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Tytuł:
Witold Gombrowicz w kalejdoskopie recepcji
Witold Gombrowicz in the Kaleidoscope of Reception
Autorzy:
Hamze, Dimitrina
Powiązania:
https://bibliotekanauki.pl/articles/511152.pdf
Data publikacji:
2013
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
reception
Form
comic
dialogue
Opis:
Seen through the perspective of reception, the works of Witold Gombrowicz constitute a wide range of receptive proposals, selectively updated in the constant dynamic of the interactive discourse between the literary subject and the reader. The reader is invited in a covert partnership with his communication peer (the author–the producer) in their joint journey to the own polyphonic, unidentifiable, mutational ego. The relation to the self, as permanently disputed by otherness, finds its artistic application through the comic as the most powerful weapon against the Form, both in the field of the author and of the recipient.
Źródło:
Postscriptum Polonistyczne; 2013, 2(12); 199-219
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Stripovni stil pjesničkoga subjekta u suvremenom hrvatskome pjesništvu iskustva intermedijalnosti i postintermedijalnosti
The comic book style of the poetical subject in the contemporary Croatian poetry of intermedial and postintermedial experience
Autorzy:
Jukić, Sanja
Powiązania:
https://bibliotekanauki.pl/articles/635899.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
poetic subject
media subject
comic book style
comic book subject
intermedial and postintermedial poetry
Opis:
This  paper  deals  with  poetic  subjects  in  the  comic  book  format  as  presented  in  the media. The subject of media entity  dominates the corpus of texts in  intermedial and post-intermedial poetry experience. These aspects of Croatian poetry from 1968 up to the present day,  whose structures  are  primarily  determined  by  contacts  with  different  media  culture texts,  are  defined by  Goran  Rem.  This  paper  explores  the  ways  in  which  the  media  inter-mediates comic book semiotics into the poetic code of that particular part of contemporary Croatian poetry and thus determines the paradigmatic forms of the subject of media/comic book.
This  paper  deals  with  poetic  subjects  in  the  comic  book  format  as  presented  in  the media. The subject of media entity  dominates the corpus of texts in  intermedial and post-intermedial poetry experience. These aspects of Croatian poetry from 1968 up to the present day,  whose structures  are  primarily  determined  by  contacts  with  different  media  culture texts,  are  defined by  Goran  Rem.  This  paper  explores  the  ways  in  which  the  media  inter-mediates comic book semiotics into the poetic code of that particular part of contemporary Croatian poetry and thus determines the paradigmatic forms of the subject of media/comic book. 
Źródło:
Poznańskie Studia Slawistyczne; 2012, 2
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Komizm obsceniczny w trzech odsłonach. Relacje między przekładami Dialogus Salomonis et Marcolfi na języki polski, włoski i angielski
The obscene comic in three contexts. Relations between Polish, Italian and English translation of Dialogus Salominis et Marcolfi
Autorzy:
Bąkowska, Nadzieja
Powiązania:
https://bibliotekanauki.pl/articles/28409066.pdf
Data publikacji:
2015
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Obscene comic
Comparative study
Medieval literature
Opis:
The article is an attempt to characterize linguistic and cultural relations between three translations of Dialogus Salomonis et Marcolfi from Latin into vernacular languages: Polish, Italian and English. Comparative analysis of the three translations confirms that in the cultural contexts examined, despite some discrepancies concerning the explicitness of language and images, there is the same model of comedy, based on obscene elements. The analysis aims to determine the nature and substrate of differences occurring between texts in terms of the obscene comic, as well as the extent to which various local colours were adopted in the translation process.
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2015, 6; 57-71
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wielki apetyt na „miniburgera” . O problemach opracowania komiksów w formacie MARC 21
A lust for a “miniburger”. On problems encountered during library processing of comic books in MARC 21 format
Autorzy:
Szczecińska, Agnieszka
Kowalska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/911575.pdf
Data publikacji:
2010-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Comic book
Cataloguing
Komiksy
Katalogowanie
Opis:
Od 2007 roku Biblioteka Uniwersytecka w Poznaniu gromadzi komiksy oraz materiały ich dotyczące. Momentem znaczącym dla gromadzenia tych wydawnictw był zakup prywatnej kolekcji 4670 komiksów. Niniejszy artykuł definiuje pojęcie „komiks” oraz omawia trudności, jakie napotykają katalogerzy w opracowaniu formalnym tego trudnego materiału. Autorki porównały rozwiązania zastosowane w innych bibliotekach. Przedstawiły również stan prac nad katalogowaniem komiksów w Bibliotece Uniwersyteckiej w Poznaniu. Artykuł zawiera przykłady i propozycje konkretnych rozwiązań.
