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Tytuł:
Dźwięki reaktywne, dźwięki antycypujące. Z zagadnień funkcjonowania ścieżki dźwiękowej w grach wideo
Features of the reactive and anticipating sounds in video games
Autorzy:
Pigulak, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1047433.pdf
Data publikacji:
2021-03-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
ludomusicology
interactive music
reactive sounds
adaptive sounds
anticipating sounds
Opis:
The paper aims to outline features of video games’ sounds. In order to do that, the author presents the main thesis of ludomusicology and a theory of film music. The first part of the paper deals with a brief introduction concerning the characteristic of two important aspects of video games’ sounds: reactive and anticipating sounds. In the second part of the paper, the author explores the issue of facultative dialogues and adaptive sounds, as well as diegetic and non-diegetic sources of sound. The author examines the hypothesis that using sounds in video games determines gameplay and impacts players immersion.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 317-327
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Vittoria agli Assasini! Jak brzmi sukces w grze komputerowej?
Autorzy:
Bajew, Mikołaj
Powiązania:
https://bibliotekanauki.pl/articles/2083170.pdf
Data publikacji:
2022-01-26
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
success
sound
computer game
sounds
Opis:
The paper addresses the issue of the success of the sound of computer game success. To realise this, the author undertook a study of sound samples selected by him, which he considered to be the auditory representation of success in a computer game. The study was carried out with the help of the Reaper computer program and included 9 different sound characters. In the article, the author also reflects on the source and essence of success in a computer game and the game-player-success relationship.
Źródło:
Conversatoria Linguistica; 2021, 13; 7-24
1897-1415
Pojawia się w:
Conversatoria Linguistica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Funkcje pejzażu dźwiękowego w polskim reportażu literackim
Functions of the Soundscape in Polish Literary Reportage
Autorzy:
Pawlak-Hejno, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/1068783.pdf
Data publikacji:
2021-03-11
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
soundscape
literary reportage
reporter's workshop
sounds
Opis:
In her Nobel Prize speech, the first reporter who received this award, called herself “a human ear”. Swietlana Aleksijewicz’s statement inspired Katarzyna Michalak, a radio reportage artist, who, by carefully listening, noticed an experience shared by reporters who were explaining the world around them through various media. The author of this article, inspired by the meeting of two great reporters, decided to investigate how listening and acoustic space found expression in literary reportage. This article explores a research question concerning the functions of the sound sphere, and not only related to the protagonist’s voice, but also to his acoustic environment, present in the literary reportage. Therefore, the aim of this article will be to try to answer this question by analyzing the content of four Polish literary reports: Nie ma Mariusza Szczygła (2018), Błoto słodsze niż miód. Głosy komunistycznej Albanii Małgorzaty Rejmer (2018), Agonia. Lekarze i pacjenci w stanie krytycznym Pawła Kapusty (2018) oraz Lud. Z grenlandzkiej wyspy Ilony Wiśniewskiej (2018). The analysis of the presence of sounds in literary reportage leads to the formulation of the following conclusions. Exposing the acoustic sphere in the course of the narrative plays the role of mood-formation by building the background and scenography of the story, as well as the semantic sphere. It can be a significant element of the plot or to emphasize the most important events. It also creates the characterization of the main character and gives the reader access to his emotions. It is also a reporter's expression of empathy, an attempt to convey the hero’s voice without distortions and modifications, along with its melody, intonation and natural rhythm. It can be said that by including the last aspect, the attitude of Svetlana Aleksijewicz is reflected in the work of Polish reporters, although it is implemented in various forms.
Źródło:
Zagadnienia Rodzajów Literackich; 2020, 63, 4; 117-131
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sounds in space: the potential uses for acoustics in the exploration of other worlds
Autorzy:
Leighton, T.
Petculescu, A.
Powiązania:
https://bibliotekanauki.pl/articles/331578.pdf
Data publikacji:
2008
Wydawca:
Polskie Towarzystwo Akustyczne
Tematy:
sounds in space
acoustics
acoustical models
Opis:
This paper examines the past and future uses for acoustics in space research. Whilst on the larger scales in some topic areas, acoustical models have proved to be useful in extraterrestrial research, in other areas there has been not so much use made of acoustical techniques. One particular area where greater use might be made of acoustical sensors is in the deployment of acoustical sensors on probes sent out to other moons and planets. This is surprising given that acoustical sensors deliver benefits that are particularly useful for planetary probes, in terms of weight, bandwidth, ruggedness and cost. Whilst geoacoustical data could be obtained from many bodies, those which contain a dense atmosphere or an ocean offer intriguing additional possibilities. Examples from Mars, Venus, Titan, Enceladus and Europa will be discussed.
Źródło:
Hydroacoustics; 2008, 11; 225-239
1642-1817
Pojawia się w:
Hydroacoustics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Konteksty i pytania badań nad dźwiękiem w kulturze współczesnej. Wprowadzenie
Autorzy:
Misiak, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/468579.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Wrocławski. Instytut Kulturoznawstwa. Pracownia Badań Pejzażu Dźwiękowego
Tematy:
audiosfera
sounds studies
pejzaż dźwiękowy
dźwięk
Opis:
The paper is an attempt to identify the wide array of contexts and problems associated with the presence of sound in contemporary culture. These contexts are described using the most significant questions in given problematic fields. The main objective is to draw a map delineating the varied field of research on sound. In the paper, questions coexist related to philosophy, aesthetics, musico logy, anthropology, acoustics, ecology and architecture.
