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Wyświetlanie 1-15 z 23
Tytuł:
Dziecko jako ofiara wojny w tragediach Eurypidesa i Seneki w świetle sceny z Astyanaksem
Autorzy:
Budzowska, Malgorzata
Powiązania:
https://bibliotekanauki.pl/articles/52229520.pdf
Data publikacji:
2004
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Euripides
Seneca
Trojan women
Opis:
Dissertatur de aspectu infantis, qui belli victima est, apud Euripidem et Senecam.
Źródło:
Collectanea Philologica; 2004, 8; 101-110
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wątki tragedii Eurypidesa w twórczości Achilleusa Tatiosa
Autorzy:
Zawadzki, Robert K.
Powiązania:
https://bibliotekanauki.pl/articles/52229523.pdf
Data publikacji:
2004
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
ancient novel
Achilleus Tatios
Euripides
Opis:
Ein interessantes Problem, das mit der Genese des antiken Romans verbunden wird, ist der Stoff, das Material, das die Inspiration der Schriftsteller bildete.
Źródło:
Collectanea Philologica; 2004, 8; 111-123
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Luctus est istic tuus,/ crimen novercae. Boskie i ludzkie szaleństwo Heraklesa na podstawie tragedii Eurypidesa i Seneki
Luctus est istic tuus,/ crimen novercae. Divine and human madness of Heracles according to the dramas by Euripides and Seneca
Autorzy:
Karamucka, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1046805.pdf
Data publikacji:
2013-12-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Heracles
Euripides
Seneca
Madness
Suicide
Anger
Opis:
The article aims to examine the tragedies: Ήρακλής μαινόμενος by Euripides and Hercules Furens by Seneca and exactly the different types of the madness, by which the main character is overcome in the above mentioned dramas. Although the article touches also on the issue of the insanity sent to the hero by Hera/ Juno, concentrates especially on the fit of madness, that is here defined as a human madness.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2013, 23, 2; 113-128
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ein vieldiskutierter Imperativ: Euripides, Elektra 140
An imperative that has been discussed many times: Euripides, Electra 140
Autorzy:
Seidensticker, Bernd
Powiązania:
https://bibliotekanauki.pl/articles/1806853.pdf
Data publikacji:
2021-10-12
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Euripides
Electra
line 140
tragedy
interpretation
Opis:
The article argues that in line 140 Electra does not address an anonymous servant but herself.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2021, 31, 1; 227-234
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Szalony protagonista Eurypidesowego „Orestesa” w komentarzach scholiastów
Mad protagonist of Eurypidean Orestes in scholiasts’ commentaries
Autorzy:
Czerwińska, Jadwiga
Chiżyńska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/1806888.pdf
Data publikacji:
2021-10-12
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Euripides
Orestes
tragedy
madness
mania
scholia
Opis:
Madness is a constant motif in ancient literature. It was often used by playwrights, including the three greatest tragedians of the Classical Greece: Aeschylus, Sophocles and Euripides. One of the most interesting plays dealing with issues of madness is Euripidean Orestes. This play has received numerous commentaries written by scholiasts, who described all aspects of the state of mania. The article is devoted to the analysis of madness and the corpus of texts are scholia describing Orestes’ disease. Commentaries allow us to establish a definition of mania, show its sources and describe its various physical and mental symptoms. The material presented in the article shows how interesting the phenomenon of madness was for the scholiasts.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2021, 31, 1; 63-78
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Tradition of the Ionian Colonisation of Asia Minor: Remarks on the Sources
Autorzy:
Kuciak, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/638031.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
colonisation
Ionia
Athens
Euripides
Thucydides
Herodotus
Opis:
This article discusses the tradition of the Ionian colonisation preserved in ancient literary sources. The author focuses on the time and circumstances in which the view that the Athenians were responsible for the Ionian colonisation emerged. He also examines whether there is any support in the sources for the opinion expressed by some historians that such a belief was already strong in the Archaic period.
Źródło:
Electrum; 2013, 20; 9-22
2084-3909
Pojawia się w:
Electrum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Eurypidejska "Andromeda": stan zachowania i próba rekonstrukcji fabuły
Autorzy:
Piątkowski, Marcel
Powiązania:
https://bibliotekanauki.pl/articles/52229624.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Euripides
Andromeda
reconstruction
fragments
Greek tragedy
Opis:
Secundum mythologiam Graecam Andromeda filia Cephei e Cassiepeiae erat. A patre suo ad terram propriam a monstro marino conservandam sacrificata, a Perseo liberata est, qui Andromedae narrationem audivit, eam amavit et cum ea coniunctus est. Hic mythus Euripidem ad tragoediam scribendam hortatus est, Andromedam, quae tamen usque ad tempora nostra non conservata est - hodie solum fragmenta eius habemus. Probabiliter hoc in opere auctor opem affectuum spectatoribus demonstrare desiderabat; eo ipso de vi amoris ardentis disceptatur, qui homines improviso capere potest. Ad fabulam restituendam res ab Euripide exposita cum Aristophanis comoedia (Thesmophoriazusae) confertur, quae fabulam ab Euripide narratam continet. Hoc in modo Aristophanes fabulam propriam facilius ad finem adduxit.
