Skocz do pozycji: 1.

Tytuł:

Трансформация романтического мифа о городе в поэме А.С. Пушкина Братья‑разбойники
Transformation of the Romanticist Myth of the City in Alexander Pushkin’s Poem Brothers‑Robbers

Autorzy:

Степанова, Анна

Powiązania:

https://bibliotekanauki.pl/articles/2031105.pdf

Data publikacji:

2020

Wydawca:

Polska Akademia Nauk. Czytelnia Czasopism PAN

Tematy:

Urban text
myth about a city
romanticism
Yekaterinoslav text
motif of freedom
motif of rebellion
motif of repentance

Źródło:

Slavia Orientalis; 2020, LXIX, 4; 767-782
0037-6744

Pojawia się w:

Slavia Orientalis

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 2.

Tytuł:

Integrating expression data and genomic sequences to investigate transcriptional regulation in barley in response to abiotic stress

Autorzy:

Delavari, A.
Zinati, Z.
Sazegari, S.
Tahmasebi, A.

Powiązania:

https://bibliotekanauki.pl/articles/2096361.pdf

Data publikacji:

2021

Wydawca:

Polska Akademia Nauk. Czytelnia Czasopism PAN

Tematy:

barley
abiotic stress
transcriptomics analysis
motif discovery
motif enrichment
regulatory gene
set

Opis:

Abiotic stress responses are regulated critically at the transcriptional level. Clarifying the intricate mechanisms that regulate gene expression in response to abiotic stress is crucial and challenging. For this purpose, the factors that regulate gene expression and their binding sites in DNA should be determined. By using bioinformatics tools, the differentially expressed probe sets were studied. A meta-analysis of transcriptomic responses to several abiotic stresses in barley was performed. Motif enrichments revealed that AP2/ERF (APETALA2/Ethylene-Responsive Factor) has the most frequent binding sites. We found that the bHLH transcription factor family has the highest number of transcription factor members. Moreover, network construction revealed that AP2 has the highest number of connections with other genes, which indicates its critical role in abiotic stress responses. The present research further predicted 49 miRNAs belonging to 23 miRNA families. This study identified the probable conserved and enriched motifs, which might have a role in the regulation of differentially expressed genes under abiotic stresses. In addition to shedding light on gene expression regulation, a toolbox of available promoters for genetic engineering of crop plants under such abiotic stresses was developed.

Źródło:

BioTechnologia. Journal of Biotechnology Computational Biology and Bionanotechnology; 2021, 102, 1; 21-32
0860-7796

Pojawia się w:

BioTechnologia. Journal of Biotechnology Computational Biology and Bionanotechnology

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 3.

Tytuł:

Between peril and salvation: water in Michel de Ghelderode’s theatrical world

Autorzy:

Niedokos, Judyta

Powiązania:

https://bibliotekanauki.pl/articles/605535.pdf

Data publikacji:

2018

Wydawca:

Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej

Tematy:

Michel de Ghelderode
theatrical plays
motif of water
théâtre
motif de l'eau

Opis:

Der Artikel enthält enthält keine Abstracts in deutscher Sprache.
The article analyses the motif of water in theatrical plays of the Belgian writer Michel de Ghelderode. It is demonstrated that in his dramatic texts the motif/image of water is not merely a background to the plot but carries some important meanings, usually oscillating between threat and salvation. The analyses proposed in the article focus on these two meanings, on the basis of four theatrical plays which most visibly emphasise them, giving water a particular place in the presented world.
Le présent article analyse le motif de l’eau dans l’imaginaire théâtral de Michel de Ghelderode. L’examen montre que chez le dramaturge belge la matière hydrique va au-delà d’un simple décor et devient significative oscillant entre la menace et le salut. Les réflexions sont structurées autour de ces deux pôles et prennent pour cible surtout quatre textes qui l’illustrent de façon la plus pertinente ne fût-ce qu’à cause de l’importance que prend cet élément dans l’histoire.
Том содержит аннотацию только на английском и французском языках.

Źródło:

Lublin Studies in Modern Languages and Literature; 2018, 42, 3
0137-4699

Pojawia się w:

Lublin Studies in Modern Languages and Literature

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 4.

Tytuł:

Motyw krwi w poezji Inny Lisnianskiej
(Motif of blood in the Inna Lisnianskaya’s poetry

Autorzy:

Nikadem-Malinowska, Ewa

Powiązania:

https://bibliotekanauki.pl/articles/481212.pdf

Data publikacji:

2011-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Inna Lisnianskaya
Motif of blood

Opis:

Inna Lisnianskaya is a Russian poet who has been continuously writing since the fifties andthe author of hundreds outstanding poems. She has built her poetic universe on the basis of certainconcepts. Some of them appear more often than the others and blood is one of them. Abouta hundred of Inna Lisnianskaya’s poems that include the motif of blood was chosen for this work.Their analysis (in accordance to the studies of R. W. Langaker) is to show that the phenomenon ofsubjectification is the basis of the conceptualization process.

Źródło:

Acta Polono-Ruthenica; 2011, 1, XVI; 127-135
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 5.

Tytuł:

Mors voluntaria i literatura rosyjska. Samobójstwo jako akt twórczy, społeczny i polityczny
"Mors voluntaria" and Russian literature. Suicide as an creative, social and political act

Autorzy:

NDiaye, Iwona Anna

Powiązania:

https://bibliotekanauki.pl/articles/482215.pdf

Data publikacji:

2015

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

suicide
suicidal motif
suicidology
Russian literature

Opis:

Suicide is, for centuries, a subject of particular interest in various fields, including philosophy, psychology and sociology. The author of this paper takes the “suicide and literature”, in order to examine selected examples of Russian literature. The analysis has highlighted the importance of a variety of typological models of suicides in literary works, as well as the determinants of suicidal behavior of Russian writers. Taken considerations include the spiritual, creative, social and socio- political aspects.

Źródło:

Acta Polono-Ruthenica; 2015, 1, XX; 91-102
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 6.

Tytuł:

Hafiz Shirazi in America: Ralph Waldo Emerson

Autorzy:

Roozbeh, Roohollah

Powiązania:

https://bibliotekanauki.pl/articles/1156509.pdf

Data publikacji:

2018

Wydawca:

Przedsiębiorstwo Wydawnictw Naukowych Darwin / Scientific Publishing House DARWIN

Tematy:

Emerson
Hafiz
image
influence
motif
theme

Opis:

The poetry of Khajeh Mohammad Hafiz Shirazi has vastly influenced the poetry of Ralph Waldo Emerson, as many critics have noted but have not demonstrated. Emerson is an American poet whose work reflects the influences of Persian poets, among which that of Hafiz is remarkable. The influence of Hafiz on Emerson includes memorable images, themes and motifs. While one can argue that this influence was indirect, it is obvious from the closeness of certain similarities, from Emerson’s intimate knowledge of Hafiz’s poetry, and from his love for Persian poetry, that the influence was more direct than otherwise. Although Emerson knew German and read Hafiz in German translations yet, he embarked on translating the poems of Hafiz in English in order to master Hafiz’s poetry and to introduce him to American readers. These translations themselves are another proof of the claim of influence of Hafiz on Emerson. The methodology of this article is to set the poems of the two poets over against one another and study them watchfully in order to demonstrate the influence of the precursor poet on the belated poet. Therefore the sources of familiarity of Emerson with Hafiz must not be forgotten and should be brought to the surface.

Źródło:

World Scientific News; 2018, 94, 2; 173-189
2392-2192

Pojawia się w:

World Scientific News

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 7.

Tytuł:

Ogród Wallenroda i tajemnica Wajdeloty
Wallenrod’s Garden and the Mystery of Wajdelota

Autorzy:

Fiećko, Jerzy

Powiązania:

https://bibliotekanauki.pl/articles/2012181.pdf

Data publikacji:

2011

Wydawca:

Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego

Tematy:

ogród
motyw
Mickiewicz
Konrad Wallenrod
garden
motif

Opis:

In his article Wallenrod’s Garden and the Mystery of Wajdelota the author analyses the role of the motif of garden in Adam Mickiewicz’s epic poem Konrad Wallenrod. The conventionality of the use of the term ‘garden’ is emphasized by pointing to the fact that there were some changes introduced to the order of the valley near the Neman River, which were conducive to his amorous meetings with his Ladylove. The manner in which the picture of ‘the garden’ is outlined in the poem is confronted by the author with the classical and romantic gardening styles. It is stressed that the poet distances himself from the two schools, which results from, among other things, the emphasis on the beauty of the valley, a garden created by Nature herself. The motif of the garden played an important role in Konrad’s last conversation with Aldona, when the main hero of the poem tried in vain to persuade his wife to escape to Lithuania. He tempted her with a mirage of regained happiness, appealed to their mutual memories, in which this old and still existing garden, a witness of their love, occupied the central place. While analyzing the strategy of insistence used by Wallenrod in this situation, the author of the article referred to the conception of memory proposed by a German researcher, Jan Assmann. In the last part of the essay the character of the relationship between Wallenrod and Halban is considered along with the attempt to unravel the mystery hidden in the words “my son!”, which the old Lithuanian bard, the patron of Konrad’s spy mission, used in their last conversation.

Źródło:

Prace Filologiczne. Literaturoznawstwo; 2011, 1(4); 219-232
2084-6045
2658-2503

Pojawia się w:

Prace Filologiczne. Literaturoznawstwo

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 8.

