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Tytuł:
An Investigation of Tone Perception and Production in German Learners of Mandarin
Autorzy:
Ding, H.
Hoffmann, R.
Jokisch, O.
Powiązania:
https://bibliotekanauki.pl/articles/177019.pdf
Data publikacji:
2011
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Mandarin tones
German speakers
tone perception
tone production
Opis:
This study investigates the possible errors related to Mandarin tone perception and production by German speakers. In a preliminary test, 23 German listeners should identify the tones of 186 monosyllables. Results show that exposure to Man- darin Chinese can help to discriminate lexical tones as highly expected. In the main experiment, 17 German subjects were asked to take part in a perception and pro- duction test. Stimulus of perception involves 48 monosyllables uttered by a standard professional Chinese speaker; acoustic measures were conducted to analyze the pro- duction of 72 monosyllables for each subject. It is found that German speakers have much smaller f0 range than Chinese native speakers. Findings can provide implications for cross language studies and teaching practices.
Źródło:
Archives of Acoustics; 2011, 36, 3; 509-518
0137-5075
Pojawia się w:
Archives of Acoustics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Diacritic-aware Yorùbá spell checker
Autorzy:
Asahiah, Franklin Oládiípò
Onífádé, Mary Taiwo
Asahiah, Adekemisola Olufunmilayo
Adegunlehin, Abayomi Emmanuel
Amoo, Adekemi Olawunmi
Powiązania:
https://bibliotekanauki.pl/articles/27312872.pdf
Data publikacji:
2023
Wydawca:
Akademia Górniczo-Hutnicza im. Stanisława Staszica w Krakowie. Wydawnictwo AGH
Tematy:
tone
phonemes
diacritic
unigram
tools
Opis:
Spell checking and correction is still in its infancy for the Yorùbá language; existing tools cannot be directly applied to address the problem, as Yorùbá uses diacritics extensively for distinguishing phonemes and for marking tone. A model was formulated as a parallel combination of a unigram language model and a diacritic model to form a dictionary sub-model that can be used by error-detection and candidate-generation modules. The candidate-generation module was implemented as a reverse Levensthein edit-distance algorithm. The system was evaluated by using detection accuracy (calculated from the precision and recall) and suggestion accuracy (SA) as metrics. Our experimental setups compared the performance of the component subsystems when used alone and with their combination into a unified model. The detection accuracies for the different models range from 93.23 to 95.01%, and the suggestion accuracies range from 26.94 to 72.10%. The results indicated that each of the sub-models in the dictionary played different roles.
Źródło:
Computer Science; 2023, 24 (1); 31--51
1508-2806
2300-7036
Pojawia się w:
Computer Science
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The affective tone of narration and posttraumatic growth in organ transplant recipients
Autorzy:
Zięba, Mariusz
Zatorski, Mateusz
Boczkowska, Marta
Gozdowska, Jolanta
Kieszek, Rafał
Laskowski, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/430494.pdf
Data publikacji:
2015-09-01
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
narratives
affective tone
posttraumatic growth
Opis:
The aim of the study was to verify the hypothesis that positive affective tone of narratives is connected to the experience of posttraumatic growth among transplant patients. Kidney transplant patients (N = 51) and liver transplant patients (N = 48) participated in the study. In the first stage, about 10 weeks after transplant, the participants told two stories about important, freely chosen events from their lives. During the second meeting 10-12 months later we measured posttraumatic growth. Results indicated that the affective tone of narratives about past events was associated with the level of post-traumatic growth measured 10-12 months later. This proves that the affective tone of narratives about life, understood as a relatively constant individual characteristic, promote posttraumatic growth.
