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Tytuł:
Dźwięki reaktywne, dźwięki antycypujące. Z zagadnień funkcjonowania ścieżki dźwiękowej w grach wideo
Features of the reactive and anticipating sounds in video games
Autorzy:
Pigulak, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1047433.pdf
Data publikacji:
2021-03-31
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
ludomusicology
interactive music
reactive sounds
adaptive sounds
anticipating sounds
Opis:
The paper aims to outline features of video games’ sounds. In order to do that, the author presents the main thesis of ludomusicology and a theory of film music. The first part of the paper deals with a brief introduction concerning the characteristic of two important aspects of video games’ sounds: reactive and anticipating sounds. In the second part of the paper, the author explores the issue of facultative dialogues and adaptive sounds, as well as diegetic and non-diegetic sources of sound. The author examines the hypothesis that using sounds in video games determines gameplay and impacts players immersion.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2020, 28, 37; 317-327
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Vittoria agli Assasini! Jak brzmi sukces w grze komputerowej?
Autorzy:
Bajew, Mikołaj
Powiązania:
https://bibliotekanauki.pl/articles/2083170.pdf
Data publikacji:
2022-01-26
Wydawca:
Uniwersytet Przyrodniczo-Humanistyczny w Siedlcach
Tematy:
success
sound
computer game
sounds
Opis:
The paper addresses the issue of the success of the sound of computer game success. To realise this, the author undertook a study of sound samples selected by him, which he considered to be the auditory representation of success in a computer game. The study was carried out with the help of the Reaper computer program and included 9 different sound characters. In the article, the author also reflects on the source and essence of success in a computer game and the game-player-success relationship.
Źródło:
Conversatoria Linguistica; 2021, 13; 7-24
1897-1415
Pojawia się w:
Conversatoria Linguistica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Funkcje pejzażu dźwiękowego w polskim reportażu literackim
Functions of the Soundscape in Polish Literary Reportage
Autorzy:
Pawlak-Hejno, Elżbieta
Powiązania:
https://bibliotekanauki.pl/articles/1068783.pdf
Data publikacji:
2021-03-11
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
soundscape
literary reportage
reporter's workshop
sounds
Opis:
In her Nobel Prize speech, the first reporter who received this award, called herself “a human ear”. Swietlana Aleksijewicz’s statement inspired Katarzyna Michalak, a radio reportage artist, who, by carefully listening, noticed an experience shared by reporters who were explaining the world around them through various media. The author of this article, inspired by the meeting of two great reporters, decided to investigate how listening and acoustic space found expression in literary reportage. This article explores a research question concerning the functions of the sound sphere, and not only related to the protagonist’s voice, but also to his acoustic environment, present in the literary reportage. Therefore, the aim of this article will be to try to answer this question by analyzing the content of four Polish literary reports: Nie ma Mariusza Szczygła (2018), Błoto słodsze niż miód. Głosy komunistycznej Albanii Małgorzaty Rejmer (2018), Agonia. Lekarze i pacjenci w stanie krytycznym Pawła Kapusty (2018) oraz Lud. Z grenlandzkiej wyspy Ilony Wiśniewskiej (2018). The analysis of the presence of sounds in literary reportage leads to the formulation of the following conclusions. Exposing the acoustic sphere in the course of the narrative plays the role of mood-formation by building the background and scenography of the story, as well as the semantic sphere. It can be a significant element of the plot or to emphasize the most important events. It also creates the characterization of the main character and gives the reader access to his emotions. It is also a reporter's expression of empathy, an attempt to convey the hero’s voice without distortions and modifications, along with its melody, intonation and natural rhythm. It can be said that by including the last aspect, the attitude of Svetlana Aleksijewicz is reflected in the work of Polish reporters, although it is implemented in various forms.
Źródło:
Zagadnienia Rodzajów Literackich; 2020, 63, 4; 117-131
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sounds in space: the potential uses for acoustics in the exploration of other worlds
Autorzy:
Leighton, T.
Petculescu, A.
