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Tytuł:
From Research on the Musical “Trans-avant-garde”: A Contribution to the Discussion on the Terminology Concerning the Historiography of 20th Century Polish Music
Autorzy:
Karwaszewska, Monika
Powiązania:
https://bibliotekanauki.pl/articles/632422.pdf
Data publikacji:
2016
Wydawca:
Projekt Avant
Tematy:
postmodernism
Opis:
he research article discusses the concept of “the trans-avant-garde” (a term coined by theItalian art critic Achille Bonito Oliva to describe certain phenomena in visual arts, espe- cially painting, which have appeared since the end of the 1970s) and attempts to adapt it for a discussion of twentieth century Polish music. The trans-avant-garde (Italian la transavanguardia) is an Italian form of expressionism in art (neo-expressionism), origi- nating as a rejection of modernism, formalism, innovation, originality, and stylistic coher- ence, which began to treat tradition in a new way, extensively referring to 16th century mannerisms, ambiguity, stylistic pluralism and polysemy.While, on the one hand, trans-avant-garde artists are fully aware of the crisis of the avant- garde experiment, on the other, they aim to create content-packed works of deeply expres- sive and romantic character. The trans-avant-garde is widely considered to be an early stage of postmodernism, or simply its synonym. There is a difference, though, between the trans-avant-garde and the postmodern. Oliva speaks of a journey from America to Eu- rope and back. My article discusses these differences, systematizes the most important stylistic aspects and aesthetic ideas, and applies these observations to the study of music-a discipline Oliva did not take into consideration.A key issue in the description of the trans-avant-garde in Polish music is analysis of the trends that precede it, are synchronous with it, and follow it in history. It is also important to trace borrowings and differences along this time axis. In order to offer an insight of thiskind, I first present the different concepts of “modernity” and “postmodernity” that haveappeared in music (and art) of the twentieth century, and I then juxtapose those with the Italian original idea of la transavanguardia.
Źródło:
Avant; 2016, 7, 1
2082-6710
Pojawia się w:
Avant
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
ARISTOTLE AND THE POSTMODERN WORLD
Autorzy:
Marcos, Alfredo
Powiązania:
https://bibliotekanauki.pl/articles/507366.pdf
Data publikacji:
2012
Wydawca:
International Étienne Gilson Society
Tematy:
Aristotle
postmodernism
Opis:
With the support of recent scholarship the author proposes an understanding of the Aristotelian Corpus inspired by the biological works. He points out that this understanding is bound up with other current philosophical discussions, especially on biology, rationality, realism, the knowledge of an individual, metaphor, and poetics. The author concludes that Aristotle offers the most promising ontological, epistemological and anthropological basis not only for undertaking a series of urgent reconciliations (of facts and values, of theoretical and practical reason, of understanding and sensation, and of intelligence and emotion), but also for solving many dualisms of modern times, in their Platonic or materialist varieties.
Źródło:
Studia Gilsoniana; 2012, 1; 65-73
2300-0066
Pojawia się w:
Studia Gilsoniana
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Prawda w mediach
The Truth in Media
Autorzy:
Zanussi, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/20028168.pdf
Data publikacji:
2008
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
media
truth
postmodernism
Opis:
It used to be that if some message came from an oral source, its weight depended on reliability of the one who had transmitted it and on the one who had heard it. If, on the other hand, something was printed it intrinsically became credible. Democratization of access to print and similar democratization of media, apart from its undoubtedly positive side, brings also a negative novum – it encourages everyone to speak freely. It is impossible to talk about truth in media, or truth in any other sense, and not relate to the fashionable nowadays in the humanities the vanquisher of Marxism – called postmodernism. This very movement in its popular form sows the seeds of fear of all who proclaim the existence of objective truth or, what is worse, absolute truth. They caution that the supporters of this truth will introduce it by force, so we are in danger of facing totalitarianism, fundamentalism and dark dictatorship. It is uncertainty that drives people to violence. Those who have something to hold on to are more unaffected by despair. The fanatics are often recruited from those who are adrift. Less often from those with a questing mind. But in order to seek one needs to believe that truth exists. Even if it were always incomplete and imperfect in the form in which we are able to assimilate it. To the charges that every certainty leads to violence, I reply that most frequently it is the opposite. It is fear and feeling adrift that drive people to the false certainty. Whoever believes that truth exists will easier accept that he will never grasp it. In the very important debate that was conducted some years ago, the fear of fundamentalism was juxtaposed with the fear of nihilism. I see the latter as a greater threat.
