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    Wyświetlanie 1-8 z 8
    Tytuł:
    Postać płanetnika w dawnych wierzeniach ludowych i świadomości współczesnych górali zagórzańskich
    The Figure of Płanetnik in the Old Folklore Beliefs and in the Awareness of Modern Highlanders from Zagórze Region
    Autorzy:
    Zapała, Łukasz
    Powiązania:
    https://bibliotekanauki.pl/articles/2057950.pdf
    Data publikacji:
    2022-03-30
    Wydawca:
    Akademia Ignatianum w Krakowie
    Tematy:
    górale zagórzańscy
    wierzenia ludowe
    praktyki magiczne
    transmisja międzypokoleniowa
    Zagórze population
    folklore beliefs
    magic practies
    intergenerational transmission
    Opis:
    Sfera wierzeń ludowych, nawet dla autochtonów, stanowi wciąż nie w pełni odkryty i często niezrozumiały element dziedzictwa kulturowego. Tymczasem ludowe postrzeganie świata w dużej mierze zdeterminowane jest przez lokalne praktyki i wierzenia, których korzenie sięgają najodleglejszej, jeszcze przedchrześcijańskiej przestrzeni kulturowej. Jedną z postaci obecnych w wierzeniach górali zagórzańskich jest płanetnik. Celem niniejszego artykułu jest charakterystyka tychże wierzeń oraz zbadanie stanu wiedzy na temat płanetnika wśród współczesnych Zagórzan. Materiał badawczy obejmuje: opracowania etnograficzne, współcześnie zebrane podania ludowe oraz wyniki badania ankietowego, przeprowadzonego wśród młodzieży ze szkół średnich w Mszanie Dolnej. Różnorodność poddanych analizie źródeł pozwoli odtworzyć obraz ewolucji wyobrażeń ludowych na temat postaci płanetnika na przestrzeni drugiej połowy XX w. oraz odpowiedzieć na pytanie, czy płanetnik i związane z nim wierzenia stanowią wciąż dla Zagórzan dziedzictwo oswojone.
    The area of folklore beliefs, even for autochthons, is still considered as not fully discovered and very often not understandable part of cultural heritage. Meanwhile, the folklore perception of the world is mostly determined by local practices and beliefs which roots are connected with pre-Christian cultural space. One of the figures present in beliefs of highlanders from Zagórze region is płanetnik. The aim of the article is to present the characteristic of beliefs and also to examine the level of knowledge about this figure among modern highlanders. Research material includes: Ethnographic publications, legends obtained recently and the results of survey conducted among the youth from high schools in Mszana Dolna. The diversity of the analysed sources will able to recreate the evolution of folklore beliefs about płanetnik during the second half of the 20 th century, moreover, it will answer the question if płanetnik and connected with him beliefs are still the part of heritage for people from Zagórze region.
    Źródło:
    Perspektywy Kultury; 2022, 36, 1; 231-246
    2081-1446
    2719-8014
    Pojawia się w:
    Perspektywy Kultury
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Priče iz folklorne tradicije poluotoka Pelješca
    Tales from the Folklore Tradition of the PelješacPeninsula
    Autorzy:
    Tomelić Ćurlin, Marijana
    Ćurković, Dijana
    Powiązania:
    https://bibliotekanauki.pl/articles/635518.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    folklore
    folktales
    Pelješac
    beliefs
    customs
    tradition
    dialect
    Opis:
    The paper presents a research of Croatian folklore tradition of the central part of the Pelješac peninsula included various aspects of traditional culture: from legends, beliefs and customs to poems, stories, adverbs, etc. A special regard was given to the beliefs in the supernatural forces. The main purpose of the paper is to show that folklore tradition is not a relic of the past, but rather a natural part of life in this community. 