Źródło:
Polish Psychological Bulletin; 2015, 46, 3; 376-383
0079-2993
Pojawia się w:
Polish Psychological Bulletin
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pasja chorałowa ze zbioru kazań kanoników regularnych kongregacji laterańskiej w Kraśniku
Plainchant Passion from the sermon collection of the Canons Regular of the Lateran in Kraśnik
Autorzy:
Chachulska, Irina
Powiązania:
https://bibliotekanauki.pl/articles/28408357.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:
pasja chorałowa
ton pasyjny
ton pasyjny F
kancjonał
plainchant Passion
Passion tone
hymnbook
F Passion tone
Opis:
Studia nad pasją chorałową w Polsce jako pierwszy podjął Włodzimierz Poźniak (1947 r.), a następnie kontynuował ks. Antoni Reginek. W ostatnich latach lista tego rodzaju kompozycji została poszerzona dzięki dalszym kwerendom i badaniom polskich średniowiecznych źródeł muzyczno-liturgicznych. Przedmiotem badań niniejszego artykułu stała się nieznana dotychczas kompozycja z rękopisu przechowywanego w Bibliotece Metropolitalnego Seminarium Duchownego w Lublinie pod sygnaturą „Rkps 14” (PL-Ls 14; dawne sygnatury: 235; B 13; B 17), która wydaje się w tym momencie najstarszą kompozycją pochodzącą z polskiego źródła (1411 r.) – najprawdopodobniej z małopolski, tak jak i wszystkie znane dotąd polskie źródła pasji chorałowej. Kodeks ów nie jest księgą muzyczną, lecz zbiorem kazań i jako jedyną kompozycję muzyczną zawiera pasję według św. Mateusza (fol. 165r-172v). Zgodnie z XVII-wiecznym wpisem zamieszczonym na pierwszej karcie tegoż rękopisu (PL-Ls 14, fol. 1r) księga miała być własnością Kanoników Regularnych Kongregacji Laterańskiej w Kraśniku.  Melodia pasji zawartej w PL-Ls 14 oparta jest na tonie pasyjnym F – wyłącznie stosowanym w pasjach zawartych w źródłach polskich. Kompozycja bogata jest nie tylko w liczne formuły typowe, ale i ich rozmaite warianty melodyczne powstałe w wyniku zastosowania modyfikacji powszechnie używanych przy adaptacjach melodii wzorcowych. Istotna część modyfikacji w oczywisty sposób wynika  z odmiennej długości tekstu, z którym dana formuła typowa jest związana lub też układu akcentów. Nie zawsze jednak użycie którejś z modyfikacji w formułach typowych podyktowane jest odmienną liczbą sylab czy też układem akcentów, zdarzają się także przypadki, w których można obserwować wprowadzenie pewnej modyfikacji melodycznej bez tego rodzaju uzasadnienia, lecz raczej jako środka muzycznego urozmaicenia. Badania porównawcze melodii pasji z kodeksu kraśnickiego i pozostałych melodii pochodzących z ksiąg o rodzimej proweniencji pokazują, iż kompozycja ta harmonijnie wpisuje się w znany już polski repertuar pasji chorałowej. Pomimo jednak wyraźnego podobieństwa struktury melicznej kompozycji zawartych w źródłach polskich skomponowanych w oparciu o ten sam szkielet modalny (f¹-c²-f²), wszystkie opracowania muzyczne tego gatunku odznaczają się swoistymi cechami wynikającymi z wyboru różnorodnych środków adaptacyjnych.
The present paper presents a previously unknown composition from a manuscript kept at the Library of the Metropolitan Seminary in Lublin (shelf mark Rkps 14; siglum PL-Ls 14; old shelf marks 235, B 13, B 17), which appears to be the oldest music work of this kind found in a Polish source (dated to 1411), most likely from the Lesser Poland region, like all the other sources of Polish plainchant Passions known to date. The codex is not a book of sheet music, but a collection of sermons. The St Matthew Passion (fol. 165r–172v) is the only music composition found in this source. According to a 17th-century note found on the first folio of this manuscript (PL-Ls 14, fol. 1r), the book belonged to the Canons Regular of the Lateran in Kraśnik. The Passion melody found in PL-Ls 14 is based on the F tone – applied exclusively in Passions found in Polish sources. The composition abounds in typical formulas, but also in their melodic variants derived from modifications commonly introduced to adapt the model melodies. A large proportion of the modifications clearly result from the varying length of the text with which the typical formula is associated, or from the pattern of accents. However, the use of a given modification in a typical formula is not always determined by the changing number of syllables or by the arrangement of accents. In some cases, melodic modifications are introduced without such a justification, rather as a means of diversifying the musical setting. Comparative studies of the Passion melodies from the Kraśnik codex and from the other sources of Polish provenance prove that the Kraśnik Passion matches very well the previously known plainchant Passion repertoire from this area. Despite the evident similarity of melodic structures in works found in the Polish sources, which are based on the same modal framework (f¹–c²–f²), each of the settings has its own individual qualities as well, resulting from the way this framework was adopted in the given work.
