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Wyświetlanie 1-50 z 1688
Tytuł:
Wzorce i eksperymenty: struktury kompozycyjne w muzyce popularnej Japonii
Patterns and experiments: Compositional structures in Japanese popular music
Autorzy:
Szewczyk, Karolina
Powiązania:
https://bibliotekanauki.pl/articles/51827400.pdf
Data publikacji:
2024-09-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
Japanese music
music theory
scales
jazz music
20th century music
21st century music
Opis:
This work is a study of Japan’s popular music and its theoretical aspects, as well as an analysis of the influence of jazz music on its development. It begins by defining Japanese music, then the history of music in Japan in the 20th century is outlined. Subsequent chapters are devoted to music theory, with particular emphasis on comparing the use of intervals and scales in Western and Japanese music. The work discusses the theory of Japanese scales, analyzing their structure and function in the context of modern Japanese music. The next chapter focuses on the popular music in Japan in the 21st century, while identifying its characteristic features. Special attention is given to the influence of jazz on the development of Japanese popular music and its presence in today’s musical culture. The final chapter compares mainstream popular music from Japan, Poland and the USA, showing the differences and similarities in styles, structure and use of musical elements. The paper ends with conclusions emphasizing the importance of understanding cultural and theoretical context in music research.
Źródło:
Krakowskie Studia Małopolskie; 2024, 3(43); 196-208
1643-6911
Pojawia się w:
Krakowskie Studia Małopolskie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Muzyka klasyczna w Imperium Osmańskim
European Classical Music in the Ottoman Empire
Autorzy:
Pawlina, Agata
Powiązania:
https://bibliotekanauki.pl/articles/578010.pdf
Data publikacji:
2014
Wydawca:
Polskie Towarzystwo Orientalistyczne
Tematy:
music
Ottoman music
Turkish music
westernization (Turkey)
Opis:
This paper aims to present a historical overview of the westernization process in music culture of the Ottoman Empire. Contrary to what is generally believed, the transformation of Ottoman music from the monophonic system based on melodic and rhythmic patterns (makams and usuls) to the European polyphony was not the idea of the newly formed Turkish state of the early 20th century. In the beginning of the 19th century, the Ottoman Empire faced decline. Under the threat of European domination, remaining sultans tried to balance the level of development in science and technology between the West and their own country by great reforms. In the 19th century, for the Ottoman court the adaptation of the western music system was a symbol of acculturation and modernization. In the last decades of the Ottoman Empire, with the help of European musicans and theoreticians, the first institutions of western style music education were established. Thus, surprisingly, music culture seems to be a shared heritage of the Ottoman Empire and the Republic of Turkey.
Źródło:
Przegląd Orientalistyczny; 2014, 1-2; 61-76
0033-2283
Pojawia się w:
Przegląd Orientalistyczny
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Filozofia nowej muzyki – rediviva
Autorzy:
Brożek, Anna
Powiązania:
https://bibliotekanauki.pl/articles/429145.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet Papieski Jana Pawła II w Krakowie
Tematy:
philosophy of music
epistemology of music
ontology of music
axiology of music
Opis:
Problems of the philosophy of music may be divided into three domain: ontological, epistemological and axiological one. In the ontological domain, the ontological status of such objects as sounds and wholes composed of them, especially of musical compositions, is a leading problem. In the epistemological domain, the problem of how to obtain the adequate cognition of music plays a similar role. Finely, in the axiological domain, one finds the problem of what is the general value of musical composition which is based on partial values of different kinds as a crucial problem. In the paper, I analyze these problems from the point of view of traditional music and describe how the perspective changes if we take new music into considerations.
Źródło:
Semina Scientiarum; 2011, 10
1644-3365
Pojawia się w:
Semina Scientiarum
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Auditory Display Applied to Research in Music and Acoustics
Autorzy:
Kostek, B.
