Skocz do pozycji: 1.

Tytuł:

Iwona Anna Ndiaye, Hipertrofia tęsknoty za utraconym domem w poezji emigrantów rosyjskich „ pierwszej fali”, Wydawnictwo Uniwersytetu Warmińsko-Mazurskiego, Olsztyn 2008, ss. 320.

Autorzy:

Ojcewicz, Grzegorz

Powiązania:

https://bibliotekanauki.pl/articles/480959.pdf

Data publikacji:

2010-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Russian literature
emigrantology

Źródło:

Acta Polono-Ruthenica; 2010, 1, XV; 287-290
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 2.

Tytuł:

„Балтийский регион”, № 3(5), Калининград 2010.

Autorzy:

Rudziewicz, Irena

Powiązania:

https://bibliotekanauki.pl/articles/481935.pdf

Data publikacji:

2010-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

rewiev
Russian literature

Źródło:

Acta Polono-Ruthenica; 2010, 1, XV; 291-293
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 3.

Tytuł:

„Польский аромат” в прозе Н. С. Лескова
„Polish oeuvre in N. Leskov’sprose

Autorzy:

Neminuszczij, Arkadij

Powiązania:

https://bibliotekanauki.pl/articles/481453.pdf

Data publikacji:

2006-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Leskov
Russian literature
Russian prose

Opis:

The present article regards the specificity of the realization of the Polish theme in N. Leskov’s prose. This element of the Russian writer’s artistic world is represented in his writing of the 1860s-1880s. N. Leskov had a personal experience of Poland which he visited at the beginning of the 1860s. Most vividly Polish thematics is represented in the novel Nowhere (1864), as well as in the stories and articles of his last years: Russian Democrat in Poland (1880), Interesting Men (1885), etc.The realization of the Polish motif in N. Leskov’s prose is, on the one hand, traditional for Russian literature, depicting international phenomena and topos of different cultures as „other” which are seldom perceived as foreign and hostile. The individuality of N. Leskov is manifested in the fact that his version of depicting Poland and Polish is opposed to the official state imperial position according to which Poland was regarded as a permanent source of danger. This stereotype is destroyed in N. Leskov’s prose.

Źródło:

Acta Polono-Ruthenica; 2006, 1, XI; 49-55
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 4.

Tytuł:

Teatralna „moda na Rosję”. Współczesna dramaturgia rosyjska na scenach polskich (po roku 1989)
„The fad for Russia at the stage. Contemporary Russian dramaturgy on Polish stages (after 1989)

Autorzy:

Semczuk, Małgorzata

Powiązania:

https://bibliotekanauki.pl/articles/482541.pdf

Data publikacji:

2008-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

contemporary Russian dramaturgy
Russian literature

Opis:

Since the political tranformations in Poland in 1989, theatre has been the only area, not affectedby the hostile attitude towards Russian culture.Initially, that is the years 1989-1995, the changes made Russian literature disappear from thePolish artistic marked completely. Only the second half of the last 20th century decade balance to it.The slighttest fluctuactions have been noticed at the theatre, where Russian art is the second mostpopular after Polish.In the beginning of 21th century the new Russian literature and the new Russian drama are verypopular in Poland.

Źródło:

Acta Polono-Ruthenica; 2008, 1, XIII; 169-180
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 5.

Tytuł:

Мышление военное и гуманистичное в произведениях Млечны Шлях Кузьми Чорного, Pierwszy dzień wolności Леона Кручковского и Люди мы или нелюди Владимира Тендрякова
Military and humanistic way of thinking in such works o f literature: „Млечны Шлях" by Kuzma Chornyj, ,,Pierwszy dzień wolności” by Leon Kryuchkowski and „Люди мыi или не люди" by Vladimir Tendryakov

Autorzy:

Oleander, Luiza

Powiązania:

https://bibliotekanauki.pl/articles/482621.pdf

Data publikacji:

2006-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Russian literature
Polish literature
Ukrainian literature

Opis:

In this article setting and literary decision of conflict, which appeared between war thinking and humanist thinking, are being traced through poetics, the character of development of literary- philosophic thought, which is directed to the defence of common to all mankind values, is determined.

Źródło:

Acta Polono-Ruthenica; 2006, 1, XI; 145-156
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 6.

Tytuł:

„Польские” страницы романа Людмилы Улицкой Даниэль Штайн, переводчик
"Polish” pages of "Daniel Stein, the translator” by Ludmila Ulitskaja

Autorzy:

Niefagina, Halina

Powiązania:

https://bibliotekanauki.pl/articles/481659.pdf

Data publikacji:

2010-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Ludmila Ulitskaja
Russian literature

Opis:

The author of the article analyses “Polish” pages of Daniel Stein, the translator, one of themost disputable novels written by Ulitskaya. Complicated life of frontier (eastern and western) Polish lands shown through life stories of the characters is dealt with. The subjective images ofPoland which appear in consciousness of the heroes are of the utmost importance for understandingthe ideology of the novel. In general the image of Poland in L.Ulitskaya’s novel is connectedwith semantics of losses, and the break of characters’ real connections with their homeland can beunderstood as the evidence of trouble, disintegration of integrity.

Źródło:

Acta Polono-Ruthenica; 2010, 1, XV; 133-141
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 7.

Tytuł:

Некоторые социальные и культурные корни платоновской антиутопии
Some social and cultural roots of Platonov’s anti-Utopia

Autorzy:

Biełousowa, Wiera

Powiązania:

https://bibliotekanauki.pl/articles/480931.pdf

Data publikacji:

2008-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Platonov
anti-Utopia
Russian literature

Opis:

The author of this article analyses the socio-cultural basis which shows the unique of an artistic world in the novel Tchevengur written by A. Platonov. The splitting of „un-fortunate personality”, Utopian dreams, barbarisation of culture, chaos, eschatology of the way of thinking, as well as emotions and feelings; all of these are reflected to a considerable degree on the pages of the analysed piece of work. „Double-belief” of the Russian mockery culture, Slavonic mythology, polemic about N. Fiodorov’s ideas, a dialogue with Rosanov’s philosophy of gender characterizes this literary work which is regarded as a significant monument of the epoch’s awareness.

Źródło:

Acta Polono-Ruthenica; 2008, 1, XIII; 299-306
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 8.

Tytuł:

Bowaryzm – nuda – melancholia. Uwagi o bohaterach XIX-wiecznej literatury rosyjskiej
Bovarism – boredom – melancholy. Remarks about heroes of 19th century Russian literature

Autorzy:

Kotkiewicz, Aurelia

Powiązania:

https://bibliotekanauki.pl/articles/649133.pdf

Data publikacji:

2018

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

bovarism
Russian literature
boredom
melancholy

Opis:

The article examines the notion of bovarism which can be seen in the work of the most outstanding Russian writers of the second half of the 19th century, for example Leo Tolstoy, Fyodor Dostoyevsky and Anton Chekhov. It seems that the source of bovaristic attitude, which is culturally, socially and psychologically motivated, is the extremity of the Russian character prone to self-sacrifice, offering and suffering, as well as cruelty and sadism. A Russian variant of bovarism is boredom and melancholy.
-

Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2018, 49, 3; 169-178
1505-9057
2353-1908

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Polonica

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 9.

Tytuł:

Jeszcze raz o Borysie Godunowie Aleksandra Puszkina
Once again about „Boris Godunof by Alexandr Pushkin

Autorzy:

Stachurka, Małgorzata

Powiązania:

https://bibliotekanauki.pl/articles/482061.pdf

Data publikacji:

2006-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Pushkin
Boris Godunov
Russian literature

Opis:

The tragedy Borys Godunov should be admitted to be a picture of an essential culture space. The drama represents generally accepted stereotypes and patterns refering to the Polish nation, however it pays attention to diversity of meaning of Pushkin’s attitude towards Poland. The poet contrasted in the work culture and customs of both nations, he chose heroes, whose names and behaviour evoked readers’ doubts and associations with the biography of Pushkin. Characters of the drama are among others: the fictitious son of Andrzej Kurbski - the Kazakh hero, the nobleman Sobański - in all probability related to the emissary Karolina Sobańska, mysterious and susceptible of various interpretations Piotr Łukicz Chruszczow. Present Pushkin’s texts researches confirmed, that impossible is univocal defining the poet’s mutual relations to Poland and the Polish. Pushkin’s views on the Polish matter differed from his personal connections with Mickiewicz’s compatriots, but, probably, he had the invariable and finally specified opinion on the real weight of the Republic of Poland’s culture and its meaning for Russia and Western Europe.

Źródło:

Acta Polono-Ruthenica; 2006, 1, XI; 39-47
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 10.

Tytuł:

Mikhail Murav’ev, a poet and tutor of virtue

Autorzy:

Drozdek, Adam

Powiązania:

https://bibliotekanauki.pl/articles/423318.pdf

Data publikacji:

2014

Wydawca:

Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku

Tematy:

Russian literature
ethics
science
religion

Opis:

Murav’ev was a poet of moderate importance for the eighteenth century Russian literature. He was also a tutor of Catherine II’s grandsons, Alexander and Constantine. In this capacity, he prepared numerous handouts to teach Russian history, politics, science, and ethics. Murav’ev stressed the preeminence of virtue in everyone’s life. The voice of the heart should be the guide in resolving moral problems. This voice is the gift of God and as such it can be usually trusted. Thus, morality is based on theology. Murav’ev’s theology presents a grand vision of providential God who appears to be viewed from the unitarian perspective.

Źródło:

IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych; 2014, 26; 291-302
0860-4487

Pojawia się w:

IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 11.

Tytuł:

Драматургия движения „Новая драма” и кризис идентичности: социокультурный и литературоведческий аспект
The Russian movement „New Drama and the identity crisis: socio-cultural and philological aspects

Autorzy:

Bolotyan, Ilmira

Powiązania:

https://bibliotekanauki.pl/articles/482249.pdf

Data publikacji:

2009-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Russian literature
New Drama
contemporary Russian dramaturgy

Opis:

„New Drama” is the name of a theatrical-dramatic movement born in Russia in the end of XX beginning of XXI century. It brings together many authors, directors and actors. The article describes principal representations of the reality appearing in the contemporary Russian dramaturgy: the category of violence and the dramatic „image of the identity crisis”. Representations of four types of identification are discussed: essential, social, cultural and spiritual - which are the basis of the first typology of the New Drama’s conflict situations, characters and plots.

Źródło:

Acta Polono-Ruthenica; 2009, 1, XIV; 25-35
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 12.

Tytuł:

Изобразительность - „второй язык” словесности
Imagery - the second language” of philology

Autorzy:

Stepanyan-Rumiantseva, Elena

Powiązania:

https://bibliotekanauki.pl/articles/482398.pdf

Data publikacji:

2010-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

methods of ekfrasis in literature
Russian literature

Opis:

This article covers methods of ekfrasis in literature. Author exposes the meaning of elements of visual art like light, colour, perspective etc. in verbal arts. Elena Stepanian-Rumyantseva talks about psychological and moral motivation explaining the using of different functions of visuality in literature.

Źródło:

Acta Polono-Ruthenica; 2010, 1, XV; 177-188
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 13.

Tytuł:

Zabawa czy afekt? O ideologicznym uwikłaniu twórczości Wiktora Pielewina
Fun or affect? On the ideological entanglement of the works of Victor Pelevin

Autorzy:

Polak, Andrzej

Powiązania:

https://bibliotekanauki.pl/articles/2224115.pdf

Data publikacji:

2022-12-25

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Pelevin
ideology
game
postmodern literature
Russian literature

Opis:

The aim of the article is to review Victor Pelevin’s works in terms of their critique of current social and political processes as well as various kinds of ideologies and theories. Despite the writer’s association with the group of postmodern artists he is not only focused on typically postmodern text games and playing with readers, his ambitions are also targeted at shaping their views and behaviors. The author of Generation “P” reacts vividly to the changing reality, he is a keen observer with ambitions to influence the world. He raises issues of universal nature, protesting against all ideological norms, social categories, standardizing fashions and stereotypes that enslave human beings, against all ways of manipulating human consciousness. His approach is constantly met with criticism of both pro-Western and traditionalist circles. The former accuse him of an overly skeptical attitude to the Western model of life, while the latter do not like the writer’s ironic approach to social reality, polemics with Russian values and attempts to discredit them.

Źródło:

Studia Rossica Posnaniensia; 2022, 47, 2; 61-76
0081-6884

Pojawia się w:

Studia Rossica Posnaniensia

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 14.

Tytuł:

Berliński kod architektoniczny w twórczości emigracyjnej Vladimira Nabokova
Berlin architectural code in emigrant creation of Vladimir Nabokov

Autorzy:

NDiaye, Iwona Anna

Powiązania:

https://bibliotekanauki.pl/articles/482191.pdf

Data publikacji:

2013-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Russian emigration
Russian literature
Nabokov
architectural code

Opis:

In 1921-1923 Berlin was a centre of Russian emigration. Many poets and writers from Russia, like Maksim Gorki, Aleksy Remizow, Andriej Bieły, Ilja Erenburg, Aleksy Tołstoj, Władysław Chodasiewicz, Borys Pasternak, and for a short time also Marina Cwietajewa and Siergiej Jesienin, connected their life with this city. It was just in Berlin where was working one of the most interesting and the most intriguing writer of XX century (1922-1937) - Vladimir Nabokov. These period was characterized for him not only by happy moments (first love, marriage, birth of son), but also by tragic ones (death offather). His stay in Berlin marked out really important stage in creativity of Nabokov. It was theplace of his debut in the pages of Berlin’s newspaper “Руль” in 1921, in which he published his first poems under the pseudonym Sirin. In Berlin Nabokov wrote his first story and first novel. Itwas where he achieved his fame and formed his unique style of writing. Nabokov’s emigrant prose from 20’s constitutes an extraordinary guidebook to Berlin. In his art pieces he recreated the topography of Berlin by using architectural codes. Most often he related the code of home to a closed, domestic and peaceful circle. It is a circle tight in the meaning of space, but profound in the meaning of sensations. The lack of real home was a reason to lookingfor surrogate and it effected disorientation in the world in which poet had no place. The city hasa role of open, then foreign and hostile space. Here for the most part we can see the code in the shape of street or houses in city. This kind of code used by Nabokov, but also by other emigrantpoets, creates a feeling of disharmony, artificiality and unnaturalness.

Źródło:

Acta Polono-Ruthenica; 2013, 1, XVIII; 67-78
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 15.

Tytuł:

Алексея Петрова Полонез по-русски , или Заграница.рl.ги. - сюжет русско-польской взаимности
Polonaise in Russian or a foreign country.pl.ru

Autorzy:

Dmitrovskiy, Aleksei

Powiązania:

https://bibliotekanauki.pl/articles/482265.pdf

Data publikacji:

2008-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Russian-Polish relations
documentary novel
Russian literature

Opis:

The documentary novel as a discourse of the Russian-Polish mutual relations in dramatic collisions and commonness. The architectonics of the novel in the ratio of the fabulous mutual visits of the Russian authors and his Polish friends and the structure of the deep historic insight. The compositional structure is in the exchange of Polish and Russian episodes. The friendship of the Russian spouses as a pattern of obligatory relations on the confidential (private), interstate and national level.

Źródło:

Acta Polono-Ruthenica; 2008, 1, XIII; 49-56
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 16.

Tytuł:

Adaptacja czy egzotyzacja – strategie tłumaczeniowe w przekładzie powieści braci Strugackich Poniedziałek zaczyna się w sobotę
DOMESTICATION OR FOREIGNIZATION? TRANSLATORIAL STRATEGIES IN THE TRANSLATIONS OF THE STRUGATSKY BROTHERS’ NOVEL MONDAY BEGINS ON SATURDAY

Autorzy:

Michocka-Babiuk, Magdalena

Powiązania:

https://bibliotekanauki.pl/articles/444387.pdf

Data publikacji:

2017-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

translation
Russian literature
science-fiction
Strugatsky

Opis:

Science-fiction is a literary genre which should be fairly easy to translate. The process gets more difficult when one needs to translate elements of folklore and culture. In my essay I demonstrate how the perception of the world changes with the use of certain elements of folklore. The selected examples of Russian science-fiction literature and their translations into Polish reflect the modified worldview. The essay is based on the Strugatsky brothers’ novel Monday begins on Saturday and two translations into Polish by Ewa Skorska and Irena Piotrowska. Two translation strategies – domestication and foreignization – are discussed and I consider which one the translator should use.

Źródło:

Acta Neophilologica; 2017, XIX/2; 191-201
1509-1619

Pojawia się w:

Acta Neophilologica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 17.

