Temat: Baudrillard - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Kira jako (nie)obcy. O protagoniście mangi Death Note Takeshi Obaty i Tsugumi Ohby
Kira as a (non-)stranger. On the protagonist of the Death Note manga series created by Takeshi Obata and Tsugumi Ohba
Autorzy:: Dobrzycki, Jarosław
Powiązania:: https://bibliotekanauki.pl/articles/784490.pdf
Data publikacji:: 2020
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Tematy:: ambivalence
Baudrillard
Foucault
stranger
Opis:: The article analyzes the alienation of the main character of the manga series Death Note, who owns the Death Notebook referred to in the title. The said notebook allows to kill any person. Drawing upon the theses of Michel Foucault related to the rights of monarchs of bygone times to condemn individuals to death, and to ritualizing death itself, the author of the article shows Kira as a continuator of the said monarchs. The motif of death from the hands of another person is indicated as a form of revenge for harms suffered by one, based on considerations by Jean Baudrillard. The text also aims to show that comic books are not just entertainment for the masses, but can convey serious content instead.
Źródło:: Paidia i Literatura; 2020, 2; 149-160
2719-4167
Pojawia się w:: Paidia i Literatura
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Schulz i symulakry
Autorzy:: Kłosiński, Michał
Powiązania:: https://bibliotekanauki.pl/articles/639240.pdf
Data publikacji:: 2013
Wydawca:: Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:: Schulz Bruno, Baudrillard, symulakry, mityzacja
Opis:: Schulzand Simulacra Schulz and Simulacra is an analysis of Bruno Schulz’s short essay entitled Mythicization of Reality. Michał Kłosiński argues with Dorota Głowacka, who tried to interpret Schulz’s prose with the use of Jean Baudrillard’s category of simulacrum, that her understanding of the term is wrong. Kłosiński searches for places in Schulz’s theoretical essay, where he is the most ambivalent and where his ambivalence works against the text’s consistency. He performs an interpretation of some of Schulz’s notions, such as sense, myth and poetry, to depict how the author of Mythicization defi nes them and how the poetics of Schulz’s text somehow changes these definitions. The main objective of the analysis is to show that Schulz’s theory points the reader not to the concept of simulacrum, but to another Baudrillardian notion – the symbolic exchange. Kłosiński finds evidence of the possibility of such reading in the example given by Schulz of the fragmented body of a snake in legends and the poetic mechanism which he calls „the short circuiting of sense”. In the conclusion the author performs an analysis of Schulz’s view on poetry and how the mythicization as a poetic act works against simulacra and the excess of meaning produced in language to constantly recreate a bond with reality.
Źródło:: Wielogłos; 2013, 2(16)
2084-395X
Pojawia się w:: Wielogłos
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 3.

Tytuł:: “The Most Photographed Barn in America”: Simulacra of the Sublime in American Art and Photography
Autorzy:: Allen, David
Handley, Agata
Powiązania:: https://bibliotekanauki.pl/articles/641498.pdf
Data publikacji:: 2018
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: simulacrum
sublime
DeLillo
Baudrillard
Plato
Opis:: In White Noise (1985) by Don DeLillo, two characters visit a famous barn, described as the “most photographed barn in America” alongside hordes of picture-taking tourists. One of them complains the barn has become a simulacrum, so that “no one sees” the actual barn anymore. This implies that there was once a real barn, which has been lost in the “virtual” image. This is in line with Plato’s concept of the simulacrum as a false or “corrupt” copy, which has lost all connection with the “original.” Plotinus, however, offered a different definition: the simulacrum distorts reality in order to reveal the invisible, the Ideal. There is a real building which has been called “the most photographed barn in America”: the Thomas Moulton Barn in the Grand Teton National Park. The location-barn in the foreground, mountain range towering over it-forms a striking visual composition. But the site is not only famous because it is photogenic. Images of the barn in part evoke the heroic struggles of pioneers living on the frontier. They also draw on the tradition of the “American sublime.” Ralph Waldo Emerson defined the sublime as “the influx of the Divine mind into our mind.” He followed Plotinus in valuing art as a means of “revelation”-with the artist as a kind of prophet or “seer.” The photographers who collect at the Moulton Barn are themselves consciously working within this tradition, and turning themselves into do-it-yourself “artist-seers.” They are the creators, not the slaves of the simulacrum.
Źródło:: Text Matters: A Journal of Literature, Theory and Culture; 2018, 8; 365-385
2083-2931
2084-574X
Pojawia się w:: Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 4.

Tytuł:: Metr jako symulakrum
Autorzy:: Mastalski, Arkadiusz Sylwester
Powiązania:: https://bibliotekanauki.pl/articles/445646.pdf
Data publikacji:: 2017
Wydawca:: Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:: versification
Kamil Brewiński
metrics
simulation
Jean Baudrillard
Opis:: Meter as a simulacrum This text presents an attempt to conceptualize the poetics of versification in Kamil Brewiński’s poetic book Clubbing (Kraków 2013), with the background of the critical reception of the book, by the view given by the theory of simulation by Jean Baudrillard. The article is based on two unpublished conference speeches presented at conference on “Twenty First Century in Literature”, 2014) and “Poetry – Culture – Poetry. Contemporary Perspectives”, 2015). Some excerpts were used before in my doctoral dissertation (2015).
Źródło:: Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica; 2017, 5; 220-239
2353-4583
2449-7401
Pojawia się w:: Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 5.

