Temat: poezija - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Anonimna poezija u srpskoj književnosti 18. veka
Anonymous Poetry in Serbian Literature of the 18th Century
Autorzy:: Marićević Balać, Jelena
Powiązania:: https://bibliotekanauki.pl/articles/52482701.pdf
Data publikacji:: 2022
Wydawca:: Polska Akademia Umiejętności
Tematy:: anonimna poezija
barok
srpsko građansko pesništvo
heraldika
emblematika
anonymous poetry
baroque
Serbian civic poetry
heraldry
emblems
Opis:: Pored autora koji su svoju poeziju objavljivali pod svojim imenom, u okviru štampanih publikacija ili u rukopisima, sačuvan je obiman korpus pesama koje su beležene i objavljene adespotno. Većina pesama spada u korpus takozvanog građanskog pesništva, koji čine posebnu tipološku celinu. Postoje pesnički zapisi za koje se pouzdano ne može tvrditi ko im je autor, već se navode pretpostavke (stihovi u Stematografiji (1741) Hristifora Žefarovića) i, najposle, emblematski zbornik Itika Jeropolitika (1774) u kome embleme prate anonimni stihovi. Temi zaborava pristupljeno je kroz problem nepoznatog autorstva u srpskoj književnosti 18. veka. Cilj je da se kroz predlog tipologije anonimne poezije definiše problem i odrede njene moguće poetičke karakteristike.
This paper approaches the theme of oblivion through the problem of unknown authorship in Serbian literature of the 18th century. Along with poetry published by known authors, printed publications or manuscripts preserve an extensive corpus of poems recorded and published by anonymous authors. Majority of such poems belongs to the corpus of socalled civic poetry – a special typological whole. For some poetic records, it is not possible to state with certainty who the author is. However, there are some assumptions based primarily on verses in Hristifor Žefarović’s Stematography (1741) and also on the emblematic collection, Itika Jeropolitika (1774), where emblems are accompanied by some anonymous verses. By proposing the typology of anonymous poetry, our goal is to define the problem and to determine possible poetic characteristics.
Źródło:: Kultura Słowian. Rocznik Komisji Kultury Słowian PAU; 2022, XVIII; 271-279
2451-4985
2543-9561
Pojawia się w:: Kultura Słowian. Rocznik Komisji Kultury Słowian PAU
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Polskie frazeologizmy w słoweńskich przekładach wierszy Wisławy Szymborskiej
Poljski frazemi v slovenskih prevodih pesmi Vislave Szymborske
Polish idioms in Slovenian translations of Wislawa Szymborska poems
Autorzy:: Baran, Katarzyna
Powiązania:: https://bibliotekanauki.pl/articles/486769.pdf
Data publikacji:: 2012-10-01
Wydawca:: Wydawnictwo Uniwersytetu Śląskiego
Tematy:: idiomy
poezja
przekład
modyfikacje idiomów
Wisława Szymborska
idiomi
poezija
prevod
modifikacije idiomov
idioms
poetry
translation
transformations of idioms
Opis:: Frazemi so pogosto uporabljeni v poljski poeziji. Zaradi svoje ekspresivnosti in sprejemljivosti za pesniške operacije, postajajo objekti besednih iger. Szymborska pogosto uporablja frazeološke modifikacije, kot so: kontaminacija, odstranitev člena, substitucija. V njeni poezji so frazemi ali frazeološke modifikacije nosilci ironije in humorja, omogočajo intelektualno distanciranje in čustveno zadržanost. Prevod frazemov je problematičen zaradi njihove ekspresivnosti, simboličnosti in večpomenskosti. V frazemih je skrita jezikovna podoba sveta določene kulture, ki zahteva od prevajalca odkritje in interpretacijo. Večina frazemov in njihovih modifikacij, ki se nahajajo v poeziji Szymborske, ima svoje ekvivalente. Ko jih ni, prevajalci lahko izbirajo eno izmed naslednjih prevajalskih metod, kot so: uporaba svobodne besedne zveze, dobesedni prevod, amplifikacija. Ta sredstva povzročajo leksikalne in stilistične spremembe, ki ne vplivajo na kakovost prevoda. Te spremembe so povezane z dejstvom, da zaradi konfrontacije med poljsko in slovensko kulturo nastajajo jezikovne in kulturne ovire. Jezikovne ovire se nanašajo na sistemske razlike med jeziki, vidni so zlasti v leksiki in sintaksi. Kulturne ovire so povezane z raznovrstno stopnjo vpliva nemške in francoske kulture na poljsko in slovensko območje in tudi z načinom izražanja ironije. Vloga prevajalca temelji na posredovanju med dvema kulturama. Prevajalec mora ugotoviti, kako naj premaga jezikovne in kulturne ovire.
Idioms are often used in polish poetry. Due to their expressiveness and vulnerability for linguistic operations they are subject to different language games. Szymborska often uses transformation of idioms such as: contamination, removing of element, substitution. In her poetry idioms and their modifications are carriers of irony and jokes, they allow to preserve the intellectual and emotional distance restraint. Translation of idioms is problematic because of their expressiveness, symbolic recognition of world and ambiguity. In idioms is hidden a linguistic picture of world, which requires discovery and interpretation by an translator. Vast majority of idioms and their transformations occurring in the poems of Wislawa Szymborska has its own equivalents. In the case they doesn’t have their own equivalents, translators uses following techniques: free combi¬nation of words, tracing, amplification. These techniques causes changes in vocabulary and style, but they doesn’t affect the quality of translation. These changes are related to collision of Polish and Slovenian culture, which causes language and cultural Barriers. Language barriers relate to systemic differences between the languages, are especially noticeable in vocabulary and syntax. Cultural barriers are associated with different degree of influence of German and French culture into Poland and Slovenia, and the expression of irony. The role of the interpreter is to mediate between two cultures, and establish methods to overcome cultural and linguistic barriers.
Źródło:: Przekłady Literatur Słowiańskich; 2012, 3, 1; 200-215
1899-9417
2353-9763
Pojawia się w:: Przekłady Literatur Słowiańskich
Dostawca treści:: Biblioteka Nauki

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