. In Nagiel’s novels, mystery not only is connected with the motif of crime, the secret behind the crime and an attempt to solve it, but also seems to be an inherent element of the world. The world created by Nagiel is dark, complex and anxiety-provoking. Solving the crime stories and punishing culprits mean the triumph of justice, social order and convention, but they do not eliminate the sense of threat.
Powieści Nagla na ogół nie zwracały uwagi badaczy, z wyjątkiem pewnych odniesień w pracach poświęconych rozwijaniu powieści kryminalnych w Polsce, obrazu Warszawy w literaturze polskiej XIX wieku czy historii polskiej prasy emigracyjnej. Pisząc kryminały – Tajemnice Nalewek i Sępa – autor podążał za przykładem powieści obcojęzycznych, przede wszystkim angielskich i francuskich. Główny bohater jego kryminałów, detektyw Fryga, nie jest jeszcze typem naukowca, który prowadzi śledztwo w zaciszu swojego biura, biblioteki czy laboratorium. Przypomina Vidocqa i jednego z jego literackich odpowiedników, protagonistę powieści Gaboriau – policjanta Lecoqa. Podczas śledztwa Fryga wiele zawdzięcza przypadkowi i szczęściu, jest aktywny, energiczny i twórczy, starając się zaś przyspieszyć tempo wydarzeń, przejmuje inicjatywę w walce z przestępczością. W powieści Nagla tajemnica wiąże się nie tylko z motywem zbrodni, sekretem skrytym za przestępstwem i próbą rozwiązania, ale wydaje się nieodłącznym elementem rzeczywistości. Świat stworzony przez Nagla jest mroczny, niejednoznaczny i wywołuje niepokój. Rozwiązanie zagadki kryminalnej i ukaranie winnych oznacza zwycięstwo sprawiedliwości, porządku społecznego i konwencji, ale nie eliminuje poczucia zagrożenia.

Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2018, 50, 4; 89-105
1505-9057
2353-1908

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Polonica

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 65.

Tytuł:

Powieść szachowa jako powieść historyczna. Nieco przewrotna alternatywa gatunkowa
The chess novel as historical novel. A somewhat puckish alternative of the genre

Autorzy:

Graf, Paweł

Powiązania:

https://bibliotekanauki.pl/articles/682715.pdf

Data publikacji:

2016

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

historical novel
chess novel
historical prose
poetics of reception
powieść historyczna
powieść szachowa
proza historyczna
recepcja

Opis:

The article focuses on two purposes. On the one hand, it constitutes an attempt to redefine the genre of historical novel in the circumstances in which the attempts made so far have turned out to be insufficient. The new definition shifts the centre of gravity from structural features (which are impossible to be determined following the experience of the narrativization of history) to the poetics of reception. On the other hand, the article also has its interpretative purpose which entails complicating the results of the analysis through the scrutiny of the chess novel that multiplies the historicity of the literary work and triggers more questions to be raised. Thus, the article aims at an alternative description of historical prose as an important literary experience of today’s world.
Artykuł realizuje dwa cele. Pierwszym z nich jest ponowne zdefiniowanie gatunkowe powieści historycznej w sytuacji, w której dotychczasowe próby opisania tej formy okazują się niewystarczające. Nowa definicja przenosi punkt ciężkości z cech strukturalnych (niemożliwych do ustalenia po doświadczeniu narratywizacji historii) na poetykę odbioru. Cel drugi, interpretacyjny, polega na skomplikowaniu uczynionych rozpoznań poprzez analizę powieści szachowej, która multiplikuje historyczność utworu i zmusza do postawienia innych pytań. Tym samym artykuł zmierza do alternatywnego opisu ważnego dziś doświadczenia literackiego, jakim jest proza historyczna.

Źródło:

Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2016, 5; 47-61
2299-7458
2449-8386

Pojawia się w:

Czytanie Literatury. Łódzkie Studia Literaturoznawcze

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 66.

Tytuł:

Kryminał akademicki
The academic murder mystery

Autorzy:

Kraskowska, Ewa

Powiązania:

https://bibliotekanauki.pl/articles/1365014.pdf

Data publikacji:

2018-10-10

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

crime novel
academic novel
Dorothy L. Sayers
Amanda Cross
Eliza Showalter
intertextuality
intertekstualność
kryminał
powieść akademicka

Opis:

Artykuł charakteryzuje specyficzną kombinację powieści akademickiej i powieści kryminalnej, jaką jest kryminał akademicki. Gatunek ten rozwijał się od lat trzydziestych XX wieku w literaturze anglosaskiej i wciąż zyskuje na popularności. Również w Polsce podejmowane są od niedawna próby uprawiania tego rodzaju beletrystyki.
This article describes the academic murder mystery as a particular hybrid of the campus novel and crime novel. The genre began to evolve in the 1930s in English-language literature and continues to enjoy popularity today. Attempts to write in this genre have recently been taken up in Poland as well.

Źródło:

Forum Poetyki; 2018, 13; 94-99
2451-1404

Pojawia się w:

Forum Poetyki

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 67.

Tytuł:

Civilization diseases – therapeutic application of antisense strategy

Autorzy:

Bąkowska-Żywicka, Kamila
Tyczewska, Agata
Twardowski, Tomasz

Powiązania:

https://bibliotekanauki.pl/articles/703440.pdf

Data publikacji:

2008

Wydawca:

Polska Akademia Nauk. Czytelnia Czasopism PAN

Tematy:

civilization diseases
antisense oligonucleotides
novel therapies

Opis:

Modulation and regulation of biosynthesis process by means of antisense oligonucleotides lay the foundation for new therapeutic strategies, among others against cancer, viral or angiogenesis diseases. The aim of this account is the presentation of molecular basis of antisense strategy and mechanism of action of antisense oligonucleotides. Furthermore we present the state of art in clinical studies of application of antisense oligonucleotides in some of civilization diseases.

Źródło:

Nauka; 2008, 1
1231-8515

Pojawia się w:

Nauka

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 68.

Tytuł:

Realistyczna utopia (lub utopijny realizm) w „Mikołaja Doświadczyńskiego przypadkach”
Realistic utopia (or utopian realism) in “Mikołaja Doświadczyńskiego przypadki”

Autorzy:

Pokrzywniak, Józef Tomasz

Powiązania:

https://bibliotekanauki.pl/articles/690207.pdf

Data publikacji:

2016

Wydawca:

Łódzkie Towarzystwo Naukowe

Tematy:

Krasicki
powieść
realizm
utopia
novel
realism

Opis:

According to the opinion of majority of literature historians Mikołaja Doświadczyńskiego przypadki is widely known as the first modern-times Polish novel. The realism and probability principles, which are characteristic of the above mentioned modern times, are broken by utopian idealism in chapter II, in which action takes place on Nipu island. It seems that Nipu reality might be considered in categories of realism and probability, as the chapter is analyzed in the context to the story line of the whole book. Krasicki, as he wrote about Thomas Moore, defined utopia as a political project for future. Nipu citizens, as fugitives from the Conquest, live happy lives in isolation preserving past reality.

