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    Wyświetlanie 1-6 z 6
    Tytuł:
    Poema de Fernán González. Ante la reconstrucción lingüística de un texto poético castellano medieval
    Autorzy:
    Veiga, Alexandre
    Powiązania:
    https://bibliotekanauki.pl/articles/2079594.pdf
    Data publikacji:
    2016
    Wydawca:
    Uniwersytet Warszawski. Wydział Neofilologii
    Tematy:
    Poema de Fernán González
    Mester de clerecía
    Medieval Spanish
    Opis:
    The author presents several problems of linguistic reconstruction in the text of the Poema de Fernán González, and discusses solutions provided by critical editors to emphasize the special importance of the grammatical knowledge of medieval Spanish as the essential basis for the defense of linguistically acceptable proposals.
    Źródło:
    Itinerarios; 2016, 23; 187-213
    1507-7241
    Pojawia się w:
    Itinerarios
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    "Nel cuore della distruzione". Miłosz e il recupero della poesia come mitopoiesi
    "Wśród zniszczenia”. Miłosz i odzyskanie poezji jako mitopoezji
    "In the Heart of Destruction”. Miłosz and the recovery of poetry as mythopoiesis
    Autorzy:
    Quondamatteo, Sara
    Powiązania:
    https://bibliotekanauki.pl/articles/16729566.pdf
    Data publikacji:
    2022-05-10
    Wydawca:
    Wydawnictwo Uniwersytetu Śląskiego
    Tematy:
    Czesław Miłosz
    “Ninnananna”
    “Mondo. Poema ingenuo”
    guerra
    infanzia
    mitopoiesi
    “Lullaby”
    “The World. A Naive Poem”
    war
    childhood
    mythopoiesis
    „Kołysanka”
    „Świat. Poema naiwne”
    wojna
    dzieciństwo
    mitopoezja
    Opis:
    A partire dall’analisi di due componimenti poetici di Czesław Miłosz, ossia Ninnananna (1933/1934) e Mondo. Poema ingenuo (1943), il saggio ha come obiettivo quello di indagare il processo di riscoperta da parte dell’autore della funzione mitopoietica della poesia nel periodo della Seconda Guerra Mondiale. Accomunati dalla prospettiva infantile e da un immaginario segnato in maniera più o meno esplicita dalla catastrofe della guerra, i due componimenti sono costruiti per antitesi attraverso un immaginario e una assiologia che attestano una trasformazione radicale nella concezione e nella ricerca poetica. 
    Starting with an analysis of two works by Czesław Miłosz, namely “Lullaby” (1933/1934) and “The World. A Naive Poem” (1943), the essay aims at examining the process of the author’s rediscovery of the mythopoetic function of lyric poetry during World War II. Characterized by the use of a child’s perspective and imagination, marked more or less clearly by the experience of war catastrophe – both compositions are constructed by antithesis, and poetically founded on different forms of imagination in the service of an axiology which attests a radical transformation of the poetic quest.
    Wychodząc od analizy dwóch utworów Czesława Miłosza, czyli „Kołysanki” (1933/1934) i „Świat. Poema naiwne” (1943), Autorka ma na celu zbadanie procesu ponownego odkrywania przez twórcę mitopoetyckiej funkcji liryki w czasie II wojny światowej. Połączone dziecięcą perspektywą i wyobraźnią, naznaczone mniej lub bardziej wyraźnie doświadczeniem katastrofy wojennej – obie kompozycje konstruowane są przez antytezę, a poetycko fundowane na wyobraźni w służbie aksjologii, co poświadcza radykalną przemianę koncepcji i poetyckich poszukiwań.
    Źródło:
    Fabrica Litterarum Polono-Italica; 2022, 4; 1-15
    2658-185X
    Pojawia się w:
    Fabrica Litterarum Polono-Italica
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Poema de vanitate mundi Jakuba Baldego jako kontynuacja tradycji emblematycznej oraz przejaw siedemnastowiecznego manieryzmu
    Poema de vanitate mundi of Jakub Balde. A continuation of emblematic tradition and an example of the 17th century mannierism
    Autorzy:
    Kozłowska, Maria
    Powiązania:
    https://bibliotekanauki.pl/articles/636503.pdf
    Data publikacji:
    2012
    Wydawca:
    Uniwersytet Jagielloński. Wydawnictwo Uniwersytetu Jagiellońskiego
    Tematy:
    Jakub Balde
    emblematic tradition
    mannerist tradition
    Poema de vanitate mundi
    Opis:
    The article looks at how the mannerist tradition has influenced a seventeenth century long poem Poema de vanitate mundi by German Jesuit poet Jacob Balde (1604–1668). The paper starts with a general introduction about the author and the poem itself. De vanitate mundi has been described as a part of the mannerist tendencies occurring in different times and places (like the importance of conceit in formulating artistic texts or the role of formal means including extensive enumeratio and experimental cutting out of the syllables), as well as shows these features of it which can be directly connected to emblematic tradition of the early modern period. It focuses on three aspects of this tradition. Firstly – the unconventional role of the image in De vanitate mundi with particular emphasis on its connection to the surrounding printed text; secondly – the variety of paraphrases which form a complex, multi-genre structure of the poem; finally – the influence elogium (a phenomenon directly connected to emblem) must have had on Baldes work. The emblematic tradition has been described as a composite of different tendencies rather than a normative and stable entity. The article aims at tracing this variety of tendencies in Balde poem. Particularly, the Jesuit (or modelled according to Jesuit habits) meditative emblem cycles are presented here as a source of the structure of De vanitate mundi. Also, the article emphasizes how the Jesuit culture influenced the shape and form of De vanitate mundi (e.g. the role of dramatic elements within the paraphrases, the meditative character of the poem or its didactic values).