Źródło:
Muzyka; 2019, 64, 2; 103-123
0027-5344
2720-7021
Pojawia się w:
Muzyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Representing morphological tone in a computational grammar of Hausa
Autorzy:
Crysmann, B.
Powiązania:
https://bibliotekanauki.pl/articles/103933.pdf
Data publikacji:
2015
Wydawca:
Polska Akademia Nauk. Instytut Podstaw Informatyki PAN
Tematy:
Hausa
HPSG
Autosegmental Phonology
tone
implementation
Opis:
In this paper1 I shall discuss the representation of morphological tone in Hausa, as implemented in a computational grammar of the language, referred to as HaG, which has been developed within the framework of Head-driven Phrase Structure Grammar. Based on an indepth study of segmental and suprasegmental properties manipulated by morphological processes, I shall argue that two fundamental insights from autosegmental phonology need to be seamlessly integrated into typed feature structure grammars of languages with grammatical tone, namely (i) the systematic separation of tonal and metrical information from the string of consonants and vowels, and (ii) the possibility of tonal spreading, i.e. the possibility for a tonal specification to be assigned to an arbitrary number of adjacent tone-bearing units (syllables). To this end, I present a formalisation of tonal melodies in terms of typed list constraints that implement a notion of tonal spreading, allowing for an underspecified description of tonal melodies, independent of the number of tone-bearing units. I shall finally show that this minimal encoding is sufficient, and flexible enough to capture the range of suprasegmental phenomena in Hausa.
Źródło:
Journal of Language Modelling; 2015, 3, 2; 463-512
2299-856X
2299-8470
Pojawia się w:
Journal of Language Modelling
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Algorithm Based New Tone Reservation Method for Mitigating PAPR in OFDM Systems
Autorzy:
Saha, S.
Chakrabarty, S.
Bhattacharjee, S.
Sil, S.
Powiązania:
https://bibliotekanauki.pl/articles/963815.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
BER
CCDF
OFDM
PAPR
tone reservation algorithm
Opis:
There are abundant methods to mitigate PAPR in OFDM signals among which algorithm based tone reservation is of great popularity owing to its low complexity as well as decent BER. Here we have put forward a new distinct algorithm based Tone Reservation technique which is not only less complex and calculates its own threshold as well as PRT signal (unlike other algorithms requiring predetermined threshold and PRT) but also aptly modifies the data by bit by bit comparison with a modified copy of itself (algorithm modified) thus scaling the peaks as and providing a decent BER and good PAPR reduction.
Źródło:
International Journal of Electronics and Telecommunications; 2017, 63, 3; 293-298
2300-1933
Pojawia się w:
International Journal of Electronics and Telecommunications
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
MP3 Deviation Yasunao Tone – tworzenie poprzez zakłócanie
Autorzy:
Misiak, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/468557.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Wrocławski. Instytut Kulturoznawstwa. Pracownia Badań Pejzażu Dźwiękowego
Tematy:
audiosfera
rewolucja cyfrowa
mp3
Yasunao Tone
Opis:
The starting point of this article is the work of the Japanese artist Yasunao Tone, entitled MP3 Deviation. Th e work was created in collaboration with a team of researchers focused around the Music Research Centre (Thom Blake, Mark Fell, Tony Myatt, Peter Worth), at the University of York in the UK in 2009. In the case of MP3 Deviation we are therefore faced with an attempt to discover and update what was to remain hidden. The result is the ability to induce 22 kinds of errors as a consequence of applying appropriate changes to the selected parameters. The artist uses the prepared soft ware during concerts, and the results of the experiments have been also released in the form of a vinyl record. Yasunao Tone’s proposals reveal the need for a kind of de-politicization of art. Contemporary sound artists, using high-tech tools in their work, are increasingly dependent on competing manufacturing corporations, and thus on the laws governing the export market. Searching for and highlighting (and even creating) defects can be treated as a political act which expresses itself in opposition to the prevailing economic and political relationships.
