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Tytuł:
Book review: Laurent Chrzanovski, Lampes antiques, byzantines et islamiques du Nil à l’Oronte. La Collection Bouvier; Warsaw: PCMA, University of Warsaw Press, 2019
Autorzy:
Lapp, Eric
Powiązania:
https://bibliotekanauki.pl/articles/1632422.pdf
Data publikacji:
2021-01-01
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
lamps
terracotta
Egypt
Near East
Źródło:
Polish Archaeology in the Mediterranean; 2020, 29(2); 761-764
1234-5415
Pojawia się w:
Polish Archaeology in the Mediterranean
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Edukacyjna funkcja koroplastycznych przedstawień terakotowych z Egiptu okresu grecko-rzymskiego, na podstawie wybranych grup zabytków
The Educational Function of Terracotta Representations from Egypt in the Graeco-Roman Period
Autorzy:
Jędraszak, Sławomir
Powiązania:
https://bibliotekanauki.pl/articles/955475.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
hellenistic and roman Egypt
terracotta
education
Opis:
The subject of this paper aims to investigate problems associated with selected examples of terracotta drawn from the wide iconographic range of figurines produced in Egypt during the Graeco-Roman period. It attempts to find an answer to the question of whether, in the case of the categories of figurines and terracotta plaques, there are any associations or correlations with upbringing and education. The author maintains that the terracotta figurines, which are the subject of this paper, could include, among many others, examples evoking patterns of appropriate behaviour. Some figurines also played a significant part in the history of Graeco-Roman Egypt, forming an important source for the promotion of a range of information with a socio-political content.
Źródło:
Biuletyn Historii Wychowania; 2015, 33; 99-118
1233-2224
Pojawia się w:
Biuletyn Historii Wychowania
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Terracotta oil-lamps from Egypts Theban region in the collection of the Metropolitan Museum of Arts, New York
Autorzy:
Pawlikowska-Gwiazda, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/1634083.pdf
Data publikacji:
2020-01-04
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
terracotta oil-lamps
lighting
Western Thebes
Opis:
The group of 17 oil lamps now in the Islamic Art Department collection of the Metropolitan Museum of Art (New York) was excavated in West Thebes in Upper Egypt by an Metropolitan Museum of Art expedition at the beginning of the 20th century. The assemblage was never fully published (apart from being included in the online MeT Collection database). The present paper documents the material in full, examining the collection and proposing in a few cases a new dating based on parallels from other sites.
Źródło:
Polish Archaeology in the Mediterranean; 2019, 28(1); 641-657
1234-5415
Pojawia się w:
Polish Archaeology in the Mediterranean
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A Miniature Terracotta Figurine from Nikonion
Miniaturowa figurka terakotowa z Nikonion
Autorzy:
Głuszek, Inga
Powiązania:
https://bibliotekanauki.pl/articles/1036049.pdf
Data publikacji:
2019-10-22
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
ancient Nikonion, terracotta figurines
antyczne Nikonion, terakotowe figurki
Opis:
The terracotta figurine which is the subject of this paper was found during excavations in Nikonion in 2011. The article seeks to analyse the figurine in order to suggest an origin for the prototype of the terracotta representation, considering that it constitutes a relatively schematic depiction, that it might be late Classical in date judging by the archaeological context.
Terakotowa figurka, będąca przedmiotem niniejszego artykułu została znaleziona podczas badań archeologicznych prowadzonych w Nikonion w 2011 roku. W artykule zaprezentowano analizę zabytku, której celem było wskazanie proweniencji prototypu zastosowanego dla terakoty. Biorąc pod uwagę kontekst archeologiczny znaleziska oraz stosunkowo schematyczny sposób przedstawienia, terakotę można wiązać z późnoklasycznym horyzontem stylistycznym.
Źródło:
Acta Archaeologica Lodziensia; 2020, 66; 135-142
0065-0986
2451-0300
Pojawia się w:
Acta Archaeologica Lodziensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The conservation of architectural statuary in accordance with the ethical requirements for sculpture and architecture
Autorzy:
De Clercq, Camille
De Roy, Judy
Powiązania:
https://bibliotekanauki.pl/articles/113804.pdf
Data publikacji:
2019
Wydawca:
Politechnika Lubelska. Polski Komitet Narodowy Międzynarodowej Rady Ochrony Zabytków
Tematy:
terracotta
architectural statuary
polychromy
polychrome sculpture
ethical guidelines
Opis:
Between the conservation-restoration of several disciplines like sculpture and that of architecture differences in the application of the general ethical guidelines exist. Because some “objects” like architectural statuary cannot be classified under one specific discipline this paper attempts to outline the parallels between the applicable disciplines and to point out any inconsistencies, thus encouraging an environment in which the cross-pollination of the principles of a minimal, reversible and stable intervention can thrive and bridging the existing gap between the different fields. Two case studies undertaken by KIK-IRPA Brussels of the treatment of architectural statuary from around 1900 in Brussels are used to illustrate some of these aspects.