Powiązania:
https://bibliotekanauki.pl/articles/176425.pdf
Data publikacji:
2014
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
auditory display
music
acoustics
music technology
music information retrieval
sonification
music annotation
Opis:
This paper presents a relationship between Auditory Display (AD) and the domains of music and acoustics. First, some basic notions of the Auditory Display area are shortly outlined. Then, the research trends and system solutions within the fields of music technology, music information retrieval and music recommendation and acoustics that are within the scope of AD are discussed. Finally, an example of AD solution based on gaze tracking that may facilitate music annotation process is shown. The paper concludes with a few remarks about directions for further research in the domains discussed.
Źródło:
Archives of Acoustics; 2014, 39, 2; 203-214
0137-5075
Pojawia się w:
Archives of Acoustics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A Key-Finding Algorithm Based on Music Signature
Autorzy:
Kania, Dariusz
Kania, Paulina
Powiązania:
https://bibliotekanauki.pl/articles/177312.pdf
Data publikacji:
2019
Wydawca:
Polska Akademia Nauk. Czasopisma i Monografie PAN
Tematy:
music information retrieval
computational music cognition
music data mining
music visualisation
Opis:
The paper presents the key-finding algorithm based on the music signature concept. The proposed music signature is a set of 2-D vectors which can be treated as a compressed form of representation of a musical content in the 2-D space. Each vector represents different pitch class. Its direction is determined by the position of the corresponding major key in the circle of fifths. The length of each vector reflects the multiplicity (i.e. number of occurrences) of the pitch class in a musical piece or its fragment. The paper presents the theoretical background, examples explaining the essence of the idea and the results of the conducted tests which confirm the effectiveness of the proposed algorithm for finding the key based on the analysis of the music signature. The developed method was compared with the key-finding algorithms using Krumhansl-Kessler, Temperley and Albrecht-Shanahan profiles. The experiments were performer on the set of Bach preludes, Bach fugues and Chopin preludes.
Źródło:
Archives of Acoustics; 2019, 44, 3; 447-457
0137-5075
Pojawia się w:
Archives of Acoustics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Music Literacy and Hearing Education at Preschool Age
Autorzy:
Strenáčiková, Mária
Powiązania:
https://bibliotekanauki.pl/articles/28766345.pdf
Data publikacji:
2006-06-30
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
music educational employment
music activities
music literacy
hearing education
Opis:
Music education in institutional preschool education. Results of pedagogical experiment targeted at the development of a child’s music abilities through perfection of hearing education and music literacy.
Źródło:
The New Educational Review; 2006, 9; 119-128
1732-6729
Pojawia się w:
The New Educational Review
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sinfonietta na orkiestrę smyczkową Weroniki Ratusińskiej w kontekście problematyki (pod)gatunkowej
Sinfonietta for String Orchestra by Weronika Ratusińska in the Context of the Issue of (Sub)Genre
Autorzy:
Krymska, Martyna
Powiązania:
https://bibliotekanauki.pl/articles/2154761.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
sinfonietta
chamber music
Polish music
Opis:
The purpose of the article is to focus on certain terminological and historical aspects related to the genre of sinfonietta in the Polish music of the 20th and 21st century. In the introduction, the author presents the definition and general characteristics, listing the sources and the most representative works in the Polish music. Additionally, she presents numerical statistics and classification of the sinfonietta in Polish music and on this basis she analyses one of the most interesting works representing the type of sinfonietta-transcription – Sinfonietta for string orchestra by Weronika Ratusińska from 2009. The author analyses the use and manner of modification of musical motifs, the way in which the sound layer is shaped and the relation between Ratusińska's work and tradition of the genre.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2020, 2(45); 61-86
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Sinfonietta for String Orchestra by Weronika Ratusińska in the Context of the Issue of (Sub)Genre