Źródło:
Audiosfera. Koncepcje – Badania – Praktyki; 2017, 1(5); 51-57
2450-4467
Pojawia się w:
Audiosfera. Koncepcje – Badania – Praktyki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Functional outcomes of tympanoplasty surgery
Autorzy:
Matuszewska, Izabela
Burduk, Paweł
Kaźmierczak, Wojciech
Janiak-Kiszka, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1398626.pdf
Data publikacji:
2016
Wydawca:
Index Copernicus International
Tematy:
chronic otitis media
Tympanoplasty
pure tone audiometry
Opis:
Objective: We reviewed functional outcomes of tympanoplasty. Study design: The results of tympanoplastic surgery are changing in time. We present late treatment outcomes among different types of tympanoplasty. Methods: Eighty-six patients who underwent tympanoplasty were enrolled in the study. The results of pure tone audiometry performed 7 days before, then at 3 months, 1 year, and 3 years after the surgery were assessed. Type II tympanoplasty involved implantation of a partial ossicular replacement prosthesis and type III tympanoplasty involved reconstruction with a total ossicular replacement prosthesis and the use of autogenous homogenous material. Statistical analysis was performed. Results: With all four types of tympanoplasty, hearing improvement was achieved at 3 months and 1 year after surgery based on the magnitude of the mean ABG reduction (p<0.001). In patients who underwent type I, type III, and type IV tympanoplasty, the ABG reduction at 3 years after surgery was maintained at the level reported at 3 months and 1 year after surgery (p<0.001). In patients who underwent type II tympanoplasty, however, the mean ABG value was increased at all tested frequencies (p<0.05). The mean ABG values reported 3 years after type II and type III tympanoplasty were similar. Conclusions: Based on the results over time, hearing improvement seems to be less durable after reconstruction with the partial ossicular replacement prosthesis procedure compared to the total ossicular replacement prosthesis procedure.
Źródło:
Polish Journal of Otolaryngology; 2016, 70, 6; 12-19
0030-6657
2300-8423
Pojawia się w:
Polish Journal of Otolaryngology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Do words transform into actions? The consistency of central banks? communications and decisions
Autorzy:
Szyszko, Magdalena
Rutkowska, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/22443176.pdf
Data publikacji:
2022
Wydawca:
Instytut Badań Gospodarczych
Tematy:
monetary policy
communication tone
dictionary methods
computational linguistics
Opis:
Research background: This study investigates central banks? (CB) intentions as reflected in their minutes and their relationship with policy decisions. Although CB communication is an inherent part of their inflation targeting (IT) strategy, their communication does not necessarily result in actions.  Purpose of the article: This study aims to extract policy intentions from central bank minutes and juxtapose these with actual policy decisions to investigate the consistency of their words and deeds in a comparative context. Additionally, we compare the applicability of three dictionaries in policy communication assessments. Methods: Computational linguistics and textual methods are applied to create proxies for tone from a large dataset of texts. A transformation of words into time series involves the application of a general economic dictionary and two monetary policy-adjusted dictionaries. We examine the association between tone and actual CB decisions with the eta squared coefficient. The research covers 15 European CBs, divided into three subgroups according to the CB experience in inflation targeting. The sample starting points differ as they relate to each country?s IT implementation year; the analysis ends in mid-2019. Findings & value added: This paper?s value added is firstly methodological, as we test three dictionaries to determine their usefulness. Statistical and qualitative analysis allows us to conclude about superiority of monetary policy specific lexicons for this kind of studies. The extra value added is about the study?s coverage: it covers a large sample and provides a broader illustration compared to most previous examinations. Our results suggest that a relationship exists between communications and actions, although the weakest for late joiners to IT. The latter group of CBs needs to strengthen communication practices. In experienced inflation targeters the short run dimension of credibility exists and opens the room for creating effective monetary policy in terms of managing the expectations of a general audience.
