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Tytuł:
The Saint as Food, the Torture as Medicine: Some Aspects of Christopher of Mytilene’s Imagery in his Dodecasyllabic Calendar and its South Slavonic Translations
Autorzy:
Dikova, Ekaterina Pantcheva
Powiązania:
https://bibliotekanauki.pl/articles/2027775.pdf
Data publikacji:
2021-12-30
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
medieval Slavonic translations of Byzantine poetry
Christophoros Mitylenaios’ Orthodox iambic calendar
verse memories of martyrs
rhetorical figures
Opis:
Christopher of Mytilene, a secular poet of the early 11th century, had embarked on a difficult task when creating his dodecasyllabic Christian Calendar, that is two-verse storytelling about saints and, mainly, about the tortures they died of. He accomplished it more than successfully, besides in quite a vivid and spectacular way, by means of various poetic and rhetorical techniques. Food and medicine imagery was just a minute aspect of his mastery, yet a powerful one, acquiring not only artistic and rhetorical, but also mnemonic functions. the poet used such images – just as he used e.g. Biblical allusions – as a way to convey a variety of details in succinct messages; the information thus compressed is unfolded by means of associations in the mind of the perceiver. These associations are related not only to Christianity, but also to many other aspects of the Byzantine cultured life, including certain elements from Antiquity. I will try to reveal this mechanism and to show the attempts of the 14th-century South Slavonic translators to render it as well as their decisions in cases of realia unknown to their audience. For this purpose, I have selected certain Greek verse memories (as given in the editions of Eustratiadis and Cresci & Skomorochova Venturini) from the Verse Synaxarion for the summer half of the year together with their two South-Slavonic correspondences of the 14th century (according to the two respective early manuscripts of the Slavonic Verse Prolog), again only for the months from March to August.
Źródło:
Studia Ceranea; 2021, 11; 165-176
2084-140X
2449-8378
Pojawia się w:
Studia Ceranea
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Figury retoryczne w dyskursie perswazyjnym – konfrontacja na podstawie analizy reklam polskich, włoskich i francuskich
Autorzy:
Dolata-Zaród, Anna
Pastucha-Blin, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/2089942.pdf
Data publikacji:
2021-09-25
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
rhetorical figures
persuasion
discourse
advertisements
Opis:
The aim of the present article is to offer a comparative analysis of advertising discourse with regard to the presence and classification of rhetorical figures as an efficient strategy of persuasion. Short commercial texts extracted directly from trade offers of producers, sales companies and online shops, as well as advertisements published on websites and in on-line versions of magazines have been analyzed. Due to limited textual capabilities, we have decided to restrict the scope of the analysis to texts which promote cosmetic products, as well as those that advertise various beauty treatments as a means of improving the appearance and well-being of contemporary women. In order to fully demonstrate the comparative aspect of the study, we have analyzed advertisements of the same products (of commonly known brands) in three linguistic versions, Polish, Italian and French, thus indicating the differences and similarities stemming from the employment of rhetorical figures.
