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Tytuł:
Iwona Anna Ndiaye, Hipertrofia tęsknoty za utraconym domem w poezji emigrantów rosyjskich „ pierwszej fali”, Wydawnictwo Uniwersytetu Warmińsko-Mazurskiego, Olsztyn 2008, ss. 320.
Autorzy:
Ojcewicz, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/480959.pdf
Data publikacji:
2010-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian literature
emigrantology
Źródło:
Acta Polono-Ruthenica; 2010, 1, XV; 287-290
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Польский аромат” в прозе Н. С. Лескова
„Polish oeuvre in N. Leskov’sprose
Autorzy:
Neminuszczij, Arkadij
Powiązania:
https://bibliotekanauki.pl/articles/481453.pdf
Data publikacji:
2006-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Leskov
Russian literature
Russian prose
Opis:
The present article regards the specificity of the realization of the Polish theme in N. Leskov’s prose. This element of the Russian writer’s artistic world is represented in his writing of the 1860s-1880s. N. Leskov had a personal experience of Poland which he visited at the beginning of the 1860s. Most vividly Polish thematics is represented in the novel Nowhere (1864), as well as in the stories and articles of his last years: Russian Democrat in Poland (1880), Interesting Men (1885), etc.The realization of the Polish motif in N. Leskov’s prose is, on the one hand, traditional for Russian literature, depicting international phenomena and topos of different cultures as „other” which are seldom perceived as foreign and hostile. The individuality of N. Leskov is manifested in the fact that his version of depicting Poland and Polish is opposed to the official state imperial position according to which Poland was regarded as a permanent source of danger. This stereotype is destroyed in N. Leskov’s prose.
Źródło:
Acta Polono-Ruthenica; 2006, 1, XI; 49-55
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Teatralna „moda na Rosję”. Współczesna dramaturgia rosyjska na scenach polskich (po roku 1989)
„The fad for Russia at the stage. Contemporary Russian dramaturgy on Polish stages (after 1989)
Autorzy:
Semczuk, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/482541.pdf
Data publikacji:
2008-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
contemporary Russian dramaturgy
Russian literature
Opis:
Since the political tranformations in Poland in 1989, theatre has been the only area, not affectedby the hostile attitude towards Russian culture.Initially, that is the years 1989-1995, the changes made Russian literature disappear from thePolish artistic marked completely. Only the second half of the last 20th century decade balance to it.The slighttest fluctuactions have been noticed at the theatre, where Russian art is the second mostpopular after Polish.In the beginning of 21th century the new Russian literature and the new Russian drama are verypopular in Poland.
Źródło:
Acta Polono-Ruthenica; 2008, 1, XIII; 169-180
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Мышление военное и гуманистичное в произведениях Млечны Шлях Кузьми Чорного, Pierwszy dzień wolności Леона Кручковского и Люди мы или нелюди Владимира Тендрякова
Military and humanistic way of thinking in such works o f literature: „Млечны Шлях" by Kuzma Chornyj, ,,Pierwszy dzień wolności” by Leon Kryuchkowski and „Люди мыi или не люди" by Vladimir Tendryakov
Autorzy:
Oleander, Luiza
Powiązania:
https://bibliotekanauki.pl/articles/482621.pdf
Data publikacji:
2006-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian literature
Polish literature
Ukrainian literature
Opis:
In this article setting and literary decision of conflict, which appeared between war thinking and humanist thinking, are being traced through poetics, the character of development of literary- philosophic thought, which is directed to the defence of common to all mankind values, is determined.
Źródło:
Acta Polono-Ruthenica; 2006, 1, XI; 145-156
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Польские” страницы романа Людмилы Улицкой Даниэль Штайн, переводчик
"Polish” pages of "Daniel Stein, the translator” by Ludmila Ulitskaja
Autorzy:
Niefagina, Halina
Powiązania:
https://bibliotekanauki.pl/articles/481659.pdf
Data publikacji:
2010-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Ludmila Ulitskaja
Russian literature
Opis:
The author of the article analyses “Polish” pages of Daniel Stein, the translator, one of themost disputable novels written by Ulitskaya. Complicated life of frontier (eastern and western) Polish lands shown through life stories of the characters is dealt with. The subjective images ofPoland which appear in consciousness of the heroes are of the utmost importance for understandingthe ideology of the novel. In general the image of Poland in L.Ulitskaya’s novel is connectedwith semantics of losses, and the break of characters’ real connections with their homeland can beunderstood as the evidence of trouble, disintegration of integrity.
Źródło:
Acta Polono-Ruthenica; 2010, 1, XV; 133-141
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Некоторые социальные и культурные корни платоновской антиутопии
Some social and cultural roots of Platonov’s anti-Utopia
Autorzy:
Biełousowa, Wiera
Powiązania:
https://bibliotekanauki.pl/articles/480931.pdf
Data publikacji:
2008-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Platonov
anti-Utopia
Russian literature
Opis:
The author of this article analyses the socio-cultural basis which shows the unique of an artistic world in the novel Tchevengur written by A. Platonov. The splitting of „un-fortunate personality”, Utopian dreams, barbarisation of culture, chaos, eschatology of the way of thinking, as well as emotions and feelings; all of these are reflected to a considerable degree on the pages of the analysed piece of work. „Double-belief” of the Russian mockery culture, Slavonic mythology, polemic about N. Fiodorov’s ideas, a dialogue with Rosanov’s philosophy of gender characterizes this literary work which is regarded as a significant monument of the epoch’s awareness.
Źródło:
Acta Polono-Ruthenica; 2008, 1, XIII; 299-306
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bowaryzm – nuda – melancholia. Uwagi o bohaterach XIX-wiecznej literatury rosyjskiej
Bovarism – boredom – melancholy. Remarks about heroes of 19th century Russian literature
Autorzy:
Kotkiewicz, Aurelia
Powiązania:
https://bibliotekanauki.pl/articles/649133.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
bovarism
Russian literature
boredom
melancholy
Opis:
The article examines the notion of bovarism which can be seen in the work of the most outstanding Russian writers of the second half of the 19th century, for example Leo Tolstoy, Fyodor Dostoyevsky and Anton Chekhov. It seems that the source of bovaristic attitude, which is culturally, socially and psychologically motivated, is the extremity of the Russian character prone to self-sacrifice, offering and suffering, as well as cruelty and sadism. A Russian variant of bovarism is boredom and melancholy.
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Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2018, 49, 3; 169-178
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Od "Płatonowa" do Sachalina
From "Platonov" to Sakhalin
От "Платонова" до Сахалина
Autorzy:
Ksenicz, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/50393267.pdf
Data publikacji:
2016-08-21
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Russian literature
drama
Anton Czekhov
Opis:
The author attempts to specify the facts related to the publications and the reaction of criticism to the first dramatic writings by Czekhov. The young author had to break the old canons of dramatical art, which led to a strong reaction of the supporters of the traditional understanding of drama. This is exemplified by the history of the “Ivanov” performance.