Autorzy:
Krymska, Martyna
Powiązania:
https://bibliotekanauki.pl/articles/2159097.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
sinfonietta
chamber music
Polish music
Opis:
The purpose of the article is to focus on certain terminological and historical aspects related to the genre of sinfonietta in the Polish music of the 20th and 21st century. In the introduction, the author presents the definition and general characteristics, listing the sources and the most representative works in the Polish music. Additionally, she presents numerical statistics and classification of the sinfonietta in Polish music and on this basis she analyses one of the most interesting works representing the type of sinfonietta-transcription – Sinfonietta for string orchestra by Weronika Ratusińska from 2009. The author analyses the use and manner of modification of musical motifs, the way in which the sound layer is shaped and the relation between Ratusińska’s work and tradition of the genre.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2020, 2(45) ENG; 59-84
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jadwiga Szajna-Lewandowska dzieciom
Jadwiga Szajna-Lewandowska for Children
Autorzy:
Machura, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/513978.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
20th-century Polish music
music for children
genres of stage music
music pedagogy
Opis:
In the second half of the twentieth century, music for children was enriched by the works of Jadwiga Szajna-Lewandowska (1912–1994). The Wrocław’s pianist, composer and pedagogue wrote most of her pieces for the youngest and thus the most sensitive recipient. The vast majority of her works is stage music for children, mainly ballet. In this category, Szajna-Lewandowska has no equal. She is the one of the rare composers who devoted most of their works to children. Her music for the youngest comprises not only stage works, but also compositions written for children as performers or listeners. Among them, there are instrumental, vocal- instrumental and choral pieces. Therefore, it can be claimed that Jadwiga Szajna-Lewandowska is a composer who made a significant contribution to Polish children’s and young adult literature.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2018, 2(37); 175-187
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Jadwiga Szajna-Lewandowska for Children
Autorzy:
Machura, Aleksandra
Powiązania:
https://bibliotekanauki.pl/articles/513992.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
20th-century Polish music
music for children
genres of stage music
music pedagogy
Opis:
In the second half of the twentieth century, music for children was enriched by the works of Jadwiga Szajna-Lewandowska (1912–1994). The Wrocław’s pianist, composer and pedagogue wrote most of her pieces for the youngest and thus the most sensitive recipient. The vast majority of her works is stage music for children, mainly ballet. In this category, Szajna-Lewandowska has no equal. She is the one of the rare composers who devoted most of their works to children. Her music for the youngest comprises not only stage works, but also compositions written for children as performers or listeners. Among them, there are instrumental, vocal-instrumental and choral pieces. Therefore, it can be claimed that Jadwiga Szajna-Lewandowska is a composer who made a significant contribution to Polish children’s and young adult literature.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2018, 2(37) Eng; 177-190
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Automatic Music Summarization.A "Thumbnail" Approach
Autorzy:
Głaczyński, J.
Łukasik, E.
Powiązania:
https://bibliotekanauki.pl/articles/177412.pdf
Data publikacji:
2011
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
automatic music summarization
music thumbnail
key phrases
automatic music transcription
music information retrieval
Opis:
In the paper, various approaches to automatic music audio summarization are discussed. The project described in detail, is the realization of a method for extracting a music thumbnail – a fragment of continuous music of a given duration time that is most similar to the entire music piece. The results of subjective assessment of the thumbnail choice are presented, where four parameters have been taken into account: clarity (representation of the essence of the piece of music), conciseness (the motifs are not repeated in the summary), coherence of music structure, and overall quality of summary usefulness.