Powiązania:
https://bibliotekanauki.pl/articles/331578.pdf
Data publikacji:
2008
Wydawca:
Polskie Towarzystwo Akustyczne
Tematy:
sounds in space
acoustics
acoustical models
Opis:
This paper examines the past and future uses for acoustics in space research. Whilst on the larger scales in some topic areas, acoustical models have proved to be useful in extraterrestrial research, in other areas there has been not so much use made of acoustical techniques. One particular area where greater use might be made of acoustical sensors is in the deployment of acoustical sensors on probes sent out to other moons and planets. This is surprising given that acoustical sensors deliver benefits that are particularly useful for planetary probes, in terms of weight, bandwidth, ruggedness and cost. Whilst geoacoustical data could be obtained from many bodies, those which contain a dense atmosphere or an ocean offer intriguing additional possibilities. Examples from Mars, Venus, Titan, Enceladus and Europa will be discussed.
Źródło:
Hydroacoustics; 2008, 11; 225-239
1642-1817
Pojawia się w:
Hydroacoustics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Konteksty i pytania badań nad dźwiękiem w kulturze współczesnej. Wprowadzenie
Autorzy:
Misiak, Tomasz
Powiązania:
https://bibliotekanauki.pl/articles/468579.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Wrocławski. Instytut Kulturoznawstwa. Pracownia Badań Pejzażu Dźwiękowego
Tematy:
audiosfera
sounds studies
pejzaż dźwiękowy
dźwięk
Opis:
The paper is an attempt to identify the wide array of contexts and problems associated with the presence of sound in contemporary culture. These contexts are described using the most significant questions in given problematic fields. The main objective is to draw a map delineating the varied field of research on sound. In the paper, questions coexist related to philosophy, aesthetics, musico logy, anthropology, acoustics, ecology and architecture.
Źródło:
Audiosfera. Koncepcje – Badania – Praktyki; 2015, 1; 3-9
2450-4467
Pojawia się w:
Audiosfera. Koncepcje – Badania – Praktyki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Detection and Recognition of Environmental Sounds by Musicians and Non-Musicians
Autorzy:
Miśkiewicz, A.
Rościszewska, T.
Żera, J.
Majer, J.
Okoń-Makowska, B.
Powiązania:
https://bibliotekanauki.pl/articles/176313.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
environmental sounds
detection threshold
recognition threshold
Opis:
The article reports three experiments conducted to determine whether musicians possess better ability of recognising the sources of natural sounds than non-musicians. The study was inspired by reports which indicate that musical training develops not only musical hearing, but also enhances various non-musical auditory capabilities. Recognition and detection thresholds were measured for recordings of environment al sounds presented in quiet (Experiment 1) and in the background of a noise masker (Experiment 2). The listener’s ability of sound source recognition was inferred from the recognition-detection threshold gap (RDTG) defined as the difference in signal level between the thresholds of sound recognition and sound detection. Contrary to what was expected from reports of enhanced auditory abilities of musicians, the RDTGs were not smaller for musicians than for non-musicians. In Experiment 3, detection thresholds were measured with an adaptive procedure comprising three interleaved stimulus tracks with different sounds. It was found that the threshold elevation caused by stimulus interleaving was similar for musicians and non-musicians. The lack of superiority of musicians over non-musicians in the auditory tasks Explorer in this study is explained in terms of a listening strategy known as casual listening mode, which is a basis for auditory orientation in the environment.
Źródło:
Archives of Acoustics; 2018, 43, 4; 581-592
0137-5075
Pojawia się w:
Archives of Acoustics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pitch Strength of Residual Sounds Estimated Through Chroma Recognition by Absolute-Pitch Possessors
Autorzy:
Rogowski, P.
Rakowski, A.
