Skocz do pozycji: 1.

Tytuł:

Nationalisme et littérature au cours de la renaissance acadienne (1864-J930). Voix discordantes
Nationalism and literature during the Acadian renaissance (1864-1930). Discordant voices

Autorzy:

Guérin, Pierre M.

Powiązania:

https://bibliotekanauki.pl/articles/1052666.pdf

Data publikacji:

2017-12-01

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Acadian renaissance

Opis:

This article examines a key event in the literary history of the Acadian renaissance (1864-1930), the founding of newspapers. Our study deals specifically with the status given to literary works in newspapers. In sequence, we will look at Marichette's Lettres (1895-1898) published in L'Évangéline, the novel Placide, l'homme mystérieux by Paul (1904-906) published in L'Impartial and the play « Subercase » (1902, 1936) published in Le Moniteur acadien

Źródło:

Studia Romanica Posnaniensia; 2008, 35; 3-13
0137-2475
2084-4158

Pojawia się w:

Studia Romanica Posnaniensia

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 2.

Tytuł:

“The Words of My Mouth Shall They Be, Yet the Will of the Greeks”. A Representation of the “Diplomatic Mission” in Act III of Troas by Łukasz Górnicki

Autorzy:

Bajer, Michał

Powiązania:

https://bibliotekanauki.pl/articles/953867.pdf

Data publikacji:

2016

Wydawca:

Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie

Tematy:

Łukasz Górnicki
Renaissance
diplomacy
Renaissance tragedy
Stoicism
Humanism

Opis:

The study is an analysis and interpretation of a scene from Łukasz Górnicki’s tragedy Troas (1589), a translation of Seneca’s Troades. A comparison to the original as well as the description of changes introduced by the translator serve to capture a special phenomenon of emphasising the analogy between Ulysses’s and a diplomat’s activity. Starting with the main character’s first line, the words: “durae minister sortis” were translated as “Ja, co poselstwo niosę”. The analysis of this issue shows that the role of Ulysses (who does not negotiate with a representative of a sovereign country, but with a captive woman) cannot be equated with the role of an ambassador. Conversely, it combines in itself the features characteristic of diplomatic staff of various ranks, including characters operating on the edge of the law. The consilium ascribed to Ulysses enables to explore the secret of Andromacha by observing physical symptoms of emotions. This makes it possible for Górnicki to define the main character’s ingenuity as “dowcip odwrócony na nice” which, irrespective of Seneca’s original, refers to the terminology used earlier in Dworzanin polski, where dowcip (wit) is the equivalent of ingegno. Among the ethical elements of Ulysses’s speeches one should name, above all, his desire to convince Andromacha to accept the Greek’s line of argumentation. This, in turn, provides good framework for parallelism with the New Testament (Lk 2:35). The last part of the work, devoted to pathos, addresses the problem of a mismatch between the role of Ulysses and diplomacy codes in Górnicki’s times. The main character does not limit himself to conducting well thought-out negotiations, but he also uses direct violence. Similar dissonance in character construction seems to make the representation of diplomatic practices in Górnicki’s translation a problematic task, given the socio-political tensions in Europe in the second half of sixteenth century.

Źródło:

Odrodzenie i Reformacja w Polsce; 2016, 60
0029-8514

Pojawia się w:

Odrodzenie i Reformacja w Polsce

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 3.

Tytuł:

Retelling Orpheus: Orpheus in the Renaissance

Autorzy:

Beattie, Laura I. H

Powiązania:

https://bibliotekanauki.pl/articles/653555.pdf

Data publikacji:

2014

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

Orpheus
Metamorphoses
Renaissance

Opis:

This paper examines the importance of the Orpheus myth during the English Renaissance. The Orpheus myth was one of the most common mythic intertexts of the period due to the fact that we could see the very story of Orpheus as being imbedded within the idea of the Renaissance itself. The main ambition of the Renaissance humanist was to bring the literature of the ancients back to life via the means of education. In other words, they attempted to bring the dead back to life and Orpheus serves as an embodiment of this ambition due to his ability to bring inanimate objects to life and in his journey to the underworld to rescue Eurydice. We find many different aspects of the Orpheus myth dealt with in Renaissance writing, for example Orpheus as poet, Orpheus as lover and the death of Orpheus being some of the key focal points. This paper, however, will focus specifically on the role of Orpheus as Poet as, due to the Renaissance love for art, rhetoric and eloquence, this seems to be the most popular dimension of the Orpheus myth at that time. We will see how Renaissance writers reinterpret the story of Orpheus, as originally told by Ovid and Virgil, in the Metamorphoses and the Georgics respectively, to show Orpheus as not only as being an archetypal poet but in fact the very first poet whose art is not only responsible for the civilisation of man, but also for the creation of a “Golden Age” in Renaissance England.

Źródło:

Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2014, 2, 1
2353-6098

Pojawia się w:

Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 4.

Tytuł:

Lekcje anatomii w obrazach mistrzów holenderskich epoki Renesansu
Anatomy lessons in the paintings by the Dutch artists of the Renaissance

Autorzy:

Wilemska, Katarzyna
Kidzińska, Małgorzata
Kucharzewski, Marek

Powiązania:

https://bibliotekanauki.pl/articles/1038388.pdf

Data publikacji:

2011

Wydawca:

Śląski Uniwersytet Medyczny w Katowicach

Tematy:

Renaissance
anatomy
paintings

Opis:

Needless to say, medical topics have always aroused a great interest among various artists. What is more, a great number of art works has been preserved, which undoubtedly contributes to the enrichment of our knowledge about doctors working in the previous centuries. Moreover, in the Renaissance, one could easily notice the thriving development of paintings, presenting ordinary scenes from everyday life, which was started mainly by the Dutch. Furthermore, among frequent topics undertaken by famous artists we can diff erentiate the ones that presented surgeries and autopsies. In the given article we will discuss the paintings presenting the anatomy lessons by Pietersz, Pickenoy, van Mierveld, Rembrandt, and van Neck, since the analysis of given works provides a great source of information about the doctors living in these times.
Od wielu stuleci malarze interesowali się tematyką medyczną. Do naszych czasów zachowało się wiele dzieł sztuki, które wzbogacają naszą wiedzę o lekarzach z minionych wieków. W epoce renesansu rozpoczął się bujny rozkwit malarstwa rodzajowego, który zapoczątkowali Holendrzy. Do częstych tematów malarskich sławnych mistrzów należały m.in. sceny rodzajowe przedstawiające zabiegi chirurgiczne czy sekcje. W pracy zostały omówione obrazy przedstawiające lekcje anatomii Pietersza, Pickenoya, van Miervelda, Rembrandta, van Necka. Analizując te dzieła wiele możemy się dowiedzieć o żyjących wówczas lekarzach.

Źródło:

Annales Academiae Medicae Silesiensis; 2011, 65, 3; 71-76
1734-025X

Pojawia się w:

Annales Academiae Medicae Silesiensis

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 5.

Tytuł:

Retelling Orpheus: Orpheus in the Renaissance

Autorzy:

Beattie, Laura I. H.

Powiązania:

https://bibliotekanauki.pl/articles/24987859.pdf

Data publikacji:

2014

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

Orpheus
Metamorphoses
Renaissance

Opis:

This paper examines the importance of the Orpheus myth during the English Renaissance. The Orpheus myth was one of the most common mythic intertexts of the period due to the fact that we could see the very story of Orpheus as being imbedded within the idea of the Renaissance itself. The main ambition of the Renaissance humanist was to bring the literature of the ancients back to life via the means of education. In other words, they attempted to bring the dead back to life and Orpheus serves as an embodiment of this ambition due to his ability to bring inanimate objects to life and in his journey to the underworld to rescue Eurydice. We find many different aspects of the Orpheus myth dealt with in Renaissance writing, for example Orpheus as poet, Orpheus as lover and the death of Orpheus being some of the key focal points. This paper, however, will focus specifically on the role of Orpheus as Poet as, due to the Renaissance love for art, rhetoric and eloquence, this seems to be the most popular dimension of the Orpheus myth at that time. We will see how Renaissance writers reinterpret the story of Orpheus, as originally told by Ovid and Virgil, in the “Metamorphoses” and the “Georgics” respectively, to show Orpheus as not only as being an archetypal poet but in fact the very first poet whose art is not only responsible for the civilisation of man, but also for the creation of a “Golden Age” in Renaissance England.

Źródło:

Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre; 2014, 2, 1; 1-8
2353-6098

Pojawia się w:

Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 6.

Tytuł:

The Poetics of Phantasia: Some Remarks on the Renaissance Concepts of Imagination and “Fantastic Imitation”

Autorzy:

Niebelska-Rajca, Barbara

Powiązania:

https://bibliotekanauki.pl/articles/579051.pdf

Data publikacji:

2018

Wydawca:

Łódzkie Towarzystwo Naukowe

Tematy:

phantasia
imagination
fantastic imitation
Renaissance poetics
Renaissance aesthetics
Jacopo Mazzoni

Opis:

According to the traditional view, the notion of imagination in early modern aesthetics was a rather marginal and subsidiary concept within the classical doctrine of mimesis dominated by rules and reason. The present paper raises some doubts about this well-established opinion. It argues that even if imagination in early modern aesthetics did not play as prominent role as in Romantic poetics, the concept had significant relevance. It presents one important episode from the Renaissance debate on imagination, which arose from the sixteenth century literary quarrel over the artistic quality and the uncertain genre of Dante’s Commedia. Its main distinctive category was “fantastic imitation” — a concept derived from Plato, yet misunderstood and thus transformed.

Źródło:

Zagadnienia Rodzajów Literackich; 2018, 61, 1(125); 37-51
0084-4446

Pojawia się w:

Zagadnienia Rodzajów Literackich

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 7.

