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Wyszukujesz frazę "popular fiction" wg kryterium: Temat


Tytuł:
The Reconstruction of Lisa Tolgfors’ Idiolect in the English Translation of Zygmunt Miłoszewski’s Bezcenny
Autorzy:
Gołębiowski, Ariel
Powiązania:
https://bibliotekanauki.pl/articles/2090010.pdf
Data publikacji:
2021-09-25
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
nonstandard language
popular fiction
idiolect
Miłoszewski
linguistically heterogeneous text
Opis:
This paper addresses the problem of translating nonstandard language in contemporary popular fiction. The discussion is based on an adventure novel written by Zygmunt Miłoszewski (Bezcenny) and its English translation produced by Antonia Lloyd-Jones (Priceless). Idiolect of Lisa Tolgfors – one of the protagonists in the story – poses a major challenge to the translator as the character’s language plays a number of roles in the text and, in addition to being properly recognised, its functions ought to be adequately reproduced in the target text. To analyse the extent to which the translator has succeeded in reconstructing the idiolect, its different functions in the source text have been determined. The comparison of the nonstandard language that is formed in the ST and recreated in the TT has revealed that even though certain functions have been successfully recreated, the idiolect is – to a large extent – normalised, the consequence of which is the aesthetic impoverishment that can, additionally, contribute to a different perception of the character by Polish and English readers of that novel.
Źródło:
Acta Neophilologica; 2021, 2, XXIII; 287-308
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Naïve Justice in the Ancient Greek Novel
Autorzy:
MacQueen, Bruce D.
Powiązania:
https://bibliotekanauki.pl/articles/781183.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
justice
moral ambiguity
ancient Greek novel
fictional jurisprudence
popular fiction
Opis:
This article discusses three trial scenes from three different ancient Greek novels (by Chariton, Achilles Tatius, and Longus), in which naïve justice seems to be deliberately subverted. The titular concept of “naïve justice” is defined here in terms borrowed from Aristotle’s Poetics, where the term “double resolution” is used, disparagingly, of plots in which the good characters are all rewarded and the bad characters all punished. The argument is made that the trial scenes under discussion should raise doubts in the reader’s mind as to which of the parties is truly guilty, and which is truly innocent. This can be seen as a reflection of unexpectedly mature ethical sensibilities on the part of these often-underestimated writers, who seem to have grasped that the “double resolution” may make the reader feel good, but has little to do with the real world.
Źródło:
Ethics in Progress; 2016, 7, 2; 14-30
2084-9257
Pojawia się w:
Ethics in Progress
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Czy można zabić wiarę? – Ruda Sfora Mai Lidii Kossakowskiej
It is possible to kill faith? – Ruda Sfora by Maja Lidia Kossakowska
Autorzy:
Muszyńska, Katarzyna S.
Powiązania:
https://bibliotekanauki.pl/articles/20442112.pdf
Data publikacji:
2023-03-13
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
analiza
interpretacja
fantasy
powieść
literatura popularna
literary analysis
interpretetion
novel
popular fiction
Opis:
The article on the example of the novel by the Polish fantasy author Maja Lidia Kossakowska, Ruda sfora, shows how the sacrum is manifested in the literary space in this genre, which values and qualities are sanctified and opposed to what. In order to build a typical for the genre’s plot – the struggle between the forces of good and evil – Kossakowska used shamanic beliefs of the Yakuts. Presenting dangers of doctrinal rationalism, she showed what the desire to extinguish the faith, may lead to, and indicate element which brings hope in the unequal fight against totalitarianism – the memory.
Źródło:
Colloquia Litteraria; 2022, 32, 1; 133-149
1896-3455
Pojawia się w:
Colloquia Litteraria
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sad and Rabid Puppies: Politicization of the Hugo Award Nomination Procedure
Autorzy:
Oleszczuk, Anna
Powiązania:
https://bibliotekanauki.pl/articles/601255.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
science fiction, popular culture, repression, fandoms, sf communities, Puppygate
Opis:
Originally a conservative genre, in the second half of the twentieth century, science fiction (sf) became a discourse whose progressive presentation of virtually all controversial political issues and critical questioning of the political status quo have remained unmatched in the so-called popular culture, among others. There is no other literary convention that so boldly challenges such issues as racism, sexism, social justice, and ecological devastation. However, the progressive stance of many science fiction writers, editors, and readers has been, in recent years, challenged by loose coalitions of groups calling themselves Sad Puppies and Rabid Puppies, who have acted against what they perceive as the repression of more traditional voices in science fiction communities. The paper will seek to explore recent political shifts within the science fiction fandom, with regard to oppression involving gender, class, race, and ethnicity. I will provide an account of the fandom’s political tensions, disentangle some of the convoluted discussions that have taken place across blogs, Twitter accounts, and Facebook pages of those involved in these debates, and specifically address the controversies related to the 2014 and 2015 Hugo Awards. I will also attempt to illuminate the violent conservative backlash that the aforementioned groups launched against the perceived political correctness and repression of certain viewpoints within sf communities. 