Źródło:
Collectanea Philologica; 2011, 14; 79-90
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Problem antycznej ekfrazy teatralnej. Część II: Scenografia
The Issue of Ancient Theatrical Ekphrasis. Part II: Scenography
Autorzy:
Czerwińska, Jadwiga
Powiązania:
https://bibliotekanauki.pl/articles/648688.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
ekfrasis
scenography
ancient Greek tragedy
Euripides
Opis:
One of the dramatic ekphrasis forms is the ekphrasis of stage design. It describes what is usually made visible, at least partially, to the public, drawing its attention to important elements of scenography that played a significant role in the performance. Therefore it was necessary to make the spectators aware of those elements. They were used by all three tragedians: Aeschylus, Sophocles and Euripides. The article focuses on selected ekphrases of scenography taken from three Euripidean tragedies: Iphigenia in Tauris, Ion, Alcestis, and on their role in the structure of drama.
Źródło:
Collectanea Philologica; 2018, 21; 59-74
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Problem antycznej ekfrazy teatralnej. Część I: Postać
The Issue of Ancient Theatrical Ekphrasis. Part I: The Character
Autorzy:
Czerwińska, Jadwiga
Powiązania:
https://bibliotekanauki.pl/articles/648682.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
ekphrasis
dramatis persona
ancient Greek tragedy
Euripides
Opis:
Ekphrasis is one of the forms that the Greek tragic dramatists used in their plays. From a dramaturgical point of view it was a very important element of play strictly connected with the conventions of the ancient theater. The examples taken from the Euripidean tragedy will be used to demonstrate the ways the ancient Greek tragedians applied ekphrasis in their works. Their review will start with descriptions, which can be conventionally called the ekphrasis of the theatrical “mask”. The term mask is understood here not sensu stricto as a part of actor’s costume, but as having a reference to what it hides. This type of ekphrasis may be found in visually inaccessible to the public of the Greek theater face of dramatis personae that is hidden behind the mask. It concealed facial expressions, so important to understand the action of the drama itself, as well as the role played by the actor. It is impossible to overestimate the importance of this dramaturgical element as a non-verbal means of communication which harmonizes with the text of play and its action and is crucial to perceive the intended meaning of the actors’ words.
Źródło:
Collectanea Philologica; 2018, 21; 39-57
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ghosts in Euripides Hecuba
Autorzy:
Pietruczuk, K.
Powiązania:
https://bibliotekanauki.pl/articles/702665.pdf
Data publikacji:
2006
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
EURIPIDES - HECUBA
GHOST OF POLYDORUS
GREEK LITERATURE
Opis:
The prologue of Euripides' Hecuba is delivered by the ghost of Polydorus, one of the sons of Hecuba and Priam. Polydorus tells the spectators about his own fate and mentions the earlier apparition of the spirit of Achilles, who demanded that the Greeks sacrifice the captive Polyxena to him. The present article centres on the questions of why Euripides introduced the ghost of Polydorus on stage and what his spectre has in common with the dream related by Hecuba just after the prologue. It is argued that, by introducing the ghost scene, Euripides creates a link between his play and Sophocles' Polyxena.
Źródło:
Meander; 2006, 61, 1-2; 12-28
0025-6285
Pojawia się w:
Meander
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Z badań nad pojęciem pamięci – mneme w dramacie greckim. Część II: Mneme w utworach Eurypidesa
From the Study on the Concept of Memory – Mneme in Greek Drama. Part II: Mneme in the Eurypides’ Plays
Autorzy:
Narecki, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/648684.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
mneme – memory
semantics
ancient Greek tragedy
Euripides
Opis:
Study on the concept of mneme – “memory” in the plays of Euripides is a continuation of our research (based on the works of Greek tragedians), whose aim is not only to establish meanings, especially new ones, but also to define the role that this concept plays in the works of Euripides. Linguistic and literary analysis of 8 instances of a noun mneme shows that this concept reveals hitherto unknown semantic values and it also performs functions that are important for the plot. Among the meanings of mneme there are five new ones: (1) “testimony, proof” (Suppliant Women), whose role is a ‘media’ message to guarantee the preservation of memory about Theseus’ feats among descendants, (2) “account, balance” (Heracles), rational argument, which the hero must use in a critical situation caused by divine power, (3) specific “history”, which creates the plot (Ion), (4) “reason, rightness” (Iphigenia at Aulis), i.e. evidence of predominance of the woman over the man (in terms of character), (5) “image”, twice in this sense (Iphigenia at Aulis): 1. as a panorama, vivid memory of panegyric and cognitive nature (Greek expedition), 2. as scenes from Iphigenia’s childhood cited in order to change the decision of Agamemnon. In addition to the new ones, Euripides also uses known meanings: mneme with negation, i.e. the lack of “mentions, memories” (= concealment) becomes an important element of the plot of Helen, guaranteeing its happy ending; in turn mneme as Kreon’s “thought” is a tool for mastering feelings and influencing the development of stage events. All meanings defined by Euripides can be divided into two groups. The first group includes meanings that have rational value: (1) “account, balance”, (2) “thought”, (3) “reason, rightness”. In the other group there are expressive meanings: (1) “testimony, proof”, (2) “mention, memory”, (3) “history”, (4) “image”. Undoubtedly, Euripides not only broadened the semantic scope of the concept of mneme, introducing its new values, but creatively used them in his plays, whether to describe the main characters, or as an element influencing the action, or finally as a testimony of the past that is important for the plot.