Poznań University Library has been collecting comic books and other relevant material since 2007. A conducive opportunity for the decision to collect comics publications was a purchase of a private collection of 4,670 comic books the very same year. The present article introduces the reader to the notion of “comic book” or “comics” and discusses problems in formal processing that face cataloguers of this difficult material. The authors compare different solutions to the problem applied in other libraries and present the current state of affairs in comics cataloguing at Poznań University Library. The article is complemented with specific examples and particular solutions to be applied in the near future.
Źródło:
Biblioteka; 2010, 14(23); 149-162
1506-3615
2391-5838
Pojawia się w:
Biblioteka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Effectiveness of Digital Comics based Multicultural to Improve Social Care Character of Elementary School Students
Autorzy:
Anggito, Albi
Purwanta, Edi
Saptono, Bambang
Senen, Anwar
Powiązania:
https://bibliotekanauki.pl/articles/2233944.pdf
Data publikacji:
2023-06-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
digital comic
multicultural
social care
elementary school
Opis:
This study aimed to examine the effectiveness of multicultural-based digital comic media on the social care character of elementary school students. This study used a quantitative research approach with the type of Quasi Experiment. The trial involved 2 classes, namely IVA (control class) and IVB (experiment class) of Brajan State Elementary School, containing 20 students. The independent t-test shows a difference in social-caring character between students who use multicultural-based digital comic media during the learning process and those who do not use multicultural-based digital comic media, with a significance value (p) less than 0.05, which is 0.017. This study concludes that multicultural- based digital comic media is declared effective to be used to improve the social care character of grade IV elementary school students.
Źródło:
The New Educational Review; 2023, 72; 122-132
1732-6729
Pojawia się w:
The New Educational Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
COMIC BOOK MOVIES. INSPIRATION, ADAPTATION AND SCREENING
Autorzy:
Tomczak, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/646716.pdf
Data publikacji:
2012
Wydawca:
Akademia Górniczo-Hutnicza im. Stanisława Staszica w Krakowie
Tematy:
movies
comic book
inspiration
adaptation
screening
Opis:
The purpose of the article is to draw attention to the issue of movies and comic books relationship. Nowadays we can see numerous cinematic versions of graphic novels. Especially what is so called „super hero movies”. Historical development of both movies and comic books was the same. There were several thematic borrow-ings. Also popular culture had significant influence on these media. It is possible among movies and graphic novels to distinguish inspiration, adaptation and screening. Comic book movies are not a new phenomenon. But its character seems a bit morę complicated.
Źródło:
Studia Humanistyczne AGH; 2012, 11, 3
2084-3364
Pojawia się w:
Studia Humanistyczne AGH
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
El análisis de la comicidad verbal de los refranes del campo temático de la mujer
Analiza komizmu słownego w przysłowiach hiszpańskich dotyczących kobiety
Autorzy:
Kołodziejczyk, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/1954150.pdf
Data publikacji:
2004
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
przysłowie
komizm językowy
proverb
verbal comic
Opis:
Artykuł dotyczy komizmu słownego zawartego w przysłowiach hiszpańskich. Korpus wykorzystany do analizy stanowią przysłowia z zakresu ograniczonego do tematu kobiety. Komiczność nie jest cechą konieczną, by dany twór językowy zakwalifikować jako przysłowie, ale w niektórych kręgach tematycznych jest ona dlań bardzo charakterystyczna. Tematyka przysłów została tu wybrana właśnie ze względu na ich reprezentatywny charakter: wiele z nich zawiera niewątpliwie szereg elementów komicznych. W opracowaniu, składającym się z 6 części, znaleźć można jasną klasyfikację mechanizmów komicznych, podzielonych na ogólne i typowo językowe. Wśród mechanizmów ogólnych szczególną uwagę zwrócono na kontrast (w tym głównie zestawienie), zaskoczenie i przesadę (zarówno typowo słowną jak i pozajęzykową). Mechanizmy typowo językowe opisane w artykule to komiczna modyfikacja wyrazów, neologia, komiczne użycie tradycyjnych jednostek języka oraz rym. Poza tą klasyfikacją znaleźć tu można również podział przysłów na żarty słowne tendencyjne i niewinne, z których te pierwsze stanowią bez wątpienia większość.
