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Wyszukujesz frazę "motif" wg kryterium: Temat


Tytuł:
Трансформация романтического мифа о городе в поэме А.С. Пушкина Братья‑разбойники
Transformation of the Romanticist Myth of the City in Alexander Pushkin’s Poem Brothers‑Robbers
Autorzy:
Степанова, Анна
Powiązania:
https://bibliotekanauki.pl/articles/2031105.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Urban text
myth about a city
romanticism
Yekaterinoslav text
motif of freedom
motif of rebellion
motif of repentance
Źródło:
Slavia Orientalis; 2020, LXIX, 4; 767-782
0037-6744
Pojawia się w:
Slavia Orientalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Integrating expression data and genomic sequences to investigate transcriptional regulation in barley in response to abiotic stress
Autorzy:
Delavari, A.
Zinati, Z.
Sazegari, S.
Tahmasebi, A.
Powiązania:
https://bibliotekanauki.pl/articles/2096361.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
barley
abiotic stress
transcriptomics analysis
motif discovery
motif enrichment
regulatory gene
set
Opis:
Abiotic stress responses are regulated critically at the transcriptional level. Clarifying the intricate mechanisms that regulate gene expression in response to abiotic stress is crucial and challenging. For this purpose, the factors that regulate gene expression and their binding sites in DNA should be determined. By using bioinformatics tools, the differentially expressed probe sets were studied. A meta-analysis of transcriptomic responses to several abiotic stresses in barley was performed. Motif enrichments revealed that AP2/ERF (APETALA2/Ethylene-Responsive Factor) has the most frequent binding sites. We found that the bHLH transcription factor family has the highest number of transcription factor members. Moreover, network construction revealed that AP2 has the highest number of connections with other genes, which indicates its critical role in abiotic stress responses. The present research further predicted 49 miRNAs belonging to 23 miRNA families. This study identified the probable conserved and enriched motifs, which might have a role in the regulation of differentially expressed genes under abiotic stresses. In addition to shedding light on gene expression regulation, a toolbox of available promoters for genetic engineering of crop plants under such abiotic stresses was developed.
Źródło:
BioTechnologia. Journal of Biotechnology Computational Biology and Bionanotechnology; 2021, 102, 1; 21-32
0860-7796
Pojawia się w:
BioTechnologia. Journal of Biotechnology Computational Biology and Bionanotechnology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Between peril and salvation: water in Michel de Ghelderode’s theatrical world
Autorzy:
Niedokos, Judyta
Powiązania:
https://bibliotekanauki.pl/articles/605535.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Michel de Ghelderode
theatrical plays
motif of water
théâtre
motif de l'eau
Opis:
Der Artikel enthält enthält keine Abstracts in deutscher Sprache.
The article analyses the motif of water in theatrical plays of the Belgian writer Michel de Ghelderode. It is demonstrated that in his dramatic texts the motif/image of water is not merely a background to the plot but carries some important meanings, usually oscillating between threat and salvation. The analyses proposed in the article focus on these two meanings, on the basis of four theatrical plays which most visibly emphasise them, giving water a particular place in the presented world.
Le présent article analyse le motif de l’eau dans l’imaginaire théâtral de Michel de Ghelderode. L’examen montre que chez le dramaturge belge la matière hydrique va au-delà d’un simple décor et devient significative oscillant entre la menace et le salut. Les réflexions sont structurées autour de ces deux pôles et prennent pour cible surtout quatre textes qui l’illustrent de façon la plus pertinente ne fût-ce qu’à cause de l’importance que prend cet élément dans l’histoire.
Том содержит аннотацию только на английском и французском языках.
Źródło:
Lublin Studies in Modern Languages and Literature; 2018, 42, 3
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Motyw krwi w poezji Inny Lisnianskiej
(Motif of blood in the Inna Lisnianskaya’s poetry
Autorzy:
Nikadem-Malinowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/481212.pdf
Data publikacji:
2011-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Inna Lisnianskaya
Motif of blood
Opis:
Inna Lisnianskaya is a Russian poet who has been continuously writing since the fifties andthe author of hundreds outstanding poems. She has built her poetic universe on the basis of certainconcepts. Some of them appear more often than the others and blood is one of them. Abouta hundred of Inna Lisnianskaya’s poems that include the motif of blood was chosen for this work.Their analysis (in accordance to the studies of R. W. Langaker) is to show that the phenomenon ofsubjectification is the basis of the conceptualization process.