Tytuł:

O ciszy i milczeniu w piosenkach rockowych
On silence in rock songs

Autorzy:

Barnaś, Paulina

Powiązania:

https://bibliotekanauki.pl/articles/1288814.pdf

Data publikacji:

2017

Wydawca:

Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego

Tematy:

rock song
motif of silence
music
lirics

Opis:

The article in its introductory part outlines the history of rock music in Poland and presents the tools to be used in the analysis of the lyrics of rock songs, which the author carries out in the main body of the paper. Selected rock songs of Polish music groups from the 1960s to the 1980s are analysed with reference to the motif of silence present in them and to its functionality in connection with the musical arrangements.

Źródło:

Dydaktyka Polonistyczna; 2017, 3(12); 106-119
2451-0939

Pojawia się w:

Dydaktyka Polonistyczna

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 9.

Tytuł:

O umarłych, którzy podróżują szybko
On the Dead Who Travel Fast

Autorzy:

Bukowczan-Rzeszut, Agnieszka

Powiązania:

https://bibliotekanauki.pl/articles/520022.pdf

Data publikacji:

2016

Wydawca:

Ośrodek Badawczy Facta Ficta

Tematy:

horror fiction
vampire
vampire motif
vampire novel

Opis:

Reviewed book: Bartłomiej Grzegorz Sala, W górach przeklętych. Wampiry Alp, Rudaw, Sudetów, Karpat i Bałkanów, Olszanica: BOSZ 2016, ISBN: 978-83-7576-286-0

Źródło:

Creatio Fantastica; 2016, 2(53); 91-97
2300-2514

Pojawia się w:

Creatio Fantastica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 10.

Tytuł:

Człowiek wobec tajemnicy śmierci w krótkich formach prozatorskich Michaiła Arcybaszewa
Man in the face of the death’s mystery in short prose forms of Mikhail Artsybashev

Autorzy:

Witczak, Patryk

Powiązania:

https://bibliotekanauki.pl/articles/482633.pdf

Data publikacji:

2018-09-30

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Mikhail Artsybashev
Russian emigration
motif of death

Opis:

From the earliest times, people have been bending over the issue of death, trying to reach its essence. Therefore, death has become one of the leading literary motifs. The article analyses human attitudes towards death depicted in short prose forms of Mikhail Artsybashev. The writer took the position that the mystery of death is impenetrable and all attempts to discover it do not bring any expected results. The essence of death can be reached neither by mind nor through any mystical knowledge. It just needs to be accepted.

Źródło:

Acta Polono-Ruthenica; 2018, 3, XXIII; 59-68
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 11.

Tytuł:

"Harfa Orfeusza" - uwagi na marginesie twórczości Marii Komornickiej
„Orpheus’ Harp” and the off-record remarks about „The Book of Idyllic Poetry” by Maria Komornicka

Autorzy:

Ratuszna, Hanna

Powiązania:

https://bibliotekanauki.pl/articles/545322.pdf

Data publikacji:

2015

Wydawca:

Uniwersytet Gdański. Wydział Filologiczny

Tematy:

Maria Komornicka
the motif
Orpheus
symbol
existentialism

Opis:

Maria Komornicka is the author who evokes the figure of Orpheus. In those of her works which were created towards the end of her life, the motif of journey, of search and that of collapse occur. Komornicka also announces the need for resurgence (the return);still, her biography and her corpus become the evidence of her loneliness and her being rejected. The figure of a singer, Orpheus, symbolizes poetry, dilemmas, the misgivings of the artist performing at the beginning of the XX century. One of the most significant problems is the loss of identity, which in turn leads to emptiness and melancholy. Komornicka’s corpus belongs to the current of existentialism.

Źródło:

Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2015, 4; 35-47
2353-4699

Pojawia się w:

Jednak Książki. Gdańskie Czasopismo Humanistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 12.

Tytuł:

Сборник рассказов Шляхтич Завальня, или Беларусь в фантастичных повествованиях Яна Барщевского в контексте русской готической прозы
Collection of stories „Nobleman Zawalnia, or Belarus in Fantastic Stories by Jan Barszczewski in the context of Russian gothic prose

Autorzy:

Macapura, Liudmila

Powiązania:

https://bibliotekanauki.pl/articles/482348.pdf

Data publikacji:

2016

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

gothic novel
gothic tradition
supernatural
motif
poetics

Opis:

The article deals with the collection of stories by J. Barszczewski Nobleman Zawalnia, or Belarus in Fantastic Stories (Szlachcic Zawalnia czyli Białoruś w fantastycznych opowiadaniach, 1844-1846) in the context of Gothic literary tradition in Russian literature of the 30-40-es of the XIXth century. The author comes to the conclusion that folk motives in the cycle Nobleman Zawalnia... transform under the influence of Gothic literary tradition, which could be perceived by J. Barszczewski indirectly, through the oeuvre of other authors. The usage of comparative methods allows to find out typological relations between the cycle by Barszczewski and the cycles of stories Evenings on a Farm near Dikanka by N. V. Gogol and An Evening on Khoper by M. N. Zagoskin.

Źródło:

Acta Polono-Ruthenica; 2016, 1, XXI; 195-203
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 13.

Tytuł:

Audiowizualne oblicza przesądu. O niektórych funkcjach motywu lustra w dziele filmowym
Audiovisual Aspects of Superstition. Some Functions of the Mirror Motif in the Film

Autorzy:

Kuc, Agnieszka

Powiązania:

https://bibliotekanauki.pl/articles/555556.pdf

Data publikacji:

2014

Wydawca:

Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie

Tematy:

mirror
cinema
movies
superstition
audiovisual work
motif

Opis:

The purpose of this article is to show the role played by the mirrors and related to them themes in audiovisual works, not only at the production stage, but also as symbols which are hidden in those works. I presented, in an abbreviation, how the filmmakers are using the mirrors in the production process, i.e. technical aspects, as well as their functions in the frame, like including them as an attractive ornament to the scene. Each role and func- tion of the mirror has been highlighted in the article by examples from the selected movies. In the next part I focused on showing the mirror from the perspective of superstitions that are associated with it, and I also made an attempt to isolate and clarify its roles and functions which can be found in the movies. The di- vision I proposed was constructed in such a way that it could be easily expla- ined, in one or two words, what lies beneath them, and so the distribution is as follows: wraith (emphasis on the problem of identity), magical mirror (introducing elements of magic to the movies), the gates of truth (revealing the true face of reality), medium (mediating between the worlds), bad omen (the preaching of someone’s death), prison for the soul.

Źródło:

Załącznik Kulturoznawczy; 2014, 1; 158-178
2392-2338

Pojawia się w:

Załącznik Kulturoznawczy

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 14.

Tytuł:

„Życie jest snem…” Oniryczny świat w poezji Nadieżdy Teffi (1872-1952)
“LIFE IS A DREAM...” AN ONEIRIC WORLD IN NADEZHDA TEFFI’S POETRY (1872-1952)

Autorzy:

Ndiaye, Iwona Anna

Powiązania:

https://bibliotekanauki.pl/articles/444291.pdf

Data publikacji:

2017-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

dream motif
oneiric poetry
Teffi (Natalia Buczyńska)

Opis:

This article’s topic is the analysis of the theme of sleep and ways of his linguistic representation in Nadezhda Teffi’s poetry. The author distinguishes various updates of the selected motif, divided them according to their meaning and thematic scope and pointed out their importance in the poetic achievements of the Russian emigrant. The subject of the analysis is the context of direct nominations of the lexeme, its derivates, semantic words and antonyms, appearing in the debut volume of poems Seven Fires (1910) and in Poetry Poems published in Exile: Passiflora Shamram. Songs of the East (1923). The research concept adopted by the author remains in line with the communication style of the text, whose tasks cover various aspects of the analysis of the literary text perceived as a form of communication reflecting both the stylistic standard and the individual style of the author.

Źródło:

Acta Neophilologica; 2017, XIX/2; 145-153
1509-1619

Pojawia się w:

Acta Neophilologica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 15.

Tytuł:

Мотив воды в творчестве Марины Цветаевой

Autorzy:

Янчук, Елена

Powiązania:

https://bibliotekanauki.pl/articles/2057472.pdf

Data publikacji:

2021-09-30

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

russian poetry
water
motif
Marina Tsvetaeva
metaphorization

Opis:

В настоящей статье представлен системный анализ мотива водыв творчестве Марины Цветаевой. Исследовательской задачей является попытка проследить, каким образом конкретная и простая лексема «вода» участвует в смыслопорождающем поэтическом процессе, доказать особое значение этого мотива какважного признака творческого мышления, миросозерцания и творческой индивиду альности в целом. В статье на обширном материале (около 630 примеров), взятом из поэтических и прозаических текстов, рассматриваются основные значения мотива воды и их функциональные особенности в индивидуально-авторской картине мира М. Цветаевой. Вода, не утрачивая природной конкретности, становится одним из важных инструментов метафоризации процессов и явлений не только физического, но и духовного мира поэта.
This article is devoted to the analysis of the motif of water in the works of Marina Tsvetaeva. The main goal is to trace how the concrete and simple lexeme “water” participates in the meaning-generating poetic process, and to prove the specialsignificance of this motif as an important sign of her creative thinking, worldview and creative personality in general. The article uses extensive material (about 630 examples) taken from poetic and prose texts to consider the main meanings of the motif of water and its functional features in the individual author’s viewpoint. Water, without losing itsnatural concreteness, becomes one of the important tools for metaphorizing the processes and phenomena of not only the physical, but also the spiritual world of the poet.

Źródło:

Acta Polono-Ruthenica; 2021, 3, XXVI; 41-57
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 16.

