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Tytuł:
Prolegomena to an Analytic Theology of Holy Images. The visual aspects of faith and philosophical analysis
Autorzy:
Demeter, Marton
Gáspár, Károli
Powiązania:
https://bibliotekanauki.pl/articles/514322.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie. Wydział Teologiczny
Tematy:
theology
visuality
holy image
Opis:
This paper proposes a prolegomena to an analitytic theology of holy images. For this end, we will consider some historical and epistemological facts as regards philosophical analysis and analytic theology, and then we will confer about their relations to images. Finally, we will try to unfold the logical structure of holy icons, and, as an object-lesson, we will explicate the problem of idolatry by means of our preceding considerations.
Źródło:
Kultura – Media – Teologia; 2015, 22; 80-95
2081-8971
Pojawia się w:
Kultura – Media – Teologia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
La visualité exacerbée chez Georges Bataille (et Luis Buñuel) : l’image de l’œuf et ses implications obsessionnelles dans Histoire de l’œil (1928) et Un Chien andalou (1929)
Exuberant visuality in the works of Georges Bataille (and Luis Buñuel): the case of 'eye-egg' and its obsessive implications
Autorzy:
Nowak-Baranowska, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/483715.pdf
Data publikacji:
2015
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
Tematy:
Bataille
Buñuel
eye-egg
obsession
visuality
Opis:
The aim of the study is to analyze Bataille’s Story of the Eye (1928) and Buñuel’s An Andalusian Dog (1929) as accurate examples of artworks that were broadly inspired by images from subconsciousness. Both authors are particularly fascinated by the ‘eye’ which becomes an object of obsession in their output. The ocular reference is however often replaced with the image of the egg, by the process of metonymy that has its origin in Bataille’s imagination and early compulsions. As such, both eye and egg, initially being almost divine, gradually become deformed, abject and, ultimately, annihilated. The image of eye and egg, symbolically the birth of universe, becomes paradoxal in the textual layer, as it’s constantly being deformed by obsessive thoughts from the past.
Źródło:
Quêtes littéraires; 2015, 5; 119-127
2084-8099
2657-487X
Pojawia się w:
Quêtes littéraires
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O konstruowaniu wizualności jako integralnym elemencie polskiej reklamy prasowej
The construction of visuality as an integral element of the Polish press advertisement
Autorzy:
MYŚLAK, DOMINIKA AGATA
Powiązania:
https://bibliotekanauki.pl/articles/546544.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
advertising
visuality
press advertisement in Poland
Opis:
In the article the author adresses the issue of visuality of press advertisement by adhering to such elements as logotype, colour palette, photography and typeface. The author argues that all those elements should cooperate and guarantee the achievement of a desired effect, including the aesthetic one. In the author’s judgement, the message sent by the advertisement is more powerful when its creators use their knowledge of the psychology of perception. It turns out that in today’s press advertisements two techniques (recommendation and demonstration) are most commonly used alongside simple advertising patterns. The colour palette is quite limited and the designers highlight the contrasting combinations, which may be come as a result of the authors’ reliance on the proven solutions. When it comes to the language of the advertisements, neologisms occur rarely as the audience answers better to clichés.
Źródło:
Civitas et Lex; 2015, 4(8); 17-31
2392-0300
Pojawia się w:
Civitas et Lex
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Powidoki wiersza. Eksperyment lektury poezji Bolesława Leśmiana
Afterimages of verse. An experiment in reading Bolesław Leśmian’s poetry
Autorzy:
Kłosowski, Mateusz
Powiązania:
https://bibliotekanauki.pl/articles/1039818.pdf
Data publikacji:
2019-01-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
afterimage
visuality
philosophy
poetry
Bolesław Leśmian
Opis:
The article shows how the visual-painting category of afterimage, which derives from Władysław Strzemiński’s concept, functions at the level of literature (in the poetry of Bolesław Leśmian) and literary studies, as an attempt to apply art concepts to the interpretation of verse. The text is experimental in that it suggests using afterimage as a tool of cognitive philosophy that enables the new meanings to be highlighted in reading the poetic works of Leśmian and in establishing the relations between the visual and the word.
Źródło:
Przestrzenie Teorii; 2018, 29; 179-213
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
(„Wędrujące pojęcia”. Koncepcja Mieke Bal – przykład inter- czy transdyscyplinarności?
