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    Wyświetlanie 1-11 z 11
    Tytuł:
    Automating the updated grade severity rating system (GSRS) using the Visual Basic.net programming language
    Autorzy:
    Ampadu, Vincent-Michael Kwesi
    Ksaibati, Khaled
    Powiązania:
    https://bibliotekanauki.pl/articles/2176016.pdf
    Data publikacji:
    2022
    Wydawca:
    Fundacja Centrum Badań Socjologicznych
    Tematy:
    updated GSRS
    longitudinal downgrades
    object-oriented programming
    Visual Basic.net programming language
    Opis:
    Truck crashes on steep downgrades due to excessive brake heating, resulting from brake applications to control speeding, are a continuing cause of concern for the Wyoming Department of Transportation (WYDOT). In 2016, WYDOT funded a project to update the existing Grade Severity Rating System. Furthermore, in 2020, WYDOT commissioned a research project to automate the updated version of the mathematical model through an interactive, intuitive, aesthetically appealing and user-friendly Visual Basic.net objected-oriented software to simplify the computation of the maximum safe descent speed on these downgrades based on the truck weight. The software provides functionality for both the continuous Slope and separate downgrade methods. The primary beneficiaries of this software will be the highway agencies who will be able to estimate the maximum safe speed of descent for trucks with various weight categories and hence produce Weight Specific Speed (WSS) signs for each downgrade or a multigrade section.
    Źródło:
    Journal of Sustainable Development of Transport and Logistics; 2022, 7, 2; 53--68
    2520-2979
    Pojawia się w:
    Journal of Sustainable Development of Transport and Logistics
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Art of Translating Alasdair Gray
    Autorzy:
    Dominika, Lewandowska-Rodak,
    Powiązania:
    https://bibliotekanauki.pl/articles/889055.pdf
    Data publikacji:
    2020-09-15
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Alasdair Gray
    Scottish fiction
    translation
    visual art
    typography
    book design
    book-object
    Opis:
    This paper aims to address and explore the problem of rendering Alasdair Gray’s prose in Polish, by focusing on his works’ extra-narrative elements. It seeks to identify the difficulties and limitations in translating an author of this kind – a writer, but also, and perhaps primarily, an artist, whose texts function as book-objects, relying heavily on artwork as well as typographical experimentation. The analysis, centred on Gray’s Lanark, 1982, Janine and Poor Things, leads to a discussion of the broader question of translating these books in which the actual text is only part of the story.
    Źródło:
    Anglica. An International Journal of English Studies; 2020, 29/3; 145-155
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Intersemiotisches Übersetzen: Anmerkungen zur Audiodeskription aus einer übersetzungswissenschaftlichen Perspektive
    Autorzy:
    Jung, Linus
    Chica Nuñez, Antonio Javier
    Powiązania:
    https://bibliotekanauki.pl/articles/912944.pdf
    Data publikacji:
    2018-12-07
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    intersemiotic translation
    communicative equivalence
    communicative value
    audio description
    visual object
    visual context
    Opis:
    There is no doubt that Translation Studies have firmly established themselves as an independent scientific field. However, there are thematic overlaps in some areas concerning other disciplines. This work investigates the relations between interlinguistic translation and intersemiotic translation from the point of view of translation studies. First of all, a set of criteria for the identification of proper translation is offered and, in a second step, we examine how theoretical elements like communicative equivalence and communicative value can be transferred to a linguistic discourse by means of the intersemiotic translation modality known as audio description (AD)
    Źródło:
    Glottodidactica. An International Journal of Applied Linguistics; 2018, 45, 2; 169-183
    0072-4769
    Pojawia się w:
    Glottodidactica. An International Journal of Applied Linguistics
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Pick-and-place task implementation using visual open-loop control
    Autorzy:
    Kołosowski, Paweł
    Wolniakowski, Adam
    Bogdan, Mariusz
    Powiązania:
    https://bibliotekanauki.pl/articles/386334.pdf
    Data publikacji:
    2019
    Wydawca:
    Politechnika Białostocka. Oficyna Wydawnicza Politechniki Białostockiej
    Tematy:
    grasping
    pick and place
    object recognition
    template matching
    visual servoing
    Opis:
    In the ever increasing number of robotic system applications in the industry, the robust and fast visual recognition and pose estimation of workpieces are of utmost importance. One of the ubiquitous tasks in industrial settings is the pick-and-place task where the object recognition is often important. In this paper, we present a new implementation of a work-piece sorting system using a template matching method for recognizing and estimating the position of planar workpieces with sparse visual features. The proposed framework is able to distinguish between the types of objects presented by the user and control a serial manipulator equipped with parallel finger gripper to grasp and sort them automatically. The system is furthermore enhanced with a feature that optimizes the visual processing time by automatically adjusting the template scales. We test the proposed system in a real-world setup equipped with a UR5 manipulator and provide experimental results documenting the performance of our approach.