Tytuł:

Dialogue sur le mariage, dialogue dans le mariage. Sur le troisième livre de la Civil Conversatione de Stefano Guazzo
Dialogue on Marriage, Dialogue in the Marriage. On the third book of Civil Conversatione by Stefano Guazzo

Autorzy:

Dimke-Kamola, Joanna

Powiązania:

https://bibliotekanauki.pl/articles/1050645.pdf

Data publikacji:

2015-12-11

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Stefano Guazzo
Renaissance Marriage
Renaissance Family
Rules of Communication
Conversation

Opis:

The starting point for this study of the marriage according to Guazzo is the notion of conversation in its original meaning, as living together. The treaty of Guazzo (1574) develops the concept of « civil conversazione » in which men exchange their opinions, but especially support each other and show mutual respect and amiability, which avoids conflicts. The study shows the analogies between such ideal of communication and Guazzo’s vision of the marriage – both envisaged in the humanistic and Christian perspectives: as foundations of society and means of mutual edification. Guazzo’s discourse concerning conversation of the spouses oscillates between the necessity of accomodation to the spouse (related to concealment) and sincerity. Given the complexity of codes that characterize other types of communication, « marital conversazione » is presented as the closest to the ideal of transparency.

Źródło:

Studia Romanica Posnaniensia; 2015, 42, 3; 79-96
0137-2475
2084-4158

Pojawia się w:

Studia Romanica Posnaniensia

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 8.

Tytuł:

Les petites filles dans la poésie latine de la Renaissance italienne inspirée de la tradition antique

Autorzy:

Łukaszewicz-Chantry, Maria

Powiązania:

https://bibliotekanauki.pl/articles/52238157.pdf

Data publikacji:

2012

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

Italian Renaissance
Latin poetry

Opis:

L’articolo presenta una serie di ritratti di fanciulle creati da umanisti italiani quali Giovanni Pontano (Massila, Tranquilla, Penthesilea, Rosa) e analizza in che modo i poeti rinascimentali si riferivano alla letteratura antica, ad esempio sfruttando il motivo del fiore, simbolo di bellezza, ma anche della brevità della vita.

Źródło:

Collectanea Philologica; 2012, 15; 51-64
1733-0319
2353-0901

Pojawia się w:

Collectanea Philologica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 9.

Tytuł:

Astrologiczne i humoralne uwarunkowania wyglądu ciała ludzkiego. Johannesa ab Indagine Introductiones apotelesmaticae in Chyromantiam, Physiognomiam, Astrologiam Naturalem complexiones hominum naturas planetarum (1522) na tle kultury umysłowej renesansu
Human body in the astrological and humoral context. Johannes ab Indagine Introductiones apotelesmaticae in Chyromantiam, Physiognomiam, Astrologiam Naturalem complexiones hominum naturas planetarum (1522) in the light of intellectual culture of the Renaissance

Autorzy:

Raubo, Agnieszka

Powiązania:

https://bibliotekanauki.pl/articles/1041684.pdf

Data publikacji:

2017

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Renaissance
physiognomy
astrology
chiromancy

Opis:

This article describes the impact of humoral theory and astrology on the description of human body in four types of temperaments (choleric, phlegmatic, sanguine and melancholic) in the Renaissance writings. The most important of them is an antique book entitled Introductiones apotelesmaticae in Chyromantiam, Physiognomiam, Astrologiam Naturalem complexiones hominum naturas planetarum  written by Johannes Indagine and printed in 1522. Other books from this period are: Enchiridion Physiognomiae co[m] pe[n]diosu[m]: cu[m] figuris facieru[m]  (1532) by Simonenide Louicz, Problemata Aristotelis. Gadki… o składności członk.w człowieczych  (1535) by Andrzej Glaber, Phisionomia hinc inde ex illustribus scriptoribus… recollecta (1518) by Johann von Glogau. The article describes the humoral theory of diseses, which roots were created by Hippocrates and Galen, and the doctrine of the four humors dominated Medieval and Renaissance medicine. This theory held that in the body there are four humors or bodily fluids (moists) held the secret to temperaments. These humors were: blood, yellow bile, black bile and phlegm. A proper domination of each fluid was a cause of characteristic patterns of appropriate temperament: melancholic, sanguine, choleric and phlegmatic. The theory of four temperaments was also intrinsically tied to astrology, beginning with a natal birth chart interpretations to the impact of diffrent planets (Zodiac) on the organs in human body. Astrology was also helpful in the interpretation of temperaments (personality types) with their connection to the picture of human face, which was analyzed by the medieval physiognomy and also to physical appearance: shape of the body, colour of the skin, musculature and hair. The article also describes the correlations connecting the theory of four humors with birth (natal) charts and looking which planet has the impact on each temperament and human body, with negative or positive domination of diffrent character qualities. And finally, there is a detailed reconstruction of physiognomic types of human types of four temperaments, based on the book from 1522 Introductiones apotelesmaticae in Chyromantiam, Physiognomiam, Astrologiam Naturalem complexiones hominum naturas planetarum  by Indagine. The author discusses a planet’s positions and conjunctions with other planets in horoscope and their impact on temperament, physical posture, character traits, with some medical comments.

Źródło:

Poznańskie Studia Polonistyczne. Seria Literacka; 2017, 31; 89-128
1233-8680
2450-4947

Pojawia się w:

Poznańskie Studia Polonistyczne. Seria Literacka

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 10.

Tytuł:

Kasztel renesansowy w Graboszycach

Autorzy:

Sadowska, E.J.

Powiązania:

https://bibliotekanauki.pl/articles/217845.pdf

Data publikacji:

2003

Wydawca:

Stowarzyszenie Konserwatorów Zabytków

Tematy:

kasztel
renesans
Graboszyce
castle
renaissance

Źródło:

Wiadomości Konserwatorskie; 2003, 14; 58-62
0860-2395
2544-8870

Pojawia się w:

Wiadomości Konserwatorskie

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 11.

Tytuł:

Marsilio Ficino i Platoński Charmides

Autorzy:

Piotrowska, Paulina

Powiązania:

https://bibliotekanauki.pl/articles/636255.pdf

Data publikacji:

2013

Wydawca:

Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego

Tematy:

Marsilio Ficino, temperantia, Renaissance neoplatonism

Opis:

Marsilio Ficino and Plato’s Charmides The following article, devoted to Ficino’s interpretation of Plato’s Charmides, consists of two parts. The first one is an introduction to Ficino’s comment. It brings up Ficino’s stylistics and the place of Charmides among the Plato’s dialogues. It seems that the decision to translate the works of Plato was not accidental. Th e philosopher’s views on governance perfectly justified the strong power of Cosimo de’ Medici in Florence. Poliziano praised his rule in his own preface to Charmides. Charmides, in turn, is an interesting dialogue because it was followed by Ficino’s censorship where the philosopher tackles Plato’s homoerotic fascinations. Th e translator, so honest and conscientious in other translations, this time decides to pare down the content of the dialogue. However, a comment written by him becomes a valuable compensation for these shortcomings. Ficino’s main philosophical notions (above all the prisca theologia doctrine) bloom in every passage of the paper. The author interweaves the wisdom of Arab mystics with the wisdom of ancient Greek mystics in order to reconcile these thoughts with the Christian revelation. Particularly interesting is the psychosomatic approach to human nature, that is the interdependence of the health of body and soul. As by the means of sophrosyne full harmony is to be discovered between them, we can even reach immortality. We are like Adam Kadmon, who, though imperfect, can improve his own and the world’s nature. The second part of the paper is a translation of Ficino’s synopsis of the dialogue, in which the author explains what can be understood under the term sophrosyne. Temperance needs to be instilled into a man’s mind early, as early as the patient is given medication. It should be given especially to young people, to those from noble families and to the beautiful. Physical beauty, in particular, hinders striking the right balance but, on the other hand, it can also stimulate insight into the beauty of the soul. The form allows us to explore the idea. When the violent desires are tamed, it is easier to balance all other activities. Th at is the reason why “moderation is best”, as Cleobulos of Lindos would say. When both the soul and body are healed, we achieve a harmonious consonance. In the spirit of this harmony, Pythagorean magical practices agree with the thoughts of Avicenna and Hippocrates’s medical practice to end up with the mysteries of Moses. That is what they have achieved – Enoch, Elijah and St. John the Evangelist. Enriched with necessary footnotes, the translation seems to represent an important example of Italian Renaissance interpretation of Platonic thought.

Źródło:

Terminus; 2013, 15, 1(26)
2084-3844

Pojawia się w:

Terminus

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 12.

Tytuł:

PETRARCHS REFLECTIONS ON HIS JOURNEYS (Rozmyslania podrózne Petrarki - spadkobiercy starozytnych Rzymian, rzecznika zycia wewnetrznego)

Autorzy:

Domanski, Juliusz

Powiązania:

https://bibliotekanauki.pl/articles/702804.pdf

Data publikacji:

2007

Wydawca:

Polska Akademia Nauk. Czytelnia Czasopism PAN

Tematy:

LATIN LITERATURE OF RENAISSANCE
PETRARCH

Opis:

A review of Wlodzimierz Olszaniec's annotated edition and translation of Petrarch's Latin texts concerning his travels.

Źródło:

Meander; 2007, 62, 3-4; 354-364
0025-6285

Pojawia się w:

Meander

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 13.

Tytuł:

Drukarstwo renesansowe w „sławnym mieście weneckim”
CYRILLIC/SLAVONIC RENAISSANCE BOOK PRINTING IN „FAMOUS VENICE TOWN”

Autorzy:

Naumow, Aleksander

Powiązania:

https://bibliotekanauki.pl/articles/705172.pdf

Data publikacji:

2011

Wydawca:

Polska Akademia Nauk. Czytelnia Czasopism PAN

Tematy:

Slavs in Venice
editors
renaissance

Opis:

The study presents editorial activity of Orthodox and Catholic Slavs in Venice in XVI and XVII century. Special consideration was given to Bozidar and Vicenzo Vuković works as well as Franciscan and other editors initiatives. The cultural situation in renaissance Venic e and political context of Balcan territories, from where editors came, were discussed.

Źródło:

Pamiętnik Słowiański; 2011, 61, 2; 3-24
0078-866X

Pojawia się w:

Pamiętnik Słowiański

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 14.

