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    Wyświetlanie 1-8 z 8
    Tytuł:
    Pamięć przeszłości versus Historia. O Lodzie Jacka Dukaja
    Autorzy:
    Gorliński-Kucik, Piotr
    Powiązania:
    https://bibliotekanauki.pl/articles/451111.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet Rzeszowski. Wydawnictwo Uniwersytetu Rzeszowskiego
    Tematy:
    play
    intertextuality
    narrative character
    metaphor
    gra
    intertekstulaność
    narracyjność historii
    metafora
    Opis:
    Remembering about the past versus History
    Źródło:
    Tematy i Konteksty; 2015, 10, 5; 142-153
    2299-8365
    Pojawia się w:
    Tematy i Konteksty
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Narrative, Knowledge and Moral Character in Art and Literature
    Autorzy:
    Carr, David Thomas
    Powiązania:
    https://bibliotekanauki.pl/articles/454200.pdf
    Data publikacji:
    2018
    Wydawca:
    Akademia Ignatianum w Krakowie
    Tematy:
    narrative
    knowledge
    moral character
    art
    literature
    Opis:
    Although the term ‘narrative’ has been subject to very loose usage, it should be clear that scientific theories cannot be considered as such in the same sense as literary and artistic works. But this clearly calls the latter into serious epistemic question. On the one hand, we are often drawn to saying that agents have learned or come to know (morally or otherwise) something from literary of other artistic fictions; on the other hand, their fictional status seems to preclude regarding this as knowledge. Drawing on insights from Plato’s Socratic and other dialogues, this paper argues that such learning from art and literature should be deemed genuine knowledge of an epistemically uncontroversial kind.
    Źródło:
    Multidisciplinary Journal of School Education; 2018, 13; 13-31
    2543-7585
    Pojawia się w:
    Multidisciplinary Journal of School Education
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Story beats in videogames as value-driven choice-based unit operations
    Autorzy:
    Mochocki, Michał
    Koskimaa, Raine
    Powiązania:
    https://bibliotekanauki.pl/articles/1955354.pdf
    Data publikacji:
    2021-06-15
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    transmedia
    narrative
    beat
    narratology
    character
    videogames
    game studies
    Opis:
    We present a framework of story beats, defined as microunits of dramatic action, as a tool for the ludonarrative analysis of videogames. First, we explain the Goal - Action - Reaction - Outcome model of the story beat. Then, we present six types of story beats, Action, Interaction, Inaction, Mental, Emotion, and Sensory, providing videogame examples for each category. In the second half of the paper, we contextualise this framework in the classic game studies theory of videogame narrative and player action: unit operations, gamic action, anatomy of choice, and game design patterns, wrapping it up in the most recent trends in cognitive narratology. Ultimately, we present the story beat as a ludonarrative unit, working simultaneously as a ‘unit operation’ in the study of games as systems, and as a microunit of character action in narrative analysis. The conclusion outlines prospective directions for using story beats in formal, experiential, and cultural game research.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2021, 29, 38; 5-31
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Narrative strategies of the Romantic “philosophical epics” in the piano works of Franz Liszt (Analysis o/Sposalizio, Valee D’Obermann, Ballade No. 2 and the Sonata in B minor)
    Autorzy:
    Grabocz, Marta
    Powiązania:
    https://bibliotekanauki.pl/articles/780389.pdf
    Data publikacji:
    2015
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    musical signification
    musical semiotics
    narrative strategy
    signifieds in music
    character variation
    formal variation
    complex sonata form
    narrative analysis
    Opis:
    The article explains how ideas, characters and images borrowed from literary works and of fine arts are represented in Liszt’s the piano works of (i.e. with the help of motives, themes and narrative strategies). I. The first level of analysis concerns the typology of basic elements in the new lisztian forms: A. Four types of musical motives or figures and their signifieds (semes). B. Sixteen types of musical themes with their signifieds (classemes). C. Considering the great parts or sections of a piece we discovered seven types with their signifieds (isotopies). II. The second level of analysis consists in the presentation of three types of narrative strategies. The narrative strategy would mean the conscious organization of concatenation of the above mentioned signifying elements. A. The “figurative strategy” refers to the formal variation [‘Formalvariation” in German] of onetheme, or of one “thematic complex” (theme introduced and followed by expressive describing motives or refrain), for example: Sposalizio. B. The “simple narrative strategy” consists in a succession of character variations [‘Charaktervariation’], i.e. variation in the musical genre, in the signified of one musical theme (for example: Vallee d’Obermanri). C. The “complex narrative strategy” describes the structures which combine sonata form, cyclical sonata in four movements and variation form. This strategy implies that a whole thematic complex (exposition) is submitted to different stages of the character variation (for example: Dante sonata, Sonata in B minor, 2nd Ballade in B minor, etc.).