Źródło:
Acta Neophilologica; 2021, 2, XXIII; 7-20
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jak z uczuć uczynić argumenty? Środki retoryczne w wybranych szkicach krytycznoliterackich Michała Grabowskiego
How to translate feelings into arguments? Rhetorical figures in selected literary critical essays by Michał Grabowski
Autorzy:
Dymek, Dominika
Powiązania:
https://bibliotekanauki.pl/articles/954384.pdf
Data publikacji:
2017-12
Wydawca:
Uniwersytet Warszawski. Katedra Italianistyki. Polskie Towarzystwo Retoryczne
Tematy:
critic's advice
rhetorical figures
emotions
rhetorics
theory of poetry
środki retoryczne
emocje
retoryczność
porady krytyka
teoria poezji
Opis:
Sądzę, że przykład pisarstwa krytycznoliterackiego Michała Grabowskiego, krytyka doby romantyzmu, ukazuje nie tylko indywidualne zmagania krytyka z własnym tekstem, ale prezentuje także wzorzec udzielania porad dominujący w XIX-wiecznej krytyce. Przykład strategii retorycznych wykorzystanych przez Grabowskiego otworzy dyskusję nad znacznie szerszym zagadnieniem – pozwoli zaprezentować jeden z wielu romantycznych modeli krytyki, która mimo dowartościowania roli odbiorcy opierała się na retorycznym oddziaływaniu na wybory czytelnika. Choć krytykę Grabowskiego charakteryzuje koncyliacyjny ton, a pisarz zdaje się jedynie doradzać czytelnikom, to w jego wypowiedziach łatwo odnaleźć także próby sterowania rozwojem literatury i jej recepcją. W artykule przybliżam środki retoryczne, które wykorzystywał autor O poezji XIX wieku, co pozwoli na pełniejsze objaśnienie jego myśli krytycznoliterackiej.
The example of critical literary texts by Michał Grabowski, a critic of the romantic era, demonstrates not only his individual struggle with his own text, but also presents the model of expressing recommendations that prevailed in the 19th century critique. The example of rhetorical strategies used by Grabowski will open a discussion about a much broader issue – it will make it possible to present one of many romantic models of criticism which, despite empowering the audience, was based on a rhetorical influence on the reader's choices. Although Grabowski's criticism is characterized by a conciliatory tone, and the author seems to only provide readers with advice, his expressions also reveal attempts at controlling the development of literature and its reception. I will thus present the tools used by the author of O poezji XIX wieku, which will allow me to more fully elucidate his literary critical views.
Źródło:
Res Rhetorica; 2017, 4, 4; 43-59
2392-3113
Pojawia się w:
Res Rhetorica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Elementy retoryki greckiej obecne w opisie grobu Jezusa w J 19,41
Elements of Greek Rhetoric in the Description of Jesus’ Tomb in John 19:41
Autorzy:
Grochowski, Zbigniew Tadeusz
Powiązania:
https://bibliotekanauki.pl/articles/1789189.pdf
Data publikacji:
2021-09-30
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
J 19,41
retoryka grecko-rzymska
figury retoryczne
conexio
inclusio
amplificatio per incrementum
recapitulatio
allitteratio
Jezus Król
świętość Jezusa
John 19:41
Roman-Greek Rhetoric
rhetorical figures (of speech
Jesus the King
Jesus’ Holiness
Opis:
Artykuł poddaje analizie krótki tekst J 19,41. Owocem badań – po określeniu kontekstu tego wersetu (punkt 1) – jest zidentyfikowanie w nim takich figur retorycznych, jak: conexio, inclusio, amplificatio per incrementum i recapitulatio (punkt 2) oraz allitteratio (punkt 3). Ostatnia z nich, oparta na syntagmie οὐδέπω οὐδείς („nigdy nikt”), stanowi hapax legomenon w całym greckim Starym i Nowym Testamencie oraz podkreśla czystość rytualną miejsca pochówku Jezusa, a tym samym (pośrednio) potwierdza godność Ciała Chrystusa oraz Jego świętość. Pozostałe figury retoryczne uwypuklają wagę miejsca, w którym odbył się pogrzeb Jezusa, służąc potwierdzeniu Jego królewskiej tożsamości. Wykazany retoryczny kunszt czwartego ewangelisty zaprzecza twierdzeniu, jakoby „Jan nie znał wielu technik retorycznych, opisanych przez Arystotelesa, Cycerona czy innych późniejszych retorów” (P.F. Ellis).
