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Tytuł:
“Gothic” Elements in Seneca’s Tragedies
Autorzy:
Pypłacz, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1046060.pdf
Data publikacji:
2017-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Seneca
Gothic tragedy
imagination
Poe
Opis:
In the present article I discuss the remarkable fact that many of the motifs to be found in Seneca’s tragedies – such as a horrible death, a madman, an obsession or some supernatural agent – are also to be found in abundance in the work of “Gothic” authors such as Ann Radcliffe and Edgar Allan Poe. Indeed, these motifs are now commonly considered to be the hallmark of the Gothic genre. I also analyse some of the techniques which Seneca uses in order to arouse fear and stimulate the reader’s imagination, comparing them with those used by Poe and other Gothic writers.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2017, 27, 3; 35-47
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
POE jako pozytywna i dynamiczna siła organizacji
Productive organizational energy (POE) as a positive and dynamic power of organization
Autorzy:
Borowik, Regina
Powiązania:
https://bibliotekanauki.pl/articles/1312572.pdf
Data publikacji:
2013-12-30
Wydawca:
Wyższa Szkoła Zarządzania i Bankowości w Krakowie
Tematy:
POE
kultura organizacji
psychologia organizacji
Opis:
Artykuł porusza zagadnienie POE w kontekście tkwiącego w nim nie wyeksploatowanego jeszcze teoretycznie zagadnienia, związanego ze stymulowaniem i modelowaniem zaangażowania pracowników. Stymulowanie i modelowanie POE w organizacjach jest obecnie niezbędnym procesem w zarządzaniu każdą organizacją. Zjawisko to przekłada się nie tylko na wydajność pracy, ale także na jej jakość oraz ważną obecnie problematykę innowacyjności. Artykuł podnosi wagę wewnętrznych psychologicznych mechanizmów związanych uwarunkowaniami stymulowania i podtrzymywania procesów POE w organizacji. Wspólne uznawane wartości korespondujące z wykonywanymi zadaniami, dostrzegany sens pracy i akceptacja kultury organizacyjnej firmy – mają tu krytyczne znaczenie. Odniesienia te winny znaleźć miejsce we wzajemnym oddziaływaniu i budowaniu więzi pomiędzy pracownikami, wzroście poczucia integracji i identyfikacji z organizacją, jej strategią i misją.
The article deals with POE in the context of the stimulation and modeling of employee engagement. The issue has not been fully investigated yet, although, POE stimulation and modeling in organizations is an indispensable management process in present days. It has an impact on work efficiency, work quality and innovativeness, which is an important current issue. The paper emphasizes the significance of internal psychological mechanisms that are related to the conditions of stimulating and maintaining POE processes. Shared values that correspond to the tasks, the awareness of the sense of work and the acceptance of the organizational culture of a company are of key importance here. They should be present in the creation of attachment among employees, their feelings of integration and identification with the organization, its strategy and mission.
Źródło:
Zeszyt Naukowy Wyższej Szkoły Zarządzania i Bankowości w Krakowie; 2013, 30; 67-80
2300-6285
Pojawia się w:
Zeszyt Naukowy Wyższej Szkoły Zarządzania i Bankowości w Krakowie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Mousetrap of Language: The Mechanism of Anamorphosis in the Works of Edgar Allan Poe and Antun Gustav Matoš
Autorzy:
Milanko, Andrea
Tomljenović, Ana
Powiązania:
https://bibliotekanauki.pl/articles/30148686.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
anamorphosis
Matoš
Poe
rhetorical figures
paregmenon
Opis:
Rethinking conditions of revolutionary potential of literature, with special regard to ways literature incessantly has re-examined otherness in language, in this paper we have chosen to focus on specific mechanism of illusion-making, i.e. anamorphosis taken both as a technique and a theme. Since one of the most famous elaboration of anamorphosis in literature is to be found in Poe’s stories, it is worthwhile to examine how Poe’s game of hide and seek with depth and surface is reflected in his devoted Croatian reader and interpreter A.G. Matos. In a comparative analysis of Poe’s and Matos’s stories, we will elaborate on how a procedure of naming and a procedure of signifying are revealed to be mere effects of anamorphosis in Matos’s short story “Miš” (The Mouse). Since it is an embodiment of a figure designating schism and split, the rodent from the title of Matos’s short story reveals the other side of thinking, which is no other than the other within.
