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    Wyświetlanie 1-12 z 12
    Tytuł:
    Słowa i milczenie w prozie pisarza emigracyjnego Bronisława Świderskiego
    The words and silence in the prose of Polish emigration writer Bronisław Świderski
    Autorzy:
    Sawczuk, Mateusz
    Powiązania:
    https://bibliotekanauki.pl/articles/26850808.pdf
    Data publikacji:
    2016
    Wydawca:
    Akademia Zamojska
    Tematy:
    communication
    language
    stranger
    Polish emigration literature
    Polish contemporary literature
    silence
    Świderski Bronisław
    język
    komunikacja
    milczenie
    obcy
    polska literatura emigracyjna
    polska literatura współczesna
    Opis:
    Bronisław Świderski to jeden z przedstawicieli polskiej literatury emigracyjnej po 1968 r. Jest autorem trzech powieści – Autobiografie (1981), Słowa obcego (1998), Asystent śmierci (2007) – oraz licznych opowiadań publikowanych w polskiej prasie i czasopismach. W literackim świecie Świderskiego niezwykle ważną rolę odgrywa język, który częstokroć staje się wręcz równoprawnych bohaterem tekstów. Nowatorskim ujęciem u Świderskiego jest dowartościowanie milczenia w procesie komunikacji, a także na gruncie literatury. Ciekawe zastosowania fabularne, narracyjne oraz interpunkcyjne stają się przyczynkiem do pogłębionej refleksji nad współczesną komunikacją, zwłaszcza w obliczu spotkania z Innym, którego uosabia emigrant, osoba z odrębnego kręgu kulturowego, a także, najzwyczajniej, każdy odmienny człowiek.
    Bronisław Świderski is one of the writers who represents Polish emigration literature after 1968. He is the author of three novels – The Autobiographies (1981), The Stranger’s Words (1998), The Assistant of Death (2007) – and of many short stories published in Polish newspapers and magazines. In the literary world created by Świderski the main role is played by the language which often becomes an outright character of his literary texts. Świderski’s innovative conceptualization is characterized by the fact that he shows the appreciation of silence, both in the communication process and in literature. Interesting implications in the storyline, narration and punctuation result in deep reflection on the present communication, especially in the context of meeting with the Other, embodied by the emigrant, a person from another culture or simply by every different man.
    Źródło:
    Facta Simonidis; 2016, 9, 1; 245-261
    1899-3109
    Pojawia się w:
    Facta Simonidis
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Pojęcie przestępstwa lingwistycznego i jego typologie
    A Linguistic Crime as an Offence of Using or Failing to Use Language. Selected Typologies of Linguistic Crimes Penalised in Polish Criminal Laws
    Autorzy:
    Falana-Jafra, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/1787905.pdf
    Data publikacji:
    2021-09-30
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    linguistic crime
    use of language
    silence
    criminal law
    Opis:
    The aim of the article is to formulate a definition of linguistic crimes as a specific type of crimes penalised in Polish criminal laws and to categorise them according to the following criteria: the nature of the perpetrator’s enforcement activities; the use of language or failure to use it; the length of the linguistic enforcement activities; the authorship of statements; the nature of the legal good to be protected. Human behaviour, which is legally classified as a linguistic offence, is performative in nature and therefore has the legal effect of making the offender criminally responsible and of imposing criminal sanctions on him/her by the competent state authorities. In the article, the performative function of language will be extended to include the notion of passive performativity, resulting from an offence committed as a result of the failure to use language in situations where its use is required by the legal system.
    Źródło:
    Poznańskie Studia Polonistyczne. Seria Językoznawcza; 2021, 28, 1; 45-56
    1233-8672
    2450-4939
    Pojawia się w:
    Poznańskie Studia Polonistyczne. Seria Językoznawcza
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Passerelles. Dialogues d’écrivains autour du silence
    Footbridge. Writer’s dialogues about silence
    Autorzy:
    Courtieu, Marc
    Powiązania:
    https://bibliotekanauki.pl/articles/1038100.pdf
    Data publikacji:
    2017
    Wydawca:
    Katolicki Uniwersytet Lubelski Jana Pawła II. Wydawnictwo Werset
    Tematy:
    silence/language
    conversation
    word of world
    Opis:
    The article deals with the question of the relationship between silence and language among writers. It centers around two themes: first, the place of silence in human relations; second, the silence of the world, or, on the contrary, the voices that spring up from it. This article has a lot of writers debate upon these themes, some being rather perceptive to the positive qualities of the silence of the world and/or of their fellow men, others rather gloomy when seeing theim possibility of hearing the world, or of having more genuine relations with others.