Źródło:
Audiosfera. Koncepcje – Badania – Praktyki; 2015, 1; 3-9
2450-4467
Pojawia się w:
Audiosfera. Koncepcje – Badania – Praktyki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Detection and Recognition of Environmental Sounds by Musicians and Non-Musicians
Autorzy:
Miśkiewicz, A.
Rościszewska, T.
Żera, J.
Majer, J.
Okoń-Makowska, B.
Powiązania:
https://bibliotekanauki.pl/articles/176313.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
environmental sounds
detection threshold
recognition threshold
Opis:
The article reports three experiments conducted to determine whether musicians possess better ability of recognising the sources of natural sounds than non-musicians. The study was inspired by reports which indicate that musical training develops not only musical hearing, but also enhances various non-musical auditory capabilities. Recognition and detection thresholds were measured for recordings of environment al sounds presented in quiet (Experiment 1) and in the background of a noise masker (Experiment 2). The listener’s ability of sound source recognition was inferred from the recognition-detection threshold gap (RDTG) defined as the difference in signal level between the thresholds of sound recognition and sound detection. Contrary to what was expected from reports of enhanced auditory abilities of musicians, the RDTGs were not smaller for musicians than for non-musicians. In Experiment 3, detection thresholds were measured with an adaptive procedure comprising three interleaved stimulus tracks with different sounds. It was found that the threshold elevation caused by stimulus interleaving was similar for musicians and non-musicians. The lack of superiority of musicians over non-musicians in the auditory tasks Explorer in this study is explained in terms of a listening strategy known as casual listening mode, which is a basis for auditory orientation in the environment.
Źródło:
Archives of Acoustics; 2018, 43, 4; 581-592
0137-5075
Pojawia się w:
Archives of Acoustics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pitch Strength of Residual Sounds Estimated Through Chroma Recognition by Absolute-Pitch Possessors
Autorzy:
Rogowski, P.
Rakowski, A.
Powiązania:
https://bibliotekanauki.pl/articles/177930.pdf
Data publikacji:
2010
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
absolute pitch
residual sounds
virtual pitch
Opis:
Absolute pitch is a unique feature of the auditory memory which makes it possible for its possessors to recognize the musical name (chroma) of a tone. Six musicians with absolute pitch, selected from a group of 250 music students as best scoring in musical pitch-naming tests, identified the chroma of residue pitch produced by harmonic complex tones with several lower partials removed (residual sounds). The data show that the percentage of correct chroma recognitions decreases as the lowest physically existent harmonic in the spectrum is moved higher. According to our underlying hypothesis the percentage of correct chroma recognitions corresponds to the pitch strength of the investigated tones. The present results are compared with pitch strength values derived in an experiment reported by Houtsma and Smurzynski (1990) for tones same as those used in this study but investigated with the use of a different method which consisted in identification of musical intervals between two successive tones. For sounds comprising only harmonics of very high order the new method yields a very low pitch recognition level of about 20% while identification of musical intervals remains stable at a level of about 60%.
Źródło:
Archives of Acoustics; 2010, 35, 3; 331-347
0137-5075
Pojawia się w:
Archives of Acoustics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Acoustic Influence of Vehicles on a Protected Natural Area in the Southwest of the Iberian Peninsula
Autorzy:
Sánchez-Sánchez, R.
Fortes-Garrido, J. C.
Bolívar, J. P.
Powiązania:
https://bibliotekanauki.pl/articles/176775.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
natural sounds
soundscapes
noise
protected natural area
Opis:
Natural sounds are essential elements for ecosystems, and therefore necessary for many ecological functions, forming what is called “natural soundscapes”. The Natural Reserve Laguna del Portil (NRLP), located in the southwest of the Iberian Peninsula, is an ecosystem which was declared by Spanish authorities as Protected Natural Reserve. In the south area of the NRLP, there is a regional road with high traffic intensity, which affects the soundscapes of this natural reserve. In this study, the road potential noise impact on the natural sounds of the NLRP is analysed. This analysis was done both in winter and summer, and also using two independent methods: 1) spatial sampling measures in 43 different points of the NRL; and 2) noise mapping using noise levels prediction software. From the comparison of the results of both methods and seasons the following conclusions were reached: 1) an approach to the natural soundscape of NRLP both in winter and summer, 2) the acoustic impact of the road on the NRLP, and 3) the variation of the traffic noise depending on the distance to the road, and its seasonal variation. This study could be to improve the management of the NRLP and to help to preserve the natural soundscape of the reserve.
Źródło:
Archives of Acoustics; 2018, 43, 2; 177-185
0137-5075
Pojawia się w:
Archives of Acoustics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Virtual Sound Localization by Blind People
Autorzy:
Dunai, L.
Lengua, I.
Peris-Fajarnés, G.
Brusola, F.