Źródło:
New Horizons in English Studies; 2017, 2
2543-8980
Pojawia się w:
New Horizons in English Studies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
“Nachleben” and the Holocaust topos
„Nachleben” a topika Zagłady
Autorzy:
Tomczok, Marta
Powiązania:
https://bibliotekanauki.pl/articles/2089364.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Literary and cultural criticism
topos
remembrance
Aby Warburg’s "Nachleben"
the Holocaust topos
Contemporary Polish literature
popular fiction
pop culture
topika Zagłady
"Nachleben"
powieść popularna
popkultura
posthumanizm
Opis:
This article is built on the premise that the topos has become a potent unit of cultural memory, an image that stores a wealth of often vague, buried or forgotten ideas. Its contents, like those of literature, tend to become extraordinarily condensed and confl ated; in consequence, some topoi (in particular the Holocaust topos) defy conventional tools of understanding and analysis. A solution to this problem can be found in an approach which broadens the scope of the sources of the Holocaust to include pop culture; gives up the rigid classifi cation of topoi, based on ‘hard’, documentary evidence; and, draws on a conceptual frame that connects the topos with the mechanisms of remembrance. A practical application of this approach is offered here in a series of readings of selected passages from Marcin Pilis’s novel The Meadow of the Dead (Łąka umarłych), Zygmunt Miłoszewski’s crime story A Grain of Truth (Ziarno prawdy), Marcin Wolski’s alternate history novel Wallenrod, Justyna Wydra’s war romance The SS-man and a Jewess (Esesman i Żydówka), Krzysztof Zajas’s thriller Oszpicyn [local Yiddish: Auschwitz] as well as some poems by Jacek Podsiadło from his volume The Breguet Overcoil (Włos Bregueta).
Źródło:
Ruch Literacki; 2019, 4; 389-401
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
TEMATYKA KULINARNA W POLSKIEJ WSPÓŁCZESNEJ POPULARNEJ PROZIE KOBIECEJ
CULINARY MOTIFS IN POPULAR POLISH CONTEMPORARY WOMEN’S FICTION
Autorzy:
Szczepkowska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/444723.pdf
Data publikacji:
2017-06-01
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
popular woman’s fiction
culinary code
housewife
post-feminism
downshifting narratives
culinary metaphor
nourishment – spiritual equivalent
Opis:
This article concerns culinary motifs found in popular women’s fiction at the turn of the 20th and 21st centuries. Women’s fiction is either indifferent to culinary topics or interested in them as a theme, metaphor or recipe. Culinary topics as the main theme appear in novels written by Kalicińska, Enerlich, and Ficner-Ogonowska. I. Sowa employs a culinary code as a metaphor for contemporary urban life style which is marked by consumerism, excess of consumer goods and an intense rivalry. Kalicińska’s novel cycle is an example of downshifting narratives appreciated by some feminists as a way to promote ecology and a women’s community. Culinary novels authored by Enerlich and Ogonowska do not popularize the culinary culture, but rather commercialize it.
