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Tytuł:
How to create an icon of pop culture? – a study based on the Internet biography of Oprah Winfrey.
Jak stworzyć ikonę popkultury? – badanie oparte na podstawie internetowych biografii Oprah Winfrey.
Autorzy:
Drzewiecka, Klaudia
Powiązania:
https://bibliotekanauki.pl/articles/441342.pdf
Data publikacji:
2011
Wydawca:
Wyższa Szkoła Europejska im. ks. Józefa Tischnera
Tematy:
biography
pop culture
icon of pop culture
biografia
kultura popularna
ikona popkultury
Opis:
By discovering the uniqueness of each literary genre, people can better mentally comprehend and appreciate what they read. The overall goal of this paper is to uncover and stress some characteristic features of creating an icon of popular culture in the virtual world of the Internet biography of Oprah Winfrey. Bearing in mind the functional aspects of language we should briefly outline the linguistic, sociological and cultural aspects implied though not plainly expressed in the online biographies of the American icon mentioned. The available sources used in this presentation are web pages found with the use of various search engines. The analysis of the collected data is based on 15 online biographies taken from websites having record popularity ratings. Watching how a biography of Oprah Winfrey is enjoying its popularity through hundreds of celebrity portals can tell us a great deal not only about how powerful the functional aspects of the language are but about how much the world’s culture is changing. Needless to say, the study also covers how the linguistic units are combined to launch the icon and create her online reality.
W powyższym artykule podjęto próbę zbadania zjawiska ikony popkultury na przykładzie internetowych biografii amerykańskiej gwiazdy Oprah Winfrey. Celem artykułu jest próba odpowiedzi na pytanie: za pomocą jakich środków językowych można wykreować ikonę popkultury? Określenie miejsca biografii w strukturze tekstu oraz przedstawienie pewnej hierarchii czynników składających się na jej wzorzec ukazują charakterystyczne cechy pozwalające na stworzenie ikony popkultury. Przeanalizowane biografie ujawniają wiele językowych sposobów na jej interesujące i efektowne wykreowanie.
Źródło:
Kultura i Polityka; 2011, 10; 88-109
1899-4466
Pojawia się w:
Kultura i Polityka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cosplay – znaczenie fenomenu w relacjach uczestniczek
Cosplay – the Significance of the Phenomenon in Female Participants’ Accounts
Autorzy:
Wrona, Daria
Powiązania:
https://bibliotekanauki.pl/articles/1070842.pdf
Data publikacji:
2020-03-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
cosplay
identity
youth
pop culture
Opis:
Cosplay is a poorly understood phenomenon related to popular culture. Currently, however, it is slowly attracting the interest of an increasing number of fields of science, such as sociology, psychology or pedagogy. The following article will present the theoretical foundations and research on the role of cosplay in the life of female cosplayers. Focusing on the subjects, I touched upon the issues of interpersonal interactions, interests and skills, social perception of cosplay, problems related to the preparation of costumes, and the impact of cosplay on identity development.
Źródło:
Studia Edukacyjne; 2020, 56; 385-399
1233-6688
Pojawia się w:
Studia Edukacyjne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Medialna rzeczywistość w „Truman Show” (1998) Petera Weira w perspektywie myśli gnostyckiej
Media reality in “Truman Show” (1998) by Peter Weir in the perspective of gnostic thought
Autorzy:
Kwiatkowski, Fryderyk
Powiązania:
https://bibliotekanauki.pl/articles/967118.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
gnosticism
pop-culture
Hollywood
film
Opis:
In the author’s opinion the story depicted in "The Truman Show" (1998) by Peter Weir comprises a reinterpretation of a Gnostic myth about the liberation of a „divine spark” from the material world. In spite of the fact that the director did not know about Gnosticism before he started to make the film, the author of the article presents that many motifs in his work can be viewed through the ideas expressed in various Gnostic systems. The Gnostic notions were reinterpreted in "The Truman Show" on a fundamental level of the world being presented in as well as in the narrative structure of the movie.