Powiązania:
https://bibliotekanauki.pl/articles/178022.pdf
Data publikacji:
2015
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
virtual sounds
localization
distance
azimuth
blind people
Opis:
The paper demonstrates that blind people localize sounds more accurately than sighted people by using monaural and/or binaural cues. In the experiment, blind people participated in two tests; the first one took place in the laboratory and the second one in the real environment under different noise conditions. A simple click sound was employed and processed with non-individual head related transfer functions. The sounds were delivered by a system with a maximum azimuth of 32° to the left side and 32° to the right side of the participant’s head at a distance ranging from 0.3 m up to 5 m. The present paper describes the experimental methods and results of virtual sound localization by blind people through the use of a simple electronic travel aid based on an infrared laser pulse and the time of flight distance measurement principle. The lack of vision is often compensated by other perceptual abilities, such as the tactile or hearing ability. The results show that blind people easily perceive and localize binaural sounds and assimilate them with sounds from the environment.
Źródło:
Archives of Acoustics; 2015, 40, 4; 561-567
0137-5075
Pojawia się w:
Archives of Acoustics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poetyka emocji: harmonia dźwięków i relacja Ja – Ty w opowiadaniu Vladimira Nabokova Dźwięki
The Poetics of Emotions: the Harmony of Sounds and I – You Relationship in Vladimir Nabokov’s Short Story Sounds
Autorzy:
Ułanek, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/482497.pdf
Data publikacji:
2019-03-31
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Nabokov, Sounds
emotions
Pythagoreans
I – You relationship
Opis:
The subject of discussion in the article is the way the protagonist of Vladimir Nabokov’s short story Sounds perceives the world. The sense-forming function of the sound as a literary trick, serv-ing to conceptualize the image of the world and the descriptions of emotional states of Nabokov’s characters, is revealed. It is proved that due to the recollective strategy (reconstructing in his mem-ory the day of parting with the beloved) the protagonist-artist perceives the ubiquitous harmony of sounds in the surrounding reality and at the same time recognizes (Gadamer) his own feelings that once bound him with his beloved. The “rhythmic order” of nature experienced by the protagonist evokes associations with Pythagorean reflection on the existence of permanent dependencies be-tween the rhythm of the Cosmos and the rhythms of man. This finds its expression in Nabokov’s short story in showing the intermingling of the worlds: establishing a relationship (unity) between the internal (emotional) and external (nature) world, between micro and macrocosm. The act of rec-ollection itself inscribes in a strategy of tranforming memories: forming in imagination a different image of the lovers’ parting and creating another – a dreamed image of the beloved.
Źródło:
Acta Polono-Ruthenica; 2019, 1, XXIV; 51-61
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Warsaw soundscape - structure and specifics
Autorzy:
Romanowska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/2037663.pdf
Data publikacji:
2015-01-10
Wydawca:
Uniwersytet Warszawski. Wydział Geografii i Studiów Regionalnych
Tematy:
Soundscape
acoustic environment
Warsaw
survey
specific sounds
Opis:
The Warsaw soundscape has been examined according to the principles of acoustic ecology. The soundscape is the acoustic environment tested primarily by qualitative research. Warsaw residents were asked in a survey about their sound impressions and requirements for the Warsaw soundscape. The aim of this research was to learn both the conditions of acoustic environment and the needs of space users in accordance with the space category. The present and expected sound structures of five different categories of space were examined (residential areas, streets, city centre, tourist areas and green areas). Information on both the specific Warsaw sounds and the ideas for new sounds (which could be introduced into the city) was collected.
Źródło:
Miscellanea Geographica. Regional Studies on Development; 2014, 18, 4; 5-16
0867-6046
2084-6118
Pojawia się w:
Miscellanea Geographica. Regional Studies on Development
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cadaver as a didactic tool for auscultating lung sounds
Ludzkie zwłoki jako narzędzie dydaktyczne w osłuchiwaniu płuc
Autorzy:
Bakalarski, Paweł
Klepacka, Monika
Sówka, Karolina
Bojko, Izabela
Głowala, Damian
Bodecot, Bastien
Pinet Peralta, Luis M.
Powiązania:
https://bibliotekanauki.pl/articles/1033046.pdf
Data publikacji:
2019
Wydawca:
Towarzystwo Pomocy Doraźnej
Tematy:
Pulmonary auscultation
cadavers
education
learning
lung sounds
Opis:
INTRODUCTION: Lung auscultation is one of the basic physical examination tests both in the pre-hospital and hospital settings and should be performed on any patient who has problems with the respiratory system. Depending on the condition, clinicians can hear different breathing sounds. Our aim is to assess the effectiveness of lung auscultation on cadavers. MATERIAL AND METHODS: The study was conducted in October 2018, among 27 Emergency Medical Services (EMS) students at the University of Natural Sciences and Humanities in Siedlce. The research tool used in this study was prepared human cadaver. Students listened to four pulmonary fields (apices and bases) using a stethoscope. RESULTS: The study included 27 students with an average age of 21.76 (SD ± 3.20). The average auscultation results were: right lung at the apex - 59.26% (SD ± 49.14), right lung at the base - 96.30% (SD ± 18.89), left lung at the apex - 40.74% (SD ± 49 , 14), left lung at the base - 77.78% (SD ± 41.57). The average satisfaction score on a scale from 1 to 5 was 4.37 points (SD ± 1.13). CONCLUSIONS: The study showed that conducting classes on mannequins is not sufficient for effective auscultation of pulmonary fields, which could probably be obtained through practice on cadavers. Students showed a high level of satisfaction with participation in the study. In order to improve the quality of students’ education and practical skills, periodic classes oncadavers should be conducted.