Źródło:

Prace Polonistyczne; 2016, LXXI; 31-47
0079-4791

Pojawia się w:

Prace Polonistyczne

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 69.

Tytuł:

Historyczne powieści Henryka Sienkiewicza w ocenie współczesnych i ich wartość ponadczasowa
Contemporary assessment of the historical novels by Henryk Sienkiewicz and their timeless value

Autorzy:

Siatkowska, Ewa

Powiązania:

https://bibliotekanauki.pl/articles/683987.pdf

Data publikacji:

2016

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

Henryk Sienkiewicz
powieść historyczna
historical novel

Opis:

In the article, which is a discussion, the author tries to indicate why among many positivists, discussing historical themes, it was Sienkiewicz who won the greatest popularity, how the society felt about historical works of Sienkiewicz and to what extent the work of the historical Nobel Prize winner contributed to the formation of national identity in the Polish society, helping the Poles to survive the period of captivity.
-

Źródło:

Acta Universitatis Lodziensis. Folia Linguistica; 2016, 50; 133-139
0208-6077
2450-0119

Pojawia się w:

Acta Universitatis Lodziensis. Folia Linguistica

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 70.

Tytuł:

„Przebudzenie” Kate Chopin, czyli „amerykańska Bovary”(?)
Is Kate Chopin’s „The Awakening” the American „Madame Bovary”?

Autorzy:

Michalski, Przemysław

Powiązania:

https://bibliotekanauki.pl/articles/649143.pdf

Data publikacji:

2018

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

Chopin
Flaubert
bovarism
novel
awakening
suicide

Opis:

This article deals with the question of the so-called Bovarism in The Awakening, the famous novel written by Kate Chopin. When it was first published in 1899, it was universally condemned for its alleged obscenity, just like its French predecessor. It is true, however, that unlike Flaubert’s book, The Awakening did not find itself in the dock, faced with charges of immorality, but the hostile reviews condemned the novel to many decades of obscurity. In this article, I try to return to the question of parallels between the two novels, which can be seen on many levels. Some similarities concern both male and female characters, while others are to do with specific narrative decisions and solutions. The most conspicuous example of the latter is the suicidal death of both heroines.
-

Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2018, 49, 3; 239-254
1505-9057
2353-1908

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Polonica

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 71.

Tytuł:

Contingency and its consequences in Tristram Shandy by Laurence Sterne

Autorzy:

Umerle, Tomasz

Powiązania:

https://bibliotekanauki.pl/articles/628574.pdf

Data publikacji:

2010

Wydawca:

Fundacja Pro Scientia Publica

Tematy:

Sterne, Tristram Shandy, contingency, novel, narration

Opis:

My paper proposes a new approach to the famous novel by Laurence Sterne TristramShandy. In my reading of this work I use the category of contingency which I define by referring to the German philosopher Odo Marquard and literary theories of a monographer of the contigency in literature and film Rafał Koschany. These are the basic inspirations for reflections on Tristram as a character, and simultaneously, narrator in the novel. In my view contingency manifests itself in Sterne's work in a two-fold manner it affects Tristram's life and narration. I will try to focus on the different ways in which these manifestations relate to each other.

Źródło:

Journal of Education Culture and Society; 2010, 1, 1; 70-83
2081-1640

Pojawia się w:

Journal of Education Culture and Society

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 72.

Tytuł:

Интердискурзивни варијации: односот книжевност – теорија
Interdiscursive variations: the literature – theory relation

Autorzy:

Ѓорѓиева Димова, Марија

Powiązania:

https://bibliotekanauki.pl/articles/635887.pdf

Data publikacji:

2012

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

interdiscursivity
novel
genre hybridization
fiction-theory

Opis:

The subject of this paper is the theoretical fiction genre as a manifestation of interdiscursive relations between fiction and theory/criticism. Firstly, this paper offers a brief overview of the  constitutive features  of  the  theoretical  fiction  genre;  and  secondly,  these  features  are interpretatively confirmed through the novel  Papokot na svetot (Navel of the World) by the Macedonian writer, Venko Andonovski.
The subject of this paper is the theoretical fiction genre as a manifestation of interdiscursive relations between fiction and theory/criticism. Firstly, this paper offers a brief overview of the  constitutive features  of  the  theoretical  fiction  genre;  and  secondly,  these  features  are interpretatively confirmed through the novel  Papokot na svetot (Navel of the World) by the Macedonian writer, Venko Andonovski. 

Źródło:

Poznańskie Studia Slawistyczne; 2012, 2
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 73.

Tytuł:

Znaczenie podmiotu w dziele Marcela Prousta
The Meaning of the Subject in Marcel Proust’s Masterpiece

Autorzy:

Bielawka, Maria

Powiązania:

https://bibliotekanauki.pl/articles/953676.pdf

Data publikacji:

2008-12-31

Wydawca:

Uniwersytet Opolski

Tematy:

style
meaning
subject
novel
Marcel Proust

Opis:

The paper discusses - against the background of selected philosophical concepts - two basic problems related to the meaning of subject in the well-known novel by Marcel Proust entitled A la reserche du temps perdu. The first of the analyzed problems is related to the question what the meaning (signifie) of subject is, and the second, formulated in opposition to the postmodemistic standpoint of Gilles Deleuze, to the reasons why the significance (Bedeutsamkeit) of the subject is so intensively exposed in the novel. The subject that can be found in Proust’s masterpiece is considered as an egotic, individual, and stratified entity, whose deepest, spiritual layer ensures identity, and, most probably, exists beyond time. The spiritual subject is distinguished by persistent philosophical pursue of the essential truths of human being, and is also concentrated on the role of the author and art. The profound domain of truth remains hidden as long as we are absorbed by everyday life. It is the specific mental power pertaining to the spiritual subject, i.e. our intelligence, that allows us to reveal that domain. Only the non-mimetic literature, as postulated and realized in Proust’s novel, employing the method of “three-dimensional psychology” relying on intelligence, instead of commonly used “two-dimensional psychology”, can present to the eyes of potential readers, as if through the optical glasses, the essential truths of subjective worlds. The significance of the subject finds its expression not only in the application of the first-person narrative form, in the differentiation between the latent and revealed narrator - the fact that creates an aesthetic impression of surprise, in the monophonic character of the novel related to the structural unity imposed by the latent narrator, but also in the specific poeticity of the novel. Determining the style of Proustian prose, this poeticity evokes the atmosphere of clarity and happiness. The poeticity is achieved by such means of style as metaphors, various cultural references shown through the prism of subjective experience, phrasal complexity, melodiousness, and others.  