Źródło:
Collectanea Philologica; 2015, Numer specjalny
1733-0319
2353-0901
Pojawia się w:
Collectanea Philologica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jan Klata – polityk teatru
Jan Klata – the Politician of the Theatre
Autorzy:
Sobolewska, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/511727.pdf
Data publikacji:
2011
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
society
politics
pop culture
scoring
Opis:
The article presents the silhouette and artistic achievements of Jan Klata, one of the most famous Polish theatrical artists. Social and political context, concerning the process of sud-den acceleration in every field of social life, creates the background for describing creativity of this ‘rebel with Mohawk hairstyle’. The director whose works belong to so¬ called ‘socially engaged theatre’ highlights the untypical ideas by using language inspired by the elements of the reality around (popular, musical and media culture). He remains a defiant, rebellious artist who fights for Poland and the high quality theatre addressed to critical spectator.
Źródło:
Postscriptum Polonistyczne; 2011, 2(8); 61-74
1898-1593
2353-9844
Pojawia się w:
Postscriptum Polonistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Historia łódzkiego fandomu mangi i anime w latach 1995–2010
History of Lodz manga and anime fandom in years 1995–2010
Autorzy:
Reczulski, Łukasz
Gamus, Paula
Powiązania:
https://bibliotekanauki.pl/articles/965866.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
fandom
manga
anime
pop culture
pop kultura
Opis:
The last twenty five years in the history of Poland was not only a period of turbulent political changes, but also a time of profound social metamorphosis. As a result of the opening on western culture influence, in a relatively uniform society new movements and cultural phenomena began to form. One of them, founded around 1995, was the subculture of manga and anime fans (lovers of Japanese comics and animated films). This article pre-sents the history of the Lodz faction of this subculture, from its origins to the period of greatest prosperity. Most focus is placed on activities of local groups of East Asian popculture enthusiasts with full list of their meetings that took place in Lodz region. The text also describes the controversy surrounding the popularization of Japanese comics and animated films.
Ostatnie dwudziestopięciolecie zapisało się w historii naszego kraju nie tylko jako okres burzliwych przemian politycznych, lecz także jako czas głębokiej metamorfozy społecznej. W efekcie otwarcia się Polski na kulturę zachodnią, w dotychczas względnie jednolitym społeczeństwie na skutek oddziaływania impulsów zewnętrznych zaczęły rodzić się nowe ruchy i zjawiska kulturowe. Jednym z nich była powstała około 1995 r. subkultura fanów mangi i anime, czyli społeczność miłośników japońskich komiksów i filmów animowanych. W niniejszym artykule omówiono historię łódzkiego odłamu tej subkultury, począwszy od jej początków po okres największego rozkwitu. Szczególną uwagę zwrócono na działalność łódzkich klubów zrzeszających lokalnych entuzjastów popkultury wschodnioazjatyckiej oraz zaprezentowaniu pełnego wykazu regionalnych zjazdów fanów. W tekście poruszono także zagadnienie kontrowersji towarzyszących popularyzacji japońskich komiksów i filmów animowanych.
Źródło:
Acta Universitatis Lodziensis. Folia Librorum; 2015, 21
0860-7435
2450-1336
Pojawia się w:
Acta Universitatis Lodziensis. Folia Librorum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Betrayal of Childhood in a Socio-Cultural Context
Autorzy:
Wróblewski, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/962251.pdf
Data publikacji:
2018
Wydawca:
Polskie Towarzystwo Ludoznawcze
Tematy:
childhood
adulthood
symulakrum
pop culture
capitalism
Opis:
In my article, I focus on the relationship between a child and adult in socio-cultural perspective in order to demonstrate how the representations of childhood are used by Polish authors of children’s literature in critical descriptions of war and other forms of violence. At first, I relate to the crucial moment in the European history in which there appeared a discourse of senility and youthfulness. Next, I present the main consequences of the “production” and “distribution” of images of childhood in pop culture. In the last part of my discussion, I analyse novels by Joanna Rudniańska, Jacek Dukaj, Grzegorz Gortat and Dorota Combrzyńska-Nogala, who, in their works about the Holocaust, the martial law in Poland and the war in Syria create the world in which young characters possess certain features belonging to the adult. My analyses demonstrate the sources of betrayal of childhood which appears in these novels like a sublime sign reflecting primarily adults’ fantasies about the child. As I show, this sign contains very few real issues referring to contemporary childhood.
