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Tytuł:
Między literaturą a polityką – prywatność w prozie rozrachunków inteligenckich (1946-1948)
Between literature and politics – privacy in the prose of intelligent settlements (1946-1948)
Autorzy:
Kozłowska, Izabela
Powiązania:
https://bibliotekanauki.pl/articles/1401146.pdf
Data publikacji:
2019-01-09
Wydawca:
Uniwersytet Zielonogórski. Wydział Humanistyczny
Tematy:
the literature of retribution
politics and literature
proza rozrachunkowa
polityka a literatura
Opis:
Tematem artykułu jest proza rozrachunków inteligenckich, ukazująca się w latach 1946-1948 (Drewniany koń K. Brandysa, Jezioro Bodeńskie S. Dygata, Nagrobek S. Otwinowskiego oraz zbiór opowiadań P. Hertza pt. Sedan). Strategia narracyjna obecna w utworach sprzyja poszukiwaniu w nich pierwiastków autobiograficznych. Autorka śledzi związki między życiem politycznym pisarzy a kreacją stworzonych przez nich bohaterów literackich, zastanawia się, w jakim stopniu w dziełach są widoczne oczekiwania stawiane twórcom przez władzę komunistyczną w latach czterdziestych.
The subject of the article is the prose dealing with intelligentsia settlements, published in the years 1946-1948 (Drewniany koń [Wooden horse] by K. Brandys, Jezioro Bodeńskie [The Constance Lake] by S. Dygat, Nagrobek [Tombstone] by S. Otwinowski and P. Hertz’s short story collection entitled Sedan). Narrative strategy present in the literary works fosters the search for autobiographical elements. The author investigates relationship between the writers’ political lives and the lives of literary figures created by them, wondering to what extent the expectations placed upon writers by communist authorities in the 1940s are visible.
Źródło:
Filologia Polska. Roczniki Naukowe Uniwersytetu Zielonogórskiego; 2018, 4; 119-136
2450-3584
Pojawia się w:
Filologia Polska. Roczniki Naukowe Uniwersytetu Zielonogórskiego
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ritual as reflected by censorship. The Control Bureau as the custodian of the cultural image of the authorities in the early days of the People’s Republic of Poland
Autorzy:
Woźniak-Łabieniec, Marzena
Powiązania:
https://bibliotekanauki.pl/articles/649331.pdf
Data publikacji:
2017
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
Polish literature after 1945
censorship
newspapers in Polish Peoples Republic
politics and literature
Opis:
The ritual as a series of actions specified by traditions or a given political system, defined in detail and repeatable, was also fulfilled in the communist system. There it was aimed at introducing and amalgamating the order imposed on Poland by the Soviets after WWII. It could only be achieved by strictly observing the rules of Socialist rites. And that did not only apply to, however important, the celebrations of holidays according to the communist calendar, but also to the master principles which the enforcers of the new order used towards society. The indicated research material, extracted from censorship archives, shows that regardless of the changing media policy in the first decade after WWII, from the very beginning there existed invariable rules which constituted a compass for specific choices: the ban on criticising or disturbing the good name of the authorities, starting with Generalissimo Stalin, through the leaders of the states subordinate to him, higher-ranking officials, police and the army, to udarniks. The Control Bureau for Press, Publications and Performances was one of the most active bodies in the field. In the privacy of their offices, without the publicity so common for the clamorous ceremonies and rallies, censors worked to maintain the Stalinist rituals.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2017, 44, 6
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Singing in the singular: aesthetic and policy of a romantic voice
Autorzy:
Wojda, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/605916.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Marii Curie-Skłodowskiej. Wydawnictwo Uniwersytetu Marii Curie-Skłodowskiej
Tematy:
music and politics, voice, music and literature, 19th Century, Romanticism
Opis:
Der Artikel enthält Zusammenfassungen nur in Englisch und Französisch
The article proposes a reflection concerning the connections between the voice representations or vocal practices, worked out towards the end of the Enlightenment period and in the first decades of the 19th century in the French cultural area, and the birth of the socio-economic system characteristic of the bourgeois society. The paper focuses, in particular, on political presuppositions – in the Aristotelian sense of the word « political » – on which all the uses of voice, both spoken and sung, are based. The objective of the study is to understand the status of voice and singing in the process of creation of a modern anthropology.
L’article propose une réflexion sur les rapports entre les représentations et les pratiques vocales qui s’élaborent entre le crépuscule des Lumières et les premières décennies du XIXe siècle dans l’espace culturel français et l’émergence d’un système socio-socioéconomique spécifique de la société bourgeoise. Nous nous interrogeons en particulier sur l’ensemble des présupposés politiques, au sens aristotélicien du terme, sur lesquels repose tout usage de la voix, qu’elle soit parlée ou chantée. L’objectif de notre étude est celui de comprendre le statut de la voix et du chant dans le processus de l’émergence d’une anthropologie moderne.