Źródło:
Annales. Etyka w Życiu Gospodarczym; 2008, 11, 2; 191-193
1899-2226
2353-4869
Pojawia się w:
Annales. Etyka w Życiu Gospodarczym
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cracovian modernists - the 60 ties, 90 ties of the XX century - the returns
Autorzy:
Wrana, J.
Powiązania:
https://bibliotekanauki.pl/articles/391276.pdf
Data publikacji:
2009
Wydawca:
Politechnika Lubelska. Wydawnictwo Politechniki Lubelskiej
Tematy:
Cracow
modernism
postmodernism
Opis:
The European reaction of the leading architects towards the period of international style, "The idea of style has yet again become up-to-date. The modern style, covering the whole world, is uniform and coherent..." [4], promoted at the exhibition "Modernist architecture" organized in Museum of Art in New York by architects Henry Russell Hitchcock and Philips Johnson, was immediate. The leading European architects: a) Walter Gropius wrote: "The aim of Bauhaus was not to promote one particular style..." [4], b) Le Corbusier formulated "Fundamental principles of aesthetics" [4], c) Bruno Taut wrote: "Five assumptions of new architecture" [4]. The message that "The form follows the function" became the very principle of modernism. The year 1972, when the blocks of flats in St. Louis, US were blown up, and the year of the actual end of the ideology originating from CIAM, is the agreed time marked as the end of modernism. It was a few years after Le Corbusier's death (1965) - the death of the unchallenged spiritual ideologist of modernism.
Źródło:
Budownictwo i Architektura; 2009, 4, 1; 125-132
1899-0665
Pojawia się w:
Budownictwo i Architektura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
WPŁYW MALARSTWA SURREALISTYCZNEGO NA REKLAMĘ WSPÓŁCZESNĄ
Autorzy:
Bednarska, Sonia
Powiązania:
https://bibliotekanauki.pl/articles/646685.pdf
Data publikacji:
2012
Wydawca:
Akademia Górniczo-Hutnicza im. Stanisława Staszica w Krakowie
Tematy:
advertisement
surrealism
postmodernism
intertextuality
Opis:
The purpose of this article is to examine the influence of surrealistic painting on contemporary advertising, taking into consideration the differences in use of surrealistic references on three levels of literalness: advertisement citing specific, surrealistic images, advertisement made of mosaic of various borrowings from surrealistic painting, finally advertisement created in a surrealistic manner, considered as a type of post-surrealistic masterpiece. To begin with theoretical issues connected with postmodern culture of image, the phenomena of contemporary advertisement and its intertextual relations with art, author tries to find answers on following questions: Why surrealism became so attractive material for advertisement? Is it possible, to acknowledge advertisement profiting from surrealistic painting, as an example of postmodern statement? Is it valid, basing on its example, to treat about the type of transgression in contemporary advertisement? The conclusions of this analysis include: purpose and function of use of surrealism in advertisement, the role of visual layer, disappearance of persuasive function to the benefit of strengthening the esthetic function and inscribing advertisement into postmodern paradigm of culture.
Źródło:
Studia Humanistyczne AGH; 2012, 11, 1
2084-3364
Pojawia się w:
Studia Humanistyczne AGH
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poradnictwo zawodowe w epoce postmodernizmu
Vocational counseling in the postmodern era
Autorzy:
Paszkowska-Rogacz, Anna
Powiązania:
https://bibliotekanauki.pl/articles/2139078.pdf
Data publikacji:
2002
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
career development
counseling
postmodernism
Opis:
In the beginning of the new millennium our society moves to a new vantage point from which to view the work-role and career development. All indicators suggest the move from seeking the truth to participation in conversations; from objectivity to perspectivity. This article describes the six innovations in counseling for career development that the postmodern era has already engendered: ‘‘no more experts’’, ‘‘enable rather than fit’’, rewrite the grand narrative’’, ‘‘career is personal’’, ‘‘career development is not counseling theory’’, ‘‘stories rather than scories’’.