Źródło:
Acta Polono-Ruthenica; 2011, 1, XVI; 127-135
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mors voluntaria i literatura rosyjska. Samobójstwo jako akt twórczy, społeczny i polityczny
"Mors voluntaria" and Russian literature. Suicide as an creative, social and political act
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/482215.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
suicide
suicidal motif
suicidology
Russian literature
Opis:
Suicide is, for centuries, a subject of particular interest in various fields, including philosophy, psychology and sociology. The author of this paper takes the “suicide and literature”, in order to examine selected examples of Russian literature. The analysis has highlighted the importance of a variety of typological models of suicides in literary works, as well as the determinants of suicidal behavior of Russian writers. Taken considerations include the spiritual, creative, social and socio- political aspects.
Źródło:
Acta Polono-Ruthenica; 2015, 1, XX; 91-102
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hafiz Shirazi in America: Ralph Waldo Emerson
Autorzy:
Roozbeh, Roohollah
Powiązania:
https://bibliotekanauki.pl/articles/1156509.pdf
Data publikacji:
2018
Wydawca:
Przedsiębiorstwo Wydawnictw Naukowych Darwin / Scientific Publishing House DARWIN
Tematy:
Emerson
Hafiz
image
influence
motif
theme
Opis:
The poetry of Khajeh Mohammad Hafiz Shirazi has vastly influenced the poetry of Ralph Waldo Emerson, as many critics have noted but have not demonstrated. Emerson is an American poet whose work reflects the influences of Persian poets, among which that of Hafiz is remarkable. The influence of Hafiz on Emerson includes memorable images, themes and motifs. While one can argue that this influence was indirect, it is obvious from the closeness of certain similarities, from Emerson’s intimate knowledge of Hafiz’s poetry, and from his love for Persian poetry, that the influence was more direct than otherwise. Although Emerson knew German and read Hafiz in German translations yet, he embarked on translating the poems of Hafiz in English in order to master Hafiz’s poetry and to introduce him to American readers. These translations themselves are another proof of the claim of influence of Hafiz on Emerson. The methodology of this article is to set the poems of the two poets over against one another and study them watchfully in order to demonstrate the influence of the precursor poet on the belated poet. Therefore the sources of familiarity of Emerson with Hafiz must not be forgotten and should be brought to the surface.
Źródło:
World Scientific News; 2018, 94, 2; 173-189
2392-2192
Pojawia się w:
World Scientific News
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ogród Wallenroda i tajemnica Wajdeloty
Wallenrod’s Garden and the Mystery of Wajdelota
Autorzy:
Fiećko, Jerzy
Powiązania:
https://bibliotekanauki.pl/articles/2012181.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
ogród
motyw
Mickiewicz
Konrad Wallenrod
garden
motif
Opis:
In his article Wallenrod’s Garden and the Mystery of Wajdelota the author analyses the role of the motif of garden in Adam Mickiewicz’s epic poem Konrad Wallenrod. The conventionality of the use of the term ‘garden’ is emphasized by pointing to the fact that there were some changes introduced to the order of the valley near the Neman River, which were conducive to his amorous meetings with his Ladylove. The manner in which the picture of ‘the garden’ is outlined in the poem is confronted by the author with the classical and romantic gardening styles. It is stressed that the poet distances himself from the two schools, which results from, among other things, the emphasis on the beauty of the valley, a garden created by Nature herself. The motif of the garden played an important role in Konrad’s last conversation with Aldona, when the main hero of the poem tried in vain to persuade his wife to escape to Lithuania. He tempted her with a mirage of regained happiness, appealed to their mutual memories, in which this old and still existing garden, a witness of their love, occupied the central place. While analyzing the strategy of insistence used by Wallenrod in this situation, the author of the article referred to the conception of memory proposed by a German researcher, Jan Assmann. In the last part of the essay the character of the relationship between Wallenrod and Halban is considered along with the attempt to unravel the mystery hidden in the words “my son!”, which the old Lithuanian bard, the patron of Konrad’s spy mission, used in their last conversation.