    Źródło:
    Poznańskie Studia Slawistyczne; 2012, 3
    2084-3011
    Pojawia się w:
    Poznańskie Studia Slawistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Sacrifices among the Slavs: Between Archaeological Evidence and 19th Century Folklore
    Ofiary u Słowian: pomiędzy znaleziskami archeologicznymi a dziewiętnastowiecznym folklorem
    Autorzy:
    Wenska, Izabella
    Powiązania:
    https://bibliotekanauki.pl/articles/498030.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet Rzeszowski. Instytut Archeologii Uniwersytetu Rzeszowskiego. Muzeum Okręgowe w Rzeszowie
    Tematy:
    sacrifices
    Slavic rituals
    Slavic folklore
    ethnographic sources
    folk beliefs
    Opis:
    This article discusses the subject of sacrifices among the Slavs using textual, archeological and ethnographic evidence. Although it is a well-known fact that there are not many textual sources concerning early medieval Slavic culture and religion, some aspects of their customs and rituals can be reconstructed by referring to folkloristic materials. According to many scholars, Slavic folk culture (especially that of Eastern Slavs) has preserved some traces of pre-Christian practices, but it is important to maintain a careful approach to ethnographic sources and avoid far-reaching interpretations of archeological evidence in their light. In spite of methodological difficulties, by critically combining different categories of sources it seems possible to offer new interpretations of Slavic beliefs
    Źródło:
    Analecta Archaeologica Ressoviensia; 2015, 10; 271-312
    2084-4409
    Pojawia się w:
    Analecta Archaeologica Ressoviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    U Thlen and the Nongshohnoh: Folklore, Experience, and Reality
    Autorzy:
    Japang, Auswyn Winter
    Powiązania:
    https://bibliotekanauki.pl/articles/31343967.pdf
    Data publikacji:
    2022
    Wydawca:
    Polskie Towarzystwo Ludoznawcze
    Tematy:
    folk beliefs
    Khasi folklore
    Khasi legend
    nongshohnoh
    U Thlen
    Opis:
    The need to better understand the supernatural is an ever-engaging aspect of any enquiry into the matter due to the changing paradigms of time and space and the existence of numerous misconceptions and observations concerning the same. Such is a case of the legend of U Thlen and the nongshohnoh phenomenon of Meghalaya, a north-eastern state in the sovereign country of India. U Thlen, an evil mystical being, is described in Khasi legends and recounted in Khasi folklore as an entity thirsty for human blood and never satiated. He was, however, tricked and captured by the Khasi people but never ultimately destroyed. As an act of deception – of reward and mainly revenge, U Thlen promised people riches in exchange for human sacrifice. An existing belief is that U Thlen was adopted by a Khasi household which saw the beginning of the nongshohnoh or the “cut throat” phenomenon. The surrounding belief about the keeping of U Thlen functions on the basis of prevailing social notions that human sacrifice offered to U Thlen equates to riches. While the legend of U Thlen has witnessed transcendence from narratives to lived realities over an incredible part of the history of the Khasi people, the nongshohnoh phenomenon has seen its fair share of criticism with time as well. It is in this regard that this study aims to (re)look into this very phenomenon as a living reality of the Khasi society. This paper also aims to look at existing beliefs and disbeliefs in U Thlen and the nongshohnoh phenomenon in order to arrive at an understanding, proper to the contemporary setting of the Khasi society, in the twenty-first century.