Źródło:
Equilibrium. Quarterly Journal of Economics and Economic Policy; 2022, 17, 1; 31-49
1689-765X
2353-3293
Pojawia się w:
Equilibrium. Quarterly Journal of Economics and Economic Policy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przygoda estetyczno-mentalna w przekładzie
Aesthetic-mental adventure of Translation
Autorzy:
Tokarz, Bożena
Powiązania:
https://bibliotekanauki.pl/articles/487214.pdf
Data publikacji:
2018
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
translation
adventure
empathy
intercultural communication
creativity of the interpreter — Tone Pretnar
prevod
dogodivščina
empatija
medkulturna komunikacija
kreativnost prevajalca — Tone Pretnar
Opis:
Prevajalec in prevod sta pogosto označena metaforično (npr. prevajalec kot izdajalec, kanibal, kuhar, prevod kot uvoz avtorja in izvoz bralca, prevajanje kot širjenje obzorij ipd.), k tem oznakam želim dodati še eno: prevajanje kot dogodivščina prevajalca in bralca, prinaša jima zadovoljstvo, zadoščenje, razočaranje in muke. Prevajamo predvsem zaradi antropološke in obenem tudi sporazumevalne vloge prevoda. dogodivščina ni vezana le na potovanja, čeprav se ob pripravah na pot pogosto pripravimo tudi na nenavadna doživetja. od samega potovanja se razlikuje glede na racionalna, pragmatična, emocionalna in fizična pričakovanja. na pojem pričakovanje se vežejo lastnosti: šibke točke posameznika, ambicije, želja po sporazumevanju, spoznavanju in doživetju nečesa dotlej nepoznanega ter interakcija med njimi v obliki presenečenja, očaranosti in celo šokiranosti. V vsakem tipu prevoda je vsaj eden od elementov pomensko-predstavnega polja pojma »dogodivščina«. zaradi tega se posploševanje pravil (zlasti pri umetniškem prevodu) nenehno srečuje s težavami, tako kot udeležba na tečaju ustvarjalnega pisanja ne naredi iz vsakega udeleženca pesnika, pisatelja ali dramatika. zmeraj je zraven tisto, čemur rečemo nadarjenost in empatija.
The translator and translation are often referred to by means of metaphors (e.g. translator traitor, cannibal, cook, translation is the author’s import and the reader’s export, translation is a fusion of horizons, etc.), to which i will add another one: translation is an adventure for the translator and the reader, bringing joy, satisfaction, disappointment and suffering. We translate predominantly because of the anthropological, and thus the communicative, aspect of translation. adventure does not only mean a journey, although taking to the road, we very often expect extraordinary experiences. it is distinguished from the road by means of a desire of rational, pragmatic, emotional and physical nature. The paradigm of desire is defined by: individual weaknesses, ambition, desire for communication, knowledge and experience of something so far unknown and the interaction between them in the form of surprise, dazzlement, and even shock. all types of translation include at least one of the elements of the semantic-imagery field of the phenomenon and the word adventure. This results in that the normalization of rules (especially in the case of artistic translation) often meets with difficulties, just as not every participant of creative writing course is turned into a poet, writer or dramatist. There remains the ‘something’, which is called talent and empathy.
Źródło:
Przekłady Literatur Słowiańskich; 2018, 9, 1; 17-36
1899-9417
2353-9763
Pojawia się w:
Przekłady Literatur Słowiańskich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Agonistický tón ako prejav ritualálnej iniciácie hrdinov folklórnej prózy
Autorzy:
Gábor, Ľubomír
Powiązania:
https://bibliotekanauki.pl/articles/1826578.pdf
Data publikacji:
2020-02-06
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
agonistic tone
initiation
young
old
folk tale
borders
Opis:
The presented article attempts to explain the actions of heroes in folk tales as mani-festation of their ritual initiation progress. This paper concludes with suggestion that the young and underestimated heroes have to pass a fight with an enemy of old age. With his defeating the hero finishes his own initiation and becomes a stable component of social hierarchy in the world of folk tales.