Źródło:
Prace Filologiczne. Literaturoznawstwo; 2011, 1(4); 219-232
2084-6045
2658-2503
Pojawia się w:
Prace Filologiczne. Literaturoznawstwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O ciszy i milczeniu w piosenkach rockowych
On silence in rock songs
Autorzy:
Barnaś, Paulina
Powiązania:
https://bibliotekanauki.pl/articles/1288814.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
rock song
motif of silence
music
lirics
Opis:
The article in its introductory part outlines the history of rock music in Poland and presents the tools to be used in the analysis of the lyrics of rock songs, which the author carries out in the main body of the paper. Selected rock songs of Polish music groups from the 1960s to the 1980s are analysed with reference to the motif of silence present in them and to its functionality in connection with the musical arrangements.
Źródło:
Dydaktyka Polonistyczna; 2017, 3(12); 106-119
2451-0939
Pojawia się w:
Dydaktyka Polonistyczna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O umarłych, którzy podróżują szybko
On the Dead Who Travel Fast
Autorzy:
Bukowczan-Rzeszut, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/520022.pdf
Data publikacji:
2016
Wydawca:
Ośrodek Badawczy Facta Ficta
Tematy:
horror fiction
vampire
vampire motif
vampire novel
Opis:
Reviewed book: Bartłomiej Grzegorz Sala, W górach przeklętych. Wampiry Alp, Rudaw, Sudetów, Karpat i Bałkanów, Olszanica: BOSZ 2016, ISBN: 978-83-7576-286-0
Źródło:
Creatio Fantastica; 2016, 2(53); 91-97
2300-2514
Pojawia się w:
Creatio Fantastica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Człowiek wobec tajemnicy śmierci w krótkich formach prozatorskich Michaiła Arcybaszewa
Man in the face of the death’s mystery in short prose forms of Mikhail Artsybashev
Autorzy:
Witczak, Patryk
Powiązania:
https://bibliotekanauki.pl/articles/482633.pdf
Data publikacji:
2018-09-30
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Mikhail Artsybashev
Russian emigration
motif of death
Opis:
From the earliest times, people have been bending over the issue of death, trying to reach its essence. Therefore, death has become one of the leading literary motifs. The article analyses human attitudes towards death depicted in short prose forms of Mikhail Artsybashev. The writer took the position that the mystery of death is impenetrable and all attempts to discover it do not bring any expected results. The essence of death can be reached neither by mind nor through any mystical knowledge. It just needs to be accepted.
Źródło:
Acta Polono-Ruthenica; 2018, 3, XXIII; 59-68
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"Harfa Orfeusza" - uwagi na marginesie twórczości Marii Komornickiej
„Orpheus’ Harp” and the off-record remarks about „The Book of Idyllic Poetry” by Maria Komornicka
Autorzy:
Ratuszna, Hanna
Powiązania:
https://bibliotekanauki.pl/articles/545322.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Gdański. Wydział Filologiczny
Tematy:
Maria Komornicka
the motif
Orpheus
symbol
existentialism
Opis:
Maria Komornicka is the author who evokes the figure of Orpheus. In those of her works which were created towards the end of her life, the motif of journey, of search and that of collapse occur. Komornicka also announces the need for resurgence (the return);still, her biography and her corpus become the evidence of her loneliness and her being rejected. The figure of a singer, Orpheus, symbolizes poetry, dilemmas, the misgivings of the artist performing at the beginning of the XX century. One of the most significant problems is the loss of identity, which in turn leads to emptiness and melancholy. Komornicka’s corpus belongs to the current of existentialism.
Źródło:
Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2015, 4; 35-47
2353-4699
Pojawia się w:
Jednak Książki. Gdańskie Czasopismo Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Сборник рассказов Шляхтич Завальня, или Беларусь в фантастичных повествованиях Яна Барщевского в контексте русской готической прозы
Collection of stories „Nobleman Zawalnia, or Belarus in Fantastic Stories by Jan Barszczewski in the context of Russian gothic prose
Autorzy:
Macapura, Liudmila
Powiązania:
https://bibliotekanauki.pl/articles/482348.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
gothic novel
gothic tradition
supernatural
motif
poetics
Opis:
The article deals with the collection of stories by J. Barszczewski Nobleman Zawalnia, or Belarus in Fantastic Stories (Szlachcic Zawalnia czyli Białoruś w fantastycznych opowiadaniach, 1844-1846) in the context of Gothic literary tradition in Russian literature of the 30-40-es of the XIXth century. The author comes to the conclusion that folk motives in the cycle Nobleman Zawalnia... transform under the influence of Gothic literary tradition, which could be perceived by J. Barszczewski indirectly, through the oeuvre of other authors. The usage of comparative methods allows to find out typological relations between the cycle by Barszczewski and the cycles of stories Evenings on a Farm near Dikanka by N. V. Gogol and An Evening on Khoper by M. N. Zagoskin.