WSTĘP: Osłuchiwanie płuc jest jednym z podstawowych badań zarówno w warunkach przedszpitalnych jak i w trakcie hospitalizacji. Należy je wykonać u każdego pacjenta, u którego występują problemy z układem oddechowym. W zależności od obecnego schorzenia, można usłyszeć różne szmery oddechowe. Celem publikacji jest ocena efektywności osłuchiwania płuc na kadawerach. MATERIAŁ I METODY: Badanie przeprowadzono w październiku 2018 roku, wśród 27 studentów ratownictwa medycznego Uniwersytetu Przyrodniczo-Humanistycznego w Siedlcach. Narzędziem badawczym był preparat ludzkiego korpusu, który wcześniej został odpowiednio przygotowany. Studenci przy użyciu stetoskopu osłuchiwali cztery pola płucne (szczyty i podstawy). WYNIKI: W badaniu wzięło udział 27 studentów, u których średnia wieku wyniosła 21.76 (SD ± 3.20). Średnie wyniki osłuchiwania wyniosły: prawe płuco u szczytu – 59,26 % (SD ± 49,14), prawe płuco u podstawy – 96.30 % (SD ± 18,89), lewe płuco u szczytu – 40,74 % (SD ± 49,14), lewe płuco u podstawy – 77,78 % (SD ± 41,57). Średni wynik poziomu satysfakcji w skali od 1 do 5 wyniósł 4,37pkt (SD ± 1,13). WNIOSKI: Badanie wykazało, iż prowadzenie zajęć na fantomach nie jest wystarczające pod względem odpowiedniego przygotowania studentów do efektywnego osłuchiwania pól płucnych, co prawdopodobnie można by było uzyskać poprzez ćwiczenia na kadawerach. Studenci wykazali wysoki poziom satysfakcji z udziału w badaniu. Należy poszukać rozwiązań umożliwiających okresowe prowadzenie zajęć na kadawerach dla studentów w celu podnoszenia jakości ich kształcenia i umiejętności praktycznych.
Źródło:
Critical Care Innovations; 2019, 2, 3; 11-18
2545-2533
Pojawia się w:
Critical Care Innovations
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
System wspierający diagnostykę rodzin pszczelich
A support system for the diagnosis of bee colonies
Autorzy:
Krzywoszyja, G.
Andrzejewski, G.
Powiązania:
https://bibliotekanauki.pl/articles/157623.pdf
Data publikacji:
2014
Wydawca:
Stowarzyszenie Inżynierów i Techników Mechaników Polskich
Tematy:
diagnostyka
dźwięki
pszczoły
stan
bees
condition
diagnostics
sounds
Opis:
W artykule opisano konstrukcję systemu diagnostycznego, przeznaczonego do obserwacji zachowań pszczół. Główna część artykułu zawiera ocenę możliwości wydobycia informacji z dźwięków wytwarzanych przez pszczoły. Celem badań jest rozpoznanie stanów rodziny pszczelej oraz ich klasyfikacja. Opisano proces tworzenia modeli dźwięków oraz redukcji ich wymiarów. Przedstawiono obrazy otrzymane w diagnostycznej przestrzeni obserwacji stanów. W części końcowej opisano proces badania wybranego strumienia dźwięków i podjęto próbę interpretacji otrzymanych wyników.
The design of a diagnostic system to observe the behavior of bees is described. The main part of the paper contains an assessment of the possibility of extracting information from sounds produced by bees. The aim of the study is to identify the states of colonies and their classification. It describes the processes modeling the sounds and reducing their size. Experimental images created in the diagnostic state space are shown. Finally, the process of testing a selected stream of sounds is outlined and an attempt to interpret the results is made.
Źródło:
Pomiary Automatyka Kontrola; 2014, R. 60, nr 11, 11; 978-981
0032-4140
Pojawia się w:
Pomiary Automatyka Kontrola
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Aspekte der Neuordnung des Kanzleiwesens im preußischen Ordensland nach dem 2. Thorner Friedensschluss
Aspects of the new ordinance concerning the chanceery in the monastic Teutonic State in Prussia after the Second Peace of Toruń
Autorzy:
Heckmann, Dieter
Powiązania:
https://bibliotekanauki.pl/articles/1194012.pdf
Data publikacji:
2016
Wydawca:
Towarzystwo Naukowe w Toruniu
Tematy:
chancellery
the chancellery landscape
personal relations
double sounds
Opis:
After the outbreak of the Thirteen Years‘ War there was created a certain kind of the Pomesan chancellery landscape. Its creation resulted from the tendency of various chancelleries to cooperate. The central point of the landscape was Marienburg’s [Polish: Malbork] chancellery of the Grand Master under the supervision of the clergyman and chancellor Andreas Santberg. He organized the manner of administering the written documentation with the help of public notaries, who had prepared the earliest files. The personal relations between the city chancelleries of the Monastic State and the Teutonic chancelleries may be noticed. The situation of the work of the chancellery during the Thirteen Years’ War was determined by extraordinary conditions. Preparing the registers of documents in the chancellery of the Grand Master was stopped. Instead of this, the number of drafts of documents increased. In the cities and towns which were most affected by the war events, it was hard to maintain the continuity in the production of documents. After the Grand Master moved to Königsberg, the preparations to set up a new registry office of the territorial ruler commenced. The chancellery’s personnel organized the administration of the documentations according to old models of the Sambian chancellery. One of the characteristic features of the German writing used during the war was the introduction of double sounds „nn” in the initial syllable and sometimes in the final syllable. After the conclusion of the Peace Treaty the process of the gradual secularization of the Grand Master’s chancellery could be observed. In the times of Friedrich von Sachsen educated lawyers were responsible for chancelleries following the models taken over from the Meissen motherland of the Grand Master. Under the rule of the margrave Albrecht people from Francophonie became trustworthy cooperators. They led to the gradual francisation of the language of the chancellery. Writing registers again became part of chancellery production. A new administration was created. Similar phenomena took place in case of writing production of the city chancelleries and other lay and church chancelleries at the end of the Teutonic period, which requires further research.
