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    Wyświetlanie 1-14 z 14
    Tytuł:
    Kamera i poeta doctus? O filmach Edwarda Żebrowskiego z perspektywy lotu ptaka
    Camera and poeta doctus? About Edward Żebrowski’s Films
    Autorzy:
    Szpulak, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/919837.pdf
    Data publikacji:
    2011-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    author film
    ethical problems
    Polish cinema
    Opis:
    This text conserns the excelent polish director Edwrad Żebrowski’ creation. It has character of synthetic discussion. It shows main formal questions of it this creation and main problems of it. It is considered also the question of anachronism of these movies.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2011, 9, 17-18; 220-231
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Róża Wojciecha Smarzowskiego – portret miłości kulturowo zakorzenionej
    Róża by Wojciech Smarzowski: Portrait of a Culturally Rooted Love
    Autorzy:
    Szpulak, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/920908.pdf
    Data publikacji:
    2015-06-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Wojciech Smarzowski
    Róża
    romantic love
    melodrama
    Polish historical film
    melodramat
    miłość romantyczna
    polski film historyczny
    Mazury
    Opis:
    The article presents an interpretation of the love story in Wojciech Smarzowski’s film Róża (2011) in the context of references to culture deeply rooted in the European tradition of representing this theme. It indicates the melodramatic elements presented in this film, as well as the leading role of the myth of romantic love in creating this thread. Clearly visible is a male perspective view of reality in Smarzowski’s film.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 17, 26; 107-118
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Róża Wojciecha Smarzowskiego jako medium idei
    Wojciech Smarzowski’s Rose as the medium of ideology
    Autorzy:
    SZPULAK, ANDRZEJ
    Powiązania:
    https://bibliotekanauki.pl/articles/921182.pdf
    Data publikacji:
    2016-10-09
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Wojciech Smarzowski
    Rose
    film and ideology
    Polish film after 1989
    Masuria in the film
    Opis:
    The text concentrates on the problem of the ideologization of artistic transmission and uses Wojciech Smarzowski film ‘Rose’ as an example. This problem is considered both on several levels: reception, above all the critical-film level, and also on the level of the work itself. The analysis reveals the impoverishment of the message by radical left-wing and also conservative ideologization is becoming apparent. Also a susceptibility of work to discourse of the political correctness is becoming apparent, in addition it is rather superficial susceptibility.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 18, 27; 87-96
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Podwójne spojrzenie na pewne zdarzenie z przeszłości. O Szpitalu w Cichiniczach Melchiora Wańkowicza i Wrotach Europy Jerzego Wójcika
    Double gaze at an event from the past. About Melchior Wańkowicz’s Hospital in Cichinicze and Jerzy Wójcik’s The Gateway of Europe
    Autorzy:
    Szpulak, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/923313.pdf
    Data publikacji:
    2019-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Melchior Wańkowicz
    Jerzy Wójcik
    war reportage
    Polish historical film
    Opis:
    This text confronts two images of a small episode from the First World War and the struggle of Poland to regain its independence. The literary image, Hospital in Cichinicze, is the story of Melchior Wańkowicz (1926), and the film picture is The Gateaway of Europe by Jerzy Wójcik (1999). The film work was an adaptation of literary material; however, the ways memory is created in the two cases are different. Wańkowicz created a somewhat reporter-like, realistic, non-stereotypical record of events, while Wójcik’s story was more universal and at the same time more rooted in national symbolism.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2019, 26, 35; 117-127
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Etiudy „społecznego zwiadu”. O szkolnych krewniaczkach filmów czarnej serii
    Etudes of "social reconnaissance." About school relatives of black series films
    Autorzy:
    Szpulak, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/917930.pdf
    Data publikacji:
    2014-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    black series of Polish documents
    film etudes
    October 1956
    social topics in film
    Henryk Kluba
    Irena Sobierajska
    Robert Stando
    Anna Sokołowska
    Jan Rutkiewicz
    Roman Załuski
    Opis:
    The text refers to the films of black series of Polish document and arising at the same time (1956–1957) etudes of students of the Lodz Film School, dedicated to social issues. Analysis of individual works led to several observation. First, the etudes, like movies of black series, reflecting the social movement of 1956, but their subject matter turned out to be partly different. Appeared in them, for example, political threads. Secondly, the etudes showed many similarities to the professional implementation of the WFD, but only films of Hoffman and Skórzewski can pass as a source of inspiration for students. More frequently students ideas appeared in the improved form in the films of young professionals. Thirdly, the weaker school productions were bolder. 
