Anonimna poezija u srpskoj književnosti 18. veka

Pored autora koji su svoju poeziju objavljivali pod svojim imenom, u okviru štampanih publikacija ili u rukopisima, sačuvan je obiman korpus pesama koje su beležene i objavljene adespotno. Većina pesama spada u korpus takozvanog građanskog pesništva, koji čine posebnu tipološku celinu. Postoje pesnički zapisi za koje se pouzdano ne može tvrditi ko im je autor, već se navode pretpostavke (stihovi u Stematografiji (1741) Hristifora Žefarovića) i, najposle, emblematski zbornik Itika Jeropolitika (1774) u kome embleme prate anonimni stihovi. Temi zaborava pristupljeno je kroz problem nepoznatog autorstva u srpskoj književnosti 18. veka. Cilj je da se kroz predlog tipologije anonimne poezije definiše problem i odrede njene moguće poetičke karakteristike.

This paper approaches the theme of oblivion through the problem of unknown authorship in Serbian literature of the 18th century. Along with poetry published by known authors, printed publications or manuscripts preserve an extensive corpus of poems recorded and published by anonymous authors. Majority of such poems belongs to the corpus of socalled civic poetry – a special typological whole. For some poetic records, it is not possible to state with certainty who the author is. However, there are some assumptions based primarily on verses in Hristifor Žefarović’s Stematography (1741) and also on the emblematic collection, Itika Jeropolitika (1774), where emblems are accompanied by some anonymous verses. By proposing the typology of anonymous poetry, our goal is to define the problem and to determine possible poetic characteristics.