Źródło:
Literatura Ludowa; 2018, 62, 3
2544-2872
0024-4708
Pojawia się w:
Literatura Ludowa
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Naród, gender, popkultura. Nacjonalistyczne konstrukcje płci i seksualności w popkulturowej odsłonie
Autorzy:
Zamojska, Eva
Powiązania:
https://bibliotekanauki.pl/articles/644903.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
nationalistic discourse
gender
sexuality
pop culture
Opis:
The paper is a short theoretical summary of relationships between the notions of nation, gender and sexuality in a nationalistic discourse. It is also an attempt at applying this knowledge for analyzing selected artifacts of pop culture. In the first part of the paper, theoretical and research findings on the constructs of gender and sexuality in a nationalistic discourse are presented. In the second part these findings are used for a discursive analysis of gender and sexuality constructs in selected songs / stage acts presented at the Eurovision Song Contest 2014 and a pastiche cover version of one of them.
Źródło:
Kultura-Społeczeństwo-Edukacja; 2017, 12, 2; 361-378
2300-0422
Pojawia się w:
Kultura-Społeczeństwo-Edukacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Body Modification as the Right of Body in the light of Cosmopolitanism – Appiah’s perspective
Autorzy:
Jedlikowska, Dorota
Powiązania:
https://bibliotekanauki.pl/articles/2158799.pdf
Data publikacji:
2014
Wydawca:
Instytut Studiów Międzynarodowych i Edukacji Humanum
Tematy:
body modifications
cosmopolitanism
pop culture
transparency
Opis:
The assumption of the paper is a liquidity between sacrum and profanum.. The work done on the body makes bodily practices and rituals the art of body. The body is an altar of our identity, manifestation of Self. The great visibility of this tendency is illustrated in the frame of popular culture, especially in the stream called the culture of transparency. The examples of body modifications’ practices, referred to the Western culture, are recognized as the contemporary new-primitivism (neo-primitive perspective) – the Modern Primitive Movement. The wide cult of the body is commonly known and practiced and its official name is corporeism. There are a various platforms of trainings to relax and strengthen the body, “the work on our body” in lighter form, express body. Probably the most opposite trends and cultural phenomenon can verify our level of tolerance and ability to understand significantly other people. The case of body modification can be the first one. The reason of it can be that the body can be perceived as the most visible open-text of ourselves. A variety of its manifestations can really provoke a huge cosmopolitan debate towards a more aesthetically-directed approach on those forms of practices which are not met too often in one specific culture and which argue with its standard of normality.
Źródło:
Prosopon. Europejskie Studia Społeczno-Humanistyczne; 2014, 3(9); 43-57
1730-0266
Pojawia się w:
Prosopon. Europejskie Studia Społeczno-Humanistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Głód na Jezusa. Notatki na marginesie (nie)chrystologii i popkultury
Craving for Jesus. Side Notes to (Non)Christology and Pop Culture
Autorzy:
Żyła, Mateusz
Powiązania:
https://bibliotekanauki.pl/articles/3200752.pdf
Data publikacji:
2022
Wydawca:
Wyższa Szkoła Ekonomiczno-Humanistyczna w Bielsku-Białej
Tematy:
Jesus
Christianity
rock opera
pop culture
Opis:
The objective of the article is an attempt to interpret the character/figure/symbol of Jesus by references to miscellaneous cultural texts. First, the author describes the most significant aspects of Piotr Augustyniak’s essay Jezus Niechrystus, emphasizing their originality and rebelliousness, especially towards the Christian doctrine. In latter part of the article, selected fragments of Zbigniew Masternak’s film novella Jezus na prezydenta are analysed. Further, the author acknowledges timelessness of Jesus Christ Superstar rock opera. In the recapitulation, the author discerns constant craving for Jesus, perceiving it as a desirable response, since – according to Kołakowski’s and Augustyniak’s message – teachings of the carpenter from Nazareth constitute an abiding code of our culture.