Źródło:
Acta Universitatis Lodziensis. Folia Psychologica; 2002, 06; 29-36
2353-4842
Pojawia się w:
Acta Universitatis Lodziensis. Folia Psychologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wstęp do filozofii Jean-François Lyotarda
Autorzy:
Słomski, Wojciech
Czarnecki, Paweł
Powiązania:
https://bibliotekanauki.pl/articles/2148217.pdf
Data publikacji:
2018
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
Deconstruction
Postmodernism
Post-structuralism
Opis:
There is no doubt that Lyotard’s the most famous achievement is his conception of metanarrative. This concept undermines the credibility of traditional philosophy along with its claim for conceptual clarity, thanks to which we would be able to speak about the world as it “really” appears. Lyotard has pointed out that since the Enlightenment we have lived in an illusion believing in future possibility of coming to fruition of the narrative of the dialectics of Spirit, the emancipation of reason, social progress, etc. While rejecting metanarratives and proposing a limitation to micro-narration instead, Lyotard has established the theoretical foundations of a pluralistic society, seeking solutions of its own problems not by consensus, but by permanent endless disputes. He has presented, in essence, a new image of society as a multiplicity of various subsystems and discourses, none of which can claim to be superior to others. Despite sometimes harsh criticism, there will be only a slight exaggeration in the statement that his concepts have influenced not only the philosophy of the last decades of the 20th century, but indirectly also social reality, since the concept of the pluralistic society is derived directly from the philosophy of modernism. Even if we find that complaints made against Lyotard to be legitimate, we cannot deny that society functioning as Lyotard has desired, would be the society free from the threat of the rebirth of totalitarianism.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2018, 4(25); 119-142
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Derrida i Lyotard. Obok siebie
Autorzy:
Słomski, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/2148221.pdf
Data publikacji:
2018
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
Deconstruction
Postmodernism
Post-structuralism
Opis:
The present reflections will be devoted to the philosophies of Jacques Derrida and Jean- François Lyotard. We will attempt here to identify differences and similarities both between these two thinkers, and among the philosophical movements which their deliberations have given rise to. In the beginning, it is obviously necessary to make some terminology standardization, because such terms as “deconstructionism,” “post-structuralism” or “postmodernism” are sometimes used in various meanings, and are often the matter at issue. As a consequence of ambiguity of all these concepts, is the fact that individual authors are included either in post-structuralism or postmodernism, even when they have dissented themselves from belonging precisely to those philosophical currents.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2018, 4(25); 147-155
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Derrida. Dekonstrukcja i jej konsekwencje
Autorzy:
Słomski, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/2148223.pdf
Data publikacji:
2018
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
Deconstruction
Postmodernism
Post-structuralism
Opis:
The purpose of deconstruction is not an understanding of the content of the text in the ordinary sense of the word, but to get to the bottom of everything that the text does not speak about explicitly, and thanks to it, it can lay claim to the truth. While speaking of signs which are rooted in metaphysics, Derrida, in fact, means precisely that the accepted tacit assumption that the text tells us something about the world, and that our task while reading the text is to bring out all there is in it that is directly related to real objects. That assumption can be accepted, and it may determine the way of reading the text only while going through a series of rhetorical procedures including the use of hierarchical conceptual oppositions, often possessing the evaluative character, or ignoring certain contents. Remaining outside the discourse and viewing it as a historical product, deconstruction should determine what and why has been relegated in that discourse to the margins and doomed to oblivion. The deconstructed text turns out to be another myth, moreover, the internally contradictory myth because in its innermost layer, which has just been revealed by deconstruction, denying it what it is trying to express itself.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2018, 4(25); 175-187
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Od „dna” ku „denku”. Postmodernistyczna aktualizacja dramatu M. Gorkiego
From the bottom to the shallowness. Postmodernism in M. Gorkie’s drama
Autorzy:
Pieczyński, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/915273.pdf
Data publikacji:
2018-09-22
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
postmodernism
intertextuality
transcontextualization
parody
Opis:
Contemporary Russian drama is situated in a dialogue with literary and more precisely dramatic tradition. For example, this thesis clearly confirms a comedy by Igor Shpric On the bottom. The text at the level of its title refers to Maxim Gorky's play  The Lower Depths.  Shpric’s comedy parodies this work by presentingGorky's characters in the social and cultural context of contemporary reality. The main purpose of the paper is the intertextual analysis and interpretation of ironic Shpric’s comedy as the transcontextualization of language, poetics, themes, plot and characters ofGorky's text.