Źródło:
Rusycystyczne Studia Literaturoznawcze; 2016, 26; 122-130
0208-5038
2353-9674
Pojawia się w:
Rusycystyczne Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jeszcze raz o Borysie Godunowie Aleksandra Puszkina
Once again about „Boris Godunof by Alexandr Pushkin
Autorzy:
Stachurka, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/482061.pdf
Data publikacji:
2006-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Pushkin
Boris Godunov
Russian literature
Opis:
The tragedy Borys Godunov should be admitted to be a picture of an essential culture space. The drama represents generally accepted stereotypes and patterns refering to the Polish nation, however it pays attention to diversity of meaning of Pushkin’s attitude towards Poland. The poet contrasted in the work culture and customs of both nations, he chose heroes, whose names and behaviour evoked readers’ doubts and associations with the biography of Pushkin. Characters of the drama are among others: the fictitious son of Andrzej Kurbski - the Kazakh hero, the nobleman Sobański - in all probability related to the emissary Karolina Sobańska, mysterious and susceptible of various interpretations Piotr Łukicz Chruszczow. Present Pushkin’s texts researches confirmed, that impossible is univocal defining the poet’s mutual relations to Poland and the Polish. Pushkin’s views on the Polish matter differed from his personal connections with Mickiewicz’s compatriots, but, probably, he had the invariable and finally specified opinion on the real weight of the Republic of Poland’s culture and its meaning for Russia and Western Europe.
Źródło:
Acta Polono-Ruthenica; 2006, 1, XI; 39-47
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mikhail Murav’ev, a poet and tutor of virtue
Autorzy:
Drozdek, Adam
Powiązania:
https://bibliotekanauki.pl/articles/423318.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
Russian literature
ethics
science
religion
Opis:
Murav’ev was a poet of moderate importance for the eighteenth century Russian literature. He was also a tutor of Catherine II’s grandsons, Alexander and Constantine. In this capacity, he prepared numerous handouts to teach Russian history, politics, science, and ethics. Murav’ev stressed the preeminence of virtue in everyone’s life. The voice of the heart should be the guide in resolving moral problems. This voice is the gift of God and as such it can be usually trusted. Thus, morality is based on theology. Murav’ev’s theology presents a grand vision of providential God who appears to be viewed from the unitarian perspective.
Źródło:
IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych; 2014, 26; 291-302
0860-4487
Pojawia się w:
IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Драматургия движения „Новая драма” и кризис идентичности: социокультурный и литературоведческий аспект
The Russian movement „New Drama and the identity crisis: socio-cultural and philological aspects
Autorzy:
Bolotyan, Ilmira
Powiązania:
https://bibliotekanauki.pl/articles/482249.pdf
Data publikacji:
2009-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian literature
New Drama
contemporary Russian dramaturgy
Opis:
„New Drama” is the name of a theatrical-dramatic movement born in Russia in the end of XX beginning of XXI century. It brings together many authors, directors and actors. The article describes principal representations of the reality appearing in the contemporary Russian dramaturgy: the category of violence and the dramatic „image of the identity crisis”. Representations of four types of identification are discussed: essential, social, cultural and spiritual - which are the basis of the first typology of the New Drama’s conflict situations, characters and plots.
Źródło:
Acta Polono-Ruthenica; 2009, 1, XIV; 25-35
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Изобразительность - „второй язык” словесности
Imagery - the second language” of philology
Autorzy:
Stepanyan-Rumiantseva, Elena
Powiązania:
https://bibliotekanauki.pl/articles/482398.pdf
Data publikacji:
2010-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
methods of ekfrasis in literature
Russian literature
Opis:
This article covers methods of ekfrasis in literature. Author exposes the meaning of elements of visual art like light, colour, perspective etc. in verbal arts. Elena Stepanian-Rumyantseva talks about psychological and moral motivation explaining the using of different functions of visuality in literature.
Źródło:
Acta Polono-Ruthenica; 2010, 1, XV; 177-188
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zabawa czy afekt? O ideologicznym uwikłaniu twórczości Wiktora Pielewina
Fun or affect? On the ideological entanglement of the works of Victor Pelevin
Autorzy:
Polak, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/2224115.pdf
Data publikacji:
2022-12-25
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Pelevin
ideology
game
postmodern literature
Russian literature
Opis:
The aim of the article is to review Victor Pelevin’s works in terms of their critique of current social and political processes as well as various kinds of ideologies and theories. Despite the writer’s association with the group of postmodern artists he is not only focused on typically postmodern text games and playing with readers, his ambitions are also targeted at shaping their views and behaviors. The author of Generation “P” reacts vividly to the changing reality, he is a keen observer with ambitions to influence the world. He raises issues of universal nature, protesting against all ideological norms, social categories, standardizing fashions and stereotypes that enslave human beings, against all ways of manipulating human consciousness. His approach is constantly met with criticism of both pro-Western and traditionalist circles. The former accuse him of an overly skeptical attitude to the Western model of life, while the latter do not like the writer’s ironic approach to social reality, polemics with Russian values and attempts to discredit them.
Źródło:
Studia Rossica Posnaniensia; 2022, 47, 2; 61-76
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Berliński kod architektoniczny w twórczości emigracyjnej Vladimira Nabokova
Berlin architectural code in emigrant creation of Vladimir Nabokov
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/482191.pdf
Data publikacji:
2013-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian emigration
Russian literature
Nabokov
architectural code
Opis:
In 1921-1923 Berlin was a centre of Russian emigration. Many poets and writers from Russia, like Maksim Gorki, Aleksy Remizow, Andriej Bieły, Ilja Erenburg, Aleksy Tołstoj, Władysław Chodasiewicz, Borys Pasternak, and for a short time also Marina Cwietajewa and Siergiej Jesienin, connected their life with this city. It was just in Berlin where was working one of the most interesting and the most intriguing writer of XX century (1922-1937) - Vladimir Nabokov. These period was characterized for him not only by happy moments (first love, marriage, birth of son), but also by tragic ones (death offather). His stay in Berlin marked out really important stage in creativity of Nabokov. It was theplace of his debut in the pages of Berlin’s newspaper “Руль” in 1921, in which he published his first poems under the pseudonym Sirin. In Berlin Nabokov wrote his first story and first novel. Itwas where he achieved his fame and formed his unique style of writing. Nabokov’s emigrant prose from 20’s constitutes an extraordinary guidebook to Berlin. In his art pieces he recreated the topography of Berlin by using architectural codes. Most often he related the code of home to a closed, domestic and peaceful circle. It is a circle tight in the meaning of space, but profound in the meaning of sensations. The lack of real home was a reason to lookingfor surrogate and it effected disorientation in the world in which poet had no place. The city hasa role of open, then foreign and hostile space. Here for the most part we can see the code in the shape of street or houses in city. This kind of code used by Nabokov, but also by other emigrantpoets, creates a feeling of disharmony, artificiality and unnaturalness.