    Źródło:
    Terminus; 2012, 14, 25; 219-242
    2084-3844
    Pojawia się w:
    Terminus
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Poema u nastavnim programima viših razreda osnovnih škola... – nastavni izazovi i ograničenja
    Narrative Poem Genre in Teaching Curriculums and Its Challenges and Limitations
    Autorzy:
    Karović, Nemanja Z.
    Polić, Strahinja D.
    Powiązania:
    https://bibliotekanauki.pl/articles/1627346.pdf
    Data publikacji:
    2020-12-29
    Wydawca:
    Uniwersytet Pedagogiczny im. Komisji Edukacji Narodowej w Krakowie
    Tematy:
    narrative poem
    teaching
    syllabus
    Serbian language and literature
    genre
    literary genres
    poema
    nastava
    nastavni program
    srpski jezik i književnost
    žanr
    književni rodovi
    Opis:
    U radu problematizujemo prisustvo poeme u nastavnim programima predmeta Srpski jezik u višim razredima osnovnih škola. Nastojimo da ukažemo na činjenicu da se pomenuti žanr sagledava kao metodički izazov koji se lakše prenebegava izostavljanjem iz programa usled brojnih metodičkih i književnoteorijskih problema koji stvara. U radu se, na tragu književnoteorijskih saznanja o poemi, prati njena zastupljenost u sadašnjim i prošlim nastavnim programima, sa ciljem da se pronađu konstruktivna rešenja u njenom nastavnom implementiranju, ali ukaže i na potencijalna ograničenja i metodičke izazove koje ovaj žanr u nastavnoj situaciji stvara.
    The main problem dealt with in this essay is the presence of narrative poems in the Serbian language syllabus in the elementary school upper grades. Primarily, we strive to point to the fact that the aforementioned genre is deemed as a methodological challenge and consequently left out of the syllabus due to the numerous problems it creates in methodology and literary theory. In the essay, following the literary theory notions on narrative poems, we aim to establish the degree of its presence in newer as well as in older syllabuses, hoping to achieve constructive solutions for its implementation in the syllabus. Simultaneously, we are trying to specify the potential limitations and methodological challenges this genre may create in any teaching situation.
    Źródło:
    Annales Universitatis Paedagogicae Cracoviensis. Studia ad Didacticam Litterarum Polonarum et Linguae Polonae Pertinentia; 2020, 11, 315; 100-109
    2082-0909
    Pojawia się w:
    Annales Universitatis Paedagogicae Cracoviensis. Studia ad Didacticam Litterarum Polonarum et Linguae Polonae Pertinentia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Na marginesie edycji Baldego
    Some Remarks on the New Edition of Jakob Balde
    Autorzy:
    Pieczyński, Maciej
    Powiązania:
    https://bibliotekanauki.pl/articles/27311234.pdf
    Data publikacji:
    2021-06-06
    Wydawca:
    Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
    Tematy:
    Baroque
    Jacob Balde
    religious poetry
    Jesuit poetry
    Poema de vanitate mundi
    Sen żywota ludzkiego
    Zygmunt Brudecki
    Jan Libicki
    barok
    poezja religijna
    poezja jezuicka
    Opis:
    Two early modern Polish translations of “Poema de vanitate mundi” by Jakob Balde edited by Maria Kozłowska is an important publication from the perspective of research into Baroque religious poetry, especially the Saxon times. The popularity of Balde’s poem in late Baroque can be seen not only in its subsequent editions, but also in the references to it in the works of the contemporary religious poets, including Dominik Rudnicki and Karol Mikołaj Juniewicz. In the introduction to this edition the author presents Balde as a Jesuit poet, who subordinates his writing to didactic and moralistic objectives, but at the same time strives to engage the reader’s senses, following the principles of Ignatian meditation.
