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    Tytuł:
    Kira jako (nie)obcy. O protagoniście mangi Death Note Takeshi Obaty i Tsugumi Ohby
    Kira as a (non-)stranger. On the protagonist of the Death Note manga series created by Takeshi Obata and Tsugumi Ohba
    Autorzy:
    Dobrzycki, Jarosław
    Powiązania:
    https://bibliotekanauki.pl/articles/784490.pdf
    Data publikacji:
    2020
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    ambivalence
    Baudrillard
    Foucault
    stranger
    Opis:
    The article analyzes the alienation of the main character of the manga series Death Note, who owns the Death Notebook referred to in the title. The said notebook allows to kill any person. Drawing upon the theses of Michel Foucault related to the rights of monarchs of bygone times to condemn individuals to death, and to ritualizing death itself, the author of the article shows Kira as a continuator of the said monarchs. The motif of death from the hands of another person is indicated as a form of revenge for harms suffered by one, based on considerations by Jean Baudrillard. The text also aims to show that comic books are not just entertainment for the masses, but can convey serious content instead.
    Źródło:
    Paidia i Literatura; 2020, 2; 149-160
    2719-4167
    Pojawia się w:
    Paidia i Literatura
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Schulz i symulakry
    Autorzy:
    Kłosiński, Michał
    Powiązania:
    https://bibliotekanauki.pl/articles/639240.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    Schulz Bruno, Baudrillard, symulakry, mityzacja
    Opis:
    Schulzand Simulacra Schulz and Simulacra is an analysis of Bruno Schulz’s short essay entitled Mythicization of Reality. Michał Kłosiński argues with Dorota Głowacka, who tried to interpret Schulz’s prose with the use of Jean Baudrillard’s category of simulacrum, that her understanding of the term is wrong. Kłosiński searches for places in Schulz’s theoretical essay, where he is the most ambivalent and where his ambivalence works against the text’s consistency. He performs an interpretation of some of Schulz’s notions, such as sense, myth and poetry, to depict how the author of Mythicization defi nes them and how the poetics of Schulz’s text somehow changes these definitions. The main objective of the analysis is to show that Schulz’s theory points the reader not to the concept of simulacrum, but to another Baudrillardian notion – the symbolic exchange. Kłosiński finds evidence of the possibility of such reading in the example given by Schulz of the fragmented body of a snake in legends and the poetic mechanism which he calls „the short circuiting of sense”. In the conclusion the author performs an analysis of Schulz’s view on poetry and how the mythicization as a poetic act works against simulacra and the excess of meaning produced in language to constantly recreate a bond with reality.
    Źródło:
    Wielogłos; 2013, 2(16)
    2084-395X
    Pojawia się w:
    Wielogłos
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    “The Most Photographed Barn in America”: Simulacra of the Sublime in American Art and Photography
    Autorzy:
    Allen, David
    Handley, Agata
    Powiązania:
    https://bibliotekanauki.pl/articles/641498.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    simulacrum
    sublime
    DeLillo
    Baudrillard
    Plato
    Opis:
    In White Noise (1985) by Don DeLillo, two characters visit a famous barn, described as the “most photographed barn in America” alongside hordes of picture-taking tourists. One of them complains the barn has become a simulacrum, so that “no one sees” the actual barn anymore. This implies that there was once a real barn, which has been lost in the “virtual” image. This is in line with Plato’s concept of the simulacrum as a false or “corrupt” copy, which has lost all connection with the “original.” Plotinus, however, offered a different definition: the simulacrum distorts reality in order to reveal the invisible, the Ideal. There is a real building which has been called “the most photographed barn in America”: the Thomas Moulton Barn in the Grand Teton National Park. The location-barn in the foreground, mountain range towering over it-forms a striking visual composition. But the site is not only famous because it is photogenic. Images of the barn in part evoke the heroic struggles of pioneers living on the frontier. They also draw on the tradition of the “American sublime.” Ralph Waldo Emerson defined the sublime as “the influx of the Divine mind into our mind.” He followed Plotinus in valuing art as a means of “revelation”-with the artist as a kind of prophet or “seer.” The photographers who collect at the Moulton Barn are themselves consciously working within this tradition, and turning themselves into do-it-yourself “artist-seers.” They are the creators, not the slaves of the simulacrum.