Tytuł:

Anegdoty o Demostenesie – wprowadzenie

Autorzy:

Piotrowska, Paulina

Powiązania:

https://bibliotekanauki.pl/articles/636245.pdf

Data publikacji:

2013

Wydawca:

Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego

Tematy:

Demosthenes, anecdote, Renaissance biographies, doxography

Opis:

The Anecdotes on Demosthenes – An IntroductionThe following article is devoted to anecdotes on Demosthenes and consists of two parts. The first one is an introduction to the anecdotes themselves. Starting with a short biography of the pre-eminent Greek speaker, it discusses the rest of the content of a manuscript which clearly shows awakened interest in Antiquity. Consequently, the biography itself becomes a subject. Later the reception of Diogenes Laertius’s Lives and Opinions of Eminent Philosophers is briefly discussed, highlighting the influence and evolution of ancient authors and ancient thought on, among others, Poggio Bracciolini and Petrarch. Then the author some introductory remarks on Renaissance attempts to translate and exemplify a stylised biography of the philosopher in Polish tradition. One of these attempts was made by Filippo Buonaccorsi, called “Callimachus”, who composed the Life of Gregory of Sanok, the archbishop of Lviv. Finally, the author poses the question of why Demosthenes appeared as a character interesting both in terms of a biography and anecdotes. According to Turasiewicz, it seems that people were filled with the ideals of Athenian democracy and let themselves be somehow charmed by the eloquence of Demosthenes. This did not happen through flattery but through honesty and clarity of thought and due to the idea of a kind of sacrifice entailed in the orator’s speeches. An admiration for the speaker’s political views was reflected not only in a golden wreath but mainly in the silent approval of the struggle for political sovereignty at the expense of “money, pleasure and life.” The wise people of Athens accepted without objection reprimand and instructions uttered by the speaker, but they did it only because it was honest criticism supported by reasonable arguments. With the fall of Constantinople, the works of Demosthenes returned to Europe and thanks to Byzantine scholars he found Ostroróg, Georges Clemenceau, Friedrich Nietzsche – these are just a few of the important people who found themselves influenced by him.The introductory notes are followed by the second part of the paper, which consists of a translation of the anecdotes. Enriched with necessary footnotes, the translation attempts to provide an interesting insight into Demosthenes’ personality, since one might find there not only stories praising his qualities but also some anecdotes on his faults. All in all, the reader is left with a thorough, though not comprehensive, image of the famous Athenian orator.

Źródło:

Terminus; 2013, 15, 3(28)
2084-3844

Pojawia się w:

Terminus

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 15.

Tytuł:

Wystrój Dworu Artusa w Gdańsku z drugiej ćwierci XVI wieku. Przyczynek do stosunku protestantów do astrologii
DECOR OF THE ARTUS COURT IN GDAŃSK IN THE SECOND QUARTER OF THE 16TH CENTURY. A CONTRIBUTION TO THE PROTESTANTS ATTITUDE TO ASTROLOGY

Autorzy:

Woziński, Andrzej

Powiązania:

https://bibliotekanauki.pl/articles/425474.pdf

Data publikacji:

2011

Wydawca:

Parafia Ewangelicko-Augsburska w Gdańsku z siedzibą w Sopocie

Tematy:

ARTUS COURT
ASTROLOGY
LUTHERANS
RENAISSANCE

Opis:

The décor of the Artus Court was the major artistic project prior to the legalizing of Protestantism in Gdansk. The rich programme combined the traditional Catholic topics, Antique motifs, and images testifying to the reception of Lutheranism. They were composed of the motifs related to the state, province, and the city, religion, civic responsibilities, as well as astrological subjects. Images containing astrological meanings constitute quite a substantial component of the décor. Their even arrangement in the interior turned them into an element integrating all the programme; additionally, astrological motifs appear in several separate enclaves in the décor (personifications of the seven planets of the cornice; the motifs on the capitals which refer to the relation between the universe and man as well as his environment; personifications of Moon and Venus located in the highest section of the stove; Sun and Moon in the late Gothic painting Ship of the Church; the impact of the various arrangements of the celestial bodies on the earth can be found in the late-Gothic painting Siege of Malbork as well as in Holofernes' Camp and the Siege of Malbork painted by Martin Schoninck). The presence of astrological images deeply rooted in the mediaeval tradition in the interior whose décor conveyed basically Lutheran thought, gives rise to the question to what extent Lutherans were ready to accept topics whose connotations referred to a suspicious, frequently condemned, but generally cultivated knowledge, to numerous abuses, and to what degree they filled them with new meanings. The reformers' attitude to astrology was not unanimous. Martin Luther did not favour it, meanwhile Philipp Melanchthon, friends with Luther, was of a different opinion with regard to astrology. He was not only a leading figure among the reformers, but also an outstanding personality at Wittenberg University. His assumption was that man being a creation of nature must be subject to the impact of stars which in their turn are subdued to God. As a reformer of the Church he followed the Holy Scriptures, as a reformer of astrology, in turn, he based himself on Ptolemy, while also drawing from Aristotle. At Wittenberg University he attracted quite a number of humanists, doctors, mathematicians, and astronomers who dealt with astrology. He himself and his followers agreed that only a pious scholar was able to read the heavenly signs and comprehend divine providence by means of astrology. The Wittenberg climate favourable to astrology may have affected Gdansk. The bonds between the two cities were quite close and many Gdansk residents, as well as individuals who were to settle later in Gdansk, such as the Protestant preachers.

Źródło:

Gdański Rocznik Ewangelicki; 2011, 5; 64-81
1898-1127

Pojawia się w:

Gdański Rocznik Ewangelicki

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 16.

Tytuł:

Z dziejów synkretyzmu filozoficznego w epoce renesansu – Jana Grotowskiego
From the history of philosophical syncretism in Renaissance:Jan Grotowski’s Socrates albo o szlachectwie rozmowa

Autorzy:

Raubo, Agnieszka

Powiązania:

https://bibliotekanauki.pl/articles/1534469.pdf

Data publikacji:

2011-01-01

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Renaissance
antiquity
syncretism
philosopher
nobleness.

Opis:

The article discusses the philosophical syncretism of the Renaissance time period in a lesser known sixteenth century text of Jan Grotowski Ai.e. Socrates, Diogenes and Themistocles. The description of the interlocutors refers both to their antique and Renaissance descriptions. In addition, the issue of nobleness that comes from birth and the one that comes from living a good life is discussed. The notion of virtue as it was presented in Grotowski’s work is outlined, as well as the relations between the body, soul and the spirit included in it that influence the interpretation of the notion “nobleness”.

Źródło:

Poznańskie Studia Polonistyczne. Seria Literacka; 2011, 18; 285-316
1233-8680
2450-4947

Pojawia się w:

Poznańskie Studia Polonistyczne. Seria Literacka

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 17.

Tytuł:

„Słowa moich ust będą, ale Greków chcenie” Reprezentacja poselstwa w III akcie Troas Łukasza Górnickiego

Autorzy:

Bajer, Michał

Powiązania:

https://bibliotekanauki.pl/articles/602703.pdf

Data publikacji:

2015

Wydawca:

Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie

Tematy:

Łukasz Górnicki
renesans
dyplomacja
tragedia renesansowa
stoicyzm
humanizm
Renaissance
diplomacy
Renaissance tragedy
Stoicism
Humanism

Opis:

Artykuł proponuje analizę i interpretację sceny z tragedii Łukasza Górnickiego Troas (1589), będącej przekładem Troades Seneki. Porównanie z oryginałem i opis zmian wprowadzonych przez tłumacza mają na celu uchwycenie szczególnego zjawiska, jakim jest zaakcentowanie w przekładzie analogii postępowania Ulissesa z działalnością dyplomaty: od pierwszej kwestii bohatera, słowa „durae minister sortis” przetłumaczone zostały jako „ja, co poselstwo niosę”. Analiza tego zagadnienia pokazuje zarazem, że rola Ulissesa (pertraktującego nie z przedstawicielem suwerennego państwa, ale z branką) nie może zostać utożsamiona z funkcją ambasadora, lecz łączy w sobie cechy właściwe personelowi dyplomatycznemu różnego szczebla, w tym postaci działających na krawędzi legalności. Przypisane Ulissesowi consilium umożliwia przeniknięcie tajemnicy Andromachy za pomocą obserwacji cielesnych symptomów emocji. Pozwala to Górnickiemu określić przemyślność bohatera jako „dowcip odwrócony na nice”, co stanowi – niezależne od oryginału Seneki – na wiązanie do terminologii użytej wcześniej w Dworzaninie polskim, gdzie dowcip jest odpowiednikiem ingegno. Wśród etycznych elementów mów Ulissesa wymienić należy przede wszystkim jego pragnienie przekonania Andromachy do słuszności racji Greków. Zjawisko to stanowi ramę dla wystąpienia paralelizmu z Nowym Testamentem (Łk 2, 35). Ostatnia część, poświęcona pathos, podejmuje problem nieprzystawalności roli Ulissesa do kodów dyplomacji epoki Górnickiego. Bohater nie ogranicza się do prowadzenia przemyślnych negocjacji, ale posługuje się również przemocą bezpośrednią. Podobna niespójność kreacji postaci wydaje się wpisywać problematyczną reprezentację praktyk dyplomacji w przekładzie Górnickiego w polityczne i społeczne napięcia drugiej połowy XVI w.
The study is an analysis and interpretation of a scene from Łukasz Górnicki’s tragedy Troas (1589), a translation of Seneca’s Troades. A comparison to the original as well as the description of changes introduced by the translator serve to capture a special phenomenon of emphasising the analogy between Ulysses’s and a diplomat’s activity. Starting with the main character’s first line, the words: “durae minister sortis” were translated as “Ja, co poselstwo niosę”. The analysis of this issue shows that the role of Ulysses (who does not negotiate with a representative of a sovereign country, but with a captive woman) cannot be equated with the role of an ambassador. Conversely, it combines in itself the features characteristic of diplomatic staff of various ranks, including characters operating on the edge of the law. The consilium ascribed to Ulysses enables to explore the secret of Andromacha by observing physical symptoms of emotions. This makes it possible for Górnicki to define the main character’s ingenuity as “dowcip odwrócony na nice” which, irrespective of Seneca’s original, refers to the terminology used earlier in Dworzanin polski, where dowcip (wit) is the equivalent of ingegno. Among the ethical elements of Ulysses’s speeches one should name, above all, his desire to convince Andromacha to accept the Greek’s line of argumentation. This, in turn, provides good framework for parallelism with the New Testament (Lk 2:35). The last part of the work, devoted to pathos, addresses the problem of a mismatch between the role of Ulysses and diplomacy codes in Górnicki’s times. The main character does not limit himself to conducting well thought-out negotiations, but he also uses direct violence. Similar dissonance in character construction seems to make the representation of diplomatic practices in Górnicki’s translation a problematic task, given the socio-political tensions in Europe in the second half of 16th century.