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 14, 23; 153-154
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    "The Story of the Kowalski Family" and Quarter L. Memory Messages on the Screen
    Autorzy:
    Szpulak, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/918084.pdf
    Data publikacji:
    2014-06-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Arkadiusz Gołębiewski
    Stalinism in Poland
    memory of the Holocaust
    documentary historical film
    Opis:
    The article is devoted to two films by the independent operator, director and producer Arkadiusz Gołębiewski: The Story of the Kowalski Family (Historia Kowalskich), which raises the subject of the Holocaust, and Quarter L (Kwatera Ł), which deals with Stalin’s crimes in Poland. They are interpreted not as historical works, but as films about memory and - in the case of the latter - memory in statu nascendi. Their involvement in political and historical polemics and their relationship to the vision of history supported by the Polish State are analyzed. 
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2014, 15, 24; 99-106
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    "Wieczór" Edwarda Żebrowskiego - autorska kopia
    Edward Żebrowski’s “Evening” – the Creative Copy
    Autorzy:
    Szpulak, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/919986.pdf
    Data publikacji:
    2012-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    short film
    student film
    Polish cinema
    film director
    film krótkometrażowy
    etiuda
    kino polskie
    Edward Żebrowski
    Opis:
    The aim of this article is interpretation of the short film directed in 1964 by Edward Żebrowski, student of Film School in Łódź. Author is considering the many aspects of the relationships between study film and two years earlier debut of Roman Polanski, the famous Knife in the Water. He shows that by using the concept of feature of more experienced colleague, Żebrowski at the same time creates the foundations for his own film language and manifests its own perception of the world, as well as interpersonal problems, developed in further work.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2012, 10, 19; 81-87
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Reformator i statysta albo hulaka na metafizyczną skalę. O dwóch portretach cara Iwana Groźnego w kinie rosyjskim
    Reformer and Outstanding Politician or Rake on a Metaphysical Scale. Two Portraits of Tsar Ivan the Terrible in Russian Cinema
    Autorzy:
    Szpulak, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/920142.pdf
    Data publikacji:
    2013-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Sergei Eisenstein
    Pavel Lungin
    Ivan the Terrible
    the Russian film
    historical film
    the history of the film
    Opis:
    The text is an attempt to define the specificity of portraits of the first Russian Tsar, Ivan the Terrible, in the field of historiography and culture, including popular culture. This characteristic is referred then to the analysis of two films – S. Eisenstein's Ivan the Terrible (1944-1946) and P. Lungin’s Tsar (2009). These films depict two different interpretations of the historical figure presented above all in Russian discourse. On the one hand (Eisenstein), Ivan is seen as a prominent politician engaged in a state-building strategy; on the other (Lungin), he is above all a crazy criminal.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2013, 12, 21; 334-341
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Ćwierć wieku przed czasem. O etiudzie Henryka Kluby "Ocalenie"
    A Quarter of a Century Before Time. About Henryk Kluba’s Student Film Salvation
    Autorzy:
    Szpulak, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/920443.pdf
    Data publikacji:
    2015-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Henryk Kluba
    Salvation
    short film
    school film
    Stalinism in the film
    Opis:
    The text is devoted to an unknown short film made in 1957 in the Łódź Film School, Images XVI - rewizja.indd 276 2015-09-07 11:54:38 abstracts 277 Henryk Kluba’s Salvation. The film, showing the scary face of Stalinist terror in Poland, clearly transcends political taboo. Another work whose exploration of this theme goes as far will not be made until some twenty-fi ve years later, Ryszard Bugajski’s well-known Interrogation (1982). It turns out that it was not the first.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 16, 25; 181-187
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Mroczne żądło zdegenerowanej natury. Szkic o czarnoromantycznych inspiracjach Róży Wojciecha Smarzowskiego
    The dark sting of degenerate nature. Sketch of the dark-romantic inspirations in Wojciech Smarzowski’s Rose
    Autorzy:
    SZPULAK, ANDRZEJ
    Powiązania:
    https://bibliotekanauki.pl/articles/920942.pdf
    Data publikacji:
    2016-11-03
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Wojciech Smarzowski
    Rose
    black romanticism
    Romanticism in film
    Polish historical film
    war film
    Opis:
    The text presents Polish dark romanticism as an important source of inspiration for the images of violence, includ- ing sexual violence, in Wojciech Smarzowskis Rose. The author reveals the mechanisms of this inspiration: visual, dramatic, intellectual, and refers to specific literary texts, from the Romantic era and later, by Antoni Malczewski, Seweryn Goszczyński, Juliusz Słowacki and Włodzimierz Odojewski.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 19, 28; 265-272
