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Tytuł:
Tekst piosenki jako dzieło literackie — dzieło literackie jako tekst piosenki. Zarys problematyki, przykłady realizacji
The song lyric as a literary work – the literary work as a song lyric – basic examples
Autorzy:
Sobczak, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/649100.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
polish poetry
polish song
song lyrics
comparative analysis
Opis:
The subject of this article is the relationship between literature and the text of song. First part of article concerns the songs which texts approach to literature and begin to exist in the listeners' consciousness independently from the melody. In contemporary Polish music are this: Niech żyje bal, Autobiografia, Nie pytaj o Polskę or Wychowanie. Texts of these songs are analysed and interpreted. Second part of article tells about poems which serve as texts of songs. The author of article shows twentieth-century Polish poets, which texts be sung (Julian Tuwim, Konstanty Ildefons Gałczyński, Edward Stachura, Ewa Lipska etc.) and using with poems musicians (Czesław Niemen, Marek Grechuta, Ewa De-marczyk, Grzegorz Turnau). The author writes also about methods of adaptation of poems on need of songs.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 16, 2; 127-139
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Patent na piosenki. Wincentego Pola śpiew nie tylko z mogiły
A patent for songs. Wincenty Pols singing - not only from the grave
Autorzy:
Łoboz, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/938386.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
Wincenty Pol
Pieśni Janusza
romantic song
patriotic song
Opis:
This paper is an attempt at interpreting Wincenty Pol’s poetry, popularised in the form songs. Like most Romantic writers, the author of Pieśń o ziemi naszej regarded music as a unique dis-cipline of asemantic art, i.e. the one which goes beyond popular means of communication and capturing reality in a much deeper way than linguistic articulation. He believed that music is capable of expressing the essence of irrational and abstract phenomena: idealism, spirituality and transcendence; but – as a Romantic writer – he was also aware that art should, above all, reflect emotions accompanying human existence: love, loneliness, closeness, separation, suffering, joy and tears - as an emotional reaction to being moved. Some of his poems were included in Polish culture thanks to compositions by Fryderyk Chopin (performed, among others, by Delfina Potocka), Ignacy Komorowski, Julian Kapliński, Bolesław Dembiński, Adam Mũnchheimer and other composers. The popularity of those songs is the evidence that both folklore inspirations and accompanying historical circumstances recorded them in the na-tional song-book. They represent a typical model of ‘Romantic thinking’ and prove that the ‘Lied’ genre is treated as a return to the origins of culture, thus being an excellent example of lyrical miniatures, which can be fully interpreted by means of vocal realisation.  
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2018, 18; 3-18
2081-1853
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Высоцкий: траурный портрет. Опыт анализа телеграмм в Театр на Таганке
Vysotsky: a Mournful Portrait. An Attempt at an Analysis of the Telegrams to the Taganka Theatre
Autorzy:
Sadowski, Jakub
Рахманов, Игорь
Powiązania:
https://bibliotekanauki.pl/articles/2031233.pdf
Data publikacji:
2020
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Vladimir Vysotsky
bardic song
authorial song
Taganka Theatre
Źródło:
Slavia Orientalis; 2020, LXIX, 3; 471-491
0037-6744
Pojawia się w:
Slavia Orientalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Morality as a form of human socio-cultural being in oral folk poetry
Autorzy:
Kopanytsia, Liubov
Pavlova, Alla
Powiązania:
https://bibliotekanauki.pl/articles/29519694.pdf
Data publikacji:
2023-06-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
anthropological model
moral responsibility
ballad
emigrant song
lyrical song
plot
motive
Opis:
The article examines moral responsibility as a specific subjective-objective phenomenon of oral folk art using the example of folklore non-ritual lyric-epic texts. It is analyzed the conceptual dilemma of responsibility – irresponsibility and its role in implementing the functions of oral traditional culture. The authors focus on the correlation between the concepts of individual and social responsibility. In addition, the problem of social responsibility as an evident form of the relations between the individual and society driven by the need to comply with coexistence rules is actualized. Folk consciousness accumulates knowledge about responsibility as one of the forms of social relations, which objectively exists, is reflected in the psychological and spiritual aspects, and hence is an internal (towards oneself) and external (towards the community and humanity as a whole) manifestation of responsibility. Essential characteristics and forms of textualization of moral responsibility in folk songs are outlined: every time a practical act is compared with a proper one in real life, i.e., a moral ideal, through the reflection of the characters of a folklore work and the manifestation of behavior in a particular life situation. It is established that morality in oral literature appears simultaneously as a regulatory structure and a system of meanings of the subject and society as a whole. The imperativeness inherent in the belief system of a traditional work becomes not only a statement of a particular position but also a request for understanding the idea of life purpose at the author-audience level. The tragic event reinterpreted by folk consciousness transfers the axiological content of the depicted act to the collective memory. The essence of the responsibility–irresponsibility dilemma unfolds through a specific human reality. The analysis of non-ritual lyric-epic songs highlights a crucial axiom: moral responsibility is, first of all, the affirmation of the view of life, beliefs, and principles of a person who perceives these moments as own, imagined, and suffered. Having separated temptations of the empirical world, the essential from the insignificant, a person isolates the dominant landmarks of their existence, often leveling out the possibility of personal happiness, acting for the benefit of others. A folklore work conceives the relevance of individual and social consciousness since the depicted folk event raises the current problem to the level of collective comprehension, highlighting the imperative of human life value.
