Skocz do pozycji: 1.

Tytuł:

Tekst piosenki jako dzieło literackie — dzieło literackie jako tekst piosenki. Zarys problematyki, przykłady realizacji
The song lyric as a literary work – the literary work as a song lyric – basic examples

Autorzy:

Sobczak, Paweł

Powiązania:

https://bibliotekanauki.pl/articles/649100.pdf

Data publikacji:

2012

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

polish poetry
polish song
song lyrics
comparative analysis

Opis:

The subject of this article is the relationship between literature and the text of song. First part of article concerns the songs which texts approach to literature and begin to exist in the listeners' consciousness independently from the melody. In contemporary Polish music are this: Niech żyje bal, Autobiografia, Nie pytaj o Polskę or Wychowanie. Texts of these songs are analysed and interpreted. Second part of article tells about poems which serve as texts of songs. The author of article shows twentieth-century Polish poets, which texts be sung (Julian Tuwim, Konstanty Ildefons Gałczyński, Edward Stachura, Ewa Lipska etc.) and using with poems musicians (Czesław Niemen, Marek Grechuta, Ewa De-marczyk, Grzegorz Turnau). The author writes also about methods of adaptation of poems on need of songs.

Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 16, 2; 127-139
1505-9057
2353-1908

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Polonica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 2.

Tytuł:

Patent na piosenki. Wincentego Pola śpiew nie tylko z mogiły
A patent for songs. Wincenty Pols singing - not only from the grave

Autorzy:

Łoboz, Małgorzata

Powiązania:

https://bibliotekanauki.pl/articles/938386.pdf

Data publikacji:

2018

Wydawca:

Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie

Tematy:

Wincenty Pol
Pieśni Janusza
romantic song
patriotic song

Opis:

This paper is an attempt at interpreting Wincenty Pol’s poetry, popularised in the form songs. Like most Romantic writers, the author of Pieśń o ziemi naszej regarded music as a unique dis-cipline of asemantic art, i.e. the one which goes beyond popular means of communication and capturing reality in a much deeper way than linguistic articulation. He believed that music is capable of expressing the essence of irrational and abstract phenomena: idealism, spirituality and transcendence; but – as a Romantic writer – he was also aware that art should, above all, reflect emotions accompanying human existence: love, loneliness, closeness, separation, suffering, joy and tears - as an emotional reaction to being moved. Some of his poems were included in Polish culture thanks to compositions by Fryderyk Chopin (performed, among others, by Delfina Potocka), Ignacy Komorowski, Julian Kapliński, Bolesław Dembiński, Adam Mũnchheimer and other composers. The popularity of those songs is the evidence that both folklore inspirations and accompanying historical circumstances recorded them in the na-tional song-book. They represent a typical model of ‘Romantic thinking’ and prove that the ‘Lied’ genre is treated as a return to the origins of culture, thus being an excellent example of lyrical miniatures, which can be fully interpreted by means of vocal realisation.  

Źródło:

Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2018, 18; 3-18
2081-1853

Pojawia się w:

Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 3.

Tytuł:

Высоцкий: траурный портрет. Опыт анализа телеграмм в Театр на Таганке
Vysotsky: a Mournful Portrait. An Attempt at an Analysis of the Telegrams to the Taganka Theatre

Autorzy:

Sadowski, Jakub
Рахманов, Игорь

Powiązania:

https://bibliotekanauki.pl/articles/2031233.pdf

Data publikacji:

2020

Wydawca:

Polska Akademia Nauk. Czytelnia Czasopism PAN

Tematy:

Vladimir Vysotsky
bardic song
authorial song
Taganka Theatre

Źródło:

Slavia Orientalis; 2020, LXIX, 3; 471-491
0037-6744

Pojawia się w:

Slavia Orientalis

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 4.

Tytuł:

Morality as a form of human socio-cultural being in oral folk poetry

Autorzy:

Kopanytsia, Liubov
Pavlova, Alla

Powiązania:

https://bibliotekanauki.pl/articles/29519694.pdf

Data publikacji:

2023-06-30

Wydawca:

Wydawnictwo Adam Marszałek

Tematy:

anthropological model
moral responsibility
ballad
emigrant song
lyrical song
plot
motive

Opis:

The article examines moral responsibility as a specific subjective-objective phenomenon of oral folk art using the example of folklore non-ritual lyric-epic texts. It is analyzed the conceptual dilemma of responsibility – irresponsibility and its role in implementing the functions of oral traditional culture. The authors focus on the correlation between the concepts of individual and social responsibility. In addition, the problem of social responsibility as an evident form of the relations between the individual and society driven by the need to comply with coexistence rules is actualized. Folk consciousness accumulates knowledge about responsibility as one of the forms of social relations, which objectively exists, is reflected in the psychological and spiritual aspects, and hence is an internal (towards oneself) and external (towards the community and humanity as a whole) manifestation of responsibility. Essential characteristics and forms of textualization of moral responsibility in folk songs are outlined: every time a practical act is compared with a proper one in real life, i.e., a moral ideal, through the reflection of the characters of a folklore work and the manifestation of behavior in a particular life situation. It is established that morality in oral literature appears simultaneously as a regulatory structure and a system of meanings of the subject and society as a whole. The imperativeness inherent in the belief system of a traditional work becomes not only a statement of a particular position but also a request for understanding the idea of life purpose at the author-audience level. The tragic event reinterpreted by folk consciousness transfers the axiological content of the depicted act to the collective memory. The essence of the responsibility–irresponsibility dilemma unfolds through a specific human reality. The analysis of non-ritual lyric-epic songs highlights a crucial axiom: moral responsibility is, first of all, the affirmation of the view of life, beliefs, and principles of a person who perceives these moments as own, imagined, and suffered. Having separated temptations of the empirical world, the essential from the insignificant, a person isolates the dominant landmarks of their existence, often leveling out the possibility of personal happiness, acting for the benefit of others. A folklore work conceives the relevance of individual and social consciousness since the depicted folk event raises the current problem to the level of collective comprehension, highlighting the imperative of human life value.

Źródło:

Pomiędzy. Polsko-Ukraińskie Studia Interdyscyplinarne; 2023, 9(2); 47-52
2543-9227

Pojawia się w:

Pomiędzy. Polsko-Ukraińskie Studia Interdyscyplinarne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 5.

Tytuł:

From Late Woronicz to Early Wittgenstein: The Reception of "Pieśń o Wiklefie" ("A Song About Wycliffe) and of John Wycliffe in Nineteenht-Century Poland

Autorzy:

Zieliński, Jan

Powiązania:

https://bibliotekanauki.pl/articles/624251.pdf

Data publikacji:

2017

Wydawca:

Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie

Tematy:

A Song About Wycliffe

Opis:

The article is interested in following the history of the reception of the exceptional example of fifteenth-century poetry in Polish Pieśń o Wiklefie by Jędrzej Gałka of Dobczyn in the period between the discovery of the text in 1815 and the beginning of the First World War. The author discusses the reception of Pieśń o Wiklefie in later works of the Enlightenment poets as well as in texts by Mickiewicz and Norwid (the latter was friends with the poet Antoni Czajkowski, whose father first published Pieśń o Wiklefie). The article concludes with a discussion of the intellectual contacts between the logician Michał Dziewicki – one of the publishers of Wycliffe’s works – and Wittgenstein, who served in the military in Cracow.

Źródło:

Colloquia Litteraria; 2017, 2; 251-226
1896-3455

Pojawia się w:

Colloquia Litteraria

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 6.

Tytuł:

Piosenki Jacka Kaczmarskiego w aspekcie zagadnienia melosemii
Jacek Kaczmarski’s songs in the aspect of ‘melosemia’

Autorzy:

Dźwinel, Kamil

Powiązania:

https://bibliotekanauki.pl/articles/650093.pdf

Data publikacji:

2012

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

polish song
polish music
polish poetry
history of polish song
melosemia

Opis:

The article presents the phenomenon named by the author melosemy. Melosemy is a sensible additions of the poetic text by the connection of his semantic structures with the melody or with vocal and instrumental techniques. The exemplary material for the presentation of this phenomenon from the borderline of music and text are songs of a contemporary polish poet singing own texts with the accompaniment of a guitar — Jacek Kaczmarski (1957—2004). Melosemy is treated as an important aesthetic catego-ry in the creativeness of the bard. The conclusion of the text opens a wider research area: it is possible to find melosemy both in the creative output of other authors from the range of the poetic song, as well as in soundtracks and folk music.

Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 16, 2; 110-120
1505-9057
2353-1908

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Polonica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 7.

Tytuł:

Co dzieci myślą o muzyce? Interpretacja muzycznych i literackich treści utworu Sanctus w wypowiedziach dzieci
What do children think about music? Interpretation of the musical and literary content of the Sanctus composition in children’s speeches

Autorzy:

Szatan, Ewa

Powiązania:

https://bibliotekanauki.pl/articles/1387972.pdf

Data publikacji:

2017-03-30

Wydawca:

Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego

Tematy:

music
song
children
interpretation

Opis:

Words are unambiguous and it allows the meaning of phenomena to be defined. Music has many meanings, but words are needed so that music can be described. Children can describe the world in which they live, interpret phenomena. As a researcher I wanted to see how children talk about music as they describe what they hear in it. Text is the result of talking with children about music.

Źródło:

Problemy Wczesnej Edukacji; 2017, 37, 2; 77-87
1734-1582
2451-2230

Pojawia się w:

Problemy Wczesnej Edukacji

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 8.