Tytuł:

OBRAZOWANIE SAMOTNOŚCI W WIERSZU JOSIFA BRODSKIEGO НОВЫЕ СТАНСЫ К АВГУСТЕ W UJĘCIU KOGNITYWNYM
Visualisation of Loneliness in the Joseph Brodsky’s Poem Новые стансы к Августе in the Cognitive Perspective

Autorzy:

Nikadem-Malinowska, Ewa

Powiązania:

https://bibliotekanauki.pl/articles/444438.pdf

Data publikacji:

2009-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Russian literature,
cognitive poetics,
Josif Brodsky

Opis:

many years. The subject matter of this research will be a poem Новые стансы к Августе from the collection of the same title. Thanks to cognitive methods, the analysis of loneliness that is carrying out in it by Brodsky underlines paradoxical variety of his poetry. According literature should be treated as a set of linguistic phenomena that has cognitive basis. The authoress of the present research is focusing on the figure-ground organization which is considered by Peter Stockwell to be notably useful for interpretation of the issues if literary criticism.

Źródło:

Acta Neophilologica; 2009, XI; 97-106
1509-1619

Pojawia się w:

Acta Neophilologica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 18.

Tytuł:

Виктор Астафьев и Сергей Залыгин
Victor Astafiev and Siergiej Zalygin

Autorzy:

Rudziewicz, Irena

Powiązania:

https://bibliotekanauki.pl/articles/480899.pdf

Data publikacji:

2010-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Victor Astafiev
Sergei Zalygin
Russian literature

Opis:

On the basis of chosen works written by Astafiev and Zalygin similar approach of both authors towards the problems of national tradition, in particular peasant’s, relations between people and nature, literatury traduition and moral-ethic norms was presented in the article. Some parts of the article were devoted to the problems of nature and ecology which are very important in the output of both writes and also to the role and significance of nature and landscape descriptions which help to depict human nature more deeply and precisely.

Źródło:

Acta Polono-Ruthenica; 2010, 1, XV; 97-104
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 19.

Tytuł:

Модальные экспликаторы „мысли семейной” в романе Л.Н. Толстого Анна Каренина (на примере образа Анны Карениной)
Modal explicators of "thefamily thought” in Leo Tolstoys "Anna Karenina” (on the example of the image of Anna Karenina)

Autorzy:

Vaulina, Svetlana
Ostroverkhaia, Irina

Powiązania:

https://bibliotekanauki.pl/articles/481600.pdf

Data publikacji:

2010-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Anna Karenina
Russian literature
situational modality

Opis:

Based on L.N. Tolstoy’s novel Anna Karenina, through the plane of content of the novel’s main heroine Anna Karenina’s valuable notions, the article considers the role of the situational modality meanings as the axiological categories, revealing valuable guideline points and beliefs of the writer, i.e. realizing the author’s modality.

Źródło:

Acta Polono-Ruthenica; 2010, 1, XV; 167-176
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 20.

Tytuł:

Славянские возвышенные идеи свободы, общности и братства в письмах разных лиц к Л.Н. Толстому и его ответ Стефании Ляудын-Хшановской Польcкой женщине („Одной из многих”)
Slavonic glorious ideals of freedom, union and brotherhood in letters to Count Leo Tolstoy and the writer’s reply to Stefania Laudyn-Chrzanowska - „To a Polish Woman (One of Many)

Autorzy:

Białokozowicz, Bazyli

Powiązania:

https://bibliotekanauki.pl/articles/481739.pdf

Data publikacji:

2008-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Leo Tolstoy
Russian literature
Slavonic ideals

Opis:

The author’s of Resurrection letters to different addressees, as well as about 60 thousand letters to the Russian writer from all over the world are kept in the Department of Manuscript Works of the National Museum of Count Leo Tolstoy in Moscow. Indeed, it is a real mine of knowledge of the writer’s contemporary Russia and the world of those days. The author of this publication pays particular attention to the letters of correspondents in Slavonic countries who subjected Slavonic glorious ideals of freedom, union and brotherhood to a penetrating analysis in view of a peaceful community of people of different nationalities, races and cultures. Such were the letters to Count Leo Tolstoy of 6th July 1909 by All-Slavonic Association „Slavia”, as well as the letters of 11th June 1910 by a revived Polish Fellowship Association — reverting to noble as well as tragic Arian history in the Poland of Reformation, signed by Marian Tadeusz Lubecki, Jozef Ostka, Stefan Baraniecki, Stanisław Parczyński, Kazimierz Piątka, Amelia Poznańska and many others. The Russian writer was applied to with many various requests (e.g. Osip Vysoky of Czech in the matter of rendering; Andża Mita Petrovic of Belgrade in the concern of Bosnia-Herzegovina annexation by Austria; Marian Zdziechowski of Cracow in the issue of tolstoizm as a religious-ethical doctrine; Jan Niecisław Ignacy Baudouin and Jan Styka in the question of death penalty). Tolstoy’s confidant in European and Slavonic matters was a Slovakian doctor and philosopher, Dusan Makovicky, living in Yasna Polyana, the author of a masterpiece — The Yasna Polyana Record (1904—1910). Count Leo Tolstoy would consequently answer the rankling the Slavonic society questions in harmony with his rationalistic doctrine, called tolstoizm. According to the writer’s sound belief God is love and through Jesus Christ shares with His love with people. A full union with God — it is the union in the truth, love and peace. A man who chooses love is soaked through with endless kind-heartedness. The main feature of Tolstoy was a grave concern for the world’s doom. A Christian should be totally deprived of hate and the feeling of revenge; love, forgiveness, compassion, fight against evil through spreading kindliness and noble feelings should be the trails of the religion based on the life and teachings of Christ, in agreement with the principle: who lives with God, chooses love. The love of fellow being was seen and felt by the writer as a significant value which ought to be learnt and contributed to incessantly. The writer as an architect and director of purified of Christianity alien layers and a moral philosopher constantly supported kindliness and condemned evil, spreading out the space of hope and love through his obedience to peace and evangelical source of Christianity, which was perspicaciously expressed in the letter to Stefania Laudyn-Chrzanowska, in a form of a voluminous article — A Reply to a Polish Woman (One of Many).

Źródło:

Acta Polono-Ruthenica; 2008, 1, XIII; 277-286
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 21.

Tytuł:

Гоголевские традиции в прозе Сергея Залыгина
Gogol’s traditions in Sergey Zalygin ’s prose

Autorzy:

Rudziewicz, Irena

Powiązania:

https://bibliotekanauki.pl/articles/481879.pdf

Data publikacji:

2007-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Sergei Zalygin
Russian literature
Nikolai Gogol;

Opis:

In the article an attempt was made to present Sergey Zalygin’s attitude to Gogol’s literary output. On the basis of a comparative analysis of both writers≪ selected Works, relationships, form of effect and particular element of the influence of Gogol’s poetic on Zalygin’s output were show. Special attention was paid to fantasy and fairy-like aspects manifesting themselves under the influence of tradition on the part of the Russian classic in the last works of the contemporary writer. Some relations and interrelationships between the two writers connected with moral matters and heroes’ attitude to the surrounding reality were concentrated on.

Źródło:

Acta Polono-Ruthenica; 2007, 1, XII; 39-48
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 22.

Tytuł:

Mors voluntaria i literatura rosyjska. Samobójstwo jako akt twórczy, społeczny i polityczny
"Mors voluntaria" and Russian literature. Suicide as an creative, social and political act

Autorzy:

NDiaye, Iwona Anna

Powiązania:

https://bibliotekanauki.pl/articles/482215.pdf

Data publikacji:

2015

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

suicide
suicidal motif
suicidology
Russian literature

Opis:

Suicide is, for centuries, a subject of particular interest in various fields, including philosophy, psychology and sociology. The author of this paper takes the “suicide and literature”, in order to examine selected examples of Russian literature. The analysis has highlighted the importance of a variety of typological models of suicides in literary works, as well as the determinants of suicidal behavior of Russian writers. Taken considerations include the spiritual, creative, social and socio- political aspects.

Źródło:

Acta Polono-Ruthenica; 2015, 1, XX; 91-102
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 23.

Tytuł:

Prawo karne z perspektywy literaturoznawcy. Problem kary w powieści „Zmartwychwstanie” L.N. Tołstoja
Criminal law from the perspective of a philologist. the problem of punishment in the novel “Resurrection” by L.N. Tolstoy

Autorzy:

Kordas, Katarzyna

Powiązania:

https://bibliotekanauki.pl/articles/540867.pdf

Data publikacji:

2015

Wydawca:

Mazowiecka Uczelnia Publiczna w Płocku

Tematy:

punishment
law
law and literature
Russian literature

Opis:

The aim of the article is an attempt to analyze the problem of punishment in the Leo Tolstoy’s novel – Resurrection. The topic was examined from the perspective of hermeneutic circle, which allowed, by reference to the literary work, biography of the writer, and the epoch when he lived, to show how the problem of punishment is significant in his work. Tolstoy, whose basic law of human life is the mutual love between people, completely rejects the meaningfulness of the penitentiary system.

Źródło:

Społeczeństwo. Edukacja. Język; 2015, 3; 117-125
2353-1266
2449-7983

Pojawia się w:

Społeczeństwo. Edukacja. Język

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 24.

Tytuł:

Dyskurs feministyczny i kategoria gender a współczesna literatura rosyjska. Zarys teoretyczny
Feminist discourse and gender in contemporary Russian literature

Autorzy:

Borodzicz-Chiszko, Monika

Powiązania:

https://bibliotekanauki.pl/articles/481457.pdf

Data publikacji:

2010-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Feminist discourse
gender contemporary Russian literature

Opis:

The article is devoted to the problem of feminism and gender in Russia and their influence on the development of contemporary women’s prose. The article deals with the most important features of Russian feminism taking into account the differences in relation to the movement in Western Europe. The author pays special attention to the influence of orthodox religion on the development of feminism in Russia as well as to the specific view of the role of woman and man in the society resulting from Russian culture. Religious and cultural impact over the specific character of Russian feminism is connected with the fact that in Russia a greater emphasis is placed on gender and not on sex. Therefore, the author believes that feminism in Russia has stimulated creativity of women in different fields of art and especially in literature.

Źródło:

Acta Polono-Ruthenica; 2010, 1, XV; 105-110
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 25.

Tytuł:

Платоновские традиции в творчестве Сергея Залыгина последних лет
Platonov’s traditions in Sergey Zalygin ’s prose

Autorzy:

Rudziewicz, Irena

Powiązania:

https://bibliotekanauki.pl/articles/481827.pdf

Data publikacji:

2008-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Sergei Zalygin
Russian literature
Andrei Platonov

Opis:

In the article an attempt was made to present Sergey Zalygin’s attitude to Platonov’s literally output. On the basis of a comparative analysis of both writers’ selected works, relationships, form soft effect and particular element soft the influence of Platonov’s poetica on Zalygin’s output wereshow. Special attention was paid to fantasy and fairylike aspects manifesting themselves under theinfluence of tradition on the part of the Russian classic.

Źródło:

Acta Polono-Ruthenica; 2008, 1, XIII; 133-143
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 26.

Tytuł:

Реконструкция авторских смыслов в процессе интерпретации когнитивного пространства текста (на примере анализа концепта „душа” в романе Владимира Набокова Приглашение на казнь)
Reconstruction of the author’s implications in the process of text cognitive space interpretation (by the example of the concept "soul” in the Vladimir Nabokov’s novel "Invitation to an Execution”)

Autorzy:

Sidorova, Tatiana

Powiązania:

https://bibliotekanauki.pl/articles/482279.pdf

Data publikacji:

2010-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Russian literature
cognitive space
Vladimir Nabokov

Opis:

The article deals with the problem of the text cognitive space interpretation. In the centre of attention is the concept SOUL realized in V. Nabokov’s novel Invitation to an Execution. The role of the concept’s value component is defined. In the process of the author’s conceptual reconstruction we consider cognitive, semantic structural, and communicative aspects of description of knowledge structures which are actualized in the text.

Źródło:

Acta Polono-Ruthenica; 2010, 1, XV; 17-25
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 27.

Tytuł:

Dramaturgia Nikołaja Kolady i jekaterynburgska bohema na łamach czasopisma Didaskalia w latach 2000-2003
The plays of Nikolaj Kolada and the Yekatirenburg Bohemians as presented in ,,Didaskalia magazine in 2000-2003

Autorzy:

Strycharski, Jarosław

Powiązania:

https://bibliotekanauki.pl/articles/482503.pdf

Data publikacji:

2007-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Nikolaj Kolada
modern Russian drama
Russian literature
Yekatirenburg

Opis:

In the article the author examines sparse mentions of the modern Russian drama which development has progressed much in Yekatirenburg. An analysis of the articles mentioning the modern drama proves the author’s statement about N. Kolada, having educated a group of talented playwrights and being the most popular modern dramatist in Russia as well as abroad in spite of his peculiar aesthetic and poetic outlook.

Źródło:

Acta Polono-Ruthenica; 2007, 1, XII; 119-126
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 28.

Tytuł:

Потенциал иронии в творчестве Людмилы Петрушевской (на примере романа Нас украли. История преступлений)

Autorzy:

Брюханова, Юлия

Powiązania:

https://bibliotekanauki.pl/articles/1022315.pdf

Data publikacji:

2020-10-27

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Russian literature
prose
Lyudmila Petrushevskaya
irony
game

Opis:

Many researchers of Lyudmila Petrushevskaya’s works draw attention to the irony which is the significant element of her prose, drama and poetry. It is important that the ironic principle manifests itself not only as an artistic technique but also as a philosophical aspect. Irony demonstrates the ambivalence of reality. On the one hand, it ridicules and profanes everything. On the other hand, irony gives the certitude of the ontological status of reality. We can see a good example of this function of irony in the novel Nas ukrali. Istoriya prestupleniy (2017). This novel shows the common features of Petrushevskaya’s works – the unity of ironic potential and language. In this case, language is not only the style but first of all the ontological element. This is why the language becomes almost a character in Petrushevskaya’s novel. Irony opens the vital potential of the linguistic personality. As a result, one of the heroes imitates foreign speech but doesn’t speak a foreign language. Irony also helps to reveal the ambivalent nature of life. It shows that our “umora” in Sanskrit and in ancient Indian is “humour” and “death”. So, the game and profanity not only reduce the status of the hero, the image, or the reader’s expectations but, first of all, fill the gap between words, ideas, feelings, and people.

Źródło:

Studia Rossica Posnaniensia; 2020, 45, 2; 105-113
0081-6884

Pojawia się w:

Studia Rossica Posnaniensia

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 29.

Tytuł:

Медиевалистический текст в современной русской литературе как ответ на поиски идентичности после распада СССР

Autorzy:

Pacyno, Witold

Powiązania:

https://bibliotekanauki.pl/articles/1022703.pdf

Data publikacji:

2019-08-08

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Medievalism
contemporary Russian literature
myth
national identity

Opis:

The aim of the article is defining the cause of popularity of medievalism in contemporary Russian literature as well as describing an impact of the images of the Middle Ages in Russian medievalist texts on the national identity after the collapse of the Soviet Union.

Źródło:

Studia Rossica Posnaniensia; 2019, 44, 1; 201-210
0081-6884

Pojawia się w:

Studia Rossica Posnaniensia

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 30.

Tytuł:

Игровые и ритуальные практики в русской литературе XIX века
Game and Ritual Practices in the Russian Literature of the 19th Century

Autorzy:

Коковина, Наталья

Powiązania:

https://bibliotekanauki.pl/articles/968724.pdf

Data publikacji:

2014

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

game
ritual
19th-cent. Russian literature

Opis:

The article discusses a range of phenomena for which 19th-century literature established the name of “game”. In the study of symbolic behaviour, one of the most confusing questions is that of the relationship between game and ritual. Fluid boundaries between them and lack of clear idea of the nature of these phenomena have often lead to a widening of the scope of the concepts: “game” has been thought to include ritual behaviours, and the other way round.

Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2014, 07; 105-112
1427-9681
2353-4834

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Rossica

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 31.

Tytuł:

Об эволюции образа праведника в творчестве Николая Лескова и Ивана Шмелева
The evolution of the image of pravednik in the literary output of Nicolay Leskov and Ivan Shmelev

Autorzy:

Trojanowska, Beata

Powiązania:

https://bibliotekanauki.pl/articles/480913.pdf

Data publikacji:

2007-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Nikolai Leskov
Ivan Shmelev
pravednik
Russian literature

Opis:

The article discusses the conception of pravednik (the pious one) in the literary output of two Russian writers - Nicolay Leskov (1831-1895) and Ivan Shmelev (1873-1950). It is an attempt at presenting literary characters of „righteous men” reflected in the literary practice of the above-mentioned writers which takes into account the following categories: social background, occupation, appearance, clothes, life style, and moral and religious outlook. Based on the chosen literary examples, the author comes to a conclusion that the type of the pious character in which she is interested shares a lot of common features in the literary output of both Leskov and Shmelev. Apart from this, it is characterized by the dynamics of created heroes. At first, the evolution of the characters was affected by social and historical conditions, and later by religious and spiritual ones.

Źródło:

Acta Polono-Ruthenica; 2007, 1, XII; 49-60
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 32.