Źródło:
Pomiędzy. Polsko-Ukraińskie Studia Interdyscyplinarne; 2023, 9(2); 47-52
2543-9227
Pojawia się w:
Pomiędzy. Polsko-Ukraińskie Studia Interdyscyplinarne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
From Late Woronicz to Early Wittgenstein: The Reception of "Pieśń o Wiklefie" ("A Song About Wycliffe) and of John Wycliffe in Nineteenht-Century Poland
Autorzy:
Zieliński, Jan
Powiązania:
https://bibliotekanauki.pl/articles/624251.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
A Song About Wycliffe
Opis:
The article is interested in following the history of the reception of the exceptional example of fifteenth-century poetry in Polish Pieśń o Wiklefie by Jędrzej Gałka of Dobczyn in the period between the discovery of the text in 1815 and the beginning of the First World War. The author discusses the reception of Pieśń o Wiklefie in later works of the Enlightenment poets as well as in texts by Mickiewicz and Norwid (the latter was friends with the poet Antoni Czajkowski, whose father first published Pieśń o Wiklefie). The article concludes with a discussion of the intellectual contacts between the logician Michał Dziewicki – one of the publishers of Wycliffe’s works – and Wittgenstein, who served in the military in Cracow.
Źródło:
Colloquia Litteraria; 2017, 2; 251-226
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Piosenki Jacka Kaczmarskiego w aspekcie zagadnienia melosemii
Jacek Kaczmarski’s songs in the aspect of ‘melosemia’
Autorzy:
Dźwinel, Kamil
Powiązania:
https://bibliotekanauki.pl/articles/650093.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
polish song
polish music
polish poetry
history of polish song
melosemia
Opis:
The article presents the phenomenon named by the author melosemy. Melosemy is a sensible additions of the poetic text by the connection of his semantic structures with the melody or with vocal and instrumental techniques. The exemplary material for the presentation of this phenomenon from the borderline of music and text are songs of a contemporary polish poet singing own texts with the accompaniment of a guitar — Jacek Kaczmarski (1957—2004). Melosemy is treated as an important aesthetic catego-ry in the creativeness of the bard. The conclusion of the text opens a wider research area: it is possible to find melosemy both in the creative output of other authors from the range of the poetic song, as well as in soundtracks and folk music.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 16, 2; 110-120
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Co dzieci myślą o muzyce? Interpretacja muzycznych i literackich treści utworu Sanctus w wypowiedziach dzieci
What do children think about music? Interpretation of the musical and literary content of the Sanctus composition in children’s speeches
Autorzy:
Szatan, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/1387972.pdf
Data publikacji:
2017-03-30
Wydawca:
Uniwersytet Gdański. Wydawnictwo Uniwersytetu Gdańskiego
Tematy:
music
song
children
interpretation
Opis:
Words are unambiguous and it allows the meaning of phenomena to be defined. Music has many meanings, but words are needed so that music can be described. Children can describe the world in which they live, interpret phenomena. As a researcher I wanted to see how children talk about music as they describe what they hear in it. Text is the result of talking with children about music.