Źródło:
Lublin Studies in Modern Languages and Literature; 2019, 43, 1
0137-4699
Pojawia się w:
Lublin Studies in Modern Languages and Literature
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Antun Gustav Matoš i Đakovo
Antun Gustav Matoš and Đakovo
Autorzy:
Ćurić, Mirko
Powiązania:
https://bibliotekanauki.pl/articles/635445.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Đakovo
Antun Gustav Matoš
Josip Juraj Strossmayer
travel account
Croatian Party of Rights
Croatian Moderna
politics and literature
culture
Opis:
The paper deals with the relationship between Antun Gustav Matoš and the most important people of the town’s cultural and political life at the turn of the 19th into 20th century. The relationship between Matoš and the town Đakovo is considered from two perspectives: the first being the perspective of Matoš, which is based on his two travel accounts and numerous writings about Đakovo, i.e. the Bishop of the Diocese of Đakovo, Josip Juraj Strossmayer; the second perspective is that of Đakovo-based writers and considers their attitudes towards Matoš, with a special regard to the Bishop Strossmayer. The relationship between Antun Gustav Matoš and the Bishop Strossmayer was complex, even though it was, seemingly paradoxical, one-sided. Strossmayer was in many, ways an extraordinarily important person for Matoš, who wrote many texts about Strossmayer, for Strossmayer however, Matoš was only one among many young Croatian writers who were asking him for help and wrote about him. Strossmayer refused to provide Matoš with patronage, therefore the aim of this paper is to establish the reasons behind that decision, and determine why Croatia’s most prominent patron could not, or refused to, acknowledge one of Croatia’s most important writers.
Źródło:
Poznańskie Studia Slawistyczne; 2014, 7; 79-90
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
AUTOIMAGE W PISANIU DOMINIKA TATARKI
AUTO-IMAGE IN THE WRITINGS OF DOMINIK TATARKA
Autorzy:
Bátorová, Mária
Powiązania:
https://bibliotekanauki.pl/articles/911516.pdf
Data publikacji:
2018-07-30
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Central Europe
politics and literature
autobiography
category of author
text as an event
de-ideologization
Europa Środkowa
polityka a literatura
autobiografia
kategoria autora
tekst jako zdarzenie
deideologizacja
Opis:
Artykuł, oparty na dotychczasowych analizach, wykorzystuje teoretyczny dyskurs komparatystycznej imagologii, by pokazać jej produktywne aspekty na materiale będącym przykładem stosunku polityki i literatury. Wybrano przede wszystkim utwory, które były istotnymi wydarzeniami w rozwoju literatury słowackiej i pozwalają na jej odniesienie do kontekstu literatury Europy Środkowej od lat czterdziestych XX wieku. W artykule zwrócono uwagę również na inne symptomy: dwa etapy podziemia literackiego, emigrację wewnętrzną, niezależność wewnętrzną, kilka typów auto-obrazów i ich występowania lub oddziaływania w strukturze dziela literackiego. Artykuł dotyczy jednego z typów słowackiej twórczości literackiej i dąży do odideologizowania obrazu słowackiej literatury jako literatury typu wiejskiego.
Based on previous analyses, this study uses the theoretical discourse of comparative imagology to show the productive aspects of this discipline on the material which can document the relationship between politics and literature. The particular works that were chosen for analysis constitute crucial events in the development of Slovac literature and allow to make references to Central European literature of the 1940s. The paper also focuses on other symptoms: two phases of dissent, internal emigration, internal freedom, some types of self-images and their fulfilment or impact in the structure of literary work. This study informs about the specific type of Slovak literature and aims at providing a de-ideologized picture of Slovak literature as a literature of the rural type.