Powiązania:
https://bibliotekanauki.pl/articles/177930.pdf
Data publikacji:
2010
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
absolute pitch
residual sounds
virtual pitch
Opis:
Absolute pitch is a unique feature of the auditory memory which makes it possible for its possessors to recognize the musical name (chroma) of a tone. Six musicians with absolute pitch, selected from a group of 250 music students as best scoring in musical pitch-naming tests, identified the chroma of residue pitch produced by harmonic complex tones with several lower partials removed (residual sounds). The data show that the percentage of correct chroma recognitions decreases as the lowest physically existent harmonic in the spectrum is moved higher. According to our underlying hypothesis the percentage of correct chroma recognitions corresponds to the pitch strength of the investigated tones. The present results are compared with pitch strength values derived in an experiment reported by Houtsma and Smurzynski (1990) for tones same as those used in this study but investigated with the use of a different method which consisted in identification of musical intervals between two successive tones. For sounds comprising only harmonics of very high order the new method yields a very low pitch recognition level of about 20% while identification of musical intervals remains stable at a level of about 60%.
Źródło:
Archives of Acoustics; 2010, 35, 3; 331-347
0137-5075
Pojawia się w:
Archives of Acoustics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Acoustic Influence of Vehicles on a Protected Natural Area in the Southwest of the Iberian Peninsula
Autorzy:
Sánchez-Sánchez, R.
Fortes-Garrido, J. C.
Bolívar, J. P.
Powiązania:
https://bibliotekanauki.pl/articles/176775.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
natural sounds
soundscapes
noise
protected natural area
Opis:
Natural sounds are essential elements for ecosystems, and therefore necessary for many ecological functions, forming what is called “natural soundscapes”. The Natural Reserve Laguna del Portil (NRLP), located in the southwest of the Iberian Peninsula, is an ecosystem which was declared by Spanish authorities as Protected Natural Reserve. In the south area of the NRLP, there is a regional road with high traffic intensity, which affects the soundscapes of this natural reserve. In this study, the road potential noise impact on the natural sounds of the NLRP is analysed. This analysis was done both in winter and summer, and also using two independent methods: 1) spatial sampling measures in 43 different points of the NRL; and 2) noise mapping using noise levels prediction software. From the comparison of the results of both methods and seasons the following conclusions were reached: 1) an approach to the natural soundscape of NRLP both in winter and summer, 2) the acoustic impact of the road on the NRLP, and 3) the variation of the traffic noise depending on the distance to the road, and its seasonal variation. This study could be to improve the management of the NRLP and to help to preserve the natural soundscape of the reserve.
Źródło:
Archives of Acoustics; 2018, 43, 2; 177-185
0137-5075
Pojawia się w:
Archives of Acoustics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Virtual Sound Localization by Blind People
Autorzy:
Dunai, L.
Lengua, I.
Peris-Fajarnés, G.
Brusola, F.
Powiązania:
https://bibliotekanauki.pl/articles/178022.pdf
Data publikacji:
2015
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
virtual sounds
localization
distance
azimuth
blind people
Opis:
The paper demonstrates that blind people localize sounds more accurately than sighted people by using monaural and/or binaural cues. In the experiment, blind people participated in two tests; the first one took place in the laboratory and the second one in the real environment under different noise conditions. A simple click sound was employed and processed with non-individual head related transfer functions. The sounds were delivered by a system with a maximum azimuth of 32° to the left side and 32° to the right side of the participant’s head at a distance ranging from 0.3 m up to 5 m. The present paper describes the experimental methods and results of virtual sound localization by blind people through the use of a simple electronic travel aid based on an infrared laser pulse and the time of flight distance measurement principle. The lack of vision is often compensated by other perceptual abilities, such as the tactile or hearing ability. The results show that blind people easily perceive and localize binaural sounds and assimilate them with sounds from the environment.