Tytuł:

Wizerunek Polki w twórczości Mariny Cwietajewej
Picture of Polish woman in Marina Cvetaeva’s works

Autorzy:

Mazurek, Halina

Powiązania:

https://bibliotekanauki.pl/articles/480923.pdf

Data publikacji:

2009-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Marina Cvetaeva
Russian literature
picture of woman

Opis:

Cvetaeva was always intrugued with her Polish roots. She had no chance of meeting her mother’s moher so she used her poetic imagination to create her grandmother’s portrait in her poetry. Personal characteristics such as: extraordinary beauty, pride, self-restraint rebellious facial expression or secret of life are fund in Polish female characters in Her works (e.g. princess Izabela Czartoryska, Marina Mnishek). Mnishek is the most complex and controversial personality. Out of contrariness so typical of Cvetaeva, while creating the Mnishek’s image the poetess focused on positive characteristics and opposed stereotypes connected with this character, which always characterised artistic expression of the poetess. Another feature of her poetry was identification with her female characters and creation of imaginary, usually ideal life attitudes.

Źródło:

Acta Polono-Ruthenica; 2009, 1, XIV; 137-146
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 33.

Tytuł:

Z dziejów emigracji rosyjskiej w Polsce – publicystyka Michaiła Arcybaszewa
History of Russian emigration literaturę in Poland – journalism of Mikhail Artsybashev

Autorzy:

Witczak, Patryk

Powiązania:

https://bibliotekanauki.pl/articles/481168.pdf

Data publikacji:

2017

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Mikhail Artsybashev
Russian emigration
Russian literature in Poland
journalism

Opis:

In article was analized emigration’s journalism of Artsybashev from journal “Za svobodu!”. Journalism takes a very important place in the works of Mikhail Artsybashev. The writer witnessed historic changes in Russia of the early 20th century and emigration period and condition of Russian culture and literaturę in Russia and emigration. In his many works included a great number of valuable comments and insightful analysis of the processes taking place on the territory of the decaying Russian Empire.

Źródło:

Acta Polono-Ruthenica; 2017, 2, XXII; 37-47
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 34.

Tytuł:

Польский национальный мир в интерпретации Г. Гачева: спорное и стереотипное
Polish national world in G. Gachev’s interpretation: disputable and stereotyped

Autorzy:

Nefagina, Galina

Powiązania:

https://bibliotekanauki.pl/articles/482015.pdf

Data publikacji:

2009-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

G. Gachev
Polish national world
Russian literature

Opis:

G. Gachev’s book Russia’s neighbours Poland, Lithuania, Estonia continues the author’s reflections on peculiarities of the national world of different peoples. The basic concepts in the system of G. Gachev’s national world are Cosmos, Psyche, Logos. Important coordinates – Space and Time, Gonia (created by Nature, genesis) and Urgia (created by Labour), male and female origins, vertical and horizontal, the hierarchy of four elements. The researcher reconstructs the national world of Poland substantiating on these universal categories. First of all he introduces the concepts „polskost” and „polstvo”. The first one belongs to spiritual sphere, the second is the unity of material and corporal.

Źródło:

Acta Polono-Ruthenica; 2009, 1, XIV; 147-158
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 35.

Tytuł:

Wizerunek Polki w opowieści Oko cyklonu Aleksandra Woronskiego w świetle koncepcji poznania „Innego” autorstwa Emanuela Levinasa
The image of pole in Aleksander Woronsky’s story „A Cyclone Eye" in the interpretation o f the Emanuel Levinas’ idea of recognizing „Other"

Autorzy:

Pietkiewicz, Natalia

Powiązania:

https://bibliotekanauki.pl/articles/482454.pdf

Data publikacji:

2009-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Aleksander Woronsky
Russian literature
image of pole

Opis:

The article is dedicated to an analysis of female character from Russian story of the 30-ties of 20th Century on the basis of Wanda Dąbrowska’s example. She is playing a role of protagonist and cooperator of Russian revolutionist - Walentyn, and - on the other hand - she is an important factor, which is inspired main Hero to thinking about the human fate in history and the meaning of revolutionary activity. In this way the Reader receives a double imagine of Woman, who are representing another nationality. This double imagine is a consequence of Wanda’s character creation in the narrative strate by the main Hero - another fictional character, which is also an alter ego of the Writer, and - in the same time - by the Writer himself, who decided to set this story in the Belarussian reality from First World War and „bolshevik resolution’s” period, which are familiar to an author from his own experience. The phenomenon of different nationality of the main Heros, and than - the problem of culture dialogue, qualicifying this story to the wide and still popular stream of describing the imagine of a „Stranger” in the literature. This analysis proposes an interpretation of main female character’s plot on the basis of the Emanuel Levinas’ concept of recognizing Other (a part of the philosophy of dialogue, which is characteristic stream for the first half of 20 Century), enriched by the some features of well-known sociological categories like e.g. „familiar Stranger” or „a Stranger at the familiar place”.

Źródło:

Acta Polono-Ruthenica; 2009, 1, XIV; 199-210
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 36.

Tytuł:

Виндоуз или Windows? Кириллица и латиница в названиях торговых марок (на материале современных русских художественных текстов)
Виндоуз or Windows? Cyrillic and Latin scripting for trademark names (in contemporary Russian fiction texts

Autorzy:

Prokopczuk, Klaudia

Powiązania:

https://bibliotekanauki.pl/articles/444431.pdf

Data publikacji:

2019-06-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

verbal trademarks
modern Russian literature
script mixing

Opis:

This paper discusses the usage principles of Cyrillic and Latin scripting for foreign-lan-guage commercial names in Russian fiction in the late 20th and early 21st centuries. These include the following factors: the existing tradition concerning the employment of foreign language words in Russian texts; the possibility of employing different fonts as means of indirect valuation and of indication that the speech subject belongs to a certain social group, as well as stylistic and morphologic factors related to a possibility (or impossibility) for a trade mark to obtain Russian case endings; the iconic function of a font; a language game.

Źródło:

Acta Neophilologica; 2019, XXI/1; 19-29
1509-1619

Pojawia się w:

Acta Neophilologica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 37.

Tytuł:

Перестройка: эскиз к портрету эпохи в социальной памяти россиян
Perestroika: a Sketch for a Portrait of the Era in the Social Memory of Russians

Autorzy:

Sadowski, Jakub

Powiązania:

https://bibliotekanauki.pl/articles/2032314.pdf

Data publikacji:

2019

Wydawca:

Polska Akademia Nauk. Czytelnia Czasopism PAN

Tematy:

perestroika
social memory
Gorbachev
Russian culture
Russian literature
Russian cinema

Źródło:

Slavia Orientalis; 2019, LXVIII, 1; 101-121
0037-6744

Pojawia się w:

Slavia Orientalis

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 38.

Tytuł:

Dymitr i Maryna. Dramaturgiczne uzasadnienie wątku w sztukach rosyjskich XIX stulecia
Dimitri and Marina. Dramatic justification of motif in 19th century Russian plays

Autorzy:

Mazurek, Halina

Powiązania:

https://bibliotekanauki.pl/articles/481913.pdf

Data publikacji:

2008-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Russian drama
Dimitri and Maryna
Russian literature
historical drama

Opis:

The author analyses historical drama devoted to the period of confusion in the history of old Russia. Authors such as: A. Pushkin, A. Chomiakov or A. Ostrovsky also turned their attention to the relationship of the False Dimitri with Marina Mnishech, the daughter of Sandomierz province governor who helped the false tsar in his march on Moscow. The coronation of Marina awakened fears of Russians and hope on the part of the Polish since this could enable to gain control over Russia.Many playwrights make a mention of this important event, but not always is it the base for construction of their plays. The purpose of this paper is to show the plays in which plays the motif of Dimitri and Marina is essential, and, without which the architectonics of the plays would be disrupted, this motive appeared there only due to the political and historic role it played.

Źródło:

Acta Polono-Ruthenica; 2008, 1, XIII; 89-97
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 39.

Tytuł:

Motocykl–widmo, czyli meandry współczesnej fantastyki (Oleg Diwow, Рыжий пес иж)
The ghost motorcycle. The meanders of contemporary fantasy literature (Oleg Divov, Рыжий пес иж)

Autorzy:

Zywert, Aleksandra

Powiązania:

https://bibliotekanauki.pl/articles/915982.pdf

Data publikacji:

2018-12-20

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Divov, ghost motorcycle, Russian fantasy literature
Divov
ghost motorcycle
Russian fantasy literature

Opis:

The present paper aims at analyzing one of the most recent Divov’s stories entitled Рыжий пес Иж (2016). The text is interesting both due to its literary genre hybridity (it embraces elements of a melodrama, a horror story, a detective story, urban fantasy and a fairy tale) and the topics it touches upon (especially animalistic issues). Divov deploys the well-known literary and cinematic motif of a soul penetrating an object and creates a story of motorcycle haunted by a dog’s soul. Due to its original solutions (inter alia referring to films) Divov’s story is an interesting work illustrating the permanent interrelations between literatures and movies as well as the author’s exploration within this scope. Moreover, the manner of creating the animal character and placing it within the structure allow for including Divov’s story into the group of contemporary literary works reflecting the proanimal trends in Russian culture.

Źródło:

Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2018, 8; 273-285
2391-470X

Pojawia się w:

Kultury Wschodniosłowiańskie – Oblicza i Dialog

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 40.

Tytuł:

Литература русского зарубежья в польских учебных пособиях
Literature of Russian diaspora in the Polish coursebooks

Autorzy:

Mianowska, Joanna

Powiązania:

https://bibliotekanauki.pl/articles/481285.pdf

Data publikacji:

2006-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Russian emigrant literature
„first wave” of Russian emigration
„third wave” of Russian emigrant literature

Opis:

This paper is a short history of presentation of Russian emigrant literature in Polish textbookssince the 1970s. The author emphasizes that even in the period of Marxist views the best specialistson the subject tried to overcome the pressure of the dominant ideology and to give a completethough necessarily brief analysis of the most important writers of the „first wave” of Russianemigration. In the 1990s starts the process of „rediscovery” of many unknown names in the „thirdwave” of Russian emigrant literature which have also found their way into the textbooks. Theauthor believes that the ever increasing development of scientific research in the field will result inthe appearance of a new Polish textbook which will be able to fully satisfy the students’ needs.

Źródło:

Acta Polono-Ruthenica; 2006, 1, XI; 157-167
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 41.

Tytuł:

Chrześcijańskie przesłanie prozy Władimira Maksimowa
The Christian message of Vladimir Maksimov’s prose

Autorzy:

Siemianowska, Izabella

Powiązania:

https://bibliotekanauki.pl/articles/482086.pdf

Data publikacji:

2009-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Vladimir Maximov’s prose
Russian literature
Christian message

Opis:

The aim of this article is to attempt to prove that the prose of one of the most distinguished representatives of „the third wave” of Russian emigration, Vladimir Maksimov, is based on Christian philosophy. Christian philosophy is a philosophy of love. Maksimov’s characters on their way towards God and faith are almost usually led there by the selfless love of their fellow creatures. The main message of the writer’s works is the Christian concept according to which God exists in every human being. Therefore, Maksimov’s novels contain numerous examples of goodness and human mercy, thanks to which the characters discover a divine element in themselves, and then their lives gain a new, deeper dimension. The regaining of faith in another human being is, according to Vladimir Maksimov, the first step to the regaining of faith in God. The author of Seven Days of Creation saw the hope of overcoming the sin of totalitarianism in the return of the Russian nation to faith. In the writer’s understanding, totalitarianism was evil, because it denied the existence of God and destroyed the individual by depriving it of the possibility to relate to the Transcendence. Numerous biblical references confirm the Christian concept of the world and humanity in Maksimov’s works. The key to the understanding of Maksimov’s prose lies in the teachings of Christ, the deep sense of which has been enclosed in the mystery of the Resurrection.

Źródło:

Acta Polono-Ruthenica; 2009, 1, XIV; 253-263
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 42.

Tytuł:

Bajki o krytyce. Andriej Nemzer − „król” współczesnej krytyki literackiej w Rosji
FAIRYTALES ABOUT CRITICISM. ANDREI NEMZER − “THE KING” OF MODERN LITERARY CRITICISM IN RUSSIA

Autorzy:

Karwacka, Monika

Powiązania:

https://bibliotekanauki.pl/articles/445068.pdf

Data publikacji:

2016

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

literary criticism
Andrei Nemzer
Russian literature
modern criticism

Opis:

This paper attempts to present and analyze Andrei Nemzer’s literary criticism which in his opinion is an a priori stance on Russian modern literature and criticism. The author examines Nemzer’s critical discourse in order to reveal his unjustified pride and confidence in the area of literary criticism. The paper presents opinions of other Russian modern critics whose activity is aimed at improving the condition of the domestic literature rather than depreciating it as Nemzer does. The analysis of Nemzer’s texts proves that his criticism within the last decades has gone into the direction of a negative critique of Russian modern literature and thus discouraging young talented writers in Russia.

Źródło:

Acta Neophilologica; 2016, XVIII/2; 203-211
1509-1619

Pojawia się w:

Acta Neophilologica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 43.

Tytuł:

Чеховские мотивы, образы, приемы в произведениях русских писателей конца ХХ – начала ХХI вв.
Chekhovian Motifs, Imagery and Techniques in the Works of Russian Writers of the Turn of the 21st Century

Autorzy:

Гордович, Кира

Powiązania:

https://bibliotekanauki.pl/articles/968731.pdf

Data publikacji:

2014

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

Chekhovian motifs
intertextuality
contemporary Russian literature
Vladimir Makanin

Opis:

The creative principles and techniques of Anton Chekhov have proved attractive to modern writers. Many late-20th-century authors, e.g. Tendryakov or Sasha Sokolov, used the naiveté and naturalness of a child’s mind when depicting contradictions and controversial issues. A connection with Chekhov is evident in the development of the theme of a mental institution, its doctors and patients (Makanin, Pelevin). Also the Chekhovian principle of refusal to categorically judge the words and deeds of the characters gains fundamental importance (Dovlatov). It is from Chekhov that modern writers have learnt to present serious psychological issues and world-view questions through commonplace imagery.

Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2014, 07; 249-256
1427-9681
2353-4834

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Rossica

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 44.

Tytuł:

Fantastyka naukowa jako pole przenikania się kultur polskiej i rosyjskiej (na przykładzie twórczości Andrzeja Sapkowskiego i Siergieja Łukianienki)
Science fiction and fantasy as an area of intersection between Polish and Russian culture (exemplified with works by Andrzej Sapkowski and Sergey Lukyanenko)

Autorzy:

Witecki, Arkadiusz

Powiązania:

https://bibliotekanauki.pl/articles/481016.pdf

Data publikacji:

2008-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Sapkowski
Sergey Lukyanenko
science fiction
fantasy
Polish literature
Russian literature

Opis:

Polish writer Andrzej Sapkowski and his Russian colleague Sergey Lukyanenko are considered to be two best-known living science-fiction and fantasy authors from their countries at the turn of the century. What is more, their popularity is not only connected with their homeland, but also spreads to other countries. As we can observe, Lukyanenko is the most important living Russian modern SF&F author in Poland, whereas Sapkowski is one of the best-known Polish contemporary writers in Russia (not only SF&F, but in general - right after Lem and Chmielewska). It is interesting to take a close look at their popularity and reveal how their works connect and influence many different branches of culture in Poland and Russia. It is impossible to take into consideration all of their works, so we concentrate on Sapkowski’s The Witcher saga and Lukyanenko’s four urban fantasy novels about The Night Watch and The Day Watch. On this basis we present their influence on such cultural areas as film, comic books and computer games. We also describe the reception of this influence and its results in Poland and Russia.

Źródło:

Acta Polono-Ruthenica; 2008, 1, XIII; 217-231
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 45.

Tytuł:

Nadieżdy Teffi związki z Polską
Nadezhda Teffi’s relationships with Poland

Autorzy:

Bielniak, Nel

Powiązania:

https://bibliotekanauki.pl/articles/481423.pdf

Data publikacji:

2017

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Nadezhda Teffi
Russian literature in immigration
Polish-Russian literary contacts
family

Opis:

The contacts of the popular Russian humorist and the representative of the first wave of emigration with Poland begin at the level of family connections. Teffi used to visit Warsaw where she became acquainted with the representatives of the local literary world. Her works, translated into Polish, were published both by numerous magazines, separate collections and showed on stage. Polish themes appear in Teffi’s works too.

Źródło:

Acta Polono-Ruthenica; 2017, 2, XXII; 7-16
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 46.

Tytuł:

Misja literatury emigracyjnej („pierwsza fala” emigracji rosyjskiej)
The mission of the emigrants’ literature („the first wave of the Russian emigration)

Autorzy:

NDiaye, Iwona Anna

Powiązania:

https://bibliotekanauki.pl/articles/480828.pdf

Data publikacji:

2007-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Russian emigrants’ literature
first wave Russian emigration
literature

Opis:

Since the first years before the post-revolutionary emigration („the first wave”), the problem of the special assignment given by history appeared. Authors of the emigration literature understood its mission differently, however, they did agree on this one point: the principle of artistic freedom is the underlying reason for the emigrants’ literature. Alluding to Nina Berberowa’s wellknown formula, it is not about exile, but about the mission. Spiritual values of the „mission” of the Russian diaspora are becoming a part of the national culture in contemporary times.