Tytuł:

Різновиди і характер творчої репрезентації мотиву обману в казках С. Осташевського (на тлі фольклорно-літературної традиції)
Types and Nature of Deceptive Motif Creative Representation in S. Ostashevskyi’s Fairy‑tales (Based on the Folklore and Literary Tradition)

Autorzy:

Ніколова, Олександра
Кравченко, Яна

Powiązania:

https://bibliotekanauki.pl/articles/16502663.pdf

Data publikacji:

2022

Wydawca:

Polska Akademia Nauk. Czasopisma i Monografie PAN

Tematy:

motif
plot
tradition
creative representation
cultural connections

Opis:

The article is devoted to the research of the motif of deception in the fairy‑tales of the Polish and Ukrainian writer S. Ostashevskyi. The work offers arguments for the topicality of the research as well as for the choice of the analysis methodology. It also emphasizes the significance of studying the author’s creative works with a view to revealing those connections between Ukrainian and Polish culture which indisputably prove their kinship. Four types of the deception motif have been distinguished based on the collections of fairy‑tales Half‑a‑Kopa Fairy‑Tales for the Little World and Half‑a‑Hundred Fairy‑Tales for Jolly People. These types are as follows: “a creature with superpowers deceives people by appearing in front of them in an anthropomorphous, intentionally inferior, everyday image”, “an infernal character takes people in without changing its image but promising material benefits and solutions to people’s life problems in exchange for their own souls or their children’s souls”, “a person (usually, a woman) deceives/tries to deceive an infernal character or some supreme forces in general”, and “a person deludes another person”. The comparison of this material with the corresponding folklore and literary heritage has defined the specificity of using and transforming the deception motif by S. Ostashevskyi: dependence on the expression of the religious idea, comical play such as appears in the 19th‑century burlesque and travesty art, and reflection on the harmonious combination of Ukrainian and Polish folklore traditions.

Źródło:

Slavia Orientalis; 2022, LXXI, 1; 63-76
0037-6744

Pojawia się w:

Slavia Orientalis

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 17.

Tytuł:

Библейские аллюзии в современной русской поэзии

Autorzy:

Карасик, Владимир

Powiązania:

https://bibliotekanauki.pl/articles/2034804.pdf

Data publikacji:

2021-12-23

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

библейские аллюзии
современная русская поэзия
мотив кары
мотив бегства
мотив движения по кругу
Biblical allusions
modern Russian poetry
motif of retribution
motif of escape
motif of moving in a circle

Opis:

В статье рассматриваются библейские аллюзии в стихотворениях Бахыта Кенжеева, Евгения Лесина, Ильи Фаликова и Олега Комкова. Можно выделить три типа художествен- ных символов на основании их интерпретативной глубины: эмпатические, эйдетические и энигматические. Первые захватывают адресатов, поскольку касаются важнейших харак- теристик бытия, вторые остаются в памяти благодаря яркости образов, а третьи представ- ляют собой загадки, требующие интеллектуальных усилий для расшифровки. Предложены интерпретации энигматических символов в приведенных текстах. Показано, что библейские аллюзии в современном поэтическом осмыслении содержат перекличку с Экклезиастом, ка- саются судьбы уничтоженного Содома, спасения в Египте и исхода из рабства. Ставится под вопрос справедливость божественной кары и вечного движения по кругу. В стихотворени- ях Бахыта Кенжеева тема уничтожения Содома находит новое продолжение, посланец Бога проверяет, остался ли кто-либо в живых после апокалипсической кары, диалог с Экклези- астом дополнен многозначным образом бесконечной ленты фонарей, этот образ допуска- ет интерпретацию посмертной встречи душ. Интересна аллюзия к уничтожению мира как запрограммированному этапу развития Вселенной. Евгений Лесин называет свою страну последним Содомом, который не хочется покидать, хотя участь оставшихся известна. Илья Фаликов по-новому интерпретирует тему исхода из Египта как движения по кругу, лириче- ский герой никогда не сможет обрести свободу. Этот сюжет в необычном ключе осмыслен в стихотворении Олега Комкова, бегство в Египет показано как смерть и возрождение. По- эты акцентируют внимание на неизбежности разрушения мироздания как закономерном этапе сотворения миров. Основной пафос библейских символов в проанализированных тек- стах состоит в понимании трагизма бытия и горькой иронии по этому поводу. Интерпрета- ция энигматических символов требует креативного участия читателей в диалоге с поэтами.
The paper deals with enigmatic symbols presented in Biblical allusions in the texts of contemporary Russian poets Bakhyt Kenzheev, Evgeny Lesin, Ilya Falikov and Oleg Komkov. Three types of artistic symbols may be distinguished according to the criterion of their interpretative depth: empathic symbols are connected with the most important characteristics of existence, eidetic symbols remain in our memory due to the exceptional brightness of images, while enigmatic symbols constitute riddles to be deciphered. Biblical allusions in modern Russian poetry often belong to the third class of symbols. The allusions in the poems analysed are predominantly tragic in tone and develop the ideas of Ecclesiastes, with an emphasis on the incomprehensibility of the divine plan. The images of retribution to Sodom and flights to Egypt and from it illustrate the eternal circle of human existence. Bakhyt Kenzheev offers a new reading of the story of the destruction of Sodom, in which God’s messenger comes to the ruins of the city to see if there are any survivors after the apocalyptical retribution. A new dialogue with Ecclesiastes includes an image of an endless line of lanterns which may symbolise an after-death meeting of souls. In another poem of this author there is an allusion to the world’s annihilation as a necessary stage of the development of the Universe. Evgeny Lesin calls his country the last Sodom, and a place which he is reluctant to leave even though he is aware of its imminent fate. A new interpretation of the Exodus from Egypt is given by Ilya Falikov. In his take it becomes an eternal journey in a circle with no chance of escape. Oleg Komkov also treats this narrative in a new way: as a never-ending chain of death and resurrection. These allusions emphasise the idea that after creation, there inevitably comes destruction. The emphasis in the analysed texts is on a tragic perception of the world blended with an ironic attitude to it. Interpreting enigmatic symbols requires from the readers a creative participation in the dialogue with poets.

Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2021, 14; 145-156
1427-9681
2353-4834

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Rossica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 18.

Tytuł:

Старость и молодость как параллельные мотивы в романе Михаила Осоргина "Сивцев вражек"

Autorzy:

Szymonik, Danuta

Powiązania:

https://bibliotekanauki.pl/articles/1826565.pdf

Data publikacji:

2020-02-06

Wydawca:

Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach

Tematy:

Mikhail Osorgin
Quiet Street
Motif
Old Age
Youth

Opis:

The article deals with two fairy-tale motives – “youth” and “old age” in Mikhail Osor-gin’s novel A Quiet Street (Sivtzev Vrazhek, 1928). Owing to the author’s outlook and artistic strategy they do not stand in the opposition to one another, but rather depict parallel vectors of human life, its presentation the context of space (micro and macro space) as well as in the context of a philosophically meaningful historical time correlated with eternity. The author’s aim is supported by the novel’s structure – a freely arranged series of short stories. The article exposes the problem of the writer’s comprehension of human life within different time and spatial plans. The time layer covers daily, annual and eternal / universal time. The spatial dimension of the artistic world takes into account the Infinite Universe, the solar system, the Earth, Russia, Moscow and the corner house in Sivtzev Vrazhek, which is the main center of the novel structure.

Źródło:

Conversatoria Litteraria; 2017, 11; 215-224
1897-1423

Pojawia się w:

Conversatoria Litteraria

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 19.

Tytuł:

Сербско-русские мотивы в общеславянском контексте (Н. Иваштанин Влюблённое солнце)
Serbo-Russian motif in Slavonic context. (N. Ivanshtanin The Sun in Love”)

Autorzy:

Dmitrovskiy, Aleksei

Powiązania:

https://bibliotekanauki.pl/articles/482404.pdf

Data publikacji:

2010-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

lyrical image of Russia
Serbo-Russian motif
Slavonic

Opis:

The article deals with a lyrical image of Russia and its structure in the Serbian historical consideration, expressive emotions and in the common origins of Slavonic self-consciousness namely: “cosmos - soul - word”.

Źródło:

Acta Polono-Ruthenica; 2010, 1, XV; 67-76
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 20.

Tytuł:

Modlitewna skarga „ani przeciw ludziom – ani przeciw Bogu”. Refleksja nad motywem łez w dwóch wierszach Juliusza Słowackiego
Complaint Prayer “Neither Against People – Nor Against God”. Reflecting on the Motif of Tears in Two Poems by Juliusz Słowacki

Autorzy:

Mazur, Anna

Powiązania:

https://bibliotekanauki.pl/articles/951599.pdf

Data publikacji:

2015

Wydawca:

Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku

Tematy:

lyric poetry
Juliusz Słowacki
motif of tears
autobiographism

Opis:

The article reinterprets the two poems which Juliusz Słowacki wrote while travelling to the Holy Land. Unlike in previous interpretations, here the author uses the motif of tears to uncover the poems’ emotional value and to situate them in the tradition of romanticism. Other poems from the same period set the interpretative context and anticipate the poet’s spiritual growth. Consequently, the article is yet another attempt to demonstrate the emotive characteristics of Słowacki’s lyric poetry. Moreover, it shows how his works are related to his biographical background.

Źródło:

Białostockie Studia Literaturoznawcze; 2015, 7
2082-9701
2720-0078

Pojawia się w:

Białostockie Studia Literaturoznawcze

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 21.