Źródło:
Problemy Wczesnej Edukacji; 2017, 37, 2; 77-87
1734-1582
2451-2230
Pojawia się w:
Problemy Wczesnej Edukacji
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zaangażowanie, bierność i skandal. „Piosenkowe strategie” w konfliktach międzypokoleniowych
Commitment, passivity and scandal. „Song strategies in intergenerational conflicts
Autorzy:
Łukowicz, Michał
Powiązania:
https://bibliotekanauki.pl/articles/2029520.pdf
Data publikacji:
2021
Wydawca:
Ośrodek Badawczy Facta Ficta
Tematy:
song
popular music
generations
conflict
Opis:
The article aims to present the analysis of three Polish songs that are treated in the social space as important statements by „voices of their generation”. Jacek Kaczmarski in Our Class [Nasza klasa], Zygmunt „Muniek” Staszczyk in the song This nurture [To wychowanie] and Michał „Mata” Matczak in Pathointeligency [Patointeligencja], expressing the problems of their peers, occupy a specific place towards the older generation, which is symbolized by the educational system. Using a different music genre and functioning in different socio-political realities, each of the artists also proposes a different strategy of „fighting” in a generational conflict, which ranges from (apparent) passivity, through commitment, to rebellion. The interpretation of the aforementioned cultural texts (the song is understood as a multi-code message with a solid performative potential) considers their verbal and musical content and the historical and performance context, and the dynamically changing reception. The analysis of the differences and common points of the mentioned texts is intended to capture the phenomenon of popularity of these three completely different songs, which confirm that the most fortuitous statements of specificity and generational distinctiveness in the art use the mechanism of dispute.
Źródło:
Facta Ficta. Journal of Theory, Narrative & Media; 2021, 8, 2; 319-332
2719-8278
Pojawia się w:
Facta Ficta. Journal of Theory, Narrative & Media
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Integracja językowa w dziejach polszczyzny
Linguistic Integration in History of Polish Language
Autorzy:
Dubisz, Stanisław
Powiązania:
https://bibliotekanauki.pl/articles/1045616.pdf
Data publikacji:
2013-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
hymn
song
hagionymy
religious language
Opis:
The author has been for a longer time making excerpts from church hymns used in Roman Catholic priests’ prayers (breviaries) and liturgy, as well as in church songs. The excerpted material relates to (artistic) designations of Mother of God, Christ, Holy Ghost, and the Saints (cf. footnotes in the article). In this way, the article describes the names of persons in the Holy Trinity. The collection is of use as philological documentation, for historical research in European and Polish piety, and as help for preachers, religious instructors, and Christian literary authors.
Źródło:
Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2013, 20, 2; 85-97
1233-8672
2450-4939
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Językoznawcza
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Trójca Święta w „Hymnach kościelnych” i w pieśniach kościelnych
The Holy Trinity in Hymny kościelne and Church Songs
Autorzy:
Breza, Edward
Powiązania:
https://bibliotekanauki.pl/articles/1045617.pdf
Data publikacji:
2013-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
hymn
song
hagionymy
religious language
Opis:
The author has been for a longer time making excerpts from church hymns used in Roman Catholic priests’ prayers (breviaries) and liturgy, as well as in church songs. The excerpted material relates to (artistic) designations of Mother of God, Christ, Holy Ghost, and the Saints (cf. footnotes in the article). In this way, the article describes the names of persons in the Holy Trinity. The collection is of use as philological documentation, for historical research in European and Polish piety, and as help for preachers, religious instructors, and Christian literary authors.
Źródło:
Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2013, 20, 2; 73-83
1233-8672
2450-4939
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Językoznawcza
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Z zagadnień przekładu audiowizualnego: tłumaczenie piosenek w pełnometrażowych filmach animowanych na przykładzie polskiego i rosyjskiego dubbingu do Sing
Sing and audio-visual translation issues: songs in animated films
Autorzy:
Abramska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/482569.pdf
Data publikacji:
2018-03-30
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
audio-visual translation
animation
song
Opis:
The article focuses on the problem of translating songs in animated movies. Using Russian and Polish dubbing as examples, the following issues will be discussed: the place and role of the song, the translation strategy adopted, and the consequences and possible impact on reception of the translation strategy. An excellent example that will allow the problem to be fully discussed is Sing the latest animation from the Illumination Entertainment studio – a 2016 American 3D computer- animated comedy.