Źródło:
Zapiski Historyczne; 2016, 81, 4; 101-116
0044-1791
2449-8637
Pojawia się w:
Zapiski Historyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
MUSIC IN THE FIELD OF POLITICAL SCIENCE RESEARCH QUESTIONS AND TRENDS
Autorzy:
Massaka, Iwona
Powiązania:
https://bibliotekanauki.pl/articles/594783.pdf
Data publikacji:
2013
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
music
music and politics
theory of politics
sounds
democracy
Opis:
Research on relations between art and politics has its tradition. However, it mainly refers to literature, whose part, as far as its authors’ intentions are concerned, is of a political character, in a lesser degree – of a picture. Sound, especially if it is not linked to a text and/or a picture, is considerably more seldom analyzed from the point of view of its importance in politics. As long as a word and a picture happen to convey unequivocal political meaning, qualified as such by most recipients, sound cannot be obviously considered a political message. It is questionable whether music can convey any meaning in whatever sense. If one can manage to suppress this doubt, it will result in a question how to construe the senses conveyed through the medium of melodic – rhythmic structures. However, the findings in the field of widely understood humanities affirm that music serves as a creator’s message directed to both individual and collective receivers. Political science studies often bring up a matter of communication between authorities and the subjects (in authoritarian regimes), and also between representatives of a nation or people claiming their role and electorate (in democratic regimes). At the end of the 1960s, American and Canadian scientists made room for music, one of the most widespread communicators, i. a. in political sphere. At that time, interdisciplinary teams including American sociologists, political scientists, culture and media experts undertook.
Źródło:
Polish Political Science Yearbook; 2013, 42; 317-330
0208-7375
Pojawia się w:
Polish Political Science Yearbook
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Loudness Assessment of Musical Tones Equalized in A-weighted Level
Autorzy:
Klonari, D.
Pastiadis, K.
Papadelis, G.
Papanikolaou, G.
Powiązania:
https://bibliotekanauki.pl/articles/177354.pdf
Data publikacji:
2011
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
loudness perception
A-weighted level equalization
wind instrument sounds
Opis:
The present study was carried out to determine whether recorded musical tones played at various pitches on a clarinet, a flute, an oboe, and a trumpet are perceived as being equal in loudness when presented to listeners at the same A-weighted level. This psychophysical investigation showed systematic effects of both instrument type and pitch that could be related to spectral properties of the sounds under consideration. Level adjustments that were needed to equalize loudness well exceeded typical values of JNDs for signal level, thus confirming the insufficiency of A-weighting as a loudness predictor for musical sounds. Consequently, the use of elaborate computational prediction is stressed, in view of the necessity for thorough investigation of factors affecting the perception of loudness of musical sounds.