Źródło:
Archives of Acoustics; 2011, 36, 2; 297-309
0137-5075
Pojawia się w:
Archives of Acoustics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Music education through audiation teaches aesthetically
Autorzy:
Zwolińska, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/1178507.pdf
Data publikacji:
2013
Wydawca:
Uniwersytet Kazimierza Wielkiego w Bydgoszczy
Tematy:
Music education
aesthetic upbringing
listening to music
understanding music
Opis:
Music education through audiation consists of two processes: 1) informal direction developing subjective sense of tonality and meter, which takes place at home and nursery on the basis of intuition and learning how to audiate things; 2) formal teaching in school in order to develop a sense of objective tonality and meter, in which the emphasis is on understanding and mastering of how things should be audiated. Aesthetics is a general theory of art, a science of: 1) social and psychological sources of the formation of art and views on it; 2) social function of art and its development; 3) evaluation criteria for items in terms of their beauty; 4) historical development of the criteria of beauty. The article poses the question of whether music education is based on the assumptions of the theory of learning music by Gordon combined with aesthetic education in terms of Lissa. The purpose of music education and art education is to develop interests and needs of one’s own experience of artistic expression in an imitative and creative activity in various forms. There were attempts of showing that aesthetic education is a natural consequence of implementation of music education based on learning theory and it was suggested to combine learning theory with aesthetic music education due to a common area of interest – dealing with the so-called aesthetic situations, and in the framework of the creator, the creative process, the work of art, listener, process, perception of art and aesthetic values. Remarks by Gordon and Lissa are consistent, intriguing and useful to create a music curriculum.
Źródło:
Polskie Forum Psychologiczne; 2013, XVIII, 2; 143-156
1642-1043
Pojawia się w:
Polskie Forum Psychologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Muzyka soul – geneza, historia, uwarunkowania społeczno-kulturowe oraz rodzaje inspiracji tym stylem w twórczości rodzimej
Soul music – the origins, history, socio-cultural base and the kinds of soul inspiration in the Polish music
Autorzy:
Jaczyński, Michał
Powiązania:
https://bibliotekanauki.pl/articles/513904.pdf
Data publikacji:
2015-01-01
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
soul music
popular music
American culture
Polish music
Czesław Niemen
Opis:
The theme of this study is a historical reconnaissance of soul music, taking into account the global context, with all the social and historical conditions that accompanied the development of the style. The main aim that the author set himself is to find sources of Polish musicians’ inspirations that can be found in American music from the 60s of the twentieth century. The main section of this paper is an attempt to define soul music and the characteristic of the style in a variety of shots – strictly musical, social, political, historical, racial and the general-culture one. The final chapter undertakes the task of showing the results of analysis of native music in terms of its membership to the style. In this section, a very broad meaning of the term ’soul’ has been assumed, which in this context is merely a reflection of the original phenomenon. The author hopes that this study will contribute to the dissemination of knowledge that soul music – both worldwide and in Poland – is an original and valuable style.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2015, 1(24); 46-69
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Introduction to Life and Output of Johann Baptist Schiedermayr1
Autorzy:
Bujas, Jolanta
Powiązania:
https://bibliotekanauki.pl/articles/514083.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
church music
Johann Baptist Schiedermayr
music in Linz
Classical music
Opis:
Although nowadays the output of Johann Baptist Schiedermayr is almost completely forgotten, in the 19th century the composer was widely recognized as an author of both sacred and secular music. His compositions were performed mostly in Central Europe, but it should be underlined that the preserved manuscripts display an impressive area in which he must have been known. There are thousands preserved sources that confirm his popularity in the past; therefore, it is disturbing as well as intriguing that Schiedermayr is usually overlooked by scholars investigating music of the early 19th century. In my paper, I present life of the composer, including existing literature that concerns this topic, and I make an attempt to reconstruct his output as hitherto no one have done it. It appears that Johann Baptist Schiedermayr was well-educated and played a crucial role in the musical life of Linz at his time. Besides his achievements as a musician, conductor and teacher, he composed a vast variety of musical pieces, although he focused mostly on church music. Based on the studies done so far, we can assume that he created hundreds of compositions presenting his excellent compositional technique as well as musicality; many of them were also printed. Nevertheless. further research is absolutely necessary in order to broaden knowledge of this brilliant persona and his oeuvre.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2018, 2(37) Eng; 63-100
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Fryderyk Chopin in popular instrumental music
Autorzy:
Kasperski, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/780379.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Fryderyk Chopin
popular culture
popular music
instrumental music
rock music
electronic music
inspiration
reception
Opis:
The author considers whether Fryderyk Chopin and his oeuvre may be regarded as part of popular culture - and if so, to what extent. However, the text is mostly taken up with analysis of popular instrumental music inspired by Chopin’s works in various ways: from simple quotation, adaptation and transcription to more sophisticated instrumentation and arrangement, free improvisation or even the creation of a completely new work derived from a single motif or sample from Chopin. Consequently, the author deals with the problem of reception, but also with the issue of transculturation and the relationship between high and popular culture. The article shows and describes the variety of Chopin inspiration in a wide range of styles and genres of popular music, such as rock music, easy-listening, electronic music, dance music and disco.