Źródło:
Poznańskie Studia Slawistyczne; 2023, 25; 257-275
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Haunting Poe’s Maze: Investigative Obsessions in the Weird Fictions of Stefan Grabiński and H. P. Lovecraft
Autorzy:
Pyrka, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/632454.pdf
Data publikacji:
2017
Wydawca:
Projekt Avant
Tematy:
weird fiction
Poe
Lovecraft
Grabiński
haunting
obsession
Opis:
The article is a comparative reading and analysis of selected works by two eminent authors of weird fiction, Stefan Grabiński and Howard Phillips Lovecraft, the goal of which is to trace two (independent) trajectories of development of ideas concerning “weird” story writing, as established, in pre-modern context, by Edgar Allan Poe. The two authors appear to suffer from a combination of tragically inherent inability to write “like” Poe, with a haunting desireto do so. Exhibiting understanding of the Poesque discourse, they are driven to invent strategies to cope with the resulting textual neuroses-a way out of the discursive “maze” of Poe’s craft, a way that is always already shut.Where Lovecraft’s “mechanistic materialism” finds its expression in an indifferent cosmos, populated by alien beings, whose influence seems to be inscribed in the fabric of his textual realities, Grabiński’s sense of “amazement” is deployed internally, with psychological constructs overshadowing the “objective” reality. Both discourses, however, spring from one tradition of horror, and from the unexorcised trace of Poe’s spectre. The two authors’ ambivalent relation with modern sensibilities results in a series of obsessive investigationsinto the ideological underpinnings of art, philosophy and science.
Źródło:
Avant; 2017, 8, 2
2082-6710
Pojawia się w:
Avant
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Odwrócony „świat na opak”. O Masce Śmierci Szkarłatnej Edgara Allana Poe w kontekście teorii karnawału
An Inverted “Mundus Inversus”. The Masque of the Red Death by Edgar Allan Poe and the Theory of Carnival
Autorzy:
Górka, Elżbieta
Wandowicz, Mieszko
Powiązania:
https://bibliotekanauki.pl/articles/2036666.pdf
Data publikacji:
2021-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Edgar Allan Poe
carnival
death
time
God
Opis:
This paper considers The Masque of the Red Death, a short story by E.A. Poe. Understanding the carnival as mundus inversus (temporary inversion of order) and using the theories proposed by M. Bakhtin or V. Turner, the authors present an interpretation according to which Poe’s ball is indeed an inversion of a ball – an anti-carnival. Furthermore, they do not agree with the allegorical understanding of Poe’s works. Indicating a suggestion made by Poe himself, they choose an interpretation related to Eliade’s concept of symbolism. They also disagree with the theory in which The Masque of the Red Death is the story about the non-existence of God. Referring to other religious interpretations and the problems of time, they present their own biblical conclusion.
Źródło:
Przestrzenie Teorii; 2021, 35; 235-246
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
THE MURDERS IN THE RUE MORGUE: NEUROSIS1
Autorzy:
Langhoff, Darius
Powiązania:
https://bibliotekanauki.pl/articles/444548.pdf
Data publikacji:
2008-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
crime story
psychology
neurosis
reinterpretation
E.A. Poe
Opis:
The article deals with E.A. Poe’s story The Murders in the Rue Morgue which centers on a mysterious murder case. Several acknowledged critical appreciations of the tale are presented and reevaluated. The paper endeavors to uncover inconsistencies in the traditional critical appro- aches as well as to unveil Poe’s sporadic literary incongruities embedded in the text. Stress is laid on the contrast between the traditional psychoanalytical readings of the story and the views of modern psychology and psychiatry. The article is intended to shed an alternative light on possible interpretations of the tale written by the 19th century pioneer in the field of the detective story and novel.