Tytuł:

Zaangażowanie, bierność i skandal. „Piosenkowe strategie” w konfliktach międzypokoleniowych
Commitment, passivity and scandal. „Song strategies in intergenerational conflicts

Autorzy:

Łukowicz, Michał

Powiązania:

https://bibliotekanauki.pl/articles/2029520.pdf

Data publikacji:

2021

Wydawca:

Ośrodek Badawczy Facta Ficta

Tematy:

song
popular music
generations
conflict

Opis:

The article aims to present the analysis of three Polish songs that are treated in the social space as important statements by „voices of their generation”. Jacek Kaczmarski in Our Class [Nasza klasa], Zygmunt „Muniek” Staszczyk in the song This nurture [To wychowanie] and Michał „Mata” Matczak in Pathointeligency [Patointeligencja], expressing the problems of their peers, occupy a specific place towards the older generation, which is symbolized by the educational system. Using a different music genre and functioning in different socio-political realities, each of the artists also proposes a different strategy of „fighting” in a generational conflict, which ranges from (apparent) passivity, through commitment, to rebellion. The interpretation of the aforementioned cultural texts (the song is understood as a multi-code message with a solid performative potential) considers their verbal and musical content and the historical and performance context, and the dynamically changing reception. The analysis of the differences and common points of the mentioned texts is intended to capture the phenomenon of popularity of these three completely different songs, which confirm that the most fortuitous statements of specificity and generational distinctiveness in the art use the mechanism of dispute.

Źródło:

Facta Ficta. Journal of Theory, Narrative & Media; 2021, 8, 2; 319-332
2719-8278

Pojawia się w:

Facta Ficta. Journal of Theory, Narrative & Media

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 9.

Tytuł:

Integracja językowa w dziejach polszczyzny
Linguistic Integration in History of Polish Language

Autorzy:

Dubisz, Stanisław

Powiązania:

https://bibliotekanauki.pl/articles/1045616.pdf

Data publikacji:

2013-01-01

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

hymn
song
hagionymy
religious language

Opis:

The author has been for a longer time making excerpts from church hymns used in Roman Catholic priests’ prayers (breviaries) and liturgy, as well as in church songs. The excerpted material relates to (artistic) designations of Mother of God, Christ, Holy Ghost, and the Saints (cf. footnotes in the article). In this way, the article describes the names of persons in the Holy Trinity. The collection is of use as philological documentation, for historical research in European and Polish piety, and as help for preachers, religious instructors, and Christian literary authors.

Źródło:

Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2013, 20, 2; 85-97
1233-8672
2450-4939

Pojawia się w:

Poznańskie Studia Polonistyczne. Seria Językoznawcza

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 10.

Tytuł:

Trójca Święta w „Hymnach kościelnych” i w pieśniach kościelnych
The Holy Trinity in Hymny kościelne and Church Songs

Autorzy:

Breza, Edward

Powiązania:

https://bibliotekanauki.pl/articles/1045617.pdf

Data publikacji:

2013-01-01

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

hymn
song
hagionymy
religious language

Opis:

The author has been for a longer time making excerpts from church hymns used in Roman Catholic priests’ prayers (breviaries) and liturgy, as well as in church songs. The excerpted material relates to (artistic) designations of Mother of God, Christ, Holy Ghost, and the Saints (cf. footnotes in the article). In this way, the article describes the names of persons in the Holy Trinity. The collection is of use as philological documentation, for historical research in European and Polish piety, and as help for preachers, religious instructors, and Christian literary authors.

Źródło:

Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2013, 20, 2; 73-83
1233-8672
2450-4939

Pojawia się w:

Poznańskie Studia Polonistyczne. Seria Językoznawcza

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 11.

Tytuł:

Z zagadnień przekładu audiowizualnego: tłumaczenie piosenek w pełnometrażowych filmach animowanych na przykładzie polskiego i rosyjskiego dubbingu do Sing
Sing and audio-visual translation issues: songs in animated films

Autorzy:

Abramska, Magdalena

Powiązania:

https://bibliotekanauki.pl/articles/482569.pdf

Data publikacji:

2018-03-30

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

audio-visual translation
animation
song

Opis:

The article focuses on the problem of translating songs in animated movies. Using Russian and Polish dubbing as examples, the following issues will be discussed: the place and role of the song, the translation strategy adopted, and the consequences and possible impact on reception of the translation strategy. An excellent example that will allow the problem to be fully discussed is Sing the latest animation from the Illumination Entertainment studio – a 2016 American 3D computer- animated comedy.

Źródło:

Acta Polono-Ruthenica; 2018, 1, XXIII; 95-102
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 12.

Tytuł:

Ładne mówienie o nieładnej rzeczy. Przyczynek do źródeł polskich wzorów kulturowych w ujęciu stylowym i socjalnym

Autorzy:

UŹDZICKA, MARZANNA

Powiązania:

https://bibliotekanauki.pl/articles/615257.pdf

Data publikacji:

2015

Wydawca:

Uniwersytet Opolski

Tematy:

cultural patterns
social type of language
style
folk song
legion song
soldier song
wojenka
wojneczka
wojaczka (Polish diminutives of war)

Opis:

This article is a contribution to the study of Polish cultural patterns’ sources and their performance in terms of stylistics and sociology. The methodological basis for the article is the idea in accordance to which each linguistic behavior is marked both stylistically and sociologically. Linguistic means abstracted from specific language behaviors are guidelines of stylistic and genre affinity of a text as well as social, pragmatic and genre competence of its creator.An illustration of this idea is the picture of the functioning of lexemes wojna (war) and wojneczka (diminutive of war). Their scope of meaning remains in conflict with respect to the connotation, association and lexicographical shots bundled with designatum of formative base, i.e. the lexeme war. Hence, the main aim of this article has been the question about the functioning of these lexemes in the culturally differential texts and about the scope of meaning depending on the social and functional conditions of use.The source of “unique” functioning of wojenka and wojneczka lexemes proved to be a folk song to be exact, where a large number of both diminutives results: first, from the fact that folk poetry is melic; secondly from typical for rural community point of view, according to which wojna, wojenka, wojneczka mean ‘a faraway place, a vague land’. A different scope of word meaning of the studied lexemes formed in legion songs from the First World War and some uprising songs. It allowed to talk about war with the same gentleness as about women and to emphasize the glorification of the specific kind of life and war deeds, as well as specific kind of joy and excitement in the fight for freedom of homeland, which was enslaved for 123 years.The custom of naming the hostilities wojenka or wojneczka and attributing to themslightly different meanings was recorded in the folk language but it has been gradually vanishing since the Second World War. Nowadays the word wojenka is used in a broader sense than given in dictionaries and refers not only to military conflict but to all types of conflicts, and very often gets ironic or humorous meaning. It is clear however, that the patterns of talking about a war which have achieved status of folkloreor mass, are up-to-date and they play a role of a cultural identifier.
   

Źródło:

Stylistyka; 2015, 24; 299-317
1230-2287
2545-1669

Pojawia się w:

Stylistyka

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 13.

Tytuł:

The Values of Sacrum and Sanctum in the Lyrics of Polish Religious Songs after 1945

Autorzy:

Sojka, Agnieszka

Powiązania:

https://bibliotekanauki.pl/articles/441042.pdf

Data publikacji:

2014

Wydawca:

Fundacja Naukowa Katolików Eschaton

Tematy:

religious song
sacred
sacrum
sanctum
God
religion
values
religious themes
song
religious poetry
culture

Opis:

The article presents an overview and analysis of a research study of the repertoire of Polish religious songs after 1945. The article aims to present how the religious values of sacrum and sanctum are realized in them through the medium of linguistic and musical means of expression. The author also examines the categories of religious poetry as proposed by Maria Jasińska-Wojtkowska, and considers religious songs as multi-faceted acts of auto- and social communication. A phenomenological perspective adopted by the songs encourages holiness and acts of goodness through the pursuit of God – the supreme value. The article is an original text. Its goal is to demonstrate how the religious values of sacrum and sanctum are realized through the medium of linguistic and musical means of expression in Polish religious songs created after 1945. The author considers religious songs as multi-faceted acts of auto- and social communication. The methods employed by the author are analysis of song lyrics, as well as analysis of selected aspects of the musical component of the songs. The main results are as follows: the analyses reveal that the lyrics of the religious songs are imbued with the values of sacrum and sanctum, expressed through the choice of topics, the words and phrases used, and a type of poetics specific for sacrum. As a consequence, the songs provide vessels for religious values. Moreover, the structures of the songs are such that they include, as their inherent components, the author and the addressee of the values of sacrum and sanctum. The results of the analyses may be employed further as a basis for continued research, in particular in the following areas: reception of religious songs; practical applications of the reception of religious songs, both in pedagogical work and in the context of child education and socialization, especially in terms of religious upbringing and education. The songs encourage holiness and acts of goodness through the pursuit of God, the supreme value. The article also explores the social impact religious songs have on an individual’s attitude to the world and interaction with the religious community. The article’s original contribution consists mainly in the research perspective it applies to the analyses of the research material, i.e. the author’s hermeneutic and phenomenological approach. Moreover, the article’s strong point lies in its comprehensive treatment of songs as both literary and musical works.

Źródło:

Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2014, 1(5); 213-228
2299-9922

Pojawia się w:

Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 14.