Źródło:
Interdisciplinary Studies in Musicology; 2010, 9; 357-370
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Popular Music Analysis and Semiotics: Applications and Perspectives
Autorzy:
Conti, Jacopo
Powiązania:
https://bibliotekanauki.pl/articles/1186448.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
music analysis
popular music
music semiotics
song analysis
sound-box
Opis:
The aim of this paper is to introduce just a few of the characteristics of popular music analysis that can assist further development of the discipline even for non-musicologists. After an introduction on why music analysis and popular music analysis – considering music as ‘humanly organized sound’ – are not popular in popular music studies and why contemporary popular music scholars tend to concentrate more on paramusical and extramusical issues, this presentation will concentrate on: song structures – or, as Philip Tagg calls it, the diataxis – comparing the structures most used by the Beatles; the sound of voices; the sound-box and the aural staging; the musical synecdoche. The final aim of this paper is to state the importance of music in music studies: paramusical and extramusical aspects are essential to understand how music works and communicates, but music is important as well.
Źródło:
Załącznik Kulturoznawczy; 2020, 7; 211-224
2392-2338
Pojawia się w:
Załącznik Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Johann Baptist Schiedermayr – życie i twórczość. Przyczynek do monografii1
Introduction to Life and Output of Johann Baptist Schiedermayr
Autorzy:
Bujas, Jolanta
Powiązania:
https://bibliotekanauki.pl/articles/514049.pdf
Data publikacji:
2018
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
church music
Johann Baptist Schiedermayr
music in Linz
Classical music
Opis:
Although nowadays the output of Johann Baptist Schiedermayr is almost completely forgotten, in the 19th century the composer was widely recognized as an author of both sacred and secular music. His compositions were performed mostly in Central Europe, but it should be underlined that the preserved manuscripts display an impressive area in which he must have been known. There are thousands preserved sources that confirm his popularity in the past; therefore, it is disturbing as well as intriguing that Schiedermayr is usually overlooked by scholars investigating music of the early 19th century. In my paper, I present life of the composer, including existing literature that concerns this topic, and I make an attempt to reconstruct his output as hitherto no one have done it. It appears that Johann Baptist Schiedermayr was well-educated and played a crucial role in the musical life of Linz at his time. Besides his achievements as a musi¬cian, conductor and teacher, he composed a vast variety of musical pieces, although he focused mostly on church music. Based on the studies done so far, we can assume that he created hundreds of compositions presenting his excellent compositional technique as well as musicality; many of them were also printed. Nevertheless, further research is absolutely necessary in order to broaden knowledge of this brilliant persona and his oeuvre.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2018, 2(37); 63-99
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Popular Music Studies in Italy: A Historical/Political Overview
Autorzy:
Fabbri, Franco
Powiązania:
https://bibliotekanauki.pl/articles/1186464.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
Italian popular music
Popular music studies
history of popular
music research
Opis:
Courses on popular music were sparsely introduced in Italian universities in the late 1900s – early 2000s, and are still included under the umbrellas of other disciplines (ethnomusicology, media and communication studies, sociology). An official disciplinary sector including popular music does not exist. However, research on popular music has existed in Italy at least since the 1960s, two important international conferences took place in Italy (as early as in 1983, and in 2005), and Italian popular music scholars are known internationally and have been members of associations, editorial boards, scientific committees. To explain this contradiction, a long historical period has to be overviewed. It’s a very specific Italian story. Or maybe not.