Źródło:
Acta Neophilologica; 2017, XIX/1; 269-281
1509-1619
Pojawia się w:
Acta Neophilologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Janusz Makarczyk’s “Jafar of Baghdad” – an important source of information about the history and literature of the Abbasid Golden Age
„Dżafar z Bagdadu” Janusza Makarczyka jako cenne źródło wiedzy o historii i literaturze arabskiej epoki Abbasydów
Autorzy:
Olkusz, Wiesław
Powiązania:
https://bibliotekanauki.pl/articles/2089441.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
Polish literature of the 20th century
historical romance
the Orient and Islam in popular fiction
Abbasid Empire
Harun al-Rashid
Jafar ibn Yahya
intertextuality
Janusz Makarczyk (1901–1960)
Opis:
This article deals with Janusz Makarczyk’s bestselling historical romance Jafar of Baghdad, fi rst published in 1950. Makarczyk had a varied career as a journalist, travel writer of the ‘globtrotter school’, military offi cer, diplomat and academic; his deep involvement with the Middle East and Arab history began in the 1926 when he was sent to the Polish consulate in Jerusalem. The life of Jafar ibn Yahya provided him not only with enough material for a gripping story of love and romance but also a pretext for painting a broad canvas of historical events and personages. Addressed to younger readers, the book is didactic in the sense that it offers them basic information about Islam (e.g. the division between the sunni and the shia) as well as lots of facts about the Arab world at the peak of the Abbasid Age (e.g. Harun al-Rashid and the struggle for his succession; rise and fall of the powerful Barmakid family, Harun al-Rashid’s half-sister Abassa; the great Islamic jurists Malik ibn Anas, Muhammad al-Shaybani and Al-Shafi ‘i; an assortment of poets and scholars, including the translator Ibn al-Muqaffa). In addition to countless allusions to the Book of the Thousand Nights and One Night, the narrative is encrusted with explicit and covert quotes from the Qur’an, Arabic adages and proverbs (32), the poems of Abu-l-’Atahiya and Abu Nuwas. The writer is aware that the allusions and learned references need to be contextualized in a way that is functional and that their incorporation into the main text must be handled with maximum fl exibility. The great popularity of Jafar of Baghdad in its time can be taken as proof that Makarczyk did succeed in bringing the two functions of his novel, the cognitive and the aesthetic – to instruct and to please – into a harmonious whole.
Źródło:
Ruch Literacki; 2018, 5; 545-569
0035-9602
Pojawia się w:
Ruch Literacki
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Metafictional potentiality of detective fiction and the metaphysical detective stories
Autorzy:
Izdebska, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/1068843.pdf
Data publikacji:
2020-11-26
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
popular literature
crime fiction
detective fiction
metaphysical detective story
Opis:
The article examines metatextual devices appearing within texts whose genre affiliation — the implementation of the detective novel convention — is unarguable. Such use of selfreferential strategies is juxtaposed with their applications in texts that in English-language reflection on postmodern and modernist novels are defined as metaphysical detective stories. The article examines the genre aspects of the use of these devices and their consequences for the location of a crime novel within contemporary popular culture.
Źródło:
Zagadnienia Rodzajów Literackich; 2020, 63, 2; 107-118
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poetyka pustego miasta. Pejzaże urbanistyczne w katastroficznej science fiction
The poetics of an empty city. Urban landscapes in catastrophic science fiction
Autorzy:
Szałasek, Filip
Powiązania:
https://bibliotekanauki.pl/articles/445454.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
apocalypse
grotesque
catastrophism
popular literature
science fiction
Opis:
Post-apocalyptic novel – a catastrophic branch of science fiction devoted to the vision of civilization ruined by some sort of a cataclysm – managed to form a separate poetics of space creation. Images of the presented world depend on the psychological shape of the heroes who are directly exposed to the extreme boundary experience. When picturing the landscapes of desolated metropolises, the authors use solutions typical for horror and adventure novels, the ex- and impressionistic traditions as well as techniques typical for grotesque and naturalism. By extending the paths typical for science fiction, the post-apocalyptic novel moves away from the main movement and forms a separate convention of the description. The author of the article tries to shed some light on its assumptions by providing numerous examples of urban landscapes.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica; 2013, 1; 138-157
2353-4583
2449-7401
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia Poetica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Postapokaliptyczna biopolityka. Mechanizmy biowładzy w postkatastroficznych światach wyobrażonych kultury popularnej
Autorzy:
M, Nijakowski, Lech
Powiązania:
https://bibliotekanauki.pl/articles/897413.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
popular culture
science fiction
post-apocalipse
biopolitics
biopower
Opis:
The article is devoted to biopolitics and forms of biopower in the post-apocalyptic worlds created in the texts of popular culture. The author’s theses are based on the analysis of 147 novels and short stories, as well as 246 films and series. The study describes the types of threats to the communities of survivors, strategies for dealing with them and their impact on the post-apocalyptic form of socialization. Although the analysis is not limited to the nuclear apocalypse, it pays special attention to radioactivity as a “magic factor” used in popular works. The author answers the question about what these thought experiments tell us about collective consciousness and “subconscious” of the late modern risk societies.