Źródło:
Acta Polono-Ruthenica; 2016, 1, XXI; 195-203
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Audiowizualne oblicza przesądu. O niektórych funkcjach motywu lustra w dziele filmowym
Audiovisual Aspects of Superstition. Some Functions of the Mirror Motif in the Film
Autorzy:
Kuc, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/555556.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
mirror
cinema
movies
superstition
audiovisual work
motif
Opis:
The purpose of this article is to show the role played by the mirrors and related to them themes in audiovisual works, not only at the production stage, but also as symbols which are hidden in those works. I presented, in an abbreviation, how the filmmakers are using the mirrors in the production process, i.e. technical aspects, as well as their functions in the frame, like including them as an attractive ornament to the scene. Each role and func- tion of the mirror has been highlighted in the article by examples from the selected movies. In the next part I focused on showing the mirror from the perspective of superstitions that are associated with it, and I also made an attempt to isolate and clarify its roles and functions which can be found in the movies. The di- vision I proposed was constructed in such a way that it could be easily expla- ined, in one or two words, what lies beneath them, and so the distribution is as follows: wraith (emphasis on the problem of identity), magical mirror (introducing elements of magic to the movies), the gates of truth (revealing the true face of reality), medium (mediating between the worlds), bad omen (the preaching of someone’s death), prison for the soul.
Źródło:
Załącznik Kulturoznawczy; 2014, 1; 158-178
2392-2338
Pojawia się w:
Załącznik Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Życie jest snem…” Oniryczny świat w poezji Nadieżdy Teffi (1872-1952)
“LIFE IS A DREAM...” AN ONEIRIC WORLD IN NADEZHDA TEFFI’S POETRY (1872-1952)
Autorzy:
Ndiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/444291.pdf
Data publikacji:
2017-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
dream motif
oneiric poetry
Teffi (Natalia Buczyńska)
Opis:
This article’s topic is the analysis of the theme of sleep and ways of his linguistic representation in Nadezhda Teffi’s poetry. The author distinguishes various updates of the selected motif, divided them according to their meaning and thematic scope and pointed out their importance in the poetic achievements of the Russian emigrant. The subject of the analysis is the context of direct nominations of the lexeme, its derivates, semantic words and antonyms, appearing in the debut volume of poems Seven Fires (1910) and in Poetry Poems published in Exile: Passiflora Shamram. Songs of the East (1923). The research concept adopted by the author remains in line with the communication style of the text, whose tasks cover various aspects of the analysis of the literary text perceived as a form of communication reflecting both the stylistic standard and the individual style of the author.
Źródło:
Acta Neophilologica; 2017, XIX/2; 145-153
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Мотив воды в творчестве Марины Цветаевой
Autorzy:
Янчук, Елена
Powiązania:
https://bibliotekanauki.pl/articles/2057472.pdf
Data publikacji:
2021-09-30
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
russian poetry
water
motif
Marina Tsvetaeva
metaphorization
Opis:
В настоящей статье представлен системный анализ мотива водыв творчестве Марины Цветаевой. Исследовательской задачей является попытка проследить, каким образом конкретная и простая лексема «вода» участвует в смыслопорождающем поэтическом процессе, доказать особое значение этого мотива какважного признака творческого мышления, миросозерцания и творческой индивиду альности в целом. В статье на обширном материале (около 630 примеров), взятом из поэтических и прозаических текстов, рассматриваются основные значения мотива воды и их функциональные особенности в индивидуально-авторской картине мира М. Цветаевой. Вода, не утрачивая природной конкретности, становится одним из важных инструментов метафоризации процессов и явлений не только физического, но и духовного мира поэта.