Źródło:
Kultury Wschodniosłowiańskie – Oblicza i Dialog; 2014, 4; 151-158
2391-470X
Pojawia się w:
Kultury Wschodniosłowiańskie – Oblicza i Dialog
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wstęp do estetyki Derridy i Lyotarda
Autorzy:
Słomski, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/2148218.pdf
Data publikacji:
2018
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
Deconstruction
Postmodernism
Post-structuralism
Opis:
There have been outlined serious discrepancies between philosophies of Derrida and Lyotard on the grounds of deliberations concerning art. Lyotard questions the notion of beauty, demanding a replacement of it with a notion of the sublime, thanks to which artistic creation could also get rid of its constraints. Lyotard argues that beauty is possible thanks to the mimesis of nature, but the mimesis requires observance of the rules. Rejecting the idea of beauty, as a supreme value in art, we reject the necessity of subordinating art to rules, or, in Lyotard’s words, we sacrifice it for the freedom of practical reason.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2018, 4(25); 143-145
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Systemy filozoficzne Derridy i Lyotarda
Autorzy:
Słomski, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/2148222.pdf
Data publikacji:
2018
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
Postmodernism
Post-structuralism
Deconstruction
Opis:
Jacques Derrida and Jean-François Lyotard are the creators of a philosophical and cultural movement called postmodernism (Lyotard has also contributed to the popularization of the term “postmodernism”), but it should be remembered that currently the term “postmodernism” refers to the entire spectrum of various ideas, the ideas and texts from various fields, therefore, it is impossible to identify the philosophy of Derrida or the philosophy of Lyotard with the movement in philosophy or, more importantly, the humanities and social sciences, which we now call postmodernism. From today’s perspective, both Derrida and Lyotard belong to a large group of authors whose work constitutes broadly understood postmodernism, but it would be unwarranted to claim that this movement stems directly from their achievements. These philosophers have begun a new way of practicing philosophy and proposed a new point of view, but they did not create concepts that would be widely accepted by philosophers who describe themselves as postmodernists. They also did not raise any disciples or successors who would attempt to develop the concepts outlined by them, although undoubtedly some of their concepts have had a significant impact on both the development of philosophy and the humanities, and social sciences. The concept of Derrida’s deconstruction proved to be the most influential (by that, however, it is necessary to understand the general method of reading texts, but not the collection of Derrida’s views, sometimes referred to as “deconstruction”), and Lyotard’s thesis concerning the end of Grand Narratives. The detailed theses on aesthetic, social, semantic and, finally, political issues are, as it seems, known primarily to philosophy experts.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2018, 4(25); 157-173
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O dekonstrukcji
Autorzy:
Słomski, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/2148232.pdf
Data publikacji:
2018
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
Deconstruction
Postmodernism
Post-structuralism
Opis:
From general assumptions concerning the method of reading the text, a series of detailed implications, important both for philosophy and for social, and political reality are drawn by Derrida. One of the binary oppositions, which Derrida submits to deconstruction, is the opposition between literalism and a metaphor. Also, that opposition, according to the French thinker, after a closer examination turns out to be a myth. According to popular belief, the literal meaning of the expression takes precedence over all metaphorical use in the sense that it is the foundation upon which the metaphorical use is built. From this point of view, a metaphor is supposed to be at most an addition and an