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Wyszukujesz frazę "transmedia" wg kryterium: Temat


Tytuł:
Transmedia marketing and re-invention of public relations
Marketing transmedialny i nowa koncepcja public relation
Autorzy:
Jakus, Dalibor
Zubčić, Krešimir
Powiązania:
https://bibliotekanauki.pl/articles/1343233.pdf
Data publikacji:
2016
Wydawca:
Sieć Badawcza Łukasiewicz - Instytut Lotnictwa
Tematy:
transmedia storytelling
media
public relations
transmedia marketing
storytelling transmedialny
Opis:
Many concepts have been developed to describe the convergence of media, public relations and storytelling formats in contemporary media systems. This article presents a theoretical reflection on "transmedia storytelling" from a perspective of integration narrative in the context of the re-invention of public relations. The rapid evolution of digital media technology and the emergence of transmedia storytelling present foresight professionals with a powerful new approach for communicating about the future. A transmedia story unfolds across multiple media platforms with each new text making a distinctive and valuable contribution to the whole. Between other, this article also outlines some of the key principles and elements of transmedia storytelling in combination with modern public relations, in order to provide a basic framework that public relations practitioner can use when designing transmedia projects.
Powstało już wiele koncepcji opisujących zbieżność formatów medialnych, public relations i storytellingowych we współczesnych systemach medialnych. Niniejszy artykuł prezentuje refleksję teoretyczną nad „storytellingiem transmedialnym” z perspektywy narracji integracyjnej w kontekście nowej koncepcji public relations. Błyskawiczna ewolucja technologii mediów cyfrowych oraz pojawienie się storytellingu transmedialnego oferuje specjalistom zajmującym się foresightem nowe solidne podejście do komunikacji dotyczącej przyszłości. Opowieść transmedialna rozwija się na przestrzeni wielu platform medialnych, gdzie każdy nowy tekst stanowi wyraźny i cenny wkład w całość. Artykuł przedstawia również ogólny zarys kluczowych zasad i elementów storytellingu transmedialnego w połączeniu z nowoczesną koncepcją public relations, aby zapewnić podstawy, na których osoby zajmujące się public relations będą mogły się oprzeć, opracowując projekty transmedialne.
Źródło:
Marketing Instytucji Naukowych i Badawczych; 2016, 4(22); 91-102
2353-8414
Pojawia się w:
Marketing Instytucji Naukowych i Badawczych
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Płacząc po norwesku. Serial Skam jako opowieść transmedialna dla międzynarodowej publiczności
Crying in Norwegian. Skam as transmedia storytelling for international audiences
Autorzy:
Mączko, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/1047285.pdf
Data publikacji:
2021-03-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Skam
transmedia storytelling
convergence culture
immersion
Opis:
The article aims to analyse the phenomenon of a Norwegian Internet-TV show for teenage audiences, Skam (2015–2017). The transmedia storytelling used in this production resulted in unforeseen international acclaim, subsequently leading to the creation of local remakes of the series. The article will outline the main issues that the show has dealt with, as well as the immersion-building narrative solutions used by the creators. Moreover, it will discuss Skam’s reception by Norwegian and international audiences, and suggest potential directions for the future development of this format.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 328-337
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Transmedia Narratives: A Critical Reading and Possible Advancements
Autorzy:
Markova, Gergana
Kalinov, Kalin
Powiązania:
https://bibliotekanauki.pl/articles/647749.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
transmedia narratives, storytelling, identity building, specifics
Opis:
The transmedia narratives are an emerging phenomenon premised on a number of technological, economic and social changes. The concept is employed for image-related identity building, provoking interest in both academic research and practice. The present article outlines a structured interdisciplinary approach as a basis for a critical review of transmedia narratives which is essential in our understanding of their nature and possibilities.