Źródło:
Polonia Journal; 2022, 15; 185-205
2083-3121
Pojawia się w:
Polonia Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Stanisław Przybyszewski: In and Out of Pop Culture
Autorzy:
Goławska-Stachowiak, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/1068910.pdf
Data publikacji:
2020-12-01
Wydawca:
Łódzkie Towarzystwo Naukowe
Tematy:
pop culture
modernism
editing
Stanisław Przybyszewski
Opis:
Stanisław Przybyszewski’s oeuvre is not “pop”. This paper scrutinizes a catalogue of determinants that encouraged the writer’s initial renown and then led to his ultimate decline in popularity. Was Przybyszewski’s “fall from grace” justifiable? In my analysis, I refer to three different approaches to the concept of “pop”. In the first approach, “pop” is understood as a contrast between high and low culture. In the second, it is interpreted in relation to the institutions that indirectly affirm and popularize one’s literary input. The third one is associated with source literary text editing. Using these three categories is not supposed to present the author himself, but rather a certain phenomenon in European literary culture. Przybyszewski, the so-called “meteor of the Young Poland period”, is a particularly poignant example of how initial fascination with an avant-garde artist could change into oblivion and absence in reading culture. The comments formulated in this article are directed primarily to the reader who does not know the history of Polish literature, and the method of reaching the reader is to focus on a selected example showing a repeatable sequence in careers of many other authors of the period.
Źródło:
Zagadnienia Rodzajów Literackich; 2020, 63, 3; 91-108
0084-4446
Pojawia się w:
Zagadnienia Rodzajów Literackich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tacky “Shakespeares” in Japan
Autorzy:
Yoshihara, Yukari
Powiązania:
https://bibliotekanauki.pl/articles/648194.pdf
Data publikacji:
2013-12-01
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
pop culture
Japan
consumerism
commodification
mass media
Opis:
There is no doubt that Shakespeare is “the flagship commodity” in the globalized cultural market. The fact that his works are being studied, performed, and admired, or, adapted and parodied almost all over the world, would surely testify that his works are great sources to be capitalized on (both culturally and materially) in the consumerist society in which we live. However, it could be also argued that the brand logo, “Shakespeare,” no longer holds such a privileged status, that it is merely one of numerous cultural artifacts that can be used and recycled, and that one of the few convenient things about “Shakespeare” is that it can be reproduced, copied, and parodied without the need for any royalty payments being made? Some popular, global, tacky “shakespeares” seek to destabilize the presupposed notion that “Shakespeare” is the dominant, central, hegemonic icon by juxtaposing “Shakespeare” with other artifacts, which are presumed to be of minimal capitalist and cultural value. This article attempts to illustrate how (in)significant or (un)influential Shakespeare, as a residual socio-cultural icon, can be. Tackyfying “Shakespeares” can, however, also be a means to proliferate the Bard. Japanese pop “Shakespeares,” proudly and assertively tacky, offer tributes to the great Bard.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2013, 10; 83-97
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Król popu nie żyje! Zapraszamy Państwa na spektakl”. Śmierć i umieranie w kulturze celebrytów
“The King of Pop is dead! Come to see the show” – Death and dying in the celebrities culture
Autorzy:
Ogonowska, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/521360.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
Michael Jackson
celebrity
star of pop-culture
creations of identities
public image
pop culture
politic of body
Opis:
The subject matter of this article includes the beginning of Michael Jackson’s career, his presence in the media, the strategies of creating his public identity as a pop-culture star and a celebrity, his significance in the pop music and the modern pop culture, the strategies of the star’s “struggling” with fame and his fans’ expectations, and the issue of “Jackson” being a product of culture, which continues to exist and develop even after the death of the real person.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura; 2010, 1; 135-145
2083-7275
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jan Kalwin „dla opornych”. Popularyzacja kalwinizmu w internetowych i pozainternetowych sferach kultury popularnej
John Calvin “for dummies”. Popularisation of Calvinism in the Internet and extra-Internet spheres of pop culture
Autorzy:
Skowronek, Katarzyna
Powiązania:
https://bibliotekanauki.pl/articles/520788.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