Źródło:

Stylistyka; 2008, 17; 99-114
1230-2287
2545-1669

Pojawia się w:

Stylistyka

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 74.

Tytuł:

Césure et sublime

Autorzy:

Bieńczyk, Marek

Powiązania:

https://bibliotekanauki.pl/articles/1032181.pdf

Data publikacji:

2019-12-30

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

Kundera
novel
narrator
sublimeness
story
ellipsis

Opis:

Having written The Joke, Kundera changed the modus vivendi of the novel’s narrator who, with time, became a separate protagonist. This is connected with the appearance of the ellipsis as the main plot device, which is not yet present in The Joke. This change in the way of narrating represents another and, perhaps, a deeper dividing line in Kundera’s writing than switching to another language (from Czech to French), the change of the setting (from Czechoslovakia to Western countries) and the change of the political system (from communist to ‘imagological’) as an instrument of oppression.

Źródło:

Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2019, 8; 327-331
2299-7458
2449-8386

Pojawia się w:

Czytanie Literatury. Łódzkie Studia Literaturoznawcze

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 75.

Tytuł:

Z punktu widzenia literatury
A Literary View

Autorzy:

Donald, Merlin

Powiązania:

https://bibliotekanauki.pl/articles/1041197.pdf

Data publikacji:

2018

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

mind
consciousness
novel
multitasking
Henry James

Opis:

Based on the analysis of a fragment of Henry James’s novel The Bostonians, the article deals with the ways in which literary fiction explores and reveals how human consciousness works.

Źródło:

Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 34; 265-273
1233-8680
2450-4947

Pojawia się w:

Poznańskie Studia Polonistyczne. Seria Literacka

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 76.

Tytuł:

Intertextuality and the depiction of ideological conflicts. The case of v for vendetta

Autorzy:

Lewandowski, Wojciech

Powiązania:

https://bibliotekanauki.pl/articles/1920250.pdf

Data publikacji:

2020-12-14

Wydawca:

Fundacja Copernicus na rzecz Rozwoju Badań Naukowych

Tematy:

intertextuality
graphic novel
ideology
conflict
politics

Opis:

Intertextuality seems to be Alan Moore’s trademark. In his most famous comic books and graphic novels, such as V for Vendetta, Watchmen, Lost Girls or The League of Extraordinary Gentlemen, he often refers to other texts of high and low culture. Therefore, a certain level of cultural competence is required to decode various messages hidden by the British writer. In V for Vendetta intertextuality is employed to convey certain political and ideological messages in a more subtle and indirect way. Through various allusions and quotations, Moore presents his views on the condition of the depicted society as well as on the political clash between a fascist state and its anarchist enemy. Intertextual references are also included in the graphics of the comic book. It is the aim of this paper to discuss if, how and to what extent intertextuality can influence the complexity of the graphic novel’s message and be used to indirectly convey particular political and social ideas.

Źródło:

The Copernicus Journal of Political Studies; 2020, 2; 85-100
2299-4335

Pojawia się w:

The Copernicus Journal of Political Studies

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 77.

Tytuł:

"Lissa": An EthnoGraphic Experiment

Autorzy:

Ferens, Dominika

Powiązania:

https://bibliotekanauki.pl/articles/1366501.pdf

Data publikacji:

2020

Wydawca:

Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej

Tematy:

graphic novel
ethnography
vulnerability
body illness

Opis:

The paper analyzes a recent experiment in the collaborative production of ethnographic knowledge and the use of the graphic novel form as an alternative to the conventional academic monograph. Lissa: A Story about Medical Promise, Friendship, and Revolution (2017) is discussed here as a useful tool in the age of globalization for building recognition of the need to protect the lives of people other than our immediate kin, tribe, race, or nation. The paper argues that both the collaborative research behind the story and the formal experimentation stem from the authors’ sense of accountability to their informants. By telling a story about distant others who are given names and faces, Lissa’s authors encourage readers to develop empathy across borders.

Źródło:

Lublin Studies in Modern Languages and Literature; 2020, 44, 2; 83-97
0137-4699

Pojawia się w:

Lublin Studies in Modern Languages and Literature

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 78.

Tytuł:

The Nature of Religion in Iain Banks’s Novels: The Wasp Factory and Consider Phlebas

Autorzy:

Fetlińska, Katarzyna

Powiązania:

https://bibliotekanauki.pl/articles/888693.pdf

Data publikacji:

2015

Wydawca:

Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego

Tematy:

Iain Banks
novel
cognitive
approach
religion

Opis:

The aim of this paper is to use cognitive approach in order to analyse the topic of religion in two novels by Iain Banks. I argue that in both The Wasp Factory and Consider Phlebas Banks presents divine thoughts as cognitively natural for humans, since, according to neuroscience, the propensity for religiosity is inborn and universal. Banks’s novels show that people have an innate need to fill space with agents, and cannot refrain from ascribing illusory purpose to the cruel chaos of the surrounding world.

Źródło:

Anglica. An International Journal of English Studies; 2015, 24/1; 147-160
0860-5734

Pojawia się w:

Anglica. An International Journal of English Studies

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 79.

Tytuł:

Nicholas Urfe’s Masculine Trap or the Construction of Manhood, its Ambivalences and Limitations in John Fowles’s The Magus

Autorzy:

Strout, Irina

Powiązania:

https://bibliotekanauki.pl/articles/888822.pdf

Data publikacji:

2017

Wydawca:

Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego

Tematy:

Masculinity
Manhood
ambivalence
novel
John Fowles

Opis:

Western society and its fi ction faces the overwhelming problem of masculinity and its modeling. The era of war, capitalism, the challenges of feminism aff ect the ideology within which men are constructed both as individuals and as a social group. John Fowles’s fi ction tackles the crucial issue of male power and control as masculinity is put to test and trial in his 1965 novel The Magus. The defi nition of manhood, male virility and social respectability of the period shape the 20th century male characters in Fowles’s fi ction. This paper aims to explore how John Fowles investigates the role of masculinity and power myths on the personal level of relationship and a wider scale of war and capitalism in The Magus. Notions of masculinity off er the protagonist, Nicholas Urfe, a sense of a superiority and power over women in the course of the novel. Among the goals of the project is to examine the mythical journey of Nicholas, which becomes a testing ground of his masculinity and maturity, as well his trial and ‘disintoxication,’ which is intended to help him to reevaluate his life and his relationships with women. One of the issues posed is whether Nicholas Urfe is reborn as a new man at the end of his search for redemption or if he remains the same egotistic, ‘lone wolf’ as he appears in the beginning of the novel.