This article is devoted to the analysis of the motif of water in the works of Marina Tsvetaeva. The main goal is to trace how the concrete and simple lexeme “water” participates in the meaning-generating poetic process, and to prove the specialsignificance of this motif as an important sign of her creative thinking, worldview and creative personality in general. The article uses extensive material (about 630 examples) taken from poetic and prose texts to consider the main meanings of the motif of water and its functional features in the individual author’s viewpoint. Water, without losing itsnatural concreteness, becomes one of the important tools for metaphorizing the processes and phenomena of not only the physical, but also the spiritual world of the poet.
Źródło:
Acta Polono-Ruthenica; 2021, 3, XXVI; 41-57
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Різновиди і характер творчої репрезентації мотиву обману в казках С. Осташевського (на тлі фольклорно-літературної традиції)
Types and Nature of Deceptive Motif Creative Representation in S. Ostashevskyi’s Fairy‑tales (Based on the Folklore and Literary Tradition)
Autorzy:
Ніколова, Олександра
Кравченко, Яна
Powiązania:
https://bibliotekanauki.pl/articles/16502663.pdf
Data publikacji:
2022
Wydawca:
Polska Akademia Nauk. Czasopisma i Monografie PAN
Tematy:
motif
plot
tradition
creative representation
cultural connections
Opis:
The article is devoted to the research of the motif of deception in the fairy‑tales of the Polish and Ukrainian writer S. Ostashevskyi. The work offers arguments for the topicality of the research as well as for the choice of the analysis methodology. It also emphasizes the significance of studying the author’s creative works with a view to revealing those connections between Ukrainian and Polish culture which indisputably prove their kinship. Four types of the deception motif have been distinguished based on the collections of fairy‑tales Half‑a‑Kopa Fairy‑Tales for the Little World and Half‑a‑Hundred Fairy‑Tales for Jolly People. These types are as follows: “a creature with superpowers deceives people by appearing in front of them in an anthropomorphous, intentionally inferior, everyday image”, “an infernal character takes people in without changing its image but promising material benefits and solutions to people’s life problems in exchange for their own souls or their children’s souls”, “a person (usually, a woman) deceives/tries to deceive an infernal character or some supreme forces in general”, and “a person deludes another person”. The comparison of this material with the corresponding folklore and literary heritage has defined the specificity of using and transforming the deception motif by S. Ostashevskyi: dependence on the expression of the religious idea, comical play such as appears in the 19th‑century burlesque and travesty art, and reflection on the harmonious combination of Ukrainian and Polish folklore traditions.
Źródło:
Slavia Orientalis; 2022, LXXI, 1; 63-76
0037-6744
Pojawia się w:
Slavia Orientalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Библейские аллюзии в современной русской поэзии
Autorzy:
Карасик, Владимир
Powiązania:
https://bibliotekanauki.pl/articles/2034804.pdf
Data publikacji:
2021-12-23
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
библейские аллюзии
современная русская поэзия
мотив кары
мотив бегства
мотив движения по кругу
Biblical allusions
modern Russian poetry
motif of retribution
motif of escape
motif of moving in a circle
Opis:
В статье рассматриваются библейские аллюзии в стихотворениях Бахыта Кенжеева, Евгения Лесина, Ильи Фаликова и Олега Комкова. Можно выделить три типа художествен- ных символов на основании их интерпретативной глубины: эмпатические, эйдетические и энигматические. Первые захватывают адресатов, поскольку касаются важнейших харак- теристик бытия, вторые остаются в памяти благодаря яркости образов, а третьи представ- ляют собой загадки, требующие интеллектуальных усилий для расшифровки. Предложены интерпретации энигматических символов в приведенных текстах. Показано, что библейские аллюзии в современном поэтическом осмыслении содержат перекличку с Экклезиастом, ка- саются судьбы уничтоженного Содома, спасения в Египте и исхода из рабства. Ставится под вопрос справедливость божественной кары и вечного движения по кругу. В стихотворени- ях Бахыта Кенжеева тема уничтожения Содома находит новое продолжение, посланец Бога проверяет, остался ли кто-либо в живых после апокалипсической кары, диалог с Экклези- астом дополнен многозначным образом бесконечной ленты фонарей, этот образ допуска- ет интерпретацию посмертной встречи душ. Интересна аллюзия к уничтожению мира как запрограммированному этапу развития Вселенной. Евгений Лесин называет свою страну последним Содомом, который не хочется покидать, хотя участь оставшихся известна. Илья Фаликов по-новому интерпретирует тему исхода из Египта как движения по кругу, лириче- ский герой никогда не сможет обрести свободу. Этот сюжет в необычном ключе осмыслен в стихотворении Олега Комкова, бегство в Египет показано как смерть и возрождение. По- эты акцентируют внимание на неизбежности разрушения мироздания как закономерном этапе сотворения миров. Основной пафос библейских символов в проанализированных тек- стах состоит в понимании трагизма бытия и горькой иронии по этому поводу. Интерпрета- ция энигматических символов требует креативного участия читателей в диалоге с поэтами.