John Calvin
popularisation
Internet
pop culture
semiotics
Opis:
The article tries to describe in what ways John Calvin is presented in texts and images in the Internet and in pop culture. The author examines private websites about John Calvin, linguistic texts, drawings, comic strips and gadgets associated with him. She indicates some functions of semiotic changes of the reformer and extra-religious contexts in which he appears. The personality of the 16th century reformer and theologian has at least two functions: in the religious context it is “a symbol of resistance” against such phenomena as consumerism and hedonism and in the context of humour and satire, the message is incompatible with orthodox religious texts.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura; 2014, 6, 1 "Edukacja kulturowa. Ujęcie monograficzne"; 147-160
2083-7275
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
UTOPIA, DYSTOPIA AND THE “HERETIC STREAK”: THE ORWELLIAN AESTHETIC IN RAY DAVIES’ SONG WRITING AND OTHER CREATIVE PROJECTS
Autorzy:
Curyłło-Klag, Izabela
Powiązania:
https://bibliotekanauki.pl/articles/647053.pdf
Data publikacji:
2016
Wydawca:
Akademia Górniczo-Hutnicza im. Stanisława Staszica w Krakowie
Tematy:
Orwell, Ray Davies, pop culture, dystopia, utopia
Opis:
The article explores the influence of Orwell’s fiction on the creative output of Ray Davies, one of Britain’s finest songwriters and the erstwhile frontman of The Kinks, a ‘British Invasion’ group. The Davies oeuvre can be placed alongside Orwell’s work due to its entertainment value, sharpness of ob- servation and complex, conflicted socio-political sympathies. By balancing utopian visions with dystopian premonitions and by offering regular critiques of the culture they hold dear, Orwell and Davies represent the same tradition of cautious patriotism. They also share a similar aesthetic, communicating their insights through humour, self-mockery and acerbic wit. 
Źródło:
Studia Humanistyczne AGH; 2016, 15, 2
2084-3364
Pojawia się w:
Studia Humanistyczne AGH
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Pożegnanie nomady. Antropologiczne pomyślenia Wojciecha Burszty (1957–2021)
Farewell to a Nomad: The Anthropological Thinking of Wojciech Burszta (1957–2021)
Autorzy:
Czubaj, Mariusz
Powiązania:
https://bibliotekanauki.pl/articles/14972414.pdf
Data publikacji:
2021-03-22
Wydawca:
Polska Akademia Nauk. Czasopisma i Monografie PAN
Tematy:
cultural anthropology
cultural studies
metaculture
pop culture
pop nationalism
literature
Opis:
The author limns an intellectual portrait of the cultural specialist and anthopologist Wojciech Józef Burszta (1957–2021), who died at the beginning of 2021. Burszta’s reflections centered on the “post-anthropological” shape of contemporaneity. Such thinking involved, on the one hand, relinquishing the idea of culture as a cohesive, harmonious system (ideas close to the symbolic anthropology of Clifford Geertz), and on the other, the increasing awareness of “being in culture,” of the possession and appropriation of culture by the community, individuals, and institutions (Burszta described these processes as “metaculture”). In addition to popular culture and pop nationalism, another important area of interest for Burszta was literature—an essentially anti-systemic reverse of anthropological reflections on reality.
Źródło:
Kultura i Społeczeństwo; 2021, 65, 1; 171-180
2300-195X
Pojawia się w:
Kultura i Społeczeństwo
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Funkcje realizmu w fantastyce dla młodego czytelnika
The functions of realism in fantastic novels for young readers
Autorzy:
Wróblewski, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/1041890.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
fantastic
realism
myth
children’s literature
pop culture
Opis:
In the article the author examines fantastic novels by contemporary Polish writers (Andrzej Maleszka, Paweł Beręsowicz, Rafał Kosik and other) for young readers in a cultural context. In his essay he uses two well-known cultural categories “myth” and “magic” to his analysis of fantastic novels. According to the author, the myth and magic have two important functions in fantastic children’s literature. First, they lead young readers to knowledge about the world and depict different, complex phenomena of cultural dimension. Second, the myth and magic create a particular space (what “engulfs” young readers) of play and entertainment. Moreover, the myth and magic attract young readers to fabulous worlds including the elements of realistic literary convention. Thereby the writers increase their credibility among the youth. A “myth-magic” in the presented word of contemporary Polish fantastic novels assures balance between incredible entertainment represented by wizards, witches, dragons and the real world with characters having various digital devices within reach.