Źródło:

Anglica. An International Journal of English Studies; 2017, 26/1; 73-86
0860-5734

Pojawia się w:

Anglica. An International Journal of English Studies

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 80.

Tytuł:

Европа погледната со очите на македонската писателка. Mакедонската писателка погледната со очите на Европа

Autorzy:

Танески [Taneski], Звонко [Zvonko]

Powiązania:

https://bibliotekanauki.pl/articles/677472.pdf

Data publikacji:

2012

Wydawca:

Polska Akademia Nauk. Instytut Slawistyki PAN

Tematy:

irony
humour
novel
translation
Lidija Dimkovska

Opis:

Europe looked with the eyes of the Macedonian writer. Macedonian writer looked at the eyes of Europe In this text the emphasis is put on the topic of the individual and transtemporal identity phenomen of Macedonian writer in European point of view and also of European imagology picture in the eyes of Macedonian writer. In that case, the paper explores the specific forms of irony and humour in the postmodern novel “Hidden camera” by Macedonian writer Lidija Dimkovska, originally published in Macedonia in 2004, and later translated into several languages. This novel deals with the creative image, fictional and imagological conceptions of Macedonian view on European space today and also the European view on Macedonian modern realities. (This novel was translated in year 2007, for example, into Slovak language and in 2010 into Polish). Lidija Dimkovska witness that personal histories in a specific geo‑political (European) space makes an individuals history itself when our personal histories touch, cope with each to other, are crucified on their paths, and go parallel to each other to exchange their content, edges, myths and realities. The eternal questions about identity, love, death, freedom etc. always wait for personal answers, and here is the home for Dimkovska’s writing. Of course, the answers can be very different and filled with even contradictory feelings, but what is important for this writer in writing, is that her whole being writes, with all its possible strength. In proportion with the Slovak hole reception of “Hidden camera”, the contribution points out the need for synthetic reconstruction of the whole scientific research of irony forms and aplications of them in this novel, and also the rehabilitation of metodological problems of common sense. Еuropa oglądana oczyma pisarki macedońskiej. Macedońska pisarka widziana oczyma Europy Autor, podejmując w artykule kwestie indywidualnego zjawiska tożsamości macedońskiej w kontekście imagologicznego widzenia rzeczywistości, dokonał analizy powieści Lidii Dimkovskiej Ukryta kamera, która ukazała się w Macedonii w 2004 roku. Utwór, przetłumaczony na kilka języków europejskich, wpisujący się w nurt literatury postmodernistycznej, stał się dla autora pretekstem do badań nad jego recepcją i do przeprowadzenia porównań: w jaki sposób współcześnie postrzega się w Europie wykreowany wizerunek Macedonii, a w jaki przestrzeń europejską widzi ze swojej perspektywy macedońska pisarka. Zaprezentowany obraz tych relacji, ich krzyżowania się i wzajemnego przenikania został błyskotliwie przedstawiony w powieści Dimkovskiej przez wyzyskanie humoru i ironii. Choć w tekście odnotowano polską i słowacką recepcję utworu, skoncentrowano się przede wszystkim na jego słowackim przyjęciu (tłumaczenie na język słowacki ukazało się w roku 2007, a na język polski w 2010). Zastosowanie przeciwstawnego oglądu pozwoliło wykazać, iż obie perspektywy łączą się w sugestywnym przesłaniu artystycznym, wobec którego nie istnieją żadne granice twórcze.

Źródło:

Slavia Meridionalis; 2012, 12
1233-6173
2392-2400

Pojawia się w:

Slavia Meridionalis

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 81.

Tytuł:

Struttura e narratore ne I Promessi Sposi di Alessandro Manzoni
Structure and narrator in The Betrothed of Alessandro Manzoni

Autorzy:

Samir, Aseel
Salama, Rabie

Powiązania:

https://bibliotekanauki.pl/articles/701081.pdf

Data publikacji:

2020

Wydawca:

Wydawnictwo Uniwersytetu Śląskiego

Tematy:

novel
manzoni
The Betrothed
structure
narrator

Opis:

In the early 19th century, the Italian literature did not have a mature novel, as is known today. The Italian novelist, Manzoni, and his masterpiece The Betrothed, set a solid basis for the contemporary Italian novel; thanks to its’ narrative characteristics that helped the novelist in achieving different reformative goals, woven stupendously with fictional, historical and realistic threads. The main purpose of this study is to apply an analytical and thematic approach on the structure and narrator of the novel. Furthermore, the research aims to distinguish the main artistic characteristics adopted from the European historical novel. The study then focuses on analyzing the function of the anonymous author’s fictional frame and how it created a diversity in the narrative levels. The research also highlights the importance of the omniscient narrator, the strong relations between the narrator and the narratee, the different narrative perspectives, and finally the polyphony: techniques that enhanced the realistic dimension of the novel.

Źródło:

Romanica Silesiana; 2020, 17, 1; 138-150
1898-2433
2353-9887

Pojawia się w:

Romanica Silesiana

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 82.

Tytuł:

Carnavalisation et travail des stéréotypes dans La Guerre, yes sir! (1968) de Roch Carrier
Carnavalization and Stereotyping in La Guerre, yes sir! (1968) by Roch Carrier

Autorzy:

Kwaterko, Józef

Powiązania:

https://bibliotekanauki.pl/articles/1368341.pdf

Data publikacji:

2021-03-31

Wydawca:

Wydawnictwo Uniwersytetu Śląskiego

Tematy:

Québécois novel
ideology
stereotyping
carnavalization
ethnicity

Opis:

Carrier’s novel was published in the same year as Nègres blancs d’Amérique by Pierre Vallières and it relies on the same dialectics between the colonizer and the colonized that was prevalent in Québécois narrative prose in the 1960s. While being grounded in this cultural context, Carrier transforms this dialectic by setting his narrative in a rural environment and against the background of World War II (the visitation of a fallen French-Canadian soldier whose remains are escorted to his native village by English-Canadian comrades). Such aesthetic reworking complexifies the ideological message of Carrier’s novel. I will study the interplay between national ideology and Carrier’s narratives strategies and particularly on the clash between ethnic stereotypes and the « carnavalesque » and the grotesque.

Źródło:

Romanica Silesiana; 2019, 16, 2; 191-199
1898-2433
2353-9887

Pojawia się w:

Romanica Silesiana

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 83.