Źródło:
Roczniki Humanistyczne; 2004, 52, 5; 127-144
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Transinsularidade perante a natureza. Educação ambiental através da banda desenhada Aguinha!! De Cabo Verde às Canárias... e vice-versa
Transinsularity towards nature. Environmental education through the comic book Aguinha!! De Cabo Verde às Canárias... e vice-versa
Autorzy:
Jankowski, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/43665673.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
environmental education
transinsularity
Macaronesia
comic books
Opis:
This paper proposes a contextualization of the didactic comic book Aguinha!! De Cabo Verde às Canárias... e vice-versa. The comic book in question emerged as part of the institutional project financed by European funds, but at the plot level it hides any explicit affinities with Europe. For this reason, we chose to analyze the contents of the book in the transinsular order and to draw both on the concept of environmental education and on border thinking. It is also proposed to frame this comic book as a complementary, non-autonomous didactic material.
Źródło:
Studia Romanica Posnaniensia; 2023, 50, 2; 45-60
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
THE IMPACT OF USING PIXTON FOR TEACHING GRAMMAR AND VOCABULARY IN THE EFL ECUADORIAN CONTEXT
Autorzy:
Cabrera, Paola
Castillo, Luz
González, Paúl
Quiñónez, Ana
Ochoa, César
Powiązania:
https://bibliotekanauki.pl/articles/955425.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej w Lublinie. IATEFL Poland Computer Special Interest Group
Tematy:
Pixton
grammar and vocabulary
comic strips
EFL teaching
Opis:
This study examined the use of Pixton for enhancing grammar and vocabulary teaching in a public high school in the South region of Ecuador. In this intervention, 163 junior high school learners and 14 pre-service English teachers participated during a period of 4 months. The data for this study was obtained by gathering information from pre and post-questionnaires, pre and post-tests, and observation sheets. Students were divided into control and experimental groups. The control group (78 students) received English lessons without using Pixton, while the experimental group (85 students) used Pixton. After analyzing the data quantitatively and qualitatively, the results indicate that Pixton is an effective teaching tool that motivates students to learn grammar and vocabulary in an enjoyable way; this was evident through an improvement in students’ post-test scores in the experimental group.
Źródło:
Teaching English with Technology; 2018, 18, 1; 53-76
1642-1027
Pojawia się w:
Teaching English with Technology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Translating Images. Comic Books and Graphic Novels as Multimodal Texts in Translation
Autorzy:
Skwarzyński, Jerzy
Powiązania:
https://bibliotekanauki.pl/articles/601281.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
comic books
graphic novels
translation of graphic novels
Opis:
A piece of work that requires the interplay of at least two different codes, e.g. written text and elements of design, is a multimodal text (Serafini 2011, 342). These include short or feature films, video games and comic books. The focus of this paper is comics, the non-interactive texts that, nevertheless, need a reader to be vivified (McCloud 1994, 36-37); a flexible platform for new ways of expression which often provides formidable challenges upon translation.Comic books, often referred to as graphic novels, have become a respected literary form often compared to novels rather than pulp fiction which they used to be classified as. Their growing cultural relevance and increasing recognition shift the gravity of choices made by translators working with these texts. Comics often take on much-debated themes, such as gender, feminism or postcolonial issues; that adds to the importance of comics in a current pop-cultural discourse.Nonetheless, the most unique aspect of these texts is their form, which incorporates static visual images organised “in deliberate sequence” (ibid., 7-9) and text. Even though there are instances of comics with no text, it usually is present; without the imagery, however, it makes little or no sense and vice versa. Moreover, the connection between text and image as well as between the images themselves may be intricate and multilayered, making it even more challenging for translators to tackle.Drawing on examples from classics such as Maus, V for Vendetta, Peanuts and the Asterix series, this paper expands on the aforementioned translation issues and underlines the cultural significance of comic books and graphic novels.
