- Tytuł:
-
„Całe ogrodzenie to ogród”. Przegroda dziedzińca pałacowego w Wilanowie, jej dzieje i likwidacja w czasach Stanisława Kostki Potockiego
“The entire fencing is a garden”. A partition in the Wilanów Palace courtyard, its history and its dismantling in times of Stanisław Kostka Potocki - Autorzy:
- Witkowski, Michał
- Powiązania:
- https://bibliotekanauki.pl/articles/1968033.pdf
- Data publikacji:
- 2019
- Wydawca:
- Muzeum Pałacu Króla Jana III w Wilanowie
- Tematy:
-
Wilanow Palace
ceremonial courtyard
cour d’honneur
fence
colour scheme
gatepost - Opis:
- The fencing of the ceremonial courtyard in the Wilanów royal palace rarely attracted scholarly attention. However, a recent archaeological survey and archive inquiries brought to light new research material, which allows a more detailed description of the transformations of this part of the residence's spatial arrangement. The barrier, for the first time visible in the site plan of 1682, consisted of a row of pillars with spans filled with iron railings. After Elżbieta Sieniawska purchased the Wilanów estate, the space of the ceremonial courtyard was restricted by the construction of the palace's wings. The alterations may have included the courtyard's fence, as shown by the 17th- and 18th-century site plans and the discovery of the remains of two variants of its course during excavations. When the palace was owned by Maria Zofia and August Czartoryski and Izabela Lubomirska, the fence consisted of stone columns alternating with wooden ones; some of the pillars were later demolished or exchanged for stonework. In 1784, as a result of the construction of new pavilions at the southern wing, the fence lost its practical function and deteriorated. Destroyed during military operations in 1794, it was rebuilt almost entirely of wood. In 1801, Stanisław Kostka Potocki had both courtyards and the barrier dismantled and replaced with an oval lawn. Potocki sought to transform the setting of his residence according to the fashion of the day, that is, in the spirit of English designs he had seen during his travels and the Puławy estate with which he was familiar. His actions were intended to increase, not without an element of rivalry, the splendour of his family.
- Źródło:
-
Studia Wilanowskie; 2019, XXVI; 35-56
0137-7329
2720-0116 - Pojawia się w:
- Studia Wilanowskie
- Dostawca treści:
- Biblioteka Nauki
Artykuł