ornament, and if it is supposed to be used in philosophy, it is only in exceptional circumstances, and to facilitate the understanding of the content that the philosopher tries to explain in any way possible in a language devoid of metaphors. In accordance with the assumptions of deconstruction, Derrida reverses this order and the concept, traditionally considered subservient to its opposition, puts in the first place. First of all, he notices that a metaphor does not belong to the language of philosophy, but to the colloquial language. We could expect that in order to understand the meaning of a metaphor in a philosophical text, we should translate it into a natural language in which we will be able to discover its literal meaning. Derrida believes that the process of reaching that literality we can admittedly begin, i.e., for any philosophical metaphor we can indicate some other term that comes off as literal, however, the term, after a closer analysis, also turns out to be a metaphor for which we need to find another expression that comes off as literal, etc. The difference between a philosophical metaphor and a natural expression comes down to the superficial impression of literalness, while, as a matter of fact, the natural expressions turn out to be old, “worn-out”, as Derrida expresses, metaphors.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2018, 4(25); 261-268
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kategoria „duchowości życia” w perspektywie religijnej i flozofcznej
Autorzy:
Guzowska, Beata
Powiązania:
https://bibliotekanauki.pl/articles/44732050.pdf
Data publikacji:
2022-10-24
Wydawca:
Polskie Towarzystwo Religioznawcze
Tematy:
spirituality
religiosity
life
postmodernism
Opis:
The category of „Spirituality of Life” is a kind of „product” of modern change in religion and religiosity. The spirituality of life strives to be an alternative to human needs that are not met in traditional religions and concern the diversity of values, norms and paths of development.
Źródło:
Przegląd Religioznawczy; 2022, 3/285; 73-80
1230-4379
Pojawia się w:
Przegląd Religioznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Specyfika postmodernizmu ukraińskiego
Specificity of the Ukrainian postmodernism
Autorzy:
Szydło, J.
Powiązania:
https://bibliotekanauki.pl/articles/398762.pdf
Data publikacji:
2013
Wydawca:
Politechnika Białostocka. Oficyna Wydawnicza Politechniki Białostockiej
Tematy:
postmodernizm
modernizm
modernizm ukraiński
postmodernizm ukraiński
postmodernism
modernism
Ukrainian modernism
Ukrainian postmodernism
Opis:
W artykule poruszono zagadnienie postmodernizmu ukraińskiego. Skoncentrowano się na analizie twórczości Jurija Andruchowycza. Pokazano, że ukraińska refleksja nad ponowoczesnością, jako zjawiskiem kulturowym, wiąże się ściśle z przełomem politycznym. Postmodernizm w dawnych państwach socjalistycznych przybrał inny kierunek niż na Zachodzie; nie jest tak bogaty, dobrze znany i wpływowy jak zachodni. Niemniej jednak okazuje się wysoce kreatywny, unikatowy i oferuje inny aspekt kulturowego pluralizmu. Zwraca się do rezerwuaru narodowego dziedzictwa, a szczególnie do tej jego części, która dawniej w modernizmie postrzegana była jako prowincjonalna, niekosmopolityczna, a na tyle międzynarodowa, aby potraktować ją poważnie i dostrzec walor narodowy. Regionalizm okazuje się jedną z charakterystycznych cech ponowoczesności. Nie wyklucza to jednak wartości międzynarodowych. Postmodernizm ukraiński jest próbą unowocześnienia ukraińskiej tożsamości kulturowej, umożliwiającej znalezienie w niej miejsca dla różnorodności.
The text raises the question of postmodernism. It aims to show that Ukrainian postmodernism is a specific phenomenon based on the relationship between East and West. It is something distinctive from what has been previously discussed in the literature of postmodernism. It is not as clear and unambiguous, as there is no clear foundation. It is based on complexes, insularity, twists of history, and specific political “games”. Writing this text was a journey of budding creativity in a neighbouring, but yet little discovered country. The more so with so many outstanding characters absorbing attention of their talents and an interesting world view.