Tytuł:

Hyperbole as the building block of Hausa court-songs

Autorzy:

Garba, Salisu

Powiązania:

https://bibliotekanauki.pl/articles/462428.pdf

Data publikacji:

2018-12-10

Wydawca:

Uniwersytet Warszawski. Wydział Orientalistyczny. Katedra Języków i Kultur Afryki

Tematy:

Hyperbole, court song, durbar, Salihu Jankiɗi and the song (Bubakar Ɗan Shehu Bakadire

Opis:

Hyperbolic expression is one of the most common and effective foregrounding expressions employed as a literary device in the form of eulogy across the literary genres. But the most common ground for its usage, among the genres, and where its usage is more effective, is poetry. Hyperbole is manifested clearly in praise-songs, which in Hausa take the form of court-songs. This paper explores the forms and effects of literary devices employed by Hausa court singers. Attention is mainly given to Salihu Jankiɗi and his song Bubakar Ɗan Shehu Bakadire (Bubakar, Shehu’s son of Qadiriyya Sect) eulogizing Sultan Abubakar III, but also extoling Sardauna and the Sokoto Caliphate on the occasion of the durbar ceremony in 1965. The presentation includes various forms of the devices, such as irony, overstressing some facts and possibilities, cherishing both the religious and political ideals of Sultan Abubakar III, Sokoto and Sir Ahmadu Bello, the Sardauna of Sokoto, Premier of the defunct Northern Region, for whom the durbar was organized. The paper further highlights the ability of the artist to capture the political undertones of the durbar procession.

Źródło:

Studies in African Languages and Cultures; 2018, 52; 75-88
2545-2134
2657-4187

Pojawia się w:

Studies in African Languages and Cultures

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 15.

Tytuł:

Świat ptaków w staropolskich kolędach i pastorałkach (na materiale Kantyczek karmelitańskich z XVII i XVIII wieku)
The realm of birds in old-Polish Christmas carols and Christmas festivity songs (based on the material of Kantyczki karmelitańskie [Carmelite canticles] from the seventeenth and the eighteenth centuries)

Autorzy:

Borejszo, Maria

Powiązania:

https://bibliotekanauki.pl/articles/1375135.pdf

Data publikacji:

2011-01-01

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Christmas
Christmas carol
song
bird

Opis:

The article discusses the image of birds as documented in Kantyczki karmelitańskie [Carmelite canticles] from the 17th and the 18th centuries published by Barbara Krzyżaniak in 1980. Birds are to be found in more than 30 lyrics of Christmas carols (for the total number of 357 contained in the set under scrutiny). These include mainly domestic birds, very well-known both to the authors of the canticles and to the recipients and users of Polish Christmas carols and Christmas festivity songs. In total, about 60 species of birds are specified, including two exotic birds (the canary and the parrot). The bird’s realm was used in Christmas carols for different purposes, e.g. in the descriptions of the Bethlehem shed that is inhabited by petty birds, mentioned on account of the enumeration of gifts given to Jesus by shepherds, in accounts of the Flight to Egypt by the Holy Family, and in descriptions of the joy of the whole of the world of nature at the birth of the Saviour. It is worth noting that creators of Christmas carols did not limit themselves to just mentioning names of particular species of birds, but also provide a description of characteristics, sometimes a detailed one, such as the appearance and behaviour of its particular representatives. The carols include, for example, information on the habitat of birds, type and colouring of the plumage, common sounds made by various birds, staple food of birds, the shape of the beak and the size of the gullet. The birds pictured in the Christmas carols were either members of a village band up in the air (some sort of flying band), joyfully proclaiming Good News to the world (a motif often made used of in old-Polish Christmas carols and festive songs), or gathered at the manger to perform menial services and functions in real word reserved only for humans. Birds take on typically human behaviour, show human dispositions and fancies, customs and habits (e.g. wine or beer drinking in the nuptials).

Źródło:

Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2011, 18, 1; 89-106
1233-8672
2450-4939

Pojawia się w:

Poznańskie Studia Polonistyczne. Seria Językoznawcza

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 16.

Tytuł:

O dwu pieśniach kryzysu przysięgowego
On two songs of the Oath crisis

Autorzy:

Skała, Agata

Powiązania:

https://bibliotekanauki.pl/articles/938408.pdf

Data publikacji:

2018

Wydawca:

Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie

Tematy:

Legion's song
the Oath crisis
a beggar's song
a news story
Polish Legions 1914-1918

Opis:

The paper is dedicated to two soldiers’ songs from the second half of 1917, written in the atmosphere of rebellion of the Polish Legions against the Central Powers. The turning point in the history of Polish military units during the First World War, which was caused by the so-called Oath crisis, for the demilitarised and interned soldiers, was the time of fighting by means of word, rather than weapon. However, they manifested their pride and perseverance of the Polish soldier, using mockery. Occasional poetic works – Dziadowska pieśń żałobna o odwrocie legionów spod Warszawy and Santa Lucia – shaped the independence ethos on the basis of a solid foundation of folklore and literary tradition (using e.g. the convention of ‘a beggar’s song’ and ‘a news story’). Arrogance and an ironic attitude, expressed in songs, conceal the real tragic situation of the soldiers – who were deprived of the chance to serve the Nation for being disobedient towards the German army. Szczypiorno and Beniaminów – places to which they were interned – are elevated to the rank of symbols of defiance and contempt for the invaders and constitute a significant element of the legend surrounding Piłsudski’s Legions.

Źródło:

Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2018, 18; 59-74
2081-1853

Pojawia się w:

Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 17.

Tytuł:

Pragmatické aspekty ve folklorní slovní zásobě
Pragmatic aspects in the lexicon of the folk song

Autorzy:

Nejedlý, Petr

Powiązania:

https://bibliotekanauki.pl/articles/567878.pdf

Data publikacji:

2011

Wydawca:

Uniwersytet Mikołaja Kopernika w Toruniu. Wydawnictwo UMK

Tematy:

folk song
vocabulary
pragmatics
demonstrativa
deminutiva

Opis:

The pragmatic aspect of lexical meaning can have a specific function in some lexical units; e.g. the excessive use of both demonstrative verbs and diminutives is a characteristic feature of the Czech (or Moravian) folk song. The function of the pragmatic part of their lexical meaning is - in comparison with other texts - modified: these linguistic components function primarily as a signal of the genre itself.

Źródło:

Linguistica Copernicana; 2011, 2(6); 195-202
2080-1068
2391-7768

Pojawia się w:

Linguistica Copernicana

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 18.

Tytuł:

Dysharmonia pomiędzy wierszem a tekstem piosenki na przykładzie twórczości Marka Grechuty w Krajobrazie pełnym nadziei
Disharmony Between the Poem and the Text of the Song in Marek Grechuta’s Creation of Landscape of Hope

Autorzy:

Piotrowska, Barbara

Powiązania:

https://bibliotekanauki.pl/articles/2233995.pdf

Data publikacji:

2022-12-29

Wydawca:

Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu

Tematy:

song studies
Grechuta
singer
sung poetry

Opis:

In this paper, the author outlines the cultural and social context of Grechuta’s work, and answers the question: why research a song as a literary genre? Attention is drawn to the inequalities between certain concepts in the Polish language: song, poet, songwriter, singer and song lyrics, which is the main topic of interest in this article. The author analyzes Marek Grechuta’s book of poetry and a music album of the same title, Landscape of Hope. The author describes the role of music in the lyrics of the song. In the article, she uses a literary tool as well as elements from the theory of music and the analysis of a musical work – giving the research an interdisciplinary character. In the conclusion, she emphasizes that it is as worthwhile to focus on researching song in Poland as it is to research poetry.

Źródło:

Academic Journal of Modern Philology; 2022, Special Issue, 17; 153-161
2299-7164
2353-3218

Pojawia się w:

Academic Journal of Modern Philology

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 19.

Tytuł:

Wstęp. Antropologia rocka – antropologia codziennych dźwięków
Introduction. Anthropology of rock: The anthropology of everyday sounds

Autorzy:

Tański, Paweł

Powiązania:

https://bibliotekanauki.pl/articles/1944376.pdf

Data publikacji:

2021-06-30

Wydawca:

Narodowe Centrum Kultury

Tematy:

antropologia
rock
muzyka popularna
sound studies
song studies
piosenka rockowa
anthropology
popular music
rock song

Opis:

Rock is an important part of culture. Song studies, a subdiscipline of sound studies and an interesting context in contemporary humanities, have sought to enter the Polish discourse of cultural science for some time now. The anthropology of rock is a topic still in need of studying. Polish research in this respect is rather modest compared to other parts of the world, particularly the English speaking countries, where reflection on rock has been popular for many years. In Poland, its origins date back to 2009 when the first nationwide conference ‘Unisono na pomieszane języki’ [Language mix in unison], organised by Radosław Marcinkiewicz, took place in Tułowice near Opole. Eleven editions of the conference have been held so far – since the third session under the motto ‘Unisono w wielogłosie’ [Polyphony in unison]. Six volumes of the conference materials have been published (2010–2014, 2019). Their significance results not only from the fact that they are the first series of such studies in Poland but also that they have laid the foundations for Polish rock music studies. A few years earlier, in 2003, A po co nam rock? Między duszą a ciałem [What do we need rock for? Between soul and body], edited by Wojciech Burszta and Marcin Rychlewski, came out as the first multi-authored monograph on the topic. This shows that rock anthropology research is a relatively young discipline in Poland – not even 18 years old yet. In this issue we will focus on studies by Polish researchers. Ten years before the release of A po co nam rock?, Wojciech Siwak published his pioneering work, Estetyka rocka [The aesthetics of rock] (1993). The last decade (2009–2019) has seen a real flood of works on rock culture.

Źródło:

Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2021, 114, 2; 10-15
1230-4808

Pojawia się w:

Kultura Współczesna. Teoria. Interpretacje. Praktyka

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 20.

Tytuł:

S.Y. Agnon Reads the Song of Songs?

