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Wyświetlanie 1-10 z 16
Tytuł:
Robinson Crusoe Daniela Defoe jako utwór chrześcijański
Daniel Defoes Novel Robinson Crusoe as a Christian Work
Autorzy:
Borowska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1849867.pdf
Data publikacji:
2020-05-12
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
Daniel Defoe
Robinson Crusoe
powieść angielska
literatura chrześcijańska
sacrum
English novel
Christian literature
Opis:
Daniel Defoe's novel Robinson Crusoe is saturated with the hero's deep religiousness. Faith is the foundation on which he builds his life, and God is the one who gives a meaning and an aim to the experience of loneliness. The whole novel is characterized by a wealth of religious motifs. Here are the most important ones: daily reading of the Holy Scriptures and prayer, moral self-analysis. After each activity the protagonist thinks about how the Providence's intentions have been revealed in his action. Each experience is for him either a result of a committed sin (leaving his parents) or an act of Divine Providence. Religion pervades all the aspects of the hero's life. He builds a church, he erects a cross, he celebrates Sundays and Christmas. Religious practices become a source of strength and consolation for him, and also a valuable support at the moments of doubt. The hero's friendship with Friday is an important part of his life. He tries to teach him the basic truth of faith; he tells him about God's love of people, about the mystery of Redemption and about the role of the Holy Spirit in a man's life. Considering the above mentioned religious acts contained in Daniel Defoe's novel it can be stated that the novel is very valuable as a pedagogical book. Robinson Crusoe is still an important book, especially for young people looking for personal models and authorities.
Źródło:
Roczniki Nauk Społecznych; 2006, 34, 2; 185-197
0137-4176
Pojawia się w:
Roczniki Nauk Społecznych
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
No more drama
Autorzy:
Kankol, Sławomir
Powiązania:
https://bibliotekanauki.pl/articles/1828537.pdf
Data publikacji:
2020-12-16
Wydawca:
Akademia Techniczno-Humanistyczna w Bielsku-Białej
Tematy:
Graham Swift
Here We Are
współczesna powieść angielska
milczenie
autorefleksyjność
contemporary English novel silence self-reflexivity
Opis:
The article is a review of Here We Are, the latest novel by contemporary English novelist Graham Swift, published in the spring of 2020. The text is considered in the context of the author’s earlier work, which the often self-reflexive narrative references at a number of points. The author’s use of understatement and the motif of parenthood also receive the reviewer’s attention.
Źródło:
Świat i Słowo; 2020, 35, 2; 389-405
1731-3317
Pojawia się w:
Świat i Słowo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Natural and the Supernatural in Muriel Spark’s Fiction
Autorzy:
Kucała, Bożena
Powiązania:
https://bibliotekanauki.pl/articles/638761.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Muriel Spark, natural and supernatural in literature, religion in literature, Catholic novel, English short stories
Opis:
A striking feature of Muriel Spark’s fiction is its insistence on the reality of the supernatural, which occasionally breaks into the naturalistic level, defying and challenging habitual modes of perception. The fact of Spark being a religious convert is well known, but her faith is manifested in ways different from what is normally assumed to be religious writing. Spark’s novels are never overtly didactic or moralistic; the impact of her faith is manifest in the notion of reality as conveyed by her fiction. Spark’s vision of reality, underlain by her Catholicism, is based on her conviction that empirical reality coexists with the supernatural world; therefore, interactions with the supernatural, however strange they may seem, are presented in her fiction as compellingly plausible. It is argued in the article that Spark’s ontology of fiction is rooted in a tradition going back to Chesterton, who insisted on the paradoxical conjunction of nonsense and faith, both capable of invoking a sense of spiritual wonder at the world we normally take for granted. Memento Mori, Reality and Dreams as well as selected short stories are referenced to illustrate the peculiar combination of the empirical and the supernatural in Spark’s fiction. The article asserts the paradox, central to Spark’s vision of reality, that the supernatural should be accepted as a natural part of profane experience.
Źródło:
Studia Litteraria Universitatis Iagellonicae Cracoviensis; 2011, 6, 1
2084-3933
Pojawia się w:
Studia Litteraria Universitatis Iagellonicae Cracoviensis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
"The Woman in White" i "The Moonstone" - czyli początki najwybitniejszego nurtu angielskiej powieści detektywnej
"The Woman in White" and "The Moonstone" - or the Beginnings of the Main Tradition of the English Detective Novel
Autorzy:
Nałęcz-Wojtczak, Jolanta
Powiązania:
https://bibliotekanauki.pl/articles/1035033.pdf
Data publikacji:
1982
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria; 1982, 9
0208-6085
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Film po adaptacji powieści: narracja Wojny polsko-ruskiej pod flagą biało-czerwoną. Porównanie przekładu angielskiego powieści i angielskich napisów w adaptacji filmowej Xawerego Żuławskiego
Film after the Novel. The Narration of “Polish¬ Russian War/Snow¬ White and Rus-sian Red”. A comparative Study of the English Translation and Film Captions in the Adaptation by Xawery Żuławski.