Tytuł:

Семиотика кабинета в русском романе второй половины XIX века
Semiotics of the study room in the russian novel of the second half of the 19th century

Autorzy:

Няголова, Наталия

Powiązania:

https://bibliotekanauki.pl/articles/22446744.pdf

Data publikacji:

2013

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

study room
locus
novel
poetics
semiotics

Opis:

The article discusses the semiotic parameters of the locus of the study room in the Russian novel from the second half of the 19th century. It outlines the socio-cultural context that makes this locus topical in the works of the Russian novelists from the epoch after the reforms. The given examples of presence of the study room in the novels of I. Turgenev, I. Goncharov, F. Dostoevsky and L. Tolstoy are interpreted in several principle aspects: – objects in the composition and its selection – the relation character – material detail – semantic transformations and their motivation.

Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2013, 6; 31-43
1427-9681
2353-4834

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Rossica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 84.

Tytuł:

Записная книжка писателя и литература постмодернизма: точки сближения
The writer’s notebook and postmodern literature: points of convergence

Autorzy:

Ефимова, Светлана

Powiązania:

https://bibliotekanauki.pl/articles/22593436.pdf

Data publikacji:

2012

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

notebook
postmodern novel
fragmentariness
ambiguity
hypertext

Opis:

This article begins with a brief characterization of the writer’s notebook as a special text type. Then the article analyzes structural and compositional features that notebooks of the 19th and 20th centuries have in common with postmodernist prose. These features include: a) fragmentary narration; chaotic composition; many syntactic and semantic ellipses; b) the absence of one main idea and an important role of chance in the creative process; c) an opportunity to start reading a text from any of its parts, even from the end; d) a great number of intertextual links; similarity to hypertext; e) no stylistic and thematic limitations, etc. There are three possible explanations of these points of convergence: a psychological one, a linguistic one and a historical-literary one.

Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2012, 5; 100-110
1427-9681
2353-4834

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Rossica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 85.

Tytuł:

Obraz społeczności miejskiej na przykładzie wybranych powieści Ewy Ostrowskiej
Depiction of town community on the basis of Ewa Ostrowska’s selected novels

Autorzy:

Forma, Marzena

Powiązania:

https://bibliotekanauki.pl/articles/28408226.pdf

Data publikacji:

2021

Wydawca:

Państwowa Akademia Nauk Stosowanych we Włocławku

Tematy:

powieść
Ewa Ostrowska
miasto
novel
city

Opis:

Celem niniejszego artykułu jest próba scharakteryzowania współczesnego mieszczaństwa, sportretowanego na kartach utworów Ewy Ostrowskiej pt. Sidła strachu, Abonent czasowo niedostępny, Pamiętaj o Róży, Co słychać za tymi drzwiami, Bez wybaczenia. Mieszczanie w wolnym czasie najczęściej spacerują po nowoczesnych centrach handlowych, oglądają telewizję, plotkują, podglądają sąsiadów lub piszą na nich donosy. Powieści Ewy Ostrowskiej są bezwzględną krytyką moralności mieszczan, odsłaniają ich wady i przywary. Dają jednocześnie syntetyczny obraz przemian, jakie zaszły w europejskiej cywilizacji w XX wieku.
The aim of this article is showing the view of townspeople portrayed by Ewa Ostrowska in her works: Sidła strachu (The snare of fear), Abonent czasowo niedostępny (The subscriber temporarily unavailable), Pamiętaj o Róży (Remember Rose), Co słychać za tymi drzwiami (What is heard behind this door), Bez wybaczenia (Without forgiveness). In Ewa Ostrowska’s works, contemporary townspeople in their free time prefer to walk in modern shopping centers, to watch TV and also to peek at neighbours or to write denunciation of theirs. Her novels are ruthless criticism of townspeople morality and reveal their faults and vices. It is also a synthetic depiction of European civilization’s changes in the 20th century.

Źródło:

Zeszyty Naukowe Zbliżenia Cywilizacyjne; 2021, 17, 2; 10-28
1896-4087

Pojawia się w:

Zeszyty Naukowe Zbliżenia Cywilizacyjne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 86.

Tytuł:

Architectures et jardins-palimpsestes chez Jean-Paul Goux

Autorzy:

Tubman-Mary, Alix

Powiązania:

https://bibliotekanauki.pl/articles/559775.pdf

Data publikacji:

2018

Wydawca:

Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe

Tematy:

Jean-Paul Goux
20th century novel
literature and architecture
novelistic enunciation
poetics of the novel

Opis:

Architecture and palimpsest gardens in the work of Jean-Paul Goux  The novels of Jean-Paul Goux focus one after another on the different implications of the act of inhabiting – philosophical, existential, political and artistic implications. The subject arises for him in the eighties, which are the main turning point in his reflection and work. With his novel The Gardens of Morgante, published in 1989, he invents a new kind of storytelling, in which voices do not only answer one another, but also interact and quote one another. At first the reader feels lost in a text built on the principle of anamorphosis, using a distended syntax. He nevertheless reaches, now and again, a kind of bliss, as he realises that he is himself inhabiting a prose and an enclosed space in which Time has laid itself down.

Źródło:

Orbis Linguarum; 2018, 50; 305-316
1426-7241

Pojawia się w:

Orbis Linguarum

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 87.

Tytuł:

Umberta Eco powieści profesorskie
Umberto Eco’s Professorenromans

Autorzy:

Soliński, Wojciech

Powiązania:

https://bibliotekanauki.pl/articles/579045.pdf

Data publikacji:

2015

Wydawca:

Łódzkie Towarzystwo Naukowe

Tematy:

professorenroman
academic novel
campus novel
contemporary Italian literature
Professorenroman
powieść profesorska
powieść campusowa
współczesna literatura włoska

Opis:

The object of this analysis are the currently available literary works of Umberto Eco's as different manifestations of the so-called professorenroman (academic novel). Using the concept of the professorenroman as a starting point, the author claims that none of the Italian author's novels falls within this genre. Moreover, the concepts of an academic novel or a campus novel are also insufficient when it comes to Eco's books analysis. In order to popularise his own research Eco makes use of various literary, syncretic and non-literary genre patters, both the contemporary and the old ones. He is also often testing different theoretical literary concepts constructed by him or other authors. A characteristic feature of many of his novels is their cognitive over-informativeness, which on one hand hinders their reception, on the other signals methodological and methodical problems present in the study of humanities.
Przedmiotem analizy są tutaj wszystkie aktualnie dostępne literackie dzieła narracyjne Umberta Eco jako różne przejawy tak zwanej powieści profesorskiej. Wychodząc od fundamentalnego pojęcia Professorenroman, autor dowodzi, że żadna z powieści włoskiego autora nie stosuje się do tego gatunkowego wzorca. Niezbyt przydatne do ich analizy okazują się także pojęcia academic novel i campus novel. Misję popularyzacji, najczęściej własnych, badań naukowych realizuje Eco wykorzystując, w powieściach najróżniejsze literackie, synkretyczne i nieliterackie formy gatunkowe: z przeszłości i współczesności. Sprawdza również w praktyce powieściopisarskiej, w zależności od potrzeb, teoretyczne koncepty literaturoznawcze własne i cudze. Cechą charakterystyczną niektórych jego powieści jest ich poznawcza nadinformacyjność, która nie ułatwiając ich odbioru, sygnalizuje równocześnie problemy metodologiczne i metodyczne nurtujące humanistyczne badania naukowe.