Źródło:

Odrodzenie i Reformacja w Polsce; 2015, 59
0029-8514

Pojawia się w:

Odrodzenie i Reformacja w Polsce

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 18.

Tytuł:

Mitologizacja awifauny w pracach polskich humanistów
Mythologization of avifauna in Polish humanists’ works

Autorzy:

Stasiak, Arkadiusz M.

Powiązania:

https://bibliotekanauki.pl/articles/1891924.pdf

Data publikacji:

2013

Wydawca:

Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL

Tematy:

awifauna
humanizm renesansowy
literatura renesansowa
mitologia
mitologizacja
avifauna
Renaissance humanism
Renaissance literature
mythology
mythologization

Opis:

The process of mythologization of avifauna has been analyzed in order to study the relation between man and nature, and more precisely, between the Renaissance humanism and natural sciences. One issue is puzzling in this field – why did educated and well-read humanists mythologize nature, including the avifauna? Why did authors, for whom in principle criticism was an elementary indicator for perceiving reality, got rid of it so easily? 16th century authors with humanist education did not reconstruct nature but art, and they searched for its ideal in ancient works filled with mythologization of the nature. Humanist erudition required describing mythical animals and equally mythical symbolic of those animals. In this way one could prove that he knew ancient texts well. Reconstruction of such nature as it really existed was an attitude that was unworthy of a humanist artist. Hence the store of knowledge and ignorance that existed in those times was translated into a particular, often mythologized, text written by a Renaissance author.

Źródło:

Roczniki Humanistyczne; 2013, 61, 2; 83-95
0035-7707

Pojawia się w:

Roczniki Humanistyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 19.

Tytuł:

Jana ze Stobnicy (1470–1519) wykład o Grecji. Inspiracje Eneasza Sylwiusza Piccolominiego (1405–1464)
The lecture of Jan of Stobnica (1470–1519) on Greece. Inspirations of Aeneas Silvius Piccolomini (1405–1464)

Autorzy:

Zawadzki, Robert K.

Powiązania:

https://bibliotekanauki.pl/articles/1045809.pdf

Data publikacji:

2018-08-24

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Renaissance literature
geography
Greece
Polish culture

Opis:

The article offers insights on the reception and cultural transmission of one of the most important Renaissance texts entitled De Europa written by Aeneas Silvius Piccolomini, an Italian scholar (he became Pope Pius II in 1458). His work was adopted and adapted by the Polish scholar Jan of Stobnica. In his dissertation Introductio in Ptolemaei cosmographiam cum longitudinibus et latitudinibus regionum et civitatum celebriorum, he took up all issues of Piccolomini`s treatise, including geographical and historical aspects of Greece. His attitude to this material was very positive. The article considers the motifs of Greek districts, such as Macedonia, Thessaly, Boeotia, Attica, the Peloponnese, the Isthmus, Achaea, Acarnania, Epirus, and the significance of Greece for Polish Renaissance culture.

Źródło:

Symbolae Philologorum Posnaniensium Graecae et Latinae; 2018, 28, 1; 103-119
0302-7384

Pojawia się w:

Symbolae Philologorum Posnaniensium Graecae et Latinae

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 20.

Tytuł:

Jan Innocenty Petrycy: Esteem Shown to Writers and Their Works

Autorzy:

Starnawski, J.
Sroczynska, E.

Powiązania:

https://bibliotekanauki.pl/articles/702621.pdf

Data publikacji:

2005

Wydawca:

Polska Akademia Nauk. Czytelnia Czasopism PAN

Tematy:

PETRYCY JAN INNOCENTY
RENAISSANCE IN POLAND

Opis:

The chapter 'Wealth of the Wise' out of Jan Innocenty Petrycy's 'Assembly of the Wise' (Cracow 1628) is printed here in Jerzy Starnawski's edition. The text is followed by Elzbieta Sroczynska's Polish translation.

Źródło:

Meander; 2005, 60, 3; 319-324
0025-6285

Pojawia się w:

Meander

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 21.

Tytuł:

ŚREDNIOWIECZNY KOŚCIÓŁ PARAFIALNY W SZADKU I JEGO RENESANSOWA KAPLICA
THE MEDIEVAL PARISH CHURCH IN SZADEK AND ITS RENAISSANCE CHAPEL

Autorzy:

Cechosz, Stanisław
Holcer, Łukasz

Powiązania:

https://bibliotekanauki.pl/articles/510372.pdf

Data publikacji:

2015

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

church presbytery
Renaissance chapel
attic
Szadek

Opis:

The medieval parish church in Szadek, dedicated to the Holy Virgin Mary and St James the Apostle, is the town’s oldest historical monument and its most valuable relic of the past splendour. Restoration of its elevations has been in progress for several years. Renovation work has been completed on the walls of the presbytery and the northern elevation of the church with its annexes, i.e. sacristy, treasury and chapel under the invocation of Our Lady of the Rosary. The conservation and research work resulted in restoring the long-forgotten splendour of the church and in a number of important discoveries. It was found that in the first half of the 14th century a two-bay presbytery was built as well as a sacristy and an adjoining room intended for a treasury. In the next stage of construction work a threeaisle pseudo-basilica church was built, to be given a new form a hundred years later. The most spectacular discovery was identification of the original architectural design of the Renaissance chapel from the mid-16th century, dedicated to Our Lady of the Rosary.

Źródło:

Biuletyn Szadkowski; 2015, 15; 35-68
1643-0700

Pojawia się w:

Biuletyn Szadkowski

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 22.

Tytuł:

Kontakty Pietra Bemba z Polakami
The relationship between Pietro Bembo and Poles

Autorzy:

Kowalczyk, Daria

Powiązania:

https://bibliotekanauki.pl/articles/938446.pdf

Data publikacji:

2017

Wydawca:

Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie

Tematy:

Pietro Bembo
Klemens Janicki
Renaissance
humanism

Opis:

The article presents the relationship between one of the main representatives of Italian humanism – Pietro Bembo – with Poles. The most important aspect was his friendship with Klemens Janicki who studied in Padua in 1538–1540. His works are a testimony of contacts he had established when in Italy. Bembo was mentioned in Janicki’s works (Variae Elegiae IX,Epigrammata LII). Another element connecting the Italian with Poles were congratulatory letters on his cardinal appointment. The newly-appointed cardinal was congratulated by king Sigismund the Old via enigmatic figures of Jan Wincenty Dulcis de Lasco and Piotr Kmita.A trace of Bembo’s contact with Poles is also the formal correspondence of his while being the secretary of Pope Leo X.

Źródło:

Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria; 2017, 17; 17-25
2081-1853

Pojawia się w:

Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 23.

Tytuł:

Geografia i poezja. Owidiusz na warsztacie Wawrzyńca Korwina (1465–1527)
Geography and Poetry. Wawrzyniec Korwin’s Take on Ovid

Autorzy:

Zawadzki, Robert K.

Powiązania:

https://bibliotekanauki.pl/articles/648655.pdf

Data publikacji:

2019

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

Renaissance literature
geography
poetry
Polish culture

Opis:

The article offers a survey of the reception of Ovid in the Wawrzyniec Korwin’s astronomical dissertation Cosmographia dans manuductionem in tabulas Ptolemaei (ed. 1496) by applying literary perspectives of such Ovid`s poems as Metamorphoses, Fasti, Epistulae ex Ponto, Amores and Heroides. The title Korwin’s take on Ovid hints at the actual and real potential of his heritage that is both a fixed, poetic base shared by Korwin since his study at the Cracow Academy as well as a body of references constantly being reinterpreted in response to astronomical and geographical challenges of the work of the Polish writer. The reader is given an insight into the processes shaping Korwin’s borrowings from Ovid and the importance of Cosmographia to the Polish Renaissance culture.

Źródło:

Collectanea Philologica; 2019, 22; 101-116
1733-0319
2353-0901

Pojawia się w:

Collectanea Philologica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 24.

Tytuł:

Próby de Montaigne’a, czyli apologia życia prywatnego

Autorzy:

Waśkiewicz, Andrzej

Powiązania:

https://bibliotekanauki.pl/articles/2188283.pdf

Data publikacji:

2022-10-24

Wydawca:

Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie. Instytut Filozofii i Socjologii

Tematy:

Renaissance scepticism
political disengagement
individualism
friendship

Opis:

De Montaigne’s Essays, or the apology of private life: The paper presents Michel de Montaigne’s Essays as an apology of his life on the margin of society. Montaigne lives at the time of a civil war in which he refuses to take sides; accordingly, the only thing that he absolutely expects from national government is for it to guarantee peace in the realm. His expectations of the institutional Church are similarly minimalist. Universally respected laws should safeguard public order; all those who invoke philosophical wisdom or religious revelation do is destroy that order. The truly wise ancient philosophers lived outside the polis, aware that it is not reason but common sense that forms its foundation. Having no competences to run a polity, the philosopher has no particular obligations toward it, either. And yet, even with his sceptical philosophy and egocentric personality, Montaigne does not shut himself in an ivory tower, but merely protects his privacy, the right to devote his time to himself. As any philosopher, he highly treasures friendship, which he regards as an intimate relationship, a communion of two souls merged into one. Nonetheless, he needs other people, too, even if it is only to share his thoughts with them: he needs their judgment on his own reflection. He presents this reflection in the Essays in a novel way, drawing the attention to himself, something for which he does not intend to explain himself. For he regards stupidity, including his own stupidity, as a natural human vice; his essays are designed to protect him against it, and him alone, as he will not embark on a crusade against stupidity of others. He does not make his life part of any great narrative: he lives for himself, but he does not argue that the readers of the Essays should imitate him in that. For Montaigne consistently avoids any kind of categorical moralising or viewing human life in terms of obligations.