The article provides an analysis of the short text John 19:41. The fruit of the research – after defining the context of this verse (point 1) – is the identification of rhetorical figures such as conexio, inclusio, amplificatio per incrementum and recapitulatio (point 2), and allitteratio (point 3). The latter, based on the syntagm οὐδέπω οὐδείς (“never anyone”), is a hapax legomenon throughout the Greek Old and New Testaments and emphasizes the ritual purity of Jesus’ burial place and thus (indirectly) confirms the dignity of the Body of Christ and His Holiness. The other rhetorical figures emphasize the importance of the place where Jesus’ funeral took place, serving to confirm his royal identity. The rhetorical artistry of the fourth evangelist, demonstrated in the article, contradicts the claim saying that “John did not know many of the rhetorical techniques described by Aristotle, Cicero, and other later rhetoricians” (P.F. Ellis).
Źródło:
Verbum Vitae; 2021, 39, 3; 771-789
1644-8561
2451-280X
Pojawia się w:
Verbum Vitae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Aposiopesis albo figury myśli w dobie ucieleśnionego umysłu
Aposiopesis or figures of thought in the space of art and the brain
Autorzy:
Grodecka, Aneta
Powiązania:
https://bibliotekanauki.pl/articles/1041358.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
rhetorical figures
neuropsychology
study on reception
philosophy of language
neurophenomenology
neurology
poetry
painting
music
Opis:
The Author is interested in the states of becoming silent, discontinuing one’s utterance, which are associated with certain mechanisms of the functioning of the brain, as well as in the observation of such states in different artistic disciplines. Looking for an answer to the question how aposiopesis operates in words, sounds, and images, she analyzes pieces of music, poems (Zbigniew Herbert’s Pora), and examples of visual arts (Wojciech Pakmur’s paintings of the tango). In her reconstruction of the research field, the Author refers to rhetoric ( Jerzy Ziomek, Seweryna Wysłouch), the philosophy of language (Michel Foucault, Jean-François Lyotard), and neurophenomenology. The aim of the article is to suggest a new mode of reading that seeks inspiration and language in works from the field of neuropsychology (Maria Pąchalska), hermeneutic phenomenology (Mark Johnson), or neurology (António Damásio, Oliver Sacks). The Author’s analyses refer to Raoul Schrott and Arthur Jacobs’s concept (Gehirn und Gedicht, 2011), and the conclusions confirm that one should not look for a model (pattern) in the reception of art, but describe mental processes. The proposed mechanism of interpretation is most accurately reflected by the metaphor of dance improvisation, where one does not meditate on and then perform particular steps and gestures, but “thinks in motion.” This mode of reading emphasizes the spatial dimension of thought processes and their dynamic nature. 
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2018, 34; 87-105
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Johann Valentin Meder — musicus poeticus. Analiza retoryczno-muzyczna koncertu psalmowego Ach Herr, strafe mich nicht in deinem Zorn
Johann Valentin Meder — musicus poeticus. Musical-rhetorical analysis of psalm concerto Ach Herr, strafe mich nicht in deinem Zorn
Autorzy:
Gugnowska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/521986.pdf
Data publikacji:
2013
Wydawca:
Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku
Tematy:
Johann Valentin Meder
musical-rhetorical figures
Baroque music
Gdańsk
Psalm’s 6th
Opis:
The article below contains an analysis of psalm concerto Ach Herr, strafe mich nicht in deinem Zorn of Johann Valentin Meder in musical-rhetorical paradigm. The investigation process covered analysis and interpretation of Psalm’s 6th meaning and expression, which were basis for musical component of the concerto. Afterwards, disposition of the text became an object of the analysis, which included actions like indicating the number of phrases or single words and their interpretation regarding the symbolical meaning of numbers. Finally, the relationships between music and text in regard to the composition and musical-rhetoric techniques (such as modes, musical-rhetorical fi gures and other means applied in order to emphasize the meaning and expression of the text and to transmit the main message of the text) were examined. Result of the analysis described above was a claim, that naming Johann Valentin Meder a musicus poeticus is fully justified.