Autorzy:

Davidovitch, Nitza

Powiązania:

https://bibliotekanauki.pl/articles/638494.pdf

Data publikacji:

2011

Wydawca:

Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego

Tematy:

Jews
Song of Songs
Jewish Culture

Opis:

This paper describes S.Y. Agnon’s ironic, dual, modern attitude to the Song of Songs, as a traditionalist and as one who identifies himself with the doctor’s statements: “We are enlightened individuals, modern people, we seek freedom for ourselves and for all humanity, and in point of fact we are worse than the most die-hard reactionaries.” Agnon’s attitude to the world of love is the attitude of a young Jewish artist of the late 19th century who lives in a world of revolutionary changes that also affect the Jewish world. Agnon’s work stands as a tombstone of the gradually unraveling Jewish shtetl and its institutions and values, specifically, the declining status of love and its significance for the values of family, society, and the Jewish nation. The young Jewish man experiences the changing seasons of the late 19th century and early 20th century, reflected in the vacillation between the traditional conception of love by the traditional world, and the modern perception that views love as an element in individual self-realization. “They say that love exists in the world” – but what is love in Agnon’s world? What are the sources of the gap that many of Agnon’s protagonists experience – the gap between yearning, dreams, and heart’s desires, and the potential for their realization in practice?

Źródło:

Scripta Judaica Cracoviensia; 2011, 9; 169-187
2084-3925

Pojawia się w:

Scripta Judaica Cracoviensia

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 21.

Tytuł:

Analiza pieśni godowych oraz odgłosów wydawanych przez cietrzewie (Tetrao tetrix Linnaeus, 1758) na podstawie zarejestrowanego czasu trwania oraz sonogramu dźwięków
Analysis of lekking songs and sounds of the black grouses (Tetrao tetrix Linnaeus, 1758) based on recorded voices, soundflows and sonograms

Autorzy:

Kiełczyński, C.

Powiązania:

https://bibliotekanauki.pl/articles/271078.pdf

Data publikacji:

2012

Wydawca:

Centralny Ośrodek Badawczo-Rozwojowy Aparatury Badawczej i Dydaktycznej, COBRABiD

Tematy:

cietrzewie
głosy
sonogram
black grouses
song

Opis:

W pracy dokonano analizy głosów wydawanych w okresie godowym przez cietrzewie (Tetrao tetrix L., 1758) w hodowli wolierowej. Analiza obejmowała chronometraż fraz pieśni oraz ich graficzny zapis w postaci wykresów i sonogramów. Osobno rejestrowano pieśni godowe kogutów do roku życia i starszych w celu wychwycenia różnic w pieśniach tokowiskowych. Ponadto analizowano głosy wydawane przez kury i pisklęta.
In this paper we analyzed the songs of black grouses in a lek time. The voices were recorded at the breeding farm. The analysis included chronometry, soundflows and sonograms. Separately songs of young and older cocks were recorded in order to pick up nuances of their songs. Moreover songs of females and nestlings were recorded and analyzed.

Źródło:

Aparatura Badawcza i Dydaktyczna; 2012, 17, 2; 19-26
2392-1765

Pojawia się w:

Aparatura Badawcza i Dydaktyczna

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 22.

Tytuł:

Tęsknota dźwiękami otulona. O liryce wokalnej gdańskiego kompozytora Stanisława Kwiatkowskiego (1930–2010)
Yearning Wrapped in Sounds. On the Vocal Lyrics of the Gdańsk Composer Stanisław Kwiatkowski (1930–2010)

Autorzy:

Kaczorowski, Robert

Powiązania:

https://bibliotekanauki.pl/articles/1492626.pdf

Data publikacji:

2021-03-06

Wydawca:

Gdańskie Seminarium Duchowne

Tematy:

Stanisław Kwiatkowski
choral song
solo song
20th century music
pieśń chóralna
pieśń solowa
muzyka XX wieku

Opis:

W artykule autor omawia sześć nieznanych pieśni gdańskiego organisty i kompozytora Stanisława Kwiatkowskiego (1930–2010). Są to: Pieśń wieczorna, Jesienna piosenka, Morskie preludium, Czemu, Wspomnienie oraz Czekam cię. Utwory te nigdy nie zostały opublikowane; dostępne są w autorskim rękopisie kompozytora. Pytaniem otwartym pozostaje tytułowa tęsknota dźwiękami otulona. Stan obecnej wiedzy nie pozwala jednoznacznie stwierdzić, kim jest obiekt westchnień, o którym bardzo wyraźnie mówią teksty pieśni.
In the article, the author discusses six unknown songs of the Gdańsk organist and composer Stanisław Kwiatkowski (1930–2010). They are: Evening Song, Autumn Song, Sea Prelude, Why, Remembrance and Waiting for you. These songs have never been published; are available in the composer's author's manuscript. The open question remains the matter of the title longing with sounds wrapped around it. The current state of knowledge does not allow to clearly state who the object of sighs is, which the lyrics of the songs speak very clearly about.

Źródło:

Studia Gdańskie; 2020, 47; 243-255
0137-4338

Pojawia się w:

Studia Gdańskie

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 23.

Tytuł:

ABOUT THE FOUR SONGS OMITTED FROM THE REVISED DICHTERLIEBE

Autorzy:

Bodnár, Gábor

Powiązania:

https://bibliotekanauki.pl/articles/566562.pdf

Data publikacji:

2019-01-23

Wydawca:

Akademia Pomorska w Słupsku

Tematy:

Schumann’s song cycles
Liederjahr
collection of poems
selection as compositional work
“emotional song groups”
tonal structure

Opis:

At the end of May 1840 Robert Schumann composed 20 songs from Heine’s Lyrisches Intermezzo under the title 20 Lieder und Gesänge aus dem Lyrischen Intermezzo. The series was published in 1844, containing only 16 songs and was entitled as Dichterliebe. The four omitted songs were also published later on – but what was the reason for omitting them? We can perhaps never come to know that, though we are able to find possible answers, revising the cycle of the poems and the music itself. The “evidences” could be the following: – The selection: reduce the 1+ 65 poems to 20 (and at last 16) songs. – The attenuation of the “death atmosphere”. – The concentration of the “dream poems” to the end of the cycle. – The diminution of the power of “chivalric love”. – And finally: improving the tonal structure. Schumann could really take into consideration this important structural aspect in the last stage of his work: the well-known Dichterliebe might have been realized in this way.

Źródło:

Ars inter Culturas; 2018, 7; 209-226
2083-1226

Pojawia się w:

Ars inter Culturas

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 24.

Tytuł:

PO CO PIOSENCE POEZJA TUWIMA
Tuwim’s Poetry in Songs

Autorzy:

Traczyk, Michał

Powiązania:

https://bibliotekanauki.pl/articles/1035999.pdf

Data publikacji:

2019-04-28

Wydawca:

Łódzkie Towarzystwo Naukowe

Tematy:

Julian Tuwim; song; poetic song; poetry in songs
Julian Tuwim; piosenka; piosenka poetycka; poezja w piosence

Opis:

The article examines how Tuwim’s poems have been used in songs and the reasons why these literary texts are constantly, though not excessively, present in the works of successive generations of popular music composers. The author argues that Tuwim’s poetry is still valid and topical; it meets the changing expectations of the audiences and offers ready solutions to the problems of the contemporary world.

Źródło:

Prace Polonistyczne; 2020, 75; 291-302
0079-4791

Pojawia się w:

Prace Polonistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 25.

Tytuł:

Теща про зятя… (к укрытой семантике родовых отношений)
A Mother-In-Law on Her Son-In-Law… (The Problem of Hidden Semantics of the Family Relations)

Autorzy:

Czerwiński, Piotr

Powiązania:

https://bibliotekanauki.pl/articles/16530117.pdf

Data publikacji:

2022

Wydawca:

Polska Akademia Nauk. Czasopisma i Monografie PAN

Tematy:

semantics
implicitness
mentality
proverbs
folk song
etymology

Opis:

A famous Russian folk song, proverbs and sayings about a mother‑in‑law and son‑in‑law are the key elements of the analysis of the relations between a son‑in‑law (a younger member of the male family) and a mother‑in‑law (an older member of the female family). This analysis is also based on the etymological data and the author tries to answer the question: what is the hidden relation between the two families the members of whom are married? Many papers have been written on that matter. This article describes this relation as a gradual process of building the indirect connection between the mother‑in‑law and son‑in‑law. This is a symmetric/asymmetric relation which only seems to be mutually linked and tied. The emerged and shaped relation attitude direction – from mother‑in‑law to son‑in‑law – is presented here as the act of attracting and repelling. By means of fulfilment and satisfaction it implies the necessity of the adaption but not subordination as well as the hidden favour of the unlimited reproductive power. On the other hand i.e. the direction from the son‑in‑law to mother‑in‑law, the attitude is completely different which means the partial rivalry and repelling attraction. The daughter (from the mother‑in‑law side) and the fiancée/wife (from the son‑in‑law side) is completely out of these relations.

Źródło:

Slavia Orientalis; 2022, LXXI, 2; 405-422
0037-6744

Pojawia się w:

Slavia Orientalis

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 26.

Tytuł:

Metaphor As Knowledge. A Hermeneutical Framework for Biblical Exegesis with a Sample Reading from the Song of Songs (Song 8:10)

Autorzy:

Verde, Danilo

Powiązania:

https://bibliotekanauki.pl/articles/1053601.pdf

Data publikacji:

2016-01-29

Wydawca:

Katolicki Uniwersytet Lubelski Jana Pawła II

Tematy:

Metaphor
Metaphorology
Cognitive Linguistics
Song of Songs.