Źródło:
Acta Polono-Ruthenica; 2018, 1, XXIII; 95-102
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ładne mówienie o nieładnej rzeczy. Przyczynek do źródeł polskich wzorów kulturowych w ujęciu stylowym i socjalnym
Autorzy:
UŹDZICKA, MARZANNA
Powiązania:
https://bibliotekanauki.pl/articles/615257.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Opolski
Tematy:
cultural patterns
social type of language
style
folk song
legion song
soldier song
wojenka
wojneczka
wojaczka (Polish diminutives of war)
Opis:
This article is a contribution to the study of Polish cultural patterns’ sources and their performance in terms of stylistics and sociology. The methodological basis for the article is the idea in accordance to which each linguistic behavior is marked both stylistically and sociologically. Linguistic means abstracted from specific language behaviors are guidelines of stylistic and genre affinity of a text as well as social, pragmatic and genre competence of its creator.An illustration of this idea is the picture of the functioning of lexemes wojna (war) and wojneczka (diminutive of war). Their scope of meaning remains in conflict with respect to the connotation, association and lexicographical shots bundled with designatum of formative base, i.e. the lexeme war. Hence, the main aim of this article has been the question about the functioning of these lexemes in the culturally differential texts and about the scope of meaning depending on the social and functional conditions of use.The source of “unique” functioning of wojenka and wojneczka lexemes proved to be a folk song to be exact, where a large number of both diminutives results: first, from the fact that folk poetry is melic; secondly from typical for rural community point of view, according to which wojna, wojenka, wojneczka mean ‘a faraway place, a vague land’. A different scope of word meaning of the studied lexemes formed in legion songs from the First World War and some uprising songs. It allowed to talk about war with the same gentleness as about women and to emphasize the glorification of the specific kind of life and war deeds, as well as specific kind of joy and excitement in the fight for freedom of homeland, which was enslaved for 123 years.The custom of naming the hostilities wojenka or wojneczka and attributing to themslightly different meanings was recorded in the folk language but it has been gradually vanishing since the Second World War. Nowadays the word wojenka is used in a broader sense than given in dictionaries and refers not only to military conflict but to all types of conflicts, and very often gets ironic or humorous meaning. It is clear however, that the patterns of talking about a war which have achieved status of folkloreor mass, are up-to-date and they play a role of a cultural identifier.
   
Źródło:
Stylistyka; 2015, 24; 299-317
1230-2287
2545-1669
Pojawia się w:
Stylistyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Values of Sacrum and Sanctum in the Lyrics of Polish Religious Songs after 1945
Autorzy:
Sojka, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/441042.pdf
Data publikacji:
2014
Wydawca:
Fundacja Naukowa Katolików Eschaton
Tematy:
religious song
sacred
sacrum
sanctum
God
religion
values
religious themes
song
religious poetry
culture
Opis:
The article presents an overview and analysis of a research study of the repertoire of Polish religious songs after 1945. The article aims to present how the religious values of sacrum and sanctum are realized in them through the medium of linguistic and musical means of expression. The author also examines the categories of religious poetry as proposed by Maria Jasińska-Wojtkowska, and considers religious songs as multi-faceted acts of auto- and social communication. A phenomenological perspective adopted by the songs encourages holiness and acts of goodness through the pursuit of God – the supreme value. The article is an original text. Its goal is to demonstrate how the religious values of sacrum and sanctum are realized through the medium of linguistic and musical means of expression in Polish religious songs created after 1945. The author considers religious songs as multi-faceted acts of auto- and social communication. The methods employed by the author are analysis of song lyrics, as well as analysis of selected aspects of the musical component of the songs. The main results are as follows: the analyses reveal that the lyrics of the religious songs are imbued with the values of sacrum and sanctum, expressed through the choice of topics, the words and phrases used, and a type of poetics specific for sacrum. As a consequence, the songs provide vessels for religious values. Moreover, the structures of the songs are such that they include, as their inherent components, the author and the addressee of the values of sacrum and sanctum. The results of the analyses may be employed further as a basis for continued research, in particular in the following areas: reception of religious songs; practical applications of the reception of religious songs, both in pedagogical work and in the context of child education and socialization, especially in terms of religious upbringing and education. The songs encourage holiness and acts of goodness through the pursuit of God, the supreme value. The article also explores the social impact religious songs have on an individual’s attitude to the world and interaction with the religious community. The article’s original contribution consists mainly in the research perspective it applies to the analyses of the research material, i.e. the author’s hermeneutic and phenomenological approach. Moreover, the article’s strong point lies in its comprehensive treatment of songs as both literary and musical works.