Źródło:
Annales Universitatis Mariae Curie-Skłodowska, sectio K – Politologia; 2017, 24, 1
1428-9512
2300-7567
Pojawia się w:
Annales Universitatis Mariae Curie-Skłodowska, sectio K – Politologia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fan jako marka. O użyteczności fana dla przemysłu kulturowego
Fan as a brand: The usefulness of a fanboy for culture industry
Autorzy:
Kobus, Aldona
Powiązania:
https://bibliotekanauki.pl/articles/2028665.pdf
Data publikacji:
2021-11-22
Wydawca:
Polskie Towarzystwo Ludoznawcze
Tematy:
fan studies
fandom
autorstwo
transmedia
authorship
Źródło:
Literatura Ludowa; 2021, 65, 2; 133-137
2544-2872
0024-4708
Pojawia się w:
Literatura Ludowa
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Opowieść transmedialna jako przykład kreacyjnych możliwości fandomu
Transmedia story as an example of creative possibilities of fandom
Autorzy:
Czopek, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/1373353.pdf
Data publikacji:
2018-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
fandom
transmedia storytelling
culture of remix
creativity
Opis:
The subject of the article is the creative activity of fan communities (fandom), with particular emphasis on the transmedia storytelling, i.e. the story told simultaneously within various media. The development of the Internet in the Web 2.0 formula has opened a number of possibilities for the creation of fandoms centered around a particular series, movies, books or games. The main manifestations of the activity of these groups can be reduced on the one hand to analyzing and commenting on a given text of culture, and on the other hand, to develop it, by adding new stories, often using other medium than the one originally used.
Źródło:
Interdyscyplinarne Konteksty Pedagogiki Specjalnej; 2018, 23; 191-202
2300-391X
Pojawia się w:
Interdyscyplinarne Konteksty Pedagogiki Specjalnej
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Story beats in videogames as value-driven choice-based unit operations
Autorzy:
Mochocki, Michał
Koskimaa, Raine
Powiązania:
https://bibliotekanauki.pl/articles/1955354.pdf
Data publikacji:
2021-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
transmedia
narrative
beat
narratology
character
videogames
game studies
Opis:
We present a framework of story beats, defined as microunits of dramatic action, as a tool for the ludonarrative analysis of videogames. First, we explain the Goal - Action - Reaction - Outcome model of the story beat. Then, we present six types of story beats, Action, Interaction, Inaction, Mental, Emotion, and Sensory, providing videogame examples for each category. In the second half of the paper, we contextualise this framework in the classic game studies theory of videogame narrative and player action: unit operations, gamic action, anatomy of choice, and game design patterns, wrapping it up in the most recent trends in cognitive narratology. Ultimately, we present the story beat as a ludonarrative unit, working simultaneously as a ‘unit operation’ in the study of games as systems, and as a microunit of character action in narrative analysis. The conclusion outlines prospective directions for using story beats in formal, experiential, and cultural game research.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2021, 29, 38; 5-31
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W uniwersum „nie ma”. Transmedialne „prawdy” Mariusza Szczygła wobec przemian poetyki reportażu literackiego
In the universe of “not there”. Mariusz Szczygieł’s transmedia truths vs changes in the poetics of literary reportage
Autorzy:
Frukacz, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/511369.pdf
Data publikacji:
2020
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
literary reportage
media convergence
transmedia storytelling
Mariusz Szczygieł
Opis:
The paper concerns the documentary project focused on the books Projekt: prawda [Project: Truth] and Nie ma [Not There] by Mariusz Szczygieł. The publications are discussed in terms of the characteristics of a transmedia story in which the original books develop through a narrative connection to a complex of complementary press, internet, stage and audio sources. The author provides an overview of the main components of Szczygieł’s project and an analysis of the interaction programmed between them. She subsequently refers this to the assumptions of what is referred to as transmedia genology in order to show the changes in the poetics of Polish literary reportage under the influence of media digitisation and convergence.
