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    Wyświetlanie 1-9 z 9
    Tytuł:
    Lukian z Samosat na temat krwawych rytuałów: diatryba O ofiarach
    Lucian of Samosata on bloody rituals: The On Sacrifices diatribe
    Autorzy:
    Osek, Ewa
    Powiązania:
    https://bibliotekanauki.pl/articles/941861.pdf
    Data publikacji:
    2009
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Opis:
    This paper analyses the diatribe On sacrifices (De sacrificiis), written by famous Greek satirist of Roman imperial period, Lucian of Samosata (ca.120 - ca.190 A.C.), called Blasphemer or Atheist by Suda Lexicon, and traces its philosophical and literary sources. Lucian criticizes all forms of traditional Greek religion, in particular animal sacrifices (thysiai). He campaigns against traditional piety, that is, superstition, mentioning two pre-Socratic philosophers: Heraclitus of Ephesus and Democritus of Abdera. The satirical representation of Greek gods in On sacrifices bases on the Iliad of Homer, the desciption of the Eastern cults is anachronic (based on Herodotus), without any references to contemporary religious phenomena. The Lucian’s detailed description of religious animal slaughter (chapters 12-13), though it shows a great sensitivity and emotional involvement, is unclear, because there is no sign to recognize which he means: an usual Greek animal sacrifices or the holocausts. This emotional description is influenced by Homer’s poems and by two important moralizing writings: On piety (De pietate) by Theophrastus (fragments preserved in Porphyrius’ De ahstinentia, II) and On the eating the meat (De esu carnium, 1—II) by Plutarchus of Chaeronea.
    Źródło:
    Acta Universitatis Lodziensis. Folia Archaeologica; 2009, 26
    0208-6034
    2449-8300
    Pojawia się w:
    Acta Universitatis Lodziensis. Folia Archaeologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Siwicka Małgorzata, Peregrinos Lukiana z Samosat – szaleństwo w krzywym zwierciadle satyry
    Peregrinus of Lucian of Samosata – madness in the distorting satire
    Autorzy:
    Siwicka, Małgorzata
    Powiązania:
    https://bibliotekanauki.pl/articles/1046800.pdf
    Data publikacji:
    2013-12-31
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    the passing of Peregrinus
    Cynic asceticism
    madness
    pathological desire for fame
    suicide
    theatrical behaviour
    self-deception
    histrionic and narcissistic personality disorders
    Opis:
    The work The Passing of Peregrinus by Lucian of Samosata presents a picture of a pseudo-philosopher , who under the disguise of Cynic asceticism and courageous death, hid such an extraordinary desire for fame and publicity that it took on a pathological size. This morbid craving for popularity that he acquired by any possible means finally brought Peregrinus to suicidal death, although, in fact, he did not really want it. What Lucian did not approve of his conduct was falseness, cheap theatrical claptrap, using human simplicity and warm-heartedness. Lucian damasks in a brutal way the unbound craving for publicity from which all actins of Peregrinus stemmed. By removing a tragic mask from his face Lucian pinpoints his ridiculousness and ugliness. It was the pursuit of popularity that brought Peregrinus to destruction. His self-immolation, however, was not viewed upon by Lucian as an act of heroism, but merely as a grotesque and miserable ending of an equally grotesque and deplorable life.
    Źródło:
    Symbolae Philologorum Posnaniensium Graecae et Latinae; 2013, 23, 2; 153-170
    0302-7384
    Pojawia się w:
    Symbolae Philologorum Posnaniensium Graecae et Latinae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Eros paidikos kontra miłość do kobiety w Dialogu o miłości erotycznej Plutarcha i Bogach miłości Lukiana
    Eros paidikos vs. female love in Plutarch’s Amatorius and Lucian’s Amores
    Autorzy:
    Sowa, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/967148.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Plutarch of Chaeronea
    Pseudo-Lucian of Samosata
    pederasty
    marriage
    male vs. female love
    Opis:
    In this paper, I examine the debate between advocates of male and female love in two works dedicated to this subject: Plutarch’s Amatorius (Dialogue on Love) and Lucian’s Amores (Affairs of the Heart). Plutarch, drawing on Platonic tradition, accepts and praises eros paidikos, but he condemns homosexual intercourse as an act of hybris. On the other hand, Plutarch rejects traditional Greek prejudices against women and glorifies marriage as the highest form of human relationship: he argues that conjugal love contains both the lifelong friendship and sexual relations which are a source of mutual kindness, respect and affection. In Lucian’s work the defender of pederasty, portraying it as a spiritual relationship and a mark of advanced cultural evolution, wins the debate; but in the last part of dialogue moral demands of sexual restraint in pederasty are mocked, and sexual pleasure is called “a mediator of friendship”.