Źródło:
Conversatoria Litteraria; 2017, 11; 285-292
1897-1423
Pojawia się w:
Conversatoria Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Akcent prozodyczny i melodyczny a specjalny status ostatniej sylaby w walijskim
Prosodic and Melodic Accent and a Special Status of the Last Syllable in Welsh
Autorzy:
Buczek-Zawiła, Anita
Powiązania:
https://bibliotekanauki.pl/articles/1954213.pdf
Data publikacji:
2003
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
akcent
ton
prozodia
alternacje
accent
tone
prosody
alternations
Opis:
A closer investigation of patterns of accentuation in Welsh allows to draw a number of conclusions concerning stress models in the language, namely, that there appear to be two types of metrical foot: metrical foot proper (trochaic), defining the prosodic accent, and melodic (tonic) foot (iambic), responsible for the presence of High Tone in its strong branch. These two models are not in conflict but together contribute to the observed peculiarities of Welsh speech, such as its higher pitch associated with the last syllable of the word, numerous vocalic alternations and apparent irregularities and differences in the degree of prosodic stress.
Źródło:
Roczniki Humanistyczne; 2003, 51, 6; 17-26
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
2-Tone Colorings in Graph Products
Autorzy:
Loe, Jennifer
Middelbrooks, Danielle
Morris, Ashley
Wash, Kirsti
Powiązania:
https://bibliotekanauki.pl/articles/31339114.pdf
Data publikacji:
2015-02-01
Wydawca:
Uniwersytet Zielonogórski. Wydział Matematyki, Informatyki i Ekonometrii
Tematy:
t-tone coloring
Cartesian product
direct product
strong product
Opis:
A variation of graph coloring known as a t-tone k-coloring assigns a set of t colors to each vertex of a graph from the set {1, . . ., k}, where the sets of colors assigned to any two vertices distance d apart share fewer than d colors in common. The minimum integer k such that a graph G has a t- tone k-coloring is known as the t-tone chromatic number. We study the 2-tone chromatic number in three different graph products. In particular, given graphs G and H, we bound the 2-tone chromatic number for the direct product G×H, the Cartesian product G□H, and the strong product G⊠H.
Źródło:
Discussiones Mathematicae Graph Theory; 2015, 35, 1; 55-72
2083-5892
Pojawia się w:
Discussiones Mathematicae Graph Theory
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Юмористический тон как маркер авторского взгляда в комедиях Надежды Птушкиной
Humorous tone as a marker of the author’s view in Nadezhda Ptushkina’s comedies
Autorzy:
Maliutina, Natalia
Powiązania:
https://bibliotekanauki.pl/articles/2224469.pdf
Data publikacji:
2022-06-26
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
comedy
farce
humour
comic
tone
author of the play
Opis:
The article considers comic humour as an emotional and semantic component of the statements in two comedies written by Nadezhda Ptushkina: Paying ahead and Come and take away, which can be attributed to popular mass literature. Distinguishing between the manifestations of situational and semantic comedy and humour the article shows how the humorous tone of the character’s remarks changes the overall genre tone of the comedy. Due to the idea of how much the personality does not fit into the narrow framework of the stereotypical perception of the situation of the husband’s withdrawal from the family, the article notes the dramatic and tragic modality of the statements in the plays. At the same time, in all situations and in all manifestations of the relationship between the characters, we feel the author’s view. The author is distinguished by the ability to understand and accept a different opinion to optimistically see the possibility of preserving the family and identity of each person in the process of collisions with other opinions. Despite the author’s rejection the play retains a belief in a certain general harmony of the human soul, which is especially vividly perceived thanks to allusions to Chekhov’s plays. Techniques contribute to the removal of the author’s view and the positions of the characters: dialogue of the deaf, distancing the author’s view and the character’s position, wordplay. All these techniques contribute to overcoming the farcical nature of the conflict and its dramatization.
Źródło:
Studia Rossica Posnaniensia; 2022, 47, 1; 59-73
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 57

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