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Wyświetlanie 1-15 z 241
Tytuł:
Iwona Anna Ndiaye, Hipertrofia tęsknoty za utraconym domem w poezji emigrantów rosyjskich „ pierwszej fali”, Wydawnictwo Uniwersytetu Warmińsko-Mazurskiego, Olsztyn 2008, ss. 320.
Autorzy:
Ojcewicz, Grzegorz
Powiązania:
https://bibliotekanauki.pl/articles/480959.pdf
Data publikacji:
2010-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian literature
emigrantology
Źródło:
Acta Polono-Ruthenica; 2010, 1, XV; 287-290
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Польский аромат” в прозе Н. С. Лескова
„Polish oeuvre in N. Leskov’sprose
Autorzy:
Neminuszczij, Arkadij
Powiązania:
https://bibliotekanauki.pl/articles/481453.pdf
Data publikacji:
2006-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Leskov
Russian literature
Russian prose
Opis:
The present article regards the specificity of the realization of the Polish theme in N. Leskov’s prose. This element of the Russian writer’s artistic world is represented in his writing of the 1860s-1880s. N. Leskov had a personal experience of Poland which he visited at the beginning of the 1860s. Most vividly Polish thematics is represented in the novel Nowhere (1864), as well as in the stories and articles of his last years: Russian Democrat in Poland (1880), Interesting Men (1885), etc.The realization of the Polish motif in N. Leskov’s prose is, on the one hand, traditional for Russian literature, depicting international phenomena and topos of different cultures as „other” which are seldom perceived as foreign and hostile. The individuality of N. Leskov is manifested in the fact that his version of depicting Poland and Polish is opposed to the official state imperial position according to which Poland was regarded as a permanent source of danger. This stereotype is destroyed in N. Leskov’s prose.
Źródło:
Acta Polono-Ruthenica; 2006, 1, XI; 49-55
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Teatralna „moda na Rosję”. Współczesna dramaturgia rosyjska na scenach polskich (po roku 1989)
„The fad for Russia at the stage. Contemporary Russian dramaturgy on Polish stages (after 1989)
Autorzy:
Semczuk, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/482541.pdf
Data publikacji:
2008-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
contemporary Russian dramaturgy
Russian literature
Opis:
Since the political tranformations in Poland in 1989, theatre has been the only area, not affectedby the hostile attitude towards Russian culture.Initially, that is the years 1989-1995, the changes made Russian literature disappear from thePolish artistic marked completely. Only the second half of the last 20th century decade balance to it.The slighttest fluctuactions have been noticed at the theatre, where Russian art is the second mostpopular after Polish.In the beginning of 21th century the new Russian literature and the new Russian drama are verypopular in Poland.
Źródło:
Acta Polono-Ruthenica; 2008, 1, XIII; 169-180
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Мышление военное и гуманистичное в произведениях Млечны Шлях Кузьми Чорного, Pierwszy dzień wolności Леона Кручковского и Люди мы или нелюди Владимира Тендрякова
Military and humanistic way of thinking in such works o f literature: „Млечны Шлях" by Kuzma Chornyj, ,,Pierwszy dzień wolności” by Leon Kryuchkowski and „Люди мыi или не люди" by Vladimir Tendryakov
Autorzy:
Oleander, Luiza
Powiązania:
https://bibliotekanauki.pl/articles/482621.pdf
Data publikacji:
2006-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian literature
Polish literature
Ukrainian literature
Opis:
In this article setting and literary decision of conflict, which appeared between war thinking and humanist thinking, are being traced through poetics, the character of development of literary- philosophic thought, which is directed to the defence of common to all mankind values, is determined.
Źródło:
Acta Polono-Ruthenica; 2006, 1, XI; 145-156
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Польские” страницы романа Людмилы Улицкой Даниэль Штайн, переводчик
"Polish” pages of "Daniel Stein, the translator” by Ludmila Ulitskaja
Autorzy:
Niefagina, Halina
Powiązania:
https://bibliotekanauki.pl/articles/481659.pdf
Data publikacji:
2010-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Ludmila Ulitskaja
Russian literature
Opis:
The author of the article analyses “Polish” pages of Daniel Stein, the translator, one of themost disputable novels written by Ulitskaya. Complicated life of frontier (eastern and western) Polish lands shown through life stories of the characters is dealt with. The subjective images ofPoland which appear in consciousness of the heroes are of the utmost importance for understandingthe ideology of the novel. In general the image of Poland in L.Ulitskaya’s novel is connectedwith semantics of losses, and the break of characters’ real connections with their homeland can beunderstood as the evidence of trouble, disintegration of integrity.