Źródło:

Zagadnienia Rodzajów Literackich; 2015, 58/116 z. 2; 87-98
0084-4446

Pojawia się w:

Zagadnienia Rodzajów Literackich

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 88.

Tytuł:

Rola przestrzeni przedstawionej w powieści nowelowej
The Role of the Presented Space in the Novella Novel

Autorzy:

Izdebska, Agnieszka

Powiązania:

https://bibliotekanauki.pl/articles/1449152.pdf

Data publikacji:

2021-07-15

Wydawca:

Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku

Tematy:

powieść nowelowa
powieść kompozytowa
cykl opowiadań
przestrzeń przedstawiona
composite novel
novella novel
narrative cycle
presented space

Opis:

Celem artykułu jest pokazanie funkcji, jaką w powieściach nowelowych pełni przestrzeń przedstawiona jako element konstytuujący spójność tych powieści. Nie wdając się w bardziej szczegółowe ustalenia, terminem „powieść nowelowa” (przyjętym za Krystyną Jakowską a zdefiniowanym za Elke D’hoker) autorka określa dzieł literackich, które genologicznie lokują się pomiędzy bardzo spójnie skomponowanym zbiorem opowiadań a luźną konstrukcją powieściową. Materiał analityczny stanowią tu utwory Arlington Park autorstwa Rachel Cusk, Hotel Świat Ali Smith i Dziewczęta i kobiety Alice Munro. Utwory te są różnie skonstruowane i różnie klasyfikowane: dwa pierwsze jako powieści, zaś ostatni z nich niektórzy krytycy nazywają powieścią lub tekstem hybrydycznym, który może być postrzegany jako powieść. Ostatecznie, przestrzeń przedstawiona, choć bywa użyta w przywołanych powieściach nowelowych jako element uspójniający całość, jest bardzo wyraźnie konstruowana, nie pojawia się jako quasi-realna i ulokowana geograficznie. Zawsze też jest waloryzowana, metaforyzowana i nieoczywista. Zatem to wspólne miejsce fabuły nie jest „przezroczystym” czy „mechanicznym” elementem uspójniającym te opowieści, ale jednym z wielu domagających się interpretacji aspektów procesu konstytuującego całość tak skonstruowanych powieści.
This article focuses on outlining the function of the presented space in the novella novel as an element constituting its coherence. The term “novella novel” (adopted from Krystyna Jakowska and defined by Elke D’hoker) refers to literary works that are generically situated between a coherently composed collection of short stories and a loose novelistic structure. The following works will serve as the material for the analysis: Arlington Park by Rachel Cusk, Hotel World by Ali Smith and Girls and Women by Alice Munro. These pieces are structured and classified differently. The former two are referred to as novels, while the latter one is called by some critics a novel or a hybrid text that can be perceived as a novel. Ultimately,  although sometimes used as an element that maintains coherence, the presented space is always  meticulously crafted, and it does not appear as quasi-real or geographically located. It is always valorised, metaphorized and ambiguous. Thus, such a common setting is not a “transparent” or “mechanical” element that unifies these stories, but rather one of the many aspects of the process that constitutes coherence of novels constructed in such a way, which remains open to interpretation.

Źródło:

Białostockie Studia Literaturoznawcze; 2021, 18; 137-148
2082-9701
2720-0078

Pojawia się w:

Białostockie Studia Literaturoznawcze

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 89.

Tytuł:

Zbrodnia w starych dekoracjach – historyczne powieści kryminalne Jakuba Szamałka
Crime in old decorations – historical crime novels by Jakub Szamałek

Autorzy:

Izdebska, Agnieszka

Powiązania:

https://bibliotekanauki.pl/articles/682725.pdf

Data publikacji:

2016

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

crime novel
historical novel
genology
genres of popular literature
powieść kryminalna
powieść historyczna
genologia
gatunki literatury popularnej

Opis:

The article offers an analysis of the trilogy by Jakub Szamałek, which consists of the following novels: When Athena Averts Her Gaze (Gdy Atena odwraca wzrok), The Unwelcoming Sea (Morze Niegościnne) and Reading from Bones (Czytanie z kości). These works are scrutinised as an example of a sub-genre of the crime novel, the historical crime story. The analysis emphasises the typical features of the convention, with particular focus on the hybrid side of its nature, i.e. entanglement in the dilemmas of the historical novel: the necessity to make a choice, and the manner in which the past is structured as one of the constituents of the presentation.
Artykuł stanowi analizę trylogii Jakuba Szamałka, na którą składają się powieści: Gdy Atena odwraca wzrok, Morze Niegościnne i Czytanie z kości. Teksty te rozpatrywane są jako przykład realizacji subgatunku powieści kryminalnej, kryminału historycznego. Rozważania wydobywają cechy charakterystyczne tej konwencji, szczególnie te wynikające z jej hybrydyczności, a zatem uwikłania w dylematy powieści historycznej: konieczności dokonania wyboru, jak zostaje skonstruowana przeszłość jako jeden z przedmiotów przedstawienia.

Źródło:

Czytanie Literatury. Łódzkie Studia Literaturoznawcze; 2016, 5; 63-72
2299-7458
2449-8386

Pojawia się w:

Czytanie Literatury. Łódzkie Studia Literaturoznawcze

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 90.

Tytuł:

Wybrana. O powieści Ewy Stachniak Bogini tańca

Autorzy:

Zatorska, Matylda

Powiązania:

https://bibliotekanauki.pl/articles/2030962.pdf

Data publikacji:

2018-12-16

Wydawca:

Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego

Tematy:

Ewa Stachniak
Bronisława Niżyńska
the novel about female artist
historical novel
herstory
powieść o artystce
powieść historyczna

Opis:

The article is review on the latest book by Ewa Stachniak, The Chosen Maiden. It is a fictionalised biography belonging to more and more popular femino-centric trend of the contemporary historical fiction. Stachniak based on the life of ballet dancer-choreographer Bronislawa Nijinska, sister of Vaslav Nijinsky. Having done much research, she convincingly articulates what she imagines to be the workings of Bronia’s mind, her passion and conviction as an artist, and her ability to endure privates tragedies.