Źródło:
New Horizons in English Studies; 2019, 4
2543-8980
Pojawia się w:
New Horizons in English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Od edycji limitowanej do galeryjnej. Wstęp do „materialnej” teorii komiksu
From a Limited Edition to a Gallery Edition. An Introduction to a “Material” Theory of Comic Books
Autorzy:
Żaglewski, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/579241.pdf
Data publikacji:
2018
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
comic book
graphic novel
materiality
medium
tactile
sensuality
Opis:
The article is an attempt to understand the need to develop methodological and theoretical tools for defining and underlining the meaning of a comic book’s material quality. Assuming that the modern tactile and sensual aspects of a physical manifestation of the comic book medium are becoming one of its most important specifics, then the author, is trying to explore the scientific consequences of a turn towards focusing on the “materialistic” inside the comic book industry. With full understanding of that matter then a starting point for a discussion can be made about the more general offensive of printed publications against ongoing virtualization, or de-materialization of written texts.
Źródło:
Zagadnienia Rodzajów Literackich; 2018, 61, 1(125); 127-139
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„…читая в ногу души прекрасные порывы”: смех аутсайдера и русский ХХ век в Неизвестных письмах Олега Юрьева
„…reading apace with the soul’s beautiful impulses”: Outsiders’ laughter and the Russian twentieth century in Oleg Yuryev’s Unknown letters
Autorzy:
Voloshchuk, Ievgeniia
Powiązania:
https://bibliotekanauki.pl/articles/2224210.pdf
Data publikacji:
2022-06-26
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
intercultural literature
outsider
postmodernism
literary canon
comic
Yuryev
Opis:
The paper deals with the specifics of outsiders’ laughter in the book Unknown letters (Неизвестные письма/Unbekannte Briefe, Russian 2014, German 2017) by a Russian-German writer Oleg Yuryev. In particular, it analyzes how Russian cultural and historical traumas of the 20th century were reinterpreted in the book from the perspective of an ironical outsider. In doing so, it focuses on a fictional letter by the writer Leonid Dobychin, which is contextualized with fictional letters of Jakob Michael Reinhold Lenz and Ivan Pryzhov, representing previous historical and cultural periods. Yuryev’s ironic reflections on the Russian historical reality and literary scene of the 20th century manifest themselves at different levels, from the positioning of outsiders’ laughter in relation to the official and marginal hierarchies of the literary canon to the postmodernist play with the traditions of literary classics. In addition, the paper addresses the inter- and/or transcultural aspect of outsiders’ laughter in Yuryev’s book.
Źródło:
Studia Rossica Posnaniensia; 2022, 47, 1; 111-128
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sceniczne adaptacje komiksów. Strategie przekładania historii obrazkowych na język teatralny
Stage adaptations of comic books. Strategies for translating graphic stories into theatrical language
Autorzy:
Dąbrowska, Zofia
Powiązania:
https://bibliotekanauki.pl/articles/11855294.pdf
Data publikacji:
2023-06
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
comic books
musical
adaptation
theatre play
pop culture
Opis:
Comic books are increasingly being used as a material for creating theatre plays. In Poland, first theatre adaptations of comics appeared in the mid-20th century, but on Broadway, comic strips have provided source material for theatre plays since its outsets in the late 1800s. In this paper I present a short history of the most important comic book adaptations for the theatre in Poland, with an emphasis on plays based on a Henryk Jerzy Chmielewski’s series Tytus, Romek i A’Tomek. I ponder upon the connotations between comic books and music, and bring into consideration many different forms that comic book adaptations can take. Above all, I analyse in details a few examples (Polish productions Staś i Zła Noga [Staś and the Bad Leg] by Bartłomiej Błaszczyński and Kajko i Kokosz by Marta Ogrodzińska, and an American production Spider-Man: Turn Off The Dark by Julie Taymor) for the purpose of discussing the strategies of putting the comic book stories onto the stage and the difficulties involved with the process.