Źródło:
Poznańskie Studia Polonistyczne. Seria Literacka; 2016, 28; 121-138
1233-8680
2450-4947
Pojawia się w:
Poznańskie Studia Polonistyczne. Seria Literacka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Cyborgi – literacko-filmowe figury dyskursu interaktywnego
Cyborgs – Literary and Film Figures of Interactive Discourse
Autorzy:
Gajewska, Grażyna
Powiązania:
https://bibliotekanauki.pl/articles/1038992.pdf
Data publikacji:
2019-12-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
cyborg
science fiction
pop culture
feminism
postcolonialism
posthumanism
Opis:
Gajewska Grażyna, Cyborgi – literacko-filmowe figury dyskursu interaktywnego [Cyborgs – Literary and Film Figures of Interactive Discourse]. „Przestrzenie Teorii” 32. Poznań 2019, Adam Mickiewicz University Press, pp. 179–196. ISSN 1644-6763. DOI 10.14746/pt.2019.32.9. The author analyzes the figure of the cyborg in science fiction literature and film. The text begins by showing this kind of literary work in the theoretical field and presents it as an interactive discourse. The author describes the scientific roots of constructing a human-technical hybrid, emphasizing the ideological and political context of this research. In this approach, the cyborg appears as a participant in and also a hostage of the Cold War. Next, the author finds literary and film creations of cyborgs inspired by this political and military heritage. The article also presents alternative images of cyborgs co-creating a feminist and postcolonial discourse. They were also included in specific policies and strategies aimed at deconstructing concepts such as sex and gender, sexuality, race, nation, social class. The main thesis of the article is that as fictitious and real entities, cyborgs are prone to ideologization and burdened with the obligation to politicize. Therefore, when studying cyborgs in literature, film and comics, we must ask what ideologies and politicians they serve.
Źródło:
Przestrzenie Teorii; 2019, 32; 179-196
2450-5765
Pojawia się w:
Przestrzenie Teorii
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Matki w popkulturze – zwykłe czy niezwykłe? O ekspertyzacji macierzyństwa w dyskursie medialnym
From expertises of scientists to expertises of celebrities – the tendency of the expertisaton the motherhood in the media
Autorzy:
Szulich-Kałuża, Justyna
Powiązania:
https://bibliotekanauki.pl/articles/1181219.pdf
Data publikacji:
2016
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II
Tematy:
popkultura
matka
macierzyństwo
media
pop culture
mother
motherhood
Opis:
Tematem artykułu jest ekspertyzacja macierzyństwa w mediach. Omówiono zagadnienie wzrostu znaczenia ekspertów w społeczeństwach ponowoczesnych zastępujących tradycyjnych liderów opinii, intelektualistów, naukowców. Wymienione zostały wymiary ekspertyzacji macierzństwa, m.in. asymetria w relacji matki i dziecka, asymetria w relacji matki i eksperta, asymetria w relacji wiedzy osobistej i wiedzy eksperckiej, instrukcje eksperckie, brak kwalifikacji i umiejętności matek w pełnieniu roli matki. Poszczególne wymiary omówiono w oparciu o dyskurs ekspercki o macierzyństwie w programie „I Ty możesz mieć superdziecko”.
The theme of the article are expertisation of the motherhood in the media. It is a study about the issue of the growing importance of experts in the postmodern societies, which replaces the traditional opinion leaders, intellectuals and scientists. The author refers to the dimensions of expertisation of the motherhood including the asymmetry in the relationship of a mother and a child, the asymmetry in relations between a mother and an expert, the asymmetry in the relationship between personal knowledge and expertise knowledge, instructions of experts, the lack of qualifications and skills of mothers in their role of a mother. The dimensions are discussed on the basis of the discourse of experts about motherhood in TV-programm ”I Ty możesz mieć superdziecko”.