Źródło:

Acta Polono-Ruthenica; 2007, 1, XII; 77-93
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 47.

Tytuł:

Вечный повтор? Категория времени в произведениях Елены Долгопят
An Eternal Repetition? The Category of Time in the Works of Elena Dolgopyat

Autorzy:

Trojanowska, Urszula

Powiązania:

https://bibliotekanauki.pl/articles/2031072.pdf

Data publikacji:

2020

Wydawca:

Polska Akademia Nauk. Czytelnia Czasopism PAN

Tematy:

magical realism
Elena Dolgopyat
contemporary Russian literature
time
space

Źródło:

Slavia Orientalis; 2020, LXIX, 4; 833-846
0037-6744

Pojawia się w:

Slavia Orientalis

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 48.

Tytuł:

O HERETYKU MAHOMECIE – OPOWIEŚĆ O NARODZINACH ISLAMU W LATOPISIE HELLEŃSKIM I RZYMSKIM DRUGIEJ REDAKCJI
ON THE HERETIC MUHAMMAD – AN ACCOUNT OF THE ORIGIN OF ISLAM IN THE SECOND REDACTION OF THE HELLENIC AND ROMAN CHRONICLE

Autorzy:

Brzozowska, Zofia A.

Powiązania:

https://bibliotekanauki.pl/articles/1037787.pdf

Data publikacji:

2020-11-04

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Muhammad
Islam
Old Russian literature
Hellenic and Roman Chronicle

Opis:

A piece of writing On the Heretic Muhammad concerning the life of Muhammad, the origin of Islam and the first Arab conquests in the 7th century is included in the second redaction of the Hellenic and Roman Chronicle, a medieval Russian historiographical source containing an outline of universal history. The aforementioned text was edited and translated into Polish following the manuscript of РГБ, собр. Пискарева (228), № 162, from 1485.

Źródło:

Slavia Antiqua: rocznik poświęcony starożytnościom słowiańskim; 2020, 61; 101-116
0080-9993

Pojawia się w:

Slavia Antiqua: rocznik poświęcony starożytnościom słowiańskim

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 49.

Tytuł:

Диалог культур и идей в прозе Ивана Рукавишникова
Dialogue of Cultures and Ideas in Ivan Rukavishnikov’s Prose

Autorzy:

Szymonik, Danuta

Powiązania:

https://bibliotekanauki.pl/articles/968776.pdf

Data publikacji:

2014

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

dialogue of cultures
Ivan Rukavishnikov
Silver Age
Russian literature

Opis:

The article deals with the problems of dialogue of cultures and ideas in prose pieces by Ivan Rukavishnikov (1877–1930), a Russian poet of the Silver Age, writer, cultural activist and translator. Rukavishnikov’s works are characterized by ideological and aesthetic tendencies typical of the Russian culture at the turn of the 20th century. In contemporary research parallels have been drawn between the prose of Rukavishnikov and that of Fyodor Dostoyevski, Fyodor Sologub, Valery Bryusov, Andrei Bely, Mikhail Albov and Vladimir Nabokov, among others. Rukavishnikov’s early verse is marked by the motifs of death, illness and loneliness. The majority of Rukavishnikov’s poems describe the poet’s feelings and emotions through images of weakness, disappointment, sorrow, suffering, fatigue and weariness, typical of the ‘lost generation’ poets. The same motifs are characteristic of his prose. The autobiographical persona from the lyrical poetry has a correspondent in the novel “The Damned Family” – the autobiographical figure of Viktor Makarovich, an artist and a typical individualist, focused on his personal feelings. As the author’s “porte parole”, Makarovich discusses art topics with other characters in the novel, and sometimes with himself. These artistic and intellectual discussions reflect the essence of actual Silver Age literary polemics. In the article the author also analyzes Rukavishnikov’s interest in Hindu ideas and culture, expressing the human longing for truth and perfection (manifest in the second part of the collection “The Close and the Distant”). By referring to the ancient philosophy the writer raises universal and timeless questions. These questions do not belong only to the spiritual and physical world of Rukavishnikov as a representative of the Russian Silver Age, but remain topical nowadays as well.

Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2014, 07; 133-141
1427-9681
2353-4834

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Rossica

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 50.

Tytuł:

Modyfikacja polityki rosyjskiej wobec Polski i Polaków w czasie pierwszej wojny światowej (na podstawie dziennika Gieorgija Michajłowskiego)
Modification of the Russia’s policy towards Poland and Poles during World War I (Based on Georgy Michajlovskij’s diary)

Autorzy:

Sobczak, Jan

Powiązania:

https://bibliotekanauki.pl/articles/482203.pdf

Data publikacji:

2008-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

history
Georgy Michajlovskij
World War I
Russian literature
Russian political discourse

Opis:

Russian diplomat Georgy N. Michajlowskij’s personal notes recorded in the years 1914-1920, and published in two volumes in 1993 in the series: Russia in Diplomats’ Memories, have been the main base to write this article. Being a worker of state ap-paratus of the Ministry of Foreign Affairs at Pievcheskij Bridge in Petersburg, Michajlowskij took part in a hard activity of the Russian diplomacy during the very hot events of the World War I and revolution times. He witnessed the fall of tcharism, short period of the Provisional Government’s govern, but after Bolshevik upheaval on October 7, 1917 he faced the very full of tension weeks when his department was taken over by Lev Trockij and communist commissars. He obviously was forced to leave the Office. Having joined the White Guard movement in 1917, he worked during the next three years’ time as a diplomat at Gen. Anton lvanovich Denikin in Rostov-on-Don and Taganrog as well at Gen. baron Pyotr Wrangel in Sevastopol. He participated in many White Guard diplomatic missions to Constantinople, Paris, London, Romę and Washington where he frequently met and cooperated with the last three Tsarist ministers of foreign affairs – Sergey Dmitriyevich Sazonov, Boris W. Sturmer, Nikolai M. Pokrovskij and then, among others, with Michail I. Tereszczenko, Pavel N. Milukov, Wasyl A. Maklakow and Peter B. Struwe who became the successors and leaders of the former Russia’s policy realised then by the Provisional Government and by the White Guard movement as well. So, he had the unique opportunity to describe almost all main figures of the Russian political and social drama which action was setting itself before his eyes.The artide is focusing on some Polish motifs, too. Generally, they are based on Michajlowskij’s writings which can be regarded as very interesting and valuable historical sources, relevant to the Polish question of the time, particularly when their author used to act on behalf of the Russian Ministry of Foreign Affairs in different commissions and committees that had been appointed to resolve the Polish question. One should pay the special attention to changeable attitudes towards the Polish question expressed by different Russian authorities.

Źródło:

Acta Polono-Ruthenica; 2008, 1, XIII; 333-348
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 51.

Tytuł:

Rosyjskie. Europejskie. Oświecone. Rozumne. O obecności Rosji w Azji Środkowej (i nie tylko)
Russian. European. Enlightened. Rational. On the presence of Russia in Central Asia (and not only)

Autorzy:

Polak, Andrzej

Powiązania:

https://bibliotekanauki.pl/articles/1022181.pdf

Data publikacji:

2020-06-29

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Central Asia
postcolonialism
Russian literature
colonial discourse
Yury Dombrovsky

Opis:

The author of the paper, using tools developed by postcolonial researchers, discusses the works of twentieth-century Russian writers. The setting of these texts is in the territory of Central Asia, Siberia or the Caucasus, constituting one of the factors defining them as the so-called Eastern text of Russian literature. Although most of the writers come from the other parts of Russia and – in most cases – are of Slavic descent, they know these regions quite well. These writers, however, are little interested in the problems of indigenous peoples, as long as they are not related to nationwide issues such as industrialization, collectivization or the labour camp system. The issues of destruction and loss of cultural identity, subordination, enslavement and exploitation of the local population are often omitted. The main characters in the works of Russian writers are invariably Russians, and their reference point is the Russian (Soviet) state.

Źródło:

Studia Rossica Posnaniensia; 2020, 45, 1; 89-98
0081-6884

Pojawia się w:

Studia Rossica Posnaniensia

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 52.

Tytuł:

Obraz wsi wołogodzkiej w powieści Przeddzień Wasilija Biełowa
The description of the Vologda countryside in novel Eves by Vasilii Belov

Autorzy:

Rutkowska, Andżelika

Powiązania:

https://bibliotekanauki.pl/articles/915955.pdf

Data publikacji:

2018-12-20

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Vasilii Belov
20th century Russian literature
Vologda region

Opis:

This article is aimed at reviewing of the novel Eves by Vasilii Belov to find a connection between the Vologda's region and the work. The Author devotes a particular attention to the space and the social order that are shown in the novel. He also emphasizes and describes traditions, customs, merits and characters' perception of the world. The analysis demonstrates the description of the Vologda's region in the Belov's novel proves it's special features that make this area different from the other regions of Russia. Also there are some circumstances of the novel's appearance and publication in the article.

Źródło:

Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2018, 8; 185-193
2391-470X

Pojawia się w:

Kultury Wschodniosłowiańskie – Oblicza i Dialog

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 53.

Tytuł:

Młodość i starość w relacji pacjent – lekarz szpitala psychiatrycznego. Na podstawie wybranych przykładów najnowszej prozy rosyjskiej

Autorzy:

Brążkiewicz, Bartłomiej

Powiązania:

https://bibliotekanauki.pl/articles/1826577.pdf

Data publikacji:

2020-02-06

Wydawca:

Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach

Tematy:

Russian Literature
Mental Illness
Mental Hospital
Abuse of Psychiatry

Opis:

The text comments about the relationship between doctor and patient of psychiatric hospital as shown in selected modern Russian fiction. This topic, that has been present in Russian literature since the 19th century, being a vital component of mental illness theme, is even more valid nowadays. The analysis of the discussed novels leads to the conclusion, that age plays no significant role in depicting the above-mentioned relationship. Furthermore, regarding “youth” and “old age” as a pair of predicates, it confirms the thesis on continuous (either consciously or unconsciously) positive doctor- and negative patient-presentation.

Źródło:

Conversatoria Litteraria; 2017, 11; 271-282
1897-1423

Pojawia się w:

Conversatoria Litteraria

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 54.

Tytuł:

Жизнь, зависшая в цитатах. О комедии Олега Богаева „Как я съела мужа”
A Life Trapped in Quotation. On Oleg Bogaev’s Comedy “How I Ate My Husband”

Autorzy:

Graf, Alexander

Powiązania:

https://bibliotekanauki.pl/articles/22446774.pdf

Data publikacji:

2013

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

New Drama
Russian literature
Oleg Bogaev
Comedy
Social critics

Opis:

Citationality and intertextual combining of the new ‘New Drama’ form a central device of contemporary dramatic arts. In his comedy How I Ate My Husband (2009) Bogaev takes citationality to extremes and lucidly demonstrates that not only the dramatis personae but also the playwright himself, the director, and the audience are subjected to the torrent of models and pretexts largely determining the action. The whole life has frozen as if it was one big quotation running through the canvas of the dramatic text on all levels and linking the fictional life within the play to real life, combining traditional concepts of theatre with the ideas of new drama. There is no place for coincidence, it turns out that all is one persistent recurrence.

Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2013, Zeszyt specjalny 2013; 173-183
1427-9681
2353-4834

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Rossica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 55.

Tytuł:

Путешествие в страну зэка: поэтическая загадка Юлия Марголина
A Journey to the Land Zeka: The Poetic Enigma of Julius Margolin

Autorzy:

Katsman, Roman

Powiązania:

https://bibliotekanauki.pl/articles/2032366.pdf

Data publikacji:

2018

Wydawca:

Polska Akademia Nauk. Czytelnia Czasopism PAN

Tematy:

Julius Margolin
GULAG
WW2
Russian literature in Israel
Jewish literature

Źródło:

Slavia Orientalis; 2018, LXVII, 4; 611-629
0037-6744

Pojawia się w:

Slavia Orientalis

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 56.

Tytuł:

RECENZJA - Р. Кацман, Неуловимая реальность. Сто лет русско-израильской литературы (1920–2020), Academic Studies Press–BiblioRossica, Boston–St. Petersburg 2020, s. 336.
review - Р. Кацман, Неуловимая реальность. Сто лет русско-израильской литературы (1920–2020), Academic Studies Press–BiblioRossica, Boston–St. Petersburg 2020, s. 336.
рецензия ! Р. Кацман, Неуловимая реальность. Сто лет русско-израильской литературы (1920–2020), Academic Studies Press–BiblioRossica, Boston–St. Petersburg 2020, s. 336.

Autorzy:

Michalska-Suchanek, Mirosława

Powiązania:

https://bibliotekanauki.pl/articles/603710.pdf

Data publikacji:

2020

Wydawca:

Polskie Towarzystwo Rusycystyczne

Tematy:

rosyjsko-izraelska literatura
Kacman
Russian literature in Israel
Roman Katsman

Źródło:

Przegląd Rusycystyczny; 2020, 172, 4
0137-298X

Pojawia się w:

Przegląd Rusycystyczny

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 57.

Tytuł:

Осуществление юнгианской идеи русских как интуитивных интровертов в современной литературной фантастике
Implementation of the Jungian concept of Russian people as intuitive introverts in the contemporary speculative fiction

Autorzy:

Radosz, Joanna

Powiązania:

https://bibliotekanauki.pl/articles/2224181.pdf

Data publikacji:

2022-12-25

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Russian national character
depth psychology
Russian speculative fiction
contemporary Russian literature
cultural literary criticism

Opis:

The paper aims at investigating the demonstration of Russian intuition in the contemporary Russian speculative fiction. The research thesis is that the Russians, both presented in literature and within the frames of the national character studies, manifest themselves as the intuitive introvert type according to Carl Gustav Jung’s classification. For validating the thesis, as far as the proposed literary works are concerned, one should use the instruments offered by cultural literary criticism along with the support of non-literary disciplines, such as intercultural communication and ethnopsychology. Moreover, one should consider also notes on Russian national character taken by Jung himself as well as studies on the sociocultural aspect of the analysed works. A wide range of methods and perspectives allows deep research of the “feeling – intuitive” Jungian scale as manifested within literary characters representing the Russian element (also called Russianness) in the selected works, which belong to the most significant and/or popular pieces of contemporary speculative fiction in Russia.

Źródło:

Studia Rossica Posnaniensia; 2022, 47, 2; 77-85
0081-6884

Pojawia się w:

Studia Rossica Posnaniensia

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 58.

Tytuł:

Z recepcji rosyjskiej literatury postmodernistycznej w Polsce (na przykładzie twórczości Władimira Sorokina, Wiktora Jerofiejewa i Wiktora Pielewina)
Reception of Russian postmodern literature in Poland (on examples of works by Vladimir Sorokin, Viktor Yerofeyev and Viktor Pelevin)

Autorzy:

Szymczak, Grzegorz

Powiązania:

https://bibliotekanauki.pl/articles/482053.pdf

Data publikacji:

2015

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Vladimir Sorokin
Viktor Erofeyev
Viktor Pelevin
postmodern Russian literature
reception

Opis:

The article is devoted to particular issues of reception of Russian postmodern literature in Poland on examples of works by Vladimir Sorokin, Viktor Yerofeyev and Viktor Pelevin. The article discusses the successive stages of reception of prose and essays by these three writers. The aim of the paper is to define also literary and non-literary reasons for the popularity of the postmodernists in Poland.

Źródło:

Acta Polono-Ruthenica; 2015, 1, XX; 135-144
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 59.

Tytuł:

Literatura rosyjska na łamach biuletynu Instytutu Naukowo-Badawczego Europy Wschodniej w Wilnie ,,Balticoslavica”(1933-1938)
Russian literature in the Bulletin „Balticoslavica”, published by Scientific and Research Institute of Eastern Europe in Vilnius (1930-1938)

Autorzy:

Zienkiewicz, Tadeusz

Powiązania:

https://bibliotekanauki.pl/articles/482239.pdf

Data publikacji:

2006-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Russian literature
Baltoslavica
culture
Institute of Eastern Europe in Vilnius

Opis:

Institute of Eastern Europe in Vilnius was established in 1930 and worked till 1939. Its an elementary assignment was collecting and working up with research materials concerning to economy, history, folkloristic and philology of Polish eastern neighbors, mainly Soviet Union. The literature from humanistic area of interest had been published in Bulletin „Balticoslavica”. The literature was a main topic of these publications. The authors of articles, critiques, and bibliographic notes, focus on literary and scientific life by review of publications in many countries, including Germany, Soviet Union, Estonia, Finland, Czechoslovakia, Yugoslavia, France and many more. Especially, lot of attention and comments was connected to articles concerned with Russian literature - theory, poetry, drama, prose; this problem is a topic of present essay.