Autorzy:
Osadnik, Wacław
Powiązania:
https://bibliotekanauki.pl/articles/511379.pdf
Data publikacji:
2010
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
polysystem theory
Dorota Masłowska
Wojna polsko-ruska pod flagą biało-czerwoną
Opis:
In the theoretical part of the article the author discusses the notion of cultural equivalency from the perspective of the polysystem theory, proposed by Gideon Toury, Jose Lambert and Itamar Even¬ Zohar. The theory assumes that literature is a formal dynamic functional system, and that the translation of a literary work of art rejects the requirement of adequacy for the sake of acceptability. The point of departure for the analytical part of the text is the concept of adaptation as translation, which refers to the polysystem theory and has been developed by Patrick Cattrysse and Alicja Helman. The analysis of the English version of the novel, written by Dorota Masłowska and titled Snow White and Russian Red (Polish: Wojna polsko¬ ruska pod flagą biało¬ czerwoną), shows the scale of difficulty which the translator, Benjamin Paloff, experi-enced in order to generate the target text “rooted” in the target culture. In case of subtitles the equivalency is even more difficult to achieve, mainly because of the problem of reduc-tion of the original dialogue to a couple of lines printed on the bottom of the shot. The author of the article shows what type of equivalences both – the translator of the novel into English, and the author of subtitles selected in order to achieve the goal.
Źródło:
Postscriptum Polonistyczne; 2010, 1(5); 107-130
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La búsqueda del lector híbrido como motivo implícito de la traducción pragmática. Caso de la novela Puppet de Margarita Cota-Cárdenas y su traducción al inglés
The search of a hybrid reader as an implicit motive for pragmatic translation. The case of the novel Puppet by Margarita Cota-Cárdenas and its translation into English
Autorzy:
Kasperska, Iwona
Powiązania:
https://bibliotekanauki.pl/articles/1395891.pdf
Data publikacji:
2021-07-13
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Chicano/a literature
Margarita Cota-Cárdenas’s Puppet
hybrid text
pragmatic translation
hybrid reader
Opis:
The article deals with a particular case of intra- and intertextual translation of a highly pragmatic nature, which can be seen in Puppet. A Chicano novella by Margarita Cota-Cárdenas. Composed mainly of fragments of conversations, monologues and personal letters, the novel reflects Spanish-English codeswitching, as a characteristic feature of the speech of the Mexican American community in the USA. By (re)producing a range of heteroglossal forms of this community communication, Cota-Cárdenas uses translation procedures to reach the hybrid reader who is, at the same time, the hallmark of Chicanos. The multilingual strategies (Hansen Esplin, 2012) of the author and the translators, Barbara D. Riess and Tino Sandoval, become the main pragmatic objective of the novel, both in its source and target versions. Given the multitude of translation procedures observed in both versions of this hybrid novel, the relativity of traditional translation terms, such as original and translation, is also discussed, as both turn out to be bilingual texts and pragmatic translations.
Źródło:
Studia Romanica Posnaniensia; 2021, 48, 2; 119-129
0137-2475
2084-4158
Pojawia się w:
Studia Romanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
An Analysis of the Polish Translation of Grant Morrison’s Arkham Asylum: A Serious House on Serious Earth
Autorzy:
Elżbieta, Niewiadoma,
Powiązania:
https://bibliotekanauki.pl/articles/888755.pdf
Data publikacji:
2020-09-15
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
graphic novel
Scottish graphic novel
comic translation
literal translation
Grant Morrison
English-Polish translation
Opis:
Grant Morrison’s work has greatly added to the Scottish graphic novel tradition. In this regard, this paper will look at the recent Polish translation of the 25th anniversary edition of one of his iconic and groundbreaking Batman graphic novels, Arkham Asylum: A Serious House on Serious Earth. A brief description and publishing history of the graphic novel will be provided, followed by an analysis of the quality, style and publishing history of the translation in order to produce a final commentary on how Morrison’s work has been rendered into the Polish language. It is concluded the translation is largely faithful to its original although it is marred with a number of careless and confusing errors which ultimately have an impact on the reading experience.