Tytuł:: Bemusing Ourselves to Death: Public Discourse in the Age of Social Media
Autorzy:: Merrin, William
Powiązania:: https://bibliotekanauki.pl/articles/2154943.pdf
Data publikacji:: 2022-06-30
Wydawca:: Akademia Górniczo-Hutnicza im. Stanisława Staszica w Krakowie
Tematy:: Postman
McLuhan
Baudrillard
reality
hyporeality
social-media
Dick
Opis:: In 1985, Neil Postman published Amusing Ourselves to Death, a McLuhan-inspired critique of the transformation of public discourse from 19th-century print culture, with its depth of reading, thought and debate, to the contemporary era of television ‘show business’. Developments since then, most notably the digital revolution, allow us to update Postman’s thesis, to explore the digital age that succeeds the electric broadcast era and its contemporary transformation of culture and politics. This paper argues that digital personalisation has exploded the mass-media world, bursting its mainstream bubble into a foam of individual life-worlds, empowering everyone as the producer of their own realities. Arguing that the key thinker of this era is Philip K. Dick (with his exploration of fictive, split, and personal realities), the paper explores the cultural impact of this new post-truth era of ‘media’ realities and the ‘bemusement’ it produces.
Źródło:: Studia Humanistyczne AGH; 2022, 21, 2; 17-29
2084-3364
Pojawia się w:: Studia Humanistyczne AGH
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 6.

Tytuł:: Antropologia mapy jako nowa metafizyka
Autorzy:: Mateusz, Zimnoch,
Powiązania:: https://bibliotekanauki.pl/articles/897234.pdf
Data publikacji:: 2015
Wydawca:: Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:: Baudrillard
rzeczywistość
mapa
granice
obcość
postmodernizm
przestrzeń
miejsce
Opis:: The aim of the research paper is to make use of the map metaphor from Jean Baudrillard’s Simulacra and Simulation as a starting point for the new metaphysics that is congruent with the poetics of postmodernism. The main idea here is to neglect a distinction between epistemology and ontology and to choose a philosophical perspective that breaks through some binary oppositions such as object-subject, fact-fiction, real-virtual etc. The proposed way to do so is to connect the anthropology of map with the philosophy of the other and put them together with the postmodern idea of the sign.
Źródło:: Przegląd Humanistyczny; 2015, 59(4 (451)); 175-180
0033-2194
Pojawia się w:: Przegląd Humanistyczny
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 7.

Tytuł:: The Catch of the Hyperreal: Yossarian and the Ideological Vicissitudes of Hyperreality
Autorzy:: Yazdizadeh, Abdolali
Powiązania:: https://bibliotekanauki.pl/articles/641494.pdf
Data publikacji:: 2018
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: hyperreality
society of spectacle
business of illusion
antihero
Baudrillard
Opis:: Hyperreality is a key term in Jean Baudrillard’s cultural theory, designating a phase in the development of image where it “masks the absence of a profound reality.” The ambiance of Joseph Heller’s Catch-22 (1961) closely corresponds to Baudrillard’s notion of the hyperreal as images persist to precede reality in the fictional world of the novel. Since for Baudrillard each order of simulacra produces a certain mode of ideological discourse that impacts the perception of reality, it is plausible that the characters of this fictional context should be ideologically impacted by the hyperreal discourse. From this vantage point it is possible to have a new critical assessment of Yossarian’s (protagonist) antiheroic stance and study the role of the “business of illusion,” whose ideological edifice is based on the discourse of the hyperreal, on his antiheroic stance and actions. By drawing on Baudrillard’s cultural theory this paper aims to read Heller’s novel as a postmodern allegory of rebellion against the hyperreality of the twentieth-century American life and trace its relevance to modern-day U.S.
Źródło:: Text Matters: A Journal of Literature, Theory and Culture; 2018, 8; 386-410
2083-2931
2084-574X
Pojawia się w:: Text Matters: A Journal of Literature, Theory and Culture
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 8.