Źródło:
Ochrona Dziedzictwa Kulturowego; 2019, 8; 103-112
2543-6422
Pojawia się w:
Ochrona Dziedzictwa Kulturowego
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Conservation and restoration of a votive mask from Jiyeh in Lebanon
Autorzy:
Tomkowska, Anna
Powiązania:
https://bibliotekanauki.pl/articles/1707592.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
conservation
ceramic technology
terracotta
Hellenistic mask
reconstruction
retouch
Opis:
A terracotta mask discovered at the site of Jiyeh (ancient Porphyreon) in Lebanon, on the Mediterranean coast between Beirut and Sidon, underwent conservation and restoration in 2014. A silicone cast of the object was made as part of the process, which included reconstruction of the losses and final retouch. The state of preservation of the object was assessed during the course of the conservation. A study of the production technique permitted the mask production process to be reconstructed to a large extent.
Źródło:
Polish Archaeology in the Mediterranean; 2016, 25; 479-486
1234-5415
Pojawia się w:
Polish Archaeology in the Mediterranean
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Of Men and Equids: Piecing the Clay Images from Tell Arbid Back Together
Autorzy:
Makowski, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/484059.pdf
Data publikacji:
2015
Wydawca:
Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
Tematy:
terracotta anthropomorphic figurines
terracotta zoomorphic figurines
interpretation of the figurines
wheeled vehicles
popular iconography
Tell Arbid
Bronze Age Syria
North Mesopotamia
Opis:
This paper aims at analyzing relations between different types of clay figurines and models found at Tell Arbid, a site in northern Mesopotamia, in the Khabur region. Starting with a presentation of a set of third millennium BC clay objects – including an equid and an anthropomorphic figurines, as well as a wheel model – the author discusses those figurines which were deliberately shaped to fit, or to be combined with, other objects. Analyzing them against the backdrop of analogies from Mesopotamian iconographic sources allowed for defining some functional associations between the representations of males, wheeled vehicles and/or equids. The hypothetically reconstructed sets seem to reproduce scenes well-known from other media. Based on these observations, it is possible better to understand and to interconnect phenomena characteristic for the clay plastic art not just of the site but of the whole region: predominance of equids, prevalence of male over female images and popularity of model vehicles.
Źródło:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2015, 28; 121-140
2084-6762
2449-9579
Pojawia się w:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Terracotta Pipelines at Maloutena: Remarks on the Water System in the Residential District of Ancient Nea Paphos, Cyprus
Autorzy:
Romaniuk, Marcin M.
Powiązania:
https://bibliotekanauki.pl/articles/1975854.pdf
Data publikacji:
2021-12-31
Wydawca:
Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
Tematy:
terracotta pipelines
Nea Paphos
Hellenistic-Roman Cyprus
water tower
Opis:
This paper presents the results of studies on the ancient terracotta pipelines discovered during excavations conducted since 1965 by the Polish Archaeological Mission of the University of Warsaw in the so-called Maloutena area, the residential district of the Hellenistic-Roman capital of Cyprus, Nea Paphos. The pipelines were examined in terms of the pipe types they were composed of, their construction and maintenance aspects, chronology, function and structural interrelations to recognise the role they played in the water management system of Maloutena and Nea Paphos over time.
Źródło:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2021, 34; 363-405
2084-6762
2449-9579
Pojawia się w:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Excavations in the northern and eastern parts of the Byzantine town at Marea
Autorzy:
Derda, Tomasz
Gwiazda, Mariusz
Barański, Tomasz
Pawlikowska-Gwiazda, Aleksandra
Wieczorek, Dawid F.
Powiązania:
https://bibliotekanauki.pl/articles/1632544.pdf
Data publikacji:
2020-12-19
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
Egypt
Roman | Byzantine | early Islamic
architecture
amphorae
terracotta figurine
Opis:
The ‘Marea’ project of the University of Warsaw expanded the program to survey and excavation in the northern and eastern parts of the city in order to establish the character and chronology of the structures there. The eastern waterfront was uncovered, along with the adjacent latrines, streets and buildings which are presumed to be residential. The structures which were examined were very regularly formed and involved large-scale earthworks. They were built no earlier than the mid-6th century AD, and, although their purpose sometimes changed, they remained in use until about the mid-8th century AD. Accumulations of Roman, Byzantine and early Islamic date were discovered, including the oldest remains this season, that is, a row of locally-manufactured amphorae serving an unexplained purpose.