Źródło:
Załącznik Kulturoznawczy; 2020, 7; 225-236
2392-2338
Pojawia się w:
Załącznik Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Poezja konkretna i muzyka
Concrete poetry and music
Autorzy:
Pieruszewska-Kobiela, Grażyna
Powiązania:
https://bibliotekanauki.pl/articles/649494.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
contemporary poetry
concrete poetry
music
music and technology
industrial music
avantgard
Opis:
The article shows the functioning of concrete poetry in the sphere dominated by techno-logical solutions, being characteristic of the culture associated with new media. Sub-jected to analysis and interpretation is the multimedia performance by Marcin Dymiter and Ludomir Franczak, who combined Polish, Czech and German literary texts with electronic music. In their vision, the life of concrete poetry develops in the dimension of the contemporary urban subculture and in the world of sound generated by various types of apparatus. The relationship between poetry and music abounds in various defects and interfer-ences, which are a deliberate effect introduced by of the authors of this artistic experi-ment. The broad range of rustles and murmurs draw on the sound tradition of modern poetry, as well as industrial music. The performance exposes the symbolic meaning of the emission of sound coming into interaction with poetic text.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 15, 1; 267-282
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Music Traditions of the Ashkenazi Jews and Radical Jewish Culture: A Brief Outline of the Definitions and Content of Jewish Music in the Past and Nowadays
Autorzy:
Zapiór, Luiza
Powiązania:
https://bibliotekanauki.pl/articles/2176271.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Jewish music
instrumental music
John Zorn
Radical Jewish Culture
contemporary music
Opis:
The main purpose of this paper is to describe John Zorn’s approach to klezmer music and Jewish music tradition in general. The text has been divided into shorter sections. The first part of the article is dedicated to providing an overview of problems concerning the definition of Jewish music. The second part focuses on analysing klezmer motifs in John Zorn’s selected works and Jewish symbols present in the visual component of his recording projects. The last section contains a summary and conclusions.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2020, 4(47) ENG; 215-227
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Defining interdisciplinarity and indentifying Research directions in Jani Christou’s Strychnine lady
Autorzy:
Yerosimou, Maria
Powiązania:
https://bibliotekanauki.pl/articles/628044.pdf
Data publikacji:
2014
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
Experimental music theatre, avant garde music, contemporary music, 20th century music, Greek avant garde composer
Opis:
Jani Christou was a major Greek composer, whose unusual, yet promising career was brought to an end after his untimely death in 1970 at the age of 44. His challenging and speculative output has intrigued generation of young music scholars; however, J. Christou’s work remains imperfectly and only patchily known and understood, especially outside Greece. This is partly because of the interdisciplinary nature of his late works which reduces the possibility of potential researchers who will academically establish J. Christou’s distinguished output. The aim of the present paper is to present and analyse parts of Strychnine Lady, a work composed in 1967 in order to propose research directions in an effort to confi rm J. Christou’s posthumous reputation.
Źródło:
Journal of Education Culture and Society; 2014, 5, 1; 226-241
2081-1640
Pojawia się w:
Journal of Education Culture and Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
„Muzykoterapia – rozprawa z mitami…”
„Music therapy - dispose of myths...”
Autorzy:
Stachyra, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/566550.pdf
Data publikacji:
2020-01-10
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
muzykoterapia
definiowanie muzykoterapii
muzyka w terapii muzycznej
music therapy
defining music therapy
music in music therapy
Opis:
Music therapy is a field that is undergoing intense development. At the same time, as the interest in music therapy increases, there are more and more distortions about what forms of contact with music can be described as music therapy. It is coming to the situation in which either the area of music therapy is significantly narrowing or, on the contrary, all forms of contact with music are attributed to it. The author attempts to explain what lies behind the term music therapy, refuting at the same time myths that commonly exist in the media. He uses this polemic as a background to show the humanistic nature of this form of therapy.