Źródło:
Acta Polono-Ruthenica; 2013, 1, XVIII; 67-78
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Алексея Петрова Полонез по-русски , или Заграница.рl.ги. - сюжет русско-польской взаимности
Polonaise in Russian or a foreign country.pl.ru
Autorzy:
Dmitrovskiy, Aleksei
Powiązania:
https://bibliotekanauki.pl/articles/482265.pdf
Data publikacji:
2008-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian-Polish relations
documentary novel
Russian literature
Opis:
The documentary novel as a discourse of the Russian-Polish mutual relations in dramatic collisions and commonness. The architectonics of the novel in the ratio of the fabulous mutual visits of the Russian authors and his Polish friends and the structure of the deep historic insight. The compositional structure is in the exchange of Polish and Russian episodes. The friendship of the Russian spouses as a pattern of obligatory relations on the confidential (private), interstate and national level.
Źródło:
Acta Polono-Ruthenica; 2008, 1, XIII; 49-56
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Adaptacja czy egzotyzacja – strategie tłumaczeniowe w przekładzie powieści braci Strugackich Poniedziałek zaczyna się w sobotę
DOMESTICATION OR FOREIGNIZATION? TRANSLATORIAL STRATEGIES IN THE TRANSLATIONS OF THE STRUGATSKY BROTHERS’ NOVEL MONDAY BEGINS ON SATURDAY
Autorzy:
Michocka-Babiuk, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/444387.pdf
Data publikacji:
2017-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
translation
Russian literature
science-fiction
Strugatsky
Opis:
Science-fiction is a literary genre which should be fairly easy to translate. The process gets more difficult when one needs to translate elements of folklore and culture. In my essay I demonstrate how the perception of the world changes with the use of certain elements of folklore. The selected examples of Russian science-fiction literature and their translations into Polish reflect the modified worldview. The essay is based on the Strugatsky brothers’ novel Monday begins on Saturday and two translations into Polish by Ewa Skorska and Irena Piotrowska. Two translation strategies – domestication and foreignization – are discussed and I consider which one the translator should use.
Źródło:
Acta Neophilologica; 2017, XIX/2; 191-201
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
OBRAZOWANIE SAMOTNOŚCI W WIERSZU JOSIFA BRODSKIEGO НОВЫЕ СТАНСЫ К АВГУСТЕ W UJĘCIU KOGNITYWNYM
Visualisation of Loneliness in the Joseph Brodsky’s Poem Новые стансы к Августе in the Cognitive Perspective
Autorzy:
Nikadem-Malinowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/444438.pdf
Data publikacji:
2009-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian literature,
cognitive poetics,
Josif Brodsky
Opis:
many years. The subject matter of this research will be a poem Новые стансы к Августе from the collection of the same title. Thanks to cognitive methods, the analysis of loneliness that is carrying out in it by Brodsky underlines paradoxical variety of his poetry. According literature should be treated as a set of linguistic phenomena that has cognitive basis. The authoress of the present research is focusing on the figure-ground organization which is considered by Peter Stockwell to be notably useful for interpretation of the issues if literary criticism.
Źródło:
Acta Neophilologica; 2009, XI; 97-106
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Виктор Астафьев и Сергей Залыгин
Victor Astafiev and Siergiej Zalygin
Autorzy:
Rudziewicz, Irena
Powiązania:
https://bibliotekanauki.pl/articles/480899.pdf
Data publikacji:
2010-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Victor Astafiev
Sergei Zalygin
Russian literature
Opis:
On the basis of chosen works written by Astafiev and Zalygin similar approach of both authors towards the problems of national tradition, in particular peasant’s, relations between people and nature, literatury traduition and moral-ethic norms was presented in the article. Some parts of the article were devoted to the problems of nature and ecology which are very important in the output of both writes and also to the role and significance of nature and landscape descriptions which help to depict human nature more deeply and precisely.
Źródło:
Acta Polono-Ruthenica; 2010, 1, XV; 97-104
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Модальные экспликаторы „мысли семейной” в романе Л.Н. Толстого Анна Каренина (на примере образа Анны Карениной)
Modal explicators of "thefamily thought” in Leo Tolstoys "Anna Karenina” (on the example of the image of Anna Karenina)
Autorzy:
Vaulina, Svetlana
Ostroverkhaia, Irina
Powiązania:
https://bibliotekanauki.pl/articles/481600.pdf
Data publikacji:
2010-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Anna Karenina
Russian literature
situational modality
Opis:
Based on L.N. Tolstoy’s novel Anna Karenina, through the plane of content of the novel’s main heroine Anna Karenina’s valuable notions, the article considers the role of the situational modality meanings as the axiological categories, revealing valuable guideline points and beliefs of the writer, i.e. realizing the author’s modality.
Źródło:
Acta Polono-Ruthenica; 2010, 1, XV; 167-176
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Славянские возвышенные идеи свободы, общности и братства в письмах разных лиц к Л.Н. Толстому и его ответ Стефании Ляудын-Хшановской Польcкой женщине („Одной из многих”)
Slavonic glorious ideals of freedom, union and brotherhood in letters to Count Leo Tolstoy and the writer’s reply to Stefania Laudyn-Chrzanowska - „To a Polish Woman (One of Many)
Autorzy:
Białokozowicz, Bazyli
Powiązania:
https://bibliotekanauki.pl/articles/481739.pdf
Data publikacji:
2008-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Leo Tolstoy
Russian literature
Slavonic ideals
Opis:
The author’s of Resurrection letters to different addressees, as well as about 60 thousand letters to the Russian writer from all over the world are kept in the Department of Manuscript Works of the National Museum of Count Leo Tolstoy in Moscow. Indeed, it is a real mine of knowledge of the writer’s contemporary Russia and the world of those days. The author of this publication pays particular attention to the letters of correspondents in Slavonic countries who subjected Slavonic glorious ideals of freedom, union and brotherhood to a penetrating analysis in view of a peaceful community of people of different nationalities, races and cultures. Such were the letters to Count Leo Tolstoy of 6th July 1909 by All-Slavonic Association „Slavia”, as well as the letters of 11th June 1910 by a revived Polish Fellowship Association — reverting to noble as well as tragic Arian history in the Poland of Reformation, signed by Marian Tadeusz Lubecki, Jozef Ostka, Stefan Baraniecki, Stanisław Parczyński, Kazimierz Piątka, Amelia Poznańska and many others. The Russian writer was applied to with many various requests (e.g. Osip Vysoky of Czech in the matter of rendering; Andża Mita Petrovic of Belgrade in the concern of Bosnia-Herzegovina annexation by Austria; Marian Zdziechowski of Cracow in the issue of tolstoizm as a religious-ethical doctrine; Jan Niecisław Ignacy Baudouin and Jan Styka in the question of death penalty). Tolstoy’s confidant in European and Slavonic matters was a Slovakian doctor and philosopher, Dusan Makovicky, living in Yasna Polyana, the author of a masterpiece — The Yasna Polyana Record (1904—1910). Count Leo Tolstoy would consequently answer the rankling the Slavonic society questions in harmony with his rationalistic doctrine, called tolstoizm. According to the writer’s sound belief God is love and through Jesus Christ shares with His love with people. A full union with God — it is the union in the truth, love and peace. A man who chooses love is soaked through with endless kind-heartedness. The main feature of Tolstoy was a grave concern for the world’s doom. A Christian should be totally deprived of hate and the feeling of revenge; love, forgiveness, compassion, fight against evil through spreading kindliness and noble feelings should be the trails of the religion based on the life and teachings of Christ, in agreement with the principle: who lives with God, chooses love. The love of fellow being was seen and felt by the writer as a significant value which ought to be learnt and contributed to incessantly. The writer as an architect and director of purified of Christianity alien layers and a moral philosopher constantly supported kindliness and condemned evil, spreading out the space of hope and love through his obedience to peace and evangelical source of Christianity, which was perspicaciously expressed in the letter to Stefania Laudyn-Chrzanowska, in a form of a voluminous article — A Reply to a Polish Woman (One of Many).