Źródło:
Aspekty Muzyki; 2013, 3; 111-133
2082-6044
Pojawia się w:
Aspekty Muzyki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O warsztacie tłumacza sandomierskiego przekładu Pensées B. Pascala
On the Workshop of the Sandomierz Translation of Blaise Pascal’s Pensées
Autorzy:
Hałoń-Gnutek, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1945398.pdf
Data publikacji:
2008
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
figury retoryczne
model zdania
moralistyka
obraz poetycki
przekład
retoryka
składnia
styl periodyczny
szyk wyrazów
warsztat
wyobraźnia
rhetorical figures
sentence model
moralisation
poetic image
translation
rhetoric
syntax
periodic style
word order
workshop
imagination
Opis:
The translation of Blaise Pascal’s „Pensées”, especially confrontation with this work on the stylistic and rhetorical level, is a challenge that calls for talent and workshop skills. Among the European translators of the work, we find an unknown author who had translated “Pensées” into Polish. The translation was found in the collections of the Library of the Theological Seminary in Sandomierz. The manuscript is likely to have been written among the Radom piarists in the second half of the eighteenth century. It was based on the Paris edition of “Pensées” in the so-called Port-Royal composition in its version after 1678 and before 1761. The style of the anonymous translator is not absolutely pure. On the one hand he writes briefly and with reticence, avoiding exaggerated ornaments. He clearly sought to render the style and model of Pascal’s sentence in his translation (his syntax and word order). It happens, however, that he gives in to moralistic persuasion and in some more difficult places he aspires to clarify the intentions of the French author, which leads to redundant repetitions. The poetic images preserved in the translation are not so plastic and suggestive as in the original. It seems that the translator fails to perceive in it some values that enrich the discourse and therefore he weakens their expression. In many places he depreciates also rhetorical ornamentation and withdraws the baroque style. His strategy of translation is therefore in the line of strictly eighteenth-century stylistic and rhetorical tendencies by which to shape expressions.
Źródło:
Roczniki Humanistyczne; 2008, 56, 1; 181-205
0035-7707
Pojawia się w:
Roczniki Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pojęcie figury konceptualnej
The notion of conceptual figure
Autorzy:
Kudra, Andrzej
Powiązania:
https://bibliotekanauki.pl/articles/649851.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
rhetoric,
conceptual figure
conceptualization
rhetorical figures
Opis:
The classical rhetoric knows the notion of the rhetoric figures – thoughts and words. The conceptual figure (the term “conceptual” includes both “notioning” and “linguification”) is determined from a different point of reference – i.e. from text conceptualisation perspective. In such an understanding of the conceptual figure is mainly connected with inventio, and less with dispositio and elocutio, it is a specific conceptual amalgamation (blend) and a hiperonim for various tropic conceptualisations. In text it includes both micro- and macro-conceptual strategies.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 18, 4; 217-221
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Inspiracje muzyką dawną w twórczości kompozytorskiej Pawła Łukaszewskiego na przykładzie wybranych utworów: „Luctus Mariae”, „Via Crucis” i „Resurrectio”
Early Music in the Works of Paweł Łukaszewski at the Example of Selected Works: “Luctus Mariae”, “Via Crucis” and “Resurrectio”
Autorzy:
Łukaszewski, Marcin T.
Powiązania:
https://bibliotekanauki.pl/articles/495274.pdf
Data publikacji:
2015-05-31
Wydawca:
Towarzystwo Naukowe Franciszka Salezego
Tematy:
figury retoryczne
inspiracja
kompozycja
muzyka sakralna
Paweł Łukaszewski
sacrum
technika kompozytorska
rhetorical figures
inspiration
composition
sacral music
Pawel Lukaszewski
compositional technique
Opis:
The article discusses some aspects of the work of Paweł Łukaszewski (b. 1968), a Polish composer working at the Frederic Chopin University of Music in Warsaw. Łukaszewski’s musical works primarily consist of sacral music. The article describes the features of his compositional techniques, inspiration derived from early music and the use of rhetorical figures in three works: Luctus Mariae, Via Crucis and Resurrectio. All works are written for Latin texts. Luctus Mariae – for the contemporary Latin poetry of Jerzy Wojtczak-Szyszkowski, the other works for liturgical texts and passages from the Scripture. Łukaszewski describes his musical language as “renewed tonality”. In the presented works, the author introduces the following musical rhetorical figures: saltus duriusculus, exclamatio, aposiopesis, suspiratio, dispositio. The lineup and deliberative use of a formal course in these works is also symbolic.