Źródło:

Acta Polono-Ruthenica; 2006, 1, XI; 85-96
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 60.

Tytuł:

POEZJA WASILIJA KAMIEŃSKIEGO „POD MIKROSKOPEM”. Z HISTORII ROSYJSKIEJ POEZJI WIZUALNEJ
Vasily Kamensky’s Poetry “Under the Microscope”. The Summary of Russian Visual Poetry

Autorzy:

Ndiaye, Iwona Anna

Powiązania:

https://bibliotekanauki.pl/articles/444378.pdf

Data publikacji:

2011-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

poesia visiva,
visual poetry,
Russian literature,
the Futurism,
Vasily Kamensky

Opis:

Visual poetical text came into existence as a connection of two types of activity - the poetical (verbal) one and the visual (graphic) one. It composes a varied phenomenon, which unites poetry, painting, graphic arts, fine arts and photography together. That dependence on each other was understood differently by particular artists in distinct periods of history. Russian literature also has its rich history of visual poetry. The first trials, which were started by Symeon of Polotsk in the 17th century, were continued by Gavrila Derzhavin, Alexei Apuchtin, Erl Martov, as well as others. This new and productive period of visual poetry was connected with the vanguard movement from the beginning of the 20th century, which spread across Europe. The biggest contribution into the development of this literary genre in Russia, not only in a practical matter, but also in a theoretic one, brought in futurists and constructivists, for whom the form became an essence, and a word became an image. The poetry of Vasily Kamensky (1884-1961) had a special place among different examples of experimental word-image Russian vanguard poetry. He is known as a Russian futurist, and a poem-experimenter. His poems prove that visual poetic graphic arts, can be recognized as a dominant force in the creating of and illustration of texts. This process can be done with a basic level of meaning in the writing and illustration of the text, however, this is purely linguistical.

Źródło:

Acta Neophilologica; 2011, XIII; 201-215
1509-1619

Pojawia się w:

Acta Neophilologica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 61.

Tytuł:

Przeciwko nostalgii… Koncepcja pamięci we wspomnieniach Fiodora Stiepuna „Бывшее и несбывшееся”

Autorzy:

Ziomek, Marcin

Powiązania:

https://bibliotekanauki.pl/articles/1022857.pdf

Data publikacji:

2019-08-08

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Fyodor Stepun
memory
Russian emigration
Russian émigré literature

Opis:

The article offers an introduction into Fyodor Stepun’s culture-making concept of memory. The thinker – one of the most intriguing representatives of the Russian emigration – criticized the emigrant milieu for its excessive traditionalism. Stepun presented the force of memory as a counterbalance to reminiscence and nostalgia, claiming that memory can prevent the Russian cultural heritage from being forgotten and ensure that it will creatively form the future of reborn Russia.

Źródło:

Studia Rossica Posnaniensia; 2019, 44, 1; 35-40
0081-6884

Pojawia się w:

Studia Rossica Posnaniensia

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 62.

Tytuł:

Образ скомороха в русских вариантах Прения о вере
The Image of Skomorokh in Russian Versions of Dispute over Faith between Christian and Jew

Autorzy:

Małek, Eliza

Powiązania:

https://bibliotekanauki.pl/articles/16499284.pdf

Data publikacji:

2022

Wydawca:

Polska Akademia Nauk. Czasopisma i Monografie PAN

Tematy:

skomorokh
religious dispute
Russian literature of 17th‑18th c

Opis:

The article aims to show literary images of skomorokh in the Russian versions of Christian‑Jewish disputes over faith. A textological analysis of 13 manuscript copies of Тhe Tale of the Christian and Jewish faith from the 17th‑19th centuries allows us to show how the image of the skomorokh changed in manuscripts of the Short redaction, the Extensive redaction, and the Unique redaction.

Źródło:

Slavia Orientalis; 2022, LXXI, 1; 17-30
0037-6744

Pojawia się w:

Slavia Orientalis

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 63.

Tytuł:

Nadieżda Durowa i początki rosyjskiej autobiografii
Nadezda Durowa and the Beginnings of Russian Autobiography

Autorzy:

Karwowska, Bożena

Powiązania:

https://bibliotekanauki.pl/articles/1375186.pdf

Data publikacji:

2014

Wydawca:

Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego

Tematy:

autobiography
gender
women writers
Russian literature
autobiografia
pisarstwo kobiece
literatura rosyjska

Opis:

W artykule przedstawiono postać autorki pierwszej rosyjskiej autobiografii, Nadieżdy Durowej, która w męskim przebraniu spędziła dziewięć lat jako oficer w rosyjskiej armii. Szczególną uwagę autorka zwraca jednak na dopisaną po latach do zapisków z okresu kampanii napoleońskiej część wstępną, w której Durowa opisała swoje dzieciństwo. Poza poruszeniem tematyki transgenderowej, stosunkowo często podnoszonej w stosunku do Durowej, opis ten pozwala na pokazanie świata kobiet w Rosji i na Ukrainie w początkach XIX wieku, a także na zarysowanie wstępnej mapy różnic pomiędzy kobiecymi postaciami arcydzieł literatury rosyjskiej (autorstwa mężczyzn) a narracją osobistą opartą na doświadczeniach ze świata kobiecego.
This text presents Nadezhda Durova, the author of the first Russian autobiography, who, in male clothing, spent nine years as an officer in the Russian army. The special interest is paid to the introductory part in which Durova returns, after many years, to her diary notes from the period of the Napoleonic campaign, adding in a description of her own childhood. Apart from the commotion of the transgender theme, raised relatively often in relation to Durova, this description allows for a view into the world of women in Russia and Ukraine at the beginning of the 19th century, as well as a preliminary mapping of the differences between female figures in the masterpieces of the Russian literary canon (as written by men) and a personal narration, based on experiences in a woman’s world.

Źródło:

Autobiografia Literatura Kultura Media; 2014, 2, 1; 153-162
2353-8694
2719-4361

Pojawia się w:

Autobiografia Literatura Kultura Media

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 64.

Tytuł:

Zwrot polityczny w literaturze rosyjskiej, czyli „Lewy Front Sztuki” według Zachara Prilepina
A Political Turn in Russian Contemporary Literature or „Left Front of the Arts” by Zakhar Prilepin

Autorzy:

Roman, Katarzyna Urszula

Powiązania:

https://bibliotekanauki.pl/articles/636014.pdf

Data publikacji:

2014

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

political turn
contemporary Russian literature
Zakhar Prilepin
politically engaged literature
New realism current

Opis:

The paper concerns Russian contemporary politically engaged literature and takes into consideration the writings of an acclaimed Russian prose-writer, radical anti-Kremlin opposition activist – Zakhar Prilepin. A political turn in Russian contemporary literature is a way of raising an objection to the political authorities, who bring an incessant pressure on the society to reproduce the official public discourse. It is also the act of uniting particularities of aesthetics, existence and politics, as well as breaking with the vision of literature distanced from the public issues. The common ground for Russian writers’ political commitment is a resistance to the postmodernism paradigm connected with an attempt to define the conditions and mechanisms of new ideology (in the „new realism” current). Deeply political writings of Prilepin seem to be an anti-liberal and anti-individualistic rebellion, as well as a thorough critical study of Russian contemporary society. The revolutionary prose-writer is against the doctrine of cultural pluralism, the activities of neo-liberal ruling elite, the growing political authority of Russian middle class and the dominant vision of collective memory.

Źródło:

Poznańskie Studia Slawistyczne; 2014, 6
2084-3011

Pojawia się w:

Poznańskie Studia Slawistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 65.

Tytuł:

Художественная литература в пространстве политического спора
Belles-Lettres in the Space of Political Dispute

Autorzy:

Olaszek, Barbara

Powiązania:

https://bibliotekanauki.pl/articles/968769.pdf

Data publikacji:

2014

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

Russian literature of the 19th century
dispute in literature
rhetoric of dispute

Opis:

The present study explores the ways of utilizing literature in political dispute, as defined by Bakhtin’s concept of speech genres exploited in secondary genres. The material includes Turgenev’s and Dostoyevsky’s novels and Yevgeny Chirikov’s family chronicle. The writers in question present politics in the anthropological sense of the term: as man’s relation to his social reality. The author attempts to determine which literary works were viewed as politically motivated and what functions they fulfilled in political disputes. The analysis reveals the following: literary works often served as a pretext to start a dispute, and in the dispute itself – as a means of defining the protagonists’ cultural and generational identity and values, as a rhetorical trick, as a source of social concepts and behaviours, as a catalyst for a revolutionary paradigm and, finally, as a means of discriminating against political opponents. On these grounds, the author is inclined to argue that Russian literature of the 19th century constituted a strong social communication component and provided ideological material for political discourse.

Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2014, 07; 85-95
1427-9681
2353-4834

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Rossica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 66.

Tytuł:

Życie dzielone Karla Dedeciusa (1921–2016)

Autorzy:

Maciej, Stanaszek,

Powiązania:

https://bibliotekanauki.pl/articles/902309.pdf

Data publikacji:

2017-11-14

Wydawca:

Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego

Tematy:

Karl Dedecius
Polish literature in Germany
Russian literature in Germany
literary translation
translation studies

Opis:

The article presents the figure of Karl Dedecius (1921–2016) by exploring his activity as a translator and ambassador of Polish – but also Russian – literature and culture in German-speaking countries (mainly Germany). Having spent his youth in pre-war multicultural Łódź and – after the outbreak of WW II – having been a prisoner of war in Soviet camps, in December 1949 Dedecius moved to the GDR, from where he fled three years later with his family to West Germany. For 25 years he had divided – his life between literary translation, notably poetry, work as an insurance agent and family matters, and after retiring he managed to set up the Deutsches Polen-Institut, a non-governmental institution devoted to the popularisation of Polish literature in Germany, which he led in the years 1980–1998. As one of his close collaborators states, Dedecius’s editorial legacy comprises about 200 books which he either translated, wrote or edited, with poetry translations and literary essays being the core of his literary activity. He rendered some 3,000 poems of roughly 300 Polish poets into German and composed ca. 10 books that present and analyse – chiefly the 20th-century – Polish literature; some of them also contain essays on translation, fragments of which are cited and commented in the present article. Another important source and basis of considerations is Dedecius’s autobiography Ein Europäer aus Lodz [A European from Łódź], which explains the background of the author’s life at its different stages.

Źródło:

Studia Interkulturowe Europy Środkowo-Wschodniej; 2017, 10; 202-215
1898-4215

Pojawia się w:

Studia Interkulturowe Europy Środkowo-Wschodniej

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 67.

Tytuł:

Sophia – the Personification of Divine Wisdom in the Culture of Novgorod the Great from 13th to 15th Century

Autorzy:

Brzozowska, Zofia

Powiązania:

https://bibliotekanauki.pl/articles/682122.pdf

Data publikacji:

2014

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

Sophia
Divine Wisdom
Novgorod the Great
political ideology
Old Russian literature

Opis:

The idea of Sophia – the personified Wisdom of God served as a symbol of independence and identity of the republic in the political culture of Novgorod the Great. In Old Russian chronicles and other narrative sources which can be connected with Novgorod, one may find statements showing that – in the eyes of the Novgorodians themselves – Wisdom was not only one of the main attributes of God, but also a separate character, a kind of divine being, who could be interpreted as patronesses and supernatural protector of the city-state. Construction of the temple of Hagia Sophia in Novgorod is usually dated to 1045–1050. In the source material one can find information that Novgorodian Sophia church was undoubtedly the most significant and important monument in the city. The theme of Wisdom of God is also a very prominent topic in Novgorodian historiography and literature. Moreover, the feminine personification of God’s Wisdom can also be found on the coins, emitted by the city-state from 1420.

Źródło:

Studia Ceranea; 2014, 4; 13-26
2084-140X
2449-8378

Pojawia się w:

Studia Ceranea

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 68.

Tytuł:

Uprawdopodobnienie fikcji w powieści Siergieja Arno Smiritel’naya rubashka dlya geniyev

Autorzy:

Brążkiewicz, Bartłomiej

Powiązania:

https://bibliotekanauki.pl/articles/1826349.pdf

Data publikacji:

2019-09-16

Wydawca:

Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach

Tematy:

Russian literature
Sergey Arno
mental illness
abuse of psychiatry
Petersburg text

Opis:

Into his novel Smiritel’naya rubashka dlya geniyev Sergey Arno, a con-temporary Petersburg author, entered a number of reflections on the ongoing crisis in Russian as well as world literature. In the way characteristic of his style, Arno refers to the problem of mass culture, and raising the issue of cultural globalization composes the basis for the bizarre idea of making literature entirely dependent on economic factors. Submissive to authorities psychiatry would be considered a great contributor to the novel’s plot. The text, which evidently car-ries out the objectives of literary fiction, by applying certain techniques is gaining the strength of realism, the absurdity becomes apparent and the world depicted appears more and more plausible.

Źródło:

Conversatoria Litteraria; 2016, 10; 263-274
1897-1423

Pojawia się w:

Conversatoria Litteraria

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 69.

Tytuł:

Staroruskie Słowo o mądrości przypisywane Cyrylowi z Turowa (edycja i przekład)

Autorzy:

Brzozowska, Zofia

Powiązania:

https://bibliotekanauki.pl/articles/1038271.pdf

Data publikacji:

2015-01-02

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Cyril of Turov
Old Russian literature
Sophia – Divine Wisdom
Novgorod the Great

Opis:

The Word of Wisdom is a relatively small-sized relic of medieval eastern Slavic literature from what is certainly the oldest period of its existence, i.e. from before the Mongol invasion of Rus. It is attributed usually to Cyril of Turov (who died before 1182), one of the greatest writers of the Old Russian period. The oldest manuscript containing the full text of the Word of Wisdom is the parchment code from the thirteenth century, which is currently stored in the collections of the National Library of Russia in Saint Petersburg. A small fragment of the Word of Wisdom was also written on a birch bark document, found in its entirety in Torzhok near Novgorod the Great. This relic is usually dated to the years 1170-1190.

Źródło:

Slavia Antiqua: rocznik poświęcony starożytnościom słowiańskim; 2015, 56; 101-108
0080-9993

Pojawia się w:

Slavia Antiqua: rocznik poświęcony starożytnościom słowiańskim

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 70.

Tytuł:

Maść czarownic w literaturze rosyjskiej pierwszej połowy XX wieku
The “witches’ ointment” in the Russian literature of the 1st half of the 20th century

Autorzy:

Chodurska, Halina

Powiązania:

https://bibliotekanauki.pl/articles/1591852.pdf

Data publikacji:

2017

Wydawca:

Uniwersytet Szczeciński. Wydawnictwo Naukowe Uniwersytetu Szczecińskiego

Tematy:

Russian literature
witches’ ointment
poisonous plants
literatura rosyjska
maść czarownic
rośliny trujące

Opis:

Przedmiotem rozważań w powyższym szkicu są przepisy na „maść czarownic” przytaczane w literaturze rosyjskiej pierwszej połowy XX wieku. Wedle tradycji europejskich sięgających czasów średniowiecza tytułowy specyfik pozwalał czcicielkom Szatana na swobodne przemieszczanie się (przelot) na zgromadzenia z udziałem mocy piekielnych. Omówiono tu w przede wszystkim zioła, jakie zdaniem bohaterów powieści Walerego Briusowa Ognisty Anioł stanowić miały podstawę preparatu. Receptury zaprezentowane przez Renatę i jednego z uczniów Agryppy von Nettesheim różnią się nieco od siebie. W obu przypadkach wymienione zostały jednak pewne wspólne komponenty specyfiku. Należą do nich lulek/blekot (Hyoscyamus niger, L.); psianka slodkogórz (Solanum dulcamara, L.); pietruszka, którą należałoby zapewne identyfikować z blekotem ogrodowym (Aethusa cynapium, L.) lub szczwołem plamistym (Conium maculatum, L.) oraz wilczy ząb (jeden z gatunków Aconitum, bądź Helleborus foetidus, L. lub Claviceps purpurea).
The article describes the recipes for the “witches’ ointment” quoted in the Russian literature of the 1st half of the 20th century. According to the European tradition dating back to the Middle Ages this drug enabled the worshippers of Satan to freely translocate (by air) to their covens with the aid of the powers of hell. Described are primarily the herbs, which, according to the characters of the Valery Bryusov’s novel The Fiery Angel, were to constitute the base of the concoction. The recipes given by Renata and one of the Agrippa von Nettesheim’s disciples slightly differ. There are, however, some components common to both of them. These include the henbane (Hyoscyamus niger, L.), the bittersweet (Solanum dulcamara, L.), the parsley, probably to be identified with the fool’s parsley (Aethusa cynapium, L.) or the hemlock (Conium maculatum, L.), and the wolf’s bane (one of the species of Aconitum, Helleborus foetidus, L. or Claviceps purpurea).

Źródło:

Studia Językoznawcze; 2017, 16; 53-68
1730-4180
2353-3161

Pojawia się w:

Studia Językoznawcze

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 71.