Źródło:
Acta Polono-Ruthenica; 2008, 1, XIII; 277-286
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Гоголевские традиции в прозе Сергея Залыгина
Gogol’s traditions in Sergey Zalygin ’s prose
Autorzy:
Rudziewicz, Irena
Powiązania:
https://bibliotekanauki.pl/articles/481879.pdf
Data publikacji:
2007-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Sergei Zalygin
Russian literature
Nikolai Gogol;
Opis:
In the article an attempt was made to present Sergey Zalygin’s attitude to Gogol’s literary output. On the basis of a comparative analysis of both writers≪ selected Works, relationships, form of effect and particular element of the influence of Gogol’s poetic on Zalygin’s output were show. Special attention was paid to fantasy and fairy-like aspects manifesting themselves under the influence of tradition on the part of the Russian classic in the last works of the contemporary writer. Some relations and interrelationships between the two writers connected with moral matters and heroes’ attitude to the surrounding reality were concentrated on.
Źródło:
Acta Polono-Ruthenica; 2007, 1, XII; 39-48
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mors voluntaria i literatura rosyjska. Samobójstwo jako akt twórczy, społeczny i polityczny
"Mors voluntaria" and Russian literature. Suicide as an creative, social and political act
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/482215.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
suicide
suicidal motif
suicidology
Russian literature
Opis:
Suicide is, for centuries, a subject of particular interest in various fields, including philosophy, psychology and sociology. The author of this paper takes the “suicide and literature”, in order to examine selected examples of Russian literature. The analysis has highlighted the importance of a variety of typological models of suicides in literary works, as well as the determinants of suicidal behavior of Russian writers. Taken considerations include the spiritual, creative, social and socio- political aspects.
Źródło:
Acta Polono-Ruthenica; 2015, 1, XX; 91-102
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Prawo karne z perspektywy literaturoznawcy. Problem kary w powieści „Zmartwychwstanie” L.N. Tołstoja
Criminal law from the perspective of a philologist. the problem of punishment in the novel “Resurrection” by L.N. Tolstoy
Autorzy:
Kordas, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/540867.pdf
Data publikacji:
2015
Wydawca:
Mazowiecka Uczelnia Publiczna w Płocku
Tematy:
punishment
law
law and literature
Russian literature
Opis:
The aim of the article is an attempt to analyze the problem of punishment in the Leo Tolstoy’s novel – Resurrection. The topic was examined from the perspective of hermeneutic circle, which allowed, by reference to the literary work, biography of the writer, and the epoch when he lived, to show how the problem of punishment is significant in his work. Tolstoy, whose basic law of human life is the mutual love between people, completely rejects the meaningfulness of the penitentiary system.
Źródło:
Społeczeństwo. Edukacja. Język; 2015, 3; 117-125
2353-1266
2449-7983
Pojawia się w:
Społeczeństwo. Edukacja. Język
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Petersburg – miasto jako bohater literacki
Saint Petersburg – the City as a Literary Hero
Autorzy:
Brążkiewicz, Bartłomiej
Powiązania:
https://bibliotekanauki.pl/articles/52405210.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Umiejętności
Tematy:
Petersburg
petersburski tekst literatury rosyjskiej
literatura rosyjska
Saint Petersburg
Petersburg Text of Russian Literature
Russian Literature
Opis:
Petersburg – zdaniem wielu najbardziej niezwykłe i jedyne w swoim rodzaju miasto na świecie, może być postrzegane w typie bohatera na wielu poziomach. Jeden z nich odnosić się będzie do honorowego tytułu, jaki mu nadano w uznaniu heroizmu, którym wykazali się mieszkańcy miasta podczas II wojny światowej, drugi zaś do postrzegania Petersburga w kategoriach bohatera literackiego. Zgodnie z koncepcją petersburskiego tekstu literatury rosyjskiej autorstwa W. Toporowa, jedynie Petersburg zasługuje na miano miasta posiadającego własny, ucieleśniony w literaturze tekst pisany przez wielu autorów. Badania nad współczesnym wariantem tekstu petersburskiego zostały jednak przez czołowego przedstawiciela tartusko-moskiewskiej szkoły semiotyki niejako na wstępie ograniczone do dzieł literackich mających związek z miastem Petersburgiem, od kanonicznych utworów „petersburskich” A. Puszkina i N. Gogola poczynając, a uznając A. Błoka i K. Waginowa za pisarzy zamykających ten temat. Od tego czasu moglibyśmy mieć jedynie do czynienia ze zjawiskiem tzw. „tekstu leningradzkiego”. Jednakże, poddając analizie liczne przykłady składające się na „korpus petersburski” można dojść do wniosku, że teorię Toporowa należy poddać pewnej rewizji, tak aby współgrała z najnowszą rosyjską prozą. Współcześni autorzy nie tylko manifestują głęboką fascynację miastem, ale też wyrażają dlań podziw, wprost odwołują się do jego historii, eksponują sentyment do miejskich mitów, legend i tradycji, rozwijają wątki związane z jego położeniem geograficznym i towarzyszącym mu warunkom klimatycznym, dają wyraz emocjonalnemu przywiązaniu do małej ojczyzny, albo wskazują na ścisłe związki z petersburskim dziedzictwem literackim, co z kolei dowodzi niezmiennie literaturocentrycznego charakteru kultury rosyjskiej. Prezentowane studium pokazuje również, że istnieje zauważalny związek między tradycyjnie postrzeganym tekstem petersburskim a prozą najnowszą, co też może być dowodem aktualności koncepcji Toporowa.
Saint Petersburg – according to many, the most amazing and the only one of its kind city in the world, can be considered as a hero on many levels. One of them concerns the honorary title “Hero City” awarded to Leningrad for the outstanding heroism of its citizens during World War II , while the second is assigned to the city perceived as a literary hero. In agreement with the concept of the Petersburg Text of Russian Literature developed by V. Toporov, Saint Petersburg exclusively deserves to be identified as the city having its own, text written by a number of authors embodied in literature. The study concerning the contemporary variant of the Petersburg Text was somehow limited by the leading representative of Tartu-Moscow Semiotic School himself, who basically referred to the writings relating to the city of Saint Petersburg, starting with the images depicted in literary-canonical texts by A. Pushkin and N. Gogol and recognizing A. Blok and K. Vaginov as the topic-closing writers. Since then it could only be seen as the so-called “Leningrad Text” phenomenon. However, analyzing a number of exemplars constituting the entire Petersburg literary corpus, one could come to the conclusion that Toporov’s theories need to be reviewed in order to be consistent with contemporary Russian prose. Consequently, present-day authors not only demonstrate their deep attraction and admiration of Saint Petersburg, but also openly refer to its history, expand the environmental topics, uncover the emotional attachment to their homeland, expose their interest to urban myths, legends and traditions, or display solid relations to Petersburg literature heritage, which absolutely proves that Russian culture is constantly the literature-centered one. The study also shows that a noticeable relation to the traditional Petersburg Text can be observed in many of the latest works of prose which, again, proves the infiniteness of the entire concept.