The paper deals with enigmatic symbols presented in Biblical allusions in the texts of contemporary Russian poets Bakhyt Kenzheev, Evgeny Lesin, Ilya Falikov and Oleg Komkov. Three types of artistic symbols may be distinguished according to the criterion of their interpretative depth: empathic symbols are connected with the most important characteristics of existence, eidetic symbols remain in our memory due to the exceptional brightness of images, while enigmatic symbols constitute riddles to be deciphered. Biblical allusions in modern Russian poetry often belong to the third class of symbols. The allusions in the poems analysed are predominantly tragic in tone and develop the ideas of Ecclesiastes, with an emphasis on the incomprehensibility of the divine plan. The images of retribution to Sodom and flights to Egypt and from it illustrate the eternal circle of human existence. Bakhyt Kenzheev offers a new reading of the story of the destruction of Sodom, in which God’s messenger comes to the ruins of the city to see if there are any survivors after the apocalyptical retribution. A new dialogue with Ecclesiastes includes an image of an endless line of lanterns which may symbolise an after-death meeting of souls. In another poem of this author there is an allusion to the world’s annihilation as a necessary stage of the development of the Universe. Evgeny Lesin calls his country the last Sodom, and a place which he is reluctant to leave even though he is aware of its imminent fate. A new interpretation of the Exodus from Egypt is given by Ilya Falikov. In his take it becomes an eternal journey in a circle with no chance of escape. Oleg Komkov also treats this narrative in a new way: as a never-ending chain of death and resurrection. These allusions emphasise the idea that after creation, there inevitably comes destruction. The emphasis in the analysed texts is on a tragic perception of the world blended with an ironic attitude to it. Interpreting enigmatic symbols requires from the readers a creative participation in the dialogue with poets.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2021, 14; 145-156
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Старость и молодость как параллельные мотивы в романе Михаила Осоргина "Сивцев вражек"
Autorzy:
Szymonik, Danuta
Powiązania:
https://bibliotekanauki.pl/articles/1826565.pdf
Data publikacji:
2020-02-06
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
Mikhail Osorgin
Quiet Street
Motif
Old Age
Youth
Opis:
The article deals with two fairy-tale motives – “youth” and “old age” in Mikhail Osor-gin’s novel A Quiet Street (Sivtzev Vrazhek, 1928). Owing to the author’s outlook and artistic strategy they do not stand in the opposition to one another, but rather depict parallel vectors of human life, its presentation the context of space (micro and macro space) as well as in the context of a philosophically meaningful historical time correlated with eternity. The author’s aim is supported by the novel’s structure – a freely arranged series of short stories. The article exposes the problem of the writer’s comprehension of human life within different time and spatial plans. The time layer covers daily, annual and eternal / universal time. The spatial dimension of the artistic world takes into account the Infinite Universe, the solar system, the Earth, Russia, Moscow and the corner house in Sivtzev Vrazhek, which is the main center of the novel structure.
Źródło:
Conversatoria Litteraria; 2017, 11; 215-224
1897-1423
Pojawia się w:
Conversatoria Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cinderella in Polish Drama and Theatre
Autorzy:
Waksmund, Ryszard
Michułka, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/45430761.pdf
Data publikacji:
2018
Wydawca:
Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:
Cinderella fairy tale
Cinderella motif
adaptation
Polish folklore
Opis:
The article introduces many version of dramatized Cinderella and it shows that the fairy tale in the version of Charles Perrault and brothers Grimm (includes Cinderella motif) in the Polish drama and theatre has been not particularly popular. One of the reasons may be that few writers (including authors for children) have related to this story. Cinderella has been overshadowed by the story of the Polish Faust – Twardowski – and adaptations of original fairytales. On the other hand, the conventional nature of the Cinderella motif provoked many fresh, satirical or metaphorical depictions. An uncharted territory remain amateur shows at homes, schools and kindergartens – these are intriguing extensions to the story that lets children examine the reality before they fully enter it with their natural energy and hope.