Źródło:
Acta Polono-Ruthenica; 2010, 1, XV; 133-141
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Некоторые социальные и культурные корни платоновской антиутопии
Some social and cultural roots of Platonov’s anti-Utopia
Autorzy:
Biełousowa, Wiera
Powiązania:
https://bibliotekanauki.pl/articles/480931.pdf
Data publikacji:
2008-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Platonov
anti-Utopia
Russian literature
Opis:
The author of this article analyses the socio-cultural basis which shows the unique of an artistic world in the novel Tchevengur written by A. Platonov. The splitting of „un-fortunate personality”, Utopian dreams, barbarisation of culture, chaos, eschatology of the way of thinking, as well as emotions and feelings; all of these are reflected to a considerable degree on the pages of the analysed piece of work. „Double-belief” of the Russian mockery culture, Slavonic mythology, polemic about N. Fiodorov’s ideas, a dialogue with Rosanov’s philosophy of gender characterizes this literary work which is regarded as a significant monument of the epoch’s awareness.
Źródło:
Acta Polono-Ruthenica; 2008, 1, XIII; 299-306
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bowaryzm – nuda – melancholia. Uwagi o bohaterach XIX-wiecznej literatury rosyjskiej
Bovarism – boredom – melancholy. Remarks about heroes of 19th century Russian literature
Autorzy:
Kotkiewicz, Aurelia
Powiązania:
https://bibliotekanauki.pl/articles/649133.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
bovarism
Russian literature
boredom
melancholy
Opis:
The article examines the notion of bovarism which can be seen in the work of the most outstanding Russian writers of the second half of the 19th century, for example Leo Tolstoy, Fyodor Dostoyevsky and Anton Chekhov. It seems that the source of bovaristic attitude, which is culturally, socially and psychologically motivated, is the extremity of the Russian character prone to self-sacrifice, offering and suffering, as well as cruelty and sadism. A Russian variant of bovarism is boredom and melancholy.
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Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2018, 49, 3; 169-178
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Od "Płatonowa" do Sachalina
From "Platonov" to Sakhalin
От "Платонова" до Сахалина
Autorzy:
Ksenicz, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/50393267.pdf
Data publikacji:
2016-08-21
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Russian literature
drama
Anton Czekhov
Opis:
The author attempts to specify the facts related to the publications and the reaction of criticism to the first dramatic writings by Czekhov. The young author had to break the old canons of dramatical art, which led to a strong reaction of the supporters of the traditional understanding of drama. This is exemplified by the history of the “Ivanov” performance.
Źródło:
Rusycystyczne Studia Literaturoznawcze; 2016, 26; 122-130
0208-5038
2353-9674
Pojawia się w:
Rusycystyczne Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jeszcze raz o Borysie Godunowie Aleksandra Puszkina
Once again about „Boris Godunof by Alexandr Pushkin
Autorzy:
Stachurka, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/482061.pdf
Data publikacji:
2006-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Pushkin
Boris Godunov
Russian literature
Opis:
The tragedy Borys Godunov should be admitted to be a picture of an essential culture space. The drama represents generally accepted stereotypes and patterns refering to the Polish nation, however it pays attention to diversity of meaning of Pushkin’s attitude towards Poland. The poet contrasted in the work culture and customs of both nations, he chose heroes, whose names and behaviour evoked readers’ doubts and associations with the biography of Pushkin. Characters of the drama are among others: the fictitious son of Andrzej Kurbski - the Kazakh hero, the nobleman Sobański - in all probability related to the emissary Karolina Sobańska, mysterious and susceptible of various interpretations Piotr Łukicz Chruszczow. Present Pushkin’s texts researches confirmed, that impossible is univocal defining the poet’s mutual relations to Poland and the Polish. Pushkin’s views on the Polish matter differed from his personal connections with Mickiewicz’s compatriots, but, probably, he had the invariable and finally specified opinion on the real weight of the Republic of Poland’s culture and its meaning for Russia and Western Europe.
Źródło:
Acta Polono-Ruthenica; 2006, 1, XI; 39-47
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mikhail Murav’ev, a poet and tutor of virtue
Autorzy:
Drozdek, Adam
Powiązania:
https://bibliotekanauki.pl/articles/423318.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
Russian literature
ethics
science
religion
Opis:
Murav’ev was a poet of moderate importance for the eighteenth century Russian literature. He was also a tutor of Catherine II’s grandsons, Alexander and Constantine. In this capacity, he prepared numerous handouts to teach Russian history, politics, science, and ethics. Murav’ev stressed the preeminence of virtue in everyone’s life. The voice of the heart should be the guide in resolving moral problems. This voice is the gift of God and as such it can be usually trusted. Thus, morality is based on theology. Murav’ev’s theology presents a grand vision of providential God who appears to be viewed from the unitarian perspective.