    Źródło:
    Text Matters: A Journal of Literature, Theory and Culture; 2018, 8; 365-385
    2083-2931
    2084-574X
    Pojawia się w:
    Text Matters: A Journal of Literature, Theory and Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Metr jako symulakrum
    Autorzy:
    Mastalski, Arkadiusz Sylwester
    Powiązania:
    https://bibliotekanauki.pl/articles/445646.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
    Tematy:
    versification
    Kamil Brewiński
    metrics
    simulation
    Jean Baudrillard
    Opis:
    Meter as a simulacrum This text presents an attempt to conceptualize the poetics of versification in Kamil Brewiński’s poetic book Clubbing (Kraków 2013), with the background of the critical reception of the book, by the view given by the theory of simulation by Jean Baudrillard. The article is based on two unpublished conference speeches presented at conference on “Twenty First Century in Literature”, 2014) and “Poetry – Culture – Poetry. Contemporary Perspectives”, 2015). Some excerpts were used before in my doctoral dissertation (2015).
    Źródło:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica; 2017, 5; 220-239
    2353-4583
    2449-7401
    Pojawia się w:
    Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Bemusing Ourselves to Death: Public Discourse in the Age of Social Media
    Autorzy:
    Merrin, William
    Powiązania:
    https://bibliotekanauki.pl/articles/2154943.pdf
    Data publikacji:
    2022-06-30
    Wydawca:
    Akademia Górniczo-Hutnicza im. Stanisława Staszica w Krakowie
    Tematy:
    Postman
    McLuhan
    Baudrillard
    reality
    hyporeality
    social-media
    Dick
    Opis:
    In 1985, Neil Postman published Amusing Ourselves to Death, a McLuhan-inspired critique of the transformation of public discourse from 19th-century print culture, with its depth of reading, thought and debate, to the contemporary era of television ‘show business’. Developments since then, most notably the digital revolution, allow us to update Postman’s thesis, to explore the digital age that succeeds the electric broadcast era and its contemporary transformation of culture and politics. This paper argues that digital personalisation has exploded the mass-media world, bursting its mainstream bubble into a foam of individual life-worlds, empowering everyone as the producer of their own realities. Arguing that the key thinker of this era is Philip K. Dick (with his exploration of fictive, split, and personal realities), the paper explores the cultural impact of this new post-truth era of ‘media’ realities and the ‘bemusement’ it produces.
    Źródło:
    Studia Humanistyczne AGH; 2022, 21, 2; 17-29
    2084-3364
    Pojawia się w:
    Studia Humanistyczne AGH
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Antropologia mapy jako nowa metafizyka
    Autorzy:
    Mateusz, Zimnoch,
    Powiązania:
    https://bibliotekanauki.pl/articles/897234.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Baudrillard
    rzeczywistość
    mapa
    granice
    obcość
    postmodernizm
    przestrzeń
    miejsce
    Opis:
    The aim of the research paper is to make use of the map metaphor from Jean Baudrillard’s Simulacra and Simulation as a starting point for the new metaphysics that is congruent with the poetics of postmodernism. The main idea here is to neglect a distinction between epistemology and ontology and to choose a philosophical perspective that breaks through some binary oppositions such as object-subject, fact-fiction, real-virtual etc. The proposed way to do so is to connect the anthropology of map with the philosophy of the other and put them together with the postmodern idea of the sign.