Tytuł:

Cloning and characterization of the yak gene coding for calpastatin and in silico analysis of its putative product

Autorzy:

Zhang, Liping
Ma, Binyun
Wu, Jianping
Fei, Chunhong
Yang, Lian
Wan, Hongling

Powiązania:

https://bibliotekanauki.pl/articles/1040417.pdf

Data publikacji:

2010

Wydawca:

Polskie Towarzystwo Biochemiczne

Tematy:

calpastatin
yak
domain
motif
functional site
calpaincalpastatin system

Opis:

The calcium-activated neutral proteases, μ- and m-calpain, along with their inhibitor, calpastatin, have been demonstrated to mediate a variety of Ca2+-dependent processes including signal transduction, cell proliferation, cell cycle progression, differentiation, apoptosis, membrane fusion, platelet activation and skeletal muscle protein degradation. The cDNA coding for yak calpastatin was amplified and cloned by RT-PCR to investigate and characterize the nucleotide/amino-acid sequence and to predict structure and function of the calpastatin. The present study suggests that the yak calpastatin gene encodes a protein of 786 amino acids that shares 99 % sequence identity with the amino-acid sequence of cattle calpastatin, and that the yak protein is composed of an N-terminal region (domains L and XL) and four repetitive homologous C-terminal domains (d1–d4), in which several prosite motifs are present including short peptide L54–64 (EVKPKEHTEPK in domain L) and GXXE/ DXTIPPXYR (in subdomain B), where X is a variable amino acid. Our results suggest the existence of other functional sites including potential phosphorylation sites for protein kinase C, cAMP- and cGMP-dependent protein kinase, casein kinase II, as well as N-myristoylation and amidation sites that play an important role in molecular regulation of the calpain/calpastatin system. The regulation of the calpain/calpastatin system is determined by the interaction between dIV and dVI in calpains and subdomains A, B, and C in calpastatin.

Źródło:

Acta Biochimica Polonica; 2010, 57, 1; 35-41
0001-527X

Pojawia się w:

Acta Biochimica Polonica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 22.

Tytuł:

Non-random distribution of GATC sequences in regions of promoters stimulated by the SeqA protein of Escherichia coli.

Autorzy:

Strzelczyk, Barbara
Słomińska-Wojewódzka, Monika
Węgrzyn, Grzegorz
Węgrzyn, Alicja

Powiązania:

https://bibliotekanauki.pl/articles/1043365.pdf

Data publikacji:

2003

Wydawca:

Polskie Towarzystwo Biochemiczne

Tematy:

transcription regulation
SeqA protein
promoter sequence
GATC motif

Opis:

The SeqA protein of Escherichia coli is not only the main negative regulator of DNA replication initiation but also a specific transcription factor. It binds to hemimethylated GATC sequences and, with somewhat different specificity, to fully methylated GATC regions. Recently, a microarray analysis was reported, in which transcriptomes of wild-type and ΔseqA strains were compared. Although in the seqA mutant the levels of some transcripts were significantly decreased while certain transcripts were evidently more abundant relative to wild-type bacteria, no correlation between the presence of GATC motifs in promoter sequences and transcription activity was found. However, here we show that when larger DNA fragments, encompassing positions from -250 to +250 relative to the transcription start site, are analyzed, some common features of GATC distribution near the promoters activated by SeqA can be demonstrated. Nevertheless, it seems that the GATC pattern is not the only determinant of SeqA-dependence of promoter activity.

Źródło:

Acta Biochimica Polonica; 2003, 50, 4; 941-945
0001-527X

Pojawia się w:

Acta Biochimica Polonica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 23.

Tytuł:

Comparative Analysis of Western Ukrainian and Lithuanian Folk Towels

Autorzy:

Kumpikaitė, Eglė
Nykorak, Olena
Nenartavičiūtė, Erika
Herus, Ludmyla
Kutsyr, Tetiana
Milašienė, Daiva
Kozakevych, Olena
Rukuižienė, Žaneta

Powiązania:

https://bibliotekanauki.pl/articles/24200960.pdf

Data publikacji:

2023

Wydawca:

Sieć Badawcza Łukasiewicz - Instytut Biopolimerów i Włókien Chemicznych

Tematy:

traditional towel
Ukraine
Lithuania
weaving technique
ornamental motif

Opis:

A comparative analysis of traditional western Ukrainian and Lithuanian towels provides rich material for new creative inspirations, as well as diversification of individual and mass-produced interior textiles, and also visualizes historical ties between the two countries. Therefore, the objective of the article is to analyse the weaving techniques that prevail in the creation of towel decor, to determine the artistic and stylistic parameters of Ukrainian and Lithuanian towels and to establish the common and unique features of their decor. The techniques of plain and twill weaving, the latter of which could obtain simple textured patterns on the canvas, were widespread in both countries. Various weaving compositions were obtained by the pick-up techniques of weaving, the overshot, and the damask weaving technique, which was much more widespread in Lithuania than in the western part of Ukraine.

Źródło:

Fibres & Textiles in Eastern Europe; 2023, 31, 2; 26--38
1230-3666
2300-7354

Pojawia się w:

Fibres & Textiles in Eastern Europe

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 24.

Tytuł:

Orbita oka. Melancholia wzroku w Sedanie Pawła Hertza i w Drewnianym koniu Kazimierza Brandysa
Eye Orbit. Melancholy of Sight in Paweł Hertz’s Sedan and Kazimierz Brandys’ Drewniany koń (The Wooden Horse)

Autorzy:

Kozłowska, Izabela

Powiązania:

https://bibliotekanauki.pl/articles/1038708.pdf

Data publikacji:

2020-06-15

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

literature of retribution
intellectual
melancholy
Saturn’s child/melancholic
motif of sight/eye
motif of blindness
motif of window/glass
painting and literature
World War II
history
Kazimierz Wyka
Paweł Hertz
Kazimierz Brandys

Opis:

The article concerns the way in which the eye topos functions in Paweł Hertz’s Sedan and Kazimierz Brandys’ The Wooden Horse, works representing Polish literature of retribution written in the 1940s. The role of the process of seeing is interpreted by means of the category of melancholy, and the protagonists in these works are presented as melancholics. Standing in front of a window or in the quiet of European museums, members of the intelligentsia do not so much focus on passive contemplation but rather protest against History. The desire to constantly use the eyes has an existential and political sense. Recognition of the phenomenon of a melancholic gaze in the literature of retribution enriches the traditional interpretation of this trend in literature by lending it a new context and allowing rehabilitation of the intellectuals portrayed in it.

Źródło:

Przestrzenie Teorii; 2020, 33; 245-263
2450-5765

Pojawia się w:

Przestrzenie Teorii

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 25.

Tytuł:

Wędrówki opolsko-drohobyczańskie Bestiarium Tomasza Różyckiego na tle prozy Brunona Schulza
Opole-Drohobycz Wanderings Bestiarium of Tomasz Różycki in the Context of Bruno Schulz’s Prose

Autorzy:

Szumiec, Anna

Powiązania:

https://bibliotekanauki.pl/articles/534714.pdf

Data publikacji:

2018

Wydawca:

Wydawnictwo Uniwersytetu Śląskiego

Tematy:

tradition
cultural contexts
motif of wandering
onirism
cultural context

Opis:

The article discusses links between Tomasz Różycki’s Bestiarium [Bestiary] and Bruno Schulz’s texts. Special attention is paid to the motif of wandering (both physical and mental) that can be traced in those works. Another important issue is onirism, inter-textual references and ways of creating the depicted world (mythology of reality, particular motifs, props, schemes). Różycki presents himself as an artist aware of his own work and cultural achievements. He creates an original novel which, at the same time, is strongly rooted in tradition.

Źródło:

Śląskie Studia Polonistyczne; 2018, 12, 2; 247-266
2084-0772
2353-0928

Pojawia się w:

Śląskie Studia Polonistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 26.

Tytuł:

Рождество и Крещение как символы поэтического творчества: евангельские мотивы в поэзии русского метареализма
Christmas and Baptism as symbols of poetic creativity: Evangelical motifs in the poetry of Russian metarealism
Roždestvo i Kreŝenie kak simvoly poètičeskogo tvorčestva: evangelʹskie motivy v poèzii russkogo metarealizma

Autorzy:

Severskaâ, Olʹga

Powiązania:

https://bibliotekanauki.pl/articles/1920440.pdf

Data publikacji:

2020-12-19

Wydawca:

Uniwersytet Opolski

Tematy:

Russian metarealism
Evangelical motif
Christmas
Epiphany
intertextuality
poetic imagery

Opis:

Christmas and Baptism as symbols of poetic creativity: Evangelical motifs in the poetry of Russian metarealism and the 21st centuries. The author considers the “Epiphany” and “Christmas” images in the lyrics of Yevgeny Daenin, Ivan Zhdanov, Alexei Parshikov, Sergey Solovyov, correlating them both with the text of the Holy Scripture and with the poetic tradition of “Christmas verses” of the 19th century and two boundary periods (the 19th-20th and the 20th-21st centuries), in which the search for the “painful and unsteady” image of God is manifested with a particular force. Traditionally, in poetry there is an intimization of Christmas and Epiphany: so, these events are not perceived as being external, but as internal, occurring in a person’s soul. This is true of all Russian contemporary poetry. And metarealism is no exception. The article sequentially explores (using the hermeneutic method, semantic, intertextual and content analysis) verbal images and motifs associated with Baptism, Epiphany and Christmas. In the interpretation of the evangelical stories, metarealists proceed from the ideas of the divine Word-Logos, embodied in words. Baptism and Epiphany are associated with the Word’s Appearance to the People, their baptism in the Speech as a River, which at the same time becomes synonymous with Christmas and Nativity, the birth of the “mortal” word and the beginning of its Way of the Cross. Poetry is perceived by metarealists as climbing Golgotha, “the crucifix of the throat”. The poet has three hypostases in their texts: the “wise Thief” who ascends to “paradise” by God’s will, but is capable of performing the sacrament of baptism with the “verb fire”; “Carpenter”, “Joseph”, stepfather of the “God-born baby”-text; builder, governor of Heavenly Jerusalem and leader of the “Heavenly Host” of words. Analyzing the concept of Speech as a “Homing,” the author comes to the conclusion that metarealists are not so much engaged in “God-seeking” as they are developing M. Heidegger’s theory of language as a “house of being” and of existing and being.