    Źródło:
    Interdisciplinary Studies in Musicology; 2015, 14; 113-135
    1734-2406
    Pojawia się w:
    Interdisciplinary Studies in Musicology
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Postać sceniczna w teatrze narracyjnym. Lipiec Iwana Wyrypajewa, Biesiada u hrabiny Kotłubaj Ireny Jun
    Theatre Character in the Narrative Theatre. Ivan Vyrypayevʼs July, Irena Jun’s Dinner at Countess Pavahoke’s (Biesiada u hrabiny Kotłubaj)
    Autorzy:
    Desperat, Klaudyna
    Powiązania:
    https://bibliotekanauki.pl/articles/555550.pdf
    Data publikacji:
    2014
    Wydawca:
    Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
    Tematy:
    narrator in the theatre
    narrative theatre
    storytelling theatre
    theatre character
    Ivan Vyrypayev
    Irena Jun
    Opis:
    The article is devoted to the narrative theatre. Performances that represent this trend bring in to the scene, in various ways, the character of the narrator. In this draft, the theatre character has been subjected to a detailed analysis, since the character itself determines the specificity of this kind of perfoman- ces. Ivan Vyrypayevʼs July and Irena Jun’s Dinner at Countess Pavahoke’s (Biesiada u hrabiny Kotłubaj) served as research material. The author of the article, starting from H. Lehmann’s book on Postdramatic Theatre, compa- res among others the narrative theatre with the Brecht’s epic theatre.
    Źródło:
    Załącznik Kulturoznawczy; 2014, 1; 127-157
    2392-2338
    Pojawia się w:
    Załącznik Kulturoznawczy
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    "Rzodkiewki" Janusza Morgensterna
    Janusz Morgenstern’s „Radishes”
    Autorzy:
    Hendrykowski, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/920017.pdf
    Data publikacji:
    2012-01-13
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    student film
    etude
    short feature
    film style
    poetics
    narrative
    narration
    voice-over
    Italian neorealism
    social drama
    hero
    character
    socialist realism
    Stalin's era
    Opis:
    Marek Hendrykowski’s essay presents the importance of Janusz Morgenstern’s early short film Radishes made after Stalin’s death, in 1954 as a student work produced by Film School in Łódź. The main character, old worker Gruliński loses his clear hopes and human illusions. The pesimistic conclusion is closed further by the simultaneous description of the hero’s social image within a discourse of origins and the sacred which evacuates analysis of class conflict and sociological approach in the narrative of an “ordinary good man” brutally disturbed in his desires and works by the irruption and power of an omnipotent destructive stalinist “red tape” bureaucracy. The poetics of Radishes is deeply influenced by the style of an Italian neorealism, first of all by its famous masterpiece, Vittorio De Sica’s Umberto D. (1952).
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2012, 10, 19; 89-93
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Wielkie figury semantyczne w dziele filmowym
    Great semantic figures in film
    Autorzy:
    HENDRYKOWSKI, MAREK
    Powiązania:
    https://bibliotekanauki.pl/articles/921143.pdf
    Data publikacji:
    2016-10-09
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    literature
    film
    semantic figures
    narrator
    narrative
    narration
    action
    plot
    author
    spectator
    hero
    character
    time
    space
    transition
    editing
    rhythm
    genre
    convention
    style
    composition
    message
    film art
    form
    content
    communication
    Opis:
    This study is devoted to the key issue for any research on film, film art and audiovisual communication - great semantic figures. Marek Hendrykowski extrapolates the repertoire of basic concepts developed for decades in literary science (author, reader, narrator, narration, character, time, space, events, plot, style, composition, etc.) into academic film studies. Following important scientific ideas formulated half a century ago by the eminent literary theorist Janusz Slawinski, Hendrykowski stresses that the scientific sense of using these categories is not limited only to cataloguing them.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2016, 18, 27; 199-216
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
    Tytuł:
    Poetyka etiudy Klary Kochańskiej Lokatorki
    The poetics of Klara Kochańska’s film etude Lodgers
    Autorzy:
    Hendrykowski, Marek
    Powiązania:
    https://bibliotekanauki.pl/articles/923079.pdf
    Data publikacji:
    2018-04-26
    Wydawca:
    Uniwersytet im. Adama Mickiewicza w Poznaniu
    Tematy:
    Polish Nation Filmschool in Łódź
    student film
    film etude
    short feature
    film style
    poetics
    narrative
    narration
    voice-over
    social drama
    hero
    character
    the art of the short film
    style
    fiction
    direction
    author
    authorship
    Opis:
    The article provides a comparative analysis of the style and composition of Klara Kochańska’s student short feature film Lodgers. (produced by the Polish Nation Filmschool in Łódź in 2015) as an example of film narrative practices typical of the academic exercises of students today.
    Źródło:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; 2017, 21, 30
    1731-450X
    Pojawia się w:
    Images. The International Journal of European Film, Performing Arts and Audiovisual Communication
    Dostawca treści:
    Biblioteka Nauki
    Artykuł
      Wyświetlanie 1-8 z 8

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