Źródło:
IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych; 2014, 26; 291-302
0860-4487
Pojawia się w:
IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Драматургия движения „Новая драма” и кризис идентичности: социокультурный и литературоведческий аспект
The Russian movement „New Drama and the identity crisis: socio-cultural and philological aspects
Autorzy:
Bolotyan, Ilmira
Powiązania:
https://bibliotekanauki.pl/articles/482249.pdf
Data publikacji:
2009-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian literature
New Drama
contemporary Russian dramaturgy
Opis:
„New Drama” is the name of a theatrical-dramatic movement born in Russia in the end of XX beginning of XXI century. It brings together many authors, directors and actors. The article describes principal representations of the reality appearing in the contemporary Russian dramaturgy: the category of violence and the dramatic „image of the identity crisis”. Representations of four types of identification are discussed: essential, social, cultural and spiritual - which are the basis of the first typology of the New Drama’s conflict situations, characters and plots.
Źródło:
Acta Polono-Ruthenica; 2009, 1, XIV; 25-35
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Изобразительность - „второй язык” словесности
Imagery - the second language” of philology
Autorzy:
Stepanyan-Rumiantseva, Elena
Powiązania:
https://bibliotekanauki.pl/articles/482398.pdf
Data publikacji:
2010-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
methods of ekfrasis in literature
Russian literature
Opis:
This article covers methods of ekfrasis in literature. Author exposes the meaning of elements of visual art like light, colour, perspective etc. in verbal arts. Elena Stepanian-Rumyantseva talks about psychological and moral motivation explaining the using of different functions of visuality in literature.
Źródło:
Acta Polono-Ruthenica; 2010, 1, XV; 177-188
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zabawa czy afekt? O ideologicznym uwikłaniu twórczości Wiktora Pielewina
Fun or affect? On the ideological entanglement of the works of Victor Pelevin
Autorzy:
Polak, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/2224115.pdf
Data publikacji:
2022-12-25
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Pelevin
ideology
game
postmodern literature
Russian literature
Opis:
The aim of the article is to review Victor Pelevin’s works in terms of their critique of current social and political processes as well as various kinds of ideologies and theories. Despite the writer’s association with the group of postmodern artists he is not only focused on typically postmodern text games and playing with readers, his ambitions are also targeted at shaping their views and behaviors. The author of Generation “P” reacts vividly to the changing reality, he is a keen observer with ambitions to influence the world. He raises issues of universal nature, protesting against all ideological norms, social categories, standardizing fashions and stereotypes that enslave human beings, against all ways of manipulating human consciousness. His approach is constantly met with criticism of both pro-Western and traditionalist circles. The former accuse him of an overly skeptical attitude to the Western model of life, while the latter do not like the writer’s ironic approach to social reality, polemics with Russian values and attempts to discredit them.
Źródło:
Studia Rossica Posnaniensia; 2022, 47, 2; 61-76
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Berliński kod architektoniczny w twórczości emigracyjnej Vladimira Nabokova
Berlin architectural code in emigrant creation of Vladimir Nabokov
Autorzy:
NDiaye, Iwona Anna
Powiązania:
https://bibliotekanauki.pl/articles/482191.pdf
Data publikacji:
2013-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Russian emigration
Russian literature
Nabokov
architectural code
Opis:
In 1921-1923 Berlin was a centre of Russian emigration. Many poets and writers from Russia, like Maksim Gorki, Aleksy Remizow, Andriej Bieły, Ilja Erenburg, Aleksy Tołstoj, Władysław Chodasiewicz, Borys Pasternak, and for a short time also Marina Cwietajewa and Siergiej Jesienin, connected their life with this city. It was just in Berlin where was working one of the most interesting and the most intriguing writer of XX century (1922-1937) - Vladimir Nabokov. These period was characterized for him not only by happy moments (first love, marriage, birth of son), but also by tragic ones (death offather). His stay in Berlin marked out really important stage in creativity of Nabokov. It was theplace of his debut in the pages of Berlin’s newspaper “Руль” in 1921, in which he published his first poems under the pseudonym Sirin. In Berlin Nabokov wrote his first story and first novel. Itwas where he achieved his fame and formed his unique style of writing. Nabokov’s emigrant prose from 20’s constitutes an extraordinary guidebook to Berlin. In his art pieces he recreated the topography of Berlin by using architectural codes. Most often he related the code of home to a closed, domestic and peaceful circle. It is a circle tight in the meaning of space, but profound in the meaning of sensations. The lack of real home was a reason to lookingfor surrogate and it effected disorientation in the world in which poet had no place. The city hasa role of open, then foreign and hostile space. Here for the most part we can see the code in the shape of street or houses in city. This kind of code used by Nabokov, but also by other emigrantpoets, creates a feeling of disharmony, artificiality and unnaturalness.
Źródło:
Acta Polono-Ruthenica; 2013, 1, XVIII; 67-78
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 241

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