Źródło:

Tematy i Konteksty; 2018, 13, 8; 185-193
2299-8365

Pojawia się w:

Tematy i Konteksty

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 91.

Tytuł:

Historia i biografia, czyli o trylogii ukraińskiej Józefa Łobodowskiego
History and biography in the Ukrainian trilogy by Józef Łobodowski

Autorzy:

Kielak, Dorota

Powiązania:

https://bibliotekanauki.pl/articles/40615055.pdf

Data publikacji:

2023-12-30

Wydawca:

Uniwersytet Komisji Edukacji Narodowej w Krakowie

Tematy:

Józef Łobodowski
trylogia ukraińska
powieść historyczna
powieść reportażowa
Henryk Sienkiewicz
the Ukrainian trilogy
historical novel
reportage novel

Opis:

In this paper, the Ukrainian trilogy by Józef Łobodowski has been interpreted as a historical novel, in which the described events took place in the Kuban region in the period between 1918 and 1922. The history of the Bolshevik revolution and the Civil War in the Caucasus area of Russia has been presented in a vivid story, which was inspired by the author’s personal experiences. The protagonist of the trilogy is the author’s own alter ego. The author’s participation in the discussed events significantly influenced the artistic form of the novel. The work possesses the features of a reportage novel, with its inherent verism, a trend towards a faithful depiction of life during the Russian Civil War, as well as elements of journalism that correspond to the writer’s journalistic activity. The reportage characteristics of the trilogy did not hinder the author from complying in his narration with the pattern of Sienkiewicz’s novel W pustyni i w puszczy (In Desert and Wilderness). In this way, the Ukrainian trilogy became a work with an original structure, in which the author also objectified his own emigrational experiences.

Źródło:

Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2023, 23; 203-218
2081-1853

Pojawia się w:

Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 92.

Tytuł:

Комментирование художественного текста и проблемы поэтического сознания: фрагмент Посмертных записок Пиквикского клуба Чарльза Диккенса в интерпретации Льва Толстого
The commentary of literature and the problems of a poetic consciousness: Lev Tolstoy’s interpretation of the fragment of Ch. Dicken’s The Posthumous Papers of the Pickwick Club

Autorzy:

Фортунатов, Николай

Powiązania:

https://bibliotekanauki.pl/articles/22592424.pdf

Data publikacji:

2012

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

commentary
novel
genre
identity and variative repetition

Opis:

The article is devoted to commenting on one of Tolstoy’s diary notes (1902), where he used fragments of Ch. Dicken’s The Posthumous Papers of the Pickwick Club.

Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2012, 5; 41-47
1427-9681
2353-4834

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Rossica

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 93.

Tytuł:

India in the Imagination of 20th and 21st Century Croatian Literature

Autorzy:

Molvarec, Lana

Powiązania:

https://bibliotekanauki.pl/articles/15582250.pdf

Data publikacji:

2022

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

India
Croatian literature
historical novel
travel
counterculture

Opis:

The purpose of this paper is to study perceptions of India in three literary works, from the 20th and 21st century. The first part looks into the tenets of postcolonial theory and literary imagology as a possible methodological framework. Subsequently, premodern perceptions of India in the Croatian literary and cultural space are summarised. The central analysis focuses on the historical novelJaša Dalmatin (Jaša Dalmatin, Viceroy of Gujarat) by Ivana Brlić-Mažuranić, the travelogue U potrazi za staklenim gradom (In Search of the Glass City) by Željko Malnar and Borna Bebek, and the short story Indija (India) by Bekim Sejranović. The analysis demonstrates that each of these writings reconstructs premodern perceptions to some extent, but primarily introduces new perceptions that are linked to the specific social, cultural and ideological context in which these works were written. This indicates that literary perceptions are at the same time always acts of literary fiction as well as a socially and culturally construed production of meaning.

Źródło:

Poznańskie Studia Slawistyczne; 2022, 23; 93-110
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 94.

Tytuł:

Mafarka il futurista come romanzo italiano dell’avvenire. F.T. Marinetti e il grande concorso di Poesia
Mafarka il futurista as the Italian novel of the future. F.T. Marinetti and a contest by Poesia

Autorzy:

Pernice, Vincenzo

Powiązania:

https://bibliotekanauki.pl/articles/676229.pdf

Data publikacji:

2019

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

futurismo
Mafarka
Marinetti
Poesia
romanzo
Futurism
novel

Opis:

This paper aims to link the writing of F.T. Marinetti’s Mafarka il futurista with the “great contest for an unpublished italian novel” proposed by the literary magazine Poesia. The negative ending of this competition raises several aesthetic issues, similar to the ones that may have guided the father of Futurism in writing his first novel. Therefore, it is possible to confirm the precocious interest of the Italian avant-garde in the novel genre.
Il presente contributo intende collegare la stesura di Mafarka il futurista di F.T. Marinetti al “grande concorso di Poesia per un romanzo italiano inedito”. L’esito negativo della competizione fa emergere una serie di considerazioni estetiche, paragonabili a quelle che avrebbero guidato il padre del futurismo nella scrittura del suo primo romanzo. Viene così confermata la precoce attenzione dell’avanguardia italiana nei confronti di questo genere letterario.

Źródło:

e-Scripta Romanica; 2019, 7; 52-59
2392-0718

Pojawia się w:

e-Scripta Romanica

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 95.

Tytuł:

Kaśka Kariatyda już tu nie mieszka. Temat niechcianej ciąży i aborcji w nowej prozie kobiet
Cathy, the Caryatid does not live here any more. Unwanted pregnancy and abortion in new women’s prose

Autorzy:

Nowacki, Dariusz

Powiązania:

https://bibliotekanauki.pl/articles/511031.pdf

Data publikacji:

2017

Wydawca:

Wydawnictwo Uniwersytetu Śląskiego

Tematy:

unwanted pregnancy
abortion
women’s prose
novel

Opis:

The article discusses the literary representations of the experience of unwanted pregnancy and abortion in new women’s prose. The author of the article refers to the novels published between 2003 and 2016. He considers the previously conducted research on the same subject (especially that of Agnieszka Mrozik). However, he concentrates mainly on the prose created in the last few years. He is above all interested in changes regarding the problem of unwanted pregnancy and abortion that occurred after 1989. When writing about this aspect of female experience has appeared in new prose, it is usually about the past and used to question the morality of the Polish People’s Republic. Recently the problem of unwanted pregnancy seems to be non‑existent as all issues pertaining to maternity are solved in a similar way: despite initial hesitations the heroines of the novels decide to have babies and never regret their choice. In this context Aleksandra Zielińska’s novel Przypadek Alicji (The case of Alice) seems to be especially interesting. Considerations concerning this novel appear in the final part of the article.