Źródło:
Collectanea Philologica; 2018, 21; 25-38
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Problem winy i odpowiedzialności za zbrodnię w Orestesie Eurypidesa
The Problem of Guilt and Responsibility for the Crime in Euripides’ Orestes
Autorzy:
Czerwińska, Jadwiga
Powiązania:
https://bibliotekanauki.pl/articles/52405140.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Eurypides
Orestes
Apollo
tragedia
scholia
Euripides
Tragedy
Scholia
Opis:
The myth of Orestes provides an excellent opportunity to trace the issue of guilt, and thus responsibility for the crime of matricide. This theme was taken up in their dramas by all three greatest Greek tragedians: Aeschylus, Sophocles and Euripides. The subject of consideration in the article will be Euripides’ Orestes and the way the poet highlights the relationship between the personal motivation of the play’s protagonist and the divine command. The main issue will be an attempt to answer the question whether the protagonist’s actions in Euripides’ play were autonomous in nature or caused by divine determinism. Apart from Orestes, the analysis will be supplemented by commentaries by scholastics and their way of explaining and interpreting the issues outlined in the article.
Źródło:
Collectanea Philologica; 2023, 26; 23-44
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
L’Inde dans la mise en scène des chefs-d’oeuvre européens d’Ariane Mnouchkine
India in Ariane Mnouchkine’s Staging of European Masterpieces
Autorzy:
Hasiuk, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/648575.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Théâtre du Soleil
Aeschylus
Euripides
William Shakespeare
kathakali
-
Opis:
The text discusses influences and oriental inspirations, mainly Indian and Japanese, present in the staging of Shakespeare’s plays (Richard II, Henry IV, Part I and Twelfth Night), Euripides (Iphigenia at Aulis) i Aeschylus (Oresteia) in the Théâtre du Soleil. Owing to the incorporation of ‘the imagined orient’ in the Shakespearean cycle, Mnouchkine evoked the image of the world immersed in the supernatural. Placing Iphigenia at Aulis before Oresteia, the director created her own tetralogy. Consciously applying staging strategies, she did not use Greek documents but instead combined documentation from Turkey and the Caucasus with oriental traditions such as kathakali and bharata-natyam. Drawing on references which were unknown (or long since forgotten) and never before used, she staged ‘probably the richest and the most satisfactory of all productions of Athenian tragedies’ (Ubersfeld).
-
Źródło:
Collectanea Philologica; 2016, 19; 77-90
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Psychotic phenomena in Euripides’ Heracles
Autorzy:
Stróżyński, Mateusz
Powiązania:
https://bibliotekanauki.pl/articles/1045948.pdf
Data publikacji:
2017-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Greek tragedy
Euripides
Heracles
Kleinian psychoanalysis
madness
psychosis
Opis:
The article is an attempt at the psychoanalytic interpretation of the Euripidean Heracles. The theory used to explain psychological phenomena of the play is Melanie Klein’s concepts of the paranoid-schizoid and depressive position, as well as contributions to the understanding of psychotic thinking made by her followers: Hanna Segal, Wilfred Bion, Herbert Rosenfeld, and John Steiner. Characters in the play, in their speech and behaviour, as well as in the chorus’ songs, reveal a significant number of primitive psychological mechanisms, such as splitting, denial, idealisation and projective identification. The analysis of those mechanisms expressed in literary material allows to see the much argued continuity of Euripides’ extraordinary play.
Źródło:
Symbolae Philologorum Posnaniensium Graecae et Latinae; 2017, 27, 3; 103-137
0302-7384
Pojawia się w:
Symbolae Philologorum Posnaniensium Graecae et Latinae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ród i życie Eurypidesa. Wstęp – przekład – komentarz
Vita Euripidis. Introductio – translatio – commentum
Autorzy:
Chodkowski, Robert R.
Powiązania:
https://bibliotekanauki.pl/articles/1944398.pdf
Data publikacji:
2009
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
literatura grecka
Eurypides
Vita Euripidis
Greek literature
Euripides
Opis:
Vita Euripidis in variis codicibus tradita in hoc articulo transfertur, commentatur brevique introductione illustratur. Haec prima in linguam Polonam translatio textu contento in quinto volumine libri, qui Tragicorum Graecorum Fragmenta inscribitur, a Richardo Kannicht editi, nititur. Commentum ad res personasque in Vita commemoratas attinet atque eius errores corrigit.
Źródło:
Roczniki Humanistyczne; 2009, 57, 3; 5-27
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 23

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