Źródło:

ARGUMENT: Biannual Philosophical Journal; 2022, 12, 1; 11-26
2083-6635
2084-1043

Pojawia się w:

ARGUMENT: Biannual Philosophical Journal

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 25.

Tytuł:

The complex of St. Florian and St. Catherine church in Gołąb as a unique example of military art of Lublin voivodeship

Autorzy:

Krupa, K.
Gleń, P.

Powiązania:

https://bibliotekanauki.pl/articles/104774.pdf

Data publikacji:

2018

Wydawca:

Politechnika Rzeszowska im. Ignacego Łukasiewicza. Oficyna Wydawnicza

Tematy:

defensive architecture
church
Loreto Chanel
Renaissance
Lublin Renaissance
Mannerism
military art
Zaor Jan
Likkel Piotr

Opis:

With the development of the civilization and the need to ensure safety for the next generation and cultural material, it became more and more vital to provide defence in case of danger. That is why, the character of residential space and historical architecture was influenced by the conflicts, which had various forms. Aside from the buildings, which were fulfilling visible and explicitly defined military function like e.g. fortresses or defence walls, there were also others that have been subjected to the process of incastellation to respond to the needs of the society. Giving the defensive character to the buildings that had originally completely different purpose, especially religious, had been developed since the Roman times. Military art was purely functional at the beginning. Later it was intertwined with decorations and other architectonic elements that were occurring e.g. in churches and conventual complexes. The aim of this article is to analyse the expression of the late Renaissance architecture with the elements of military art (ars militaris) in the discussed church, the Loreto Chapel and the wall, which together constitute the religious complex of St. Florian and St. Catherine in Gołąb in Lublin Voivodeship. Referring to functional and architectural-construction solutions of the subject of our research, the author discusses the topic of giving defensive character to religious buildings while keeping their functional layout, decorativeness and rich architectural expression typical for the architecture of the Lublin Renaissance.

Źródło:

Czasopismo Inżynierii Lądowej, Środowiska i Architektury; 2018, 65, 1; 151-160
2300-5130
2300-8903

Pojawia się w:

Czasopismo Inżynierii Lądowej, Środowiska i Architektury

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 26.

Tytuł:

La récriture protestante du Psautier de Baïf : les Pseaumes en vers mezurez d’Odet de La Noue sur une musique de Claude Le Jeune (1e partie)

Autorzy:

VIGNES, JEAN

Powiązania:

https://bibliotekanauki.pl/articles/638671.pdf

Data publikacji:

2012

Wydawca:

Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego

Tematy:

Renaissance, Book of Psalms, protestant music

Opis:

Jean-Antoine de Baïf is the fi rst catholic poet who achieves a complete translation of the David’sBook of Psalms specifi cally created to be set to music in order to challenge Marot andBèze’s own translation adopted by Calvinists. Baïf’s fi rst fi fteen psalms are set to music bythe composer Claude Le Jeune around 1570. After that, the protestant poet Odet de La Nouereleases a new text for Le Jeune’s music. How does this Calvinist poet adopt the Psalter whenrewriting a paraphrase claimed to be a catholic one?Jean Vignes presents the political and musical context of La Noue’s work, and introducesthe major steps of the creation process of Baïf and La Noue’s works, as well as their intentionsand goals.

Źródło:

Studia Litteraria Universitatis Iagellonicae Cracoviensis; 2012, 7, 1
2084-3933

Pojawia się w:

Studia Litteraria Universitatis Iagellonicae Cracoviensis

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 27.

Tytuł:

Charlemagne – Emperor and Reformer. On the 1200th Death Anniversary

Autorzy:

Ratajczak, Krzysztof

Powiązania:

https://bibliotekanauki.pl/articles/955410.pdf

Data publikacji:

2018

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Charlemagne
carolingian renaissance
history of education

Opis:

The purpose of this paper is to present the role of Charlemagne (768−814), King of the Franks and Emperor of the Romans (from 800) in the process of recovering the school organisation that was considerably weakened in the period from the 5th to the 7th century as well as the participation of the ruler in the reforms of education, science and the school system, referred to as the Carolingian Renaissance. In his reforms of the legal system, the monetary system, administration and education, Charles consistently implemented the political program announced in the Act of 789. The emperor’s actions reveal a clearly utilitarian goal. The command of Latin and the introduction of readable writing enabled the clergy to better understand the words of the Holy Scripture and, in turn, increased the general level of religious education among believers. The numerous scriptoria across the empire contributed to the ongoing work on defining the uniform text of all the books. The rebirth of Latin was driven by the works of the late Roman grammarians, Donatus and Priscian, and many works by ancient authors were also copied in scriptoria.

Źródło:

Biuletyn Historii Wychowania; 2018, 38; 309-318
1233-2224

Pojawia się w:

Biuletyn Historii Wychowania

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 28.

Tytuł:

Recenzja edycji: Jan Kochanowski, Carmina latina, cz. 3: Komentarz, oprac. Z. Głombiowska, Wydawnictwo Uniwersytetu Gdańskiego, Gdańsk 2013, ss. 983
Edition Review: Jan Kochanowski, Carmina Latina, cz. 3: Komentarz, oprac. Z. Głombiowska, Wydawnictwo Uniwersytetu Gdańskiego, Gdańsk 2013, pp. 983

Autorzy:

Płachcińska, Krystyna

Powiązania:

https://bibliotekanauki.pl/articles/967128.pdf

Data publikacji:

2014

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

Old Polish Literature
Renaissance
Latin
Edition

Opis:

The third part of the critical edition of Jan Kochanowski’s corpus in Latin, published by Zofia Głombiowska in 2013, contains an editorial commentary. This volume is the last part of a large and impressive work which was necessary for the academic knowledge of Polish Renaissance literature.

Źródło:

Collectanea Philologica; 2014, 17
1733-0319
2353-0901

Pojawia się w:

Collectanea Philologica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 29.

Tytuł:

The significance of the Renaissance in Poland according to tourists’ opinions on TripAdvisor concerning three major Renaissance landmarks

Autorzy:

Niezgoda, Agnieszka
Wyszowska, Izabela

Powiązania:

https://bibliotekanauki.pl/articles/1391138.pdf

Data publikacji:

2020

Wydawca:

Wyższa Szkoła Bankowa w Poznaniu

Tematy:

Renaissance
travel motivations
tourist reviews
TripAdvisor

Opis:

The purpose of the study was to analyze the role of the Renaissance in Poland and the way it is reflected in tourists’ reviews. The authors focused in particular on tourists’ awareness concerning the importance of three major Renaissance landmarks located in three Polish cities, namely the Wawel Royal Castle in Cracow, the Town Hall in Poznań and the Old Town in Zamość. Methods used in the empirical part include an analysis of reviews posted on the TripAdvisor website by Polish tourists who have visited these sites, taking into account the historical conditions underlying the development of the Renaissance in Poland and its characteristic features. The authors used the desk research method. The pilot study described in the article is an introduction to further, in-depth qualitative research. The results indicate that only 10% of all tourists’ reviews referred to the Renaissance character of the sites. The reviews indicate that most tourists lack a solid knowledge of history and architecture, and were most likely not inspired to visit the analyzed sites because of their links to the Renaissance. No reviews were found demonstrating any personal background in history or suggesting that the Renaissance was the reason for visiting these particular sites. So far, references to the Renaissance in tourists’ reviews of Polish landmarks have not been discussed in the literature. The article can, therefore, be regarded as a first contribution to the study of this issue.

Źródło:

Studia Periegetica; 2020, 30(2); 45-59
1897-9262
2658-1736

Pojawia się w:

Studia Periegetica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 30.

Tytuł:

Hic liber libenter legitur in Polonia Mapping the popularity of the Zodiacus Vitae in Poland between the sixteenth and seventeenth centuries

Autorzy:

Lepri, Valentina

Powiązania:

https://bibliotekanauki.pl/articles/602711.pdf

Data publikacji:

2015

Wydawca:

Polska Akademia Nauk. Instytut Historii im. Tadeusza Manteuffla PAN w Warszawie

Tematy:

Marcellus Palingenius Stellatus
literatura renesansowa
neoplatonizm
humanizm
renesans włoski
Renaissance literature
Neo-platonism
Humanism
Italian Renaissance

Opis:

Choć Zodiacus vitae Marcellusa Palingeniusa Stellatusa był jedną z najbardziej sensacyjnych publikacji XVI stulecia, jego popularność w epoce renesansu nie stała się jeszcze przedmiotem wszechstronnych badań naukowych. Zatem celem niniejszego artykułu jest wypełnienie przynajmniej części tej luki poprzez prezentację popularności dzieła w szesnastowiecznej Polsce, gdzie pierwszego przekładu dokonał Mikołaj Rej. Faktem jest, że wielu innych wybitnych przedstawicieli kultury polskiego renesansu interesowało się Zodiacusem, na co znajdujemy liczne odwołania do tego dzieła, zarówno w utworach poetyckich, jak i traktatach filozoficznych. Ustrój ówczesnej Rzeczypospolitej oraz intensywne kontakty z niemieckimi i włoskimi uniwersytetami dają doskonałe pole do badań pogłębiających nasze rozumienie wpływu Zodiacusa na rozwój literatury i kultury pod koniec XVI i na początku XVII stulecia.
Marcellus Palingenius Stellatus’ Zodiacus vitae was one of the biggest editorial sensations of the sixteenth century, despite which its popularity in the Renaissance has not yet been the subject of a comprehensive study. The aim of this article is to partially fill that gap by addressing the circulation of the work in sixteenth-century Poland, where the first adaptation of the text into a language other than Latin was produced by the poet Mikołaj Rej. Indeed, several other illustrious exponents of Polish Renaissance culture were also interested in the Zodiacus and we can find references to it in both poetic works and in philosophical treatises. The particular political and social organisation of Poland at the time, and its intensive contacts with Italian and German universities, make it an excellent field of investigation for an understanding of the impact of the Zodiacus between the end of the sixteenth century and the beginning of the seventeenth.

Źródło:

Odrodzenie i Reformacja w Polsce; 2015, 59
0029-8514

Pojawia się w:

Odrodzenie i Reformacja w Polsce

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 31.