Źródło:
Ars inter Culturas; 2019, 8; 293-304
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The Functional Role of Music in Communicating Death through/in YouTube Videos
Autorzy:
Pentaris, Panagiotis
Yerosimou, Maria
Powiązania:
https://bibliotekanauki.pl/articles/628305.pdf
Data publikacji:
2014
Wydawca:
Fundacja Pro Scientia Publica
Tematy:
death, media, music, YouTube, background music
Opis:
Since the establishment of thanatology, the science of death, in the early 20th century, death has not only been considered a controversial subject, but it has also been regarded as a taboo topic. Various ways of communicating death have developed over the last few decades. With the advent of different mass and social media and their increasing impact on everyday life in the 21st century, death can now be communicated via a number of media platforms, such as television, radio, and online videos. This type of communication is underpinned by a series of dimensions, in particular music, that shape the conveyed message. Music has been extensively used in the dissemination of information in the wider media outlet. It is widely seen as a means of evoking emotions and of facilitating the process of assimilating information that is communicated via media. This paper seeks to discuss the functional role of music in communicating death in online video platforms. In particular, the example of the YouTube platform is used to identify the links between death, music and video platforms. This paper is part of a large-scale study on the functional role of music in communicating death through YouTube videos. It is suggested that music may serve as a link between media and death. The conclusions that are drawn in this paper are supported by the authors’ current and ongoing study and critical analysis of the deployment of music in the communication of death.
Źródło:
Journal of Education Culture and Society; 2014, 5, 1; 206-217
2081-1640
Pojawia się w:
Journal of Education Culture and Society
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
The commentary to some motifs of Peter Faltins semiotics of music
Autorzy:
Fujak, Julius
Powiązania:
https://bibliotekanauki.pl/articles/780393.pdf
Data publikacji:
2015
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
semiotics of music
music syntax
meaning
Opis:
The article is focused on original musical semiotics of well known Slovak theoretician Peter Faltin (1939-1981), especially on his original semiotic theories in 1970s, including his last (unfinished) work Signification of Aesthetic Signs Music and Language based on L. Wittgenstein's philosophy. The paper also delas with studies of contemporary representatives of Slovak and Czech semiotics, aesthetics and postmodern philosophy such as Eubomir Chalupka, Jarmila Doubravovâ, Klement Mitterpach and Jûlius Fujak, who commented, explained and developed Faltin's thoughts in the frame of their research.
Źródło:
Interdisciplinary Studies in Musicology; 2015, 14; 100-112
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
A Study on of Music Features Derived from Audio Recordings Examples – a Quantitative Analysis
Autorzy:
Dorochowicz, A.
Kostek, B.
Powiązania:
https://bibliotekanauki.pl/articles/178092.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Czytelnia Czasopism PAN
Tematy:
music genre
audio parametrization
music features
Opis:
The paper presents a comparative study of music features derived from audio recordings, i.e. the same music pieces but representing different music genres, excerpts performed by different musicians, and songs performed by a musician, whose style evolved over time. Firstly, the origin and the background of the division of music genres were shortly presented. Then, several objective parameters of an audio signal were recalled that have an easy interpretation in the context of perceptual relevance. Within the study parameter values were extracted from music excerpts, gathered and compared to determine to what extent they are similar within the songs of the same performer or samples representing the same piece.