Źródło:
Didaskalia. Gazeta Teatralna; 2023, 175-176; 277-304
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sceny strachu, czyli lazzi di paura w komedii dell’arte
Scenes of Fear, or lazzi di paura in Comedia dell’arte
Scènes de peur, ou lazzi di paura dans la comedia dell’arte
Autorzy:
Dygul, Jolanta
Powiązania:
https://bibliotekanauki.pl/articles/31339755.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
comique
peur
acteur
scénario
comic
fear
actor
scenario
Opis:
Le lazzo est une courte scène de nature comique qui peut être comparée à un gag moderne. Les acteurs italiens disposaient de plusieurs catégories de scènes de ce type dans leurs répertoires (mimico-gestuelle, acrobatique, verbale ou mixte). Une telle séquence scénique toute prête pouvait être montée dans diverses intrigues. L’objectif de cet article est d’analyser les scènes de peur dans une sélection de scénarios dell’arte. Pour illustrer la variété des scènes de peur improvisées par les acteurs italiens, quatre scénarios ont été choisis pour adapter un seul texte littéraire, La dama duende de Calderón de la Barca, une œuvre très populaire aux XVIIe et XVIIIe siècles (La Dame Diablesse, manuscrit de la Bibliothèque nationale de Paris; La dama Demonio, manuscrit de la collection de la Bibliothèque du Vatican; La dama creduta spirito folletto de la collection napolitaine; La dama demonio e la serva diavolo de la collection d’arguments de la cour d’Auguste III).
Lazzo is a short scene of a comic nature that can be compared to a modern-day gag. Italian actors had various categories of such scenes in their repertoires (mimic-gestual, acrobatic, verbal or mixed). Such a ready-made stage sequence was suitable for editing into various plots. The purpose of this paper is to analyze scenes of fear in selected scenarios dell’arte. To illustrate the variety of fear scenes improvised by Italian actors, four scenarios were chosen to adapt a single literary text, Calderón de la Barca’s La dama duende, a very popular work in the 17th and 18th centuries (La Dame Diablesse, manuscript from the Bibliothèque Nationale in Paris; La dama Demonio, manuscript from the collection of the Vatican Library; La dama creduta spirito folletto from the Neapolitan collection; La dama demonio e la serva diavolo from the collection of arguments of the court of August III).
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Romanica; 2022, 17, 2; 171-181
1505-9065
2449-8831
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Romanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Kilogramowa łza” i „nastrojowa kanapa”. Emocje w przestrzeni komicznej (Najmniejszego Teatru Świata)
“A One-kilo Tear” and “a Mood Sofa”: Emotions in the Comic Space (of The Smallest Theater in the World)
Autorzy:
Tarnogórska, Maria
Powiązania:
https://bibliotekanauki.pl/articles/1506458.pdf
Data publikacji:
2019-12-30
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
intertextual humour
comic space
emotional kitsch
nonsense
Opis:
This article focuses on some typically Polish literary contexts fundamental for the intertextual humour of Zielona Gęś (The Green Goose, also known as The Smallest Theater in the World) by K.I. Gałczyński, a writer who helped create a new culture of laughter in post-war Poland. Gałczyński plays with the “sentimental romanticism” which perpetuated in native readers’ imaginations certain characteristic, emotionally marked spatial images, such as a landscape with a nightingale and the moon, as well as related standards of feeling nowadays regarded as emotional kitsch, seen in, for instance, banal lyricism represented by motifs of tears and tender hearts.
Źródło:
Białostockie Studia Literaturoznawcze; 2019, 15; 7-22
2082-9701
2720-0078
Pojawia się w:
Białostockie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Reception of Comics as a Multimodal Experience – Approaches to (Suitable) Writing Practices in German Secondary Schools
Autorzy:
Führer, Carolin
Powiązania:
https://bibliotekanauki.pl/articles/2031264.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:
multimodal literacy
comic
aesthetic reading
writing practices
Opis:
Beyond teaching practices that have treated comics and graphic novels principally as instruments of promoting reading until now, this article points out the multimodality and own aesthetic of this media. It therefore inquires more precisely into what a suitable multimodal aesthetic reception might look like in secondary school, that avoids a technologically determinative functional development and relates reading, writing, and designing to each other operationally. To this end, (previous) comprehension models for text-picture-integration are brought into focus, with reference to select findings on the research-based didactics of writing. This is supplemented by explorative analyses of how comics are really received in authentic writing lessons. The essay concludes with a combination of these perspectives to offer a point of view on bridging classroom practices and the findings regarding the reception to deal with current possibly neglected aspects of comics.