Autorzy:
Tabaszewska, Justyna
Powiązania:
https://bibliotekanauki.pl/articles/631115.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
INTERDISCIPLINARITY
TRANSDISCIPLINARITY
VISUALITY
IMAGE
MISE-EN-SCENE
Opis:
The notions of inter- and transdisciplinarity represent categories which the humanities frequently resort to in the discourse, but which remain difficult to define.  The attempts to do so are most often associated with subscribing to one of the possible models of interpreting relationships between individual disciplines of science. Mieke Bal’s concept of transdisciplinarity, which this paper discusses, envisages a framework where the privileged form of formulating scientific concepts would be in research practice that is rooted not only in the methodologies of individual sciences but most of all in the everyday practices and experiences.   
Źródło:
Studia Europaea Gnesnensia; 2013, 8; 113-130
2082-5951
Pojawia się w:
Studia Europaea Gnesnensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Miasto na pieczęci. Wokół wizualności pieczęci miejskich z terenu Prus
The City on the Seal: Around the Visuality of City Seals from the Area of Prussia
Autorzy:
Hlebionek, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/1178387.pdf
Data publikacji:
2019-03-31
Wydawca:
Towarzystwo Naukowe w Toruniu
Tematy:
city sigillography
towns
Prussia
identity signs
visuality
Opis:
The visuality of the seal, as expressed in the title of the article, should be understood as a collection of stamp elements received by means of wax. Consequently, they will include not only the image of the seal and the caption, but also the shape, size and colour of the wax in which the imprint was made. All those elements can transfer important information from the point of view of the owner, expressing their individuality. Two groups of factors have had an impact on the visuality of the seal: legal and cultural factors. The first group of factors defined the sigillographical system of the owner, but they could also indicate the circle of persons deciding on the shape of a particular seal, or they could directly refer to the form of imprints. The second groups of factors influenced the shape of the message on the seal recorded in both the verbal sphere, iconography and in the form of prints. Among the city seals from the area of Prussia, round seals prevail; their diameters range from 80 to 30 mm. They were usually imprinted in natural wax, green or, less often, black. Only Gdańsk and Toruń were allowed to use red wax under the special privileges granted by the monarchs. Captions included in the seal were usually formulated in Latin, although the names of towns were usually written in German despite the existence of their Latin counterparts. Imaginary ideas, in the context of the typology proposed by Toni Diederich, mostly represented the symbolic type, although a significant percentage of them constituted the canting arms and coats of arms. Other types appear less often. However, the complexity and ambiguity of messages written on the seal by means of images means that any attempt to include them in the typology framework results in the simplification of interpretation. That is why, the research of city seals based on the assumption that they represent the urban self-awareness – the sign of the center’s identity (Brigitte Miriam Bedos-Rezak) becomes more and more significant. In this context, information provided by the visual side of the seal can be reduced to three sets of messages: presenting the city as a topographic space, presenting the city as a social space and presenting the city’s relations with the surroundings. The name of the city determined the town’s definition as a settlement point, which we encounter in legends, but also the notions of canting arms frequently found in Prussia (e.g. Sepopol, Orneta, Allenburg). Seals with the images of walls and urban buildings (e.g. Malbork, Cynty, Toruń) showed the city as an organized space. Paradoxically, the images of wild animals, extremely popular in Prussia, which combined with the legend identifying the owner as a city, showed what the city was not. It is in the seal’s legends that we find the most frequent reference to the city as a social space. Determining the main seals as sigillum civitatis, burgensium, civium, Borger, indicates that the owner of the seal maker was the community of residents. The language of the caption indicates the cultural embedding of the commune. In turn, the size and material of the print inform about the real significance of the center, or about the aspirations of its inhabitants. In connection with the legend, it sometimes brings information about the place occupied by the seal in the urban sigillographic system, which is often derived from the structure of municipal authorities. The images shown on the seal, in turn, refer to the devotion of the commune (e.g. Brodnica), or professions of its residents (e.g. Pieniężno, Młynary, Elbląg, Gdańsk). Through the images representing the city walls or the arms, they finally illustrate the readiness of the inhabitants to defend themselves (e.g .Toruń, Malbork), or they indicate that the urban community had its defender (Chełmno, Pasłęk?). Many of the seal’s images from the Prussian region refer to the city’s relationship with the broadly understood surroundings. By showing the coats of arms (Bisztynek, Malbork), symbols (Toruń, Gardeja, Lidzbark Wamiński), or insignia or attributes (e.g. Reszel, Barczewo, Fischhausen) of a land master or his representative, the seal indicated the owner of the center. In this context, particularly interesting, but also poorly recognized are the links between the iconography of city seals and the images of the seals of the Teutonic officials (e.g. Święta Siekierka, Górowo Iławckie, Radzyń Chełmiński). Finally, the hagiographic seals indicate the relations of the urban community with the supernatural world (Frombork, Pieniężno, Sztum, Gierdawy, and Toruń). The example of the Frombork seal shows that all these meanings can interpenetrate, contributing the creation of a complex image of the city represented on the seal.