    Źródło:
    Przegląd Humanistyczny; 2015, 59(4 (451)); 175-180
    0033-2194
    Pojawia się w:
    Przegląd Humanistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Catch of the Hyperreal: Yossarian and the Ideological Vicissitudes of Hyperreality
    Autorzy:
    Yazdizadeh, Abdolali
    Powiązania:
    https://bibliotekanauki.pl/articles/641494.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    hyperreality
    society of spectacle
    business of illusion
    antihero
    Baudrillard
    Opis:
    Hyperreality is a key term in Jean Baudrillard’s cultural theory, designating a phase in the development of image where it “masks the absence of a profound reality.” The ambiance of Joseph Heller’s Catch-22 (1961) closely corresponds to Baudrillard’s notion of the hyperreal as images persist to precede reality in the fictional world of the novel. Since for Baudrillard each order of simulacra produces a certain mode of ideological discourse that impacts the perception of reality, it is plausible that the characters of this fictional context should be ideologically impacted by the hyperreal discourse. From this vantage point it is possible to have a new critical assessment of Yossarian’s (protagonist) antiheroic stance and study the role of the “business of illusion,” whose ideological edifice is based on the discourse of the hyperreal, on his antiheroic stance and actions. By drawing on Baudrillard’s cultural theory this paper aims to read Heller’s novel as a postmodern allegory of rebellion against the hyperreality of the twentieth-century American life and trace its relevance to modern-day U.S.
    Źródło:
    Text Matters: A Journal of Literature, Theory and Culture; 2018, 8; 386-410
    2083-2931
    2084-574X
    Pojawia się w:
    Text Matters: A Journal of Literature, Theory and Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Baudrillard, „Paryż, Teksas”. Wyobraźnia filmowa w socjologii i filozofii Jeana Baudrillarda
    Baudrillard, “Paris, Texas”: Film Imagination in the Sociology and Philosophy of Jean Baudrillard
    Autorzy:
    Tokarz, Mateusz
    Powiązania:
    https://bibliotekanauki.pl/articles/31342048.pdf
    Data publikacji:
    2016
    Wydawca:
    Polska Akademia Nauk. Instytut Sztuki PAN
    Tematy:
    Jean Baudrillard
    Jean-Luc Godard
    postmodernizm
    Wim Wenders
    postmodernism
    Opis:
    W swym artykule Tokarz podejmuje refleksję nad filmową wyobraźnią w filozofii i socjologii Jeana Baudrillarda. Dokonuje zderzenia hipotez badawczych oraz teorii społecznych Baudrillarda, który zgłosił akces do ruchu postmodernistycznego, z wieloma odmianami kina współczesnego. Metoda pisarstwa Baudrillarda została zestawiona z metodą twórczą reżysera francuskiej Nowej Fali Jean-Luca Godarda. Tokarz przeprowadza analizę nawiązań Baudrillarda do awangardy wysokiego modernizmu oraz jego spojrzenia przez pryzmat filmów na USA w reportażu filozoficznym Ameryka. Ponadto autor rozpatruje kwestie filmu nostalgicznego, aplikacji Baudrillardowskiej teorii uwodzenia, zestawienia jego myśli z filmem Paryż, Teksas oraz parkosyzmów systemu medialnego. Kluczowa jest hipoteza o możliwości manipulowania historią dzięki doskonałej operacyjności zapisu cyfrowego. W świecie Baudrillarda spełniły się wszystkie utopie i dystopie. Pozostała nostalgia za autentycznością.
    In his article, Tokarz reflects on cinematic imagination in philosophy and sociology of Jean Baudrillard. He confronts Baudrillard’s research hypotheses and social theories, on basis of which he claimed membership of the postmodernist movement, with many varieties of contemporary cinema. Baudrillard writing method is compared with creative method of the French New Wave director - Jean-Luc Godard. Tokarz analyses Baudrillard’s references to the avant-garde of high modernism and his view of America through the prism of films in his philosophical report America. The author also considers the question of nostalgic films, the application of Baudrillard’s theory of seduction, confrontation of his ideas with the film Paris, Texas and the paroxysms of media system. The key hypothesis concerns the possibility of manipulating history thanks to the excellent operationality of digital recording. In the world of Baudrillard all utopias and dystopias come true. What remains is the nostalgia for authenticity.
