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Tytuł:
Two Portraits of the Prince Ladislas-Sigismund Vasa from the Collections in Wawel re-examined
Analiza atrybucji dwóch portretów królewicza Władysława Zygmunta Wazy ze zbiorów Zamku Królewskiego na Wawelu
Autorzy:
Krzyżagórska-Pisarek, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/706971.pdf
Data publikacji:
2012
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Rubens
Vasa
Wawel
Waza
Źródło:
Rocznik Historii Sztuki; 2012, 37; 93-113
0080-3472
Pojawia się w:
Rocznik Historii Sztuki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
PAMFLET NA SZWEDZKĄ KRÓLEWNĘ JAKO ŹRÓDŁO WIEDZY O „SZPETNEJ CZAROWNICY”, CZYLI O ANNIE WAZÓWNIE
Satire on the Swedish Princess Anna Vasa Being a Source of Knowledge about „An Ugly Witch”
Autorzy:
Ojcewicz, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/444734.pdf
Data publikacji:
2013-06-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Anna Vasa
parody
lampion
chronicle of Charles IX of Sweden,Sigismund III Vasa
Opis:
The author analyzes a piece of 17th century chronicle of Charles IX of Sweden and its Polish translation done by Julian Ursyn Niemcewicz. This fragment presented in a satire form concerns critics of behavior and private life of Anna Vasa (1568–1625), a niece of the king of Sweden. Both Old Swedish and Old Polish texts are valuable sources of information about the Swedish princess as the information about her private life is very scarce. The analyzed satire presents real and dubious facts (where the credibility is concerned) of the princess’s biography.
Źródło:
Acta Neophilologica; 2013, XV/1; 299-322
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pottery Vessels with graffiti Discovered in the Fort of Ala I Batavorum in Dacia
Autorzy:
Varga, Rada
Rubel, Alexander
Bounegru, George
Powiązania:
https://bibliotekanauki.pl/articles/52090051.pdf
Data publikacji:
2024
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
instrumenta
onomastics
barracks
vasa escaria
Opis:
This paper presents graffiti discovered on a few plates discovered in a barrack from the fort of ala I Batavorum milliaria in Dacia. Typical for the Batavian troops, the onomastics is Latin and Greek. The instrumenta prove that the soldiers scribbled their names on every-day use vessels and offer us a glimpse of the very men that lived there together.
Źródło:
Electrum; 2024, 31; 127-141
1897-3426
2084-3909
Pojawia się w:
Electrum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Famine and poverty in the army during the reign of the House of Vasa in the light of reports and diaries
Autorzy:
WOŹNICA, Kamila
Powiązania:
https://bibliotekanauki.pl/articles/517685.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
House of Vasa
famine
cannibalism
food
army
Opis:
The aim of the article is to present the phenomenon of famine in the army of the Crown and the Grand Duchy of Lithuania during the reign of the House of Vasa. Shortages of food were not present in the army constantly. Nevertheless, they were a frequent phenomenon during wars. It was not always possible to buy or steal something due to destructions in the area where the army was staying. In situations of no possibility to purchase food products, people tried to look for things that could fill their stomachs in the nearest surrounding. They would pick rhizomes, tree leaves, vegetables and herbs. Carrion as well as ill and injured animals were eaten. A symbol of famine was eating horse meat. The last resort was cannibalism.