Źródło:
Acta Neophilologica; 2008, X; 161-168
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
CLARIFICATION AS THE TEXT KILLER. ANALYSIS OF SELECTED POLISH TRANSLATIONS OF EDGAR ALLAN POE’S THE FALL OF THE HOUSE OF USHER
Autorzy:
Kujawska-Lis, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/444728.pdf
Data publikacji:
2010-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
literary translation,
clarifi cation,
indefi nite,
interpretation,
Edgar Allan Poe
Opis:
Clarification is one of the textual phenomena enumerated by Antoine Berman as deforming tendencies in translation. It is best observable when the target text turns what was ambiguous in the original into more specific. This need to clarify the original often stems from systemic differences between languages. However, on numerous occasions the movement from the original ‘indefinite’ into the definite in the translation results from a subjective decision taken by the translator, who in fact has proper linguistic means at his disposal to retain the original level of indeterminacy. In the case of a literary work such a tendency may influence all its levels, especially the interpretative possibilities, as seen in two Polish translations of E.A. Poe’s The Fall of the House of Usher, by Bolesław Leśmian and Stanisław Wyrzykowski. By discussing descriptions of the fictional space and the references to the Usher siblings, this article indicates to what extent clarifying lexical choices impact on the atmosphere of the work, consistency of the fictional world, suspense and the stance of the narrator.
Źródło:
Acta Neophilologica; 2010, XII; 41-54
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mesmerization with the Lights On: Poe’s “The Facts in the Case of M. Valdemar”
Autorzy:
Tindol, Robert
Powiązania:
https://bibliotekanauki.pl/articles/2032696.pdf
Data publikacji:
2021-11-22
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Edgar Allan Poe
the Sublime
Jacques Lacan
Immanuel Kant
Slavoj Žižek
Opis:
Edgar Allan Poe’s eerie short story “The Facts in the Case of M. Valdemar” is a particularly noteworthy example of the sublime, a psychological state in which one is overwhelmed by the magnitude of that which is perceived by the mind. Valdemar exemplifies the sublime in that his death has somehow been suspended in time because he was under hypnosis as part of a medical experiment at the moment of his passing. However, the story also draws particular attention to the means by which insight into the nature of death is acquired by the hypnotist who narrates the story. For a more comprehensive understanding of the sublime experience, one may turn to the psychoanalytic theory of Jacques Lacan and the postmodernist work of Slavoj Žižek, which lead to the conclusion that the dramatic chain of events in “Valdemar” is an example of the sliding signifier, and, moreover, that the instability of the signifier may explain the sublime effect.
Źródło:
Text Matters: A Journal of Literature, Theory and Culture; 2021, 11; 353-368
2083-2931
2084-574X
Pojawia się w:
Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tekstowy wszechświat Leśmiana
The Textual Universe in Leśmian’s poetry
Autorzy:
Winiecka, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/1041972.pdf
Data publikacji:
2016-11-17
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Bolesław Leśmian
Edgar Alan Poe
comparative study
symbolism
Ukrainian folklore
intertextuality
Opis:
The article discusses Żaneta Nalewajk’s book Leśmian międzynarodowy. It presents the Leśmian’s work read in the context of the work of Poe, Ukrainian folklore, Ruthenian perennials as well as French and Russian symbolism. The author takes note of the numerous qualities of the dissertation. She is pointing at several advantages of this work; its analytical reliability and the methodological consequence. The author shows also on the important position of the publication in the research on the poetry of Bolesław Leśmian. She notices one essential lack which is an omission of important continuations of Leśmian’s poetics in Polish modern poetry.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 27; 309-322
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Józef Birkenmajer jako tłumacz poezji anglojęzycznej (Rudyard Kipling, Edgar Allan Poe)
Józef Birkenmajer as a translator of English and American poetry (Rudyard Kipling and Edgar Allan Poe)
Autorzy:
Budrewicz, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/2170187.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
English and American literature in Polish translation
poetry translation
Rudyard Kipling (1865–1936)
Edgar Allan Poe (1809–1849)
Józef Birkenmajer (1897–1939)
Birkenmajer
Kipling
Poe
przekład
wiersze
Opis:
Józef Birkenmajer (1897–1939) was literary scholar and translator from classical and modern languages. He formulated the concept of ‘co-creative translation’, which assumes that the translator and the author of the original text enjoy the same status of creators. Although he translated a host of English novels, what he liked most was highly rhythmic verse, a preference not hard to detect in the list of his publications. His translations of Rudyard Kipling belong to the classics of the genre. By giving full attention to the poems and rhyming couples in Kipling's stories, Birkenmajer pioneered the notion of integral translation. His habit of lacing his journalism and other forms of writing with memorable verses from Kipling's books led many Polish readers to see Kipling primarily as a poet. Birkenmajer was also a translator of the poems and fiction of Edgar Allan Poe, on whose ‘Raven’ he worked in late 1937/early 1938 (it was eventually published in April 1938). While his experiments with obsolete vocabulary and dialect words were on the whole unsuccessful, many of his translations continue to spellbind new generations of readers.