    Źródło:
    Tematy i Konteksty; 2014, 9, 4; 460-467
    2299-8365
    Pojawia się w:
    Tematy i Konteksty
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Mostri musulmani. La deumanizzazione dell’antagonista miscredente nella storia di Buovo d’Antona dalla tradizione anglonormanna al Bovo-Bukh di Elia Levita
    Muslim Monsters: The Dehumanisation of Antagonist Unbelievers in the Story of Beuve of Hampton from the Anglo-Norman Tradition to Elia Levita’s Bovo-Bukh
    Autorzy:
    Artico, Davide
    Powiązania:
    https://bibliotekanauki.pl/articles/34670942.pdf
    Data publikacji:
    2024-06-30
    Wydawca:
    Wydawnictwo Adam Marszałek
    Tematy:
    Beuve of Hampton
    Bovo-Bukh
    Muslim monsters
    chivalric romance
    Old Yiddish literature
    Buovo d’Antona
    mostri musulmani
    poema cavalleresco
    letteratura yiddish
    Opis:
    The story of Beuve of Hampton circulated throughout the Late Middle Ages and was printed in a number of incunables issued in Venice and Bologna in the 1480s. One of those inspired Elia Levita to compose his own Old Yiddish version known as the Bovo-Bukh. Though written in Padua in 1507, Levita’s poem was printed in Württemberg in 1541. The Bovo-Bukh became so popular that it continued to be widely read and adapted in several Ashkenazi centres in Europe until the late 18th c entury. T he original story goes b ack to Anglo-Norman Boeuve de Haumtone, whose earliest manuscripts are dated to the end of the 13th century. Its plot features a creature called Escopart. It is a giant freak in the service of the Saracens. Yet, once baptised, it turns into a magical Auxiliary. In the early 15th century, Andrea da Barberino adapted the story in prose as Book IV of his largely fictional chronicle of The Royal House of France. In this text, the unbeliever appears as a werehound named Pulicane, but its narrative function is quite similar to Escopart’s. With its name changed into Pellucano, the character is depicted in the Venetian incunables too. In Levita’s version, it becomes Pelukan. The purpose of this paper is to present the ideological changes in the depiction of the monstrous unbeliever, both in historical terms (the timespan of more than two centuries) and with reference to different axiologies. The strong prejudice of the Anglo-Norman tradition, in which the low-born and the unbelievers were depicted as hell spawn never to be trusted, was replaced by a common-sense approach in the later versions of the story. Finally, in Levita’s poem, the confessional background becomes unimportant in determining personal allegiances.
    La storia di Buovo d’Antona attraversa manoscritta tutto il Basso Medioevo fino ad essere impressa in numerosi incunaboli andati in stampa fra Bologna e Venezia negli anni Ottanta del XV secolo. Da uno di questi Elia Levita trasse ispirazione per un suo poema yiddish che, scritto originariamente a Padova nel 1507, fu stampato a Isny, nel Württemberg, soltanto nel 1541. Questo Bovo-Bukh, come cominciò ad essere conosciuto, sarebbe diventato una pietra miliare della letteratura yiddish antica, venendo ristampato e adattato in vari centri europei della cultura Ashkenazi fino a Settecento inoltrato. La storia originale è tratteggiata nel poema anglonormanno Boeuve de Haumtone, i cui primi frammenti manoscritti risalgono alla fine del XIII secolo. Nel poema compare l’Escopart, un mostruoso gigante dai tratti diabolici che sta al servizio dei saraceni ma che, una volta battezzato, assume i contorni dell’aiutante magico, solo per poi rivoltarsi contro l’eroe che l’aveva risparmiato. La storia fu adattata in prosa da Andrea da Barberino nel Libro IV dei suoi Reali di Francia, in cui il miscredente appare come una specie di mastino mannaro chiamato Pulicane. Il nome diventerà Pellucano negli incunaboli veneziani e Pelukan in Levita. Nell’articolo si esamina l’evoluzione ideologica attraversata dal mostruoso miscredente sia in senso diacronico, sia rispetto ai sistemi assiologici di riferimento. Da antitesi plebea ed eterodossa del cavaliere cristiano di sangue nobile, infida e traditrice, si trasforma in un riformabile alleato dell’eroe, per vedere infine la sua originale appartenenza confessionale ridotta a un dettaglio insignificante nell’ambito del sincretismo monoteista di Levita.
    Źródło:
    Italica Wratislaviensia; 2024, 15.1; 239-263
    2084-4514
    Pojawia się w:
    Italica Wratislaviensia
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-6 z 6

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