- Tytuł:
-
Pejzaż jako synteza miejsca w odczuciu artysty malarza
Landscape as the Synthesis of a Place in the Feelings of a Painter - Autorzy:
- Bagiński, A. W.
- Powiązania:
- https://bibliotekanauki.pl/articles/1186773.pdf
- Data publikacji:
- 2007
- Wydawca:
- Uniwersytet Przyrodniczy we Wrocławiu
- Tematy:
-
pejzaż
malarz
forma obrazu
technika malarska
landscape
painter
form of painting
techniques in painting - Opis:
- For a landscapist the main theme is nature in all its forms and occurrences. Woods, lakes and rocks are stable motifs ; changeable atmospheric occurrences, such as clouds, fog, sunrise and sunset, cloudy and sunny days, appear simultaneously. Similarly my own experiences and ordeals are present in my creations. Close contact with nature refreshes the imagination and realizes emotional and spontaneous painting to express noticed occurrences and forms. I look for appropriate painting space and form. The main target is to achieve the energetic power of a painting. Cooperation of instinct, intuition and intellect continues until the end of the work. In emotions of work, it seems to me that a painting is finished, but often it occurs that it is not true. After a few days it often happens that some fragments need to be changed and sometimes on this basis a new painting is created, although the first one is not without meaning because the layers of colours create surprising qualities. The form comes from intuition, but in the layout of a painting construction, it is intellectually accepted, that is why it is equally important for me to lay the paint from motion and differing painting material. That gives me a lively and dynamic form.
- Źródło:
-
Architektura Krajobrazu; 2007, 4; 18-21
1641-5159 - Pojawia się w:
- Architektura Krajobrazu
- Dostawca treści:
- Biblioteka Nauki
Artykuł