Tytuł:: Baudrillard, „Paryż, Teksas”. Wyobraźnia filmowa w socjologii i filozofii Jeana Baudrillarda
Baudrillard, “Paris, Texas”: Film Imagination in the Sociology and Philosophy of Jean Baudrillard
Autorzy:: Tokarz, Mateusz
Powiązania:: https://bibliotekanauki.pl/articles/31342048.pdf
Data publikacji:: 2016
Wydawca:: Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:: Jean Baudrillard
Jean-Luc Godard
postmodernizm
Wim Wenders
postmodernism
Opis:: W swym artykule Tokarz podejmuje refleksję nad filmową wyobraźnią w filozofii i socjologii Jeana Baudrillarda. Dokonuje zderzenia hipotez badawczych oraz teorii społecznych Baudrillarda, który zgłosił akces do ruchu postmodernistycznego, z wieloma odmianami kina współczesnego. Metoda pisarstwa Baudrillarda została zestawiona z metodą twórczą reżysera francuskiej Nowej Fali Jean-Luca Godarda. Tokarz przeprowadza analizę nawiązań Baudrillarda do awangardy wysokiego modernizmu oraz jego spojrzenia przez pryzmat filmów na USA w reportażu filozoficznym Ameryka. Ponadto autor rozpatruje kwestie filmu nostalgicznego, aplikacji Baudrillardowskiej teorii uwodzenia, zestawienia jego myśli z filmem Paryż, Teksas oraz parkosyzmów systemu medialnego. Kluczowa jest hipoteza o możliwości manipulowania historią dzięki doskonałej operacyjności zapisu cyfrowego. W świecie Baudrillarda spełniły się wszystkie utopie i dystopie. Pozostała nostalgia za autentycznością.
In his article, Tokarz reflects on cinematic imagination in philosophy and sociology of Jean Baudrillard. He confronts Baudrillard’s research hypotheses and social theories, on basis of which he claimed membership of the postmodernist movement, with many varieties of contemporary cinema. Baudrillard writing method is compared with creative method of the French New Wave director - Jean-Luc Godard. Tokarz analyses Baudrillard’s references to the avant-garde of high modernism and his view of America through the prism of films in his philosophical report America. The author also considers the question of nostalgic films, the application of Baudrillard’s theory of seduction, confrontation of his ideas with the film Paris, Texas and the paroxysms of media system. The key hypothesis concerns the possibility of manipulating history thanks to the excellent operationality of digital recording. In the world of Baudrillard all utopias and dystopias come true. What remains is the nostalgia for authenticity.
Źródło:: Kwartalnik Filmowy; 2016, 93-94; 201-213
0452-9502
2719-2725
Pojawia się w:: Kwartalnik Filmowy
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 9.

Tytuł:: Werbalna i pozawerbalna dyktatura „wrednych ludzi” w procesie komunikacji
Verbal and extraverbal dictatorship of the ‘nasty people’ in the communication process
Autorzy:: Ślósarska, Joanna
Powiązania:: https://bibliotekanauki.pl/articles/650058.pdf
Data publikacji:: 2017
Wydawca:: Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:: propaganda
dictatorship
psychology
cognitivism
social communication
Blumer
Carter
Berne
Baudrillard
Opis:: Presented topic includes following issues: 1) hidden dictatorship of the attitudes of ‘nasty people’ (‘diminishers’) and its influence on social relations; 2) strategies of depreciation that are used by ‘nasty people” (sowing incertitude, projections, generalizations, adjudications, psycho manipulations, hidden attacks, conflicting signals, provocations, creating illusory situations without exit); 3) verbal and extraverbal manifestations of the archetypes of ‘tormentor/victim’, ‘hunter/ hunted’, ‘attack/escape’ within the activity of ‘nasty people’; 4) long-term violation of the rules of symbolic interactionism by ‘diminishers’. In terms of methodological contexts there are taken mainly concepts of Jay Carter, Eric Berne, Herbert Blumer and Jean Baudrillard. Among historical contexts there is reference to the concept of neurotic personality (Freud, Horney) within the anthropological framework of seduction attitudes and communication play of evident/hidden. The analysis is proceeded on a set of artifacts that constitute oppressive ‘daily practices’.
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Źródło:: Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2017, 41, 3
1505-9057
2353-1908
Pojawia się w:: Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 10.

Tytuł:: Utopijność modeli wymian symbolicznych
Autorzy:: Kłosiński, Michał
Powiązania:: https://bibliotekanauki.pl/articles/638946.pdf
Data publikacji:: 2014
Wydawca:: Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:: utopia, ekonomia, Baudrillard Jean, Goux Jean-Joseph, Jameson Fredric, wymiana symboliczna
Opis:: Utopianism of the symbolic exchange modelsThe paper takes the perspective of Fredric Jameson’s thinking about utopia (from his Archeologies of the future) and is an attempt to answer the question of the status of the theories of symbolic exchange (Baudrillard, Goux) understood as specific iterations of the utopian thinking or the utopian impulse. Jameson sees today the power of the utopian narratives in the alternatives they give to the third stage of capitalism. That is why the main problem presented in this paper is precisely the alternative vision of social and economic relations projected by the researchers referring to the models of symbolic exchange in the primitive societies. Reading the concepts of Goux and Baudrillard in the light of the Jameson’s theory of utopia is to show their proximity with thinking about magical and religious practices on one hand, and, on the other hand, to the fundamental models of social relations in the primitive and ahistorical societies present in the fable and fantasy. These primitive societies believe in the possibility of exchange with the dead and do not surrender to the model of economy governed by the general equivalents: the phallus, the sovereign, the sign, the money.
Źródło:: Wielogłos; 2014, 3(21)
2084-395X
Pojawia się w:: Wielogłos
Dostawca treści:: Biblioteka Nauki

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