Tytuł:

Les paradoxes humains et leur résolution dans De Transitu Hellenismi ad Christianismum de Guillaume Budé

Autorzy:

Antkowiak, Krystyna

Powiązania:

https://bibliotekanauki.pl/articles/676254.pdf

Data publikacji:

2014

Wydawca:

Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego

Tematy:

Guillaume Budé
De Transitu Hellenismi ad Christianismum
le paradoxe
la Renaissance
le christianisme
paradox
Renaissance
Christianity

Opis:

The aim of the present paper is to place Guillaume Budé’s De Transitu Hellenismi ad Christianismum in relation to a paradox, a typical phenomenon in Renaissance culture. There are two different types of paradox: a rhetorical one, which is just an amusing intellectual play, and an existential one, which points at the contradictions of human condition. Budé is interested in the latter. In his work he deals with a paradoxical situation of the Christianity in 16th century France: a divergence between the knowledge of the Christian doctrine and its presence in the everyday life. This state is due to the influence exercised on the human soul by “the world” which weakens the faith. Budé points out that everyone can understand this by oneself on condition that one reflects on this problem in one’s mind. The mental activity lets a man resolve his nature’s paradoxes.
Dans le présent article, l’auteur situe le De Transitu Hellenismi ad Christianismum de Guillaume Budé par rapport au phénomène du paradoxe si caractéristique dans la culture de la Renaissance. Les paradoxes se divisent en deux catégories : on distingue le paradoxe rhétorique qui est un jeu intellectuel et le paradoxe existentiel qui signale les antinomies de la condition humaine. Budé ne pratique pas le paradoxe qui n’est qu’un exercice amusant de l’esprit, il s’intéresse plutôt aux paradoxes présents dans la réalité : dans le De Transitu il s’occupe de la condition du christianisme dans la France de son époque : de la divergence entre la connaissance de la doctrine et la pratique de celle-ci dans la vie. Il explique que cet état des choses résulte de la vie dans le monde dont les valeurs s’opposent aux valeurs chrétiennes et dont l’influence affaiblit la foi. L’idée principale de De Transitu est la conviction qu’un homme, être raisonnable, un chrétien du XVIe siècle, est capable de résoudre ce paradoxe par l’effort de l’esprit : la lecture et la méditation sur l’Écriture.

Źródło:

e-Scripta Romanica; 2014, 1; 31-38
2392-0718

Pojawia się w:

e-Scripta Romanica

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 32.

Tytuł:

Żmudna droga do prawdy. Uwagi na marginesie studiów Marcina Fabiańskiego nad renesansowym zamkiem na Wawelu
Tedious Way to the Truth, Remarks on the Margine of Marcin Fabiańskis Studies of the Renaissance Wawel Castle

Autorzy:

Mossakowski, Stanisław

Powiązania:

https://bibliotekanauki.pl/articles/16014318.pdf

Data publikacji:

2019

Wydawca:

Polska Akademia Nauk. Instytut Sztuki PAN

Tematy:

Kraków
Wawel
pałac renesansowy
Cracow
Renaissance palace

Źródło:

Biuletyn Historii Sztuki; 2019, 81, 1; 117-132
0006-3967
2719-4612

Pojawia się w:

Biuletyn Historii Sztuki

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 33.

Tytuł:

Kilka uwag o medalach portretowych Zygmunta I Starego

Autorzy:

Grzęda, Mateusz

Powiązania:

https://bibliotekanauki.pl/articles/1179513.pdf

Data publikacji:

2021-03-09

Wydawca:

Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie

Tematy:

Jagiellonian
portraiture
Renaissance
medal
jagiellonowie
portret
renesans

Opis:

Na początku XVI w. medal portretowy był jedną z najoryginalniejszych form reprezentacji, która dzięki dużej ilości informacji na temat przedstawionej osoby, skumulowanej w niewielkim, trwałym, mobilnym i łatwym do powielenia przedmiocie, doskonale odpowiadała renesansowemu postulatowi sławy i nieśmiertelności. Możliwości, jakie oferował ten gatunek artystyczny, zostały zauważone w dworskim kręgu Zygmunta I Starego (1507–1548), co zaowocowało kilkoma seriami lanych i bitych w różnych metalach medali przedstawiających polskiego króla, powstałych na przestrzeni drugiego i trzeciego dziesięciolecia XVI w. W artykule rozwadze poddano proweniencję artystyczną tych medali, okoliczności ich powstania oraz rolę, jaką mogły one pełnić w praktyce władzy Zygmunta I.
At the dawn of the sixteenth century portrait medals counted among the most orginal forms of representation which providing plenty of information on represented individual and accumulating it in a small, durable, mobile and easily reproducible object, met the Renaissance demand of fame and immortality. Advantages of this medium have been noticed in the courtly circle of king of Poland Sigismund I the Old (r. 1507–1548) thus leading to creation of several series of medals cast and strack in various metals in the second and third decade of the sixteenth century. The paper discusses authorship of these medals, as well as circumstances of their production and the role they could have played in the propaganda of Sigismund I’s power.  

Źródło:

Artifex Novus; 2020, 4; 4-23
2544-5014

Pojawia się w:

Artifex Novus

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 34.

Tytuł:

Obraz małych polskich miast w literaturze z XVI i XVII wieku
Image of Small Polish Towns in Literary Works of the 16th and 17th Centuries

Autorzy:

Żurek, Dorota

Powiązania:

https://bibliotekanauki.pl/articles/1154795.pdf

Data publikacji:

2019-09-30

Wydawca:

Towarzystwo Naukowe w Toruniu

Tematy:

burghers
small towns
craftsmen
literature
Renaissance
Baroque

Opis:

The article deals with the issue of the perception of small Polish towns by authors of literary works from the Renaissance and Baroque periods. Due to the fact that this type of settlements prevailed in the urban landscape of our country, it is interesting whether the authors gave them any attention and, if so, what problems of the towns were raised. The analysis shows that this topic was marginally discussed. Towns in general, even the largest ones, did not enjoy any particular interest of artists. Small towns, however, most often appear as a collective entity. What drew artists’ attention were wooden buildings, which often constitute the towns’ weakness. The authors devote a little more attention to urban craftsmen, having the worst opinion about them. However, these are essentially the views of the nobility, thus show its negative attitude towards towns and townspeople.

Źródło:

Zapiski Historyczne; 2019, 84, 3; 153-167
0044-1791
2449-8637

Pojawia się w:

Zapiski Historyczne

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 35.

Tytuł:

Chwalebna przeszłość arabska w obrazach renesansu literatury XIX i XX w.
The Glorious Arab Past in the Pictures of 19th- and 20th-century Renaissance Literature

Autorzy:

Machut-Mendecka, Ewa

Powiązania:

https://bibliotekanauki.pl/articles/578134.pdf

Data publikacji:

2017

Wydawca:

Polskie Towarzystwo Orientalistyczne

Tematy:

Arabic renaissance
poetry
neoclassic drama
history
glory

Opis:

The Arabic world is proud of its past and grandeur of former times dating to the pre-islam period and the era of the rise of Islam. The article is an attempt to describe the theme of glory in the Arab literature of the renaissance concerning this region from the turn of the 19th and 20th centuries. During this time a new Arabic literature developed and it included the so-called poetry of traditional current and drama as an innovatory literary form called neoclassicism, which had not previously existed. Both genres referred to the brilliant past of Arabia and the Muslim civilization, encouraging Arabs to embrace its revival. These genres were basing on the motif of majd – ‘glory’, ‘praise’, ‘fame’. The poetry included, first of all, panegyrics and poems expressing a longing for previous glory while neoclassic dramatists presented the same theme with examples of ancient communities, tribal legends and the history of the Arabic-Muslim Caliphate. The article aims to show the literary pictures of Arabic grandeur and glory outlined by the renaissance writers. With reference to the changes in literature, the paper argues that since the 1950s, poetry and drama writers have rejected the concept of a glorious past and criticized the dreadful and inglorious moments in the history of Arab regions.

Źródło:

Przegląd Orientalistyczny; 2017, 1-2; 85-98
0033-2283

Pojawia się w:

Przegląd Orientalistyczny

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 36.

Tytuł:

GILSON AS CHRISTIAN HUMANIST

Autorzy:

Redpath, Peter A.

Powiązania:

https://bibliotekanauki.pl/articles/507697.pdf

Data publikacji:

2012

Wydawca:

International Étienne Gilson Society

Tematy:

Étienne Gilson
renaissance
Christianity
humanism
Western civilization

Opis:

The author suggests that the intellectual life of Étienne Gilson constituted a new humanism, that Gilson’s scholarly work was part of a new renaissance, that a new humanism that Gilson thought is demanded by the precarious civilizational crisis of the modern West after World Wars I and II. He also argues that, more than anything else, Gilson was a renaissance humanist scholar who consciously worked in the tradition of renaissance humanists before him, but did so to expand our understanding of the notion of “renaissance” scholarship and to create his own brand of Christian humanism to deal with problems distinctive to his age. The author shows the specificity of the Christian humanism that Gilson developed as part of his distinctive style of doing historical research and of philosophizing.

Źródło:

Studia Gilsoniana; 2012, 1; 53-63
2300-0066

Pojawia się w:

Studia Gilsoniana

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 37.

Tytuł:

Tra Ramo, Alessandro di Afrodisia e Averroè. Il commento di Francesco Vimercato (ca. 1512–ca. 1580) al libro XII della Metafisica di Aristotele
Between Ramus, Alexander of Aphrodisias and Averroes. Francesco Vimercato’s Commentary to Book Twelve of Aristotle’s Metaphysics

Autorzy:

Facca, Danilo

Powiązania:

https://bibliotekanauki.pl/articles/938399.pdf

Data publikacji:

2012

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Aristotle
Vimercato
Metaphysics
Prime Mover
Renaissance
Aristotelianism

Opis:

What kind of causality does the Aristotelian Prime Mover exert on the heaven? Who “loves” the Prime Mover? Renaissance peripatetic philosopher, Francesco Vimercato, a “royal” teacher of “Greek and Latin philosophy” in Paris during the forties and the fifties of the 16th century tried to resolve these traditional puzzles that resulted from the exegesis of the Metaphysics XII, 6–7. His solution appears to be innovative, if compared to the ancient and the medieval ones. It seems partially to prefigure the last two decades’ interpretations of Aristotelian “theology”.

