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    Wyświetlanie 1-6 z 6
    Tytuł:
    Dystopias in the Realm of Popular Culture: Introducing Elements of Posthuman and Postfeminist Discourse to the Mass Audience Female Readership in Cecelia Ahern’s Roar (2018)
    Autorzy:
    Ostalska, Katarzyna
    Powiązania:
    https://bibliotekanauki.pl/articles/2032731.pdf
    Data publikacji:
    2021-11-22
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    popular culture
    popular literature
    romance novels
    the feminist discourse
    dystopia
    the posthuman
    Ahern
    Opis:
    This article analyzes selected short stories in Cecelia Ahern’s thirty-narrative collection Roar (2018) to see how (and with what losses or gains) the perspectives of posthuman and postfeminist critique can be incorporated via the common dystopic umbrella into the mainstream female readership of romance literature. The dystopic worlds created by Ahern in Roar portray inequality and power imbalances with regard to gender and sex. The protagonists are mostly middle-aged women whose family and personal lives are either regulated by dystopic realities or acquire a “dystopic” dimension, the solutions to which are provided by, among other tropes, “posthuman” transformations. Roar introduces other-than-human elements, mostly corporeal alterations, in which the female bodies of Ahern’s characters become de-formed and re-formed beyond androcentric systems of value. The article raises the question of whether feminist and, to some extent, “posthuman” (speculative) approaches, need to be (and indeed should be) popularized in such an abridged way as Ahern does in her volume. The answer depends upon the identification of the target audience and their expectations. Ahern’s Roar represents popular literature intended to be sold to as many readers as possible, regardless of their education, state of knowledge, etc. Viewed from that perspective, what some critics could perceive as the collection’s structural weaknesses constitutes its utmost marketing asset. The essay argues that despite not being a structurally innovative work of art, Ahern’s book fulfils the basic requirements of the popular fiction genre, intermittently providing some extra, literary gratification and popularizing rudimentary elements of the posthuman and postfeminist thought.
    Źródło:
    Text Matters: A Journal of Literature, Theory and Culture; 2021, 11; 204-221
    2083-2931
    2084-574X
    Pojawia się w:
    Text Matters: A Journal of Literature, Theory and Culture
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Horrible Imaginings: Jan Kott, the Grotesque, and “Macbeth, Macbeth”
    Autorzy:
    Tink, James
    Powiązania:
    https://bibliotekanauki.pl/articles/2048126.pdf
    Data publikacji:
    2021-12-30
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Jan Kott
    grotesque
    absurd
    Macbeth
    adaptation and appropriation
    Macbeth, Macbeth
    Ewan Fernie
    the posthuman
    Opis:
    Throughout Jan Kott’s Shakespeare Our Contemporary, a keyword for the combination of philosophical, aesthetic and modern qualities in Shakespearean drama is “grotesque.” This term is also relevant to other influential studies of early-modern drama, notably Mikhail Bakhtin’s idea of the carnivalesque, as well as Wolfgang Kayser’s psychoanalytic criticism. Yet if this tradition of the Shakespearean grotesque has problematized an idea of the human and of humanist values in literature, can this also be understood in posthuman terms? This paper proposes a reading of Kott’s criticism of the grotesque to suggest where it indicates a potential interrogation of the human and posthuman in Shakespeare, especially at points where the ideas of the grotesque or absurdity indicate other ideas of causation, agency or affect, such as the “grand mechanism” It will then argue for the continuing relevance of Kott’s work by examining a recent work of Shakespearean adaptation as appropriation, the 2016 novel Macbeth, Macbeth by Ewan Fernie and Simon Palfrey which attempts a provocative and transgressive retelling of Macbeth that imagines a ‘sequel’ to the play that emphasises ideas of violence and ethics. The paper argues that this creative intervention should be best understood as a continuation of Kott’s idea of the grotesque in Shakespeare, but from the vantage point of the twenty-first century in which the grotesque can be understood as the modification or even disappearance of the human. Overall, it is intended to show how the reconsideration of the grotesque may elaborate questions of being and subjectivity in our contemporary moment just as Kott’s study reflected his position in the Cold War.
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2021, 24, 39; 71-85
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Polityczność choreografii dla rodzin z perspektywy performance as research
    The politicalness of choreography for families from the perspective of performance as research
    Autorzy:
    Bylka-Kanecka, Hanna
    Powiązania:
    https://bibliotekanauki.pl/articles/2031428.pdf
    Data publikacji:
    2022-02
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    performance as research
    choreography
    the political
    TYA
    posthuman
    Opis:
    The aim of the paper is to provide a reflection on the choreographic practice in the field of dance performance for families in the context of related fields of politicalness, from the perspective of performance as research. The author describes some important moments in the global and Polish cultural policy concerning dance for children and presents an understanding of politicalness after Ana Vujanović and Mark Franko. The text undertakes reflection on the usefulness of the language of posthumanism (Chikako Takeshita, Karen Barad and Donna Haraway) in research into choreography intended for families. The author gives an insight into the creative practice by analysing the dimensions of politicalness in three performances by the Holobiont collective which she co-founded.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2022, 167; 209-235
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    The Politicality of Choreography for Families from the Perspective of Performance as Research
    Autorzy:
    Bylka-Kanecka, Hanna
    Jaskulski, Józef
    Powiązania:
    https://bibliotekanauki.pl/articles/2164335.pdf
    Data publikacji:
    2022-12
    Wydawca:
    Instytut im. Jerzego Grotowskiego we Wrocławiu
    Tematy:
    performance as research
    choreography
    the political
    TYA
    posthuman
    Opis:
    The aim of the paper is to provide a reflection on the choreographic practice in the field of dance performance for families in the context of related fields of politicalness, from the perspective of performance as research. The author describes some important moments in the global and Polish cultural policy concerning dance for children and presents an understanding of politicalness after Ana Vujanović and Mark Franko. The text undertakes reflection on the usefulness of the language of posthumanism (Chikako Takeshita, Karen Barad and Donna Haraway) in research into choreography intended for families. The author gives an insight into the creative practice by analysing the dimensions of politicalness in three performances by the Holobiont collective which she co-founded.