    Źródło:
    Acta Mechanica et Automatica; 2019, 13, 3; 211-216
    1898-4088
    2300-5319
    Pojawia się w:
    Acta Mechanica et Automatica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Zadania tłumacza poezji konkretnej. Prolegomena metodologiczne (I)
    Autorzy:
    Kornhauser, Jakub
    Powiązania:
    https://bibliotekanauki.pl/articles/638721.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    concrete poetry, visual poetry, translation of the experimental forms of literature, text as an object
    Opis:
    The paper focuses on the methodological approach to the problem of translating experimental poetry. The presented analysis is based on three texts: Julian Kornhauser’s Przekład jako objaśnienie (O tłumaczeniu poezji konkretnej) from 1983, Jerzy Jarniewicz’s Tłumacze na urlop! and Leszek Engelking’s Konkretne decyzje tłumacza, both from 2006. Each of these three articles includes a translative strategy towards the concrete poetry. The term, in narrow meaning, can be used to describe the worldwide movement founded simultaneously in Switzerland/Germany (by Eugen Gomringer), Sweden (by Őyvind Fahlstrőm) and in Brazil (by the Noigandres group – Haroldo and Augusto de Campos and Décio Pignatari) in the early 1950s. The movement itself represents a form consisting of both verbal and visual elements and, in consequence, unites the distinctive marks of poetry and painting. With a vague status of a hybrid, as well as the experimental character, this specific genre is situated beyond the traditional categories of analysis and interpretation. Despite the confusion in terminology, though, there is fundamental requirement which the various kinds of concrete poetry meet: concentration upon the physical material from which the poem or text is made. Considered as an object, the concrete poem causes a fundamental problem in the frames of the translatology. The concrete poetry interpreters and researchers are disunited on the question of its translatabilty. Julian Kornhauser distinguishes the two major kinds of the concrete poem – a “poster-poem” and the “non-poster” one, the latter allowing or even requiring a translator’s intervention. The “poster-poem”, owing the complicated visual structure, cannot be translated. Jerzy Jarniewicz defines the entire concrete poetry as untranslatable, classifying it in the terms of the visual arts. Leszek Engleking presents a contrary view, which considers a translator as an interpret who promotes the experimental forms of poetry in the new literary context. The author of this paper attempts to put these methodological concepts into translation practice, examining the concrete poems of Eugen Gomringer, Friedrich Achleitner, Gerhard Rühm, Hansjörg Mayr and Jiří Kolář among others. While the most significant component of the concrete poem is language itself, treated predominantly as a graphic structure, the translation strategies can differ significantly. The analysis evokes its internal status, which appears to be miscellaneous from different perspectives, as it initiated an interdisciplinary genre by searching for new artistic horizons.
    Źródło:
    Studia Litteraria Universitatis Iagellonicae Cracoviensis; 2012, 7, 3
    2084-3933
    Pojawia się w:
    Studia Litteraria Universitatis Iagellonicae Cracoviensis
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    A proposal of biologically inspired hierarchical approach to object recognition
    Autorzy:
    Kozik, R.