    Źródło:
    Kwartalnik Filmowy; 2016, 93-94; 201-213
    0452-9502
    2719-2725
    Pojawia się w:
    Kwartalnik Filmowy
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Werbalna i pozawerbalna dyktatura „wrednych ludzi” w procesie komunikacji
    Verbal and extraverbal dictatorship of the ‘nasty people’ in the communication process
    Autorzy:
    Ślósarska, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/650058.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    propaganda
    dictatorship
    psychology
    cognitivism
    social communication
    Blumer
    Carter
    Berne
    Baudrillard
    Opis:
    Presented topic includes following issues: 1) hidden dictatorship of the attitudes of ‘nasty people’ (‘diminishers’) and its influence on social relations; 2) strategies of depreciation that are used by ‘nasty people” (sowing incertitude, projections, generalizations, adjudications, psycho manipulations, hidden attacks, conflicting signals, provocations, creating illusory situations without exit); 3) verbal and extraverbal manifestations of the archetypes of ‘tormentor/victim’, ‘hunter/ hunted’, ‘attack/escape’ within the activity of ‘nasty people’; 4) long-term violation of the rules of symbolic interactionism by ‘diminishers’. In terms of methodological contexts there are taken mainly concepts of Jay Carter, Eric Berne, Herbert Blumer and Jean Baudrillard. Among historical contexts there is reference to the concept of neurotic personality (Freud, Horney) within the anthropological framework of seduction attitudes and communication play of evident/hidden. The analysis is proceeded on a set of artifacts that constitute oppressive ‘daily practices’.
    -
    Źródło:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2017, 41, 3
    1505-9057
    2353-1908
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Litteraria Polonica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Utopijność modeli wymian symbolicznych
    Autorzy:
    Kłosiński, Michał
    Powiązania:
    https://bibliotekanauki.pl/articles/638946.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    utopia, ekonomia, Baudrillard Jean, Goux Jean-Joseph, Jameson Fredric, wymiana symboliczna
    Opis:
    Utopianism of the symbolic exchange modelsThe paper takes the perspective of Fredric Jameson’s thinking about utopia (from his Archeologies of the future) and is an attempt to answer the question of the status of the theories of symbolic exchange (Baudrillard, Goux) understood as specific iterations of the utopian thinking or the utopian impulse. Jameson sees today the power of the utopian narratives in the alternatives they give to the third stage of capitalism. That is why the main problem presented in this paper is precisely the alternative vision of social and economic relations projected by the researchers referring to the models of symbolic exchange in the primitive societies. Reading the concepts of Goux and Baudrillard in the light of the Jameson’s theory of utopia is to show their proximity with thinking about magical and religious practices on one hand, and, on the other hand, to the fundamental models of social relations in the primitive and ahistorical societies present in the fable and fantasy. These primitive societies believe in the possibility of exchange with the dead and do not surrender to the model of economy governed by the general equivalents: the phallus, the sovereign, the sign, the money.  
    Źródło:
    Wielogłos; 2014, 3(21)
    2084-395X
    Pojawia się w:
    Wielogłos
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Absolutna horyzontalność – wyobraźnia topograficzna i dyskurs krytyczny w Ameryce Jeana Baudrillarda
    “Limitless Horizontality”: Topographic Imagination and Critical Discourse in Jean Baudrillard’s America
    Autorzy:
    Szalewska, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/951626.pdf
    Data publikacji:
    2017
    Wydawca:
    Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
    Tematy:
    geopoetics
    Jean Baudrillard
    topographical turn
    discourse
    space in literature
    America in literature
    Opis:
    The article is an attempt to reconstruct the topographic imagination of Jean Baudrillard. The author interprets his essay, America, placing him in the context of Visions from San Francisco Bay by Czesław Miłosz. Reading America through a spatial perspective allows us not only to see the spatial imagery used to describe the landscape of the New World but also to indicate its hidden symbolism. In other words, through topographical imagery, Baudrillard verbalizes judgments about culture and history. Thus, space becomes an epistemological metaphor and the author’s own philosophical dictionary.