Tytuł:

RECEPCJA BAJKOPISARSTWA IWANA KRYŁOWA W ŚWIETLE PRASY POLSKIEJ PIERWSZEJ POŁOWY XIX WIEKU
The Reception of the Ivan Krylov’s Fables in the Light of the Polish Periodical Press in the First Half of the 19th Century

Autorzy:

Dąbrowska, Magdalena

Powiązania:

https://bibliotekanauki.pl/articles/444454.pdf

Data publikacji:

2014-06-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Polish periodical press
19th century
Russian literature
fable
translation
Ivan Krylov

Opis:

Ivan Krylov (1769–1844) was a Russian fabulist, called “The Russian La Fontaine”, dramatist and journalist. The article contains an overview of the publications about him in the Polish newspapers and periodicals in the fi rst half of the 19th century: the notes to the translation of the fables in “Tygodnik Petersburski” (1837), the biographical notes in the newspaper “Rozmaitości” (1834, 1838), the article Russian Literature in the periodical “Zabawy Przyjemne i Pożyteczne” (1804–1806), the article The Krylov’s Fables in the “Rozmaitości” (1826). The fi rst half of the 19th century was the period of a gradual development of the Polish-Russian relations in the area of the periodical press.

Źródło:

Acta Neophilologica; 2014, XVI/1; 153-163
1509-1619

Pojawia się w:

Acta Neophilologica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 72.

Tytuł:

Pisanie o chorobie (recenzja tomu "Motyw choroby w literaturze i kulturze Ukrainy oraz państw obszaru poradzieckiego", pod red. M. Zambrzyckiej, Warszawa 2021)
Writing about the disease (review of the volume, Motyw choroby w literaturze i kulturze Ukrainy oraz państw obszaru poradzieckiego, edited by M. Zambrzycka, Warsaw 2021)

Autorzy:

Jakubowska-Krawczyk, Katarzyna

Powiązania:

https://bibliotekanauki.pl/articles/32082019.pdf

Data publikacji:

2022-12-28

Wydawca:

Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego

Tematy:

choroba
literatura ukraińska i rosyjska
dyskurs
disease
discourse
Ukrainian and Russian literature

Opis:

W artykule przeanalizowano wydanie "Motyw choroby w literaturze i kulturze Ukrainy oraz państw obszaru poradzieckiego", edited by M. Zambrzycka tak pod kątem zawartych tak treści teoretycznych, jak i egzemplifikacji konkretnych zjawisk na przykładach zaczerpniętych przede wszystkim literatury i kultury ukraińskiej z jednym wyjątkiem pochodzącym z literatury rosyjskiej.
The article analyzes the issue of "Disease in the literature and culture of Ukraine and the post-Soviet countries", edited by M. Zambrzycka, both in terms of theoretical content and exemplification of specific phenomena based on examples taken mainly from Ukrainian literature and culture, with one exception from Russian literature.

Źródło:

Studia Ucrainica Varsoviensia; 2022, 10; 241-245
2299-7237

Pojawia się w:

Studia Ucrainica Varsoviensia

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 73.

Tytuł:

Rosyjska i polska recepcja twórczości Romana Sienczina w latach 2001-2021

Autorzy:

Jastrzębska, Katarzyna

Powiązania:

https://bibliotekanauki.pl/articles/2131262.pdf

Data publikacji:

2022-05-15

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

critical reception of a literary text
Roman Senchin
new realism
contemporary Russian literature
Russian pessimism

Opis:

This paper focuses on the Russian and Polish receptions of the works of Roman Senchin, a leading representative of the New Realism Trend in Russian literature. The writer’s debut was his collection of short stories entitled Athens Nights (Афинские ночи), published in 2000. Since then, Senchin has written many works, including The Yeltyshevs (Елтышевы), published in 2009 and translated into several languages. His works are widely commented on, discussed, analyzed, and interpreted not only by Russian literary scholars, critics, and commentators of Russian cultural life, but also by Polish researchers investigating contemporary Russian literature. The article presents the views of literary critics and literary scholars concerning Senchin’s works, as well as reflections on their typical or dominant features. Despite widely differing points of view, Russian literary critics agree that Roman Senchin is the most pessimistic contemporary Russian writer.

Źródło:

Acta Neophilologica; 2022, 1, XXIV; 163-180
1509-1619

Pojawia się w:

Acta Neophilologica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 74.

Tytuł:

Po Mannie i Viscontim. Śmierć w Wenecji we współczesnej literaturze polskiej, rosyjskiej i ukraińskiej
After Mann and Visconti. Death in Venice in Polish, Russian and Ukrainian literature

Autorzy:

Siemońska, Olga

Powiązania:

https://bibliotekanauki.pl/articles/916010.pdf

Data publikacji:

2018-12-20

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Venice
death
Russian literature
Ukrainian literature
Polish literature
Wenecja
śmierć
literatura rosyjska
literatura ukraińska
literatura polska

Opis:

The article analyzes three pieces of Russian, Ukrainian and Polish contemporary literature on the subject of “the death in Venice”. The authors of the works, by referring to the literary tradition, consciously strengthen the myth of the "the city of death". In their interpretations this myth has two dimensions: the general and the individual. In the general dimension the vision of a dying beauty and fading power encourages reflection on the transitory nature of civilization. The individual dimension is based on the sense of identification of a dying character with a "dying" city, i.e. Venice.

Źródło:

Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2018, 8; 219-230
2391-470X

Pojawia się w:

Kultury Wschodniosłowiańskie – Oblicza i Dialog

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 75.

Tytuł:

Samuel Bogumił Linde a kultura i nauka rosyjska (na materiale czasopism początku XIX wieku)
Samuel Bogumił Linde and the Russian culture and science (on the basis of the periodicals in the early 19th century)

Autorzy:

Dąbrowska, Magdalena

Powiązania:

https://bibliotekanauki.pl/articles/482079.pdf

Data publikacji:

2014

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Samuel Bogumił Linde
Vasily Anastasyevich
Vasily Sopikov
„Uley”
„Pamiętnik Warszawski”
bibliography
Russian literature
Polish literature

Opis:

The beginning of the 19th century is the period of a gradual development of the Polish- Russian cultural and scientific relations in the area of the periodical press. Samuel Bogumił Linde (1771-1847), a linguist, author of the Dictionary of the Polish Language, translator, bibliographer and librarian, was one of the main representatives of the Polish science at that time. The article consists of four parts: 1. Opening remarks (Linde and Alexander Vostokov, Linde and Jakov Galinkovsky; review of the Polish and Russian periodicals in the early 19th century); 2. Linde and Vasily Anastasyevich (materials on the Polish culture in the periodical „Uley"); 3. Linde and Vasily Sopikov (about the Russian literature in the periodical „Pamiętnik Warszawski"); 4. About Linde in the periodical „Moskwitianin" (instead of conclusion) (the article about Linde by Jan Papłoński, around the correspondence of Evfimy Bolkhovitinov and Vasily Anasta- syevich). Vasily Anastasyevich (1775-1845) was a translator, bibliographer, publisher of the periodical „Uley”. Vasily Sopikov (1765-1818) was a bibliographer and librarian.

Źródło:

Acta Polono-Ruthenica; 2014, 1, XIX; 191-205
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 76.

Tytuł:

Twórcza reinterpretacja mitów narodowych. Próba współodczytania „Trans-Atlantyku” Witolda Gombrowicza i „Małego palca Buddy” Wiktora Pielewina
Creative reinterpretation of national myths. An attempt to co-read „Trans-Atlantic” by Witold Gombrowicz and „Buddha’s Little Finger” by Viktor Pelevin

Autorzy:

Jaworski, Mateusz

Powiązania:

https://bibliotekanauki.pl/articles/915567.pdf

Data publikacji:

2018-09-22

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

national myth
Gombrowicz
Pelevin
Russian literature
Polish literature
mit narodowy
Pielewin
literatura rosyjska
literatura polska

Opis:

The aim of this paper is to depict significant parallels between the works  of Witold Gombrowicz and Viktor Pelevin within the scope of reinterpreting national myths. In their novels, Trans Atlantic and Buddha’s Little Finger, the writers seem to take account of substantial danger related to fixed, ossified forms of understanding the notions of nation and motherland. Despite visible differences in their styles both novelist stay alert to automatized relationship to any phenomenon and make attempts at provoking the reader to rethink their relationship to the abovementioned terms. The author of the present paper finds these issues crucial and very up-to-date in the post postmodern society and culture, in particular in light of the recent geopolitical changes.

Źródło:

Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2016, 6; 75-81
2391-470X

Pojawia się w:

Kultury Wschodniosłowiańskie – Oblicza i Dialog

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 77.

Tytuł:

Opowieść o zdobyciu Konstantynopola przez uczestników czwartej wyprawy krzyżowej (6712/1204) w średniowiecznej ruskiej tradycji historiograficznej

Autorzy:

Brzozowska, Zofia A.

Powiązania:

https://bibliotekanauki.pl/articles/1038216.pdf

Data publikacji:

2016-01-01

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Old Russian literature
Novgorod the Great
Novgorod First Chronicle
Constantinople
Fourth Crusade

Opis:

The Old-Russian account about the siege of Constantinople by participants of the Fourth Crusade in 1204 has survived in several East Slavic historiographical texts and represents primarily an independent literary work. Certainly, the earliest of these texts is the Novgorod First Chronicle. It is an older edition preserved only in one copy – the so-called “Synodal manuscript”, which was written in the middle of the thirteenth century. At that time the story was written. Its author could have taken information about the events he described directly from eyewitnesses. His account of events is characterized by objectivity and credibility and constitutes a valuable resource for the study of the Fourth Crusade

Źródło:

Slavia Antiqua: rocznik poświęcony starożytnościom słowiańskim; 2016, 57; 109-152
0080-9993

Pojawia się w:

Slavia Antiqua: rocznik poświęcony starożytnościom słowiańskim

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 78.

Tytuł:

Литературный дискурс Виктора Астафьева (на эпистолярном материале)
Viktor Astafyev’s Literary Discourse (Based on His Correspondence)

Autorzy:

Borkowska, Aldona

Powiązania:

https://bibliotekanauki.pl/articles/968734.pdf

Data publikacji:

2014

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

epistolary writing
letter-writing
Viktor Astafyev
contemporary Russian literature
criticism
literary life

Opis:

The aim of the article is to survey the correspondence of Viktor Astafyev, published in three different books, for statements about the work of contemporary writers, his own creativeness and comments on literary life in the Soviet Union and Russia. It is worth noting that the Siberian prose writer exchanged letters with critics and writers for many years. In the text much attention is paid to his critical opinions and evolving views on the Russian literature.

Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2014, 07; 163-174
1427-9681
2353-4834

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Rossica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 79.

Tytuł:

Картины Прованса в творчестве Галины Кузнецовой
Images of Provence in the Works of Galina Kuznetsova

Autorzy:

Brzykcy, Jolanta

Powiązania:

https://bibliotekanauki.pl/articles/2032382.pdf

Data publikacji:

2018

Wydawca:

Polska Akademia Nauk. Czytelnia Czasopism PAN

Tematy:

Galina Kuznetsova
Russian émigré literature
Provence
landscape
impressionist literature

Źródło:

Slavia Orientalis; 2018, LXVII, 4; 631-645
0037-6744

Pojawia się w:

Slavia Orientalis

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 80.

Tytuł:

W WOSKOWYM WIANKU BORYSA POPŁAWSKIEGO. ANALIZA STATYSTYCZNA I INTERPRETACJA*
V venke iz voska by Boris Poplavsky. Statistic Analysis and Interpretation

Autorzy:

Ojcewicz, Grzegorz

Powiązania:

https://bibliotekanauki.pl/articles/444713.pdf

Data publikacji:

2009-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Boris Poplavsky,
Russian emigree literature,
Parisian note,
Russian surrealism,
Russian modernism

Opis:

The presented interpretation of the poetry collection V venke iz voska (In the Wax Wreath) by Boris Poplavsky, based on a known George Kingsley Zipf’s law, is an example approach to a literary text from the point of view of words statistics, which reflects Poplavsky’s semantic and stylistic preferences. Thanks to the applied method, the following thesis concerning the poet’s idiolect were formulated: 1) Boris Poplavsky’s poetic world is of a definitely substantive structure; 2) the most important role in the specification of the presented world is played by senses - visual impressions and colours; 3) the lyrical subject acts mainly as a reporter of current events; 4) the used adverbs reveal the poet’s inclination to “stretching” time and space; 5) high frequency of the “I” pronoun testifies significant egocentrism of Poplavsky’s. *

Źródło:

Acta Neophilologica; 2009, XI; 69-96
1509-1619

Pojawia się w:

Acta Neophilologica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 81.

Tytuł:

CZARNY CZŁOWIEK SERGIUSZA JESIENINA W TŁUMACZENIU ADAMA POMORSKIEGO JAKO DRUGI ELEMENT POLSKIEJ SERII PRZEKŁADOWEJ
Sergey Yesenin’s Black Man Translated by Adam Pomorski as the Second Element of the Polish Translated Series

Autorzy:

Ojcewicz, Grzegorz

Powiązania:

https://bibliotekanauki.pl/articles/444583.pdf

Data publikacji:

2012-06-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Sergey Yesenin
Black Man
Adam Pomorski
translation
interpreting techniques
original text
Russian literature

Opis:

The author analyses the interpreting techniques used by Adam Pomorski in his translation of Black Man by Sergey Yesenin. It becomes obvious that the Polish interpreter used traditional methods of text translation, not always keeping the formal, semantic, and stylistic structure of the original text. So, in his version Pomorski emphasized the presence of a second author-creator, i.e. himself, and left traces of his interpreting initiative in almost every line, amplifying translation, introducing unmotivated inversions, using archaic and modernized lexis. Due to such a pretentious manner of Pomorski’s translation the reader received the text which doesn’t always remind Yesenin’s original lines.

Źródło:

Acta Neophilologica; 2012, XIV/1; 165-183
1509-1619

Pojawia się w:

Acta Neophilologica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 82.

Tytuł:

«Никто не знает настоящей правды» (переосмысление образа учителя-наставника в произведениях Антона Чехова)

Autorzy:

Францова, Наталья

Powiązania:

https://bibliotekanauki.pl/articles/1826613.pdf

Data publikacji:

2020-02-06

Wydawca:

Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach

Tematy:

Russian literature
Anton Chekhov's creativity
the spiritual life
late XIX century in Russia

Opis:

The article is devoted to the ideals in the life and work of Anton Chekhov. In his works the Russian writer destroys the image of the elder, the teacher who knows the truth and can explain the meaning of life. He believed that every person can get rid from the "case" ideas of others and gain absolute freedom.

Źródło:

Conversatoria Litteraria; 2017, 11; 485-494
1897-1423

Pojawia się w:

Conversatoria Litteraria

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 83.

Tytuł:

Who Could ‘the Godless Ishmaelites from the Yathrib Desert’ Be to the Author of the Novgorod First Chronicle? The "Apocalypse of Pseudo-Methodius" in Medieval South and East Slavic Literatures

Autorzy:

Brzozowska, Zofia Aleksandra
Gucio, Katarzyna

Powiązania:

https://bibliotekanauki.pl/articles/682178.pdf

Data publikacji:

2019

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

Apocalypse of Pseudo-Methodius
Church Slavic
Old Bulgarian literature
Old Russian literature
Novgorod First Chronicle

Opis:

The work of Pseudo-Methodius, whose creation (in the original Syrian version) dates back to ca. 690, enjoyed considerable popularity in Medieval Slavic literatures. It was translated into Church Slavic thrice. In all likelihood, these translations arose independently of each other in Bulgaria, based on the Greek translation, the so-called ‘first Byzantine redaction’ (from the beginning of the 8th century). From Bulgaria, the Slavic version of the Apocalypse of Pseudo-Methodius spread to other Slavic lands – Serbia and Rus’. In the latter, the work of Pseudo-Methodius must have been known already at the beginning of the 12th century, given that quotations from it appear in the Russian Primary Chronicle (from the second decade of the 12th century). In the 15th century, an original, expanded with inserts taken from other works, Slavic version also came into being, known as the ‘interpolated redaction’. All of the Slavic translations display clear marks of the events that preceded them and the circumstances of the period in which they arose. Above all, the Saracens – present in the original version of the prophecy – were replaced by other nations: in the Novgorod First Chronicle we find the Mongols/Tatars (who conquered Rus’ in the first half of the 13th century).

Źródło:

Studia Ceranea; 2019, 9; 369-389
2084-140X
2449-8378

Pojawia się w:

Studia Ceranea

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 84.