    Powiązania:
    https://bibliotekanauki.pl/articles/333962.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Śląski. Wydział Informatyki i Nauki o Materiałach. Instytut Informatyki. Zakład Systemów Komputerowych
    Tematy:
    object recognition
    hierarchical model
    feature extraction
    visual cortex
    computer vision
    rozpoznawanie obiektów
    model hierarchiczny
    kora wzrokowa
    wizja komputerowa
    Opis:
    In this article a biologically-inspired algorithm for object recognition is presented. The approach is based on a hierarchical HMAX cortex model that was initially proposed by Riesenhuber and Poggio [12] and later extended by Serre et al [13]. The results show that despite the modification that were undertaken to simplify the HMAX model (in order to make it feasible for a real-time solutions) it is possible to achieve high effectiveness for a one-class detection problems. Moreover, it is also demonstrated how the proposed algorithm can be successfully deployed on a low-cost Android smartphone.
    Źródło:
    Journal of Medical Informatics & Technologies; 2013, 22; 169-176
    1642-6037
    Pojawia się w:
    Journal of Medical Informatics & Technologies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Diagnostyka obiektów podwodnych z wykorzystaniem pojazdu typu ROV
    ROV in underwater object visual inspection
    Autorzy:
    Olejnik, A.
    Powiązania:
    https://bibliotekanauki.pl/articles/328438.pdf
    Data publikacji:
    2005
    Wydawca:
    Polska Akademia Nauk. Polskie Towarzystwo Diagnostyki Technicznej PAN
    Tematy:
    prace podwodne
    obiekty podwodne
    diagnostyka
    underwater work technology
    underwater object
    underwater visual inspection
    Opis:
    W referacie przedstawiono sposoby wykorzystania pojazdu typu ROV w badaniach wizyjnych obiektów podwodnych.
    This material presents the method of ROV visual inspection of different underwater objects.
    Źródło:
    Diagnostyka; 2005, 34; 99-104
    1641-6414
    2449-5220
    Pojawia się w:
    Diagnostyka
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Das Parlament der Dinge: Transmateriale und transmediale Dynamiken, Bild-Ding-Relationen und „Meta-Artefakt-Malerei“
    Autorzy:
    Schulz, Vera-Simone
    Powiązania:
    https://bibliotekanauki.pl/articles/909492.pdf
    Data publikacji:
    2019-05-07
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    transmediality
    transmateriality
    image-object-interrelations
    intersections of visual and material culture
    materiality of art
    Opis:
    Studies related to artifacts, to what has been traditionally categorized as ‘high’ and ‘minor’ or ‘applied arts’, and to the materiality of art in recent years have been among the core foci of art history. More scholarly attention has also been given to the intersections between visual and material culture, not least in transcultural contexts. This paper seeks to contribute to these issues. Investigating transmaterial and transmedial dynamics between the arts, image-object interrelations as well as phenomena wherein images themselves gave the impulse to the creation of artifacts, the paper analyzes transfer processes transgressing various media and materials, 15th- and 16th-century Italian and Portuguese paintings in their Mediterranean and global entanglements, as well as 19th - and 20th-century artistic and academic approaches to objects in paintings. 
    Źródło:
    Artium Quaestiones; 2018, 29; 25-62
    0239-202X
    Pojawia się w:
    Artium Quaestiones
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Metafizyczne teorie jednostkowego przedmiotu jako modele przedmiotu percepcji wzrokowej
    Autorzy:
    Skrzypulec, Błażej
    Powiązania:
    https://bibliotekanauki.pl/articles/637875.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    visual perception, metaphysical theory, visual object
    Opis:
    Metaphisical theories of individual object as models of visual objectsIn the article the three main metaphysical theories of individual objects (the bare substratum theory, the bundle theory and the substratum theory) are interpreted as the models of visual objects. These models are tested according to the empirical data. The first part of the article discusses methodological issues concerning the procedure in which thesis of the metaphysical theories gain the empirical content. In the second part the models based on the metaphysical theories are tested according to the selected psychological data connected with detection, categorization and reidentification of visual objects. As the result of the testing the hypothesis is stated, saying that the models based on the different metaphysical theories are the proper models of the visual objects present on the different stages of the perceptual process.