Źródło:
Historia i Świat; 2016, 5; 169-190
2299-2464
Pojawia się w:
Historia i Świat
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Antonio Querenghi, Carmen ad Urbem Romam in adventu Serenissimi Vladislai Poloniae Principis (1625)
Autorzy:
Franczak, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/636303.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Antonio Querenghi, Vladislaus Vasa, panegyric, Neo-Latin poetry
Opis:
The subject of this edition is a forgotten 17th-century Polonicum: a Latin panegyric in hexameter by Antonio Querenghi entitled Ad urbem Romam in adventu Serenissimi Vladislai, Poloniae Principis (To the city of Rome on the occasion of the arrival of His Most Serene Highness Vladislaus, the Prince of Poland). The work, published in 1625 in Rome, was noted in bibliographies of S. Ciampi and K. Estreicher as anonymous. This is because the only copy known of the first edition until recently, preserved in the holdings of Biblioteca Ambrosiana in Milan, was deprived of the title page. The discovery of a second, complete copy in the collection of Biblioteca Casanatense in Rome allowed us to identify the author, namely the Padovan humanist Antonio Querenghi (1546-1633), who from 1605 served as the pope’s personal secretary (cubicularius), prelate and referendary of both signatures. The closest relation Querengi developed with Maffeo Barberini (Urban VIII), the “pope-Cicero” and patron of poets and artists, at whose side he stayed until his own death. On 19 January 1625 he graced with his panegyric the Roman visit of Prince Vladislaus Vasa, the later King of Poland and Grand Duke of Lithuania Vladislaus IV. The prince arrived in Rome on 20 December 1624, after an eight-month journey around Europe. Vladislaus, who tried to travel incognito, was received with all the honour due to the successor to the Swedish throne with the title of electi Magni Ducis Moschoviae (the elected Grand Duke of Muscovy). In the minds of the inhabitants of Europe, his person was also inextricably associated with the double triumph over the “schismatic” Muscovy, and above all with fending off Turks at the battle of Chocim (2 September–9 October 1621). Vladislaus spent the fortnight from 20 December 1624 to 2 January 1625 in the papal capital and took part in the celebration of the Jubilee. On 17 January he arrived there again after a short trip to Naples and left the city after only three days. Yet it was the latter short stay in Rome that the grandest reception in honour of the Polish Prince was held. On Sunday, 19 January, after a private audience with Pope Urban, at which only the closest curial dignitaries (with Querenghi probably among them) and officials from Vladislaus’ retinue were present, a sumptuous dinner was given with a concert afterwards. In the panegyric written for this occasion, Querenghi praises Vladislaus’ triumphs over “Muscovy twice defeated” (he meant armed attempts of the prince to the tsarist throne in the years 1610-1619) and over “the Thracian (i.e. Turkish) enemy”, the army of sultan Osman II. The ideological pivot of the poem is the pope’s planned general military expedition against Turkey: Urban VIII anoints the Polish Prince as the commander in chief of the upcoming crusade and a defender of Christianity. Vladislaus appears to be a new Hercules choosing the difficult path of Virtue, filled with renunciations and leading to eternal fame. In the panegyric apostrophe, the poet appeals to the Christian prince to follow the example of the mythical hero by taming the “godless monsters” (monstra impia) and taking upon his shoulders the weight of the world resting theretofore on the shoulders of the Italian Atlas – Pope Urban. Ad urbem Romam constitutes an excellent example of Querenghi’s stylistic manner shaped in the neo-Platonist spirit of hermetism, which made the poet create labyrinthine and enigmatic texts for the exclusive use of a narrow circle of exegetes. This manner resulted in a discrepancy, starkly visible through the refined hexameters, between two irreconcilable textual (and thus essentially linguistic) facts, one arising from historic discourse and the other generated within conventionally antiquisating, petrified, panegyric hyperbole. Namely, between Vladislaus who, abashed, retreated from Muscow and spent the battle of Chocim sick in his own tent, and the new Hercules who puts to rout the schismatic-pagan monsters threatening the Western civilisation.
Źródło:
Terminus; 2013, 15, 2(27)
2084-3844
Pojawia się w:
Terminus
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Budowanie prestiżu królewskiego rodu. Związki rodzinne Wazów z dynastiami europejskimi
Building the prestige of the royal house. Familial relations of the Vasa with European dynasties
Autorzy:
Skowron, Ryszard
Powiązania:
https://bibliotekanauki.pl/articles/1065908.pdf
Data publikacji:
2020-07-08
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
dynastic policy
prestige
christenings
travels
the Vasa
Habsburgs
Opis:
Marriages enabled the House of Vasa to enter into the network of courts throughout Europe and opened a way to participate in the processes of assimilation, reception or rejection of respective cultural, religious, and political paradigms. The bonds of kinship became one of the most effective instruments to raise the prestige and the standing of dynasty, which sought to occupy an ever higher position in the hierarchy of European rulers. The aim of this paper is to show how the House of Vasa functioned within he contemporaneous dynastic networks in Europe on the examples of several selected issues of strictly familial nature: inheritance of names, christenings, family reunions and financial security.