Źródło:
Filoteknos; 2020, 10; 410-424
2657-4810
Pojawia się w:
Filoteknos
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Интерсемиотический и прагмасемантический анализ цикла мемов „Дворец для Путина”
Intersemiotic and pragmasemantic analysis of the “Palace for Putin” meme cycle
Autorzy:
Sładkiewicz, Żanna
Powiązania:
https://bibliotekanauki.pl/articles/2224185.pdf
Data publikacji:
2022-06-27
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
political
internet meme
twitter
multimodal text
comic
Opis:
The article is devoted to the analysis of the pragmatics and semiotics in the productive comic genre of digital communication – the political meme. The empirical material consists of actual internet heterogeneous texts, created after the publication of Alexei Navalny’s film “Palace for Putin”. The comic content is viewed as a way of defusing the public tension of the sanctioned protest, an instrument for interpreting and discussing current social reality, as well as a method of demonizing a political subject “them”. The research assumes multimodality of the media environment and its products. It considers verbal, iconic and metagraphic ways of realizing the pragmatic intentions of the participants in the communication process. The author examines the initial situation (proto situation) that caused a communicative reaction of the internet users in the form of memes, analyzes the essence of a political meme as a heterogeneous text. The article describes the structural organization of memes, the syntactic and semantic relations of the verbal and iconic parts, as well as the use of intertextuality to concisely and expressively transmit new meanings.
Źródło:
Studia Rossica Posnaniensia; 2022, 47, 1; 187-206
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Le trio hergéen : un tournant dans « Les aventures de Tintin »
The Hergéan trio: A turning point in "The Adventures of Tintin"
Autorzy:
Chéron, Sophie
Powiązania:
https://bibliotekanauki.pl/articles/1051550.pdf
Data publikacji:
2012-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Comic strips
Hergé
Tintin
Identity
Narrative function
Opis:
Before Captain Haddocks’ and Professor Calculus’ appearance in "The Crab with the Golden Claws" (eighth album, 1941) and "Red Rackham’s Treasure" (eleventh album, 1944) Tintin doesn’t have strong links with the other characters. His youth, dynamism and resourcefulness are his only characteristics – he has no past, no name, no family, no occupational ties. The two new friends Hergé gives him provide the last ten albums of The Adventures more consistency, humor, and a proper space which were missing until then.
Źródło:
Studia Romanica Posnaniensia; 2012, 39, 1; 89-98
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Interaction specifics of political and comic in popular culture
Specyfika interakcji polityki i komiksu w kulturze popularnej
Autorzy:
Pavlova, Olena
Powiązania:
https://bibliotekanauki.pl/articles/1376042.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Zielonogórski. Wydział Humanistyczny
Tematy:
comic
political
popular culture
de-differentiation
populism
post-modern
Opis:
The study is devoted to the analysis of the interaction of the comic and political in the logic of the popular culture organization. The latter is defined as a form of de-differentiation of mass and elite cultures. It differs from the democratic foundations of Antiquity, where the political needed forms of critical comedy under circumstances of the external institutions absence for self-correction. In the same way, the postmodern situation in the conditions of de-differentiation of all forms of culture gives populism as a new form of political and comic interaction in the conditions of the crisis of the Modernity basic institutions. Postmodern synthesis of political comic and administration of horror testifies to a dedifferentiation in popular culture, and is a symbol of the end of the social. The horror of the total chaos of personified corruption highlights the ironic evidence of their political scheme and the comic populism of their representations. Unlike the comic of Antiquity, where theatrical satire was a way of social criticism of political leaders, and, consequently, a way of increasing meaning, the comic populism of post-modernity is a way of concealing the disappearance of meaning. Although both historical versions of the interaction of political and comic work in the logic of the sign and dominant of popular culture in these periods.
Źródło:
International Journal of Slavic Studies Transgressive, Pragmatic and Speculative Horizons of Popular Literature and Culture; 2019, 1, 1; 99-108
2658-154X
Pojawia się w:
International Journal of Slavic Studies Transgressive, Pragmatic and Speculative Horizons of Popular Literature and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Polski komiks autobiograficzny
Polish autobiographical comics
Autorzy:
Pstrągowski, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/1377732.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego
Tematy:
„Produkt”
Sasnal
representation
comic book
autobiography
Polska
komiks
autobiografia
Opis:
Artykuł przybliża historię polskich komiksów autobiograficznych od przełomu mileniów do dnia dzisiejszego. Autor twierdzi, że za pierwszego polskiego twórcę komiksów autobiograficznych należy uznać Wilhelma Sasnala, autora Życia codziennego w Polsce w latach 1999–2001. Następnie zwraca uwagę na olbrzymią rolę Michała „Śledzia” Śledzińskiego i prowadzonego przez niego magazynu „Produkt”, porównując jego rolę do roli undergroundowego twórcy amerykańskiego Roberta Crumba i jego „Zap! Comix”. W kolejnych częściach artykułu przybliżona została twórczość Agaty „Endo” Nowickiej (w kontekście autobiografii kobiecych) i omówiony konkurs na krótki komiks autobiograficzny, organizowany przez Nowicką na łamach „Wysokich Obcasów”, a także prace trzech twórców nurtu autobiograficznego w polskim komiksie – Agaty Wawryniuk, Olgi Wróbel i Daniela Chmielewsiego.