Źródło:
Filoteknos; 2018, 8; 162-168
2657-4810
Pojawia się w:
Filoteknos
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Сербско-русские мотивы в общеславянском контексте (Н. Иваштанин Влюблённое солнце)
Serbo-Russian motif in Slavonic context. (N. Ivanshtanin The Sun in Love”)
Autorzy:
Dmitrovskiy, Aleksei
Powiązania:
https://bibliotekanauki.pl/articles/482404.pdf
Data publikacji:
2010-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
lyrical image of Russia
Serbo-Russian motif
Slavonic
Opis:
The article deals with a lyrical image of Russia and its structure in the Serbian historical consideration, expressive emotions and in the common origins of Slavonic self-consciousness namely: “cosmos - soul - word”.
Źródło:
Acta Polono-Ruthenica; 2010, 1, XV; 67-76
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Modlitewna skarga „ani przeciw ludziom – ani przeciw Bogu”. Refleksja nad motywem łez w dwóch wierszach Juliusza Słowackiego
Complaint Prayer “Neither Against People – Nor Against God”. Reflecting on the Motif of Tears in Two Poems by Juliusz Słowacki
Autorzy:
Mazur, Anna
Powiązania:
https://bibliotekanauki.pl/articles/951599.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
lyric poetry
Juliusz Słowacki
motif of tears
autobiographism
Opis:
The article reinterprets the two poems which Juliusz Słowacki wrote while travelling to the Holy Land. Unlike in previous interpretations, here the author uses the motif of tears to uncover the poems’ emotional value and to situate them in the tradition of romanticism. Other poems from the same period set the interpretative context and anticipate the poet’s spiritual growth. Consequently, the article is yet another attempt to demonstrate the emotive characteristics of Słowacki’s lyric poetry. Moreover, it shows how his works are related to his biographical background.
Źródło:
Białostockie Studia Literaturoznawcze; 2015, 7
2082-9701
2720-0078
Pojawia się w:
Białostockie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cloning and characterization of the yak gene coding for calpastatin and in silico analysis of its putative product
Autorzy:
Zhang, Liping
Ma, Binyun
Wu, Jianping
Fei, Chunhong
Yang, Lian
Wan, Hongling
Powiązania:
https://bibliotekanauki.pl/articles/1040417.pdf
Data publikacji:
2010
Wydawca:
Polskie Towarzystwo Biochemiczne
Tematy:
calpastatin
yak
domain
motif
functional site
calpaincalpastatin system
Opis:
The calcium-activated neutral proteases, μ- and m-calpain, along with their inhibitor, calpastatin, have been demonstrated to mediate a variety of Ca2+-dependent processes including signal transduction, cell proliferation, cell cycle progression, differentiation, apoptosis, membrane fusion, platelet activation and skeletal muscle protein degradation. The cDNA coding for yak calpastatin was amplified and cloned by RT-PCR to investigate and characterize the nucleotide/amino-acid sequence and to predict structure and function of the calpastatin. The present study suggests that the yak calpastatin gene encodes a protein of 786 amino acids that shares 99 % sequence identity with the amino-acid sequence of cattle calpastatin, and that the yak protein is composed of an N-terminal region (domains L and XL) and four repetitive homologous C-terminal domains (d1–d4), in which several prosite motifs are present including short peptide L54–64 (EVKPKEHTEPK in domain L) and GXXE/ DXTIPPXYR (in subdomain B), where X is a variable amino acid. Our results suggest the existence of other functional sites including potential phosphorylation sites for protein kinase C, cAMP- and cGMP-dependent protein kinase, casein kinase II, as well as N-myristoylation and amidation sites that play an important role in molecular regulation of the calpain/calpastatin system. The regulation of the calpain/calpastatin system is determined by the interaction between dIV and dVI in calpains and subdomains A, B, and C in calpastatin.
Źródło:
Acta Biochimica Polonica; 2010, 57, 1; 35-41
0001-527X
Pojawia się w:
Acta Biochimica Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Non-random distribution of GATC sequences in regions of promoters stimulated by the SeqA protein of Escherichia coli.