    Źródło:
    Collectanea Philologica; 2014, 17
    1733-0319
    2353-0901
    Pojawia się w:
    Collectanea Philologica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Retor o barbarzyńcach, barbarzyńcy o retoryce – przybysze z dalekich krajów w utworach Lukiana z Samosat
    Rhetor about barbarians, barbarians about rhetoric – visitors from distant lands in the works of Lucian of Samosata
    Autorzy:
    Sowa, Joanna
    Powiązania:
    https://bibliotekanauki.pl/articles/39573904.pdf
    Data publikacji:
    2023
    Wydawca:
    Uniwersytet Warszawski. Katedra Italianistyki. Polskie Towarzystwo Retoryczne
    Tematy:
    Lukian z Samosat
    barbarzyńcy
    Scytowie
    Syryjczycy
    stereotypy
    Lucian of Samosata
    barbarians
    Scythians
    Syrians
    stereotypes
    Opis:
    Lukian, jeden z najwybitniejszych greckich stylistów, satyryk i mówca, pochodził z Samosat nad Eufratem – był więc, według własnego określenia, „Syryjczykiem i barbarzyńcą”. Ta podwójna perspektywa – Greka z wykształcenia, „barbarzyńcy” z pochodzenia – pozwoliła mu w wielu utworach nie tylko wykorzystywać sięgający czasów wojen perskich motyw dychotomii Hellenów i barbarzyńców, ale także podważać zakorzenione stereotypy, bawiąc się nimi i kierując ostrze satyry w obu kierunkach. Celem artykułu jest ukazanie, na wybranych przykładach, sposobu, w jaki Lukian zarówno przełamuje, jak i wykorzystuje związane z pochodzeniem stereotypy, ukazując kontrast pomiędzy grecką paideią a kulturą pojawiąjących się w jego dialogach „barbarzyńców”, a także przedstawiając w zupełnie odmiennym świetle dwie kategorie „barbarzyńców”: Scytów i Syryjczyków.
    Lucian, one of the greatest Greek stylists, satirist and rhetorician, was born in the town of Samosata on the banks of the Euphrates – therefore he was, by his own definition, “a Syrian and a barbarian”. This double perspective allowed him not only to exploit the theme of the dichotomy between the Greeks and the barbarians, but also to challenge some common stereotypes and to make them the subject of his satire. The aim of the article is to demonstrate, on selected examples, how Lucian both challenges and uses stereotypical depictions of Greeks and barbarians, and shows not only the contrast between the Greek paideia and the barbarian culture, but also the distinction between traditional accounts of two categories of "barbarians": Scythians and Syrians.
    Źródło:
    Res Rhetorica; 2023, 10, 3; 5-28
    2392-3113
    Pojawia się w:
    Res Rhetorica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Charisma, Magic, and Spirituality as Socially Engaged Processes: Lucian’s (circa 120-200) “Alexander the False Prophet” and People’s Accounts of the Supernatural
    Autorzy:
    Prus, Robert
    Powiązania:
    https://bibliotekanauki.pl/articles/2119708.pdf
    Data publikacji:
    2017-10-31
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Magic
    Charisma
    Religion
    Spirituality
    Supernatural
    Pragmatism
    Symbolic Interactionism
    Lucian of Samosata
    Prophecy
    Belief
    Doubt
    Community
    Opis:
    Focusing on Alexander the False Prophet and The Lover of Lies, two texts from the Greek poet-philosopher Lucian of Samosata (circa 120-200) of the Classical Roman era, this paper considers (a) charisma, magic, and spirituality as aspects of an interconnected, collectively achieved, developmental process associated with the emergence of a religious cult. Somewhat relatedly, this paper also acknowledges (b) people’s broader, longstanding fascinations with matters that seem incredulous.  Depicting a more sustained realm of prophetic activity and an account of people’s intrigues with the supernatural, Lucian’s texts offer some especially valuable transhistorical and transcultural reference points for the broader sociological study of human knowing and acting. The paper concludes with a consideration of the implications of these matters for the study of people’s involvements in religion and spirituality as humanly-engaged realms of endeavor and interchange.
    Źródło:
    Qualitative Sociology Review; 2017, 13, 4; 6-46
    1733-8077
    Pojawia się w:
    Qualitative Sociology Review
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Obecność motywów z Prawdziwej historii (Alethe diegemata) Lukiana z Samosat w literaturze fantastycznej na przykładzie wybranych fragmentów
    The presence of motifs from True Story (Alethe diegemata) by Lucian of Samosata in fantasy literature on the example of selected fragments
    Autorzy:
    Góral, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/20441772.pdf
    Data publikacji:
    2023-03-13
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    Prawdziwa historia
    science fiction
    fantasy
    Lukian z Samosat
    A True Story
    science ficton
    Lucian of Samosata
    Opis:
    This article is an analysis the writing of Lucian of Samosata, A True Story (Alethe diegemata). Its purpose is to indicate the presence of fantastic causes in the work today and to trace the presence of the motifs used by Lucian in later fantastic writings. The dividing line between fantasy literature and science fiction is also permanently drawn, which is helpful in examining the work, as well as in an attempt to assign it to one of the revealed trends in fantasy literature.