The article presents the history of Polish autobiographical comics, from the turn of the millennia up to the present day. The author points out that Wilhelm Sasnal and his comic book Daily life in Poland in 1999–2001 should be considered the first Polish autobiographical comic book author. Then he draws our attention to the major role of Michał “Śledźu” Śledziński and his magazine “Produkt”, his work is compared to the role of the American underground creator Robert Crumb and his “Zap! Comix”. Next the article tells us more about the work of Agata “Endo” Nowicka (as far as autobiography of women’s comics is considered) and a competition for short autobiographical comic book organized by Nowicka in “Wysokie Obcasy”, as well as comic books of three other authors representing the autobiographical genre: – Agata Wawryniuk, Olga Wrobel and Daniel Chmielewski.
Źródło:
Autobiografia Literatura Kultura Media; 2015, 5, 2; 33-47
2353-8694
2719-4361
Pojawia się w:
Autobiografia Literatura Kultura Media
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fräulein Elses Begehren: Kolorierungen von Emotionen in Arthur Schnitzlers Novelle und in Manuele Fiors Comic
Fräulein Else’s Desire: Colorations of Emotions in the Novella by Arthur Schnitzler and the Graphic Novel by Manuele Fior
Autorzy:
Tacke, Alexandra
Powiązania:
https://bibliotekanauki.pl/articles/929387.pdf
Data publikacji:
2015-07-04
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Arthur Schnitzler
Fräulein Else
Nakedness
Music
Manuele Fior
Comic
Opis:
The following article compares the representation of nakedness in the novella Fräulein Else (1924) by Arthur Schnitzler and in the Graphic Novel Fräulein Else (2009) by Manuele Fior. While Schnitzler is inserting parts of the musical score Carnaval by Robert Schumann at that point of the text, when Fräu-lein Else is showing herself naked publically, and thus refuses to give more details, Fior cites in his Comic adaption the famous painting Nuda Veritas by Gustav Klimt, which was scandalized at its time. Slight changes are made also at the ending: while Schnitzler refers to the Orpheus-Eurydike-Myth, Fior compares the interior monologue of Fräulein Else to the myth of Echo.
Źródło:
Studia Germanica Posnaniensia; 2015, 36; 139-158
0137-2467
Pojawia się w:
Studia Germanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Юмористический тон как маркер авторского взгляда в комедиях Надежды Птушкиной
Humorous tone as a marker of the author’s view in Nadezhda Ptushkina’s comedies
Autorzy:
Maliutina, Natalia
Powiązania:
https://bibliotekanauki.pl/articles/2224469.pdf
Data publikacji:
2022-06-26
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
comedy
farce
humour
comic
tone
author of the play
Opis:
The article considers comic humour as an emotional and semantic component of the statements in two comedies written by Nadezhda Ptushkina: Paying ahead and Come and take away, which can be attributed to popular mass literature. Distinguishing between the manifestations of situational and semantic comedy and humour the article shows how the humorous tone of the character’s remarks changes the overall genre tone of the comedy. Due to the idea of how much the personality does not fit into the narrow framework of the stereotypical perception of the situation of the husband’s withdrawal from the family, the article notes the dramatic and tragic modality of the statements in the plays. At the same time, in all situations and in all manifestations of the relationship between the characters, we feel the author’s view. The author is distinguished by the ability to understand and accept a different opinion to optimistically see the possibility of preserving the family and identity of each person in the process of collisions with other opinions. Despite the author’s rejection the play retains a belief in a certain general harmony of the human soul, which is especially vividly perceived thanks to allusions to Chekhov’s plays. Techniques contribute to the removal of the author’s view and the positions of the characters: dialogue of the deaf, distancing the author’s view and the character’s position, wordplay. All these techniques contribute to overcoming the farcical nature of the conflict and its dramatization.