Źródło:

Stylistyka; 2020, 29; 329-343
1230-2287
2545-1669

Pojawia się w:

Stylistyka

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 27.

Tytuł:

Finding Your Way Home: Explorations of the Journey Motif in Alan Riach’s Homecoming

Autorzy:

Barry, Keane,

Powiązania:

https://bibliotekanauki.pl/articles/888893.pdf

Data publikacji:

2020-09-15

Wydawca:

Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego

Tematy:

Scottish poetry
Alan Riach
cultural agenda
journey motif
memory

Opis:

This article endeavours to explore how Alan Riach in his poetry collection Homecoming (2009) treats the motif of home as an internationalist summation which locates and bolsters Scotland’s own sense of identity, contextualised in terms of the poet’s personal understanding of his own poetic purchase on the themes of remembering, leaving, finding, and rediscovering home. Moreover, critical attention is paid to the way Riach’s poems forge a construct wherein a cultural agenda represents the clearest way forward for the accomplishment of Scotland’s nationalist aspirations.

Źródło:

Anglica. An International Journal of English Studies; 2020, 29/3; 63-72
0860-5734

Pojawia się w:

Anglica. An International Journal of English Studies

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 28.

Tytuł:

Motyw łabędzia w filmach Piknik pod Wiszącą Skałą Petera Weira i Czarny łabędź Darrena Aronofsky’ego
Swan Motif in Peter Weir’s Picnic at Hanging Rock and Darren Aronofsky’s Black Swan

Autorzy:

Margas, Paulina

Powiązania:

https://bibliotekanauki.pl/articles/555587.pdf

Data publikacji:

2014

Wydawca:

Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie

Tematy:

swan motif
Swan Lake
kitsch
Peter Weir
Darren Aronofsky

Opis:

In the article there are described methods and functions of swan motif used in films Picnic at Hanging Rock by Peter Weir and Black Swan by Darren Aronofsky. In the work of Australian director very important on that mat- ter are the following: the main character (Miranda), pictorial intertexts, plot structure and some of the formal elements. In Black Swan various connec- tions between the film and Peter Tchaikovsky’s ballet Swan Lake are crucial. In the article there is also presented initiation process of both film characters, which is important for the swan motif. It is an area of comparison of these relatively different works as well. Last part of the article discusses elements of kitsch in the mentioned motif (because of considerable amount of it in low standard art) and tries to prove that methods of exploiting the swan motif by both Peter Weir and Darren Aronofsky are far from kitsch.

Źródło:

Załącznik Kulturoznawczy; 2014, 1; 179-213
2392-2338

Pojawia się w:

Załącznik Kulturoznawczy

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 29.

Tytuł:

Metamorfozy Niemna w twórczości Adama Mickiewicza
The metamorphoses of the Niemen River in Adam Mickiewicz’s works

Autorzy:

Szargot, Maciej

Powiązania:

https://bibliotekanauki.pl/articles/2012566.pdf

Data publikacji:

2015-06-01

Wydawca:

Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego

Tematy:

romantyzm
poezja
motyw
symbol
Adam Mickiewicz
Romanticism
poetry
motif

Opis:

The motif of the Niemen River has existed in Mickiewicz’s writings since the very beginning. It has a surprisingly large number of meanings: it happens to be a way, time, a frontier and home, a hellish river, waters of rebirth and death, a bridegroom.The symbols recur, their meanings get deeper and obtain various shades.

Źródło:

Prace Filologiczne. Literaturoznawstwo; 2015, 5(8); 521-532
2084-6045
2658-2503

Pojawia się w:

Prace Filologiczne. Literaturoznawstwo

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 30.

Tytuł:

Propositions pour un dictionnaire des moyens d’intensification
Tentative guidelines on a dictionary of intensifiers

Autorzy:

Pilecka, Ewa

Powiązania:

https://bibliotekanauki.pl/articles/1048812.pdf

Data publikacji:

2015-01-01

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

semantics
syntax
lexicography
intensification
intensifier
collocation
motif
electronic dictionary

Opis:

The growing body of literature on intensifiers enables us to circumscribe the scope of the phenomenon more accurately and to identify rigorously its linguistic realizations. Yet, the latter are clearly underrepresented or inconsistently treated both in general dictionaries and in textbooks. That is why the need arises to work up a dictionary devoted to means of intensification so that it can serve as a tool to students of French. Rather than simply listing these means, it should be conceived of as a lexicongrammar enabling users both to vary particular forms and to respect syntactic and combinatory constraints. Additionally, it should account for when registers can be conveniently switched. The present paper aims at giving some hints on how such a disctionary should be prepared.

Źródło:

Studia Romanica Posnaniensia; 2015, 42, 1; 83-96
0137-2475
2084-4158

Pojawia się w:

Studia Romanica Posnaniensia

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 31.

Tytuł:

Hadrian, a Numismatic Lapse, and… Janus

Autorzy:

Kluczek, Agata A.

Powiązania:

https://bibliotekanauki.pl/articles/31332298.pdf

Data publikacji:

2022

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

Roman provincial coins
Parium
founder and the plough
aratrum motif

Opis:

The image of the “founder”, who marks the boundaries of the city with a plough drawn by a pair of animals was one of the obvious themes placed on the reverses of colonial coins. Such a symbolic foundation scene (aratrum motif) was also one of the leading themes on coins from the colonial mint in Parium in the east of the Roman Empire. During the reign of Hadrian (AD 117–138), this mint issued coins (RPC 3, nos 1539 and 1540), which, apart from the aratrum motif, have an unobvious legend on their reverses, especially in its connection with the obverse inscription on these coins.

Źródło:

Studia Ceranea; 2023, 13; 455-475
2084-140X
2449-8378

Pojawia się w:

Studia Ceranea

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 32.

Tytuł:

Танатологические мотивы в прозе Ирины Одоевцевой в контексте диалога с литературной традицией
Motif of Death in Irina Odoyevtseva’s Prose

Autorzy:

Witczak, Patryk

Powiązania:

https://bibliotekanauki.pl/articles/968737.pdf

Data publikacji:

2014

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

motif of death
Irina Odoyevtseva
Russian Emigration
Mikhail Lermontov
angels

Opis:

The present paper brings an analysis of the motif of death in Irina Odoyevtseva’s novels "Zerkalo", "Izolda" and "Angel smerti". In the prose of Odoyevtseva, who belonged to the younger generation of the Russian Emigration (the first wave), death is a frequent motif. The author explores how Odoyevtseva refers to Mikhail Lermontov’s poems and to the Celtic story of "Tristan and Iseult".

Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2014, 07; 153-162
1427-9681
2353-4834

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Rossica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 33.

Tytuł:

Образ Дон Жуана у творчості Лесі Українки у контексті європейської донжуаніани
Obraz Don Juana w twórczości Łesi Ukrainki w kontekście europejskiej donżuaniady

Autorzy:

Reda, Marta

Powiązania:

https://bibliotekanauki.pl/articles/2120130.pdf

Data publikacji:

2007

Wydawca:

Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL

Tematy:

Don Juan
obraz
motyw
transformacja literacka
image
motif
literary transformation

Opis:

Autorka artykułu Образ Дон Жуана у творчості Лесі Українки у контексті європейської донжуаніани (Obraz Don Juana w twórczości Łesi Ukrainki w kontekście europejskiej donżuaniady) bada historię oraz funkcjonowanie obrazu wiecznego kochanka – Don Juana, poczynając od wieku XVII, kiedy to po raz pierwszy pojawił się na kartach literatury, na wieku XX kończąc, kiedy to na stałe zadomowił się on w europejskiej świadomości i kulturze. W tym europejskim dyskursie literackim umieszcza autorka artykułu obraz Don Juana zaproponowany przez Łesię Ukrainkę (Kamienny Pan). Przedstawiając ewolucję obrazu poczynając od średniowiecznej legendy hiszpańskiej, przez transformacje autorstwa m.in.: Tirso de Moliny, Jeana Baptiste’a Moliera, Ernsta Theodora Amadeusa Hoffmana, George’a Byrona, Aleksandra Puszkina czy Aleksandra Tołstoja, na XX-wiecznych literackich modyfikacjach kończąc, autorka artykułu kieruje swoją uwagę w stronę utworu Kamienny Pan Łesi Ukrainki, podkreśla szczególne miejsce oraz znaczenie kobiecej interpretacji obrazu Don Juana w kręgu europejskiej donżuaniady. Wskazując na elementy tradycyjne oraz nowatorskie „wiecznego obrazu” podkreśla oryginalność interpretacji Łesi Ukrainki, zwycięstwo kobiety, przegraną Don Juana, dobrowolną śmierć rycerza wolności podporządkowującego się kamiennym zasadom władzy.

Źródło:

Roczniki Humanistyczne; 2007, 54-55, 7; 83-95
0035-7707

Pojawia się w:

Roczniki Humanistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 34.