    Źródło:
    Colloquia Litteraria; 2022, 32, 1; 103-132
    1896-3455
    Pojawia się w:
    Colloquia Litteraria
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Oeuvre of Jan Alan Bardziński – a Dominican, Preacher and Translator
    Autorzy:
    Rusnak, Radosław
    Powiązania:
    https://bibliotekanauki.pl/articles/2030651.pdf
    Data publikacji:
    2021-02-21
    Wydawca:
    Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
    Tematy:
    Jan Alan Bardziński
    the Dominican Order
    translations
    Lucan
    Seneca
    Lucian of Samosata
    Boethius
    St. Thomas Aquinas
    Opis:
    The article is devoted to little known and rarely appreciated late-Baroque Dominican Jan Alan Bardziński who was a keen preacher and translator of bothsecular and religious texts. Bardziński’s literary activity is strongly connected to his duties performed in the order as one of the main values he searches for in his texts is of a didactic nature. Simultaneously, he may certainly be perceived as an adapter of some ancient works which puts him among other 17th and 18th-century followers of the culture of Classicism. In the article we briefly discuss his works and provide the readers with their distinctive features. Moreover, we shall take into consideration Bardziński’s notes which allow us to define his goals and priorities and underline the moral values included in his works.
    Źródło:
    Tematy i Konteksty; 2020, 1; 448-469
    2299-8365
    Pojawia się w:
    Tematy i Konteksty
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Religious Beliefs, Practices, and Representations as Humanly Enacted Realities: Lucian (circa 120-200) Addresses Sacrifices, Death, Divinity, and Fate
    Autorzy:
    Prus, Robert
    Powiązania:
    https://bibliotekanauki.pl/articles/2118981.pdf
    Data publikacji:
    2015-10-31
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Religion
    Pragmatism
    Symbolic Interactionism
    Social Constructionism
    Sociology of Religion
    Lucian of Samosata
    Fate and Agency
    Greek Olympian Gods
    Opis:
    Lucian of Samosata (circa 120-200) may be primarily envisioned as a poet-philosopher from the classical Roman era. However, the material he develops on religion not only anticipates important aspects of contemporary pragmatist/constructionist approaches to the sociology of religion but also provides some particularly compelling insights into religion as a humanly engaged realm of reality. Following an introduction to a pragmatist approach to the study of religion, this paper presents a synoptic overview of several of Lucian’s texts on religion. In addition to the significance of Lucian’s materials for comprehending an era of Roman and Greek civilization, as well as their more general sources of intellectual and aesthetic stimulation, these texts also provide an array of valuable transhistorical reference points and alert scholars in the field of religion to some ways in which the study of religion could be more authentically approached within the social sciences. The paper concludes with a consideration of the affinities of Lucian’s depictions of religion with pragmatist, interactionist, and associated approaches as this pertains to the study of religion as a realm of human involvement.
    Źródło:
    Qualitative Sociology Review; 2015, 11, 4; 6-37
    1733-8077
    Pojawia się w:
    Qualitative Sociology Review
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Jan Alan Bardziński – dominikanin, kaznodzieja, tłumacz. Próba nakreślenia sylwetki twórczej
    Autorzy:
    Rusnak, Radosław
    Powiązania:
    https://bibliotekanauki.pl/articles/2030434.pdf
    Data publikacji:
    2021-06-06
    Wydawca:
    Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
    Tematy:
    the Dominican Order
    translation
    Lucan
    Seneca
    Lucian of Samosata
    Boethius
    St. Thomas Acquinas
    Bardziński Jan Alan
    dominikanie
    tłumaczenia
    Lukan
    Seneka
    Lukian z Samosat
    Boecjusz
    Opis:
      The article casts light on a poorly known and rarely appreciated figure of a late-Baroque Dominican, keen preacher and devoted translator of both laic and religious texts, Jan Alan Bardziński. The author firmly states that Bardziński’s literary activity remains strongly connected to his multiple duties as a monk as one of the main values he searches for in his readings is a didactic one. Nevertheless he certainly can be defined as a consistent adapter of some renowned ancient works as well, which puts him among other 17th and 18th century followers of the humanistic and classicist traditions and enables us to rank high his erudition and philological preparation. The essay makes a brief survey of his works, describing their content and underlining some important notes given by the translator himself regarding his goals and prorities. Some general observations on the characteristics of his texts are made and the question of integrity or disintegrity of his literary production is highlighted as well. The article casts light on a poorly known and rarely appreciated figure of a late-Baroque Dominican, keen preacher and devoted translator of both laic and religious texts, Jan Alan Bardziński. The author firmly states that Bardziński’s literary activity remains strongly connected to his multiple duties as a monk as one of the main values he searches for in his readings is a didactic one. Nevertheless he certainly can be defined as a consistent adapter of some renowned ancient works as well, which puts him among other 17th and 18th century followers of the humanistic and classicist traditions and enables us to rank high his erudition and philological preparation. The essay makes a brief survey of his works, describing their content and underlining some important notes given by the translator himself regarding his goals and prorities. Some general observations on the characteristics of his texts are made and the question of integrity or disintegrity of his literary production is highlighted as well.
    Źródło:
    Tematy i Konteksty; 2014, 9, 4; 203-224
    2299-8365
    Pojawia się w:
    Tematy i Konteksty
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-9 z 9

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