    Źródło:
    Didaskalia. Gazeta Teatralna; 2022, English Issue 2022; 4-30
    2720-0043
    Pojawia się w:
    Didaskalia. Gazeta Teatralna
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Kabbalah, "Dybbuks", and the Religious Posthuman in the Shakespearean Worlds of "Twin Peaks"
    Autorzy:
    Starks, Lisa S.
    Powiązania:
    https://bibliotekanauki.pl/articles/2048131.pdf
    Data publikacji:
    2021-12-30
    Wydawca:
    Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
    Tematy:
    Twin Peaks
    Twin Peaks: The Return, Fire Walk with Me
    Twin Peaks: The Missing Pieces, The Secret History of Twin Peaks
    Twin Peaks: The Final Dossier
    David Lynch
    Mark Frost
    Kabbalah
    religious posthuman
    Shakespeare
    Pericles
    The Tempest
    Hamlet
    Macbeth
    Opis:
    In the series Twin Peaks, Mark Frost, David Lynch and others create a mythological framework structured by and filtered through Shakespeare in a postsecular exploration of the posthuman. Twin Peaks exemplifies a cultural postsecular turn in its treatment of the posthuman, taking the religious and spiritual perspectives to new —and often extreme—heights in its use of Kabbalah and other traditions. Twin Peaks involves spiritual dimensions that tap into other planes of existence in which struggles between benign and destructive entities or forces, multiple universes, and extradimensional, nonhuman spirits question the centrality of the human and radically challenge traditional Western notions of being. Twin Peaks draws from Shakespeare’s expansive imagination to explore these dimensions of reality that include nonhuman entities—demons, angels, and other spirits—existing beyond and outside of fabricated, human-centered worlds, with the dybbuk functioning as the embodiment of the postsecular religious posthuman.
    Źródło:
    Multicultural Shakespeare: Translation, Appropriation and Performance; 2021, 24, 39; 29-52
    2083-8530
    2300-7605
    Pojawia się w:
    Multicultural Shakespeare: Translation, Appropriation and Performance
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Философия на защите человека. Идея человечности в новом гуманизме
    Filozofia w obronie człowieka. Idea człowieczeństwa w nowożytnym humanizmie
    Philosophy in Defence of Human Being. The Idea of Humanity in Modern Humanism
    Autorzy:
    Степаненко, Ирина В.
    Powiązania:
    https://bibliotekanauki.pl/articles/497192.pdf
    Data publikacji:
    2016
    Wydawca:
    Stowarzyszenie Filozofów Krajów Słowiańskich
    Tematy:
    idea człowieczeństwa
    rekonceptualizacja
    postludzka przyszłość
    nowy humanizm
    dyskurs filozoficzny
    идея человечности
    реконцептуализация
    постчеловеческое будущее
    новый гуманизм
    философский дискурс
    the idea of humanity
    reconceptualization
    posthuman future
    new humanism
    the philosophical discourse
    Opis:
    Autorka podejmuje pytanie o miejsce idei człowieczeństwa w kryzysie nowożytnego humanizmu. Kwestię tę rozważa w kontekście obrony przez filozofię idei człowieczeństwa przed zagrożeniami wynikającymi z modernizmu jako kultury „postludzkiej”. Warunkiem obrony jest zrozumienie i interpretacja współczesnego dyskursu społecznego i kulturowego oraz przezwyciężenie błędnych propozycji filozoficzno-antropologicznych humanizmu modernistycznego. Nowy program humanistyczny, odwołując się do „intuicji granicy”, miałby wyznaczać horyzont „ogólnoludzkich znaczeń”. Idea człowieczeństwa powinna przekształcić się z metafizycznej w permanentnie refleksyjną oraz zasadniczo dyskursywną.
    The author takes up the question of the place of the idea of humanity in the crisis of modern humanism. This issue is contemplated in the context of defending by the philosophy of the idea of humanity against the threats posed by modernism as a „posthuman” culture. The condition of defence is the understanding and interpretation of contemporary social and cultural discourse and the overcoming the false philosophical-anthropological proposals of modernist humanism. The new humanistic program, referring to the „intuition of limits”, would be define the horizon of „universal meanings”. The idea of the humanity should turn from the metaphysical into a permanent reflective and fundamentally discursive.
    Źródło:
    ΣΟΦΙΑ. Pismo Filozofów Krajów Słowiańskich; 2016, 16; 11-128
    1642-1248
    Pojawia się w:
    ΣΟΦΙΑ. Pismo Filozofów Krajów Słowiańskich
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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