Temat: photo book - Katalog OPAC zbiorów

Skocz do pozycji: 1.

Tytuł:: Photo-literary Strategies in Three Collaborative Projects (I Spy Pinhole Eye, Co robi łączniczka and Áladerrida)
Autorzy:: Lisak-Gębala, Dobrawa
Powiązania:: https://bibliotekanauki.pl/articles/579069.pdf
Data publikacji:: 2018
Wydawca:: Łódzkie Towarzystwo Naukowe
Tematy:: Literature
photography
photo-literature
photo-textuality
photo-book
Opis:: Collaborative photo-texts are not only experiments with page layout and the material aspect of the book. Such complicated and demanding projects employ various intermedial strategies of co-creating meaning, but they are not necessarily harmonious. This article presents an analysis of three photo-textual strategies: filling the frame, cut and paste technique and creative transformation of absent images/texts in photo-textual exchange. Three post-millennial works (I Spy Pinhole Eye by Philip Gross and Simon Denison, Co robi łączniczka by Darek Foks and Zbigniew Libera and Áladerrida by Tadeusz Różewicz and Jerzy Olek) serve here as representative examples of those photo-textual strategies.
Źródło:: Zagadnienia Rodzajów Literackich; 2018, 61, 1(125); 67-83
0084-4446
Pojawia się w:: Zagadnienia Rodzajów Literackich
Dostawca treści:: Biblioteka Nauki

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Skocz do pozycji: 2.

Tytuł:: Zaangażowanie jako metoda. Badania artystyczne w najnowszych dokumentalnych publikacjach fotograficznych
Engagement as a method. Art-based research in the latest publications of documentary photography
Autorzy:: Sita, Michał
Powiązania:: https://bibliotekanauki.pl/articles/2157568.pdf
Data publikacji:: 2022-07-31
Wydawca:: Narodowe Centrum Kultury
Tematy:: fotografia
badania artystyczne
zaangażowanie
książka fotograficzna
antropologia wizualna
photography
art-based research
engagement
photo book
visual anthropology
Opis:: Photography emerging from the documentary tradition has continued to evolve over the recent years, nearing the scientific practices applied in the study of the social and community-based dimensions of culture. Photographers conduct experiments in the social space, reflect on the interactions and dependencies that they intentionally create, and construct languages of communication subordinated to the interpersonal relationships in which they operate. As authors of their art-based research, they are in charge of both methodology of analysis (by adapting the tools employed by the humanities and social sciences) and the ways in which their results are presented and included in the social mainstream as artistic interventions, collective practices, and photography publications. Given that the latter are the subject of this article, it focuses on three selected publications and identifies engagement as a central category for methods used by artists to establish a relationship with the studied social reality, influence it, and create knowledge about it. Engagement, in both its versions – as an attempt to have an impact on the studied social reality and as a method of intentional relationship building within a community, carries a significant learning potential, allowing us to look anew at the role of photography in qualitative social research.
Źródło:: Kultura Współczesna. Teoria. Interpretacje. Praktyka; 2022, 118, 2; 106-125
1230-4808
Pojawia się w:: Kultura Współczesna. Teoria. Interpretacje. Praktyka
Dostawca treści:: Biblioteka Nauki

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