Źródło:
Porównania; 2017, 20, 1; 53-62
1733-165X
Pojawia się w:
Porównania
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Zaborav i ideologija. O recepciji i sudbini hrvatskih književnih kritičara koji su objavljivali za Nezavisne Države Hrvatske (1941-1945)
Oblivion and Ideology. On the Reception and Fate of Croatian Literary Critics Publishing in the Independent State of Croatia (1941-1945)
Autorzy:
Matičević, Ivica
Powiązania:
https://bibliotekanauki.pl/articles/52482718.pdf
Data publikacji:
2022
Wydawca:
Polska Akademia Umiejętności
Tematy:
ideologija i estetika
politika i književnost
hrvatska književna kritika
književnost za NDH
recepcija književnog djela
ideology and aesthetics
politics and literature
Croatian literary criticism
Croatian literature in the Independent State of Croatia
reception of a literary work
Opis:
Rad donosi analitički prikaz sudbine izabranih hrvatskih književnih kritičara/pisaca (V. Nikolić, A. Bonifačić, A. Barac…) koji su pisali kritike i eseje za postojanja Nezavisne Države Hrvatske (1941-1945). Nakon završetka Drugog svjetskog rata dolazi do osnutka komunističke Jugoslavije te zabrane objavljivanja, uz istodobno prešućivanja i zaborav hrvatske književnosti napisane za NDH. S druge strane, nakon raspada Jugoslavije 1991. i domovinskog rata u Hrvatskoj dolazi do rehabilitacije pojedinih tema, pisaca i njihovih djela koja su bila zabranjena i izložena trajnom zaboravu za vrijeme socijalističkog političkog sistema. Temeljno uporište ovoga rada je pokušati ponuditi odgovor na pitanje: kako i u kolikoj mjeri ideologija i politička diktatura jednoga razdoblja može utjecati na recepciju književnih i kulturnih vrijednosti nastalih za vrijeme drukčijeg ideološkog i političkog sistema.  
The paper provides an analytical account of the fate of selected Croatian literary critics/writers (V. Nikolić, A. Bonifačić, A. Barac...) who wrote reviews and essays in the Independent State of Croatia (1941-1945). After the end of the Second World War, communist Yugoslavia was founded and the publication was banned, and Croatian literature written in the NDH fell into oblivion. On the other hand, after the breakup of Yugoslavia in 1991 and the civil war in Croatia, there is a rehabilitation of certain topics, writers and their works that were banned and faced the risk of oblivion during the socialist political system. The fundamental basis of this work is to try to answer the question: how the ideology and political dictatorship of one period can influence the reception of literary and cultural values created during a different ideological and political system.
Źródło:
Kultura Słowian. Rocznik Komisji Kultury Słowian PAU; 2022, XVIII; 117-126
2451-4985
2543-9561
Pojawia się w:
Kultura Słowian. Rocznik Komisji Kultury Słowian PAU
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Love, Be a Poem. The Rhetoric of Seduction in the Love Poetry of Vesna Parun
Autorzy:
Vuković, Tvrtko
Powiązania:
https://bibliotekanauki.pl/articles/30148693.pdf
Data publikacji:
2023
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
love poetry
romantic concept of love and literature
politics of lyric
rhetoric of seduction
deconstruction
Vesna Parun
Opis:
In the broadest sense, the paper is a discussion of Vesna Parun’s love poetry. The basic idea is that, on the one hand, it adheres to the romantic understanding of literature as a representation of the deepest personal feelings, universal truths, and essential values and, on the other hand, that it acts as a confirmation that the experience of love is fundamentally literary, and that literature is a form of unbridled love for linguistic seduction. For this reason, the author’s love poetry is not approached as a representation of her private life, love feelings, or relationships, but as a complex relationship between figurative language and a romanticized idea of love. In other words, it is interpreted as a discourse or rhetorical event that simultaneously constructs and deconstructs concepts such as authentic experience, sincere sensitivity, primordial love, or stable identity, and provides an opportunity to raise important ethical and political questions in the face of its ambivalence.
Źródło:
Poznańskie Studia Slawistyczne; 2023, 25; 339-361
2084-3011
Pojawia się w:
Poznańskie Studia Slawistyczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Przekład — kontekst — polityka. Próba lektury Rozważań o Polsce Draga Jančara
Translation — Context — Politics: Reading Drago Jančar’s Reflections on Poland
Prevajanje — kontekst — politika Poskus branja Jančarjevih esejev Adam Michnik ali premišljevanje o Poljski
Autorzy:
Kopczyk, Michał
Powiązania:
https://bibliotekanauki.pl/articles/1373539.pdf
Data publikacji:
2020-12-31
Wydawca:
Wydawnictwo Uniwersytetu Śląskiego
Tematy:
Drago Jančar
Adam Michnik
Slovenian literature
translation context
translation and politics
slovenska književnost
kontekst
prevoda
prevajanje in politika
Opis:
Članek obravnava esej Draga Jančarja Adam Michnik ali premišljevanje o Poljski (1997), ki ga je v poljščino prevedla Joanna Pomorska (2001), dve desetletji pozneje pa še Nikodem Szczygłowski. Avtor članka ugotavlja, da se branje eseja Jančarja spre minja glede na spreminjajoče se politične razmere. Devetdeseta leta in začetek 21. stoletja so bili naklonjeni političnemu optimizmu, Adam Michik pa je veljal kot junak dobe, ki je bila končno zaključena. Branje eseja z današnjega vidika nam omogoča ustrezno ovrednotiti politično vizijo Michnika; je tudi opozorilo pred lahkim optimizmom in naivno vero, da je mogoče dokončno premagati nevarnosti, ki so bile odgovorne za tragedijo 20. stoletja.