Źródło:
Postscriptum Polonistyczne; 2020, 25, 1; 217-233
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Współczesny świat w obiektywie Marcina Maciejowskiego: realizm medialny
Contemporary world in Marcin Maciejowski’s lens: media realism
Autorzy:
Ogonowska, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/521116.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
media realism
intermediality
intertextuality
transmedia storytelling
pop culture
Opis:
The article deals with the works of Marcin Maciejowski in the perspective of intermedia connections of his works with photography, film and painting. The author of the article is particularly interested in tracing the intertextual and intermedia games in the space of culture as well as their informative, cognitive and ludic functions. A separate section of the article is devoted to the description of media realism.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura; 2011, 2; 86-95
2083-7275
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
EWOLUCJA BLOGÓW POD WPŁYWEM EKSPANSJI SERWISÓW SPOŁECZNOŚCIOWYCH. ANALIZA W KONTEKŚCIE ZAŁOŻEŃ GENOLOGII TRANSMEDIALNEJ
THE EVOLUTION OF BLOGS UNDER THE IMPACT OF SOCIAL NETWORKING SERVICES. ANALYSIS IN THE CONTEXT OF THE TRANSMEDIA GENOLOGY
Autorzy:
WIĘCKIEWICZ-ARCHACKA, MARTA
Powiązania:
https://bibliotekanauki.pl/articles/546581.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
transmedia genology,
processuality,
blog, blogosphere,
Facebook,
social networking services
Opis:
The transmedia genology examines relations between various media genres and media formats. Its field of interests includes also the evolution of genres, especially hybrid genres like for example the blog. Some genres (because of their complicated structure) can’t be analyzed on the ground of the traditionally perceived literary genology or media genology. The blog sets an example of how fruitful can be research based on the assumptions of the transmedia genology. Hybrid genres like blogs not only have complicated structure, but also are variable, so definitions and analysis created in the initial period of the blogosphere development may not fully correspond with contemporary shape of blogs. Processuality, dynamism and ephemerality are components of considerable importance in the transmedia genology. The purpose of the article is to analyze the evolution of blogs under the impact of the expansion of social networking services, with particular reference to such features as the convergence and the interactivity.
Źródło:
Civitas et Lex; 2019, 4(24); 7-18
2392-0300
Pojawia się w:
Civitas et Lex
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Zoom Interference Model of New Media. A Metaphor-Based Dynamic Approach in the Jungle of Concepts
Autorzy:
Fehér, Katalin
Powiązania:
https://bibliotekanauki.pl/articles/691372.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
zoom interference model
new media
atomic media
intermedia
crossmedia
transmedia
Opis:
The purpose of this paper is to establish an experimental model of new media using theoretical approach. After investigating numerous interpretations of new media, the paper offers a metaphor-based framework to guide you in the jungle of concepts. According to the hypothesis, the metaphor of interference supports the development of a theoretical model including the concepts of crossmedia, transmedia and intermedia. Therefore, the zooming interference model and its illustrating case studies are going to be available to interpret the dimensions of new media also with a visualized version. The model supports a dynamic approach to academic discussions and a software development to study the changing new media.