Źródło:
Archives of Acoustics; 2015, 40, 4; 561-567
0137-5075
Pojawia się w:
Archives of Acoustics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poetyka emocji: harmonia dźwięków i relacja Ja – Ty w opowiadaniu Vladimira Nabokova Dźwięki
The Poetics of Emotions: the Harmony of Sounds and I – You Relationship in Vladimir Nabokov’s Short Story Sounds
Autorzy:
Ułanek, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/482497.pdf
Data publikacji:
2019-03-31
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
Nabokov, Sounds
emotions
Pythagoreans
I – You relationship
Opis:
The subject of discussion in the article is the way the protagonist of Vladimir Nabokov’s short story Sounds perceives the world. The sense-forming function of the sound as a literary trick, serv-ing to conceptualize the image of the world and the descriptions of emotional states of Nabokov’s characters, is revealed. It is proved that due to the recollective strategy (reconstructing in his mem-ory the day of parting with the beloved) the protagonist-artist perceives the ubiquitous harmony of sounds in the surrounding reality and at the same time recognizes (Gadamer) his own feelings that once bound him with his beloved. The “rhythmic order” of nature experienced by the protagonist evokes associations with Pythagorean reflection on the existence of permanent dependencies be-tween the rhythm of the Cosmos and the rhythms of man. This finds its expression in Nabokov’s short story in showing the intermingling of the worlds: establishing a relationship (unity) between the internal (emotional) and external (nature) world, between micro and macrocosm. The act of rec-ollection itself inscribes in a strategy of tranforming memories: forming in imagination a different image of the lovers’ parting and creating another – a dreamed image of the beloved.
Źródło:
Acta Polono-Ruthenica; 2019, 1, XXIV; 51-61
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Warsaw soundscape - structure and specifics
Autorzy:
Romanowska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/2037663.pdf
Data publikacji:
2015-01-10
Wydawca:
Uniwersytet Warszawski. Wydział Geografii i Studiów Regionalnych
Tematy:
Soundscape
acoustic environment
Warsaw
survey
specific sounds
Opis:
The Warsaw soundscape has been examined according to the principles of acoustic ecology. The soundscape is the acoustic environment tested primarily by qualitative research. Warsaw residents were asked in a survey about their sound impressions and requirements for the Warsaw soundscape. The aim of this research was to learn both the conditions of acoustic environment and the needs of space users in accordance with the space category. The present and expected sound structures of five different categories of space were examined (residential areas, streets, city centre, tourist areas and green areas). Information on both the specific Warsaw sounds and the ideas for new sounds (which could be introduced into the city) was collected.
Źródło:
Miscellanea Geographica. Regional Studies on Development; 2014, 18, 4; 5-16
0867-6046
2084-6118
Pojawia się w:
Miscellanea Geographica. Regional Studies on Development
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cadaver as a didactic tool for auscultating lung sounds
Ludzkie zwłoki jako narzędzie dydaktyczne w osłuchiwaniu płuc
Autorzy:
Bakalarski, Paweł
Klepacka, Monika
Sówka, Karolina
Bojko, Izabela
Głowala, Damian
Bodecot, Bastien
Pinet Peralta, Luis M.
Powiązania:
https://bibliotekanauki.pl/articles/1033046.pdf
Data publikacji:
2019
Wydawca:
Towarzystwo Pomocy Doraźnej
Tematy:
Pulmonary auscultation
cadavers
education
learning
lung sounds
Opis:
INTRODUCTION: Lung auscultation is one of the basic physical examination tests both in the pre-hospital and hospital settings and should be performed on any patient who has problems with the respiratory system. Depending on the condition, clinicians can hear different breathing sounds. Our aim is to assess the effectiveness of lung auscultation on cadavers. MATERIAL AND METHODS: The study was conducted in October 2018, among 27 Emergency Medical Services (EMS) students at the University of Natural Sciences and Humanities in Siedlce. The research tool used in this study was prepared human cadaver. Students listened to four pulmonary fields (apices and bases) using a stethoscope. RESULTS: The study included 27 students with an average age of 21.76 (SD ± 3.20). The average auscultation results were: right lung at the apex - 59.26% (SD ± 49.14), right lung at the base - 96.30% (SD ± 18.89), left lung at the apex - 40.74% (SD ± 49 , 14), left lung at the base - 77.78% (SD ± 41.57). The average satisfaction score on a scale from 1 to 5 was 4.37 points (SD ± 1.13). CONCLUSIONS: The study showed that conducting classes on mannequins is not sufficient for effective auscultation of pulmonary fields, which could probably be obtained through practice on cadavers. Students showed a high level of satisfaction with participation in the study. In order to improve the quality of students’ education and practical skills, periodic classes oncadavers should be conducted.