Źródło:
Ekonomia i Zarządzanie; 2013, 5, 2; 81-93
2080-9646
Pojawia się w:
Ekonomia i Zarządzanie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Kłamstwo jako element kobiecej tożsamości w powieści Ludmiły Ulickiej "Сквозная линия"
Lying as a Feminine Identity in the Novel "Through Line" by Lyudmila Ulitskaya
Autorzy:
Tarkowska, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/2032392.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
identity
postmodernism
typology
manipulation
archetypes
Źródło:
Slavia Orientalis; 2018, LXVII, 4; 661-677
0037-6744
Pojawia się w:
Slavia Orientalis
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Po mochlos – prolegomena do możliwych jeszcze rozważań o kondycji uniwersytetu
After mochlos – prolegomena to any still possible considerations about the condition of univerisity
Autorzy:
Chojnacki, Marek
Żardecka, Magdalena
Powiązania:
https://bibliotekanauki.pl/articles/1029605.pdf
Data publikacji:
2020-06-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
university
mochlos
hauntology
Kant
postmodernism
Opis:
The text tackles the problem of the condition of university, in a world blindly believing that the only possible worth measure is economic in nature and, in the name of this belief, setting in motion a ruthless bureaucratic machinery that throttles all kinds of creativity and nips in the bud all nonstandard actions and creations. The world apparently is “out of joint”, and things are taking an unexpected turn. University is one of the victims, but also one of active accomplices of this despicable situation. How to speak about the university to those who are exclusively in business of calculating balance of profits and losses? How to speak about it after deconstruction, when all great ideas have been already repeatedly and manifoldly dismounted and discredited? How to speak about it, when the university’s men and women have discredited themselves repeatedly as well, oscillating between libido sciendi and libido dominandi? Trying to solve this puzzle, we are following in the footsteps of Derrida, who in his texts about university makes appeal to Kant, and inspired by his invention, we set in motion two opposite traditions, represented by Lyotard, Bourdieu, Bauman and Readings on the one hand, and by Humboldt, Schleiermacher and Jaspers on the other. With Derrida, we make noises about the return of the ideas of truth, of the light of reason, of the autonomy of university. It is, however, a return of the specters of the past, in alignment with Derrida’s hauntology. Humanists are people of academia who see these specters, but at the same time are already specters themselves – even if they still show up here and there, they are almost insignificant. They are onlyallowed to contemplate their negligibility and to confess their habitual helplessness. University always had to defend itself, and it does defend itself today.
Źródło:
Człowiek i Społeczeństwo; 2020, 49
0239-3271
Pojawia się w:
Człowiek i Społeczeństwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Intertekstualna „encyklopedia” Wiktora Jerofiejewa jako refleksja nad istotą rosyjskości
Reflecting on the Essence of Russianness in Intertextual “Encyclopaedia” of Wiktor Jerofiejew
Autorzy:
Biegluk-Leś, Weronika
Powiązania:
https://bibliotekanauki.pl/articles/951601.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
Russian postmodernism
deconstruction
intertextuality
Russianness
Opis:
In his "Encyklopedia duszy rosyjskiej" Wiktor Jerofiejew performs a brutal vivisection of his nation’s cultural memory. The key concepts of history, power, nation, and fatherland gain a new erudite interpretation. Consistent in uncovering totalitarian discourse, Jerofiejew demythologizes opinions and prejudices, deconstructs ideas, concepts and attitudes. While bringing to life the portrait of Russian mentality and their national character, he proposes hierarchy but never accepts taboos. Consequently, "Encyklopedia" does not appeal to popular tastes. It is a multifaceted “miniature gallery”, a bitter diagnosis of the essence of Russianness and the condition of Russian culture.