Źródło:
Archives of Acoustics; 2011, 36, 2; 239-250
0137-5075
Pojawia się w:
Archives of Acoustics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Federico Incardona and Giovanni Damiani
Autorzy:
Carapezza, Paolo Emilio
Powiązania:
https://bibliotekanauki.pl/articles/780337.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Federico Incardona
Giovanni Damiani
University of Palermo
Post-serial dodecaphony
Heterophony
Natural harmonic sounds
Abstract expressionism
Sound vegetation
Thought in sounds
Sound architecture
Opis:
Together with Sciarrino and Casale, Incardona and Damiani are the most important composers trained at Palermo University’s Musicological Institute. Federico Incardona (Palermo, 1958-2006) reconciles the social commitment of Berg and the political tension of Nono with the sublimated eroticism of Szymanowski. If Nono’s works, like those of Evangelisti in a different way, blend dodecaphonic dialectic with the corporeity of the sound of Varèse, Incardona blends Evangelisti’s sonorous cosmogony with the erotic immediateness of Bussotti. But his principal reference point is Mahler. His music is rich in meaning and strong emotional intensity, concentrated and sublimated: it is like “processes of denuding of the melody, carnal embraces between the parts, dodecaphonic series modelled on the body of the loved one” (Spagnolo). Its “new linearity and temporal tension”, is wedded to the “absolute primacy of expression and emotion”, in full awareness of the “deep unity of emotion and knowledge” (Lombardi Vallauri). Indeed, in the intense expressionism of his music, dodecaphonic construction is always at the service of a dialectical discourse which is dense and deep, but - in his last works - clear and fluid like a melody by Bellini. “Infinite melos”, Marc Crescimanno defines it: harmonic richness and dense hétérophonie complexities are blended; the counterpoint is based “on the superimposition of manifold variations on the same figure, with precise control of the vertical encounters on its melodic-harmonic hinges”. Born into a dynasty of engineers and architects, Giovanni Damiani (Palermo, 1966) is himself an engineer and architect, but in sound space. Rather than music, his works are organized Sound: “embodiment of the intelligence inherent in sounds themselves”, in the manner of Varèse, and specifically “sound vegetation”, in the manner of Bartok. His most important work, Salve follie precise (1998-2004: on a libretto in verse by Francesco Carapezza, based on Semmelweis et l’infection puerpérale that Louis-Ferdinand Céline wrote between 1924 and 1929), represents precisely the germination of life (of algae from water, of grass from rock, of man from woman, of sounds from Sound) and the threats of death that surround it, that is to say of regression of the animal and vegetable kingdoms to the mineral kingdom. In it Damiani exclusively uses, as previously in the great symphony Matrice/Organon (1995), natural harmonic sounds. We thus assist at harmonic germination; Sound generates sounds, the Note generates notes. If Damiani as a musicologist follows on from Réti, as a composer he follows on from Schenker. For him the note, seen as pure Sound internally structured a priori, is everything: the universe of artistic creation in sound space is only unfolding of the tension internal to the note itself. Everything (melody, tonality, polyphony, harmony), as Cesare Brandi wrote, “comes from the very nature of the note, which is, in the stratification of harmonics, tonic, isolated note (of a melody), vertical chord and horizontal encounter of polyphonic lines”.
Źródło:
Interdisciplinary Studies in Musicology; 2013, 12; 41-56
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Besedotvorna produktivnost posnemovalnih medmetov za zvoke naprav v slovenščini
Autorzy:
Stramljič Breznik, Irena
Powiązania:
https://bibliotekanauki.pl/articles/677544.pdf
Data publikacji:
2013
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
word-formation
interjections
interjections imitating machine sounds
words formed from interjections
Opis:
Word-formational productivity of onomatopoeic interjections imitating machine sounds in SloveneThe article presents partial results of a wider study about the lexical potential of interjections in Slovene from the functional and lexicographical perspectives. The study focuses on interjections imitating machine sounds which are presented as entries from a to ž in the Slovenian Ortography (2001).On the basis of examples found, interjections were classified into more homogenous groups according to the type of machine. Each category was further analyzed by using corpus analysis, which was carried out on the trial version of the billion-word corpus of the Slovene language called Gigafida. The analysis focused on the existence of words created from interjections whose base comes from one of the subcategories of onomatopoeic interjections presented here.The results of the analysis have confirmed that this type of interjections and words formed from them are relatively frequent in expressive discourse. The most prominent are the interjections typically used for imitating the sound of musical instruments and their parts (brenk), tools (švrk, škrt), weapons (pok, švist) and transportation devices (puh).The results also showed that the interjections which are the base for forming verbs give rise to more extensive word families. Verbs formed from interjections can also form complex words of a higher order according to established word-formational patterns. Produktywność słowotwórcza słoweńskich wtrąceń onomatopeicznych naśladujących dźwięki maszynNiniejszy artykuł jest częścią większego projektu, badającego potencjał leksykalny wtrąceń w języku słoweńskim z perspektywy funkcjonalnej oraz leksykograficznej – w pracy przedstawione zostaną jedynie wyniki badań nad tymi wtrąceniami, które naśladują dźwięki maszyn.Materiał do badania, tj. konkretne wtrącenia, został zaczerpnięty ze słownika ortografii słoweńskiej (Slovenski pravopis, 2001). Znalezione przykłady zostały następnie pogrupowane w zależności od typu maszyn, których dźwięki naśladują. Kolejny etap to pogłębiona analiza każdej grupy za pomocą testowej wersji korpusu języka słoweńskiego Gigafida (korpus ten zawiera około miliarda słów). Analiza ta miała na celu zbadanie, czy istnieją słowa utworzone na bazie wtrąceń należących do jednej z omawianych tutaj grup.Badanie wykazało, iż tego typu wtrącenia oraz słowa od nich utworzone stosunkowo często występują w dyskursie o charakterze ekspresywnym. Ze wszystkich wtrąceń najczęściej występowały te, które naśladują dźwięk instrumentów muzycznych lub ich części (brenk), narzędzi (švrk, škrt), broni (pok, švist) oraz środków transportu (puh).Co więcej, wtrącenia, od których tworzone są czasowniki, dają początek bardziej rozbudowanym rodzinom wyrazowym. Takie czasowniki mogą również wchodzić w skład bardziej złożonych słów, tworzonych za pomocą typowych dla języka słoweńskiego mechanizmów słowotwórczych.