Źródło:
Anglica. An International Journal of English Studies; 2020, 29/3; 195-210
0860-5734
Pojawia się w:
Anglica. An International Journal of English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The remains of Kresy: On the Italian, French and English translation of Tadeusz Konwicki’s novel Bohiń
Autorzy:
Prola, Dario
Powiązania:
https://bibliotekanauki.pl/articles/1195791.pdf
Data publikacji:
2020
Wydawca:
Associazione Italiana Polonisti (AIP)
Tematy:
Tadeusz Konwicki
Kresy
Cultural Terms
Translation Techniques
Translation Strategies
Opis:
The paper is a comparison of three translations of Tadeusz Konwicki’s novel Bohiń. After an overall evaluation of the specific characteristics of the Polish language spoken in the Vilnius area, the author focuses on its lexical aspects and in particular on words reflecting the complex social, political, and cultural reality of the northern Kresy. The analysis of the strategies adopted to render the novel’s realities, conducted on the basis of a classification of realia proposed by Krzysztof Hejwowski, enables the author to indicate how some of these words play an important role in the creation of Tadeusz Konwicki’s fictional and mythical universe.
Źródło:
pl.it / rassegna italiana di argomenti polacchi; 2020, 11; 28-45
2384-9266
Pojawia się w:
pl.it / rassegna italiana di argomenti polacchi
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Król Maciuś Pierwszy, czyli polska powieść dla dzieci najczęściej tłumaczona na język angielski
Król Maciuś Pierwszy, the Polish Novel for Children Most Often Translated into English
Autorzy:
Borodo, Michał
Powiązania:
https://bibliotekanauki.pl/articles/1902782.pdf
Data publikacji:
2021-06-03
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Opis:
Artykuł jest próbą przybliżenia czytelnikowi historii polskiej powieści dla dzieci, która doczekała się największej liczby angielskich przekładów. Jest to próba wyjaśnienia, za pomocą nieomawianych wcześniej przykładów, w jaki sposób tłumacze Korczaka potraktowali tekst Króla Maciusia Pierwszego w przekładzie, stosując odmienne strategie tłumaczeniowe. Badany materiał zasługuje na uwagę nie tylko ze względu na to, że pozostawał dotąd jedną z „białych plam” polskiego przekładoznawstwa, ale również dlatego że każdy ze wspomnianych tłumaczy zaakcentował inne pokłady znaczeniowe oryginału, modyfikując go pod względem stylu, organizacji językowej oraz odniesień kulturowych.
The article is an attempt to shed light on the history of the Polish novel for children with the highest number of English translations. It is an attempt to explain, with selected examples which have not been discussed so far, how Korczak’s translatorshave dealt with the text of Król Maciuś Pierwszy [King Matt the First], using different translation strategies. The analysed material deserves attention not only because it has so far remained terra incognita of Polish translation studies, but also because each of the translators has accentuated different layers of meaning of the original, modifying it in terms of style, linguistic organization and cultural references.
Źródło:
Porównania; 2021, 28, 1; 443-462
1733-165X
Pojawia się w:
Porównania
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jane Austen`s novel as an example of a depiction of English society in the long nineteenth century
Autorzy:
Przybylska, Żaneta
Powiązania:
https://bibliotekanauki.pl/articles/1194010.pdf
Data publikacji:
2015
Wydawca:
Przedsiębiorstwo Wydawnictw Naukowych Darwin / Scientific Publishing House DARWIN
Tematy:
Age of Reason
Classicism
Jane Austen
Romanticism
eighteenth century
nineteenth century
Opis:
Between the eighteenth and nineteenth centuries when Classicism had came to an end and Romanticism had just started, Jane Austen wrote her famous, fabulous and funny novels. All of them are known as sentimental novels. On the other hand, they are not only romances, but also detailed description of English society in the nineteenth century. According to Burgess, influenced the Age of Reason (Burgess 2003: 173). What is more, it is said that the nineteenth century novels replaced romances easily because they still had the general structure of the romances. Like in a romance, Austen connected the main plot with love affairs. In accordance with the statement of Burgess, her books mixed romantic and classical features (Burgess 2003: 174). This style of writing gave her the popularity of a unique writer who tried to present some a part of the English society, especially the issues connected with women`s life. Mostly she skipped political and historical events and focused on people and their everyday life and love affairs. Human dilemmas were the priority for her. Another important issue was a depiction of the character`s lives in novels. Austen mostly used comical and funny dialogs, tricky plots, and happy endings.
Źródło:
World Scientific News; 2015, 8; 1-18
2392-2192
Pojawia się w:
World Scientific News
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-10 z 16

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