Autorzy:
Strzelczyk, Barbara
Słomińska-Wojewódzka, Monika
Węgrzyn, Grzegorz
Węgrzyn, Alicja
Powiązania:
https://bibliotekanauki.pl/articles/1043365.pdf
Data publikacji:
2003
Wydawca:
Polskie Towarzystwo Biochemiczne
Tematy:
transcription regulation
SeqA protein
promoter sequence
GATC motif
Opis:
The SeqA protein of Escherichia coli is not only the main negative regulator of DNA replication initiation but also a specific transcription factor. It binds to hemimethylated GATC sequences and, with somewhat different specificity, to fully methylated GATC regions. Recently, a microarray analysis was reported, in which transcriptomes of wild-type and ΔseqA strains were compared. Although in the seqA mutant the levels of some transcripts were significantly decreased while certain transcripts were evidently more abundant relative to wild-type bacteria, no correlation between the presence of GATC motifs in promoter sequences and transcription activity was found. However, here we show that when larger DNA fragments, encompassing positions from -250 to +250 relative to the transcription start site, are analyzed, some common features of GATC distribution near the promoters activated by SeqA can be demonstrated. Nevertheless, it seems that the GATC pattern is not the only determinant of SeqA-dependence of promoter activity.
Źródło:
Acta Biochimica Polonica; 2003, 50, 4; 941-945
0001-527X
Pojawia się w:
Acta Biochimica Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Comparative Analysis of Western Ukrainian and Lithuanian Folk Towels
Autorzy:
Kumpikaitė, Eglė
Nykorak, Olena
Nenartavičiūtė, Erika
Herus, Ludmyla
Kutsyr, Tetiana
Milašienė, Daiva
Kozakevych, Olena
Rukuižienė, Žaneta
Powiązania:
https://bibliotekanauki.pl/articles/24200960.pdf
Data publikacji:
2023
Wydawca:
Sieć Badawcza Łukasiewicz - Instytut Biopolimerów i Włókien Chemicznych
Tematy:
traditional towel
Ukraine
Lithuania
weaving technique
ornamental motif
Opis:
A comparative analysis of traditional western Ukrainian and Lithuanian towels provides rich material for new creative inspirations, as well as diversification of individual and mass-produced interior textiles, and also visualizes historical ties between the two countries. Therefore, the objective of the article is to analyse the weaving techniques that prevail in the creation of towel decor, to determine the artistic and stylistic parameters of Ukrainian and Lithuanian towels and to establish the common and unique features of their decor. The techniques of plain and twill weaving, the latter of which could obtain simple textured patterns on the canvas, were widespread in both countries. Various weaving compositions were obtained by the pick-up techniques of weaving, the overshot, and the damask weaving technique, which was much more widespread in Lithuania than in the western part of Ukraine.
Źródło:
Fibres & Textiles in Eastern Europe; 2023, 31, 2; 26--38
1230-3666
2300-7354
Pojawia się w:
Fibres & Textiles in Eastern Europe
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Orbita oka. Melancholia wzroku w Sedanie Pawła Hertza i w Drewnianym koniu Kazimierza Brandysa
Eye Orbit. Melancholy of Sight in Paweł Hertz’s Sedan and Kazimierz Brandys’ Drewniany koń (The Wooden Horse)
Autorzy:
Kozłowska, Izabela
Powiązania:
https://bibliotekanauki.pl/articles/1038708.pdf
Data publikacji:
2020-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
literature of retribution
intellectual
melancholy
Saturn’s child/melancholic
motif of sight/eye
motif of blindness
motif of window/glass
painting and literature
World War II
history
Kazimierz Wyka
Paweł Hertz
Kazimierz Brandys
Opis:
The article concerns the way in which the eye topos functions in Paweł Hertz’s Sedan and Kazimierz Brandys’ The Wooden Horse, works representing Polish literature of retribution written in the 1940s. The role of the process of seeing is interpreted by means of the category of melancholy, and the protagonists in these works are presented as melancholics. Standing in front of a window or in the quiet of European museums, members of the intelligentsia do not so much focus on passive contemplation but rather protest against History. The desire to constantly use the eyes has an existential and political sense. Recognition of the phenomenon of a melancholic gaze in the literature of retribution enriches the traditional interpretation of this trend in literature by lending it a new context and allowing rehabilitation of the intellectuals portrayed in it.
Źródło:
Przestrzenie Teorii; 2020, 33; 245-263
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł

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