Źródło:
Slavia Meridionalis; 2013, 13
1233-6173
2392-2400
Pojawia się w:
Slavia Meridionalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Articulatory diversity of the /r/ phoneme in modern standard German
Autorzy:
Tworek, Artur
Powiązania:
https://bibliotekanauki.pl/articles/605539.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
present-day German pronunciation
articulate diversity
/r/ sounds
vocalic /r/ forms
Opis:
Der Band enthält die Abstracts ausschließlich in englischer Sprache.
The paper discusses articulatory diversity of the /r/ sound in present-day German. Both consonantal and vocalic values of the rhotic are discussed. The choice between the consonantal and the vocalic forms is motivated by distribution. The most common consonantal forms are the uvular trill and the uvular fricative. However, their pronunciation is idiophonic.
Le numéro contient uniquement les résumés en anglais.
Том не содержит аннотаций на английском языке.
Źródło:
Lublin Studies in Modern Languages and Literature; 2018, 42, 1
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Analiza i modelowanie sygnałów osłuchu płuc
Analysis and modelling of lung sounds
Autorzy:
Wiśniewski, M.
Zieliński, T.
Powiązania:
https://bibliotekanauki.pl/articles/154827.pdf
Data publikacji:
2012
Wydawca:
Stowarzyszenie Inżynierów i Techników Mechaników Polskich
Tematy:
osłuch płuc
modelowanie
oddech
świsty
chest auscultation
modeling
lung sounds
wheezes
Opis:
Artykuł dotyczy problematyki modelowania sygnałów pozyskanych podczas osłuchu płuc. Oprócz modelu normalnego oddechu zdrowego pacjenta, przedstawiono opracowany model świstów astmatycznych, jednego z najpopularniejszych objawów zaburzenia oddychania. Biorąc pod uwagę fakt, że świsty osadzone są na tle normalnego oddechu, w artykule przedstawiono metodykę wyliczania poprawnego stosunku sygnałów tonalnych świstu do sygnału normalnego oddechu. Przeprowadzono również analizę przedziałów częstotliwości tonów występujących w świstach rzeczywistych.
The paper addresses a problem of modelling lung sounds. Apart from typical human breath of a healthy person, the model of asthma wheeze, one of the most often breathing disorders, is presented. Since wheezes are embedded in normal human breath, the methodology of signal-to noise (wheeze-to-breath) ratio calculation is discussed in the paper. The frequency range of wheezes present in real recordings is investigated in this work, too. Section 2 specifies signals that are obtained during the chest auscultation. In Section 3 feature identification and signal modelling of normal lung sounds are made. In this section the distribution of signal samples and the mean signal spectrum are shown in the figures. Section 4 describes identification of real signal features and modelling of wheezes. This section presents histograms of SNR (Signal to Noise Ratio or Wheeze-to-Breath Ratio), number of tones in wheezes and tone frequencies for real signals and generated tonalities. The model verification results obtained with use of tonality detection algorithms are given in Section 6. The short conclusions and a list of references are at the end of the paper.
Źródło:
Pomiary Automatyka Kontrola; 2012, R. 58, nr 4, 4; 383-386
0032-4140
Pojawia się w:
Pomiary Automatyka Kontrola
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The rhotic in fake and authentic Polish-accented English
Autorzy:
Szpyra-Kozłowska, Jolanta
Powiązania:
https://bibliotekanauki.pl/articles/605480.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
rhotics
r-sounds
Polish-accented English
fake foreign accent
authentic foreign accent
Opis:
Der Band enthält die Abstracts ausschließlich in englischer Sprache.
The paper examines and compares the realization of the rhotic consonant /r/ in fake and genuine Polish-accented English. The former variety is represented by the speech of several actors of different nationalities featuring in the 2017 American film The Zookeeper’s Wife, the latter is analysed on the basis of speech samples provided by 25 teenage Polish learners of English. We focus on the rhoticity vs nonrhoticity of the examined accents and the phonetic realizations of /r/ in order to draw conclusions concerning the authenticity of Polish English pronunciation in American films.
Le numéro contient uniquement les résumés en anglais.
Том не содержит аннотаций на английском языке.
Źródło:
Lublin Studies in Modern Languages and Literature; 2018, 42, 1
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Una lingua silenziosa: immaginare il dialetto negli scritti di Elena Ferrante
Autorzy:
Librandi, Rita
Powiązania:
https://bibliotekanauki.pl/articles/2083448.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Ferrante’s novels
Italian and Dialect
Women writings
Metalinguistic gloss
Naples sounds
Opis:
A silent language: imagining the dialect in Ferrante’s novels – Elena Ferrante’s novels are not examples of plurilingual literature; in fact they do not mix diatopic varieties of Italian and dialect, even if, above all in the stories in My Brilliant Friend, Italian readers can perceive the sounds of the Neapolitan dialect. To achieve this effect, Elena Ferrante uses metalinguistic glosses, which alert the reader when the characters pass from one language to another. The essay examines the features of the glosses, which are cleverly inserted, do not hinder reading, and manage to transport the reader to among the houses and the sounds of Naples.
Źródło:
Kwartalnik Neofilologiczny; 2019, 2; 385-398
0023-5911
Pojawia się w:
Kwartalnik Neofilologiczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Influence of Bilingualism on the Production of Stop Consonants in L1 (Arabic) and L2 (English): Acoustic Analysis of Stop’s Closure Duration
Autorzy:
Abunima, Somaya
Alshamiri, Sumaya Faisal
Hamid, Shahidi A.