Źródło:
Polish Archaeology in the Mediterranean; 2020, 29(2); 551-575
1234-5415
Pojawia się w:
Polish Archaeology in the Mediterranean
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Forcart Collection of lamps from Fayum
Autorzy:
Chrzanovski, Laurent
Powiązania:
https://bibliotekanauki.pl/articles/1634079.pdf
Data publikacji:
2020-01-04
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
terracotta lamps
Hellenistic
Roman
museum collection
Geneva
Egypt
Fayum
Opis:
The Forcart collection of Ptolemaic, Roman and Late Roman lamps from Fayum is today the largest single-collector Egyptian lychnological corpus owned by a Swiss public institution, the Geneva Museum of Art and History, which acquired it in 1923. The importance of the 145 lamps in this collection is twofold. Firstly, all the artifacts were offered to Max Kurt Forcart by the different directors of excavations operating legally in the Fayum area during the first two decades of the 20th century, giving us a clear—even if generic—finding area, contrary to collections purchased from the various antiquaries. And secondly, even if incomplete compared to the richness and diversity of the Fayum workshops, the chronological and typological range it covers makes it a perfect companion to the only two published and illustrated lamp catalogs of regular excavations made in the area: the early 1900s work of W.M.F. Petrie at Ehnasya and the later investigations by the University of Michigan team at Karanis. Also highlighted are the unique Fayum fashions and approaches to the importation, adoption or rejection of common types found in the Nile Delta, as well as the emergence of typically microregional subtypes as discussed by John W. Hayes.
Źródło:
Polish Archaeology in the Mediterranean; 2019, 28(1); 555-639
1234-5415
Pojawia się w:
Polish Archaeology in the Mediterranean
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
False inspirations : Antique terracotta in 19th c. forms from the collection of Princes Czartoryski Museum
Autorzy:
Gorzelany-Nowak, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/2138819.pdf
Data publikacji:
2022-09-27
Wydawca:
Uniwersytet Wrocławski. Instytut Historii Sztuki
Tematy:
Jean-Léon Gérôme
Princes Czartoryski Museum
Tanagra
terracotta figurines
forgery
Opis:
The article discusses the impact the discovery of terracotta figurines from Tanagra and other ancient towns had on the art world in the 1880s and 1890s. It presents counterfeit artifacts that appeared on the antiquities market at that time and consequently trickled into many collections of antiquities. The analysis of examples taken from the collection of Prince Wladyslaw Czartoryski shows the diversity of ancient inspirations.
Źródło:
Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego; 2022, 64, 2; 52-63
1896-4133
Pojawia się w:
Quart. Kwartalnik Instytutu Historii Sztuki Uniwersytetu Wrocławskiego
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Byzantine-period lamps from Antioch-on-the-Orontes and its hinterland
Autorzy:
Eblighatian, Ani
Powiązania:
https://bibliotekanauki.pl/articles/1634111.pdf
Data publikacji:
2020-01-04
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
terracotta lamps
Byzantine period
Antioch-on-the-Orontes
archaeological context
Opis:
The paper is an off-shoot of the author's PhD project on lamps from Roman Syria (at the University of Geneva in Switzerland), centered mainly on the collection preserved at the Art Museum of Princeton University in the United States. One of the outcomes of the research is a review of parallels from archaeological sites and museum collections and despite the incomplete documentation i most cases, much new insight could be gleaned, for the author's doctoral research and for other issues related to lychnological studies. The present paper collects the data on oil lamps from byzantine layers excavated in 1932–1939 at Antioch-on-the-Orontes and at sites in its vicinity (published only in part so far) and considers the finds in their archaeological context.
Źródło:
Polish Archaeology in the Mediterranean; 2019, 28(1); 363-383
1234-5415
Pojawia się w:
Polish Archaeology in the Mediterranean
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A Clay Gladius Scabbard from Area 13c in the Ancient Roman Town of Syene
Autorzy:
Hepa, Mariola
Powiązania:
https://bibliotekanauki.pl/articles/484121.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
Tematy:
Roman Egypt
Syene
Area 13c
terracotta
gladius
votive object
Opis:
Area 13c, located in the town centre of modern Aswan in Upper Egypt, was excavated in 2005 by the Joint Swiss-Egyptian Mission working at Old Aswan. A sequence of houses from the late Ptolemaic period up to the late Roman period was documented at the site. Among the terracotta objects found in one of the houses, a miniaturised clay scabbard has features typical for the gladius scabbards known from military camps of the first and early second centuries AD from other Roman provinces. Similar terracottas were interpreted as toys, attributes of statues or votive offerings. However, the find context of the object from Syene demonstrates that – together with other clay objects – it belonged to a room decoration or was part of a house altar. Perhaps the object was dedicated as a votive by a soldier, since there are some indications for Roman military presence in this part of Syene.