Źródło:
Zapiski Historyczne; 2019, 84, 1; 85-121
0044-1791
2449-8637
Pojawia się w:
Zapiski Historyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Obrazy w procesach negocjacji swiatów spolecznych
IMAGES AND NEGOTIATION OF THE SOCIAL WORLDS
Autorzy:
Frackowiak, Maciej
Rogowski, Lukasz
Powiązania:
https://bibliotekanauki.pl/articles/1373836.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
PHENOMENOLOGICAL SOCIOLOGY
SOCIAL TIES
SOCIAL WORLD
VISUALITY
Opis:
The aim of this article is to incorporate visuality into the theory of the social world as it was proposed in the interpretative sociology. The text consists of three parts. In the first, the authors present basic assumptions of the social world phenomenological theory. The second, elucidates the concept of visuality - the underpinnings of the chosen contexts of building and unifying the social worlds' visual aspects that are presented in the foregoing article. The last, opens to scrutiny the examples of processes in which the visuality becomes a pretext for gainsaying the intersubjectivity of social worlds and therefore, relates to the opposite phenomenon. The theoretical and exemplifying endeavors undertaken in the article may constitute an introduction to further, more complex analyses.
Źródło:
Przegląd Socjologii Jakościowej; 2011, 7, 1; 42-56
1733-8069
Pojawia się w:
Przegląd Socjologii Jakościowej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Szkic o rysowaniu etnograficznym. Próba definicji
Outline of ethnographic drawing. Attempting definition
Autorzy:
Wajszczak, Jacek
Powiązania:
https://bibliotekanauki.pl/articles/1810292.pdf
Data publikacji:
2018
Wydawca:
Stowarzyszenie Antropologiczne Archipelagi Kultury
Tematy:
drawing
ethnographic drawing
fieldwork
art
visuality
field notes
Opis:
In this article, I redefine etnographic drawing in the context of contemporary practice and idea. The starting point for the analysis consists of fieldwork, film and photography, which function as ethnographic tools, and the latest drawing theories. A wider context is created by the etnographer’s personal experience, his subjectivism and creative exploration, which bring science and art closer together.
Źródło:
Barbarzyńca. Pismo Antropologiczne; 2018, 23; 64-83
1643-9708
Pojawia się w:
Barbarzyńca. Pismo Antropologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gra czy film interaktywny? Czyli o wizualności współczesnych produkcji cRPG na przykładzie gry "Wiedźmin 2"
A game or an interactive movie? On the visuality of modern cRPG productions on the example of "The Witcher 2"
Autorzy:
Świątek, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/521290.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
visuality
fictional woods
dynamic narration
introduction
interactivity
immersion
Opis:
In the article, it is pointed out that in modern computer games extended narratives aregradually abandoned while more emphasis is put on visuality and film-like character of the image, and on mimetism, understood not entirely as copying the reality, but as film realism, or following the popular cinematic schemas. One of the means to achieve this goal is using dynamic shooting and interludes that comply with the principles of film making; it is applied, among others, to increase the attractiveness of the message. The examples discussed here are the introductions from two games: The Witcher 1 and The Witcher 2. The conclusion is in fact a question: is a contemporary gameplayer an actual player, or rather a viewer?
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura; 2013, 5, 1; 162-168
2083-7275
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The city as a construction site — a visual record of a multisensory experience
Autorzy:
Michałowska, Marianna
Powiązania:
https://bibliotekanauki.pl/articles/437537.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii
Tematy:
visual essay; vision; visuality; architectural photography; computer ‑generated images
Opis:
In this article, I consider the reception of images that are present in a city space. I focus on the juxtaposition of computer-generated images covering fences surrounding construction sites and the real spaces which they screen from view. I postulate that a visual experience is dependent on input from the other human senses. While looking at objects, we are not only standing in front of them but are being influenced by them. Seeing does not leave a physical trace on the object; instead the interference is more subtle — it influences the way in which we perceive space. Following in the footsteps of Sarah Pink, Michael Taussig and William J. T. Mitchell, I show that seeing (to paraphrase the title of an article by the last of the above mentioned scholars) is a cultural practice. The last part of the article presents a visual essay as a method that can contribute to cultural urban studies. I give as an example of such a method a photo-essay about chosen construction sites in Poznań, which I photographed between December 2014 and June 2015
Źródło:
ARGUMENT: Biannual Philosophical Journal; 2015, 5, 2; 415-438
2083-6635
2084-1043
Pojawia się w:
ARGUMENT: Biannual Philosophical Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wizualność etnograficzna w oparciu o materiały z archiwum domowego profesora Romana Reinfussa
Autorzy:
Niedźwiedź, Anna
Powiązania:
https://bibliotekanauki.pl/articles/644469.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
Roman Reinfuss
visuality in ethnography
ethnographic photography
visual anthropology
Opis:
This article is based on an analysis of the content of the private archive of Professor Roman Reinfuss (1910-1998) which was being donated to the Ethnographic Museum in Kraków in the year 2010. The main part of the archive consists of visuals, mostly photographs made by Reinfuss himself during his various ethnographic research as well as other visual materials collected by Professor. The visuality of the Reinfuss’s private archive is discussed in the context of broader ethnographic experiences and anthropological discourses. In particular, the author problematizes sensorial dimension of ethnography, relationship between ethnography and photography, Reinfuss’s attitude toward traditional folk culture which is revealed in his usage of photography. There is a focus on correlations between “private” and “public” photography and on the structure of visual experience based on photography.