Jaafar, Sharifah Raihan Syed
Refaat, Alareer
Powiązania:
https://bibliotekanauki.pl/articles/2196931.pdf
Data publikacji:
2022-10-06
Wydawca:
Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
Tematy:
acoustic analysis
language interaction
stop sounds
Arabic-English bilinguals
pronunciation
difficulties
closure duration
Opis:
This paper investigates the impact of bilingualism on the difficulties of pronunciation for both L1 (Arabic) and L2 (English). It assesses the production of stop sounds in Arabic and English through an acoustic analysis of stops' closure duration (henceforth CD), as pronounced by Arabic-English bilinguals whose L1 is Palestinian Arabic. Additionally, the paper aims to highlight the difficulties of pronunciation in both languages. Three groups of same aged adult subjects participated in the production tests; 1) Arabic-English bilinguals whose L1 is Palestinian Arabic, 2) Arabic-monolinguals, and 3) English-monolinguals. The stops in word-medial and final positions were included in closed syllables (CVC) in meaningful words inserted in carrier sentences. The results revealed that the CD of the interaction of stops was represented in four categories; 1) unidirectional effect of L1 on L2 that caused a foreign accent, 2) bidirectional influence resulting in L1-L2 interference, 3) unidirectional impact of L2 on L1, and 4) nativelikeness in both languages without language interference. In addition, the findings showed that bilinguals faced pronunciation challenges in both similar and dissimilar sounds. This paper is expected to initiate more comprehensive studies in the field of interaction between Arabic and English in the Arabic context.
Źródło:
Academic Journal of Modern Philology; 2022, 15; 7-19
2299-7164
2353-3218
Pojawia się w:
Academic Journal of Modern Philology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Konceptualizacja zmysłów w twórczości Adama Mickiewicza
Conceptualization of senses in Mickiewicz’s output
Autorzy:
Kładoczny, Piotr
Powiązania:
https://bibliotekanauki.pl/articles/1400616.pdf
Data publikacji:
2016-12-19
Wydawca:
Uniwersytet Zielonogórski. Wydział Humanistyczny
Tematy:
Mickiewicz
senses
conceptualization
semantic frame
sounds names
zmysły
konceptualizacja
rama interpretacyjna
nazwy dźwięków
Opis:
Na podstawie słownika języka Adama Mickiewicza językoznawcy mogą dokonać rekonstrukcji konceptualizacji zmysłów w twórczości pisarza. Zebrane słownictwo właściwe dla każdego ze zmysłów ułożono w połączone ze sobą kategorie semantyczne, które tworzą ramę interpretacyjną. Pisarz był wrażliwy na każdy ze zmysłów, lecz najczęściej odwoływał się do wzroku i słuchu. Korzystał w pełni z bogactwa słownictwa właściwego dla swoich czasów. W badanym zakresie leksyki nie tworzył nowych słów.
Linguists can reconstruct a conceptualization of senses in Adam Mickiewicz’s writings on the basis of the writer’s language dictionary. Lexicon characterizing each sense were arranged in semantic categories connected with one another, which construct a frame semantic. The writer was susceptible to each of senses but most often he referred to sight and hearing. Mickiewicz used a complete variety of words specific to his epoch. Adam Mickiewicz didn’t form new words in the studied range of vocabulary.
Źródło:
Filologia Polska. Roczniki Naukowe Uniwersytetu Zielonogórskiego; 2016, 2; 263-306
2450-3584
Pojawia się w:
Filologia Polska. Roczniki Naukowe Uniwersytetu Zielonogórskiego
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
New vs. similar sound production accuracy: The uneven fight
Autorzy:
Sypiańska, Jolanta
Constantin, Elena-Raluca
Powiązania:
https://bibliotekanauki.pl/articles/2135324.pdf
Data publikacji:
2021-09-25
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
new and similar sounds
schwa
production accuracy
foreign accent rating
level of proficiency
Opis:
The Speech Learning Model states that the process of equivalence classification reduces the accuracy of a similar L2 sound by forming an L1-L2 merged category whereas new sounds tend to be pronounced with greater accuracy due to lack of perceptual linkage with an L1 category (Flege 1995). We found further support for this differentiation in the production of the canonical schwa as a new sound by L1 Polish/L2 English speakers and as a similar sound by L1 Romanian/L2 English speakers, who produced an L1-L2 schwa merger. The aim of the current paper is to further investigate the production accuracy of new and similar sounds. First of all, a control group that consisted of native Romanian speakers was used to analyse the L1-L2 similar sound merger. Secondly, a measure of overall pronunciation ability based on foreign accent ratings (FAR) was included. The results confirm that production accuracy for new sounds is much greater than for similar sounds which form merged diaphones with the equivalent L1 sound. As a result, neither sound is produced on target when compared to a native speaker reference. Moreover, new sound production accuracy benefits much more from an increase in general proficiency and overall L2 pronunciation ability.
Źródło:
Yearbook of the Poznań Linguistic Meeting; 2021, 7, 1; 155-179
2449-7525
Pojawia się w:
Yearbook of the Poznań Linguistic Meeting
Dostawca treści:
Biblioteka Nauki
Artykuł
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