Opis:

The main purpose of this article is to provide biblical scholarship with a broad hermeneutical framework concerning the cognitive dimension of metaphorical phenomena. According to current research, metaphor is a tool of knowledge, a way through which the human mind conceptualizes reality. Despite the fact that Cognitive Linguistics (CL) is generally credited with bringing the cognitive dimension of metaphor to light, the discovery of this dimension is by no means recent. This article will show that it already appeared in Aristotle’s work, was blurred in Classical Rhetoric by a more aesthetic perspective, reappeared at the very beginning of the modern age, and finally became dominant in the 20th century. CL is therefore the result of a long tradition that has the merit of clarifying the cognitive mechanisms of metaphorical processes. Its theoretical and methodological model currently represents the reference point for studies on daily and literary metaphors, shedding new light on biblical metaphors. This article shows how CL can be beneficial for biblical exegesis by analysing Song 8:10 in light of this approach.

Źródło:

The Biblical Annals; 2016, 6, 1; 45-72
2083-2222
2451-2168

Pojawia się w:

The Biblical Annals

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 27.

Tytuł:

Psałterz poznański. Prolegomena lingwistyczne
The Poznań Psalter. The Linguistic Prolegomena

Autorzy:

Nowak-Barcińska, Małgorzata

Powiązania:

https://bibliotekanauki.pl/articles/1044614.pdf

Data publikacji:

2019-04-08

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Psalter
poetic paraphrase
song book
translation tradition

Opis:

This article discusses a collection of fifty psalms published as The Poznań Psalter. A Collection of Psalms for Common Singing at Home and in Church (Poznań 2017). As a text genre, the publication represents a song book, which – according to its dictionary definition – is: ‘a collection of songs (solemn or popular) with their lyrics and notes’. The publication can alternatively be classified as a hymnal. The authors of the paraphrased psalter intended to underscore the musical character of the Biblical texts. This musical character is underscored by giving the particular psalms their regular rhythmic pattern, partly supported with a rhyming pattern. As far as the musical layer of the Poznań Psalter is concerned, the authors make a conscious reference to tradition, since the melodic lines are transferred from the Geneva Psalter (1563 edition). The language layer, on the other hand, departs from tradition, since it does not exhibit the historically marked lexical or grammatical structures. Analysing the text of the Poznań Psalter, composed by the Protestant (Reformed Evangelical Church) authors in the context of the Polish tradition of Biblical translation, one can conclude that this tradition retains its vital interdenominational nature, which – as in the case in point – is capable of using the Warsaw Bible and the Millennium Bible as sources of textual adaptation.

Źródło:

Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2018, 25, 2; 221-242
1233-8672
2450-4939

Pojawia się w:

Poznańskie Studia Polonistyczne. Seria Językoznawcza

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 28.

Tytuł:

O ciszy i milczeniu w piosenkach rockowych
On silence in rock songs

Autorzy:

Barnaś, Paulina

Powiązania:

https://bibliotekanauki.pl/articles/1288814.pdf

Data publikacji:

2017

Wydawca:

Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego

Tematy:

rock song
motif of silence
music
lirics

Opis:

The article in its introductory part outlines the history of rock music in Poland and presents the tools to be used in the analysis of the lyrics of rock songs, which the author carries out in the main body of the paper. Selected rock songs of Polish music groups from the 1960s to the 1980s are analysed with reference to the motif of silence present in them and to its functionality in connection with the musical arrangements.

Źródło:

Dydaktyka Polonistyczna; 2017, 3(12); 106-119
2451-0939

Pojawia się w:

Dydaktyka Polonistyczna

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 29.

Tytuł:

Muzyka liturgii sakramentu małżeństwa w aspekcie historycznym
The Music of the Liturgy of the Sacrament of Marriage in the Historical Aspect

Autorzy:

Malec, Marek

Powiązania:

https://bibliotekanauki.pl/articles/512273.pdf

Data publikacji:

2019-12-30

Wydawca:

Wydawnictwo Diecezjalne Adalbertinum

Tematy:

song
psalms
songbook
Council of Trident
Antiquity

Opis:

Music accompanies each celebration of the sacraments. In the liturgy of the marriage, music has a special character, because the sacrament is celebrated very solemnly. Music has accompanied rituals and wedding customs in the Church since antiquity. Until the Second Vatican Council, it survived in the rituals and piety of the people expressed in church songs.

Źródło:

Studia Ełckie; 2019, 21, 4; 489-506
1896-6896
2353-1274

Pojawia się w:

Studia Ełckie

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 30.

Tytuł:

PRZESŁANIE „PIEŚNI POCHWALNEJ” NA CZEŚĆ JUDY MACHABEUSZA (1MCH 3,3-9)
THE MESSAGE OF „THE SONG OF PRAISE” IN HONOR OF JUDAS MACCABEUS (1MACC 3,3-9)

Autorzy:

BARAN, GRZEGORZ

Powiązania:

https://bibliotekanauki.pl/articles/512684.pdf

Data publikacji:

2014

Wydawca:

Wydawnictwo Diecezjalne Adalbertinum

Tematy:

MESSAGE
THE SONG OF PRAISE
JUDAS MACCABEUS

Opis:

“The Song of praise” in honor of Judas Maccabeus is one of the poetic fragments of 1Macc. As shown by exegetes, the original version of the song was created in Hebrew, therefore one can perceive characteristic features of Hebrew poetry in it. Looking at the message of the song, the author of the song – praising the person and deeds of Judas Maccabeus – shows him as the savior of Israel sent by God, who fought in defense of the Law, the covenant and the Jewish people. The final result of actions taken by Judas was reversal of God’s wrath from the Jewish community (1Macc 3:8). As emphasized by the author of the song, Judas Maccabeus coveredhis name with glory, which “resounded to the ends of the earth” (1Macc 3:9), and “extended the fame of his people” (1Macc 3:3).

Źródło:

Studia Ełckie; 2014, 16, 4; 559-590
1896-6896
2353-1274

Pojawia się w:

Studia Ełckie

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 31.

Tytuł:

MEMORIZING SONG LYRICS IN PRIMARY EDUCATION DURING THE MUSIC LESSON

Autorzy:

Stramkale, Ligita

Powiązania:

https://bibliotekanauki.pl/articles/628087.pdf

Data publikacji:

2020

Wydawca:

Fundacja Pro Scientia Publica

Tematy:

song lyrics
memorizing
music lesson
primary education

Opis:

Aim. The aim of the study is to identify what techniques students use to memorise song lyrics, how much time is needed to do that, and whether and in what way their parents help them learn the song. The theoretical part of the study analyses previous researches on memorisation in the context of general psychology, age-related psychology, and music psychology. Method. The empirical study involved 47 (N=47) second-grade students of the comprehensive school (25 girls and 22 boys). Three study questions are raised in this paper: what techniques do students use to learn how to memorise song lyrics? How much time does a student need to learn singing a song by heart? Do parents help students memorise the song lyrics and in what way? To answer these questions, after having sung a song by memory each student was asked to write an essay about his/her thoughts on how he/she had learned this song at home. The content analysis was used in order to process the information contained in the essays and thus obtain a concise and detailed description of the song memorising techniques.  Results. As a result of the obtained data analysis, it was determined that the most commonly used memorising techniques were: reading the song lyrics, singing the lyrics, and repeating them several times. The study also revealed that slightly more than half of the students did not get any parental assistance to learn a song by heart. Conclusion. The students who learn to sing a part of a song by heart during music lessons need less time to learn the whole song at home when compared with those students who do not learn parts of the songs in class.

Źródło:

Journal of Education Culture and Society; 2020, 11, 1; 273-280
2081-1640

Pojawia się w:

Journal of Education Culture and Society

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 32.

Tytuł:

“Zur Müllerin hin / so lautet der Sinn?” Power Structures in the Performance Tradition of Franz Schubert’s Die schöne Müllerin and Winterreise1

Autorzy:

Wozonig, Thomas

Powiązania:

https://bibliotekanauki.pl/articles/513880.pdf

Data publikacji:

2017

Wydawca:

Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ

Tematy:

Gender
masculinity
Franz Schubert
song
Lied
romanticism

Opis:

Since the middle of the 19th century, Franz Schubert’s song cycles Die schöne Müllerin and Winterreise are not only considered as an outstanding contribution to the Lied genre, but also as “romantic” compositions par excellence, whose protagonists might be depicted adequately only by performances of male singers. The “masculine nature” (Carl Lafite) of these thoughts, emotions and actions might be inappropriate for female singers. This attitude, which is still present today (even amongst professional musicians and musicologists), though, contradicts not only the performance practice of the early 19th century, but even Schubert’s handling of his songs. In fact, the idea of these two cycles as “men’s cycles” has only developed in the course of the 19th century, when various impacts such as the general upvaluation of the Lied genre, the transfiguration of the composer, the interpretation of his songs as being a personal statement, and the idea of Werktreue shaped the reception of Schubert’s compositions. These factors led to the consolidation of strong and still valid power structures, in which men are regarded as the norm, whereas women (and other alternative voice categories like countertenors) appear as deviation from this norm. These structures are tightly related to similar conditions and principles which have been outlined in the past decades by the masculinity studies on higher levels of our society. In this paper, I will set out this whole process by delineating the performance practice at Schubert’s time, his own attitude (insofar as it is possible), the various influences of romantic musical aesthetics, and the development of the mentioned performance tradition towards the end of the 19th and the beginning of the 20th century. Furthermore, a number of statements from the 21st century will demonstrate that these concepts are still common today, and I will correlate them with some certain principles pointed out by masculinity studies from the last decades.

Źródło:

Kwartalnik Młodych Muzykologów UJ; 2017, 4(35) Eng; 4-37
2956-4107
2353-7094

Pojawia się w:

Kwartalnik Młodych Muzykologów UJ

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 33.