Źródło:
Ruch Literacki; 2021, 6; 843-864
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
PIĘĆ ŻYWOTÓW KRUKA, CZYLI O POLSKICH PRZEKŁADACH WIERSZA THE RAVEN EDGARA ALLANA POEGO
Five Lives of Raven, or about Polish Translations of The Raven by Edgar Allan Poe
Autorzy:
Studniarz, Sławomir
Powiązania:
https://bibliotekanauki.pl/articles/444395.pdf
Data publikacji:
2011-12-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Młoda Polska,
strategy of domestication, ennoblement,
clarification,
literary translation,
Edgar Allan Poe
Opis:
The article examines five Polish translations of the famous ballad The Raven written by Edgar Allan Poe. The translations come from different periods; the efforts by Przesmycki and Beaupre belong to the period of “Młoda Polska”, and date roughly from the tum of the nineteenth and twentieth century. The translation by Kasiński, although it was created a few decades later, still shows a clear influence of the specific aesthetics of the “Młoda Polska” movement. These three translations, in spite of numerous differences, form quite a uniform set, with the dominant underlying strategy of domestication, which manifests itself in “ennoblement” and “clarification”. By contrast, the two contemporary translations, by Barańczak and by Kozak, lack the stylistic homogeneity of their predecessors. They are also characterized by the various departures from the original, motivated by the different subjective approaches taken by each translator. None of the five examined Polish translations has attained the satisfactory degree of equivalence with respect to the original text.
Źródło:
Acta Neophilologica; 2011, XIII; 281-302
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Der alt-neue Vampir. Das Schauerliche und die Figur des Nachzehrers in „Vampirismus” von E. T. A. Hoffmann
The new-old vampire. The horrible and the Nachzehrer [Undead] figure in “Vampirismus” by E. T. A. Hoffmann
Autorzy:
Cieśliński, Szymon
Powiązania:
https://bibliotekanauki.pl/articles/967249.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
vampire
ghoul
E. T. A. Hoffmann
E. A. Poe
horror literature
gothic school
Opis:
E. T. A. Hoffmann is one of the most famous representatives of early German horror literature. He has been both, inspired by its predecessors, as well as having influenced the work of many of his successors, and hence the development of the whole genre. The present article examines a story by E. T. A. Hoffmann, “Vampirismus” from the collection of short stories “Serapions Brüder” (1819–1821). Emphases are, on the one hand, on the mechanisms that cause readers’ fear and uncertainty and, on the other hand, the peculiarity of the vampire or Nachzehrer figure and their function in the story. Firstly, it will be shown that the vampire depicted in the work is not actually a vampire. We find here a ghoul; that is a demon from Arab culture. However, the ghoul has more to do with the monster outlined by Antoine Galland in his translation of the “One Thousand and One Nights” than with traditional folk beliefs. Secondly, the author comes to the conclusion that Hoffmann has functionalized the Horrible. This element does not work by itself, but serves the author as the background of the action. And he is using this background to let the characters reveal all their weaknesses and dark sides. The violation of the order ruling in the world as it is represented engages the reader and at the same time raises his fear. The resulting excited feelings and general alienation are further reinforced for the figure of the Nachzehrer that occurs instead of a formerly innocent, graceful girl. The emergence of the supernatural – the final confirmation of the breach of order – is responsible for the effect just described.