    Źródło:
    Białostockie Studia Literaturoznawcze; 2017, 11
    2082-9701
    2720-0078
    Pojawia się w:
    Białostockie Studia Literaturoznawcze
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Rewolucje i reakcje społeczne Pierre’a Bourdieu i Jeana Baudrillarda
    Autorzy:
    Garncarek, Tomasz
    Powiązania:
    https://bibliotekanauki.pl/articles/600544.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Pierre Bourdieu
    Jean Baudrillard
    hyperreality
    pataphysics
    social philosophy
    patafizyka
    hiperrzeczywistość
    filozofia społeczna
    Opis:
    Jean Baudrillard and Pierre Bourdieu are two well known French social philosophers that have at least couple of things in common. They were born in the same social conditions, they grew up as rebels, and they participated in Revolution of 1968. They also participated in the very same formal problems of the research work. The problem is, what happens when one introduces same difficulties in one’s ideas as those, that he was searching to neutralize. Bourdieu criticizes the system of education, art, culture in general, because it contributes to reproduction and conservation of social hierarchy. However, he's doing it using quite similar kind of high developed concepts, that he had criticized before. Baudrillard also detests modern social habits. Most of all, so called hyperreality, that manifests itself as a lack of real connection between things and concepts or ideas related to them. Nonetheless Baudrillard seems to adore hyperreality also, as a dimension of game, seduction. Bourdieu, as well as Baudrillard, appears as an adept of pataphysics — according to the definition given to this notion by Baudrillard, based on novels of Alfred Jarry.
    Źródło:
    Internetowy Magazyn Filozoficzny Hybris; 2016, 34 (3)
    1689-4286
    Pojawia się w:
    Internetowy Magazyn Filozoficzny Hybris
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wybrane implikacje filozoficzne w rozważaniach na temat świata wirtualnego jako symulakrum antropocentryzmu
    Selected Philosophical Implications to Consider the Topic of a Virtual World as a Simulacrum of Anthropocentrism
    Autorzy:
    Kubas, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/3200784.pdf
    Data publikacji:
    2022
    Wydawca:
    Wyższa Szkoła Ekonomiczno-Humanistyczna w Bielsku-Białej
    Tematy:
    simulacrum
    virtual world
    real world
    anthropocentrism
    Arthur Schopenhauer
    James Allen
    Noam Chomsky
    Jean Baudrillard
    Friedrich Nietzsche
    Opis:
    This paper provides an overview of selected philosophical implications connected with the topic of a virtual world as a simulacrum of anthropocentrism. The paper discusses also the impact of the implications on the considerations of the dilemma to what extent the users of a virtual world remain obedient to their moral values and how the virtual world influences being a human in the real world. The concept of a virtual world was initiated by a human because the human being`s intentions are to fulfill his own needs, to cross his individual barriers and, while attempting to his own development, to reach for what is for him instinctively attainable. Human aspirations of creating a virtual world, a look-alike world, emerge finalized but the only residuary conundrum is to assuage one`s desires for finding the good and for defending one`s moral values. A human being is in the centre of existence and is the issue of valence inasmuch as he is ‘the master’ of the world, and, according to the paradigm of anthropocentrism, he is able to achieve what he yearns for. Therefore, it is advisable to contemplate the issue whether a human being desired the virtual world to arise or whether he just wanted to desire the world in his omnipotence. Another alternative for the discussion is to ponder over a human craving for creating a new, better version of a real world and for his subconscious attempts at its annihilation. Because human cognitive faculties – his thoughts and needs are biologically conditioned, the article analyses also a phantasm of a human domination over the real world through the virtual world and a human being`s negation of moral values as well as his control of the limitations of the real world.