Źródło:

Peitho. Examina Antiqua; 2012, 3, 1; 211-230
2082-7539

Pojawia się w:

Peitho. Examina Antiqua

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 38.

Tytuł:

Krakowski cech muzyków
Cracow musicians guild

Autorzy:

Karasiński, Wojciech

Powiązania:

https://bibliotekanauki.pl/articles/514110.pdf

Data publikacji:

2015-07-01

Wydawca:

Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ

Tematy:

Cracow
musicians guild
Renaissance
Baroque
musical culture

Opis:

The article is a contribution to the exploration of history of Polish musical culture of the Renaissance and the Baroque period. Recognition of elementary forms of social organisation leads to understanding of the prevailing social and economical relations in those times. This article is one of the first in this topic, therefore it starts with very basic issues. A musicians guild existed in Cracow from 16th to 18th century. The article presents its history and organisation on the basis of statutes and municipal documents analysis. Simultaneously, it raises questions about circumstances of its creation and termination, welded duties and repertoire. The author questions the character of discussed association, considering to what extent it was a guild and a confraternity. The aim of the publication is to present to the reader a coherent picture of the guild, which could provide a starting point for further research.

Źródło:

Kwartalnik Młodych Muzykologów UJ; 2015, 2(25); 28-46
2956-4107
2353-7094

Pojawia się w:

Kwartalnik Młodych Muzykologów UJ

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 39.

Tytuł:

A Year in Stanisław Grzepski’s (1524–1570) "De multiplici siclo et talento hebraico"

Autorzy:

Linke, Waldemar

Powiązania:

https://bibliotekanauki.pl/articles/50106586.pdf

Data publikacji:

2023

Wydawca:

Katolicki Uniwersytet Lubelski Jana Pawła II

Tematy:

Stanisław Grzepski
year
Renaissance exegesis
biblical measurement

Opis:

The article explores Stanisław Grzepski’s workshop of biblical exegesis and his hermeneutics. By analyzing his analysis of the system of biblical measurements and his views on the concept of the year in the Jewish-biblical world – as derived and reconstructed on the basis of textual comparison of the Hebrew, Greek and Latin versions of the Scripture, along with thorough mathematical calculations – one can perceive Grzepski’s approach to the Bible. His hermeneutics, seen against the background of the presuppositions of medieval and Renaissance exegesis, allow the author of the article to draw certain conclusions concerning the threats that also modern exegesis should be cautious of.

Źródło:

Verbum Vitae; 2023, 41, 2; 237-254
1644-8561
2451-280X

Pojawia się w:

Verbum Vitae

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 40.

Tytuł:

Health in writings of Polish Renaissance: One more look
Zdrowie w pismach polskiego renesansu

Autorzy:

Smoła, Marek

Powiązania:

https://bibliotekanauki.pl/articles/2098295.pdf

Data publikacji:

2022-04-25

Wydawca:

Państwowa Wyższa Szkoła Zawodowa w Tarnowie

Tematy:

literatura polskiego renesansu
renesans
zdrowie
wychowanie
aktywność fizyczna
Renaissance
literature of Polish Renaissance
health
upbringing
physical activity

Opis:

Krótka analiza literatury naukowej, medycznej i traktatów pedagogicznych z epoki renesansu, pozwala na wskazanie licznych wątków związanych ze zdrowiem i sprawnością fizyczną, którym swoją uwagę poświęcali polscy autorzy. Nie wszystkie ich twierdzenia były oryginalne, wiele treści powtarzali za starożytnymi uczonymi. Z drugiej strony podejmowali samodzielne rozważania, formułując – także i naiwnie – różne błędne twierdzenia. Dorobek ten wart jest dostrzeżenia. Wspominani – nie wszyscy przecież – uczeni (teoretycy i praktycy) byli w wielu przypadkach prekursorami tez i pomysłodawcami pewnych działań, które w swoim czasie bez wątpienia staną się nowatorskie.
The above short analysis of scientific and medical, medicine and didactic treaties of the age of Renaissance allows us to present numerous motifs linked to health and physical fitness, which were in the realm of interest of Polish authors. Not all their statements were original, many notions  were taken from ancient scholars. Nevertheless, Polish Renaissance writers undertook the challenge of independent deliberations over the matter of health, formulating- also in a naive way- many faulty theories. These achievements are worth acknowledging. The scholars mentioned in the above article were in many cases forerunners and originators of certain proceedings which undoubtedly in their times were innovative and ground-breaking.

Źródło:

Health Promotion & Physical Activity; 2022, 18, 1; 9-17
2544-9117

Pojawia się w:

Health Promotion & Physical Activity

Dostawca treści:

Biblioteka Nauki

/5

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Skocz do pozycji: 41.

Tytuł:

Gieorgija Fłorowskiego krytyka rosyjskiego renesansu religijno-filozoficznego: próba oceny
George Florovsky’s critique of the Russian religious-philosophical Renaissance: an attempt to assess

Autorzy:

Obolevitch, Teresa

Powiązania:

https://bibliotekanauki.pl/articles/426699.pdf

Data publikacji:

2015

Wydawca:

Uniwersytet Papieski Jana Pawła II w Krakowie

Tematy:

George Florovsky
neopatristics
Russian religious-philosophical Renaissance

Opis:

W artykule przedstawiono projekt syntezy neopatrystycznej wybitnego rosyjskiego myśliciela, o. Gieorgija Fłorowskiego, jak również zasadnicze powody jego krytyki poprzedniego stylu i kierunku rozwoju rosyjskiego renesansu religijno-filozoficznego bądź „Srebrnego Wieku”. Polemizując z podejściem Fłorowskiego, poczyniono cztery uwagi. Po pierwsze sam Fłorowski znajdował się pod wpływem rosyjskiego renesansu religijno-filozoficznego. Po drugie, inicjatywa rosyjskich studiów patrystycznych należy nie do Fłorowskiego, ponieważ takie badania były prowadzone w Rosji od XVIII wieku. Po trzecie, synteza neopatrystyczna i filozofia „Srebrnego Wieku” mogą być rozpatrywane raczej jako komplementarne projekty aniżeli przeciwstawne stanowiska. Po czwarte, Fłoroski nie zrealizował swego postulatu. W końcowej części artykułu zostały porównane podejścia Fłorowskiego i Zieńkowskiego na korzyść ostatniego z wymienionych myślicieli.
In this article I present the project of Neo-patristic synthesis of the prominent Russian thinker, Fr. George Florovsky, as well as the main reasons for which he criticized the previous style and direction of development of Russian thought in the shape of Religious-philosophical Renaissance or “the Silver Age.” Polemizing with the approach of Florovsky, I put forward four remarks. First, Florovsky himself was under the influence of the Russian Religious-philosophical Renaissance. Second, it was not Florovsky who initiated the Patristic studies in Russia since they had been conducted from the 18th century. Third, Neo–patristic synthesis and philosophy of “the Silver Age” could been perceived as the complementary projects rather than the opposite stature. Fourth, Florovsky left his own postulate uncompleted. In the concluding part of the article I also compare the approaches of Florovsky and Zenkovsky arguing in favour of the latest thinker.

Źródło:

Logos i Ethos; 2015, 1(38); 59-80
0867-8308

Pojawia się w:

Logos i Ethos

Dostawca treści:

Biblioteka Nauki

/5

Artykuł

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Skocz do pozycji: 42.

Tytuł:

Mileny Rudnickiej próba rekonstrukcji systemu estetyki Leona Battisty Albertiego

Autorzy:

Ivanyk, Stepan

Powiązania:

https://bibliotekanauki.pl/articles/429181.pdf

Data publikacji:

2013

Wydawca:

Uniwersytet Papieski Jana Pawła II w Krakowie

Tematy:

mathematics
aesthetics
Renaissance
numerus
finitio
collocatio
concinnitas

Opis:

This paper is aimed to present and give a critical analysis of content of typescript The role of mathematics in the aesthetics of Alberti (Lvov, 1918) written by famous Ukrainian scientist and social activist Milena Rudnicka. The author reconstructs Alberti’s theory of beauty in a specific way, based on an analysis of the major aesthetic concepts that Italian philosopher used in his main three treaties: Della pittura (1435), De re aedificatoria (1450–1452) and De statua (1464).

Źródło:

Semina Scientiarum; 2013, 12
1644-3365

Pojawia się w:

Semina Scientiarum

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 43.

Tytuł:

Czym była, a czym stała się w renesansie Batrachomyomachia
What the Batrachomyomachia was, and what it became in the Renaissance

Autorzy:

Zbądzki, Jakub

Powiązania:

https://bibliotekanauki.pl/articles/1045689.pdf

Data publikacji:

2019-10-11

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Batrachomyomachia
Homer
mock epic
Hellenistic literature
Renaissance

Opis:

Zbądzki Jakub, Czym była, a czym stała się w renesansie Batrachomyomachia (What the Batrachomyomachia was, and what it became in the Renaissance).The paper presents the Batrachomyomachia as an example of hellenistic poetry and discusses its reception in the Renaissance, when it became very popular, but all its complexity was lost.

Źródło:

Symbolae Philologorum Posnaniensium Graecae et Latinae; 2019, 29, 1; 65-81
0302-7384

Pojawia się w:

Symbolae Philologorum Posnaniensium Graecae et Latinae

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 44.

Tytuł:

Przyjaźń w życiu i twórczości Klemensa Janickiego
Friendship in life and literary output of Klemens Janicki

Autorzy:

Bering, Piotr

Powiązania:

https://bibliotekanauki.pl/articles/1045901.pdf

Data publikacji:

2017-06-15

Wydawca:

Uniwersytet im. Adama Mickiewicza w Poznaniu

Tematy:

Renaissance
Ianicius
relationship with others
poetry
biography

Opis:

The present paper focuses on friendship’s role in life and poetry of Klemens Janicki (1516–1543). Unfortunately there is a noticeable lack of sources and testimonies. The analysis of poetical works written by Janicki is only partially useful. In the epoch of the Renaissance very often the statements on friendship were exaggerated. Despite of these circumstances it is possible to analyze the poetical techniques used in texts about friends and friendship. The paper ends with an attempt to describe the nature of Ianicius’ relationships with his friends.