Źródło:
Seminare. Poszukiwania naukowe; 2015, 36, 2; 215-228
1232-8766
Pojawia się w:
Seminare. Poszukiwania naukowe
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Mousetrap of Language: The Mechanism of Anamorphosis in the Works of Edgar Allan Poe and Antun Gustav Matoš
Autorzy:
Milanko, Andrea
Tomljenović, Ana
Powiązania:
https://bibliotekanauki.pl/articles/30148686.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
anamorphosis
Matoš
Poe
rhetorical figures
paregmenon
Opis:
Rethinking conditions of revolutionary potential of literature, with special regard to ways literature incessantly has re-examined otherness in language, in this paper we have chosen to focus on specific mechanism of illusion-making, i.e. anamorphosis taken both as a technique and a theme. Since one of the most famous elaboration of anamorphosis in literature is to be found in Poe’s stories, it is worthwhile to examine how Poe’s game of hide and seek with depth and surface is reflected in his devoted Croatian reader and interpreter A.G. Matos. In a comparative analysis of Poe’s and Matos’s stories, we will elaborate on how a procedure of naming and a procedure of signifying are revealed to be mere effects of anamorphosis in Matos’s short story “Miš” (The Mouse). Since it is an embodiment of a figure designating schism and split, the rodent from the title of Matos’s short story reveals the other side of thinking, which is no other than the other within.
Źródło:
Poznańskie Studia Slawistyczne; 2023, 25; 257-275
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Opowieści muzyczne Johanna Jacoba Frobergera — Allemande faite en passant le Rhin dans une barque en grand peril
Johann Jacob Froberger’s musical stories — Allemande faite en passant le Rhin dans une barque en grand peril
Autorzy:
Piekutowski, Przemysław
Powiązania:
https://bibliotekanauki.pl/articles/521970.pdf
Data publikacji:
2013
Wydawca:
Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku
Tematy:
Froberger
harpsichord compositions
non-musical inspirations musical-rhetorical figures
Opis:
Many of the Froberger’s harpsichord compositions were inspired by the issues other than music. These works can be divided into two groups: works dedicated to particular people and programme pieces which are the descriptions of different events involving Froberger. Allemande faite en passant le Rhin dans une barque en grand peril, as a part of the fi rst Suite in e minor, belongs to the second group. The composition was inspired by some dramatic events seen by Froberger during his cruise on the Rhine which were then presented through music. In this article we attempt to analyze and interpret the compositional solutions aimed at presenting the non-musical content in the musical works. Considering the time when the Allemande... was composed, we chose rhetorical-musical analysis as the main research tool. Allemande... survived to our time in three manuscript sources: Ms . Bulyowsky , Ms. Tappert and Ms. SA 4450. The Ms. SA 4450 is significantly valuable for the research problem in our paper as it shows the division of Allemande... into 26 clearly separate sections, corresponding to 26 events seen by Froberger during his Rhine travel. Each of the 26 events has been both described in the written commentary and highlighted in the musical content. This unique record is invaluable for the interpretation of this work and provides the guidance for the interpretation of other Froberger’s compositions containing program in the title as it shows compositional solutions used directly for the purpose of presenting the non-musical content.