Źródło:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education; 2014, 1(5); 213-228
2299-9922
Pojawia się w:
Religious and Sacred Poetry: An International Quarterly of Religion, Culture and Education
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Hyperbole as the building block of Hausa court-songs
Autorzy:
Garba, Salisu
Powiązania:
https://bibliotekanauki.pl/articles/462428.pdf
Data publikacji:
2018-12-10
Wydawca:
Uniwersytet Warszawski. Wydział Orientalistyczny. Katedra Języków i Kultur Afryki
Tematy:
Hyperbole, court song, durbar, Salihu Jankiɗi and the song (Bubakar Ɗan Shehu Bakadire
Opis:
Hyperbolic expression is one of the most common and effective foregrounding expressions employed as a literary device in the form of eulogy across the literary genres. But the most common ground for its usage, among the genres, and where its usage is more effective, is poetry. Hyperbole is manifested clearly in praise-songs, which in Hausa take the form of court-songs. This paper explores the forms and effects of literary devices employed by Hausa court singers. Attention is mainly given to Salihu Jankiɗi and his song Bubakar Ɗan Shehu Bakadire (Bubakar, Shehu’s son of Qadiriyya Sect) eulogizing Sultan Abubakar III, but also extoling Sardauna and the Sokoto Caliphate on the occasion of the durbar ceremony in 1965. The presentation includes various forms of the devices, such as irony, overstressing some facts and possibilities, cherishing both the religious and political ideals of Sultan Abubakar III, Sokoto and Sir Ahmadu Bello, the Sardauna of Sokoto, Premier of the defunct Northern Region, for whom the durbar was organized. The paper further highlights the ability of the artist to capture the political undertones of the durbar procession.
Źródło:
Studies in African Languages and Cultures; 2018, 52; 75-88
2545-2134
2657-4187
Pojawia się w:
Studies in African Languages and Cultures
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Świat ptaków w staropolskich kolędach i pastorałkach (na materiale Kantyczek karmelitańskich z XVII i XVIII wieku)
The realm of birds in old-Polish Christmas carols and Christmas festivity songs (based on the material of Kantyczki karmelitańskie [Carmelite canticles] from the seventeenth and the eighteenth centuries)
Autorzy:
Borejszo, Maria
Powiązania:
https://bibliotekanauki.pl/articles/1375135.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Christmas
Christmas carol
song
bird
Opis:
The article discusses the image of birds as documented in Kantyczki karmelitańskie [Carmelite canticles] from the 17th and the 18th centuries published by Barbara Krzyżaniak in 1980. Birds are to be found in more than 30 lyrics of Christmas carols (for the total number of 357 contained in the set under scrutiny). These include mainly domestic birds, very well-known both to the authors of the canticles and to the recipients and users of Polish Christmas carols and Christmas festivity songs. In total, about 60 species of birds are specified, including two exotic birds (the canary and the parrot). The bird’s realm was used in Christmas carols for different purposes, e.g. in the descriptions of the Bethlehem shed that is inhabited by petty birds, mentioned on account of the enumeration of gifts given to Jesus by shepherds, in accounts of the Flight to Egypt by the Holy Family, and in descriptions of the joy of the whole of the world of nature at the birth of the Saviour. It is worth noting that creators of Christmas carols did not limit themselves to just mentioning names of particular species of birds, but also provide a description of characteristics, sometimes a detailed one, such as the appearance and behaviour of its particular representatives. The carols include, for example, information on the habitat of birds, type and colouring of the plumage, common sounds made by various birds, staple food of birds, the shape of the beak and the size of the gullet. The birds pictured in the Christmas carols were either members of a village band up in the air (some sort of flying band), joyfully proclaiming Good News to the world (a motif often made used of in old-Polish Christmas carols and festive songs), or gathered at the manger to perform menial services and functions in real word reserved only for humans. Birds take on typically human behaviour, show human dispositions and fancies, customs and habits (e.g. wine or beer drinking in the nuptials).
Źródło:
Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2011, 18, 1; 89-106
1233-8672
2450-4939
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Językoznawcza
Dostawca treści:
Biblioteka Nauki
Artykuł
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