Tytuł:

По волнам Амура – увлечения русской песней, порывы чувств и поэтические трансформации Йонаша Кофты
On the waves of the Amur – fascination with Russian songs, gusts of feelings and poetics transformations of Jonasz Kofta

Autorzy:

Bednarczyk, Anna

Powiązania:

https://bibliotekanauki.pl/articles/968651.pdf

Data publikacji:

2015

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

перевод
пародия
мотив
Йонаш Кофта
translation
parody
motif
Jonasz Kofta

Opis:

Автор рассматривает разные виды трансформаций, которым подвергаются словесно-музыкальные тексты в процессе введения в другую культуру. Материалом для анализа стали произведения Йонаша Кофты, базирующие в основном на русских мотивах, музыке и текстах песен. Оказывается, что польский вариант необязательно является переводом, он может быть и пародией, и совсем новым произведением, и даже мистификацией.
The author examines various types of transformations which a musical texts undergoes when it is introduced into a different culture. As the material for the analysis served poems of Jonasz Kofta, relying strongly on Russian motifs, Russian music and song lyrics. It turns out that the Polish version is not necessarily a translation: it may also be a parody, a completely new text or even a mystification.

Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2015, 08; 197-210
1427-9681
2353-4834

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Rossica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 35.

Tytuł:

Dakhleh Oasis Project, Petroglyph Unit: seasons 2012 and 2013

Autorzy:

Kuciewicz, Ewa
Polkowski, Paweł
Kobusiewicz, Michał

Powiązania:

https://bibliotekanauki.pl/articles/1727683.pdf

Data publikacji:

2015

Wydawca:

Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego

Tematy:

rock art
petroglyph
oasis
giraffes
female figures
sandal motif
animals

Opis:

In the 2012 and 2013 seasons the Petroglyph Unit concentrated on two major assignments: first, recording rock art sites in the Central Oasis, in the area of the so-called Painted Wadi and in adjoining areas, either unexplored or only partly explored earlier, and second, locating again and documenting Winkler’s sites 66 and 67, both in the eastern part of the Oasis. These two sites are of mostly homogeneous, Neolithic origin, while rock art recorded in the Central Oasis dates from the Neolithic through very recent times.

Źródło:

Polish Archaeology in the Mediterranean; 2015, 24(1); 275-296
1234-5415

Pojawia się w:

Polish Archaeology in the Mediterranean

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 36.

Tytuł:

Миф vs история в материнских рассказах о беременности и родах
Myth vs. history in the natal narratives about pregnancy and birth

Autorzy:

Лабащук, Оксана

Powiązania:

https://bibliotekanauki.pl/articles/22605147.pdf

Data publikacji:

2011

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

folk memorat
natal narrative
mythological text
story text
motif
plot

Opis:

In the article contemporary natal narrative is studied from the perspective of the influence of mythological and story types of texts on it. Natal narrative being similar to mythological text confirms some norms of world outlook and behavior. Natal narrative, like many texts of the story type, is about extraordinary events in a woman’s life or about an exceptional situation, which has happened to her acquaintances. The heroine of the natal narrative crosses a definite semantic border, reasserting the status of her exceptional nature.

Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2011, 4; 142-148
1427-9681
2353-4834

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Rossica

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 37.

Tytuł:

Human Attitudes to Nature in Four Stories from The Decameron 2020

Autorzy:

Sumpor, Svjetlana

Powiązania:

https://bibliotekanauki.pl/articles/15582276.pdf

Data publikacji:

2022-11-14

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

The Decameron 2020
intertextuality
ecocriticism
pandemic
motif of nature in literature

Opis:

The Decameron 2020 started in Croatia as an online literary event in the time of the first quarantine caused by the Covid-19 pandemic and resulted in an e-book of fifty-two selected short stories. Its initiators and editors, Ana Cerovac, Vesna Kurilić and Antonija Mežnarić, recognized the peculiarity of the experience of living in the end times, as well as the potential for comparison of the e-book with Boccaccio’s classic, and set up an online space where authors from Croatia and the region could ( re )create or transform their experiences, or reflect upon them. This paper focuses on four stories from the collection in which nature is givenspecial significance: Algernonova osveta (Algernon’s Revenge) by Nataša Milić, Zaražena (Infected) bySunčica Mamula, Redukcije(Reductions) byAnaKutleša and 2030 byRadmila Rakas. It investigates the range of feelings and attitudes towardsnature in the time of pandemic and quarantine, as reflected in these four stories.

Źródło:

Poznańskie Studia Slawistyczne; 2022, 22; 327-342
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 38.

Tytuł:

Poezja Ołeha Olżycza w przekładach Józefa Czechowicza
Oleh Olzhych’s Poetry in Józef Czechowicz’s Translations

Autorzy:

Choma-Suwała, Anna

Powiązania:

https://bibliotekanauki.pl/articles/2032296.pdf

Data publikacji:

2019

Wydawca:

Polska Akademia Nauk. Czytelnia Czasopism PAN

Tematy:

Józef Czechowicz
Oleh Olzhych
poetry
translation
the Arcadian and apocalyptic motif

Źródło:

Slavia Orientalis; 2019, LXVIII, 1; 31-45
0037-6744

Pojawia się w:

Slavia Orientalis

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 39.

Tytuł:

Ljubavna životinja: životinjski motivi u hrvatskoj ranorenesansnoj ljubavnoj lirici
Love Animal: Animal Motifs in Croatian Early Renaissance Love Poetry

Autorzy:

Bogdan, Tomislav
Husić, Snježana
Treska, Borna

Powiązania:

https://bibliotekanauki.pl/articles/2046620.pdf

Data publikacji:

2021-11-27

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

animal motif
Croatian Early Renaissance love poetry
Šiško Menčetić
Džore Držić

Opis:

Animal motifs were very popular in medieval bestiaries and love poetry, especially in Provençal and Petrarchan poetry. Afterwards they spread throughout European Renaissance love poetry and they are found in love poems by Šiško Menčetić (1457–1527) and Džore Držić (1461–1501), the very first Croatian Renaissance poets. This paper examines some of the animal motifs present in their poems, in order to establish whether they could provide a better understanding of the luralism of Croatian Renaissance love poetry, which cannot be reduced to Petrarchism alone, and of the extraliterary context to which certain animal motifs are related. Our research shows that e.g. motifs of snakes and birds are linked to various types of love discourse; animal motifs related to the topos of love hunt are also analysed. It is shown that animal motifs are potentially polysemous and that their usage follows conventions of the genre and norms of a particular type of love discourse with which they are associated, while their meaning is more precisely definedin the context of the poem.

Źródło:

Poznańskie Studia Slawistyczne; 2021, 21; 99-112
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 40.

Tytuł:

Sens życia w ocenie Ojców Apostolskich
The meaning of life in the assessment of the Apostolic Fathers

Autorzy:

Czyżewski, Bogdan

Powiązania:

https://bibliotekanauki.pl/articles/612147.pdf

Data publikacji:

2012

Wydawca:

Katolicki Uniwersytet Lubelski Jana Pawła II

Tematy:

Ojcowie Apostolscy
motyw dwóch dróg
Apostolic Fathers
motif of two roads

Opis:

The issue connected with sense of life appears in the works of the Apostolic Fathers not only as a main subject, but also not occasionally. They used the motif of two roads to show the sense of behavior on the earth, according to the God’s commandments and his will. They do not condemn the earthly world but deeds, which lead people to death. Even in the face of his close martyrdom, they saw a clear aim: life on the earth is important, because it leads to God. The Apostolic Fathers tell also the truth connected with eternal life and hope to be used from the dead, which will take place after death. The sense of our life is – it leads a man to the resurrection.

Źródło:

Vox Patrum; 2012, 57; 93-101
0860-9411
2719-3586

Pojawia się w:

Vox Patrum

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 41.

Tytuł:

Голосні струни Лесі Українки й Меланхолійний вальс Ольги Кобилянської: художньо-типологічні паралелі
Lesya Ukrainka’s Голосні струни and Olha Kobylianska’s Valce melancolique: artistic and typological parallels
Голосні струни Łesi Ukrainki i Valce melancolique Olgi Kobylanskiej. Artystyczno-typologiczne paralele

Autorzy:

Horniatko-Szumiłowicz, Anna

Powiązania:

https://bibliotekanauki.pl/articles/1877368.pdf

Data publikacji:

2019-10-24

Wydawca:

Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL

Tematy:

literatura ukraińska
szkic
nowela
paralele artystyczno-typologiczne
autobiograficzność
intelektualizm
„muzyczność” tekstu
motyw melancholii
motyw ciszy
motyw piękna/brzydoty
Ukrainian literature
essay
novelette
artistic and typological parallels
autobiographism
intellectualism
text’s musicality
motif of melancholy
motif of silence
motif of beauty/ugliness

Opis:

Można wskazać co najmniej kilka punktów, w których przecinają się twórcze i życiowe drogi Łesi Ukrainki (1871-1913) i Olgi Kobylanskiej (1863-1942). Obie kobiety – to wielkie postaci literatury ukraińskiej. Obie żyły i tworzyły w tym samym czasie, choć starsza o osiem lat Olga przeżyła Łesię o blisko 28 lat. Wspólna przestrzeń obu kobiet to wczesny modernizm ukraiński w literaturze oraz czerniowieckie adresy – w życiu realnym. Pisarki łączyła niezwykła więź duchowa, znajdująca swoje odzwierciedlenie zarówno w ich spuściźnie epistolarnej, jak i w twórczości. Szczególnie w dwóch utworach: szkicu Голосні струни Łesi Ukrainki i noweli Valce melancolique Оlgi Kobylanskiej, obecne są artystyczno-typologiczne paralele, wynikające ze wskazanych wyżej punktów stycznych w życiu i twórczości obu pisarek. Należą do nich: prawie ten sam czas napisania utworów, podobieństwo w obrębie gatunku, autobiograficzność obu tekstów, intelektualizm. W obu utworach obecny jest konflikt między realną rzeczywistością a sztuką, pojmowany jako wariant konfliktu artysta–społeczeństwo, szeroko pojęta „muzyczność” tekstów. W obu tekstach wzajemnie przeplatają się również motywy tęsknoty/melancholii oraz milczenia/ciszy, a także szczególnie popularny w okresie modernizmu motyw piękna/ brzydoty.
One can identify at least a few points at which the artistic careers and personal lives of Lesya Ukrainka (1871-1913) and Olha Kobylianska (1863-1942) had crossed their paths. Both women are great figures of Ukrainian literature. They both lived and worked in the same time, although 8 years older Olga outlived Lesya by nearly 28 years. They shared the literary space, that is the early Ukrainian modernism, and the everyday environment, both living in the Chernivtsi district. The writers were linked by a special spiritual bond which was reflected in their epistolary oeuvre and their work in general. In two works of theirs in particular, that is in Lesya Ukrainka’s essay Голосні струни and Olha Kobylianska’s novelette Valce melancolique one can trace artistic and typological parallels stemming from the similarities between their personal lives and work. These are: timewise similarity, similarity within the genre, autobiographism of both texts and their intellectualism. In both works a conflict between the reality and Art is present, interpreted as a variant of the conflict between an artist and the society, as well as the feature of broadly understood ‘musicality’. Moreover, in both texts the motifs of longing/ melancholy and silence/ quietness, as well as the then popular motif of beauty/ ugliness are intertwined.

Źródło:

Roczniki Humanistyczne; 2018, 66, 7; 55-74
0035-7707

Pojawia się w:

Roczniki Humanistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 42.

Tytuł:

Two Terracotta Incense Burners with ‘Horns’ and Vine Scroll Decoration from Tell Atrib (Egypt)

Autorzy:

Tybulewicz, Rozalia

Powiązania:

https://bibliotekanauki.pl/articles/484190.pdf

Data publikacji:

2015

Wydawca:

Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN

Tematy:

Tell Atrib
Greco-Roman Egypt
incense burner
domestic cult
vine scroll motif

Opis:

Among terracottas found in Tell Atrib in the Nile Delta by the Polish-Egyptian archaeological mission, there are two incense burners with ‘horns’ and vine scroll decoration. Both objects were made from a double mould. The first one, found in 1989 (TA 89/166), is almost fully preserved; the second one, discovered in 1978 (TA 87/41), is just a small fragment of a similar object. Archaeological context allows to date the artifacts to the Ptolemaic or Roman period. The closest analogies are known from necropoleis in Alexandria, but similar objects are also attested outside Egypt. The soot traces visible on the better preserved specimen (TA 89/166) confirm that it was used for incense burning. The find context suggests that both objects could have been rather intended for domestic cult than for official religious practice or funerary rituals. The form of the burners, and the horn-shaped projections in particular, suggest their connection to the cult of Egyptian gods.

Źródło:

Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2015, 28; 191-200
2084-6762
2449-9579

Pojawia się w:

Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 43.

Tytuł:

Imperial Chancellery in Hofburg, Royal Castles in Warsaw and Wilanów, and the port gate in Szczecin - a story of one detail
Kancelaria Cesarska w Hofburgu,Zamki Królewskie w Warszwie i Wilanowie oraz Brama Portowa w Szczecinie - historia jednego detalu

Autorzy:

Arlet, Joanna

Powiązania:

https://bibliotekanauki.pl/articles/370590.pdf

Data publikacji:

2020

Wydawca:

Zachodniopomorski Uniwersytet Technologiczny w Szczecinie. Wydawnictwo Uczelniane ZUT w Szczecinie

Tematy:

baroque
cartouche
iconographic motif
fame
engraving
barok
kartusz
motyw ikonograficzny
sława
sztych

Opis:

The surprising similarity between decorative motifs found in Rome, Versailles, Warsaw, Berlin, Vienna and Szczecin is worth taking a closer look at to see how they relate. The popularity of the iconographic motif depicting Fames blowing on trumpets grew significantly during the Baroque period. It was because of its visual attractiveness and explicitness. This motive was a clear sign of the founder's prestige. The sources of the formal similarities between the presented examples are discussed in this article.
Zaskakujące podobieństwo między motywami dekoracyjnymi spotykanymi w Rzymie, Wersalu, Warszawie, Berlinie, Wiedniu i Szczecinie stało się powodem podjęcia poszukiwań ich wzajemnych relacji. Popularność motywu ikonograficznego, przedstawiającego Sławy dmące w trąby, wzrosła znacząco w okresie baroku. Wynikała ona z jego wizualnej atrakcyjności i jednoznaczności. Motyw ten stanowił bowiem dobitną oznakę prestiżu fundatora. Źródła podobieństw formalnych między prezentowanymi przykładami rozważa niniejszy artykuł.

Źródło:

Przestrzeń i Forma; 2020, 41; 262-278
1895-3247
2391-7725

Pojawia się w:

Przestrzeń i Forma

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 44.

Tytuł:

Letteratura e Sacre Scritture. Ispirazioni bibliche in opere scelte della narrativa italiana novecentesca
Literature and the Sacred Scriptures. Biblical References in Selected Works of 20th-Century Italian Prose

Autorzy:

Porczyk, Anna

Powiązania:

https://bibliotekanauki.pl/articles/446681.pdf

Data publikacji:

2015-12-31

Wydawca:

Wydawnictwo Adam Marszałek

Tematy:

Bible
Sacred Scripturess
Genesis
motif
prose
Bibbia
Sacre Scritture
Genesi
motivo
prosa

Opis:

This essay examines biblical references, inspirations and motifs in 20th-century Italian prose. It investigates the longstanding significance of the Sacred Scripture as one of the fundaments of Western civilisation and the Scripture’s changing influence on the imagination and sensibilities of modern Italian writers; it also attempts to provide an explanation of this trend. The Bible, a source of inspiration with extensive historical presence and numerous translations, has been met with multiple interpretations extending far beyond its purely theological dimension. It has shaped European cultural heritage in terms of its themes as well as its languages, symbols, concepts and metaphors, which have permeated European works of culture in the centuries past. The Bible has encouraged creators, including authors, to continue to operate within its tradition, albeit outside the strict confines of faith itself. It is a timeless code not just because of its longstanding presence, but also because it cannot be dismissed out of hand if we are to understand not simply the works of great, world-renowned classics, and those shaped by religion in particular, but notably the works of modern writers of both Christian and secular backgrounds.
: Il presente saggio intende approfondire la presenza di riferimenti, ispirazioni e motivi biblici nella prosa italiana del Novecento. Investiga il durativo significato delle Sacre Scritture intese come fondamento della civiltà occidentale, nonché il loro variabile influsso sull’immaginazione e sulla sensibilità degli scrittori italiani moderni, oltre a tentare di spiegare questa tendenza. Nella sua lunga storia e nelle sue traduzioni la Bibbia è stata oggetto delle più varie interpretazioni, anche al di fuori della sua dimensione puramente teologica. Ha avuto un’influenza formativa sull’intero patrimonio europeo, non solo in termini di tematiche, ma anche di lingue, simboli, concetti e metafore che permeano da secoli l’opera di innumerevoli artisti. La Bibbia ha incoraggiato i creatori, tra cui gli autori di letteratura, a continuare a operare all’interno della sua tradizione, perfino oltre i confini della fede. È un codice che perdura non solo nel senso del suo resistere al trascorrere del tempo, ma è anche quel codice da cui pare impossibile prescindere volendo conoscere l’opera di notevoli autori classici, soprattutto di formazione religiosa, ma anche di orientamento laico.

Źródło:

Italica Wratislaviensia; 2015, 6; 149-161
2084-4514

Pojawia się w:

Italica Wratislaviensia

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 45.

Tytuł:

Uwagi o języku i poezji w wierszach Mirosława Dzienia
Remarks on language and poetry in the poems of Mirosław Dzień

Autorzy:

Bobryk, Roman

Powiązania:

https://bibliotekanauki.pl/articles/29520402.pdf

Data publikacji:

2023-07-21

Wydawca:

Uniwersytet Bielsko-Bialski

Tematy:

metapoetry
language motif
metaphysical poetry
Mirosław Dzień
metapoezja
język – motyw
poezja metafizyczna

Opis:

Remarks on language and poetry in the poems of Mirosław Dzień Miroslaw Dzień is perceived as a metaphysical poet. The subject matter of his poems frequently oscillates around existential problems and touches on various religious issues (including eschatological ones). An ambivalent view of language emerges from Dzien’s poems. The language used there serves to capture different aspects of reality and preserve various phenomena. On the other hand, however, it does not allow the poet to address the most important issues and articulate his innermost thoughts. In this context, it is the poetry that is the higher form of communication, though it also has great limitations. This is because everything that matters most is contained in silence.

Źródło:

Świat i Słowo; 2023, 40, 1; 253-267
1731-3317

Pojawia się w:

Świat i Słowo

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 46.

Tytuł:

„Za dużo światła, to niedobrze, ale takie przytłumione, to w sam raz”: motyw zdrady małżeńskiej w niemieckim realizmie poetyckim na podstawie „Effi Briest” Theodora Fontanego
“Too much light is not good, but this subdued light is just right”: The Motif of Marital Betrayal in German Poetic Realism – on the Example of „Effi Briest” by Theodor Fontane.