Źródło:
Zeszyty Naukowe KUL; 2016, 59, 3; 15-28
0044-4405
2543-9715
Pojawia się w:
Zeszyty Naukowe KUL
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Współczesny świat w obiektywie Marcina Maciejowskiego: realizm medialny
Contemporary world in Marcin Maciejowski’s lens: media realism
Autorzy:
Ogonowska, Agnieszka
Powiązania:
https://bibliotekanauki.pl/articles/521116.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
media realism
intermediality
intertextuality
transmedia storytelling
pop culture
Opis:
The article deals with the works of Marcin Maciejowski in the perspective of intermedia connections of his works with photography, film and painting. The author of the article is particularly interested in tracing the intertextual and intermedia games in the space of culture as well as their informative, cognitive and ludic functions. A separate section of the article is devoted to the description of media realism.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura; 2011, 2; 86-95
2083-7275
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia de Cultura
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Vladimir Nabokov about antiquities - pop culture, advertising, conformism
Autorzy:
Grygiel, Monika
Powiązania:
https://bibliotekanauki.pl/articles/1070326.pdf
Data publikacji:
2020
Wydawca:
Państwowa Wyższa Szkoła Zawodowa w Chełmie
Tematy:
Nabokov
popkultura
konformizm
reklama.
pop culture
conformism
advertising
Opis:
Vladimir Nabokov belongs to the most popular prose writers of the 20th century. His work is represented by a sophisticated composition, playing with the reader, rich stylistics, as well as bilingualism - works written in Russian and English. The article answers the question whether, despite the complicated content and form, Nabokov's work has achieved popularity thanks to the typical pop culture tricks, threads and tricks, or whether this was decided by the writer's talent. Nabokov undoubtedly had a critical attitude towards pop culture, which destroys individualism and originality, while at the same time was conducting a literary dialogue with it, using popular themes and motifs for its own unique perspective. The writer noticed the obvious threats arising from pop culture, criticized the advertising market, attacked the stereotyping of contemporary views and ubiquitous conformism, and at the same time he appreciated problems that were commonly rejected (sexuality) or attractive but trivialized (detective and adventure threads). Nabokov skillfully used mass culture, through his works he shaped the sensitivity of the recipient and intuitively trusted his intelligence.
Źródło:
Language. Culture. Politics. International Journal; 2020, 1; 159-168
2450-3576
2719-3217
Pojawia się w:
Language. Culture. Politics. International Journal
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sceniczne adaptacje komiksów. Strategie przekładania historii obrazkowych na język teatralny
Stage adaptations of comic books. Strategies for translating graphic stories into theatrical language
Autorzy:
Dąbrowska, Zofia
Powiązania:
https://bibliotekanauki.pl/articles/11855294.pdf
Data publikacji:
2023-06
Wydawca:
Instytut im. Jerzego Grotowskiego we Wrocławiu
Tematy:
comic books
musical
adaptation
theatre play
pop culture
Opis:
Comic books are increasingly being used as a material for creating theatre plays. In Poland, first theatre adaptations of comics appeared in the mid-20th century, but on Broadway, comic strips have provided source material for theatre plays since its outsets in the late 1800s. In this paper I present a short history of the most important comic book adaptations for the theatre in Poland, with an emphasis on plays based on a Henryk Jerzy Chmielewski’s series Tytus, Romek i A’Tomek. I ponder upon the connotations between comic books and music, and bring into consideration many different forms that comic book adaptations can take. Above all, I analyse in details a few examples (Polish productions Staś i Zła Noga [Staś and the Bad Leg] by Bartłomiej Błaszczyński and Kajko i Kokosz by Marta Ogrodzińska, and an American production Spider-Man: Turn Off The Dark by Julie Taymor) for the purpose of discussing the strategies of putting the comic book stories onto the stage and the difficulties involved with the process.
Źródło:
Didaskalia. Gazeta Teatralna; 2023, 175-176; 277-304
2720-0043
Pojawia się w:
Didaskalia. Gazeta Teatralna
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Complicated Pop-cultural Legacy of Figura Christi. Mythologization of the Christ Narrative in the Context of Current Christian Philosophy
Autorzy:
Jemioł, Maciej
Powiązania:
https://bibliotekanauki.pl/articles/39569799.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Christocentricity
Christian philosophy
Christ-figure
pop-culture
mythologization
Opis:
Reflecting on the many challenges facing Christianity as a religion, and particularly Christian philosophy as a way of thinking in modern, strange and unfamiliar times, one encounters time and again the grim realization that many of such challenges are simplyprovided by the current culture, the cultural sphere. Without idealizing Europe’s Christocentric culture and remembering that it was not homogeneous, we must recognize that it once existed, it was the ruling cultural norm. Today, such norms are indeed very different and vary greatly depending on the geographic region we have in mind and change from decade to decade. After the Renaissance, the Enlightenment, modernity and the postmodern era, we observe that what governs our cultural world today is pluralism more than anything else. But there are still some traces of Christocentrism in our culture and in what it has become during this period, namely popular culture. Among other aspects, research has focused on the analysis of one idea – that of the Christ-figure, which has come a long way from theology to culture to pop culture over the centuries. In this article, I will try to show why this complicated legacy can be seen, at least in part, as a challenge to Christianity in light of contemporary Christian philosophy.