Źródło:
Kultura Słowian. Rocznik Komisji Kultury Słowian PAU; 2018, XIV; 305-333
2451-4985
2543-9561
Pojawia się w:
Kultura Słowian. Rocznik Komisji Kultury Słowian PAU
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dyskurs feministyczny i kategoria gender a współczesna literatura rosyjska. Zarys teoretyczny
Feminist discourse and gender in contemporary Russian literature
Autorzy:
Borodzicz-Chiszko, Monika
Powiązania:
https://bibliotekanauki.pl/articles/481457.pdf
Data publikacji:
2010-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Feminist discourse
gender contemporary Russian literature
Opis:
The article is devoted to the problem of feminism and gender in Russia and their influence on the development of contemporary women’s prose. The article deals with the most important features of Russian feminism taking into account the differences in relation to the movement in Western Europe. The author pays special attention to the influence of orthodox religion on the development of feminism in Russia as well as to the specific view of the role of woman and man in the society resulting from Russian culture. Religious and cultural impact over the specific character of Russian feminism is connected with the fact that in Russia a greater emphasis is placed on gender and not on sex. Therefore, the author believes that feminism in Russia has stimulated creativity of women in different fields of art and especially in literature.
Źródło:
Acta Polono-Ruthenica; 2010, 1, XV; 105-110
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Платоновские традиции в творчестве Сергея Залыгина последних лет
Platonov’s traditions in Sergey Zalygin ’s prose
Autorzy:
Rudziewicz, Irena
Powiązania:
https://bibliotekanauki.pl/articles/481827.pdf
Data publikacji:
2008-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Sergei Zalygin
Russian literature
Andrei Platonov
Opis:
In the article an attempt was made to present Sergey Zalygin’s attitude to Platonov’s literally output. On the basis of a comparative analysis of both writers’ selected works, relationships, form soft effect and particular element soft the influence of Platonov’s poetica on Zalygin’s output wereshow. Special attention was paid to fantasy and fairylike aspects manifesting themselves under theinfluence of tradition on the part of the Russian classic.
Źródło:
Acta Polono-Ruthenica; 2008, 1, XIII; 133-143
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Реконструкция авторских смыслов в процессе интерпретации когнитивного пространства текста (на примере анализа концепта „душа” в романе Владимира Набокова Приглашение на казнь)
Reconstruction of the author’s implications in the process of text cognitive space interpretation (by the example of the concept "soul” in the Vladimir Nabokov’s novel "Invitation to an Execution”)
Autorzy:
Sidorova, Tatiana
Powiązania:
https://bibliotekanauki.pl/articles/482279.pdf
Data publikacji:
2010-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian literature
cognitive space
Vladimir Nabokov
Opis:
The article deals with the problem of the text cognitive space interpretation. In the centre of attention is the concept SOUL realized in V. Nabokov’s novel Invitation to an Execution. The role of the concept’s value component is defined. In the process of the author’s conceptual reconstruction we consider cognitive, semantic structural, and communicative aspects of description of knowledge structures which are actualized in the text.
Źródło:
Acta Polono-Ruthenica; 2010, 1, XV; 17-25
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dramaturgia Nikołaja Kolady i jekaterynburgska bohema na łamach czasopisma Didaskalia w latach 2000-2003
The plays of Nikolaj Kolada and the Yekatirenburg Bohemians as presented in ,,Didaskalia magazine in 2000-2003
Autorzy:
Strycharski, Jarosław
Powiązania:
https://bibliotekanauki.pl/articles/482503.pdf
Data publikacji:
2007-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Nikolaj Kolada
modern Russian drama
Russian literature
Yekatirenburg
Opis:
In the article the author examines sparse mentions of the modern Russian drama which development has progressed much in Yekatirenburg. An analysis of the articles mentioning the modern drama proves the author’s statement about N. Kolada, having educated a group of talented playwrights and being the most popular modern dramatist in Russia as well as abroad in spite of his peculiar aesthetic and poetic outlook.
Źródło:
Acta Polono-Ruthenica; 2007, 1, XII; 119-126
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Потенциал иронии в творчестве Людмилы Петрушевской (на примере романа Нас украли. История преступлений)
Autorzy:
Брюханова, Юлия
Powiązania:
https://bibliotekanauki.pl/articles/1022315.pdf
Data publikacji:
2020-10-27
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Russian literature
prose
Lyudmila Petrushevskaya
irony
game
Opis:
Many researchers of Lyudmila Petrushevskaya’s works draw attention to the irony which is the significant element of her prose, drama and poetry. It is important that the ironic principle manifests itself not only as an artistic technique but also as a philosophical aspect. Irony demonstrates the ambivalence of reality. On the one hand, it ridicules and profanes everything. On the other hand, irony gives the certitude of the ontological status of reality. We can see a good example of this function of irony in the novel Nas ukrali. Istoriya prestupleniy (2017). This novel shows the common features of Petrushevskaya’s works – the unity of ironic potential and language. In this case, language is not only the style but first of all the ontological element. This is why the language becomes almost a character in Petrushevskaya’s novel. Irony opens the vital potential of the linguistic personality. As a result, one of the heroes imitates foreign speech but doesn’t speak a foreign language. Irony also helps to reveal the ambivalent nature of life. It shows that our “umora” in Sanskrit and in ancient Indian is “humour” and “death”. So, the game and profanity not only reduce the status of the hero, the image, or the reader’s expectations but, first of all, fill the gap between words, ideas, feelings, and people.
Źródło:
Studia Rossica Posnaniensia; 2020, 45, 2; 105-113
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Медиевалистический текст в современной русской литературе как ответ на поиски идентичности после распада СССР
Autorzy:
Pacyno, Witold
Powiązania:
https://bibliotekanauki.pl/articles/1022703.pdf
Data publikacji:
2019-08-08
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Medievalism
contemporary Russian literature
myth
national identity
Opis:
The aim of the article is defining the cause of popularity of medievalism in contemporary Russian literature as well as describing an impact of the images of the Middle Ages in Russian medievalist texts on the national identity after the collapse of the Soviet Union.