Autorzy:

Jabłkowska, Joanna

Powiązania:

https://bibliotekanauki.pl/articles/649150.pdf

Data publikacji:

2018

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

The Motif of Marital Betrayal
The German Poetic Realism
Theodor Fontane
Effi Briest

Opis:

This article examines the concept of German Realism, also known as poetic realism or bourgeois realism, using the example of the motif of marital betrayal. Theodor Fontane’s Effi Briest is the most widely known literary work that portrays infidelity and the punishment inflicted on the wife who breaks her marriage vows. The novel is often compared to Madame Bovary and Anna Karenina. It depicts not only the young wife’s affair but also its consequences: divorce, losing the rights to her child, social isolation and finally her premature death, caused by her “anguish”. A superficial reading suggests that Fontane was inspired by the literature of European Realism and Naturalism; however, even a cursory comparison of Flaubert’s and Fontane’s works reveals the distinctive features of German Realism. It is this specificity of the mid-19 century German novel that constitutes the main focus of this article. The key aesthetic category characteristic of the German 19th century prose was “humour”, defined by Wolfgang Preisendanz as finding the connection between two seemingly unrelated things. Fontane wrote about the “beautifying veil”, which makes it possible to portray extreme social problems in a poetic way, never directly. The reader must uncover aspects of the literary work which evoke the dilemmas of a world on the verge of modernity.
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Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2018, 49, 3; 197-218
1505-9057
2353-1908

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Polonica

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 47.

Tytuł:

Polihistydylowe sekwencje z motywem His-tag – ich rola i biologiczne znaczenie oddziaływania z jonami metali
Polyhistidine sequences with His-tag motif – their role and biological significance of interaction with metal ions

Autorzy:

Wątły, J.
Kozłowski, H.

Powiązania:

https://bibliotekanauki.pl/articles/172145.pdf

Data publikacji:

2016

Wydawca:

Polskie Towarzystwo Chemiczne

Tematy:

histydyna
His-tag
jony metali
białka
histidine
His-tag motif
metal ions
proteins

Opis:

His-tags are specific sequences containing six to nine subsequent histydyl residues and they are used commercially in immobilized metal affinity chromatography (IMAC) as molecular ‘anchors’ that bind to a metal ion (usually nickel), immobilized by chelation with nitrilotriacetic acid (NTA) bound to a solid support [37, 38]. Consecutive histidines are the common denominator for both His-tags used in molecular biology and for quite remote biological phenomena – more than 2000 histidine- rich proteins (HRPs) are found in microorganisms including 60% and 82% of archaeal and bacterial species, respectively and their roles are not well characterized [73]. The physicochemical properties of histidine make it a versatile amino acid that influences protein conformation and enzymatic activity [15]. Many natural proteins with a His-tag domain are assigned to different functions, for example: most bacterial proteins, containing this motif are probably involved in the homeostasis of nickel ions [68, 76], while others, e.g. newly isolated peptides from the venom of the snake genus Atheris contain poly-histidyl-poly-glycyl sequences (pHpG) can act on the cardiovascular system by inhibiting snake venom metalloproteinases and affect its function by acting on specific receptors [58, 62]. His-rich motifs have been found also e.g. in Zn²⁺ transporters, prion proteins, His-rich glycoproteins, transcription factors or numerous copper-binding proteins [56, 67, 84]. Binding mode and the thermodynamic properties of the system depends on the specific metal ion and the histidine sequence. Despite the wide application of the His-tag for purification of proteins, little is known about the properties of metalbinding to such tag domain. Recent experimental and theoretical studies have shown that metal ions, e.g. Cu²⁺ can bind to various sets of imidazoles depending on the number of histidine residues that are located in His-rich sequences. The occurrence of polymorphic binding states and the formation of an α-helical structure induced by metal ion coordination suggest that proteins with a His-tag domain may serve as the dynamic site able to ‘move’ metal ions along the tag sequence [99, 100]. This might explain the frequent occurrence of such sequences in bacterial Ni²⁺ chaperones, which transfer the metal ion between different proteins.

Źródło:

Wiadomości Chemiczne; 2016, 70, 11-12; 1-24
0043-5104
2300-0295

Pojawia się w:

Wiadomości Chemiczne

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 48.

Tytuł:

Проблематика избранных произведений Романа Сенчина краткий обзор критических и литературоведческих статей)
ANALYSIS OF SELECTED LITERARY WORKS OF ROMAN SENCHIN (A SHORT REVIEW OF CRITICAL AND LITERATURE MAGAZINE ARTICLES)

Autorzy:

Pańkowska, Ewa

Powiązania:

https://bibliotekanauki.pl/articles/444442.pdf

Data publikacji:

2017-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Roman Senchin
Senchin’s characters
Senchin’s “little people”
“new realism”
death motif

Opis:

Roman Senchin (born in 1971) is one of the most expressive spokesmen for his generation and one of the most prominent exponents of “new realism” of “the noughties”. The aim of this article is to identify central motifs in selected literary works of this contemporary Russian writer and literary critic, to present his artistic conception of creating a character, and to show distinguishing features and characteristics of Senchin’s “little man”. This paper analyzes Senchin’s three collections of short stories and stories: Nothing scaring (Ничего страшного, 2007), Moscow shadows (Московские тени, 2009), On the black stairs (На чёрной лестнице, 2009).

Źródło:

Acta Neophilologica; 2017, XIX/2; 155-168
1509-1619

Pojawia się w:

Acta Neophilologica

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 49.

Tytuł:

LOST IN THE TEXTUAL MAZE? CONCEALMENTS AND DOUBLINGS IN PETER STRAUB’S MR. X

Autorzy:

Studniarz, Sławomir

Powiązania:

https://bibliotekanauki.pl/articles/444919.pdf

Data publikacji:

2010-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

textual intricacy,
doubling,
lack of closure,
motif of doppelganger,
subtext,
mise en abyme

Opis:

The article explores the textual intricacy and the epistemological uncertainty projected by the 1999 novel of Peter Straub titled Mr. X. Already the title of the novel hints at secrecy, hidden identities, and cryptic messages. Indeed, the novel seems to be conceived as a cryptogram and a kind of literary “Russian doll”. This applies as much to the person of the narrator as to the construction of the narrative, its layers upon layers of secrecy and deception. This cryptic character of the novel is reinforced by the lack of closure and the ambiguity of the ending: “the fog” that shrouds everything as well as “undecipherable signs” that Ned meets along the way serve as a trope that projects the implied reader’s loss of certainty. The sense of being lost in the textual maze is compounded by the abundant instances of doubling and mirroring in the text. This is first observed in the composition of the novel as the dual-level narrative, consisting of the part narrated by Ned, and of the diary of Mr. X, the mysterious figure seen by Ned in his dreams, later revealed to be his father. The two, Ned and Mr. X, in their own peculiar ways act out the same pattern: Ned’s quest to find out the identity of his father is paralleled by his father’s (futile) attempts to confirm his own unearthly origins. However, duality is most powerfully expressed by the motif of doppelganger: Ned, the narrator, in time realizes the existence of his not-entirelyhuman brother, Robert, his “shadow self”, his “dark half”. Finally, even the novel, Mr. X, finds itself reflected in the work of fiction written by Mr. X, a story titled Blue Fire. Blue Fire, introduced at length into the narrative, serves as its specular text, mise en abyme, encapsulating its two central themes, as verbalized by the narrator: “the obsession with the ancestral house” and “the flight from and the pursuit of the Other”.

Źródło:

Acta Neophilologica; 2010, XII; 193-202
1509-1619

Pojawia się w:

Acta Neophilologica

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 50.

Tytuł:

The strategy of fusion genes construction determines efficient expression of introduced transcription factors

Autorzy:

Adamus, Tomasz
Konieczny, Paweł
Sekuła, Małgorzata
Sułkowski, Maciej
Majka, Marcin

Powiązania:

https://bibliotekanauki.pl/articles/1039213.pdf

Data publikacji:

2014

Wydawca:

Polskie Towarzystwo Biochemiczne

Tematy:

multiple gene expression
P2A
self-cleavage motif
SNAIL
transcription factors introduction

Opis:

The main goal in gene therapy and biomedical research is an efficient transcription factors (TFs) delivery system. SNAIL, a zinc finger transcription factor, is strongly involved in tumor, what makes its signaling pathways an interesting research subject. The necessity of tracking activation of intracellular pathways has prompted fluorescent proteins usage as localization markers. Advanced molecular cloning techniques allow to generate fusion proteins from fluorescent markers and transcription factors. Depending on fusion strategy, the protein expression levels and nuclear transport ability are significantly different. The P2A self-cleavage motif through its cleavage ability allows two single proteins to be simultaneously expressed. The aim of this study was to compare two strategies for introducing a pair of genes using expression vector system. We have examined GFP and SNAI1 gene fusions by comprising common nucleotide polylinker (multiple cloning site) or P2A motif in between them, resulting in one fusion or two independent protein expressions respectively. In each case transgene expression levels and translation efficiency as well as nuclear localization of expressed protein have been analyzed. Our data showed that usage of P2A motif provides more effective nuclear transport of SNAIL transcription factor than conventional genes linker. At the same time the fluorescent marker spreads evenly in subcellular space.

Źródło:

Acta Biochimica Polonica; 2014, 61, 4; 773-778
0001-527X

Pojawia się w:

Acta Biochimica Polonica

Dostawca treści:

Biblioteka Nauki

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