Źródło:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2018, 31; 167-169
2084-6762
2449-9579
Pojawia się w:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Terracotta Equid Figurines from Tell Arbid. New Evidence on Equids, Their Equipment and Exploitation in North Mesopotamia during Third and First Half of Second Millennium BC
Autorzy:
Makowski, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/484095.pdf
Data publikacji:
2014
Wydawca:
Polska Akademia Nauk. Instytut Kultur Śródziemnomorskich i Orientalnych PAN
Tematy:
iconography
terracotta zoomorphic figurines
clay equid figurines
equids breeding
Tell Arbid
Bronze Age Syria
North Mesopotamia
Opis:
Terracotta figurines are one of the few iconographical sources available for the study of equids, their breeding and exploitation in Northern Mesopotamia in the third and first half of the second millennium BC. However, the insights offered by this category of artifacts have largely been unrecognized by scholars, what is particularly conspicuous in the Khabur River basin, where equid figurines are very common finds. A detailed analysis of this type of figured documents, especially of the hitherto unpublished assemblage from Tell Arbid, shows that among details marked on the figurines were characteristics of the separate equid species, elements of their equipment and details pointing to certain breeding practices. What makes the equid figurines from the Khabur region even more interesting is the fact that that some of the details were not represented on Near Eastern equid depictions in other media (dorsal and shoulder stripes, strapping of genitalia), have been attested for much later periods (trappers) or have been known solely from written documents (saddle bags, marking of animals).
Źródło:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences); 2014, 27; 257-278
2084-6762
2449-9579
Pojawia się w:
Études et Travaux (Institut des Cultures Méditerranéennes et Orientales de l’Académie Polonaise des Sciences)
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ахеменидский след в Южном Туркменистане (об одной находке с городища Новая Ниса)
Autorzy:
Мурадов, Руслан
Никоноров, Валерий
Powiązania:
https://bibliotekanauki.pl/articles/972781.pdf
Data publikacji:
2018
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
New Nisa, terracotta fragment, Persepolis, stone reliefs, Achaemenid art
Nowa Nisa, fragment terrakoty, Persepolis, kamienny relief, sztuka Achemenidów
Opis:
In the summer of 2015, within the ancient site of New Nisa (Southern Turkmenistan), a local resident found by chance, in a deep gully made as a result of a heavy rain a terracotta fragment consisting of two pieces joining well to each other, which in the entire (glued) form has 16 cm in height and 18 cm in width. On the obverse of the fragment there is a partial image of a warrior – only the head and the uppermost parts of his spear and bow are preserved. He is shown standing against the background of what is a relief grid, the cells of which are rhomboid. Being produced in a special form-mould, this image is characterized by a fuzzy pattern with smoothed edges – the mould seems to have been used many times. This artifact is currently stored in the Museum of Fine Arts of Turkmenistan (Ashgabat) under the accession number СН15/НН15/Т1. The warrior’s representation on this fragment is of the greatest interest: according to its iconographic realities (“fluted” headdress, a set of weaponry, facial features, hairstyle and beard), it practically coincides with the images of Persian guardsmen on the famous stone reliefs of the first half of the 5th century BC from Persepolis. It is to be noted that the picture from New Nisa is absolutely unique: until now, this is the only known one coming from the territory outside the Achaemenid ceremonial capital. Just one feature distinguishes it from the Persepolitan reliefs, viz. the background in the form of the relief grid of rhombuses. It is, in all probability, a variety of geometric ornament that emerged as a decor on painted ceramic vessels in Iran as far back as the Aeneolithic era and continued to exist there in the Bronze Age, as well as later on – during the Early Iron Age, Achaemenid and Hellenistic times (this ornament was definitely used both in Iran proper and in some neighboring regions, such as Partava/Parthia, Marguš/Margiana and Caucasian Iberia). It cannot be ruled out that the product, the fragment of which was found in New Nisa, had been manufactured in a ceramic workshop located somewhere near Persepolis and somehow connected with the royal court. If not all, then some part of its production was intended to be distributed in the other lands of the Achaemenid Empire, including Parthava, in the northern part of which the ancient city known at present under the name of New Nisa was located. The likelihood that the artifact in question is a later fake looks more than doubtful. Its authenticity is indicated, among other considerations, by the availability of multilayer mouldy growths of different tints – from black to greygreen – on the external chips and over the traces of adhesive (?) on the reverse side, which clearly testify to a very long stay of our fragment in the earth. In addition, its greatly fragmented state and (what is most important!) the fact of its discovery within the territory of the ancient urban settlement, and not on the surface at that, but most likely in the thickness of cultural strata, do not permit, in our conviction, to seriously doubt the authenticity of this specimen of Achaemenid art.