Źródło:
Studia Rossica Posnaniensia; 2019, 44, 1; 201-210
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Игровые и ритуальные практики в русской литературе XIX века
Game and Ritual Practices in the Russian Literature of the 19th Century
Autorzy:
Коковина, Наталья
Powiązania:
https://bibliotekanauki.pl/articles/968724.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
game
ritual
19th-cent. Russian literature
Opis:
The article discusses a range of phenomena for which 19th-century literature established the name of “game”. In the study of symbolic behaviour, one of the most confusing questions is that of the relationship between game and ritual. Fluid boundaries between them and lack of clear idea of the nature of these phenomena have often lead to a widening of the scope of the concepts: “game” has been thought to include ritual behaviours, and the other way round.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2014, 07; 105-112
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Об эволюции образа праведника в творчестве Николая Лескова и Ивана Шмелева
The evolution of the image of pravednik in the literary output of Nicolay Leskov and Ivan Shmelev
Autorzy:
Trojanowska, Beata
Powiązania:
https://bibliotekanauki.pl/articles/480913.pdf
Data publikacji:
2007-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Nikolai Leskov
Ivan Shmelev
pravednik
Russian literature
Opis:
The article discusses the conception of pravednik (the pious one) in the literary output of two Russian writers - Nicolay Leskov (1831-1895) and Ivan Shmelev (1873-1950). It is an attempt at presenting literary characters of „righteous men” reflected in the literary practice of the above-mentioned writers which takes into account the following categories: social background, occupation, appearance, clothes, life style, and moral and religious outlook. Based on the chosen literary examples, the author comes to a conclusion that the type of the pious character in which she is interested shares a lot of common features in the literary output of both Leskov and Shmelev. Apart from this, it is characterized by the dynamics of created heroes. At first, the evolution of the characters was affected by social and historical conditions, and later by religious and spiritual ones.
Źródło:
Acta Polono-Ruthenica; 2007, 1, XII; 49-60
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wizerunek Polki w twórczości Mariny Cwietajewej
Picture of Polish woman in Marina Cvetaeva’s works
Autorzy:
Mazurek, Halina
Powiązania:
https://bibliotekanauki.pl/articles/480923.pdf
Data publikacji:
2009-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Marina Cvetaeva
Russian literature
picture of woman
Opis:
Cvetaeva was always intrugued with her Polish roots. She had no chance of meeting her mother’s moher so she used her poetic imagination to create her grandmother’s portrait in her poetry. Personal characteristics such as: extraordinary beauty, pride, self-restraint rebellious facial expression or secret of life are fund in Polish female characters in Her works (e.g. princess Izabela Czartoryska, Marina Mnishek). Mnishek is the most complex and controversial personality. Out of contrariness so typical of Cvetaeva, while creating the Mnishek’s image the poetess focused on positive characteristics and opposed stereotypes connected with this character, which always characterised artistic expression of the poetess. Another feature of her poetry was identification with her female characters and creation of imaginary, usually ideal life attitudes.
Źródło:
Acta Polono-Ruthenica; 2009, 1, XIV; 137-146
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Z dziejów emigracji rosyjskiej w Polsce – publicystyka Michaiła Arcybaszewa
History of Russian emigration literaturę in Poland – journalism of Mikhail Artsybashev
Autorzy:
Witczak, Patryk
Powiązania:
https://bibliotekanauki.pl/articles/481168.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Mikhail Artsybashev
Russian emigration
Russian literature in Poland
journalism
Opis:
In article was analized emigration’s journalism of Artsybashev from journal “Za svobodu!”. Journalism takes a very important place in the works of Mikhail Artsybashev. The writer witnessed historic changes in Russia of the early 20th century and emigration period and condition of Russian culture and literaturę in Russia and emigration. In his many works included a great number of valuable comments and insightful analysis of the processes taking place on the territory of the decaying Russian Empire.
Źródło:
Acta Polono-Ruthenica; 2017, 2, XXII; 37-47
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Польский национальный мир в интерпретации Г. Гачева: спорное и стереотипное
Polish national world in G. Gachev’s interpretation: disputable and stereotyped
Autorzy:
Nefagina, Galina
Powiązania:
https://bibliotekanauki.pl/articles/482015.pdf
Data publikacji:
2009-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
G. Gachev
Polish national world
Russian literature
Opis:
G. Gachev’s book Russia’s neighbours Poland, Lithuania, Estonia continues the author’s reflections on peculiarities of the national world of different peoples. The basic concepts in the system of G. Gachev’s national world are Cosmos, Psyche, Logos. Important coordinates – Space and Time, Gonia (created by Nature, genesis) and Urgia (created by Labour), male and female origins, vertical and horizontal, the hierarchy of four elements. The researcher reconstructs the national world of Poland substantiating on these universal categories. First of all he introduces the concepts „polskost” and „polstvo”. The first one belongs to spiritual sphere, the second is the unity of material and corporal.
Źródło:
Acta Polono-Ruthenica; 2009, 1, XIV; 147-158
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wizerunek Polki w opowieści Oko cyklonu Aleksandra Woronskiego w świetle koncepcji poznania „Innego” autorstwa Emanuela Levinasa
The image of pole in Aleksander Woronsky’s story „A Cyclone Eye" in the interpretation o f the Emanuel Levinas’ idea of recognizing „Other"
Autorzy:
Pietkiewicz, Natalia
Powiązania:
https://bibliotekanauki.pl/articles/482454.pdf
Data publikacji:
2009-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Aleksander Woronsky
Russian literature
image of pole
Opis:
The article is dedicated to an analysis of female character from Russian story of the 30-ties of 20th Century on the basis of Wanda Dąbrowska’s example. She is playing a role of protagonist and cooperator of Russian revolutionist - Walentyn, and - on the other hand - she is an important factor, which is inspired main Hero to thinking about the human fate in history and the meaning of revolutionary activity. In this way the Reader receives a double imagine of Woman, who are representing another nationality. This double imagine is a consequence of Wanda’s character creation in the narrative strate by the main Hero - another fictional character, which is also an alter ego of the Writer, and - in the same time - by the Writer himself, who decided to set this story in the Belarussian reality from First World War and „bolshevik resolution’s” period, which are familiar to an author from his own experience. The phenomenon of different nationality of the main Heros, and than - the problem of culture dialogue, qualicifying this story to the wide and still popular stream of describing the imagine of a „Stranger” in the literature. This analysis proposes an interpretation of main female character’s plot on the basis of the Emanuel Levinas’ concept of recognizing Other (a part of the philosophy of dialogue, which is characteristic stream for the first half of 20 Century), enriched by the some features of well-known sociological categories like e.g. „familiar Stranger” or „a Stranger at the familiar place”.
Źródło:
Acta Polono-Ruthenica; 2009, 1, XIV; 199-210
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Виндоуз или Windows? Кириллица и латиница в названиях торговых марок (на материале современных русских художественных текстов)
Виндоуз or Windows? Cyrillic and Latin scripting for trademark names (in contemporary Russian fiction texts
Autorzy:
Prokopczuk, Klaudia
Powiązania:
https://bibliotekanauki.pl/articles/444431.pdf
Data publikacji:
2019-06-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
verbal trademarks
modern Russian literature
script mixing
Opis:
This paper discusses the usage principles of Cyrillic and Latin scripting for foreign-lan-guage commercial names in Russian fiction in the late 20th and early 21st centuries. These include the following factors: the existing tradition concerning the employment of foreign language words in Russian texts; the possibility of employing different fonts as means of indirect valuation and of indication that the speech subject belongs to a certain social group, as well as stylistic and morphologic factors related to a possibility (or impossibility) for a trade mark to obtain Russian case endings; the iconic function of a font; a language game.