Źródło:
Studia Rossica Posnaniensia; 2022, 47, 1; 59-73
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Portraits caricaturaux du gouvernement de Vichy sous la verve démesurée de Céline
Caricatural portraits of the Vichy government under Céline’s inordinate verve
Autorzy:
Alves, Ana M.
Powiązania:
https://bibliotekanauki.pl/articles/1038054.pdf
Data publikacji:
2020-12-30
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
Céline
Sigmaringen
caricature
comique
grotesque
démesure
comic
excess
Opis:
Dans ses trois romans, communément désignés comme trilogie allemande, Céline évoque le récit de son périlleux exode en Allemagne, de 1944 à 1945, puis au Danemark de 1945 à 1951. Notre propos n’est pas de reprendre tout ce périple, mais de nous attarder sur son séjour à Sigmaringen où presque toutes les figures marquantes de la Collaboration sont dépeintes et caricaturées par Céline sur un ton de mépris qui lui est exclusif et marque sa singularité exceptionnelle. Nous en retiendrons quelques exemples pour montrer comment l’écrivain amplifie les traits de ses personnages, pour donner plus de vigueur à ses descriptions. Céline brosse leurs portraits, en accentuant leurs caractères ou bien en leur prêtant, parfois, des attitudes ridicules. Par des détails hilariants, burlesques, comiques, Céline parvient à caricaturer certaines personnalités du gouvernement de Vichy dans une atmosphère où se mêlent absurdité, chaos, décadence.
In his three novels, commonly referred to as the German trilogy, Céline evokes the story of his dangerous exodus to Germany, from 1944 to 1945, then to Denmark from 1945 to 1951. Our purpose is not to take the whole journey back, but to dwell on his stay in Sigmaringen where almost all the outstanding figures of the Collaboration are depicted and caricatured by Céline in a tone of contempt particular of him and of his exceptional singularity. We will use a few examples to show how the writer amplifies his characters’ features, to strengthen his descriptions. Céline paints their portraits, exaggerating their characteristics or, sometimes, endowing them with ridiculous attitudes. By hilarious, burlesque, comical details, Céline manages to caricature certain figures of the Vichy government in an atmosphere where absurdity, chaos and decadence mingle.
Źródło:
Quêtes littéraires; 2020, 10; 197-206
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Famae petitor. Lucan’s Portrayal of Pompey
Autorzy:
Pypłacz, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1046783.pdf
Data publikacji:
2014-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Pompey
Lucan
irony
comic
epic
Roman Republic
decay
caricature
hero
Opis:
In spite of the fact that Lucan’s sympathies are apparently with the Republicans, his attitude to Pompey, which emerges from the Pharsalia, turns out to be rather critical. Moreover, this criticism actually comes very close to ridicule. Lucan depicts Pompey as a senile and narcissistic leader who dwells on his past success and lives in the world of his own fantasies. Trapped in the vicious circle of his delusions of grandeur, he is rather grotesque than majestic. The harder he tries to enhance his public image, the more pathetic he becomes both in the eyes of his friends and in those of his enemies. The effects of his efforts are, therefore, quite contrary to their purpose. On the one hand, the figure of the senile and deluded Pompey is the caricature of the decaying Roman Republic, whose degeneracy it obviously mirrors. On the other hand, however, Lucan’s grotesque anti-hero is the exact opposite of archetypal epic characters such as Virgil’s Aeneas. Willing yet unable to emulate his literary predecessors, he functions as the caricature of the literary paradigm of a standard epic hero.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2014, 24, 2; 97-118
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rozwój filmowych adaptacji komiksów – „kino superbohaterskie” jako gatunek
The evolution of comic book adaptations – ‘superhero movie’ as a genre
Autorzy:
Czyżak, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/1047303.pdf
Data publikacji:
2021-03-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
comic book movie
movie genre
Marvel Studios
superhero
superhero movie
Opis:
This article is an attempt to consider superhero movies as a developing genre of popular cinema. The theory is based on Rick Altman’s “Semantic/Syntactic/Pragmatic” approach to genre. It tries to capture features of superhero blockbusters and their main themes – the most distinctive trait of this genre, according to the author of the text, is supposed to be the relationship between an individual, their “power” and society. The text is both an extension of and a counter-proposal to conclusions made by Tomasz Żaglewski in Kinowe uniwersum superbohaterów.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 338-348
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
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