Źródło:
Studia Philosophiae Christianae; 2023, 59, 2; 119-140
0585-5470
Pojawia się w:
Studia Philosophiae Christianae
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Toward “Reciprocal Legitimation” between Shakespeare’s Works and Manga
Autorzy:
Yoshihara, Yukari
Powiązania:
https://bibliotekanauki.pl/articles/648144.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Pop culture
Japan
gender
cultural hierarchy
manga
animation
Opis:
In April 2014, Nihon Hoso Kyokai (NHK: Japan Broadcasting Company) aired a short animated film titled “Ophelia, not yet”. Ophelia, in this animation, survives, as she is a backstroke champion. This article will attempt to contextualize the complex negotiations, struggles and challenges between high culture and pop culture, between Western culture and Japanese culture, between authoritative cultural products and radicalized counterculture consumer products (such as animation), to argue that it would be more profitable to think of the relationships between highbrow/lowbrow, Western/non-Western, male versus female, heterosexual versus non-heterosexual, not simply in terms of dichotomies or domination/subordination, but in terms of reciprocal enrichment in a never-ending process of mutual metamorphoses.
Źródło:
Multicultural Shakespeare: Translation, Appropriation and Performance; 2016, 14, 29; 107-122
2083-8530
2300-7605
Pojawia się w:
Multicultural Shakespeare: Translation, Appropriation and Performance
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Wielkie uproszczenie” i „dryfujące sacrum”. „Angel-A” Luca Bessona jako popkulturowy apokryf
Autorzy:
Monika, Jazownik
Powiązania:
https://bibliotekanauki.pl/articles/1187216.pdf
Data publikacji:
2016
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Luc Besson
angels
pop-culture
modern apocrypha
metaphysics
Opis:
Apocrypha as testimony of non-canonical reading of sacred texts can provide a starting point for a discussion on works of popular culture. Luc Besson’s film Angel-A, as a kind of synecdoche of filmmaking about angels illustrates in a vivid, pop-culture way the trends of understanding and describing reality. The director’s portrait of the angel, much different from that proposed by the Bible, promotes a model of the world which provides a sense of freedom and lightness. In the end, however, does pop-culture have the power to release us from the weight of secrecy? It seems that everyone must experience that for themselves…
Źródło:
Załącznik Kulturoznawczy; 2016, 3; 136-153
2392-2338
Pojawia się w:
Załącznik Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Popkultura jako medium pamięci regionalnej na przykładzie Białegostoku
Popculture as the Medium of Regional Remembrance in Białystok
Autorzy:
Roman, Monika Justyna
Powiązania:
https://bibliotekanauki.pl/articles/1521105.pdf
Data publikacji:
2018-06-28
Wydawca:
Uniwersytet w Białymstoku. Wydawnictwo Uniwersytetu w Białymstoku
Tematy:
memory
cultural diversity
new regionalism
geopoetics
pop culture
Opis:
The author chose popular culture texts such as graphic novel and hip-hop album to analyze the process of remembering in the region of Podlasie. Thearticlealso examineswhetherpopular mediahavethepotentialto create place narration as well as to present the commonplace tensions that emerge from the culturaland religious diversitywhere distinct “memories” blend.
Źródło:
Białostockie Studia Literaturoznawcze; 2018, 12; 229-250
2082-9701
2720-0078
Pojawia się w:
Białostockie Studia Literaturoznawcze
Dostawca treści:
Biblioteka Nauki
Artykuł
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