    Źródło:
    Rocznik Kognitywistyczny; 2013, 6
    1689-927X
    Pojawia się w:
    Rocznik Kognitywistyczny
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Graphical methods for designing house heating system
    Metody graficzne w projektowaniu systemu ogrzewania domu
    Autorzy:
    Sokas, A.
    Powiązania:
    https://bibliotekanauki.pl/articles/118852.pdf
    Data publikacji:
    2009
    Wydawca:
    Polskie Towarzystwo Geometrii i Grafiki Inżynierskiej
    Tematy:
    object-oriented programming
    house heating design
    Unified Modeling Language
    Visual Basic for Application
    programowanie obiektowe
    system ogrzewania domu
    Opis:
    This article analyzes graphical methods for designing engineering system. The creation tasks of the house heating automated design system are solved with Unified Modeling Language. Graphical system can select types of radiators and valves, design pipes and specification. It discerns objects-classes: radiator, valve, pipe and specification, which have some properties and methods that ease programmer’s work.The program selects geometry parameters of radiators from radiators database by using ActiveX Data Objects technology, which by programming method connects drawing and database. Drawing’s graphical objects have additional data from which exchange of data between graphical system and database is executed. The program, knowing radiators’ and pipes’ geometry, designs house heating system. Design system and example of the house heating project are presented. Graphical methods of the house heating automated design system are discussed and conclusions are made.
    W artykule dokonano analizy graficznych metod inżynierskich systemów projektowania. Zadania tworzenia automatycznego systemu projektowania ogrzewania domu rozwiązywane są z pomocą Unified Modeling Language. System graficzny może wybrać typy grzejników i zaworów, rur i specyfikacje projektu. Rozróżnia obiekty-klasy: chłodnicy, zawory, rury i specyfikacji, które mają pewne właściwości i metody, które ułatwiają programiście pracę. Program wybiera parametry geometrii grzejniki z bazy danych grzejników za pomocą technologii ActiveX Data Objects, które metodami programistycznymi łączy z rysunkami. Graficzne obiekty rysunkowe mają dodatkowe dane, z pomocą których wykonywana jest wymiana danych pomiędzy systemem graficznym i baządanych. Program, znając geometrię grzejników i rur, automatycznie projektuje ogrzewanie domów. System projektowania i przykład projektu ogrzewania domu zostały przedstawione w pracy w kontekście graficznych metod zautomatyzowanego systemu projektowania.
    Źródło:
    Journal Biuletyn of Polish Society for Geometry and Engineering Graphics; 2009, 20; 51-56
    1644-9363
    Pojawia się w:
    Journal Biuletyn of Polish Society for Geometry and Engineering Graphics
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Muzeum i archiwum. O obiektach scenograficznych Jerzego Grzegorzewskiego
    Museum and archive. On Jerzy Grzegorzewski’s scenography objects
    Autorzy:
    Urbaniak, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/424445.pdf
    Data publikacji:
    2016
    Wydawca:
    Akademia Sztuk Pięknych w Gdańsku
    Tematy:
    obiekt scenograficzny, archiwum wizualne, Jerzy Grzegorzewski, fotografia, hipertekst, scenography object, visual archive, photography, hypertext
    Opis:
    The subject of the article is the ontological status of Jerzy Grzegorzewski’s scenography objects, as objets trouvés that are tools in the director’s hands. The analysis follows the change that takes place when the objects become part of visual archives, outside the context of a performance. The discussed archives, Inwentaryzacja and Archiwum JG, remove the objects’ materiality, instead offering a photographic representation. In the first case, the objects are photographed separately and tagged. In the other, hipertextual archive, the scenography objects become elements of a dynamic system of references, in which photography coexists with a description and historians’ narrative. The archives, therefore, preserve the traces of the theatre, but at the same time they change the meaning of those traces, transforming elements of what was once whole (theatrical scenography) into autonomous works of art.
    Źródło:
    Sztuka i Dokumentacja; 2016, 14; 157-167
    2080-413X
    Pojawia się w:
    Sztuka i Dokumentacja
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-11 z 11

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