Źródło:

Postscriptum Polonistyczne; 2017, 2 (20) Oblicza kobiecości; 85-101
1898-1593
2353-9844

Pojawia się w:

Postscriptum Polonistyczne

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 96.

Tytuł:

Przekład realiów kulturowych w rosyjskiej powieści kryminalnej (na materiale utworów Aleksandry Marininy w tłumaczeniu Elżbiety Rawskiej i Aleksandry Stronki)
Translation of the cultural elements in the Russian detective novel (based on detective novels of Alexandra Marinina and its Polish translations by Elzbieta Rawska and Aleksandra Stronka)

Autorzy:

Letka-Spychała, Olga

Powiązania:

https://bibliotekanauki.pl/articles/1199068.pdf

Data publikacji:

2017

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Alexandra Marinina
criminal novel
translation
cultural elements

Opis:

The aim of the paper is to show the main procedures used in a translation of the specific cultural elements encrypted in Alexandra Marinina’s criminal novels. The material of the present analysis was taken from three books: Мужские игры, Убийца поневоле, Чужая маска translated by Elzbieta Rawska and Aleksandra Stronka.

Źródło:

Acta Polono-Ruthenica; 2017, 3, XXII; 123-132
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 97.

Tytuł:

Czas a tożsamość w perspektywie kulturowej — na przykładzie powieści Lisy See „ Kwiat Śniegu i sekretny wachlarz ”

Autorzy:

BRZOZOWSKA, DOROTA

Powiązania:

https://bibliotekanauki.pl/articles/957638.pdf

Data publikacji:

2007

Wydawca:

Uniwersytet Opolski

Tematy:

time
culture
identity
novel
emininity
footbinding
China

Opis:

The aim of the paper is to show the relationship between different aspects of time and the way they are built in the construction of a narrator’s identity. To highlight the cultural specific dimension of identity a book describing life in ninetieth century China has been chosen. The main heroine ofLisa Sees’s novel Snów Flower and the Secret Fan Lily is telling her life story and presents in a detailed way certain roles she has taken and the things she has had to suffer from (among them the painful footbinding) before she became who she is. The relationship between her and her laotong ‘the same’ is the core of the novel and is also vital for Lily’s self-identification. The ways in which the identity is con- structed out of cultural bound details is shown altogether with the features that make it universal no matter which culture representative they concem. The ąuestion of various types of womanhood is also vital for the paper. The elementary units proposed by Wierzbicka in relation to time are taken into consideration to describe the portrait of the novel’s heroine. The results of the analysis show that the category of NOW is of the greatest im- portance as far as identity issues are concemed.

Źródło:

Stylistyka; 2007, 16; 235-245
1230-2287
2545-1669

Pojawia się w:

Stylistyka

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 98.

Tytuł:

Moral of the Novel: Rorty and Nussbaum on the Ethical Role of Literature

Autorzy:

Bednarski, Maciej

Powiązania:

https://bibliotekanauki.pl/articles/985692.pdf

Data publikacji:

2021-03-31

Wydawca:

Uniwersytet Warszawski. Wydział Filozofii

Tematy:

rorty
nussbaum
ethics
literature
novel
rawls
rancière

Opis:

This paper’s aim is to provide a new interpretation of Martha C. Nussbaum’s and Richard Rorty’s views on the ethical role of literature. I pursue this aim in a threefold manner. First of all, I shortly discuss and provide a critique of previous comparisons by other authors. Afterwards, based on the presented critique of other comparisons, I present concise summaries of their respective views. Finally, I propose a double context for interpreting and assessing their views together. The main claim of the paper is the following: despite several differences in their philosophical underpinnings, Nussbaum’s and Rorty’s views on literature can be interpreted together using the context of John Rawls and Jacques Rancière. This interpretation consists of showing how uncovering a shared Rawlsian characteristic of Nussbaum’s and Rorty’s views paves a way for explaining how literature actually does ethical work, using some concepts of Rancière. Such a contextual reading allows for both a more thorough understanding of their respective projects and assessing their shared shortcomings.

Źródło:

Eidos. A Journal for Philosophy of Culture; 2020, 4, 4; 175-189
2544-302X

Pojawia się w:

Eidos. A Journal for Philosophy of Culture

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 99.

Tytuł:

Bioactive photocross-linkable hybrid materials for tissue engineering applications

Autorzy:

Lewandowska-Łańcucka, J.
Mystek, K.
Mignon, A.
Vlierberghe, S. van
Łatkiewicz, A.
Nowakowska, M.

Powiązania:

https://bibliotekanauki.pl/articles/285159.pdf

Data publikacji:

2016

Wydawca:

Akademia Górniczo-Hutnicza im. Stanisława Staszica w Krakowie. Polskie Towarzystwo Biominerałów

Tematy:

novel biomaterials
hybrid materials
bone tissue engineering

Źródło:

Engineering of Biomaterials; 2016, 19, 138; 30
1429-7248

Pojawia się w:

Engineering of Biomaterials

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 100.

Tytuł:

Wieczór na Missisipi, czyli przyjaźń jako wstrząs
An evening on the Mississippi River, or friendship as a shakeup

Autorzy:

Sławek, Tadeusz

Powiązania:

https://bibliotekanauki.pl/articles/1535121.pdf

Data publikacji:

2010-01-01

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Herman Melville’s novel
dialogues
interpretation
friendship

Opis:

The present text is an interpretation of two dialogues taken from Herman Melville’s novel The Confidence-Man. His Masquerade. One of the main topics prevailing in the conversations of the main characters from the novel traveling on the Mississippi River onboard of the steamboat “Fidéle” is friendship. Friendship, placed within the context of such notions as confidence, identity, feeling of alienation and authority, can be defined as a pre-social relation taking shape not between members of a community, but on a person-to-person plane. Another important reference point is the term “utility”, important in the capitalist “world-system” (the term coined by I. Wallerstein), which requires us to consider friendship within the framework of economic and legal circumstances and the categories of gain and loss. A juxtaposition of friendship with nature makes it finally possible to show that the former notion originates in the latter one, but exceeds it. Scientific tools used for a description of the order of nature are not precise enough to define or determine friendship between people.

Źródło:

Poznańskie Studia Polonistyczne. Seria Literacka; 2010, 17; 127-147
1233-8680
2450-4947

Pojawia się w:

Poznańskie Studia Polonistyczne. Seria Literacka

Dostawca treści:

Biblioteka Nauki

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