Źródło:
Prace Etnograficzne; 2012, 40; 1-10
0083-4327
2299-9558
Pojawia się w:
Prace Etnograficzne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Interwencyjne aspekty fotografii reporterskiej
Interventional Aspects of Reportage Photography
Autorzy:
Szcześniak, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/1289430.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Warszawski. Wydział Dziennikarstwa, Informacji i Bibliologii
Tematy:
fotodokument
fotografia
interwencyjność
media
wizualność
photodocumentary
photography
intervention
visuality
Opis:
Analiza mechanizmów wieloaspektowego przekazu medialnego fotografii reporterskiej w perspektywie interwencyjności. Autorka rozważa znaczenie funkcji interwencyjnej w fotodokumentalnych przedstawieniach wizualnych, w kontekście kontaminacji znaczeń kodów kulturowych i społecznych. Podkreśla, że w medioznawstwie fotografia reporterska może służyć do badania oddziaływania mediów na odbiorców przez emocjonalność, perswazyjność oraz apelatywność. Metody badań: Autorka dekoduje treści fotografii reporterskiej w kontekście znaków metonimicznych i synekdochalnych, które są skorelowane z funkcjonalno-pragmatycznym ujęciem tych przekazów medialnych. Wyniki i wnioski: Interwencyjność fotografii reporterskiej jest zwykle wartością potencjalną, może zwiększać świadomość i odpowiedzialność społeczną. Fotoreportaże o wyraźnej funkcji interwencyjnej spełniają również rolę aktywizującą społecznie odbiorców. Jednak celem prymarnym dziennikarskiej fotografii interwencyjnej pozostaje przede wszystkim naprawa zastanej rzeczywistości i zapobieganie negatywnym zjawiskom społecznym. Wartość poznawcza: Problem interwencyjności medialnych przekazów fotograficznych był rzadko poruszany w badaniach społeczno-kulturowych. Studium poświęcone interwencyjności massmedialnych fotodokumentów wpisuje się w szerszą dyskusję dotyczącą interpretacji kultury wizualnej w kontekście receptywnego rezonansu społecznego.
Scientific objective: Multifaceted analysis of mechanisms of media coverage of journalistic photography in the perspective of its interventional character. The author discusses the significance of the intervention function in photodocumented visual representations in the context of contamination of the meanings of cultural and social codes. She emphasizes that in media studies, journalistic photography can be used to study the impact of the media on recipients through emotionality, persuasiveness, and appellative character. Research methods: The author decodes the content of journalistic photography in the context of metonymic and synecdoche-like signs, which are correlated with the functional-pragmatic approach to these media messages. Results and conclusions: The interventional character of reportage photography is usually a potential value; it can increase awareness and social responsibility. Photodocumentaries with distinct interventional character also play the socially activating role for the recipients. However, the primary goal of journalism interventional photography is primarily to repair existing reality and prevent negative social phenomena. Cognitive value: The problem of interventional character in photographic media was rarely addressed in socio-cultural research. The study on the intervention of mass media photodocuments is part of a wider discussion on the interpretation of visual culture in the context of receptive social resonance.