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Echa "Idź i patrz" Elema Klimowa w dwóch polskich filmach antywojennych – "Mieście 44" Jana Komasy oraz "Wołyniu" Wojciecha Smarzowskiego
    Echoes of Elem Klimov’s 'Come and See' in two Polish anti-war films – Jan Komasa’s 'Warsaw 44' and Wojciech Smarzowski’s 'Wołyń'
    Autorzy:
    Szpulak, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/923129.pdf
    Data publikacji:
    2018-12-22
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Elem Klimow
    Jan Komasa
    Wojciech Smarzowski
    war film
    anti-war film
    historical film
    Polish film
    Soviet film
    Opis:
    The subject of interest in this text are the relations between the famous Elem Klimow’s Come and See and two Polish movies made in the second decade of the 21st century – Jan Komasa’s Warsaw 44 and Wojciech Smarzowski’s Wołyń. These relations are considered at the genetic level, the level of historical references, the genological level and the plane of audiovisual material created in films. The analysis leads to the conclusion that genological issues play the most important role in building these relationships, among them the shape of the main character’s figure.The text can be treated as a contribution to reflection on the genre distinctiveness of the anti-war film.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2018, 23, 32
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    View from the inside. The images of the city in the “black series” documentary films in Poland in the 1950s
    Autorzy:
    Szpulak, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/923178.pdf
    Data publikacji:
    2019-01-08
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    film and architecture
    “black series” of Polish documentary
    Polish documentary
    Jerzy Bossak
    Irena Sobierajska
    Bohdan Kosiński
    Jerzy Dmowski
    Kazimierz Karabasz
    Władysław Ślesicki
    Krystyna Gryczełowska
    Maksymilian Wrocławski
    Andrzej Munk
    Opis:
    The article analyses the particular interest that the documentary filmmakers of the late 1950s had in the architectural and urban issues. The reasons for this phenomenon are situated in several plans: they refer to the image of reconstruction from the war devastation and the reaction to its falsification in the period of socialist realism. They refer to the social interests of the filmmakers and to the strategy of metaphorising and allegorising the images of the city, which was handy in the times of censorship as it extended meanings and applied non-literality. The article analyses various film incarnations of this phenomenon.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 22, 31; 113-122
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Filmowe wcielenia Krzysztofa Kamila Baczyńskiego
    Film Incarnations of Krzysztof Kamil Baczyński
    Autorzy:
    Szpulak, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/1039082.pdf
    Data publikacji:
    2019-12-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Krzysztof Kamil Baczyński
    Ludmiła Niedbalska
    Konrad Piwowarski
    biographical film
    film and literature
    Opis:
    Szpulak Andrzej, Filmowe wcielenia Krzysztofa Kamila Baczyńskiego [Film Incarnations of Krzysztof Kamil Baczyński]. „Przestrzenie Teorii” 32. Poznań 2019, Adam Mickiewicz University Press, pp. 301–322. ISSN 1644-6763. DOI 10.14746/pt.2019.32.16. The text concerns two film biographies of Krzysztof Kamil Baczyński, an outstanding and legendary poet of the Second World War killed in 1944 during the Warsaw Uprising. The films Fourth Day by Ludmiła Niedbalska (1984) and Baczyński by Konrad Piwowarski (2013) were subject to a comparative analysis. It covered genaelogical issues, the poet’s biography and a presentation of his work. The analysis shows the extreme difference in creative concepts, and thus the various possibilities that the biographical film faces.
    Źródło:
    Przestrzenie Teorii; 2019, 32; 301-322
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Łączka, amazońska dżungla i Chicago. Patrycja Rojek* i Andrzej Szpulak* rozmawiają z dokumentalistą, niezależnym producentem i dyrektorem Festiwalu Niepokorni Niezłomni Wyklęci – Arkadiuszem Gołębiewskim.
    Jungle and Chicago. Patrycja Rojek and Andrzej Szpulak talking with a documentary maker, an independent producer and director of the NNW Festival - Arkadiusz Gołębiewski.
    Autorzy:
    Rojek, Patrycja
    Szpulak, Andrzej
    Powiązania:
    https://bibliotekanauki.pl/articles/920830.pdf
    Data publikacji:
    2015-06-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    the post-war Polish
    Quarter Ł
    NNW Festival in Gdynia
    Opis:
    In this interview, Arkadiusz Gołębiewski discusses his film work, and activity as producer and head of the NNW Festival in Gdynia. In addition, the director also talks about his work relating to the post-war Polish (military anti-communist underground) and other custom projects. He also comments on a situation of historical documentary in Poland.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2015, 17, 26; 79-93
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-14 z 14

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