Źródło:
Acta Universitatis Lodziensis. Folia Germanica; 2014, 10; 205-217
2449-6820
Pojawia się w:
Acta Universitatis Lodziensis. Folia Germanica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Male Gaze and Beyond: Edgar Allan Poe’s Female Characters
Dalej niż męskie spojrzenie. Kobiety w opowiadaniach Edgara Allana Poe
Autorzy:
Niedziela, Barbara
Kleparski, Grzegorz A.
Powiązania:
https://bibliotekanauki.pl/articles/2030346.pdf
Data publikacji:
2021-06-06
Wydawca:
Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
Tematy:
Edgar Allan Poe
Gothic fiction
death
literatura grozy
kobiety u Poego
motyw śmierci
Opis:
The purpose of the article is to trace the motif of death in three short stories by Edgar Allan Poe: "Morella", "Berenice" and "The Oval Portrait". The portrayals of female characters are interpreted in relation to their male partners, who either narrate the stories (as in "Morella" and "Berenice") or seem to be more active in comparison with the female character (as in "The Oval Portrait"). Although the perspective of each of the male characters reveals much about the women (rendering the women silent), the question whether the reader can rely on their accounts persists. This is due to certain inconsistencies which are visible in the descriptions of female characters as they are provided by Poe’s narrators. As a results, the reader is inclined to investigate both the spoken and unspoken content, as the latter may offer a space in which the female voice is heard. The double layer of meaning (created by allusions and symbolic references) causes one to question the credibility of male characters and disturbs their integrity, thus exposing conflicting qualities which define Morella, Berenice and the painter’s wife in "The Oval Portrait". Morella’s husband, for instance, admires his wife’s virtues, but also describes her using words which have overtly negative connotations, rendering her increasingly dangerous. All of the three female characters eventually die, which in combination with the ambiguous male-constructed descriptions of their lives and deaths encourages readers to explore other possibilities in the understanding of Poe’s women and their relation to the male characters.
Celem artykułu jest prześledzenie motywu śmierci w twórczości Edgara Allana Poe, ze szczególnym uwzględnieniem trzech opowiadań: "Morella", "Berenika" i "Portret owalny". Opis postaci kobiecych ukazanych w poszczególnych opowiadaniach został poddany analizie z nawiązaniem do ich partnerów, którzy pełnią funkcję narratora (w przypadku dwóch pierwszych tekstów) lub którzy zdają się odgrywać czynną rolę w stosunku do swojej partnerki (jak w "Portrecie owalnym"). Analiza przytaczanych z męskiej perspektywy obszernych opisów postaci kobiecych rodzi pytanie o ich trafność i wiarygodność. Jest ono szczególnie istotne z uwagi na pewne nieścisłości, które dają się zauważyć w doniesieniach narratorów, co skłania czytelnika do zastanowienia się nad możliwymi niedopowiedzeniami. Próba uchwycenia niejednoznaczności w tekstach zaburza spójność perspektywy przedstawionej przez męskiego narratora oraz prowadzi do sformułowania sprzecznych cech określających bohaterki opowiadań Poe. Dla przykładu, partner Morelli zdaje się być pełen podziwu dla jej cnót, jednak w jego przekazie pojawiają się aluzje i odniesienia symboliczne o wydźwięku negatywnym, przedstawiające jej postać w kategoriach niebezpieczeństwa. Niejednoznaczności te, w połączeniu z motywem przedwczesnej śmierci, skłaniają do rozpatrzenia różnych dróg postrzegania bohaterek oraz ich relacji z postaciami męskimi.
Źródło:
Tematy i Konteksty; 2014, 9, 4; 445-459
2299-8365
Pojawia się w:
Tematy i Konteksty
Dostawca treści:
Biblioteka Nauki
Artykuł
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