    Źródło:
    Quêtes littéraires; 2017, 7; 201-210
    2084-8099
    2657-487X
    Pojawia się w:
    Quêtes littéraires
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Marking silence: Heidegger and Herder on word and origin
    Autorzy:
    Hanly, Peter
    Powiązania:
    https://bibliotekanauki.pl/articles/430908.pdf
    Data publikacji:
    2013
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    Heidegger Martin
    Herder
    language
    listening
    mark
    silence
    język
    słuchanie
    znak
    cisza
    Opis:
    It is clear that the question of language is of utmost importance to Heidegger’s work from the late 1930’s, the period of the so-called seynsgeschichtlich treatises. This preoccupation has become increasingly evident thematically, but is equally apparent in the interruptive and fragmentary presentation of the writing itself, a writing which seems to seek to bring into question the very possibility of philosophical discourse. This paper will argue that decisive, in these texts, both to the development of Heidegger's conception of language and to its mode of enactment, is an engagement with Herder’s work on the origin of language. This engagement is evidenced by the intensive address to that text that we find in the seminar notes from 1939: Vom Wesen der Sprache: Die Metaphysik der Sprache und die Wesung des Wortes. Zu Herder’s Abhandlung über den Ursprung der Sprache (GA 85). Herder's text allows Heidegger to develop a relation to the fragmentary that is decisive for the unfolding and development of his thinking.
    Źródło:
    Studia Philosophiae Christianae; 2013, 49, 4; 69-86
    0585-5470
    Pojawia się w:
    Studia Philosophiae Christianae
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Le (dé)montage impie des sens chez Villiers de l’Isle-Adam
    The Impious (Dis)section of Senses in Villiers de l’Isle-Adam’s Œuvre
    Autorzy:
    Opiela-Mrozik, Anna
    Powiązania:
    https://bibliotekanauki.pl/articles/2021006.pdf
    Data publikacji:
    2020
    Wydawca:
    Komisja Nauk Filologicznych Polskiej Akademii Nauk, Oddział we Wrocławiu
    Tematy:
    sense
    (dis)section
    ambiguity
    irony
    satire
    language
    silence
    Opis:
    This article analyses the narrative and formal measures which Villiers de l’Isle-Adam used in his texts to distort the message of a literary work, thereby leaving the reader uncertain of the œuvre’s final sense. Villiers developed the peculiar esthetics of reversion, which is not only based on the transformation of well-known motives and the merciless destruction of the traditional value system, but also exists on the level of paratext and language itself. Providing texts with a dedication and a motto or a seemingly nonessential sentence in the end allows Villiers to transform the nascent sense and makes it ambiguous. By these measures, the writer makes so-called “unbelievable parables,” the sense of which is formed and deformed, and as a result must evade the reader. The language of characters and moments of silence, which are opposed to logorrhea connected with laughter, play a very important role in this process. Therefore, this article shows the ways which are used to veil or even hide the true intentions of the author.
    Źródło:
    Academic Journal of Modern Philology; 2020, 9; 347-355
    2299-7164
    2353-3218
    Pojawia się w:
    Academic Journal of Modern Philology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Language of Being in Heidegger’s “Turn” (Kehre)
    Autorzy:
    Surzyn, Jacek
    Powiązania:
    https://bibliotekanauki.pl/articles/25805852.pdf
    Data publikacji:
    2021-12-29
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    language
    being
    turn
    enowning
    silence
    saying
    Opis:
    In this article, I attempt to analyze some of the contexts of the language of being after Heidegger’s “turn” (Kehre), a clearly discernible change in his philosophy in the second half of the 1930s. Heidegger proposed a new concept to revealing being itself, namely its “event‑enowning” (Ereignis). The key to this understanding of being is that now language becomes “the house” of being. Heidegger combined this with the “joint” (fugue) function. Language as a fugue joins with being itself, and therefore constantly follows and touches upon the boundary of silence. Silence is the ultimate complement of language and constantly limits it, because what is said only reveals a part of being, while the rest remains hidden and “expresses” silence, as it is in the case of a fugue, where the main motif of the theme “escapes” into silence. In the text, I first consider the fugue of being, then the language of being as its expression, in order to consider the problem of saying further, and finally analyze the limit of language, i.e. the way to silence.
    Źródło:
    Folia Philosophica; 2021, 46; 1-17
    1231-0913
    2353-9445
    Pojawia się w:
    Folia Philosophica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Interpretation of Silence in Paul Celan’s Holocaust Poetics
    Autorzy:
    Kopuri, Sreekanth
    Powiązania:
    https://bibliotekanauki.pl/articles/545376.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Gdański. Wydział Filologiczny
    Tematy:
    Holocaust
    Existential Silence
    Language Grille
    Persecution
    Death
    Ash.