Tytuł:

“Zur Müllerin hin / so lautet der Sinn?” Power Structures in the Performance Tradition of Franz Schubert’s Die schöne Müllerin and Winterreise1

Autorzy:

Wozonig, Thomas

Powiązania:

https://bibliotekanauki.pl/articles/514002.pdf

Data publikacji:

2017

Wydawca:

Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ

Tematy:

Gender
masculinity
Franz Schubert
song
Lied
romanticism

Opis:

Since the middle of the 19th century, Franz Schubert’s song cycles Die schöne Müllerin and Winterreise are not only considered as an outstanding contribution to the Lied genre, but also as “romantic” compositions par excellence, whose protagonists might be depicted adequately only by performances of male singers. The “masculine nature” (Carl Lafite) of these thoughts, emotions and actions might be inappropriate for female singers. This attitude, which is still present today (even amongst professional musicians and musicologists), though, contradicts not only the performance practice of the early 19th century, but even Schubert’s handling of his songs. In fact, the idea of these two cycles as “men’s cycles” has only developed in the course of the 19th century, when various impacts such as the general upvaluation of the Lied genre, the transfiguration of the composer, the interpretation of his songs as being a personal statement, and the idea of Werktreue shaped the reception of Schubert’s compositions. These factors led to the consolidation of strong and still valid power structures, in which men are regarded as the norm, whereas women (and other alternative voice categories like countertenors) appear as deviation from this norm. These structures are tightly related to similar conditions and principles which have been outlined in the past decades by the masculinity studies on higher levels of our society. In this paper, I will set out this whole process by delineating the performance practice at Schubert’s time, his own attitude (insofar as it is possible), the various influences of romantic musical aesthetics, and the development of the mentioned performance tradition towards the end of the 19th and the beginning of the 20th century. Furthermore, a number of statements from the 21st century will demonstrate that these concepts are still common today, and I will correlate them with some certain principles pointed out by masculinity studies from the last decades.

Źródło:

Kwartalnik Młodych Muzykologów UJ; 2017, 4(35); 5-38
2956-4107
2353-7094

Pojawia się w:

Kwartalnik Młodych Muzykologów UJ

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 34.

Tytuł:

Historyczna rzeczywistość pieśni religijnej – od starożytności do średniowiecza
The Historical Reality of Religious Songs—from Antiquity to the Middle Ages

Autorzy:

Matyszewski, Adam

Powiązania:

https://bibliotekanauki.pl/articles/32062783.pdf

Data publikacji:

2012

Wydawca:

Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL

Tematy:

pieśń religijna
pieśni liturgiczna
pieśń pozaliturgiczna
definicje pieśni
rola i zadania pieśni sakralnej
twórcy pieśni religijnych
religious song
liturgical song
extra-liturgical song
definitions of a religious song
significance of sacred songs
authors of religious songs

Opis:

Expressing oneself before God through singing religious songs has been characteristic of people of all cultures and nationalities since time immemorial. It seems that this is particularly the case with those who have been singing to praise Christ the Lord since the dawn of Christianity. This paper presents various definitions of a religious song as well as its types, sources and ways in which it developed in the period between antiquity and the Middle Ages. An important aspect of this study is the fact that it attempts to determine the role performed by religious songs in Christian worship over centuries. Besides looking at the oldest vocal relics of the Roman Catholic Church, the paper outlines the idea that motivated those who created sacred songs, which—as time went on—became more and more popular with Catholics, and, as a result, deserved to be used in the liturgy. Less sacred, other songs which did not meet the strict requirements existing at those times were called extra-liturgical songs or religious songs. Irrespective of how liturgical and extra-liturgical songs are defined, it is indisputable that there is a common thread to all the types of religious songs created in the period between antiquity and the Middle Ages, namely, love for God, to whom they are dedicated.

Źródło:

Roczniki Liturgiczno-Homiletyczne; 2012, 3; 63-79
2082-8586

Pojawia się w:

Roczniki Liturgiczno-Homiletyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 35.

Tytuł:

Variety of song characteristics of the Common Rosefinch Erythrina erythrina in the Kostrzyn Valley in 2015
Zróżnicowanie śpiewów dziwonii Erythrina erythrina w Dolinie Kostrzynia w 2015 roku

Autorzy:

Parapura, A.

Powiązania:

https://bibliotekanauki.pl/articles/32710.pdf

Data publikacji:

2018

Wydawca:

Mazowiecko-Świętokrzyskie Towarzystwo Ornitologiczne

Tematy:

bird
bird song
song analysis
variety
Common Rosefinch
Erythrina erythrina
Kostrzyn Valley area
European Ecological Network Natura 2000

Źródło:

Kulon; 2018, 23
1427-3098

Pojawia się w:

Kulon

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 36.

Tytuł:

Питання функціональності та виконавства українських і польських танцювальних пісень
Questions of functionality and specifics of performance of Ukrainian and Polish songs for dance
Zagadnienia funkcjonalności i wykonania ukraińskich i polskich piosenek do tańca

Autorzy:

Лещинська, Світлана

Powiązania:

https://bibliotekanauki.pl/articles/2178921.pdf

Data publikacji:

2015-12-31

Wydawca:

Wydawnictwo Adam Marszałek

Tematy:

Ukrainian song for dance
Polish song for dance
function
syncretism
ukraińskie piosenki taneczne
polskie piosenki taneczne
funkcje
synkretyzm

Opis:

The article is an attempt to the scientific elucidation of the questions ot existence and creation of the form and type of songs for dance in Ukrainian and Polish folklore. Comparable analysis of genre samples is discussed from the angle of their functionality and the specifics of their performance.
Artykuł jest próbą naukowego wyjaśnienia zagadnienia istnienia oraz tworzenia formy tanecznych piosenek w folklorze ukraińskim i polskim. Porównawcza analiza próbek wymienionego wyżej gatunku folkloru ukraińskiego i polskiego odbywa się pod kątem ich funkcjonalności oraz specyfiki realizacji.

Źródło:

Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe; 2015, 1; 165-177
2543-9227

Pojawia się w:

Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 37.

Tytuł:

Easter horseback processions in Upper Lusatia - from ‘waking’ nature to the religious and national idea

Autorzy:

Nowak, Tomasz

Powiązania:

https://bibliotekanauki.pl/articles/780289.pdf

Data publikacji:

2009

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

horseback processions
Easter singing
functions of song

Opis:

Horseback processions are an historical phenomenon still alive today in many parts of Europe. In western Slavic lands (Poland, Czech Republic, Lusatia) they are all inseparably connected with the period of Easter, and one of the crucial elements of the processions is song. Behaviour observed in Slavic horseback processions can be directly related to the establishing of the world by delimiting boundaries and ordering and sacralising space. Taking place as they do in specific conditions undoubtedly exemplify a rite of passage. In this rite, the costume and pious symbols serve to take the participants away from the world of the profane and bring them to the realm of the sacred, while the ‘carrying on horseback’, besides its utilitarian use during chases, serves to maintain them in an ‘intermediate state, between earth and heaven’, for them to ‘transcend themselves’ and undertake a ‘mystical journey’. Processions cultivated among the Upper Lusatians and the available sources allow one to draw conclusions regarding not only the function of song and of the tradition itself, but also the way they have changed down the ages. Interesting to the musicologist is the change in the functions of the processional singing from a signal directed at nature, through a documented religious medium, to the symbolisation of social (national) meanings, making use of contemporary media. As such, these functions may serve indirectly the interpretation of such complex and poorly documented customs as Silesian processions, and especially the special social role of the processional spiewak (cantor).

Źródło:

Interdisciplinary Studies in Musicology; 2009, 8; 137-150
1734-2406

Pojawia się w:

Interdisciplinary Studies in Musicology

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 38.

Tytuł:

3 iстори вивчення украшсъких народних дум (аналипичний огляд)

Autorzy:

БЕЦЕНКО, ТЕТЯНА

Powiązania:

https://bibliotekanauki.pl/articles/954146.pdf

Data publikacji:

2009

Wydawca:

Uniwersytet Opolski

Tematy:

duma
Cossack song
Cossack epos
Cossack psalm

Opis:

Folklore researcher M. Maksymowicz introduced the term duma for an epic and lyric genre of orał Ukrainian folk art related to song (cf. the synonymic terms: Cossack song, Cossack epos, Cossack psalm) in 1827. The genre was bom in the 15th c. and sińce the 19th c. it has been the subject of folklore research, linguistics, literary studies, cultural studies, history. The researchers studied its poetics, language, musical shape, form of performance, etc.

Źródło:

Stylistyka; 2009, 18; 141-152
1230-2287
2545-1669

Pojawia się w:

Stylistyka

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 39.

Tytuł:

Polskie realia w kolędach i pastorałkach XVII i XVIII wieku (na materiale tzw. Kantyczek karmelitańskich)
The Image of the World in Christmas Carols and Songs of the 17th and 18th Century (Based on the So-called Kantyczek karmelitańskich [“Carmelite Canticles”])

Autorzy:

Borejszo, Maria

Powiązania:

https://bibliotekanauki.pl/articles/1045540.pdf

Data publikacji:

2014-01-01

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Enlightenment
religious lyric poetry
song
Christmas carol

Opis:

The object of research for the author of the article has been the ancient realities recorded in the texts of carols from the 17th and 18th centuries. The material originates from an extensive manuscript collection of Christmas carols and songs, comprising 357 texts, owned by the cloister of Carmelite nuns in Cracow. This invaluable written monument of religious lyric poetry was published in print by Barbara Krzyżaniak in 1980. The image of the world presented in the Old-Polish carols reflects – in a careful and detailed manner – the realities of the Baroque and the Enlightenment periods, especially the realities of poor Polish rural areas, which the authors of Christmas carols must have known firsthand. Specific saturation of Christmas songs with lay motifs can be observed in the central and closing part of the studied collection.In the lexicon found in Kantyczki karmelitańskie, which describes Old-Polish realities, two basic categories can be distinguished: one of them is composed of proper names (mainly the names and nicknames of shepherds and the names of nuns), the second – much more extensive and internally diversified – comprises the names of all kinds of objects that appear in the descriptions of shepherds’ preparations prior to their journey or merry-making at Christ’s crib. They are, for example, the information about the clothes worn by shepherds, farming implements and household objects, the means of transportation, foodstuffs, dishes, the animals reared or living free, the plants cultivated by people or growing naturally, musical instruments etc. 