Źródło:
Białostockie Studia Literaturoznawcze; 2015, 7
2082-9701
2720-0078
Pojawia się w:
Białostockie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Od)nowa chrześcijańska? Apologia według powieści Filipa Dimitrowa Светлина на човеци
CHRISTIAN RENEWAL? APOLOGY BY PHILIP DIMITROV’S NOVEL СВЕТЛИНА НА ЧОВЕЦИ (THE LIGHT OF MEN)
Autorzy:
Drzewiecka, Ewelina
Powiązania:
https://bibliotekanauki.pl/articles/705107.pdf
Data publikacji:
2012
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Biblistic tradition
postmodernism
Apology
Christianity
Opis:
The paper raises the issue of the functioning of Christian tradition in (post)modern Bulgarian literature in the perspective of the typical for the Western mass culture exploitation of biblical images in order to deal with various "totalisms". The subject is a novel by Philip Dimitrov Светлина на човеци (2003), which paraphrases the New Testament themes makes a (re)construction of the image of the first Christians’ comunity and aspires to create a message in accordance with Christian canon. The text appears to be an apology of God's creation and its freedom and, consequently, to stand up for the institution of the Church and the Christian roots of Bulgarian culture. However, as adapting heterodox motifs, in fact, it raises a question about the boundaries of Orthodoxy and the definition of strategy of evangelization. The aim of this paper is to interpret the modern term of apocrypha in the perspective of the essentially ambivalent experience of postmodernism and posttotalitarism, as a testimony of the worldview exploration of the writer (and the entire epoch).
Źródło:
Pamiętnik Słowiański; 2012, 62, 1-2; 123-136
0078-866X
Pojawia się w:
Pamiętnik Słowiański
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
From The Laboratory Of The 1990s To The Novel Of The 21st Century – Contemporary Bulgarian Literature In Highlights
Autorzy:
Dimitrova, Elka
Powiązania:
https://bibliotekanauki.pl/articles/694499.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
contemporary Bulgarian literature
novel
postmodernism
Opis:
The text presents the main trends in Bulgarian literary development from the 1990s to the present day through the highlights of the lyrical boom of the 1990s and the novel wave since 2001 on. Some lines of continuity are outlined, tracing back to the 1960s (regarding the literary experiment and dissident attitude), and the period before 1944 (the adoption/challenge of the modernist tradition in the 1990s). A separate research topic is the fi xation of the critical interest on certain writers’ personalities.
Źródło:
Slavica Lodziensia; 2017, 1
2544-1795
Pojawia się w:
Slavica Lodziensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Postmodernism and customer centricity
Autorzy:
Mehraramolan, Amirreza
Powiązania:
https://bibliotekanauki.pl/articles/540600.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Warszawski. Wydawnictwo Naukowe Wydziału Zarządzania
Tematy:
postmodernism
positivism
customer centricity
phenomenology
Opis:
There are many different explanations of customer centricity, and many people are in support of that concept whereas many others are against it. Different meanings can be found for customer centricity in literature. Which one could be the proper and most reliable one? Most of the views on customer centricity are based on foundational philosophical approaches and many different patterns are set as a guideline for the organizations which are willing to be customer-centric. In this paper, the aim is to look at the customer centricity phenomenon from the postmodernist point of view. The question of this study is linked to an anti-foundational philosophical approach (postmodernism) and it is shown how different the answers could be based on the philosophy approach that we choose. To collect the data, 10 in-depth interviews were done with senior business managers of customer-centric organizations in Iran. The results showed completely different answers from the postmodernist point of view.
Źródło:
Journal of Marketing and Consumer Behaviour in Emerging Markets; 2016, 1(3); 34-41
2449-6634
Pojawia się w:
Journal of Marketing and Consumer Behaviour in Emerging Markets
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Karpowiczów dwóch – o dialogu prozy Ignacego Karpowicza i poezji Tymoteusza Karpowicza
Autorzy:
Witczak, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/445642.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
Karpowicz
prose
poety
postmodernism
rhizome
Opis:
Two of Them – the dialogue of Ignacy Karpowicz prose and Tymoteusz Karpowicz poetry This essay is about the participation of poetry Tymoteusz Karpowicz at Ignacy Karpowicz novels. The basis for writing prose is fragmented, multiplying references and styles, and above all the use of quotes and quasi citations. The article analyzed the references to the Karpowicz work occurring in three works: Gesty (2008), Balladyny i romanse (2010) and Spam (2008). This feature of the postmodern novel (Hassan) is here discussed in the perspective of the concept “rhizome” (Deleuze, Guattari). Karpowicz strips his characters with delusions of values. Both artists also connects the way contact with the customer – constantly shifting horizon of meaning results in the loss of opportunities to communicate and ultimately the possibility of incurring defeat.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica; 2017, 5; 145-156
2353-4583
2449-7401
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Crying of Lot 49 and the Parody of Detective Fiction
Autorzy:
Róg, Borys
Powiązania:
https://bibliotekanauki.pl/articles/601309.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
Pynchon, Postmodernism, parody, detective fiction
Opis:
The Crying of Lot 49, recognized as an important example of postmodern fiction, is a novella by an American author Thomas Pynchon. It follows the story of Oedipa Maas, who encounters a possible underground conspiracy related to postal services. Its themes and structural properties suggest affinities with a detective story genre, although there are crucial differences which actually mark the novel as a parody of the genre. In my article I want to analyze two elements which contribute to the parodic nature of The Crying of Lot 49. One is the wide use of various cultural references to the popular culture, history, American society etc.; they are usually satirized by the author as to what contributes to the overall sense of a parody. The second contributes directly to the reversed structure of a detective fiction; the use of entropy as the plot device distorts the unraveling mystery in the novel. Moreover, the reading of the novel as a parody in terms of the characteristics listed above justifies its reputation as a postmodern text. 