Źródło:
Studia Europaea Gnesnensia; 2019, 20; 55-82
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dwie anonimowe sielanki z pierwszej połowy XVII wieku z rękopisu Biblioteki Baworowskich we Lwowie
Autorzy:
Piotrowiak, Dariusz
Powiązania:
https://bibliotekanauki.pl/articles/636305.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
eclogue, townsmen, Baptista Mantuanus, Calpurnius, election, Vladislaus IV Vasa
Opis:
Two Anonymous Eclogues from the First Half of the 17th Century Found in a Manuscript Preserved in the Baworowscyki Library in LvivThe main aim of this paper is to present a critical edition of two eclogues found in manuscript no. 1332 in the Baworowscy Library in Lviv. The eclogues were probably written in the 1630s or the early 1640s. This is the first critical edition of these texts. Manuscript no. 1332 is the only known source of these eclogues. The transcription is based on the rules contained in the script Zasady wydawania tekstów staropolskich (Wrocław 1955; “B” transcription). The punctuation has been adapted to contemporary rules. The transcription is provided with detailed notes and commentaries, which are a source of information about the meaning of Old-Polish words as well as proverbs. References to biblical texts and mythological and historical context are also well explained. “The first eclogue, entitled A Quarrel, is a paraphrase of the Sixth Eclogue of Baptista Mantuanus. It was written in the form of a dialogue between two shepherds who talk about the habits of the townspeople.” One of the interlocutors criticizes the vices of the courtiers, merchants, astrologers, medics, lawyers and Christian priests. These tirades are contrasted with the second shepherd’s replies. He condemns his interlocutor and accuses him of being too impetuous. This eclogue bears the mark of a strong influence from the pastoral poetry written by Simon Simonides. This influence is evident in the pessimistic, decadent atmosphere and sad reflections on human degeneration. The eclogue contains an anecdote that humorously explains the main cause of social inequality. The second eclogue, The Grandiosity or the Election of Vladislaus IV Vasa, King of Poland and Sweden, is connected with the election sejm that took place in 1632. This poem is a paraphrase of the Seventh Eclogue of Calpurnius. Like A Quarrel, it is written in the form of a dialogue between two shepherds. One of them returns to the village after a long absence. He is asked by his friend to tell him about his journey. It turns out that the traveller visited Warsaw and was a witness to the election of Vladislaus IV Vasa. The panegyric part of the poem is extensive and implies that the decision of the electors was inspired by God. The author ingeniously uses some phrases from Calpurnius’ eclogue to describe the works of art collected by the king. Both eclogues reveal formidable literary training – they are comparable to bucolics written by Jan Gawiński and Adrian Wieszczycki.
Źródło:
Terminus; 2014, 16, 4(33)
2084-3844
Pojawia się w:
Terminus
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ARCHEOLOGIA MORSKA W POLSCE STAN OBECNY I PERSPEKTYWY
UNDERWATER ARCHAEOLOGY IN POLAND ITS PRESENT STATE AND PROSPECTS
Autorzy:
Pomian, Iwona
Powiązania:
https://bibliotekanauki.pl/articles/539649.pdf
Data publikacji:
2005
Wydawca:
Narodowy Instytut Dziedzictwa
Tematy:
archeologia morska
Bałtyk
okręt „Vasa”
wraki
Muzeum wraków
„Solen”
„Miedziowiec”
Opis:
Underwater archaeology has only been present in Poland for a few decades. Research carried out in the 1950s in the search for ancient Wolin brought out the first sites. Polish coasts abound in wrecks, whose preservation are helped by the low salinity and low temperature of the Baltic waters, which are also free of the voracious snail toredo navalis. The wreck are endangered, however, by hydro-technical investments, and underwater treasure hunters. Up to now, underwater archaeology has brought out hundreds of artifacts which come from mediaeval as well as more contemporary times, and which are on display at the National Museum in Szczecin and the Central Maritime Museum in Gdańsk. Discussions as to the extent of protection for underwater archaeological sites and the possibility of expanding the scope of research activities in this area. One of the greatest challenges is creating a monitoring system for underwater archaeological sites. Poland’s participation in the “Managing Cultural Heritage Underwater – MACHU” project should be one solution to this problem. It is also important to create a national underwater archaeology center, which would become a source of technical and substantive support for conservation services, and which would allow for more effective protection of artifacts in the range of Polish coast. Following examples of other European countries, we have to treat our maritime heritage as a valuable source of information about the history of our country and the entire Baltic basin, and protect these things while also making them accessible to a wide community of maritime history enthusiasts.
Źródło:
Ochrona Zabytków; 2005, 2; 51-60
0029-8247
Pojawia się w:
Ochrona Zabytków
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Tempest and Three Journeys. William Shakespeare and Daniel Naborowski
Autorzy:
Mrowcewicz, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/704582.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
William Shakespeare
Daniel Naborowski
Marcin Kromer
James I (James Charles Stuart)
Sigismund III Vasa
Anglo-Polish alliance
The Tempest
wedding plans
Elizabeth Stuart
Władysław IV Vasa
Opis:
The article talks about three visits paid in 1609, 1611 and 1612 by prince Janusz Radziwiłł and Daniel Naborowski – one of the most eminent poets of the Polish Baroque – at the court of king James I in London. These visits were related to the wedding plans – Władysław IV Vasa, son of king Sigismund III Vasa, was supposed to marry English princess Elizabeth Stuart. In her honour Naborowski wrote a famous poem entitled Na oczy królewny angielskiej (For English Princess’ Eyes). During the second visit at the English court, 1st November 1611, Radziwiłł and Naborowski were probably watching the staging of Shakespeare’s The Tempest in the Banqueting House in the Palace of Whitehall. The author of the article points out a possible source of Shakespeare’s play which was a text written by a Polish humanist Marcin Kromer, widely known in Europe of those times thanks to its latin translation. Kromer’s text described a story of young prince Sigismund (the future king Sigismund III Vasa) who was born on an island in Malårm Lake where Eric XIV of Sweden imprisoned his parents: Eric’s brother John III of Sweden and his wife Catherine Jagiellon. A Polish poet Daniel Naborowski might have seen and possibly met William Shakespeare.