Źródło:

Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2014, 21, 1; 11-34
1233-8672
2450-4939

Pojawia się w:

Poznańskie Studia Polonistyczne. Seria Językoznawcza

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 40.

Tytuł:

Stare i nowe polskie piosenki i pieśni patriotyczne
Old and new Polish patriotic songs

Autorzy:

Kładoczny, Piotr

Powiązania:

https://bibliotekanauki.pl/articles/1929465.pdf

Data publikacji:

2021-12-22

Wydawca:

Akademia im. Jakuba z Paradyża w Gorzowie Wielkopolskim

Tematy:

patriotism
Polish song
history Polish
Polish tradition

Opis:

The article is devoted to old and new Polish patriotic songs. It contains an analysis of the content of the collected works. The old songs were uplifting in nature and were very important for national culture. They were used to shape identity and build community, and at the same time to communicate important events. They express love for the homeland, proclaim its beauty and the need to fight for the maintenance or recovery of freedom. The new songs were created after 1983 and are already part of popular culture. They are highly individualized and express the emotional personal commitment of the creator. In addition, they move away from religious themes. Modern patriotic songs consist of four currents: traditional, new attitudes, social and historical. Traditional and historical currents are the closest in value to old patriotic songs. The current of new attitudes becomes a place of searching for an individual reference to patriotism. The social trend registers reality and is sometimes used to take a critical look at what is currently happening in Poland.

Źródło:

Język. Religia. Tożsamość; 2021, 2 (24) A; 49-72
2083-8964
2544-1701

Pojawia się w:

Język. Religia. Tożsamość

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 41.

Tytuł:

PIEŚNI O TEMATYCE MARYJNEJ I PATRIOTYCZNEJ W ŹRÓDŁACH XX WIEKU
MARIAN AND PATRIOTIC SONGS IN THE SOURCES OF THE TWENTIETH CENTURY

Autorzy:

Garnczarski, Stanisław

Powiązania:

https://bibliotekanauki.pl/articles/947238.pdf

Data publikacji:

2017

Wydawca:

Stowarzyszenie Polskich Muzyków Kościelnych

Tematy:

pieśń maryjna
pieśń patriotyczna
Królowa Polski
pokój
wolność
wiara
Marian song
patriotic song
Queen of Poland
peace
freedom
faith

Opis:

Polish religious Marian and at the same time patriotic songs, included in the sources of the twentieth century, are mainly focused on Mary Queen of Poland, whose sanctuary is located at Jasna Gora. Many of them were formed due to the establishment of the feast of Blessed Virgin Mary, Queen of Poland and Jasnogórskimi Vows of Nation. Among them are songs devoted entirely to patriotic thread (8) and those in which this thread appears only by chance, in some verses (50). The nature of the studied works for the most part is pleading, begging, and only in the few cases is praising. The titles addressed to Mary are mainly: Queen, Hetman, Lady or even in one case, Mary was described as the Chief. The requests are directed for the freedom of the homeland, peace, faith, health, happiness and prosperity. All these compositions in a more or less sophisticated form of art are a faith testament of their creators, and evidence of worship for Our Lady Guardian of Poland.

Źródło:

Musica Ecclesiastica; 2017, 12; 55-75
2353-6985

Pojawia się w:

Musica Ecclesiastica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 42.

Tytuł:

The allegorical sense of Gregory the Great’s commentary on the Song of Songs

Autorzy:

Kasprzak, Dariusz

Powiązania:

https://bibliotekanauki.pl/articles/669529.pdf

Data publikacji:

2012

Wydawca:

Uniwersytet Papieski Jana Pawła II w Krakowie

Tematy:

Allegory
Gregory the Great
Song of Songs
sense

Opis:

Gregory the Great in his Expositio in Canticis Canticorum, created between the years 594 or 595 and 598, ends the patristic tradition of allegorical commentaries on Sg. We are not in the possession of the complete text of Gregory’s commentary, as the text of the Pope’s interpretations finishes at Sg 1 : 8. The text of the commentary as we have it at present shows some signs of a revision made by Gregory I himself and has features characteristic of the original oral version of the text. The comparative study of Origen’s and Gregory’s commentaries shows that Pope Gregory I was familiar with Origen’s homilies and commentary on Sg and used his writings while working on his own text, but only sparingly. Gregory I undoubtedly took from Origen the general approach, some phrases, and at times the way in which exegesis of a certain extract was executed. Gregory discussed the biblical text in accordance with the principles of intellectual, parenetic and pastoral interpretation. The primary interest of the Pope was to extract the spiritual-mystical meaning of the text, and the allegorical interpretation is supposed to help man read the biblical text so that he can love God and follow Him. The allegorical reading of Sg, and actually of the whole Bible as well, should consequently kindle the love of God in man and fill him with thoughts of God. Gregory I recommends a spiritual-ascetic reading of the Bible: the reader is supposed to change his habits for the better, be able to alienate himself ascetically from the surrounding world, and in this way acquire contemplation of Godly matters.
Gregory the Great in his Expositio in Canticis Canticorum, created between the years 594 or 595 and 598, ends the patristic tradition of allegorical commentaries on Sg. We are not in the possession of the complete text of Gregory’s commentary, as the text of the Pope’s interpretations finishes at Sg 1 : 8. The text of the commentary as we have it at present shows some signs of a revision made by Gregory I himself and has features characteristic of the original oral version of the text. The comparative study of Origen’s and Gregory’s commentaries shows that Pope Gregory I was familiar with Origen’s homilies and commentary on Sg and used his writings while working on his own text, but only sparingly. Gregory I undoubtedly took from Origen the general approach, some phrases, and at times the way in which exegesis of a certain extract was executed. Gregory discussed the biblical text in accordance with the principles of intellectual, parenetic and pastoral interpretation. The primary interest of the Pope was to extract the spiritual-mystical meaning of the text, and the allegorical interpretation is supposed to help man read the biblical text so that he can love God and follow Him. The allegorical reading of Sg, and actually of the whole Bible as well, should consequently kindle the love of God in man and fill him with thoughts of God. Gregory I recommends a spiritual-ascetic reading of the Bible: the reader is supposed to change his habits for the better, be able to alienate himself ascetically from the surrounding world, and in this way acquire contemplation of Godly matters.

Źródło:

Analecta Cracoviensia; 2012, 44
2391-6842
0209-0864

Pojawia się w:

Analecta Cracoviensia

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 43.

Tytuł:

Bezoar z łez ludzkich czasu powietrza morowego by Walenty Bartoszewski as an Example of “A Prescription for the Soul and the Body” at the Time of the Plague

Autorzy:

Kardasz, Monika

Powiązania:

https://bibliotekanauki.pl/articles/2030569.pdf

Data publikacji:

2021-02-21

Wydawca:

Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego

Tematy:

lyric song
religious poetry
Jesuit poetry
bezoar
plague

Opis:

The article is an attempt to interpret a hardly known collection of poems by Walenty Bartoszewski, a Jesuit in Vilnius, published in reaction to the outbreakof the plague in Vilnius in the years 1629–1632, which constitutes the testimony of increased religiousness in the face of an epidemic. In the article, the author of the collection is presented, as well as his poetic oeuvre. Also, a brief description of the social background of those events is given. Then, other texts from the 16th–18th centuries, concerned with the topic of the epidemic are characterized. They include sermons, secular works, religious songs and prayers. The main part of the article is devoted to the interpretation of the collection by Bartoszewski in the context of the most important aspects of the volume Bezoar z łez ludzkich czasu powietrza morowego [Bezoar of Human Tears Shed at the Time of the Plague], which include: the manifestation of religiousness at the beginning of the 18th century, the realities of the epidemic depicted in lyrics, the vision of God and Christ, ways of protecting the faithful against the plague, and the intercession of the Mother of God.

Źródło:

Tematy i Konteksty; 2020, 1; 121-149
2299-8365

Pojawia się w:

Tematy i Konteksty

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 44.

Tytuł:

Tęsknię Więc Jestem, O Zachowywaniu Pamięci. Na Przykładzie Miasteczka Bełz
I Miss Therefore I Am, About Savining of Memory. Based on the Example of the Song Miasteczko Bełz

Autorzy:

Kiec, Izolda

Powiązania:

https://bibliotekanauki.pl/articles/424661.pdf

Data publikacji:

2018

Wydawca:

Akademia Sztuk Pięknych w Gdańsku

Tematy:

piosenka
miasto
nostalgia
contrafactum
palimpsest
song
town
memory

Opis:

Artykuł jest poświęcony kolejnym wersjom piosenki Miasteczko Bełz Aleksandra Olshanetsky’ego (muzyka): 1) Mein sztetełe Bełz, 1932 (słowa w jidysz Jacob Jacobs; przekład polski 1935 – J. Roman); 2) Miasteczko Bełz dwadzieścia lat po wojnie, dwie wersje z lat sześćdziesiątych (słowa Agnieszka Osiecka); 3) Miasteczko Bełz. Pół wieku później, połowa lat dziewięćdziesiątych (słowa Roman Kołakowski); 4) Warszawo ma, 1947 (słowa Ludwik Starski). Kolejne zmiany tekstu działają na zasadzie palimpsestu – częścią, która nie ulega zatarciu, jest słowo „miasteczko” i jego nacechowane historycznie znaczenie oraz melodia z żydowskim ludowym motywem muzycznym. Te dwa powtarzalne elementy sprawiają, że kolejne kontrafaktury ujawniają źródła wszechobecnej we współczesnym świecie nostalgii oraz dokumentują sposoby działania pamięci. Kontekstem dla rozważań jest opowiadanie Zygmunta Haupta Lili Marleen.