Źródło:
Aspekty Muzyki; 2013, 3; 135-154
2082-6044
Pojawia się w:
Aspekty Muzyki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Analiza retoryczna Wywiadu z historią Oriany Fallaci
The Rhetorical Analysis of Oriana Fallaci’s Interview with History
Autorzy:
Rostkowska-Biszczanik, Kaja
Powiązania:
https://bibliotekanauki.pl/articles/1205536.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Warszawski. Wydział Dziennikarstwa, Informacji i Bibliologii
Tematy:
figury retoryczne
przywództwo
retoryka
strategia perswadowania
wywiad
interview
leadership
modes of persuasion
rhetoric
rhetorical figures
Opis:
Artykuł dotyczy retoryki dziennikarskiej w wywiadzie politycznym. Cel: Wskazanie retorycznych zabiegów stosowanych przez Orianę Fallaci w zbiorze Wywiad z historią. Metoda badawcza: Artykuł jest próbą analizy retorycznej. Omawiane są elementy retoryczne występujące w przedmowie do tomu, w sylwetkach bohaterów rozmów oraz korpusach wywiadów. Wywiady Fallaci są ułożone na filarach dopełniających się strategii perswadowania – logosu, etosu, patosu. Według tego klucza opracowano materiał, co pozwoliło na omówienie wybranych retorycznych sposobów odwoływania się do rozumu, woli i emocji. Wyniki i wnioski: W odniesieniu do przedmowy wyróżniono toposy wstępu (nowości, zwięzłości i skromności, humoru), odwołania do odbiorcy, samej siebie oraz tematu jako sprawy wspólnej. W sylwetkach bohaterów i korpusach wywiadów ukazano funkcję pouczenia przypisaną do argumentacji racjonalnej, dowodzenia. Wśród technik dziennikarki należących do sfery etosu wskazano na argumentację aksjologiczną, stosowanie figur myśli (antytezy, dyskredytowanie). Sferę patosu scharakteryzowano między innymi poprzez omówienie metaforyki. Wartość poznawcza: Artykuł uzupełnia lukę w badaniach dotyczących metody Oriany Fallaci – analiza retoryczna jej rozmów nie była dotąd podejmowana. Opisane techniki mają prócz teoretycznego także wymiar praktyczny, mogą być adaptowane, rozwijane w praktyce medialnej.
The paper deals with rhetoric of journalism in a political interview. Scientific objective: To indicate rhetorical devices used by Oriana Fallaci in Interview with History. Research method: The paper is an attempt at rhetorical analysis, and it discusses rhetorical elements appearing in the preface, in the biographical notes of the interviewees, and in the main text. Fallaci’s interviews are arranged on the pillars of complementary modes of persuading — logos, ethos, and pathos. The material is structured according to this key, which allows for discussion of selected rhetorical ways of referring to reason, will, and emotion. Results and conclusions: In relation to the preface, the paper identifies the topos of introduction (novelty, brevity, modesty, and humor), references to the recipient, the author herself, and the topic as a common matter. The biographical notes and main text of interviews demonstrate the function of instruction assigned to rational argumentation and proving. Among the journalist’s techniques belonging to the ethos sphere, axiological argumentation and the use of thought figures (antithesis, discrediting) were pointed out. The pathos sphere was characterized, among others, by discussing the imagery. Cognitive value: The paper fills a gap in research on the Oriana Fallaci’s method — no rhetorical analysis of her conversations has been undertaken so far. The techniques described are not only theoretical but also practical, they can be adapted and developed in media practice.