Źródło:
Nauka; 2019, 4
1231-8515
Pojawia się w:
Nauka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mecenat literacki Anny Wazówny
Anna Vasa’s literary patronage
Autorzy:
Chemperek, Dariusz
Powiązania:
https://bibliotekanauki.pl/articles/2078328.pdf
Data publikacji:
2021-03-30
Wydawca:
Polska Akademia Nauk. Instytut Badań Literackich PAN
Tematy:
Anna Waza
mecenat
Waleriusz Herberger
Samuel Dambrowski
Anna Vasa
patronage
Valerius Herberger
Opis:
The aim of the article is to show the scale of Anna Vasa’s (1568-1625) literary patronage and her role in the literary culture of the Commonwealth at the beginning of the 17th century. The Infanta’s ambitions to become a patron of Protestant culture in the Polish-Lithuanian state succumbing to Catholicism have been fulfilled. The most significant testimonies of this patronage are the works of Evangelicals: the monumental “Postylla” by Samuel Dambrowski, “Florilegium ex Paradiso Psalmorum” by Valerius Herberger or “Heraclitus” by Samuel Bolestraszycki. Anna Vasa’s influence on the literary culture of the Polish-Lithuanian Commonwealth in the first twenty years of the 17th century is also demonstrated by the group of Catholic writers who offered her their works. They include, among others: Andrzej Zbylitowski, Stanisław Grochowski, Jan Achacy Kmita, Jerzy Cerazyn, Wawrzyniec Chlebowski. An additional value of this patronage is that the dedications and literary works show the deeds and personality of the princess. The abundance of texts related to Infanta makes the literature connected with the remarkable biography of an independent, well-educated woman, protector of natural scientists, as well as evangelical writers and theologians. The analysis of the royal patronage leads to the another conclusion that in the research on the writings of the Polish-Lithuanian Commonwealth, the aspect of at least trilingualism of the contemporary literature, which was written in Polish, Latin and German, should be more widely considered.
Źródło:
Meluzyna. Dawna Literatura i Kultura; 2020, 2, 13; 39-55
2449-7339
Pojawia się w:
Meluzyna. Dawna Literatura i Kultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Coins of Sigismund III Vasa (1587-1632) from the Region of Varna, Bulgaria
Monety Zygmunta III Wazy (1587–1632) z regionu Warny w Bułgarii
Autorzy:
Mitev, Nevyan
Powiązania:
https://bibliotekanauki.pl/articles/2090059.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Sigismund III Vasa
Varna
Bulgaria
three groschen
Zygmunt III Waza
Warna
Bułgaria
trojak
Źródło:
Wiadomości Numizmatyczne; 2019, 63; 223-231
0043-5155
Pojawia się w:
Wiadomości Numizmatyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sealed with tears: material and social meanings of a royal letter by countess Palatine Anna (Vasa) (1545–1610)
Sealed with tears: material and social meanings of a royal letter by countess Palatine Anna (Vasa) (1545–1610) / list zapieczętowany łzami: materialne I społeczne aspekty listu Anny Marii Wazówny (...)
Autorzy:
Lahtinen, Anu
Katajamäki, Terhi
Powiązania:
https://bibliotekanauki.pl/articles/2048489.pdf
Data publikacji:
2021-10-27
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
early modern letter writing
Countess Palatine Anna (Vasa)
Ars dictaminis
the Vasa Family
royal correspondence
sixteenth-century Sweden
korespondencja z czasów wczesnonowożytnych
Anna Wazówna
ród Wazów
korespondencja rodów królewskich
szesnastowieczna Szwecja
Opis:
This article offers a case study of how a royal letter can be studied both from verbal and material perspectives. It examines one such letter and the way it reveals personal intentions, and tensions in family relations. Building on their research on the sixteenth-century Swedish letter writing and the Vasa family, the authors give a detailed analysis of Countess Palatine Anna’s (1545–1610) letter from the year 1592, its content and context. The analysis also serves to illustrate the vulnerable position of a consort living far from her family of birth.
Źródło:
Prace Polonistyczne; 2021, 76; 217-235
0079-4791
Pojawia się w:
Prace Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
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