Źródło:
Studia Medioznawcze; 2020, 2; 520-534
2451-1617
Pojawia się w:
Studia Medioznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O źródłach pamięci miasta w nowoczesności
On Sources of City Memory in Contemporary World
Autorzy:
Saryusz-Wolska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1373641.pdf
Data publikacji:
2011-11-22
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
memory of a city
multiculturalism
visuality
pamięć miasta
wielokulturowość
wizualność
Opis:
The analysis of urban experience of modernity developed simultaneously with the analysis of collective memory. Urban space is related with a palimpsest metaphor, which includes urban memory in the history of memory understood as a history of the media. In recent years the relationship between memory and a city is analyzed on the examples featuring multiculturalism and migration movements of the cities of the Central Europe, e.g. in the Vienna monograph ca. 1900 Das Gedächtnis der Städte (The Memory of the City) by Moritz Csaky. On the other hand, the media paradigm is used by Christine Boyer, who analyses visual manifestations of city memory in her book The City of Collective Memory. Juxtaposition of the two mutually complementing scientific attitudes invokes a need to postulate a deeper analysis of the role of popular culture and visuality in shaping the memory of cities, as well as conducting further studies on cross-country and transnational “cultural tangles”.
Źródło:
Kultura i Społeczeństwo; 2011, 55, 4; 93-106
2300-195X
Pojawia się w:
Kultura i Społeczeństwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Narcyzm hipsterski
Hipster narcissism
Autorzy:
Jeziński, Marek
Wojtkowski, Łukasz
Powiązania:
https://bibliotekanauki.pl/articles/1856992.pdf
Data publikacji:
2020
Wydawca:
Narodowe Centrum Kultury
Tematy:
narcyzm
hipster
komodyfikacja
postsubkultura
wizualność
narcissism
commodification
post-subculture
visuality
Opis:
This article discusses the topic of narcissism on hipster visual blogs where the identity constructed by their authors has a narcissistic dimension defined primarily by the medium they use: photos, texts, short videos and sounds, whereby the former prevail. People who publish such blogs have created a specific code and manner in which they present their real identity by means of visual representations which they borrow from other members of this post-subculture. It is a result of a tendency to disguise oneself by using certain methods of self-presentation. They include self-defining photos of modern hipsters, which however are out of focus or accordingly filtered, show selected cultural practices from a distance or only parts of the body and clothing, a set of gadgets and environments recognised as hipster. As such they reveal conformist inclinations that are in line with the reference group and what is expected from it. This means that cultural practices that create the identity of a digital hipster are associated with generating a symbolic universe of meanings, where nostalgia, symbolism, iconography of selected elements of life are among frequently posted motives (cups of coffee, a bicycle, a collection of vinyl records, hipster clothes, specific urban spaces, nature, etc.). This kind of narcissism is about looking at one’s own reflection; however, not so much in the mirror as in symbolic visual representations characteristic of the entire digital hipster culture. Using netnography and based on their content analysis of 48 blogs, the authors argue that the development of one’s hipster narcissistic identity is part of a media practice that revolves around building the ‘self’ by referring to cultural codes shared by members of the hipster post-subculture (‘I’ and ‘us’). As a result, the hipster narcissism studied here seems to take the form and cultural identity of bricolage, and as such is subject to commodification.
Źródło:
Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2020, 108, 1; 29-42
1230-4808
Pojawia się w:
Kultura Współczesna. Teoria. Interpretacje. Praktyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zmysłowy wymiar obrazu – wrażliwość synestezyjna a partycypacja w sztuce wizualnej osób niewidomych
The sensual dimensions of a painting: Synaesthetic sensitivity and the participation of people with vision loss in visual arts
Autorzy:
Stachowiak-Dudzik, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/2045935.pdf
Data publikacji:
2021-09-30
Wydawca:
Narodowe Centrum Kultury
Tematy:
synestezja
multisensoryczność
wizualność
tyflografika
audiodeskrypcja
synaesthesia
multisensory
visuality
typhlographics
audio description
Opis:
This article was inspired by a discussion initiated by the author among the visually impaired guides at Niewidzialna Ulica (Invisible Street) in Poznań in April 2021. The resulting text not only collects their reflections but above all proposes solutions for the popularisation of visual arts among people with vision loss. The author starts with the concept of ‘synesthetic sensitivity’ and artistic ideas for the translation of the language of the visual into the language of the remaining four senses, offering examples of successful intersensory transpositions. The projects described in the paper may serve as a model for future solutions enabling the multisensory participation in art. Each project teaches us a different approach to art and the needs of people with visual impairments. They emphasise different aspects of participation in the visual world – developing imagination, expanding the network of associations, increasing the freedom of reception, facilitating memory, and promoting dialogue. Each of the proposed solutions glues different pieces of the broken world together, re-embedding sublime ideas in the human body and providing the blind, and indeed all of us, with new opportunities to experience art.
Źródło:
Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2021, 115, 3; 109-121
1230-4808
Pojawia się w:
Kultura Współczesna. Teoria. Interpretacje. Praktyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 42

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