Tytuł:

ИДЕЯ ПОРЯДКА И ЕЁ ВОПЛОЩЕНИЕ В ЖАНРОВОЙ ТРАДИЦИИ ДРЕВНЕЙ РУСИ
The Concept of Order and Its Realization in the Genre Tradition of Old Russia

Autorzy:

Шунков, Александр

Powiązania:

https://bibliotekanauki.pl/articles/444851.pdf

Data publikacji:

2012-06-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

genre,
Russian medieval literature, ceremonial and artistic texts

Opis:

The article considers the problem of the creation and evolution of aspecific genre of medieval Russian literature – order (a description of court ceremonial). The article identifies the origins of the genre form, its artistic and aesthetic basis, analyzes the evolution of the Russian publishing tradition of book of the 12–17th centuries. Particular attention is drawn to the existence of the called genre forms in the Russian court culture of the 1650s, the era of the reign of Tsar Alexei Mikhailovich.

Źródło:

Acta Neophilologica; 2012, XIV/1; 193-201
1509-1619

Pojawia się w:

Acta Neophilologica

Dostawca treści:

Biblioteka Nauki

/5

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Tytuł:

Literacki obraz Nowych Rosjan
Literary Picture of New Russians

Autorzy:

Zywert, Aleksandra

Powiązania:

https://bibliotekanauki.pl/articles/1877409.pdf

Data publikacji:

2019-10-24

Wydawca:

Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL

Tematy:

Nowy Rosjanin
bohater literacki
współczesna literatura rosyjska
pieniądze
the New Russian
literary character
contemporary Russian literature
money

Opis:

Artykuł podzielono na dwie części. W części wstępnej omówiono socjologiczny aspekt pojęcia Nowy Rosjanin, które jest swego rodzaju punktem wyjścia do analizy konkretnego typu bohatera literackiego. Literacki wizerunek wyewoluował na bazie wielowiekowej (od literatury staroruskiej poczynając) tradycji i nie zawsze jego wydźwięk był negatywny. Dziś Nowy Rosjanin występuje wyłącznie jako antybohater, którego głównymi cechami wywoławczymi są między innymi: brak własnej tożsamości, specyficzne podejście do pieniędzy postrzeganych jako źródło władzy, skrajnie przedmiotowy stosunek do drugiego człowieka oraz pogarda dla szeroko rozumianej tradycji (w tym także i rodzinnej). W literaturze rosyjskiej ten typ bohatera cieszył się największą popularnością na przełomie XX i XXI wieku, by potem powoli zejść na margines i pozostać w pamięci czytelników głównie jako bohater dowcipów.
The paper is divided into two parts. The introductory part discusses the sociological aspect of the term New Russian, which becomes the starting point of the analysis of a specific type of literary characters.The literary picture of the New Russian has evolved in its long history (reaching the Old Russian folklore) as it did not always use to connote negative characteristics. Nowadays the New Russian is exclusively presented as an anti-character, the typical features of whom are inter alia: the absence of clearly defined identity, the specific attitude to money understood as the source of power, an extremely instrumental approach to other people, and disdain for the broadly understood tradition (including family tradition). In Russian literature this type was at the peak of its popularity at the turn of the millennium and since then it has degraded almost exclusively to mere anecdotal characters in readers’ memory.

Źródło:

Roczniki Humanistyczne; 2018, 66, 7; 125-138
0035-7707

Pojawia się w:

Roczniki Humanistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 86.

Tytuł:

„РОДЫ ЛЮБВИ” В РАННЕМ ТВОРЧЕСТВЕ Л.Н. ТОЛСТОГО
“Kinds of Love” in the Early Works of L.N. Tolstoy

Autorzy:

Базилевская, Аэлита

Powiązania:

https://bibliotekanauki.pl/articles/445008.pdf

Data publikacji:

2010-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

personality,
emotional and spiritual development, states of love,
movement,
Russian literature,
Lev Tolstoy

Opis:

A number of early works by L.N. Tolstoy is devoted to the problems of love in its modifications, modulations and shades. Tolstoy who, as an artist, discovered the law of “fluidity” of human person proves here that love states are multidimensional and changeable, that movement is the nature of love itself. Love feeling goes through its different kinds: from “beautiful” and “selfless” love to ideal, highly moral “active” love. Gradations are relative, differences among “kinds of love” are caused by degree of presence of subjective-egoistic element. Stages of “dialectics” of feelings are interconnected with emotional and spiritual development of the personality. Tolstoy is sure that man is free in choice of his own way in the life of heart and in his responsibility for it to his own life and other people.

Źródło:

Acta Neophilologica; 2010, XII; 153-173
1509-1619

Pojawia się w:

Acta Neophilologica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 87.

Tytuł:

Bułgarski car Piotr i jego żona Maria Lekapena w Latopisie Helleńskim i Rzymskim drugiej edycji

Autorzy:

Brzozowska, Zofia A.

Powiązania:

https://bibliotekanauki.pl/articles/1038147.pdf

Data publikacji:

2018-06-20

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Old Russian literature
Hellenic and Roman Chronicle
Peter
Maria Lekapene
Byzantine- Bulgarian relations

Opis:

The sequence concerning the reign of Peter and Maria Lekapene as well as the Byzantine-Bulgarian relations between 927 and 969 can be found in the second version of the Hellenic and Roman Chronicle. It is a vast historiographical work, whose authors attempted to demonstrate the history of medieval Rus against the broad background of universal history, drawing on the sources of Byzantine provenance known in Slavonic translation (mainly the chronicles of John Malalas and George Hamartolus). Given the fact that the Hellenic and Roman Chronicle does not contain information about the capture of Constantinople by the Ottoman Turks, the year 1453 is considered the terminus ante quem for the second version of the said chronicle, which is of interest to us here. Its oldest preserved copies come from the mid-fifteenth century. The passages about Maria and Peter are extensive. They include about six columns of text written in semi-uncial in the most representative copy of the second version of the Hellenic and Roman Chronicle, i.e. manuscript БАН, 33.8.13, which is dated to the last quarter of the fifteenth century. Reading them allows one to ascertain that they constitute only a reworded version of the Slavic translation of the relevant passages of the B-version of the Georgius Monachus Continuatus. The content of the Byzantine source is quoted here in full without any abbreviations or author’s additions. The differences between the text of БАН, 33.8.13 and the text of РГБ, собр. Ундольского [Ф. 310], № 1289 – constituting the basis for editing the translation of the Georgius Monachus Continuatus of the B-version – are limited only to the stylistic and editorial level, except for the changes resulting most probably from the copyist misunderstanding the meaning of the original.

Źródło:

Slavia Antiqua: rocznik poświęcony starożytnościom słowiańskim; 2017, 58; 25-40
0080-9993

Pojawia się w:

Slavia Antiqua: rocznik poświęcony starożytnościom słowiańskim

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 88.

Tytuł:

Motto w twórczości romantyków rosyjskich. Źródła i funkcje
Motto in the creation of Russian Romanticicsm. Sources and functions

Autorzy:

Sadzińska, Ewa

Powiązania:

https://bibliotekanauki.pl/articles/22624809.pdf

Data publikacji:

2010

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

Russian literature
romanticism
motto
intertextuality
the Decembrists
the Lyubomudry Society
Alexander Sergeyevich Pushkin

Opis:

The article is an attempt at a comprehensive analysis of the typological suitability of the mottos in Russian Romanticism, their sources and trends in Russian Romanticism: the Decembrists, the Lyubomudry Society and Pushkin with the poets and writers from his circle.

Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2010, 3; 93-102
1427-9681
2353-4834

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Rossica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 89.

Tytuł:

„Homo hapticus” a kategoria „męża sprawiedliwego”. (Nieśmiertelny Gołowan Nikołaja Leskowa i Laur Jewgenija Wodołazkina)
"Homo hapticus" Versus the Category of the Pious Man. (The Immortal Golovan by Nikolai Leskov and Laurus by Eugene Vodolazkin)

Autorzy:

Trojanowska, Beata

Powiązania:

https://bibliotekanauki.pl/articles/16500622.pdf

Data publikacji:

2022

Wydawca:

Polska Akademia Nauk. Czasopisma i Monografie PAN

Tematy:

Russian literature
the pious man
homo hapticus
Leskov
Vodolazkin
material word
spiritual word

Opis:

The theme of the article focuses on the description of the tactile sphere selected for the presentation of Russian literary prose figures from the second half of the 19th century and the beginning of the 21st century. The term “homo hapticus” is understood in the article as a characterization of a figure expressed through touch. At the same time, haptics, representative of the physical, biological side of the characters’ functioning in the world, is closely related to their spiritual sphere and can be referred to types of saintly characters. These dependencies are expressed by both the touching and the touched subject, and in particular by the body elements involved in the haptic turn – in my examples these are the hands and the mouth. The author of the article comes to the conclusion that the haptics of the analysed characters abolishes the binary between the material and spiritual worlds. He points out that touch reflects not only a specific physical action, but is closely related to the Russian cultural context, primarily the religious. It is the haptics of the figures who act as healers that allows them to be called righteous men – expressing a loving Christian attitude towards their fellow man.

Źródło:

Slavia Orientalis; 2022, LXXI, 1; 77-94
0037-6744

Pojawia się w:

Slavia Orientalis

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 90.

Tytuł:

"Literatura rosyjsko-izraelska i jej mitotwórczy potencjał. Recenzja pozycji: Roman Katsman, Vysshaya legkost'sozidaniya. Sleduyushchiye sto let russko-izrail'skoy literatury (Boston–St. Petersburg: Academic Studies Press–BiblioRossica, 2021). Oprawa twarda, 443 str [Роман Кацман, Высшая легкость созидания. Следующие сто лет русско-израильской литературы (Boston–St. Petersburg: Academic Studies Press–BiblioRossica, 2021]"
"Polish-Israeli Literature and its Myth-making Potential." A review of: Roman Katsman, Vysshaya legkost'sozidaniya. Sleduyushchiye sto let russko-izrail'skoy literatury (Boston–St. Petersburg: Academic Studies Press–BiblioRossica, 2021). Hardback, 443 pp. [Роман Кацман, Высшая легкость созидания. Следующие сто лет русско-израильской литературы (Boston–St. Petersburg: Academic Studies Press–BiblioRossica, 2021]

Autorzy:

Michalska-Suchanek, Mirosława

Powiązania:

https://bibliotekanauki.pl/articles/2097254.pdf

Data publikacji:

2022-06-25

Wydawca:

Wydawnictwo Uniwersytetu Śląskiego

Tematy:

literatura rosyjsko-izraelska
mit
mitotwórstwo
kulturowy paradygmat
Russian-Israeli literature, myth, mythopoesis, cultural paradigm
Russian-Israeli Literature
Myth
Mythopoesis
Cultural Paradigm

Opis:

Tekst jest recenzją monografii Romana Katsmana pod tytułem Vysshaya legkost' sozidaniya. Sleduyushchiye sto let russko-izrail'skoy literatury (Boston–St. Petersburg: Academic Studies Press–BiblioRossica, 2021). Jest to kontynuacja jego badań zawartych w poprzedniej książce Neulovimaya real'nost'. Sto let russko-izrail'skoy literatury (1920–2020) (Boston–St. Petersburg: Academic Studies Press–BiblioRossica, 2020). Katsman odchodzi od postrzegania literatury rosyjsko-izraelskiej jako części literatury rosyjskiej oraz od jej opisu wyłącznie w kontekstach i zależnościach związanych z kulturą rosyjską. Uznanie autonomiczności tej literatury wymaga odrębnej metody badawczej, narzędzi i aparatu pojęciowego. Katsman w książce z roku 2020 zaprezentował filozoficzno-kulturowy paradygmat, który ma za zadanie wyznaczyć perspektywę oglądu literatury rosyjsko-izraelskiej, w kolejnej monografii ten paradygmat uzupełnia o zawarty w tej literaturze potencjał mitotwórczy.
" The text is a review of Roman Katsman’s monograph, entitled Vysshaya legkost’sozidaniya. Sleduyushchiye sto let russko-izrail’skoy literatury (Boston–St. Petersburg: Academic Studies Press–BiblioRossica, 2021). This is a continuation of his research included in the previous book, Neulovimaya real’nost’. Sto let russko-izrail’skoy literatury (1920–2020) (Boston–St. Petersburg: Academic Studies Press–BiblioRossica, 2020). Katsman steps back from perceiving Russian-Israeli literature as a part of Russian literature and describing it only in contexts and connections related to Russian culture. The recognition of such literary autonomy requires a separate research method, tools and conceptual apparatus. In his book from 2020, Katsman presents a philosophical and cultural paradigm, which aims to define the perspective of Russian-Israeli literature; in the other monograph, he supplements this paradigm with the myth-creating potential contained in this literature.

Źródło:

ER(R)GO: Teoria – Literatura – Kultura; 2022, 44; 219-227
1508-6305
2544-3186

Pojawia się w:

ER(R)GO: Teoria – Literatura – Kultura

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 91.

Tytuł:

Skazani na Zwycięstwo. Powieść Aleksandra Prochanowa Człowiek Gwiazdy
Condemned to victory. The novel Star Man by Aleksander Prokhanov

Autorzy:

Syska, Katarzyna

Powiązania:

https://bibliotekanauki.pl/articles/1828434.pdf

Data publikacji:

2020-11-26

Wydawca:

Uniwersytet Bielsko-Bialski

Tematy:

współczesna literatura rosyjska
mesjanizm
Aleksander Prochanow
mit
contemporary Russian literature
messianism
Alexander Prokhanov
myth

Opis:

Alexander Prokhanov is one of the most significant figures in the patriotic-conservative circles in Russia. What makes him extraordinary is his versatility – he is a political activist, journalist, media personality and a writer. The idea of special historical destiny of Russia is a constant component of his political views which have a strong mystical background. The novel Star Man is a typical example of the literary expansion of his political concepts by referring to the poetics of myth.

Źródło:

Świat i Słowo; 2020, 35, 2; 137-153
1731-3317

Pojawia się w:

Świat i Słowo

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 92.

Tytuł:

Эристические техники в литературной модели спора (на материале избранных романов Ивана Тургенева)
Eristic techniques in the literary model of dispute: Ivan Turgenev’s chosen novels

Autorzy:

Olaszek, Barbara

Powiązania:

https://bibliotekanauki.pl/articles/22625760.pdf

Data publikacji:

2010

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

eristic techniques
dispute
subject of the dispute
the disputing persons
Ivan Turgenev
Russian literature

Opis:

The subject of discussion in the present paper is the model of the dispute as a speech genre created by Ivan Turgenev. Special attention is paid to eristic techniques of disputation. Eristic techniques (those proposed by Schopenhauer) determine the intention of a dispute aimed not at establishing the truth, but at convincing the addressees of the validity of argumentation presented by certain disputants. An analysis of the course of the disputes in Turgenev’s novels allows us to notice the use of many eristic techniques, in particular, the shifts of emphasis from the subject of the dispute (ad rem) to the disputing persons (ad personam). It proves that the writer focuses on pointing to the forces that can lead Russia towards a better future, rather than on looking for a way of solving problems. A positive characterization of the moderate disputants, while not of the fierce ones, allows for a more precise conclusion: Turgenev was a supporter not of eternal disputes but of dialogue and compromise.

Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2010, 3; 80-92
1427-9681
2353-4834

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Rossica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 93.

Tytuł:

Obraz iluzjonisty w prozie Michaiła Szyszkina na tle tradycji literatury rosyjskiej
The Image of an Illusionist in Mikhail Shishkin Prose Against the Background of Russian Literary Tradition

Autorzy:

Tyszkowska-Kasprzak, Elżbieta

Powiązania:

https://bibliotekanauki.pl/articles/1877407.pdf

Data publikacji:

2019-10-24

Wydawca:

Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL

Tematy:

Michaił Szyszkin
współczesna proza rosyjska
iluzja
iluzjonista
Mikhail Shishkin
contemporary Russian literature
illusion
illusionist

Opis:

Artykuł traktuje o obrazie iluzjonisty w prozie Michaiła Szyszkina. Postać magika pojawia się we wszystkich głównych powieściach pisarza: Zdobycie twierdzy Izmaił (2000), Włos Wenery (2005), Nie dochodzą tylko listy nienapisane (2010). Szyszkin często wiąże sztukę iluzjonistyczną z dzieckiem, któremu ufność pozwala wierzyć w możliwość kształtowania świata przez artystę, człowieka. Magik w twórczości Szyszkina pojawia się w nawiązaniu do tradycji platońskiej, w kontekście działań twórczych, które z kolei kojarzone są z boską kreacją świata (triada Stwórca – iluzjonista – pisarz). W związku z tym postać iluzjonisty często występuje jako metafora autora tekstu – on też ma zdolność tworzenia czegoś z niczego, sprawia, że coś może znikać, czy ulegać przemianom. Pojawia się też w prozie Szyszkina myśl o nieprawdziwości, złudności działań zarówno iluzjonistów, jak i artystów, jednak podkreśla on, że zadaniem pisarza nie jest relacjonowanie rzeczywistości, lecz takie jej ukazanie, które daje odbiorcy nadzieję.
The article is devoted to the image of an illusionist in the prose of Mikhail Shishkin. This figure appears in all of his main novels: The Taking of Izmail (2000), Maidenhair (2005), and The Light and the Dark (2010). Shishkin often links illusionistic art with the figure of a child whose trust makes him believe in the possibility of the world being shaped by an artist, a human being. In the works of Shishkin, the figure of an illusionist appears in reference to the Platonic tradition, in the context of creative activities associated with the divine creation of the world (the triad illusionist-writer-Creator). Therefore, this figure often appears as a metaphor of the author of the text, who also has the ability to create something out of nothing, to make something disappear or change. Moreover, Shishkin’s prose includes the theme of unreality and trickery of the actions of both illusionists and creators. Still, Shishkin emphasizes that the writer’s responsibility is not to report reality but to present it in a way which gives the recipient hope.