    Źródło:
    Literatura Ludowa; 2022, 66, 3; 37-49
    2544-2872
    0024-4708
    Pojawia się w:
    Literatura Ludowa
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Desakralizacja folkloru − jej przejawy muzyczne i kulturowe
    Autorzy:
    Dadak-Kozicka, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/668993.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Papieski Jana Pawła II w Krakowie
    Tematy:
    folklore
    folk culture
    folk songs
    folk beliefs
    hermeneutics of folklore
    mythologization of folklore
    folklor
    kultura ludowa
    pieśni ludowe
    wierzenia ludowe
    hermeneutyka folkloru
    mitologizacja folkloru
    Opis:
    The religious dimension of traditional culture – crucial to the understanding of the rituals which form a commentary on the cycle of the life of nature (annual rituals) and the life of humankind (family rituals) – is of particular importance, but it is also difficult to research. The ethnologists who documented folklore were sensitive to this aspect of culture (i.e. the suprasensory life) even as early as the eighteenth century, but they did not know how to document it correctly, and imposed their own ideas – e.g., deistic ones – on the mentality and the imagination of the rustic population as revealed in their art. Incomplete (i.e., concerned with selected aspects of culture and art) and not very accurate documentation (searching for folklore’s original versions, e.g., the brothers Grimm) resulted in the creation of standards of fairytales or songs which make reading their content and interpreting their form correctly more difficult today. Yet in folklore the content, the form and the function were organically bound together. This rather inadequate documentation encouraged erroneous interpretations, and even the mythologising of folklore in later periods, Documentation was shaped to fit in with the assumptions and ideas of the researchers, thus falsifying, in particular, the unique character of folk symbolism and poetics, the distinctiveness of folk thinking. In fact, it was not until the nineteenth century that Oskar Kolberg created reasonably full and reliable documentation of folk art – viewed in the context of traditional culture and nature – in his monumental work Lud, jego zwyczaje, sposób życia, mowa, podania, przysłowia, obrzędy, gusła, zabawy, pieśni, muzyka i tańce [People, their customs, way of life, speech, legends, proverbs, rituals, magic, games, songs, music and dances] (1856–1890 – 33 volumes). Ritual folklore, still quite active at that time, reveals both the multifunctionality of forms (associated with the musical and poetic styles), as well as the hierarchical order of functions and values – from the religious, through ethical, aesthetic, cognitive and socialising ones, to the ludic function.At the same time ritual folklore reveals a tendency towards an increasingly prominent emphasis on the ludic function, at the expense of functions concerned with belief, religion and philosophy. This can be seen in the gradual disappearance of archaic ritual chants with original tonal-melodic patterns, slow tempos and a-metric structure. These chants were a manifestation of a contemplative-reflective attitude towards the world and towards life, regarded as sacred. In the twentieth century, harvest chants represented a relic of this attitude. The unique nature of rustic culture expressed in these chants was investigated by E. JagiełłoŁysiowa (Elementy stylów życia ludności wiejskiej [Elements of lifestyles of the rural population], 1978). She emphasised the changes taking place in the attitudes of peasants towards nature, and in particular towards the nourishing Mother Earth and work on the land; these were losing the religious dimension in favour of an economic approach towards all work, while the ritual celebrations were gradually becoming predominantly a form of entertainment. Replacing the ritual chants with ditties, frequently of a lewd character (at one time these forms complemented each other), is a symptom of the changes – the disappearance of the contemplative-reflective attitude to the life of nature and humankind, the loss of the sacral dimension. The archaic style of chanting thus disappears as well.
    The religious dimension of traditional culture – crucial to the understanding of the rituals which form a commentary on the cycle of the life of nature (annual rituals) and the life of humankind (family rituals) – is of particular importance, but it is also difficult to research. The ethnologists who documented folklore were sensitive to this aspect of culture (i.e. the suprasensory life) even as early as the eighteenth century, but they did not know how to document it correctly, and imposed their own ideas – e.g., deistic ones – on the mentality and the imagination of the rustic population as revealed in their art. Incomplete (i.e., concerned with selected aspects of culture and art) and not very accurate documentation (searching for folklore’s