Źródło:
Przegląd Humanistyczny; 2017, 61(1 (456)); 163-179
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Filmowa franczyza. Od tematu do widowiska telewizyjnego (na podstawie cyklu „Prawdziwe Historie”)
Film franchise. From the theme to the TV show (based on the True Stories
Autorzy:
Otto, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/923304.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
film
franchise
popular cinema
film fiction
true stories
Opis:
The TV series True Stories (Prawdziwe Historie) is an example of contemporary commercial cinema. It is located on the border of documentary film and an attractive version of fictional cinema. In specific circumstances, it can be treated as a commercial product, but not only in the sense of film production and distribution, but more broadly, as a recognisable brand on the domestic cinema market, containing all the elements of industry know-how, as well as significant and commonly seen features of a film style that guarantees both turnout and financial success. In a sense, therefore, this phenomenon can be considered in terms of a film franchise which offers creators, most often beginners, a proven business patent in the form of a coherent television series, but also giving the possibility of a safe feature debut and the space for creative exploration.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2019, 26, 35; 159-170
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Popular Culture and Genetics: Genetics and Biotechnologies in the Movies
Autorzy:
Domaradzki, Jan
Powiązania:
https://bibliotekanauki.pl/articles/1790244.pdf
Data publikacji:
2021-09-20
Wydawca:
Polskie Towarzystwo Socjologiczne
Tematy:
biotechnology
cinema
genetics
movies
popular culture
science fiction
Opis:
Although the past few decades have been marked by a rapid development of biotechnologies, it significantly precedes the social understanding of genetic phenomena. At the same time, as biotechnologies have become an object of public interest, popular culture, particularly movies, plays an increasingly important role in shaping the public attitudes towards biotechnologies. Thus, by stressing the impact of popular culture on the social understanding of science, this paper aims to describe the dominant genetic tropes portrayed in the cinema. By analysing 175 movies that relate to biotechnologies produced between 1953 and 2018, it analyses seven main themes: 1) the general image of genetics, 2) genetic procedures 3) mutations, 4) DNA, 5) genetic essentialism, 6) the nature versus nurture debate, and 7) biofears generated in the movies.
Źródło:
Polish Sociological Review; 2021, 215, 3; 281-310
1231-1413
2657-4276
Pojawia się w:
Polish Sociological Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Мегаполис как источник страхов в перспективе массовой литературы (антология „Мифы мегаполиса”)
Autorzy:
Radosz, Joanna
Powiązania:
https://bibliotekanauki.pl/articles/1022934.pdf
Data publikacji:
2019-08-08
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
metropolis
fear
contemporary speculative fiction
urban legends
popular literature
Opis:
The anthology Myths of Megapolis (Mify megapolisa), published in 2007, due to the variety of the presented short stories shows various perspectives of the metropolis’ life and the fears of its citizens. The article discusses and classifies these fears and analyses their connection with the substance of the metropolis itself.
Źródło:
Studia Rossica Posnaniensia; 2019, 44, 1; 255-266
0081-6884
Pojawia się w:
Studia Rossica Posnaniensia
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
W cieniu radiacji. Seksualizacje bomby atomowej w kulturze popularnej lat 40. i 50. w Stanach Zjednoczonych
Autorzy:
Piotr, Urbanowicz,
Powiązania:
https://bibliotekanauki.pl/articles/897532.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
World War II
atomic bomb
sexualization
popular culture
science fiction
Opis:
The aim of the article is to present a phenomenon of the sexualization of an atomic bomb in the popular culture of the 1940s and the 1950s in the United States. On the basis of sociological and cultural studies, the author lists the functions of this phenomenon. Furthermore, he uses the examples of press reports and popular cinema to indicate that the sexualization of the atomic bomb resulted from fear of sterilization and assimilation of soldiers coming back from the front. The analysis concerns the film I Married a Monster from Outer Space (1958). The author proves that science fiction films conceptualize social concerns, and accustom the viewers with atomic tension by means of appropriate narratives.
Źródło:
Przegląd Humanistyczny; 2017, 61(1 (456)); 33-41
0033-2194
Pojawia się w:
Przegląd Humanistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tabloidyzacja Holocaustu w kulturze popularnej
The trivialization of the Holocaust in popular culture
Autorzy:
Czaja, Justyna
Powiązania:
https://bibliotekanauki.pl/articles/919809.pdf
Data publikacji:
2011-01-01
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Popular Culture
Stalag Fiction
Nazi Exploitation
Irma Grese
Josef Mengele
Opis:
The text is an attempt to answer the question about the effects of the collision of Holocaust, recognized as a historical fact, with the mechanism of popular culture and how particular aspects of Holocaust, such as sex, violence and death, are used.
Źródło:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2011, 8, 15-16; 81-99
1731-450X
Pojawia się w:
Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
Dostawca treści:
Biblioteka Nauki
Artykuł

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