Źródło:

Roczniki Humanistyczne; 2018, 66, 7; 139-159
0035-7707

Pojawia się w:

Roczniki Humanistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 94.

Tytuł:

The Secular, the Sacral, and the Three Stages of the Postsecular in Russian Literature: The Past and the Present

Autorzy:

Pospíšil, Ivo
Lipszyc, Adam
Sławek, Tadeusz

Powiązania:

https://bibliotekanauki.pl/chapters/985675.pdf

Data publikacji:

2019-02-22

Wydawca:

Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego

Tematy:

pre–post effect
unfinished secularization in Russia
three waves of postsecularism in Russian literature

Opis:

This article deals with the general problems of the secular and postsecular, but mainly with the specific features of Russian cultural and literary development characterized by the conception of the pre–post effect (the imperfect imitation of Western models that leads to new artistic revelations) and by unfinished secularization, the consequence of which is the permanent presence of sacral elements. In Russian literature, there are three stages of postsecularism that are related to romanticism, modernism and postmodernism; these are demonstrated on the examples of two case studies (Bondarev, Vodolazkin). The general characteristics of Russian postsecularism are closely related to the typical Russian unfinishedness, incompleteness and openness, thus indicating a new development potential that leads to new poetics and constituted artifacts.

Źródło:

The Experience of Faith in Slavic Cultures and Literatures in the Context of Postsecular Thought; 178-188
9788323537175

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 95.

Tytuł:

Groza postaci demonicznych Fiodora Dostojewskiego
The Terror of the Demonic Figures of Fyodorf Dostoevsky

Autorzy:

Kilar, Agata

Powiązania:

https://bibliotekanauki.pl/articles/2130758.pdf

Data publikacji:

2021-12-30

Wydawca:

Akademia Ignatianum w Krakowie

Tematy:

literatura rosyjska
diabeł
groza
zło
postać demoniczna
russian literature
devil
horror
evil
demon character

Opis:

Artykuł jest próbą syntetycznego ujęcia problemu grozy związanej z demonicznością niektórych bohaterów Dostojewskiego. Powieści Dostojewskiego to rozważania nie tylko na tematy filozoficzne, ale także teologiczne – poruszające tematykę wiary i niewiary w Boga. To również związane z nimi bogate spektrum demonicznego zła, budzącego przerażenie. Na podstawie powieści Bracia Karamazow i Biesy, a także opowiadania Bobok autorka zaprezentuje, jak rosyjski twórca wykorzystywał motywy demoniczne w swojej twórczości. Mamy więc tutaj zmarłych targanych wciąż ludzkimi namiętnościami, „chorego na śmierć” Stawrogina, który jest personifikacją czystego zła, demonicznego Kiriłłowa, którego poglądy filozoficzne doprowadziły do samobójstwa, oraz Iwana Karamazowa jako Wielkiego Inkwizytora w Braciach Karamazow, którego zmorą jest diabeł. Na ich przykładzie autor Biesów przedstawił świat dążący do zagłady. Pokazał jednostki wyzbyte wyższych wartości moralnych, postaci odczłowieczone – demoniczne. Celem niniejszego artykułu jest pokazanie ich różnorodności demonicznej wyrażającej zło.
The article is an attempt to synthesize the problem of the horror associated with the demonicity of some of Dostoyevsky’s characters. Dostoyevsky’s novels are not only philosophical but also theological ones – touching the subject of faith and unbelief in God. It is also associated with a rich spectrum of demonic evil that is terrifying. Based on the novel The Brothers Karamazov and Demons, as well as the short story Bobok, the author will present how the Russian artist used demonic motifs in his work. So here we have the deceased, still tormented by human passions, “sick to death” Stavrogin, who is the personification of pure evil, demonic Kirillov, whose philosophical views led to suicide, and Ivan Karamazov as the Grand Inquisitor in The Brothers Karamazov, whose nightmare is the devil. On their example, the author of Demons presented the world striving for extermination. He showed individuals devoid of higher moral values, dehumanized figures – demonic. The purpose of this article is to show their demonic diversity expressing evil.

Źródło:

Perspektywy Kultury; 2021, 35, 4; 453-472
2081-1446
2719-8014

Pojawia się w:

Perspektywy Kultury

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 96.

Tytuł:

Cebula i kapusta
Onion and Cabbage

Autorzy:

Genis, Aleksander

Powiązania:

https://bibliotekanauki.pl/articles/467884.pdf

Data publikacji:

2015

Wydawca:

Wydawnictwo Uniwersytetu Śląskiego

Tematy:

Teoria literatury
Literatura rosyjska
Historia literatury
Postmodernizm
Literary theory
Russian literature
Literary history
Postmodernism

Opis:

Inspired by the structure of the titular vegetables – one having an essence after having been stripped of the outer layers, the other deprived of it – the article proposes a re-reading of Russian literature from the opposing perspectives of the “cabbage paradigm” and the “onion paradigm.” The former is located in the realm of soviet metaphysics, while the latter reverberates with deeper philosophical inspirations in which the meaning is produced by void and chaos. Both paradigms are used as distinct interpretative perspectives and illustrated with relevant literary examples.
Biorąc za punkt wyjścia budowę tytułowych warzyw, jednego posiadającego rdzeń widoczny po oderwaniu wierzchnich warstw, drugiego zaś pozbawionego go, niniejszy artykuł jest próbą ponownego odczytania literatury rosyjskiej za pomocą dwóch, przeciwstawnych perspektyw: paradygmatu kapusty i paradygmatu cebulu. Pierwszy paradgymat oparty jest na metafizyce sowieckiej, drugi zaś wyrasta z głębszych filozoficznych lektur, wedle których znaczenie kształtuje się poprzez pustkę i chaos. Oba paradygmaty użyte są jako odrębne perspektywy interpretacyjne i zilustrowane adekwatnymi przykładami literackimi.

Źródło:

ER(R)GO: Teoria – Literatura – Kultura; 2015, 31
1508-6305
2544-3186

Pojawia się w:

ER(R)GO: Teoria – Literatura – Kultura

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 97.

Tytuł:

Vladimir Nabokov jako wykładowca literatury
Vladimir Nabokov as Literature Professor

Autorzy:

Grygiel, Monika

Powiązania:

https://bibliotekanauki.pl/articles/1879601.pdf

Data publikacji:

2016

Wydawca:

Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL

Tematy:

Nabokov
wykłady
literatura rosyjska
literatura europejska
Dostojewski
Gogol
Tołstoj
Czechow
lectures
Russian literature
European literature
Dostoyevsky
Tolstoy
Chekhov

Opis:

Vladimir Nabokov podjął pracę wykładowcy akademickiego po wyjeździe do Stanów Zjednoczonych, gdzie wykładał na Wellesley College i Uniwersytecie Cornella literaturę europejską i literaturę rosyjską. W swoich wykładach pisarz zaprezentował kategoryczne i kontrowersyjne opinie na temat literatury, podzielił ją na arcydzieła i utwory, jego zdaniem mierne, stworzył hierarchię literacką, wynikającą z osobistych autorskich przekonań i upodobań. W literaturze rosyjskiej zachwalał twórczość M. Gogola, L. Tołstoja i A. Czechowa, negatywnie ocenił dorobek F. Dostojewskiego i M. Gorkiego. Z literatury europejskiej wyróżnił wybrane dzieła M. Prousta, J. Joyce’a i G. Flauberta, w każdym wypadku wskazywał na wartości kluczowe dla swojego dorobku, metody znamienne dla całej swojej prozy. Wykłady Nabokova stanowią nierozerwalną część jego dokonań literackich, są wykładnią literackiej filozofii pisarza. Владимир Набоков – профессор литературы Владимир Набоков стал преподавателем литературы после переезда в США, где читал лекции в колледже Уэлсли и Корнеллском университете по русской и зарубежной литературах. В своих лекциях писатель представил твердые и спорные суждения на литературу, разделяя ее на шедевры, и, по его мнению, посредственные произведения, сочинил литературную иерархию как результат собственных авторских взглядов и симпатий. В русской литературе восхищался творчеством Н. Гоголя, Л. Толстого и А. Чехова, отрицательно высказывался на тему достижений Ф. Достоевского и М. Горького. В зарубежной европейской литературе подчеркивал значение выбранных произведений М. Пруста, Д. Джойса и Г. Флобера, в каждом случае определяя ключевые ценности и значительные методы для своего прозаического творчества. Лекции Набокова составляют неотделимую часть его творческого наследия, являются интерпретацией литературной философии писателя.
When he arrived to the United States Vladimir Nabokov took a job as the university lecturer at Wellesley College and Cornell University. He taught Russian and European literature. In his lectures he presented a categorical and controversial opinions on literature, he divided it into masterpieces and works. In his opinion he created a hierarchy of literary resulted from his personal beliefs and preferences. In Russian literature, he praised works of M. Gogol, L. Tolstoy and Chekhov. He negatively assessed the achievements of F. Dostoevsky and M. Gorky. In the European literature he singled selected works of Marcel Proust, Joyce J. and G. Flaubert. In any case he pointed to the key values for his Works and methods characteristic of all his prose. Nabokov's lectures are the integral part of his literary achievements and they are writer’s literary philosophy.

Źródło:

Roczniki Humanistyczne; 2016, 64, 7; 137-147
0035-7707

Pojawia się w:

Roczniki Humanistyczne

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 98.

Tytuł:

Kilka słów o „Temacie petersburskim” w literaturze rosyjskiej pierwszej połowy XIX wieku
A few words about the St. Petersburg theme in Russian literature of the first half of the 19th century

Autorzy:

Zawichrowska, Marta

Powiązania:

https://bibliotekanauki.pl/articles/915254.pdf

Data publikacji:

2018-09-22

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

”St. Petersburg theme”
Russian literature
transformation
evolution of the St. Petersburg text
Petersburg
Petersburg tales

Opis:

The aim of this study is to analyze the transformation and different approaches towards “the St. Petersburgtheme” in selected works of Russian writers at the end of the first part of the 19th century. This theme is known as the St. Petersburg text. The main focus of the study is put on the evolution of the St. Petersburg text in the literary historical process and the way it is presented in the literature of particular writers of the period. Furthermore, an attempt has been made to analyze how historical events and personal experiences of the writer affected the metamorphosis of the St. Petersburg text in the author’s literary works. In this paper, we shall confine our attention to Gogol’s Petersburg tales, a series of stories connected with the city ofSt. Petersburg of the 1830s and 1840s, as well as the poetry of that period.

Źródło:

Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2014, 4; 239-249
2391-470X

Pojawia się w:

Kultury Wschodniosłowiańskie – Oblicza i Dialog

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 99.

Tytuł:

Поколение: модель и ее динамика (на материале русской классической литературы)
Generation: The Model and Dynamics of Change (on the Basis of Works of 19th-Century Russian Authors)

Autorzy:

Olaszek, Barbara

Powiązania:

https://bibliotekanauki.pl/articles/968400.pdf

Data publikacji:

2015

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

generation
generational experiences
19th century Russian literature
поколение
поколенческий опыт
русская литература xix века

Opis:

В статье на материале русской литературы XIX – начала XX веков рассмотрено становление модели поколения и ее динамика. На основании анализов сделаны следующие выводы: в изображении русских писателей модель поколения образовалась не столько на возрастной основе, сколько на почве общности исторического и культурного опыта. Модель поколения трансформировалась под влиянием важных исторических событий, интересов (искусство/наука), модных идеологий. Наиболее выразительный облик у поколений сороковых и шестидесятых годов – литературных отцов и детей. Отношение к этим двум традициям и тенденция освободиться от них стали основой идентификации очередных поколений: 1880-х, 1890-х и начала XX века. Внешним проявлением поколенческих отличий стал стиль жизни.
The paper presents an attempt to reconstruct a generational model and brings some reflections on the dynamics of its changes. The following conclusions have been drawn from the analysis of a selection of works: – the model of a generation was not age-related, but emerged in the consciousness of Russian writers on the basis of a shared social, cultural and historical experience; – the ways in which individuals make sense of the past and establish generational identities are manifest in their attitude towards the prevailing values and norm systems of older generations, as well as in references to the literary images – in this case particularly to those of the 1840s and 1860s generations, of ‘fathers and sons’ – through acceptance or rejection thereof; – members of the post-1880s generation rejected the legacy of their fathers, without offering anything in return, thus becoming a generation at the crossroads. The turn-of-the-century generation was characterized by an ambivalent attitude towards their predecessors: – the generational model evolved under the impact of historical events, fashionable ideologies and fascinations for art or science, which offered a common generational experience; – the style of life came to be the outward manifestation of generational differences.

Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2015, Zeszyt specjalny 2015; 293-302
1427-9681
2353-4834

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Rossica

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 100.

Tytuł:

«Всё не так, как надо…»: от пародии Владимира Высоцкого до ремейка Вячеслава Пьецуха (аксиологизация русской классики)

Autorzy:

Чавдарова, Дечка

Powiązania:

https://bibliotekanauki.pl/articles/2034839.pdf

Data publikacji:

2021-12-23

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

Высоцкий
Пьецух
русская литература
классика
пародия
ремейк
Vysotsky
Pyetzukh
Russian literature
classic works
parody
remake

Opis:

Идея о литературности русской культуры, о воздействии литературы на русскую жизнь является в русском культурном сознании аксиомой, но она не перестает привлекать внимание исследователей. Эту идею воплощает сама русская литература с XIX в. до наших дней, причем семантика соотношения жизнь – литература меняется. В статье прослежива- ется развитие упомянутой идеи в русской неофициальной литературе советского периода (60-е – 80-е гг. ХХ в.) на основе сопоставления пародии Владимира Высоцкого к вступлению Пушкина из поэмы Руслан и Людмила и повестью Вячеслава Пьецуха Новая московская фи- лософия как ремейка Преступления и наказания Достоевского. Ставится вопрос об отличии пародии Высоцкого от школьных пародий (связь с которыми анализируют исследователи поэта) и об элементах ремейка в ней. Таким образом, анализ позволяет разграничить паро- дию и ремейк. В повести Пьецуха внимание привлекает метатекстовый комментарий роли и ценности русской литературы (и вообще литературы), литературности русского созна- ния, – комментарий, который сближается с научным дискурсом. Близость художественной концепции Пьецуха с художественной концепцией Высоцкого открывается в травестиро- ванном образе советской действительности, увиденной в зеркале классического произве- дения, как и в прямом выражении идеи снижения, измельчания: формула «не как у людей» у Пьецуха и формула «все не так, как надо» у Высоцкого. Заключение отсылает к разви- тию подобной аксиологизации русской классики в ремейках постмодернизма с 90-х гг. ХХ в. до наших дней.
The idea of the literariness of Russian culture, of the impact of literature on Russian life may be an axiom of the Russian cultural consciousness, yet it does not cease to attract the attention of researchers. Russian literature itself, from the 19th century onwards, has been a manifestation of this idea, even though the semantics of the life–literature relationship evolves. The present text traces the development of the said idea in the Russian unofficial literature from the Soviet period (1960s-1980s) on the basis of comparison between Vladimir Vysotsky’s parody on Pushkin’s prologue to the poem Ruslan and Lyudmila and Vyacheslav Pyetzukh’s The New Moscow Philosophy (Novaya moskovskaya filosofiya) – a remake of Dostoevsky’s Crime and Punishment. A question is posed about the difference between Vysotsky’s parody and school parodies (a connection which the bard’s researchers also investigate) and the elements of remake within it. The analysis thus leads to the theoretical problem of the relationship between parody and remake. What calls for attention in Pyetzukh’s novella is the metatextual commentary on the role and value of the Russian classics (and literature in general), and on the literariness of the Russian consciousness – a commentary which becomes close to scientific discourse. The affinity of Pyetzukh’s concept with that of Vysotsky can also be found in the travestied image of the Soviet reality as seen in the mirror of a classic work, and in the direct expression of the notion of devaluation: the “not as with other people” formula in Pyetzukh, and the one “things are not as they ought to be” in Vysotsky. The conclusion points to the development of a similar axiologisation of the Russian classics observable in the post-modern remakes from the 1990s to this day.

Źródło:

Acta Universitatis Lodziensis. Folia Litteraria Rossica; 2021, 14; 215-230
1427-9681
2353-4834

Pojawia się w:

Acta Universitatis Lodziensis. Folia Litteraria Rossica

Dostawca treści:

Biblioteka Nauki

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