original versions, e.g., the brothers Grimm) resulted in the creation of standards of fairytales or songs which make reading their content and interpreting their form correctly more difficult today. Yet in folklore the content, the form and the function were organically bound together. This rather inadequate documentation encouraged erroneous interpretations, and even the mythologising of folklore in later periods, Documentation was shaped to fit in with the assumptions and ideas of the researchers, thus falsifying, in particular, the unique character of folk symbolism and poetics, the distinctiveness of folk thinking. In fact, it was not until the nineteenth century that Oskar Kolberg created reasonably full and reliable documentation of folk art – viewed in the context of traditional culture and nature – in his monumental work Lud, jego zwyczaje, sposób życia, mowa, podania, przysłowia, obrzędy, gusła, zabawy, pieśni, muzyka i tańce [People, their customs, way of life, speech, legends, proverbs, rituals, magic, games, songs, music and dances] (1856–1890 – 33 volumes). Ritual folklore, still quite active at that time, reveals both the multifunctionality of forms (associated with the musical and poetic styles), as well as the hierarchical order of functions and values – from the religious, through ethical, aesthetic, cognitive and socialising ones, to the ludic function.At the same time ritual folklore reveals a tendency towards an increasingly prominent emphasis on the ludic function, at the expense of functions concerned with belief, religion and philosophy. This can be seen in the gradual disappearance of archaic ritual chants with original tonal-melodic patterns, slow tempos and a-metric structure. These chants were a manifestation of a contemplative-reflective attitude towards the world and towards life, regarded as sacred. In the twentieth century, harvest chants represented a relic of this attitude. The unique nature of rustic culture expressed in these chants was investigated by E. JagiełłoŁysiowa (Elementy stylów życia ludności wiejskiej [Elements of lifestyles of the rural population], 1978). She emphasised the changes taking place in the attitudes of peasants towards nature, and in particular towards the nourishing Mother Earth and work on the land; these were losing the religious dimension in favour of an economic approach towards all work, while the ritual celebrations were gradually becoming predominantly a form of entertainment. Replacing the ritual chants with ditties, frequently of a lewd character (at one time these forms complemented each other), is a symptom of the changes – the disappearance of the contemplative-reflective attitude to the life of nature and humankind, the loss of the sacral dimension. The archaic style of chanting thus disappears as well.
    Źródło:
    Pro Musica Sacra; 2013, 11
    2083-4039
    Pojawia się w:
    Pro Musica Sacra
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Motyw ofiary z człowieka. Interpretacja wybranych źródeł folklorystycznych z XIX i początku XX wieku
    The motif of human sacrifice. Interpretation of the selected folklore sources from 19th and the beginning of 20th century
    Autorzy:
    Piotrowski, Robert
    Powiązania:
    https://bibliotekanauki.pl/articles/1787965.pdf
    Data publikacji:
    2021-08-09
    Wydawca:
    Polskie Towarzystwo Ludoznawcze
    Tematy:
    human sacrifice
    beliefs about underworld
    Slavic folklore
    ofiara z człowieka
    wyobrażenia o zaświatach
    folklor słowiański
    Opis:
    Artykuł dotyczy analizy wybranych narracji ludowych pochodzących z XIX i początku XX wieku, w których pojawia się motyw mordu dokonanego przez postać o demonicznych konotacjach. Według tezy postawionej przez autora motywy te można uznać za mitologemy odzwierciedlające wyobrażenia związane z pierwotną ofiarą dla bóstw chtonicznych, które w kulturze indoeuropejskiej powiązane były z lasem i terenami podmokłymi – bagnami, torfowiskami itp.
    According to author some folk narratives preserved the archaic motifs about the sacrifice of a human. He investigated a few selected of the folk narrations from 19th and the beginning of 20th century with motifs of murdered a human by creature with demonic contamination. The human sacrifice was related with agricultural progress and was used the propitiation of the chthonic divinities. Chthonic divinities in Indo-European culture was related by forest and aquatic places. In folk culture from 19th century places just like forest or bog was inhabited through demons. Some of them have taken shape animals for example wolf or bear. The forest and the bog was a orbis exterior – disturbing and dangerous. Peasants from folk naratives, presented of these article, were murdered throuth old wolf or devil on the forest or bog places. Murders was resulted from cooperation peasant and devil. The archaic motifs maybe are from Indo-European mythologies and represent relationship among chthonic divinities and prehistoric peoples.