Źródło:
Mediatization Studies; 2019, 3
2451-1188
Pojawia się w:
Mediatization Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Whodunit to Irene Adler? From “the Woman” to “the Dominatrix” – on the Transformation of the Heroine in the Adapting Process and Her Representation in the Sherlock Miniseries
Autorzy:
Popłońska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/653571.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Irene Adler
Sherlock Holmes
adaptation
appropriation
reinterpretation
transmedia fandom
fan fiction
Opis:
One of the peculiar characteristics of the Sherlock Holmes fandom is that it has always had a tendency to blow innuendos in Arthur Conan Doyle’s stories out of proportion. One might argue that such is the case of Irene Adler, the most recognisable female character from the Sherlock Holmes canon. Although we are not given much information on her in the original story and she hardly speaks in her own voice, for the community of readers she has become the most significant woman that Sherlock Holmes had ever encountered. Thus, the creators who adapted her for the screen also treated the heroine of “A Scandal in Bohemia” symbolically, allowing themselves to freely portray her presence in their versions of the story. For certain reasons, Irene Adler has been interpreted in pop-culture differently at various times: as the woman who beat Holmes with her wit, the detective’s romantic interest, his nemesis or a femme fatale figure. This tendency seems to be pushed to the extreme recently and the adaptations of the heroine in question gravitate towards a sexually confident, overtly self-aware, as well as dominant (both sexually and mentally) rival to Holmes. The idea behind this paper is to investigate the transformation of Irene Adler’s character from the originally debatably scandalous adventuress to her modern portrayal as a dominatrix in the BBC miniseries, Sherlock. Hence, I will concentrate on this most recent take on the woman in the episode “A Scandal in Belgravia,” attempting to analyse in what ways the creators of the show go back to the roots and succeed in capturing the essence of Irene Adler’s figure, and conversely – in what measure does this adaptation epitomize the changes done to the character over the years of reinterpreting and diverting from its literary counterpart.
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2014, 2, 1
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Whodunit to Irene Adler? From “the Woman” to “the Dominatrix” – on the Transformation of the Heroine in the Adapting Process and Her Representation in the Sherlock Miniseries
Autorzy:
Popłońska, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/24987870.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Irene Adler
Sherlock Holmes
adaptation
appropriation
reinterpretation
transmedia fandom
fan fiction
Opis:
One of the peculiar characteristics of the Sherlock Holmes fandom is that it has always had a tendency to blow innuendos in Arthur Conan Doyle’s stories out of proportion. One might argue that such is the case of Irene Adler, the most recognisable female character from the Sherlock Holmes canon. Although we are not given much information on her in the original story and she hardly speaks in her own voice, for the community of readers she has become the most significant woman that Sherlock Holmes had ever encountered. Thus, the creators who adapted her for the screen also treated the heroine of “A Scandal in Bohemia” symbolically, allowing themselves to freely portray her presence in their versions of the story. For certain reasons, Irene Adler has been interpreted in pop-culture differently at various times: as the woman who beat Holmes with her wit, the detective’s romantic interest, his nemesis or a femme fatale figure. This tendency seems to be pushed to the extreme recently and the adaptations of the heroine in question gravitate towards a sexually confident, overtly self-aware, as well as dominant (both sexually and mentally) rival to Holmes. The idea behind this paper is to investigate the transformation of Irene Adler’s character from the originally debatably scandalous adventuress to her modern portrayal as a dominatrix in the BBC miniseries, Sherlock. Hence, I will concentrate on this most recent take on the woman in the episode “A Scandal in Belgravia,” attempting to analyse in what ways the creators of the show go back to the roots and succeed in capturing the essence of Irene Adler’s figure, and conversely – in what measure does this adaptation epitomize the changes done to the character over the years of reinterpreting and diverting from its literary counterpart.