    Źródło:
    Polonia Journal; 2022, 15; 87-107
    2083-3121
    Pojawia się w:
    Polonia Journal
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Technology of Power in Philip K. Dick’s Do Android Dream of Electric Sheep?
    Autorzy:
    Mirmobin, Sara
    Shabanirad, Ensieh
    Powiązania:
    https://bibliotekanauki.pl/articles/1178365.pdf
    Data publikacji:
    2017
    Wydawca:
    Przedsiębiorstwo Wydawnictw Naukowych Darwin / Scientific Publishing House DARWIN
    Tematy:
    Do Androids Dream
    Jean Baudrillard
    Michel Foucault
    Simulation
    Thomas Mathiesen
    hyperreality
    panopticism
    surveillance
    synopticism
    technology of power
    Opis:
    The science fiction of Philip Kindred Dick is a manifestation of the unprecedented challenges of man in modern times. This essay is a sociological study of Dick’s Do Androids Dream of Electric sheep? based on Michel Foucault’s concepts as well as Jean Baudrillard, and Thomas Mathiesen’s theories about power and its techniques. The library research method is used to trace some elements of the technology of power and the sociopolitical issues in multiple layers of the novel which reflects implicitly the nineteen sixties’ mood. The high-tech society of it is watched, controlled and conducted through advanced devices, media, consumerism, and pseudo- religion doctrine. The Foucauldian surveillance and panopticism are discussed in this carceral society where the minds of the individuals are routinely inspected in search for deviancy; and where their moods are regulated and their feeling are shared voluntarily. In addition to panopticism, due to the important role of the media in the novel, Mathiesen’s synopticism is discussed. The man’s efforts for compensating what he had destroyed i.e. the devastated nature result in Baudrillard’s concepts of hyperreality and simulation that blur the line between real and unreal. Do Androids Dream illuminates the revolutionary mood of nineteen sixties, the uprising of the youth and marginal groups against the prevalent beliefs and values. It also reflects the anxieties of atomic age, cold war paranoia, and McCarthyism. In the novel, the individuals are ubiquitously surveilled and mercilessly conducted; the truth does not have an existence of its own, and it’s just part of the regime.
    Źródło:
    World Scientific News; 2017, 77, 2; 226-241
    2392-2192
    Pojawia się w:
    World Scientific News
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Pakt z diabłem we współczesnych Chinach. Powieść Murong Xuecuna Większość umiera z chciwości
    Pact with the Devil in Contemporary China: Murong Xuecun’s Most Die of Greed
    Autorzy:
    Jakubów, Zofia
    Powiązania:
    https://bibliotekanauki.pl/articles/914271.pdf
    Data publikacji:
    2019-05-29
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Murong Xuecun
    Chinese literature
    Most Die of Greed
    Jean Baudrillard
    pact with the Devil
    The Consumer Society
    Opis:
    In his famous book The Consumer Society: Myths and Structures, Jean Baudrillard refers to the model of exchange defined by the myth of the pact with the Devil. The things we sell: our reflections in the mirror, our shadows, or the products of our work do not remain safely separate from us, but instead turn against us and take their revenge, sometimes even bringing us to self-destruction. However, the French philosopher claims that, nowadays, the tragedy of the subject haunted by its spectre is no longer relevant as the subject poses a spectrum, and all transcendence is lost in the order of signs. The structure of the myth about the pact with the Devil appears in Murong Xuecun’s novel Most Die of Greed. In post-reform and opening-up China, an average young man meets a mysterious older millionaire and gets involved in a risky game, in which unbridled consumption leads to degeneration and, eventually, gruesome death. As a 70 hou (post-1970, born in the 1970s) writer, Murong Xuecun addresses the transformations in his generation’s attitudes and values caused by rapid changes in both material and ideological spheres of their lives.
    Źródło:
    Studia Azjatystyczne; 2018, 4; 15-25
    2449-5433
    Pojawia się w:
    Studia Azjatystyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-15 z 15

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