Źródło:
Acta Neophilologica; 2019, XXI/1; 19-29
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Перестройка: эскиз к портрету эпохи в социальной памяти россиян
Perestroika: a Sketch for a Portrait of the Era in the Social Memory of Russians
Autorzy:
Sadowski, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/2032314.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
perestroika
social memory
Gorbachev
Russian culture
Russian literature
Russian cinema
Źródło:
Slavia Orientalis; 2019, LXVIII, 1; 101-121
0037-6744
Pojawia się w:
Slavia Orientalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dymitr i Maryna. Dramaturgiczne uzasadnienie wątku w sztukach rosyjskich XIX stulecia
Dimitri and Marina. Dramatic justification of motif in 19th century Russian plays
Autorzy:
Mazurek, Halina
Powiązania:
https://bibliotekanauki.pl/articles/481913.pdf
Data publikacji:
2008-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian drama
Dimitri and Maryna
Russian literature
historical drama
Opis:
The author analyses historical drama devoted to the period of confusion in the history of old Russia. Authors such as: A. Pushkin, A. Chomiakov or A. Ostrovsky also turned their attention to the relationship of the False Dimitri with Marina Mnishech, the daughter of Sandomierz province governor who helped the false tsar in his march on Moscow. The coronation of Marina awakened fears of Russians and hope on the part of the Polish since this could enable to gain control over Russia.Many playwrights make a mention of this important event, but not always is it the base for construction of their plays. The purpose of this paper is to show the plays in which plays the motif of Dimitri and Marina is essential, and, without which the architectonics of the plays would be disrupted, this motive appeared there only due to the political and historic role it played.
Źródło:
Acta Polono-Ruthenica; 2008, 1, XIII; 89-97
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Motocykl–widmo, czyli meandry współczesnej fantastyki (Oleg Diwow, Рыжий пес иж)
The ghost motorcycle. The meanders of contemporary fantasy literature (Oleg Divov, Рыжий пес иж)
Autorzy:
Zywert, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/915982.pdf
Data publikacji:
2018-12-20
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Divov, ghost motorcycle, Russian fantasy literature
Divov
ghost motorcycle
Russian fantasy literature
Opis:
The present paper aims at analyzing one of the most recent Divov’s stories entitled Рыжий пес Иж (2016). The text is interesting both due to its literary genre hybridity (it embraces elements of a melodrama, a horror story, a detective story, urban fantasy and a fairy tale) and the topics it touches upon (especially animalistic issues). Divov deploys the well-known literary and cinematic motif of a soul penetrating an object and creates a story of motorcycle haunted by a dog’s soul. Due to its original solutions (inter alia referring to films) Divov’s story is an interesting work illustrating the permanent interrelations between literatures and movies as well as the author’s exploration within this scope. Moreover, the manner of creating the animal character and placing it within the structure allow for including Divov’s story into the group of contemporary literary works reflecting the proanimal trends in Russian culture.
Źródło:
Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2018, 8; 273-285
2391-470X
Pojawia się w:
Kultury Wschodniosłowiańskie – Oblicza i Dialog
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Литература русского зарубежья в польских учебных пособиях
Literature of Russian diaspora in the Polish coursebooks
Autorzy:
Mianowska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/481285.pdf
Data publikacji:
2006-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian emigrant literature
„first wave” of Russian emigration
„third wave” of Russian emigrant literature
Opis:
This paper is a short history of presentation of Russian emigrant literature in Polish textbookssince the 1970s. The author emphasizes that even in the period of Marxist views the best specialistson the subject tried to overcome the pressure of the dominant ideology and to give a completethough necessarily brief analysis of the most important writers of the „first wave” of Russianemigration. In the 1990s starts the process of „rediscovery” of many unknown names in the „thirdwave” of Russian emigrant literature which have also found their way into the textbooks. Theauthor believes that the ever increasing development of scientific research in the field will result inthe appearance of a new Polish textbook which will be able to fully satisfy the students’ needs.
Źródło:
Acta Polono-Ruthenica; 2006, 1, XI; 157-167
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sergey Arno’s Personal Comments on the Value of Literature and the Function of Literary Criticism Incorporated in His Works
O wartości i wartościowaniu literatury. Odautorskie komentarze Siergieja Arno
Autorzy:
Brążkiewicz, Bartłomiej
Powiązania:
https://bibliotekanauki.pl/articles/52169938.pdf
Data publikacji:
2023
Wydawca:
Polska Akademia Umiejętności
Tematy:
Sergey Arno
Russian Literature
Contemporary Russian Literature
St Petersburg Prose
Siergiej Arno
literatura rosyjska
współczesna literatura rosyjska
proza petersburska
Opis:
On the one hand, Sergey Arno’s prose stands out due to its black humour, full of paradoxical thoughts and absurd imaginations, but on the other hand, it deals with the condition of literature, its function, value, and literary criticism (i.e. its assessment). Apart from addressing literary subjects, his works relatively often reveal autobiographical and self-referential elements. For this reason, it is possible to extract from Arno’s texts fragments investigating the value of literature and its assessment that can be identified with the author’s own position. This article is an attempt to reconstruct the writer’s views based on four of his works in prose: three fictional pieces and one non-fiction book.
Prozę Siergieja Arno wyróżnia z jednej strony pełen paradoksalnych myśli oraz absurdalnych wyobrażeń czarny humor, z drugiej zaś strony stosunkowo ważne miejsce zajmują w niej odniesienia do kondycji literatury, jej funkcji, wartości, a także do krytyki literackiej (tj. wartościowania). Ponieważ twórczość prozaika, obok literaturotematycznych, stosunkowo często wykazuje też cechy autobiograficzne i autotematyczne, z niektórych  tekstów Arno daje się wydobyć fragmenty dotyczące wartości i wartościowania literatury, które można utożsamić ze stanowiskiem samego autora. Niniejszy artykuł stanowi próbę takiej rekonstrukcji poglądów pisarza w oparciu o cztery utwory prozatorskie: trzy fikcjonalne oraz jeden faktograficzny.
Źródło:
Kultura Słowian. Rocznik Komisji Kultury Słowian PAU; 2023, XIX; 69-82
2451-4985
2543-9561
Pojawia się w:
Kultura Słowian. Rocznik Komisji Kultury Słowian PAU
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Chrześcijańskie przesłanie prozy Władimira Maksimowa
The Christian message of Vladimir Maksimov’s prose
Autorzy:
Siemianowska, Izabella
Powiązania:
https://bibliotekanauki.pl/articles/482086.pdf
Data publikacji:
2009-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Vladimir Maximov’s prose
Russian literature
Christian message
Opis:
The aim of this article is to attempt to prove that the prose of one of the most distinguished representatives of „the third wave” of Russian emigration, Vladimir Maksimov, is based on Christian philosophy. Christian philosophy is a philosophy of love. Maksimov’s characters on their way towards God and faith are almost usually led there by the selfless love of their fellow creatures. The main message of the writer’s works is the Christian concept according to which God exists in every human being. Therefore, Maksimov’s novels contain numerous examples of goodness and human mercy, thanks to which the characters discover a divine element in themselves, and then their lives gain a new, deeper dimension. The regaining of faith in another human being is, according to Vladimir Maksimov, the first step to the regaining of faith in God. The author of Seven Days of Creation saw the hope of overcoming the sin of totalitarianism in the return of the Russian nation to faith. In the writer’s understanding, totalitarianism was evil, because it denied the existence of God and destroyed the individual by depriving it of the possibility to relate to the Transcendence. Numerous biblical references confirm the Christian concept of the world and humanity in Maksimov’s works. The key to the understanding of Maksimov’s prose lies in the teachings of Christ, the deep sense of which has been enclosed in the mystery of the Resurrection.