    Opis:
    To discuss in the light of Theodre Adorno’s reconsideration of his own dictum – “To write poetry after Auschwitz is barbaric” – Paul Celan’s Holocaust-born epochal art restates “only poetry is possible after Auschwitz”. The Shaoh stands as a testimony of the most painful endurance in history thus permanently fracturing the self-confidence especially of many Jews and their belief in the “Biblical Chosenness”. The consequent literature of continuing silence with a guilt of survival has redefined the term suffering especially in the poetry of Paul Celan which if turned out to be the “last inarticulate babble” had the merit of silencing words into a condensed metaphoric image of recurring complexity that finally brings out a paradoxical message with a strange “capacity to have the incapacity to speak”. Unlike the poetry of the Romantics which was verbally vociferous, Celan’s was more so with silence being a displaced being like a blurred horizon between the Pre-Holocaust land and the Post-Holocaust sky. Silence as a form of dense literary genre which is like “a letter in a bottle thrown out to sea” in Celan’s poetry starts at the periphery of Auschwitz cries. Ironically enough his suicide culminates in this mission. His metaphoric voice sets out for excavation of memories in Shoah painfully encountering aphasia with a parallel pursuit for a language that replays the action and music of the perpetual death in the still fresh picture of ash-flake rain or charred chunks of human flesh. Celan explored the darkest domains of human history with a polysemeous canon and systematically constructed the art of silence as an emerging literary consequence where the words become cryptic, fractured and attain what Gilles Deleuze and Guttari said: “the becoming minor of the major language”.
    Źródło:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne; 2016, 6; 125-140
    2353-4699
    Pojawia się w:
    Jednak Książki. Gdańskie Czasopismo Humanistyczne
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Filozoficzne i polityczne milczenie Martina Heideggera
    The philosophical and political silence of Martin Heidegger
    Autorzy:
    Surzyn, Jacek
    Powiązania:
    https://bibliotekanauki.pl/articles/2142645.pdf
    Data publikacji:
    2018
    Wydawca:
    Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
    Tematy:
    being
    silence
    language
    metaphysics
    saying
    fuge
    Holocaust
    politics
    bycie
    milczenie
    język
    metafizyka
    powiadanie
    fuga
    Holokaust
    polityka
    Opis:
    This article discusses the problem of Martin Heidegger's famous involvement in Nazism. This problem has already been widely discussed in the literature, but it is worth re-thinking. The question of Heidegger's involvement and, above all, his post-war silence about Nazi crimes have been discussed basically from the perspective of his anti-Semitic attitude, personal ambitions or even as naive thinking. Perhaps there is worth looking at this problem from the point of view of Heidegger's philosophy and, above all, the role and meaning of language. Heidegger called for reaching the covered base – being itself. The key to this must be to reach the boundaries of language, that is, the transition from the language of everyday life, which is a consequence of an attitude oriented only to naive existence itself (or ontity), to the language of being. This path leads inevitably to the border of language, that is to the "place" where language balances between saying and silence (syge). Heidegger saw it as the proper (true) philosophical attitude, which is a discovery in the "event" of truth of being. The tragedy (meaning in Ancient Greek tradition) takes place here in the man's realization of his helplessness towards the truth of being, and thus of silence, which is a transition from the state of philosophical silence to political silence. The philosopher is probably "doomed" to political engagement (as said Slavoj Žižek), and a consequence of it could be the famous "Syracuse".
    Źródło:
    IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych; 2018, 30/1; 25-39
    0860-4487
    Pojawia się w:
    IDEA. Studia nad strukturą i rozwojem pojęć filozoficznych
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Czy milczenie zawsze jest złotem? Percepcja ciszy i milczenia na zajęciach z praktycznej znajomości języka angielskiego
    Is silence always golden? Perception of silence in the EFL classroom
    Autorzy:
    Wiśniewska, Danuta
    Powiązania:
    https://bibliotekanauki.pl/articles/1037623.pdf
    Data publikacji:
    2019-09-24
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu. Collegium Novum. Polskie Towarzystwo Neofilologiczne
    Tematy:
    silence
    classroom interaction
    English language lesson
    cisza i milczenie
    interakcja klasowa
    lekcja języka angielskiego
    Opis:
    Formal foreign language teaching involves verbal and non-verbal interactions among the participants of language classes. The nature of these interactions may play a decisive role in the success or failure in language learning. The research described in this paper attempted to gain insight into students' perceptions of silence occurring during classroom language learning, to identify its causes and effects, and to appraise its potential value for learners.