Źródło:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2014, 2, 1; 41-49
2353-6098
Pojawia się w:
Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Blondynki na krańcu świata. Kobieca opowieść o Czarnym Lądzie
Blondes at the end of the world: women’s narrative on Africa
Autorzy:
Wrzeszcz, Natalia
Powiązania:
https://bibliotekanauki.pl/articles/520830.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
documentary
photo documentary
transmedia story/narration convergence
dialogue philosophy
mass culture
Opis:
The text is an attempt at determining in which direction the contemporary travel documentary is going, based on the example of artistic achievements of Beata Pawlikowska and Martyna Wojciechowska. The authors, using the features of the transmedia narration, show the small parts of the world and facilitate the understanding of the „Other”. The documentary is evolving, it adapts to human likings and undergoes technical development into women’s transmedia story. The expectations of the mass culture influence the quality of the presented stories, and a specific kind of „product” is created for the consumers.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura; 2013, 5, 1; 203-2014
2083-7275
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Goethes „Erlkönig” als kalter Verführer in transmedialen Umsetzungen
Goethe’s Erlkönig as cold-blooded seducer in transmedia
Autorzy:
Aadam, Janin
Powiązania:
https://bibliotekanauki.pl/articles/929381.pdf
Data publikacji:
2015-07-04
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Erlkönig
poetry
movie
homoerotic
desire
seducer
temperature
phantasm
sexuality
attraction
transmedia
Opis:
The article analyses the presentation of the Erlkönig as a cold seducer in transmedia. In this context, not only the famous ballad of Johann Wolfgang von Goethe from 1782 is regarded, but also transformations in arts, illustrations and especially in film are analysed. Within this regard the violent and coldblooded attitude of the Erlkönig towards the child is focused. In the center of the analysis is the recitation and reception of Goethe’s ballad in Andrew Birkin’s Stefan Zweig-adaptation Burning Secret from 1988. The film expands the poetic source by exposing subtexts such as homoerotic, when the baron von Hau-enstein is presented as a cold seducer like the Erlkönig, who attracts the young Edmund. At the same time Birkin adds another interpretation of the ballad, which doesn’t explain the death of the child as something physical, but as an initiation of becoming an adult and the included desires.
Źródło:
Studia Germanica Posnaniensia; 2015, 36; 125-138
0137-2467
Pojawia się w:
Studia Germanica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Materiality of Poetry: Words and Bodies/ Words and Pictures (Ewa Partum, Andrzej Tobis, Adam Kaczanowski)
Materialność poezji: słowa i ciała/ słowa i obrazy (Ewa Partum, Andrzej Tobis, Adam Kaczanowski)
Autorzy:
Kałuża, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1009145.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
poetry
new-materialist aesthetics
transmedia
artistic activities
poezja
nowomaterialistyczna estetyka
aktywność artystyczna
Opis:
The article discusses the possibilities of the emergence of a neo-materialistic aesthetics of the poem. Each of the analyzed examples—Ewa Partum’s active poetry, Adam Kaczanowski’s toy-art and Andrzej Tobis’s photographic archive—reveals different aspects of this aesthetics. The case of Partum shows that the material concreteness of poetry—today also associated with virtuality— requires other ways of perceiving / commenting / documenting the “poems” happening between the media. Active poetry consists in drawing the text (which eventually turns out to be a jigsaw made of letters) out of the formula of the finished object and making the medium of writing/language the material from which the object of artistic attention is “made”. I call Tobis’s project neo-materialistic, since it shows how we move from the human hybrid level we move to normalization and stabilization (and vice versa). Tobis seems to reach the moment when this normalization is actually happening and, at the same time, he shows levels of transformations, mutations and deviations. Kaczanowski “invents” for his poetry a medium different from the traditional record and the traditional form of the book. This principle of “invention” turns out to be very important, because it decides whether some materializations are poetic objects or not, without specifying any initial aesthetic, political and ideological criteria. In the most general terms this new-materialist aesthetics has been linked here with the transmedia horizon of art and the transformations of materialistic thinking made under the influence of the non-anthropocentric imagination.
W artykule zostały przedstawione możliwości zaistnienia nowomaterialistycznej estetyki wiersza. Każdy z analizowanych przykładów – poezja aktywna Ewy Partum, toy-art Adama Kaczanowskiego i słowno-fotograficzne archiwum Andrzeja Tobisa – ujawnia inne aspekty tej estetyki. Najogólniej jednak, nowomaterialistyczna estetyka powiązana została tu z transmedialnym horyzontem sztuki oraz z przeobrażeniami myślenia materialistycznego dokonanymi pod wpływem nieantropocentrycznej wyobraźni.
Źródło:
Praktyka Teoretyczna; 2019, 34, 4; 131-150
2081-8130
Pojawia się w:
Praktyka Teoretyczna
Dostawca treści:
Biblioteka Nauki
Artykuł

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