W 2015 r. znaleziono na stanowisku Nowa Nisa (niedaleko Aszchabadu, Turkmenistan) figurkę terakotową z fragmentem wyobrażeniem wojownika. Sylwetka wojownika podobna jest do przedstawień wojowników pokazanych na datowanych na pierwszą połowę V w. p.n.e. z Persepolis. Przedstawienia z Nowej Nisy jest dziełem wyjątkowym – obecnie jest to jedyne przedstawienie „gwardzisty” pokazanego w Persepolis, tak daleko od ceremonialnej stolicy Achemenidów.  
Летом 2015 г. в пределах городища Новая Ниса (Южный Туркменистан) при случайных об- стоятельствах местный житель обнаружил в глубокой промоине, образовавшейся после проливного дождя, фрагмент терракотового изделия, состоящий из двух хорошо стыкующихся друг с другом кусков, который в целом (склеенном) виде имеет 16 см в высоту и 18 см в ширину. На лицевой стороне фрагмента присут- ствует частичное изображение воина – сохранились только голова и самые верхние части его копья и лука. Он показан стоящим на фоне подобия рельефной сетки, ячейки которой имеют вид ромбов. Изготовленное в специальной форме-матрице, это изображение характеризуется нечетким рисунком со сглаженными края- ми – матрица, надо полагать, использовалась многократно. Хранится этот артефакт в Музее изобразительных искусств Туркменистана (Ашхабад) под инвентарным номером СН15/НН15/Т1. Наибольший интерес вызывает изображение воина: по своим иконографическим реалиям («гофрирован- ный» головной убор, набор оружия, черты лица, прическа и борода) оно практически полностью совпадает с образами персидских стражей на знаменитых каменных рельефах первой половины V в. до н. э. из Персеполя. Следует отметить, что изображение из Новой Нисы абсолютно уникально: на сегодняшний день оно един- ственное, происходящее с территории за пределами церемониальной столицы Ахеменидов. Единственное, что отличает его от персепольских рельефов – это фон в виде рельефной сетки из ромбов, который, по всей видимости, представляет собой разновидность геометрического орнамента, который в качестве декора на рас- писных керамических сосудах появился в Иране еще в эпоху энеолита и продолжал бытовать там в эпоху бронзы, а также позднее – в раннем железном веке, в ахеменидский и эллинистический периоды (этот орна- мент определенно использовался как в самом Иране, так и в некоторых соседних областях – Партаве/Парфии, Маргуш/Маргиане и Кавказской Иберии). Не исключено, что изделие, фрагмент которого нашли в Новой Нисе, было изготовлено в керамической ма- стерской, располагавшейся где-то неподалеку от Персеполя и каким-то образом связанной с царским двором. Если не вся, то какая-то часть ее продукции была предназначена для поставки в другие области Ахеменидской империи, в том числе и в Партаву, в северной части которой располагался древний город, известный сейчас под названием Новая Ниса. Вероятность того, что рассматриваемый артефакт является более поздней подделкой, выглядит более чем сомнительной. На его подлинность указывают, помимо прочих соображений, многослойные наросты плесени разных оттенков – от черного до серо-зеленого – на внешних сколах и поверх следов клеящего раствора (?) на оборотной стороне, что наглядно свидетельствует об очень длительном пребывании нашего фрагмента в зем- ле. Вдобавок его сильно фрагментированный вид и (что особенно важно!) факт его обнаружения на террито- рии древнего городища, причем не на поверхности, а, скорее всего в толще культурных напластований, не по- зволяют, по нашему убеждению, всерьез сомневаться в подлинности этого образца ахеменидского искусства.
Źródło:
Acta Archaeologica Lodziensia; 2018, 64; 31-44
0065-0986
2451-0300
Pojawia się w:
Acta Archaeologica Lodziensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 17

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