Źródło:
Studia Medioznawcze; 2020, 1; 440-451
2451-1617
Pojawia się w:
Studia Medioznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Mowa figuryczna. Stanisław Kostka Potocki o tropach i figurach retorycznych
Autorzy:
Ryczek, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/636495.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
Tematy:
the Enlightenment, rhetoric, elocutio, tropes, rhetorical figures, figurative language, metaphor, Staniław Kostka Potocki, style
Opis:
Figurative language. Stanisław Kostka Potocki on tropes and rhetorical figures In this paper, the author presents a critical edition of three chapters on rhetorical de-vices excerpted from the treatise O wymowie i stylu (On Eloquence and Style, Warsaw 1815) written by Stanisław Kostka Potocki (1755–1821), an enlightened man of letters. He begins with a brief introduction to a reading of Potocki’s text on some figurative uses of language. The author explains the circumstances in which Potocki wrote his rhetorical manual (the request of the Warsaw Society of Friends of Learning) and discusses its most important sources, both classic (Aristotle’s On Rhetoric, Cicero’s On the Ideal Orator, Quintilian’s Institutions of Oratory) and modern (César Chesneau Dumarsais’ Traité des Tropes, Paris 1730, Hugh Blair’s Lectures on Rhetoric and Belles Lettres, Dublin, Edinburgh 1783). With a few explanatory remarks on the three chapters presenting the nature of figurative language (in particular metaphor, personification, hyperbole and apostrophe) the author examines the connection between the rhetorical considerations on style and the Enlightenment philosophy of language. According to Stanisław Kostka Potocki, the tropes and rhetorical figures, being almost natural expressions of emotions, passions and imagination, should be regarded as the primordial origin of the human language. Thus the Enlightenment, the triumph of analytical (‘pure’) reason over imagination tinged with emotionality, is a period when authors intentionally limited the use of figurative language (although never totally rejected it) in order to reach the simplicity of the linguistic expression.
Źródło:
Terminus; 2014, 16, 2(31)
2084-3844
Pojawia się w:
Terminus
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ut figura sit. Beda Czcigodny o tropach Pisma
Ut figura sit: the Venerable Bede on tropes of the Scripture
Autorzy:
Ryczek, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/612101.pdf
Data publikacji:
2018
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
Beda Czcigodny
tropy
figury retoryczne
egzegeza biblijna
the Venerable Bede
tropes
rhetorical figures
biblical exegesis
Opis:
The main purpose of the paper is to discuss thirteen tropes presented by the Venerable Bede, a Benedictine monk from the Kingdom of Northumbria, in the manual On figures and tropes (De schematibus et tropis, ca. 710), dedicated to his disciple, Cuthbert. Using the definitions and examples given by Donatus (Ars maior), Bede described thirteen tropes and their variants: metaphor, catachresis, metalepsis, metonymy, antonomasia, epithet, synecdoche (totum a parte, pars a toto), onomatopoeia, periphrasis, hyperbaton (histerologia, anastrophe, parenthesis, tmesis, synchysis), hyperbole, allegory (irony, antiphrasis, enigma, charientism, paremia, sarcasm, asteism), and homoeosis (icon, parable, paradigm). Each of these rhetorical devices was illustrated with examples drawn from the Scripture. Therefore, the categories form the grammatical tradition were transformed into the exegetical means, particularly useful during reading the Bible and discovering its hidden meanings. Deploying tropes for interpretative purposes, Bede proposed the model of exegesis concentrated on both what is signified and the mode of signification.
Źródło:
Vox Patrum; 2018, 69; 573-594
0860-9411
2719-3586
Pojawia się w:
Vox Patrum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Рытарычная топiка ў беларускай мастацкай публiцыстыцы
Rhetorical topos in Belarusian journalistic writing
Autorzy:
Szandrocha, Nona
Powiązania:
https://bibliotekanauki.pl/articles/2118273.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
rhetorical topics
topos
structural and semantic models
essays
rhetorical figures of speech
Opis:
The author focuses on rhetorical topos presented as structural and semantic model of publicistic speech and as a common element on the basis of which new utterances are created. Publicistic writings of Yanka Sipakou and Vladimir Karatkevich serve as an example. The author of the article claims that harmonic combinations of complete topos enable a writer to show his thoughts and feelings in a more vivid and persuasive way.
Źródło:
Białorutenistyka Białostocka; 2019; 285-295
2081-2515
Pojawia się w:
Białorutenistyka Białostocka
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-15 z 18

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