Źródło:
New Horizons in English Studies; 2017, 2
2543-8980
Pojawia się w:
New Horizons in English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Art After Democracy, Art Before Democracy
Autorzy:
Mizerkiewicz, Tomasz
Anessi, Thomas
Powiązania:
https://bibliotekanauki.pl/articles/951464.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
democracy
art
book-art
postmodernism
Opis:
The paper describes today’s new situation of art facing antidemocratic processes. The powerful metaphor of Parthenon of books is used, which once was the name of an installation by Marta Minujín presented just after the fall of Argentinian brutal regime in the early eighties and reinstalled again few years ago. The author points that popular “posts” of humanities (postmodernism, postsecularism etc.) need to be replaced by the philosophy of art being after some definite change. The new temporal and public condition of art being after is the result of its dramatic contemporary and future challenges.
Źródło:
Poznańskie Studia Slawistyczne; 2019, 17; 15-21
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
O pojęciu „muzycznego postmodernizmu”
On the notion of “musical postmodernism”
Autorzy:
Krajewski, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/521918.pdf
Data publikacji:
2017
Wydawca:
Akademia Muzyczna im. Stanisława Moniuszki w Gdańsku
Tematy:
postmodernism
musical work
definition
deconstruction
Opis:
The usual way of characterising the notion of “musical postmodernism” is set out by the following claims: (1) a postmodern musical work corresponds to the postmodern worldview; the notion in question is closely connected with the etymology of its name (“postmodern” means, in any case, “of an era after a modern one”); (3) the characterisation of the postmodern worldview (and, thus, of a postmodern piece of music) ought to conform to the beliefs of the classics of the postmodern thought; (4) the postmodern repertoire includes mainly the works created after about 1970; (5) the most important features of these compositions are euphony, aleatoric indetermination, polistylistics, and repetitiveness. The notion governed by the claims (1) – (5) is highly unclear and provides little help for understanding musical phenomena. In order to make it more precise, the basis of its definition should be modified and the three following claims accepted: (A) a postmodern musical work is a musical representation of the postmodern worldview; (B) the existing musical repertoire contains some postmodern works; (C) a correct definition of musical postmodernism should enable to qualify at least some of the given composi-tions as postmodern or not. The conditions (A ) – (C) and the analysis of the postmodern worldview seem to suggest that a postmodern musical work is such of a precariously integrated structure. A postmodern work represents the undermining (“deconstruction”) of the crucial idea of the com-posing practice: the piece of music arises from the integration of sounds, not of a simple aggregation of them. The musical “deconstruction” can emerge when some of the important portions a work or certain aspects of it exhibit larger degree of integration than the work as a whole. It seems that some compositions by Ives and the final movement of Chopin’s Sonata in B minor Op. 35 are postmodern in the sense pointed above.
Źródło:
Aspekty Muzyki; 2017, 7; 15-32
2082-6044
Pojawia się w:
Aspekty Muzyki
Dostawca treści:
Biblioteka Nauki
Artykuł
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