WSTĘP: Osłuchiwanie płuc jest jednym z podstawowych badań zarówno w warunkach przedszpitalnych jak i w trakcie hospitalizacji. Należy je wykonać u każdego pacjenta, u którego występują problemy z układem oddechowym. W zależności od obecnego schorzenia, można usłyszeć różne szmery oddechowe. Celem publikacji jest ocena efektywności osłuchiwania płuc na kadawerach. MATERIAŁ I METODY: Badanie przeprowadzono w październiku 2018 roku, wśród 27 studentów ratownictwa medycznego Uniwersytetu Przyrodniczo-Humanistycznego w Siedlcach. Narzędziem badawczym był preparat ludzkiego korpusu, który wcześniej został odpowiednio przygotowany. Studenci przy użyciu stetoskopu osłuchiwali cztery pola płucne (szczyty i podstawy). WYNIKI: W badaniu wzięło udział 27 studentów, u których średnia wieku wyniosła 21.76 (SD ± 3.20). Średnie wyniki osłuchiwania wyniosły: prawe płuco u szczytu – 59,26 % (SD ± 49,14), prawe płuco u podstawy – 96.30 % (SD ± 18,89), lewe płuco u szczytu – 40,74 % (SD ± 49,14), lewe płuco u podstawy – 77,78 % (SD ± 41,57). Średni wynik poziomu satysfakcji w skali od 1 do 5 wyniósł 4,37pkt (SD ± 1,13). WNIOSKI: Badanie wykazało, iż prowadzenie zajęć na fantomach nie jest wystarczające pod względem odpowiedniego przygotowania studentów do efektywnego osłuchiwania pól płucnych, co prawdopodobnie można by było uzyskać poprzez ćwiczenia na kadawerach. Studenci wykazali wysoki poziom satysfakcji z udziału w badaniu. Należy poszukać rozwiązań umożliwiających okresowe prowadzenie zajęć na kadawerach dla studentów w celu podnoszenia jakości ich kształcenia i umiejętności praktycznych.
Źródło:
Critical Care Innovations; 2019, 2, 3; 11-18
2545-2533
Pojawia się w:
Critical Care Innovations
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
System wspierający diagnostykę rodzin pszczelich
A support system for the diagnosis of bee colonies
Autorzy:
Krzywoszyja, G.
Andrzejewski, G.
Powiązania:
https://bibliotekanauki.pl/articles/157623.pdf
Data publikacji:
2014
Wydawca:
Stowarzyszenie Inżynierów i Techników Mechaników Polskich
Tematy:
diagnostyka
dźwięki
pszczoły
stan
bees
condition
diagnostics
sounds
Opis:
W artykule opisano konstrukcję systemu diagnostycznego, przeznaczonego do obserwacji zachowań pszczół. Główna część artykułu zawiera ocenę możliwości wydobycia informacji z dźwięków wytwarzanych przez pszczoły. Celem badań jest rozpoznanie stanów rodziny pszczelej oraz ich klasyfikacja. Opisano proces tworzenia modeli dźwięków oraz redukcji ich wymiarów. Przedstawiono obrazy otrzymane w diagnostycznej przestrzeni obserwacji stanów. W części końcowej opisano proces badania wybranego strumienia dźwięków i podjęto próbę interpretacji otrzymanych wyników.
The design of a diagnostic system to observe the behavior of bees is described. The main part of the paper contains an assessment of the possibility of extracting information from sounds produced by bees. The aim of the study is to identify the states of colonies and their classification. It describes the processes modeling the sounds and reducing their size. Experimental images created in the diagnostic state space are shown. Finally, the process of testing a selected stream of sounds is outlined and an attempt to interpret the results is made.