    Źródło:
    Neofilolog; 2012, 38/1; 61-76
    1429-2173
    Pojawia się w:
    Neofilolog
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Breaking Silence in Marlene Nourbese Philip’s She Tries Her Tongue
    Autorzy:
    Mahmoud, Radwa Ramadan
    Powiązania:
    https://bibliotekanauki.pl/articles/888907.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
    Tematy:
    Marlene Nourbese Philip
    Afro-Caribbean Canadian
    father-tongue
    language
    resistance
    silence
    Opis:
    Born on the island of Tobago, Marlene Nourbese Philip, an Afro-Caribbean Canadian poet, was shaped by her experience as a colonized subject whose African ancestors had been transported to the Caribbean and whose lives as slaves were largely unrecorded. This loss of history and the marginalization some Afro-Caribbean people feel, weighed heavily on her poetry. The paper examines Philip’s collection She Tries Her Tongue (1988) to reveal how she attempts to break silence and survive hardship and adversity. The paper explores her use of myth to highlight her quest for a voice as a strategy of resistance to coercion and investigates her attitude towards the “father tongue,” i.e. the English language of the colonizer. For a theoretical frame work, the paper draws on various postcolonial texts with special emphasis on the ‘Calibanic discourse’ and strategies of language and resistance.
    Źródło:
    Anglica. An International Journal of English Studies; 2016, 25/1; 219-232
    0860-5734
    Pojawia się w:
    Anglica. An International Journal of English Studies
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Between Silence and Speaking: the Representation of National Identity in Oksana Zabuzhko’s Poetry
    Autorzy:
    Borysiuk, Iryna
    Powiązania:
    https://bibliotekanauki.pl/articles/2030762.pdf
    Data publikacji:
    2017-12-16
    Wydawca:
    Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
    Tematy:
    Oksana Zabuzhko
    contemporary Ukrainian poetry
    national identity
    visimdesiatnyky (the 1980s generation)
    language
    silence
    Oksana Zabużko
    współczesna poezja ukraińska
    tożsamość narodowa
    generacja lat 80.
    język
    milczenie
    Opis:
    The article is focused on the problems of national identity, self-representation, and memory re-articulation in Oksana Zabuzhko’s poetry. Language, speaking, and word as well as silence are conceptualized as key concepts in verse by the 1980s generation of Ukrainian poets to whom Oksana Zabuzhko belongs. Speaking and silence in 1980s poetry can be treated not only as concepts or metaphors but also as a literary strategy or even as the form of resistance in the late Soviet era. The article is structured as the gradation of motives from speaking to silence in Zabuzhko’s poetry. The analyses includes the following subthemes: non-verbal language represented by sounds, gestures, and poses, verbal language as existing between sacrum and profanum, speechlessness, and silence.
    Źródło:
    Tematy i Konteksty; 2017, 12, 7; 206-221
    2299-8365
    Pojawia się w:
    Tematy i Konteksty
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    „Tylko mówisz – milczysz”. Wiersz-światłocień
    ”You’re only talking – keeping silence”. Light and shade-poem
    Autorzy:
    Kraszewski, Dawid
    Powiązania:
    https://bibliotekanauki.pl/articles/1391511.pdf
    Data publikacji:
    2016-06-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    poetry
    confessional poetry
    reading-response criticism
    light and shade
    light and shade-poem
    photography
    poetic image
    image of reality
    language image of reality
    ut pictura poesis
    ut rhetorica pictura
    space
    silence
    Tadeusz Dąbrowski
    Martin Heidegger
    poezja
    światłocień
    wiersz-światłocień
    fotografia
    obraz poetycki
    obraz rzeczywistości
    językowy obraz świata
    prześwit
    milczenie
    Opis:
    The author of the article puts Tadeusz Dąbrowski’s poems, the poet from Gdańsk, as the subject to reflextion. The considerations include the following volumes of poetry: Te Deum (2008), Black square (2009), Between (2013). The author analyses the selected poems in reading-response criticism aspect and in the context of the theory of language mediation and the act of communication. By developing allusions to light and shade figure philosophy by Martin Heidegger as well as the analogies of Dąbrowski’s poetry to photography, he tries to show the specificity of Tadeusz Dąbrowski’s poetic output.
    Źródło:
    Przestrzenie Teorii; 2016, 25; 211-229
    2450-5765
    Pojawia się w:
    Przestrzenie Teorii
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
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