    Źródło:
    Literatura Ludowa; 2021, 4-5; 6-18
    2544-2872
    0024-4708
    Pojawia się w:
    Literatura Ludowa
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Mikrotoponimy jako sposób kreowania ludowych miejsc kulturowych – podejście antropologii lingwistycznej
    Autorzy:
    Dudziak, Arkadiusz
    Paiunena, Marina
    Powiązania:
    https://bibliotekanauki.pl/articles/678834.pdf
    Data publikacji:
    2018
    Wydawca:
    Polska Akademia Nauk. Instytut Slawistyki PAN
    Tematy:
    : linguistic anthropology
    creation of cultural places
    microtoponyms
    language of folklore
    folk tales
    ethnic tales of beliefs
    ethnic tales of memories
    Opis:
    Microtoponyms as a way of creating folk cultural places – the approach of linguistic anthropologyThe paper deals with selected issues of linguistic anthropology with the purpose to examine a few theoretical assumptions of its methodology, taking into account Keith H. Basso’s study on the creation of cultural places as a result of linguistic activity. The research is based on the empirical material obtained from Polish native speakers, namely, folk tales of the residents of the Augustów County. Mikrotoponimy jako sposób kreowania ludowych miejsc kulturowych – podejście antropologii lingwistycznejTematyka artykułu dotyczy wybranych zagadnień antropologii lingwistycznej. Celem opracowania jest rekonesans głównych założeń metodologicznych antropologii języka z uwzględnieniem badań Keitha H. Basso z zakresu „tworzenia miejsc kulturowych” w rezultacie działalności językowej. Jako materiał empiryczny wykorzystano wypowiedzi polskich natywnych użytkowników języka – opowieści etniczne mieszkańców powiatu augustowskiego.
    Źródło:
    Studia z Filologii Polskiej i Słowiańskiej; 2018, 53
    2392-2435
    0081-7090
    Pojawia się w:
    Studia z Filologii Polskiej i Słowiańskiej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    La anunciadora azul de la muerte. De las creencias populares de los Andes Centrales
    The Blue Announcer of Death. From the popular beliefs of the Central Andes
    Błękitna zwiastunka śmierci. Z wierzeń ludowych środkowych Andów
    Autorzy:
    Mąka, Mirosław
    Jodłowska, Elżbieta
    Powiązania:
    https://bibliotekanauki.pl/articles/1837386.pdf
    Data publikacji:
    2019-12-31
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    death omens
    bluebottle fl y
    chiririnka
    soul
    Andean folklore
    José María Arguedas
    funerary beliefs
    zapowiedzi śmierci
    błękitna mucha
    dusza
    folklor Andów
    wierzenia funeralne
    Opis:
    This essay is a monographic draftattempt concerning one of the most widely known omens of disease and death throughout the native Andean cultures. Among many signs, interpreted as approaching death, the figure of bluebottle fly called in Quechan chiririnka has a key position, which extends from pre-Co- lombian times, and its popularity exceeds other similar signs of similar mea- ning. Up to this date, it retains its significance in funerary beliefs and functions in various forms of folklore, especially in songs. At the same time, it is also commonly thought to be an incarnation of human soul, what finds resemblance in folk beliefs and tales of mythic characteristics, including tropes found in in- digenous eschatology. This essay relies on ethnographic sources, and very im- portant contributions to this topic, which can be found in books and essays of José María Arguedas.
    Opracowanie jest próbą szkicu monograficznego dotyczącego jednej z najpo- pularniejszych wróżb choroby i śmierci w tradycyjnych kulturach ludów an- dyjskich. Wśród wielu znaków interpretowanych jako zapowiedzi zbliżającej się śmierci, postać błękitnej muchy, zwanej w języku keczua chiririnka, należy do szczególnie ważnych, gdyż jej geneza sięga czasów prekolumbijskich, a po- pularność na terenie Andów przewyższa inne znaki o podobnej treści. Do dziś zajmuje ważne miejsce w wierzeniach funeralnych oraz funkcjonuje w różnych formach folkloru, szczególnie w pieśniach. Równocześnie mucha chiririnka bywa często uważana za inkarnację duszy ludzkiej, co znajduje odzwierciedle- nie w ludowych wierzeniach i opowieściach o charakterze mitycznym, zawie- rających wątki tradycyjnej eschatologii indiańskiej. Opracowanie wykorzystu- je źródła etnograficzne oraz bardzo istotne przyczynki do tego tematu zawarte w książkach i opowiadaniach José Marii Arguedasa.
    Źródło:
    Sztuka Ameryki Łacińskiej; 2019, 9; 69-93
    2299-260X
    Pojawia się w:
    Sztuka Ameryki Łacińskiej
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-8 z 8

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