Źródło:
Pomiary Automatyka Kontrola; 2014, R. 60, nr 11, 11; 978-981
0032-4140
Pojawia się w:
Pomiary Automatyka Kontrola
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Aspekte der Neuordnung des Kanzleiwesens im preußischen Ordensland nach dem 2. Thorner Friedensschluss
Aspects of the new ordinance concerning the chanceery in the monastic Teutonic State in Prussia after the Second Peace of Toruń
Autorzy:
Heckmann, Dieter
Powiązania:
https://bibliotekanauki.pl/articles/1194012.pdf
Data publikacji:
2016
Wydawca:
Towarzystwo Naukowe w Toruniu
Tematy:
chancellery
the chancellery landscape
personal relations
double sounds
Opis:
After the outbreak of the Thirteen Years‘ War there was created a certain kind of the Pomesan chancellery landscape. Its creation resulted from the tendency of various chancelleries to cooperate. The central point of the landscape was Marienburg’s [Polish: Malbork] chancellery of the Grand Master under the supervision of the clergyman and chancellor Andreas Santberg. He organized the manner of administering the written documentation with the help of public notaries, who had prepared the earliest files. The personal relations between the city chancelleries of the Monastic State and the Teutonic chancelleries may be noticed. The situation of the work of the chancellery during the Thirteen Years’ War was determined by extraordinary conditions. Preparing the registers of documents in the chancellery of the Grand Master was stopped. Instead of this, the number of drafts of documents increased. In the cities and towns which were most affected by the war events, it was hard to maintain the continuity in the production of documents. After the Grand Master moved to Königsberg, the preparations to set up a new registry office of the territorial ruler commenced. The chancellery’s personnel organized the administration of the documentations according to old models of the Sambian chancellery. One of the characteristic features of the German writing used during the war was the introduction of double sounds „nn” in the initial syllable and sometimes in the final syllable. After the conclusion of the Peace Treaty the process of the gradual secularization of the Grand Master’s chancellery could be observed. In the times of Friedrich von Sachsen educated lawyers were responsible for chancelleries following the models taken over from the Meissen motherland of the Grand Master. Under the rule of the margrave Albrecht people from Francophonie became trustworthy cooperators. They led to the gradual francisation of the language of the chancellery. Writing registers again became part of chancellery production. A new administration was created. Similar phenomena took place in case of writing production of the city chancelleries and other lay and church chancelleries at the end of the Teutonic period, which requires further research.
Źródło:
Zapiski Historyczne; 2016, 81, 4; 101-116
0044-1791
2449-8637
Pojawia się w:
Zapiski Historyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
MUSIC IN THE FIELD OF POLITICAL SCIENCE RESEARCH QUESTIONS AND TRENDS
Autorzy:
Massaka, Iwona
Powiązania:
https://bibliotekanauki.pl/articles/594783.pdf
Data publikacji:
2013
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
music
music and politics
theory of politics
sounds
democracy
Opis:
Research on relations between art and politics has its tradition. However, it mainly refers to literature, whose part, as far as its authors’ intentions are concerned, is of a political character, in a lesser degree – of a picture. Sound, especially if it is not linked to a text and/or a picture, is considerably more seldom analyzed from the point of view of its importance in politics. As long as a word and a picture happen to convey unequivocal political meaning, qualified as such by most recipients, sound cannot be obviously considered a political message. It is questionable whether music can convey any meaning in whatever sense. If one can manage to suppress this doubt, it will result in a question how to construe the senses conveyed through the medium of melodic – rhythmic structures. However, the findings in the field of widely understood humanities affirm that music serves as a creator’s message directed to both individual and collective receivers. Political science studies often bring up a matter of communication between authorities and the subjects (in authoritarian regimes), and also between representatives of a nation or people claiming their role and electorate (in democratic regimes). At the end of the 1960s, American and Canadian scientists made room for music, one of the most widespread communicators, i. a. in political sphere. At that time, interdisciplinary teams including American sociologists, political scientists, culture and media experts undertook.
Źródło:
Polish Political Science Yearbook; 2013, 42; 317-330
0208-7375
Pojawia się w:
Polish Political Science Yearbook
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 46

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