This article discusses Drago Jančar’s 1997 essay, Adam Michnik ali premišljevanje o Poljski (Adam Michnik; Or, Reflections on Poland). The essay was translated into Polish first by Joanna Pomorska (2001) and then, about two decades later, by Nikodem Szczygłowski. The aim of the article is to interpret Jančar’s essay in light of ongoing changes to the political situation in Europe and to evaluate to what extent the political context influences the interpretation of the work in question.
Źródło:
Przekłady Literatur Słowiańskich; 2020, 10, 2; 267-281
1899-9417
2353-9763
Pojawia się w:
Przekłady Literatur Słowiańskich
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Gdy runął mur. Literatura polska w dobie przełomu
When the wall fell. Polish literature in the wake of the change
Autorzy:
Bereś, Stanisław
Powiązania:
https://bibliotekanauki.pl/articles/559902.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Wrocławski. Oficyna Wydawnicza ATUT – Wrocławskie Wydawnictwo Oświatowe
Tematy:
Communism
Berlin Wall
Opposition’s ethos
servile writers
emigrant literature
literary awards
new literature and media
literary magazines
book market
feminism
speculative fiction
reportage
politics
art zines
e-zines
Opis:
The year of the fall of the Berlin Wall is an important turning point in the history of the 20th century Europe. It symbolises the erosion of the communist system, which in Poland had began thirteen years earlier – with breaking the omnipotence of censorship by the independent self-publishing. When in 1989 the Opposition came to power, they changed both the economic and political system, which in turn changed the whole Polish culture – the book market, publishers’ position, function of the magazines, and even writers’ status. The readers’ first reaction was a sudden increase of interest in the emigrant, gulag, and underground literature, however, not even a decade passed, when that interest started fading. Then came the second wave: popular literature (romances, crime stories, thrillers, speculative fiction). Also, there were changes in the literary life: the dominant role of the capital city during the Polish People’s Republic had been undermined by local initiatives (including art zines, publishing houses in the provinces), “the headquarters’” position was nevertheless maintained by the state television and the authority of the Nike Literary Award, which had been created in 1996. Poetry was dominated by “the old poets” (Cz. Miłosz, T. Różewicz, Z. Herbert, W. Szymborska), who, despite nearing the ends of their lives, were in an exceptionally good literary shape. They were accompanied by the authors of The New Wave, with whom the poets of “BruLion” group soon waged war. In prose, the writers born around 1960, who are well-known today in Europe (e.g. O. Tokarczuk), gained a strong position. The world recognition was also won over by the masters of the Polish reportage (e.g. R. Kapuściński, H. Krall) and their pupils (W. Tochman, W. Jagielski, M. Szczygieł).
Źródło:
Orbis Linguarum; 2019, 53; 247-262
1426-7241
Pojawia się w:
Orbis Linguarum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Skąd się bierze i na czym polega „szkolna schizofrenia”?
What is „school schisophrenia” and how did it come to being?
Autorzy:
Sienko, Maria
Powiązania:
https://bibliotekanauki.pl/articles/782920.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
Tematy:
school shizophrenia
eduaction politics
structural and programme reform
Polish literature and language teacher
szkolna schizofrenia
uwarunkowania polityczne edukacji
reforma strukturalna i programowa
nauczyciel literatury i języka polskiego
Opis:
On the basis of the results of the analysis of selected public debates devoted to school humanistic education, the author of the article attempts to describe the condition of Polish language and literature teachers, and to reconstruct the sources of the disintegration of relations between thoughts, emotions and behaviour, which have been sometimes referred to as “school schizophrenia”. Among these sources there are permanent changes in the syllabus, school reforms, authorities who decide upon these changes, the introduction and the character of the changes, the method of measurements of the results of Polish language teachers’ work, as well as the cult of standards and procedures. The final part of the article offers a reflection upon the possibility to teach students on the basis of one’s own values, beliefs, knowleagde and competence in such diverse and complex social and political context.
Źródło:
Annales Universitatis Paedagogicae Cracoviensis. Studia ad Didacticam Litterarum Polonarum et Linguae Polonae Pertinentia; 2019, 10, 285; 100-112
2082-0909
Pojawia się w:
Annales Universitatis Paedagogicae Cracoviensis. Studia ad Didacticam Litterarum Polonarum et Linguae Polonae Pertinentia
Dostawca treści:
Biblioteka Nauki
Artykuł
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