Źródło:

Sztuka i Dokumentacja; 2018, 18; 275-284
2080-413X

Pojawia się w:

Sztuka i Dokumentacja

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 45.

Tytuł:

Translation in Forming Musical Discourse: A Case Study of English-Language Song Lyrics in Russia

Autorzy:

Aleshniskaya, Evgeniya V.

Powiązania:

https://bibliotekanauki.pl/articles/1368377.pdf

Data publikacji:

2020-12-30

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

musical discourse
Russian English
sociolinguistics
song lyrics
translation

Opis:

The paper considers translation as an intermediate stage in the creation of English-language song lyrics by native Russian speakers. Russian songwriters quite often rely on their native language and translate their thoughts from Russian into English. This leads to the use of a “russified” variety of English, which performs poetic and pragmatic functions and serves as a medium harmonizing content, sound, and music. Drawing evidence from 214 songs in various musical genres, as well as 10 ethnographic interviews with Russian songwriters, it examines the specific features of the Russian variety of English used in song lyrics, and discusses the main views on the authenticity of translation in song lyrics depending on the musical genre.

Źródło:

Research in Language; 2020, 18, 4; 395-405
1731-7533

Pojawia się w:

Research in Language

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 46.

Tytuł:

A dissertation by Zygmunt Gloger Czy lud polski jeszcze śpiewa? [Does the Polish folk still sing?] (1905) a question about understanding of tradition, community and good remembrance12

Autorzy:

Józefowicz, Anna

Powiązania:

https://bibliotekanauki.pl/articles/951807.pdf

Data publikacji:

2019

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Zygmunt Gloger
song
folk
tradition
Slavic
community
patriotism

Opis:

The question contained in the title of the dissertation of the great folklore, researcher of the past, a lover of sightseeing trips – Zygmunt Gloger Czy lud polski jeszcze śpiewa? [Does the Polish folk still sing?] was asked, far more than a hundred years ago. It was put to Gloger by a French musician and journalist who was staying in Poland in 1901 to celebrate the opening of the Warsaw Philharmonic. He asked this way, because he was fascinated with musicpieces he had heard on the stage, based “on beautiful folk motifs”. Small size, because only 24-page Gloger’s dissertation issue in 1905 is an attempt to answer the problem raised in the title. Above all, the dissertation is an expression of Gloger’s regret over the changes that took place in contemporary culture, namely forgetting the role of the song for the Slav community. This is way the author knew the achievements of this community, he devoted his whole life tosaving them, he could not understand how contemporary intelligentsia did not see the need for protection, as he described it “our ancient, native and indigenously Slavicnational song and music”. This text is an attempt to analyze Gloger’s essay Czy lud polski jeszcze śpiewa? [Does the Polish folk still sing?], extracting and developing the main theses contained in it, as well as noticing their value today, not forgetting the circumstances of creating the text over 100 years ago.

Źródło:

Kultura-Społeczeństwo-Edukacja; 2019, 16, 2
2300-0422

Pojawia się w:

Kultura-Społeczeństwo-Edukacja

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 47.

Tytuł:

Profanity in songs. Seeking the limits of freedom of speech, and the reproduction and sanctioning of contemporary linguistic tendencies

Autorzy:

Gajda, Krzysztof

Powiązania:

https://bibliotekanauki.pl/articles/650135.pdf

Data publikacji:

2017

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

profanity
vulgarism
song
rock
punk
political transformation
euphemism

Opis:

The article is showing the presence of vulgar expressions in song lyrics. This is a clear testimony to the changes in the customs and language of culture of recent decades. The paradox is that the development of negative phenomena can contribute to events naturally valued positively, such as expanding the sphere of freedom together with the birth of “Solidarity” or the abolition of the censorship institution with the transformation after 1989. Vulgarism today, after more than a quarter of a century since the release of language from the “care” of censorship, is intensively present in songs that many Poles find important. This stylistic device helps to express and shapes the expressed emotions, describe reality, and it is a manifestation of the generational fear of the sublime. The text discusses the songs of authors such as: Andrzej Garczarek, Jacek Kaczmarski, Kazik Staszewski, Krzysztof Grabowski (Grabaż), Marcin Świetlicki, Hubert Dobaczewski (Spięty), Paweł Sołtys (Pablopavo).

Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2017, 45, 7
1505-9057
2353-1908

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Polonica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 48.

Tytuł:

Music in the Political Marketing on the Example of Polish Presidential Campaigns (1995–2015)1

Autorzy:

Piecuch, Anna

Powiązania:

https://bibliotekanauki.pl/articles/514142.pdf

Data publikacji:

2018

Wydawca:

Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ

Tematy:

Political marketing
popular music
presidential campaign
election song

Opis:

The purpose of this article is to present a broad spectrum of relations between music and politics on the example of Polish presidential campaigns (1995–2015). The first part will show a current state of research signalised by many researchers from different scientific disciplines: from musicologists to political scientists and sociologists, as well as explain the topicality of the described problem. The next part will introduce a short overview of ways of using music with political aims, mentioned, for example, by Iwona Massaka in her dissertation Music as an Instrument of Political Impact. In this context, the author will characterise the most distinctive form of existence of music in a so-called “election song”—also in relation to Adorno’s theory of popular music. The conclusion is that the most important role in presidential campaigns is played by popular music, especially in a form of song. In that case, music tends to advertise political candidates in a way, as it can emphasize their intended image and influence a growth of support for a politician in a campaign.

Źródło:

Kwartalnik Młodych Muzykologów UJ; 2018, 4(39) Eng; 87-113
2956-4107
2353-7094

Pojawia się w:

Kwartalnik Młodych Muzykologów UJ

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 49.

Tytuł:

What is punk cabaret? An Attempt to Define and Exemplify the Phenomenon

Autorzy:

Mach, Anna

Powiązania:

https://bibliotekanauki.pl/articles/1068769.pdf

Data publikacji:

2021-03-11

Wydawca:

Łódzkie Towarzystwo Naukowe

Tematy:

punk cabaret, Tiger Lillies, Amanda Palmer, song, sound semantics
punk cabaret
song
sound semantics
Tiger Lillies
Amanda Palmer

Opis:

The aim of the paper is to present punk cabaret — a new musical phenomenon on the music scene of the English-speaking countries. The author briefly presents its main representatives and cultural contexts, which is followed by an attempt to define the constitutive features of the genre in its musical, performative, and textual aspects. The former consist of prominent vocals, displaying both lyrical finesse and raw, punk-inspired force, with scant accompaniment evoking circus music and pre-war cabaret. Performance, playing a significant role in the genre, adds campy aesthetics and vintage flair. The textual layer, in turn, is characterised by dark humour, moral irreverence, disrespect for the established aesthetic canon, and the orientation towards social margins. All these facets — auditory, visual, and textual — are considered as inseparably intertwined and mutually interrelated in a constant play of contextualisation and allusions, with sound playing a vital role in text interpretation.

Źródło:

Zagadnienia Rodzajów Literackich; 2020, 63, 4; 151-166
0084-4446

Pojawia się w:

Zagadnienia Rodzajów Literackich

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 50.

Tytuł:

Czy Oblubienica rzeczywiście „znalazła pokój”? Dylematy translacyjne Pnp 8,10b
Did the Bride Really „Find Peace”? Translation Problems in Song 8:10b

Autorzy:

Bardski, Krzysztof

Powiązania:

https://bibliotekanauki.pl/articles/1621493.pdf

Data publikacji:

2016-12-01

Wydawca:

Katolicki Uniwersytet Lubelski Jana Pawła II

Tematy:

Pieśń nad Pieśniami
tłumaczenie
pokój
szczęście
Pnp 8:10
Song of Songs
translation
peace
happiness
Song 8:10

Opis:

W sposób dosłowny tekst Pnp 8,10 powinien zostać przetłumaczony: „I stałam się w jego oczach jako ta, która znajduje pokój”. Główne problemy translatorskie i interpretacyjne dotyczą idiomatycznego wyrażenia hebrajskiego: „znaleźć łaskę w czyichś oczach” oraz znaczenia hebrajskiego terminu shalom. Artykuł analizuje różne sugestie translatorskie w Biblii wydanej w języku angielskim, portugalskim, francuskim, niemieckim i polskim oraz prezentuje własną propozycję: „znalazłam szczęście w jego oczach”.
From a purely literal standpoint, Song 8:10 is properly translated as: „I became in his eyes as one finding peace”. However, the main problems of translation and interpretation here have to do with the similarity between the Hebrew idiomatic formula „to find favor in someones eyes” and the meaning of the Hebrew word „shalom”. We analyze different suggestions for translation of the passage as found in published Bibles in English, Portuguese, French, German and Polish. Finally, we present our own proposal for a truer rendering: „I found happiness in his eyes”.

Źródło:

Verbum Vitae; 2016, 30; 43-51
1644-8561
2451-280X

Pojawia się w:

Verbum Vitae

Dostawca treści:

Biblioteka Nauki

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