Źródło:
Acta Polono-Ruthenica; 2009, 1, XIV; 253-263
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bajki o krytyce. Andriej Nemzer − „król” współczesnej krytyki literackiej w Rosji
FAIRYTALES ABOUT CRITICISM. ANDREI NEMZER − “THE KING” OF MODERN LITERARY CRITICISM IN RUSSIA
Autorzy:
Karwacka, Monika
Powiązania:
https://bibliotekanauki.pl/articles/445068.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
literary criticism
Andrei Nemzer
Russian literature
modern criticism
Opis:
This paper attempts to present and analyze Andrei Nemzer’s literary criticism which in his opinion is an a priori stance on Russian modern literature and criticism. The author examines Nemzer’s critical discourse in order to reveal his unjustified pride and confidence in the area of literary criticism. The paper presents opinions of other Russian modern critics whose activity is aimed at improving the condition of the domestic literature rather than depreciating it as Nemzer does. The analysis of Nemzer’s texts proves that his criticism within the last decades has gone into the direction of a negative critique of Russian modern literature and thus discouraging young talented writers in Russia.
Źródło:
Acta Neophilologica; 2016, XVIII/2; 203-211
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Чеховские мотивы, образы, приемы в произведениях русских писателей конца ХХ – начала ХХI вв.
Chekhovian Motifs, Imagery and Techniques in the Works of Russian Writers of the Turn of the 21st Century
Autorzy:
Гордович, Кира
Powiązania:
https://bibliotekanauki.pl/articles/968731.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Chekhovian motifs
intertextuality
contemporary Russian literature
Vladimir Makanin
Opis:
The creative principles and techniques of Anton Chekhov have proved attractive to modern writers. Many late-20th-century authors, e.g. Tendryakov or Sasha Sokolov, used the naiveté and naturalness of a child’s mind when depicting contradictions and controversial issues. A connection with Chekhov is evident in the development of the theme of a mental institution, its doctors and patients (Makanin, Pelevin). Also the Chekhovian principle of refusal to categorically judge the words and deeds of the characters gains fundamental importance (Dovlatov). It is from Chekhov that modern writers have learnt to present serious psychological issues and world-view questions through commonplace imagery.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2014, 07; 249-256
1427-9681
2353-4834
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Rossica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Człowiek współczesny w obłędnym tańcu emocji życia codziennego („Dziewięć opowiadań z obłędem w tle”)
Autorzy:
Duda, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/46110052.pdf
Data publikacji:
2021-11-20
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
modern Russian literature
everyday life
emotions
diseases
ecology
Opis:
This article focuses on the changes which occurred in modern Russian literature after the collapse of communism. There is no more Soviet censorship banning a lot of topics such as human beings, individual’s problems, life choices and decisions. The authors of the anthology titled Nine Stories with Madness in the Background write about individuality and difficulties connected with insecurity in the chaos of the modern world. Mental illness and disorders usually play the role of metaphors referring to the obstacles in understanding and behaviour in the new post-soviet space.
Źródło:
Studia Interkulturowe Europy Środkowo-Wschodniej; 2021, 14; 178-195
1898-4215
Pojawia się w:
Studia Interkulturowe Europy Środkowo-Wschodniej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fantastyka naukowa jako pole przenikania się kultur polskiej i rosyjskiej (na przykładzie twórczości Andrzeja Sapkowskiego i Siergieja Łukianienki)
Science fiction and fantasy as an area of intersection between Polish and Russian culture (exemplified with works by Andrzej Sapkowski and Sergey Lukyanenko)
Autorzy:
Witecki, Arkadiusz
Powiązania:
https://bibliotekanauki.pl/articles/481016.pdf
Data publikacji:
2008-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Sapkowski
Sergey Lukyanenko
science fiction
fantasy
Polish literature
Russian literature
Opis:
Polish writer Andrzej Sapkowski and his Russian colleague Sergey Lukyanenko are considered to be two best-known living science-fiction and fantasy authors from their countries at the turn of the century. What is more, their popularity is not only connected with their homeland, but also spreads to other countries. As we can observe, Lukyanenko is the most important living Russian modern SF&F author in Poland, whereas Sapkowski is one of the best-known Polish contemporary writers in Russia (not only SF&F, but in general - right after Lem and Chmielewska). It is interesting to take a close look at their popularity and reveal how their works connect and influence many different branches of culture in Poland and Russia. It is impossible to take into consideration all of their works, so we concentrate on Sapkowski’s The Witcher saga and Lukyanenko’s four urban fantasy novels about The Night Watch and The Day Watch. On this basis we present their influence on such cultural areas as film, comic books and computer games. We also describe the reception of this influence and its results in Poland and Russia.
Źródło:
Acta Polono-Ruthenica; 2008, 1, XIII; 217-231
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Nadieżdy Teffi związki z Polską
Nadezhda Teffi’s relationships with Poland
Autorzy:
Bielniak, Nel
Powiązania:
https://bibliotekanauki.pl/articles/481423.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Nadezhda Teffi
Russian literature in immigration
Polish-Russian literary contacts
family
Opis:
The contacts of the popular Russian humorist and the representative of the first wave of emigration with Poland begin at the level of family connections. Teffi used to visit Warsaw where she became acquainted with the representatives of the local literary world. Her works, translated into Polish, were published both by numerous magazines, separate collections and showed on stage. Polish themes appear in Teffi’s works too.
Źródło:
Acta Polono-Ruthenica; 2017, 2, XXII; 7-16
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Misja literatury emigracyjnej („pierwsza fala” emigracji rosyjskiej)
The mission of the emigrants’ literature („the first wave of the Russian emigration)
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/480828.pdf
Data publikacji:
2007-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian emigrants’ literature
first wave Russian emigration
literature
Opis:
Since the first years before the post-revolutionary emigration („the first wave”), the problem of the special assignment given by history appeared. Authors of the emigration literature understood its mission differently, however, they did agree on this one point: the principle of artistic freedom is the underlying reason for the emigrants’ literature. Alluding to Nina Berberowa’s wellknown formula, it is not about exile, but about the mission. Spiritual values of the „mission” of the Russian diaspora are becoming a part of the national culture in contemporary times.
Źródło:
Acta Polono-Ruthenica; 2007, 1, XII; 77-93
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
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