Źródło:

Symbolae Philologorum Posnaniensium Graecae et Latinae; 2017, 27, 1; 121-129
0302-7384

Pojawia się w:

Symbolae Philologorum Posnaniensium Graecae et Latinae

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 45.

Tytuł:

The Reflection of High Renaissance and Mannerism of the Works of Michelangelo Buonarroti in the Interpretation of Irving Stone in His Last Biographical Novel The Agony and the Ecstasy

Autorzy:

Kwiatkowska, Anna

Powiązania:

https://bibliotekanauki.pl/articles/974058.pdf

Data publikacji:

2013

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Michelangelo
High Renaissance
Mannerism
biographical novel
ekphrasis

Opis:

The article focuses on the artistic elements of Italian High Renaissance and Mannerism in the narrative structure of the biographical novel about Michelangelo Buonarroti, The Agony and the Ecstasy, by Irving Stone. The discussion of the above is limited to one selected aspect of narration, namely a description. The analysis includes ekphrastic passages referring to the most well known, monumental sculptural pieces by Michelangelo Buonarroti. The aim of the article is to establish the extend to which the literary descriptions form the novel by Irving Stone reflect the character and style of the 16th century sculptures of Michelangelo.

Źródło:

Acta Neophilologica; 2013, XV/2; 139-148
1509-1619

Pojawia się w:

Acta Neophilologica

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 46.

Tytuł:

O inwencyjnym zapleczu Kazania przy przyjmowaniu świątości małżeństwa Józefa Wereszczyńskiego
On the Inspirational Background of Kazanie przy przyjmowaniu świątości małżeństwa by Józef Wereszczyński

Autorzy:

Sitko, Anna

Powiązania:

https://bibliotekanauki.pl/articles/534914.pdf

Data publikacji:

2019

Wydawca:

Wydawnictwo Uniwersytetu Śląskiego

Tematy:

Józef Wereszczyński
an Płoczywłos Mrowiński
Renaissance
imitation

Opis:

The article presents Stadło małżeńskie by Jan Płoczywłos Mrowiński (1514–1580) as one of the inspirational sources of Kazanie przy przyjmowaniu świątości małżeństwa by Józef Wereszczyński (b. after 1531, d. 1598). In the latter work, the quotations taken from the first work on marriage in the Polish language are intertwined with excepts from Żywot człowieka poczciwego [Life of an Honest Man] by Mikołaj Rej (1505–1569). As an author of the sermon in question prepared for the occasion of Stanisław Piotrowski’s betrothal, Wereszczyński rarely utilised the excerpts from Mrowiński’s treatise mechanically. He rather tends to abbreviate the fragments of Stadło małżeńskie, translocate them, develop on their pattern, and device substitution (e.g. by replacing biblical quotes with proverbs). It has to be emphasized that the Catholic preacher shared Mrowiński’s conviction regarding the voluntariness of entering into marriage, which ought to be based on mutual love.

Źródło:

Śląskie Studia Polonistyczne; 2019, 14, 2; 279-292
2084-0772
2353-0928

Pojawia się w:

Śląskie Studia Polonistyczne

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 47.

Tytuł:

The “Cow-mouth” Footwear from Coffin no. 7 in the Presbytery of the St Nicholas Church in Gniew (Poland)

Autorzy:

Kozłowski, Tomasz
Nowosad, Wiesław
Nalaskowski, Filip
Grupa, Dawid
Grupa, Małgorzata

Powiązania:

https://bibliotekanauki.pl/articles/38625899.pdf

Data publikacji:

2023

Wydawca:

Uniwersytet Rzeszowski. Instytut Archeologii Uniwersytetu Rzeszowskiego. Muzeum Okręgowe w Rzeszowie

Tematy:

Renaissance
footwear
markers
social differentiation
Gniew
Polska

Opis:

This article presents a comprehensive analysis of a pair of shoes excavated during archaeological research in the chancel of the St. Nicholas Church in Gniew, found on the feet of a man over 60. It is the first pair of Renaissance “cow-mouth” type shoes excavated from a grave. The results of the study of both archaeological material (footwear, velvet headgear covered with embroidery using threads in a metal braid) and iconography – portrait depictions, group scenes, and archival sources – confirmed the high social status of the deceased.

Źródło:

Analecta Archaeologica Ressoviensia; 2023, 18; 183-203
2084-4409

Pojawia się w:

Analecta Archaeologica Ressoviensia

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 48.

Tytuł:

Who Is Lying About Where “Russia” Lies? Some Notes on 16th-century Polish Ghostmapping of Muscovy

Autorzy:

Franczak, Grzegorz

Powiązania:

https://bibliotekanauki.pl/articles/28407912.pdf

Data publikacji:

2021-02

Wydawca:

Associazione Italiana Polonisti (AIP)

Tematy:

Muscovy
Renaissance cartography
ghostmapping
Maciej Miechowita
Bernard Wapowski

Opis:

This paper focuses on one particular aspect of the way in which 16th-century Polish authors ghostmapped the European East: the semantics assumed by the choronym “Russia” in Renaissance cartography which reflected the long‐lasting rivalry between Polish-Lithuanian Commonwealth and Muscovy for the possession of the territories of the former Kievan Rus’. After a brief sketch of the theoretical and historical framework, I provide an overview of European cartographical texts, from Beneventano to Waldseemüller and Mercator, influenced by the Polish ghostmappers of Muscovy – Wapowski, Miechowita, and Strubicz – who tried to narrow the toponym “Russia” to the lands controlled by Poland and Lithuania.aciej Miechowita, Bernard Wapowski.

Źródło:

pl.it / rassegna italiana di argomenti polacchi; 2021, 12; 133-162
2384-9266

Pojawia się w:

pl.it / rassegna italiana di argomenti polacchi

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 49.

Tytuł:

Францiшак Скарына i беларускае Адраджэнне (XVI ст.)
Franciszak Skarina and Belarusian Renaissance (16th century)

Autorzy:

Twaranowicz, Halina

Powiązania:

https://bibliotekanauki.pl/articles/480947.pdf

Data publikacji:

2008-12-01

Wydawca:

Uniwersytet Warmińsko-Mazurski w Olsztynie

Tematy:

Francysk Skaryna
Francisk Skorina
Belarussian Renaissance
literature
history

Opis:

The written Belorussian heritage of the Renaissance is a unique phenomenon in the European culture. In years 1517-1519 Francis Skoryna published in Prague 23 books of the Bible in the Old Belorussian language. In introductions and epilogues to the first published edition of the Bible in Eastern Belorussia and the territory of today’s Poland Skoryna inherited and creatively developed the outlook on life presented in works of Basil the Great, Dionysius Areopagite, Gregory the Theologian, Efrema of Syria, Jan from Damascus, Cyril from Turow and others. This spiritual-ethical heritage is fundamentally different than ancient, to which the Western-European Renaissance reffered.

Źródło:

Acta Polono-Ruthenica; 2008, 1, XIII; 193-201
1427-549X

Pojawia się w:

Acta Polono-Ruthenica

Dostawca treści:

Biblioteka Nauki

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Skocz do pozycji: 50.

Tytuł:

Hakownica z ratusza w Chełmie. Przyczynek do znajomości środkowoeuropejskiej ręcznej broni palnej w XVI stuleciu
Hackbuts from Chełm Town-Hall. A Contribution to Knowledge about Central-European Hand-Firearms in the 16th Century

Autorzy:

Strzyż, Piotr
Dzieńkowski, Tomasz
Gołub, Stanisław

Powiązania:

https://bibliotekanauki.pl/articles/584797.pdf

Data publikacji:

2016

Wydawca:

Łódzkie Towarzystwo Naukowe

Tematy:

Chełm
Renesans
broń palna
hakownica
Renaissance
firearms
hackbut

Opis:

Badania archeologiczne nad średniowiecznym i nowożytnym Chełmem prowadzone są od ponad 100 lat, ale szczególnie istotnych informacji pozyskano w ostatniej dekadzie. Pracami wykopaliskowymi objęto teren Góry Katedralnej z grodem książęcym, jak i Stare Miasto z osadnictwem od XIII do XX wieku. W 2009 r. badania objęły Pl. E. Łuczkowskiego przy budynku dawnego ratusza, którego początki sięgają wieku XIV lub pocz. XV. W jednym z wykopów odkryto dwie hakownice żelazne. Była to ręczna broń palna, której lufy zaopatrywano w pionowo skierowany ku dołowi hak. Używano ich do obrony murów miejskich oraz zamkowych. Zarówno kontekst archeologiczny odkrycia, jak i parametry hakownic pozwalają je datować na XVI stulecie, najpewniej jego 1 poł. Jednak z uwagi na swój charakter mogły one pozostawać w użyciu dłużej, aż po XVII w. Odkrycie hakownic z Chełma pozwoliło na ich zestawienie i porównanie z innymi tego rodzaju egzemplarzami z terenu Europy Środkowej.
Archaeological research on mediaeval and modern Chełm has been carried out for more than 100 years, but some particularly important information has been recovered in the last decade. Excavations have been carried out on the Cathedral mound, and likewise on the Old City on the settlement stretching from the 13th to the 20th century. In the year 2009 research was carried out in E. Łuczkowskiego Square, on the building which was the old Town Hall, whose beginnings stretch back to the 14th century or at least the beginning of the 15th. In one of the trenches two iron hackbuts were discovered. They were a type of hand-held firearm, in which the barrel was equipped with a vertical hook running downwards. They were used for the defence of town or castle walls. The archaeological context of the finds, as well as the diagnostic features of the hackbuts, point to a date in the 16th century, most probably in the first half. Considering the use to which these weapons report, however, they could have remained in use longer, until the 17th century. The find of the Chełm hackbuts allow us to compare them with other examples found in Central Europe.

Źródło:

Acta Archaeologica Lodziensia; 2016, 62; 99-108
0065-0986
2451-0300

Pojawia się w:

Acta Archaeologica Lodziensia

Dostawca treści:

Biblioteka Nauki

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