Źródło:
Archives of Acoustics; 2018, 43, 3; 505-516
0137-5075
Pojawia się w:
Archives of Acoustics
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
From Kotoński to Duchnowski. Polish electroacoustic music
Autorzy:
Kominek, Mieczysław
Powiązania:
https://bibliotekanauki.pl/articles/780237.pdf
Data publikacji:
2011
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
electroacoustic music
electronic music
concrete music
music for tape
generators
experimental Studio of Polish Radio
“Warsaw Autumn” International Festival of Contemporary Music
live electronic
synthesisers
computer music
Opis:
Founded in November 1957, the Experimental Studio of Polish Radio (SEPR) was the fifth electronic music studio in Europe and the seventh in the world. It was an extraordinary phenomenon in the reality of the People’s Poland of those times, equally exceptional as the Warsaw Autumn International Festival of Contemporary Music, established around the same time - in 1956. Both these ‘institutions’ would be of fundamental significance for contemporary Polish music, and they would collaborate closely with one another. But the history of Polish electroacoustic music would to a large extent be the history of the Experimental Studio. The first autonomous work for tape in Poland was Włodzimierz Kotoñski’s Etiuda konkretna (na jedno uderzenie w talerz) [Concrete study (for a single strike of a cymbal)], completed in November 1958. It was performed at the Warsaw Autumn in i960, and from then on electroacoustic music was a fixture at the festival, even a marker of the festival’s ‘modernity’, up to 2002 - the year when the last special ‘concert of electroacoustic music’ appeared on the programme. In 2004, the SEPR ceased its activities, but thanks to computers, every composer can now have a studio at home. There are also thriving electroacoustic studios at music academies, with the Wroclaw studio to the fore, founded in 1998 by Stanisław Krupowicz, the leading light of which became Cezary Duchnowski. Also established in Wroclaw, in 2005, was the biennial International Festival of Electroacoustic Music ‘Música Electrónica Nova’.
Źródło:
Interdisciplinary Studies in Musicology; 2011, 10; 141-154
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
MUSIC AS MEANS TO SUPPORT ACADEMIC PERFORMANCE AND BEHAVIOUR OF PREADOLESCENTS
Autorzy:
Králová, Eva
Powiązania:
https://bibliotekanauki.pl/articles/566488.pdf
Data publikacji:
2014
Wydawca:
Akademia Pomorska w Słupsku
Tematy:
academic performance
behaviour
background music
music activities
music intervention quasi-experimental research
Opis:
Background: The paper explores the potency of music activities and background music to support academic performance and behaviour of Slovak middle school pupils. It reviews developmental, social and emotional changes that children face during the period of preadolescence. School and education is connected with the formation of personality, thus school staff and parents need to pay attention to social and emotional well-being of pupils. The objective of the study is to investigate academic performance and behaviour of pupils (aged 10-11) before and after music intervention. Methods: The target research group consists of forty-four Slovak fifth graders from big urban, municipal middle school. Data were collected by evaluation of rating scale conducting teacher´s professional judgement about pupils they taught the four explored school subjects. Results: The study summarises the results of rating scale of teacher’s opinions of pupils’ academic performance and behaviour in the control and experimental groups (with and without music intervention). The results show the potency of music to support academic performance and improve behaviour of pupils.
Źródło:
Ars inter Culturas; 2014, 3; 117-136
2083-1226
Pojawia się w:
Ars inter Culturas
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Liszt and the issue of so called Gypsy music
Autorzy:
Piotrowska, Anna G.
Powiązania:
https://bibliotekanauki.pl/articles/780221.pdf
Data publikacji:
2014
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Franz Liszt
Gypsy music
Hungary
Hungarian music
national music
Bela Bartok
Opis:
The article attempts to shed light on Liszt’s connections with so called Gypsy music, with particular emphasis on the sources and manifestations of the composer’s interest in the subject. The paper also shows the effects of Liszt’s thought on his academic successors. Liszt’s fascination with Gypsy music and culture is discussed by outlining his childhood memories as well as indicating numerous personal contacts he had with renowned Gypsy musicians. The author of the paper also links Liszt’s enchantment with Gypsy culture with his readiness to identify his travelling virtuoso status with that of a Gypsy-wanderer. Special attention in the article is put on Liszt’s book Des Bohemiens et de leur musique en Hongrie (1859). The author of the article claims that Liszt’s cosmopolitanism may be a key factor while explaining the composer’s predilection to Gypsy culture and music. While focusing on the reception of Liszt’s views on so called Gypsy music by the posterity Bartok’s interpretation of Liszt’s ideas is reminded. Discussed are also their repercussions in the second half of the twentieth century and early twenty first century.
Źródło:
Interdisciplinary Studies in Musicology; 2014, 13; 127-140
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Rozwój polskiej rockologii
Autorzy:
Kasperski, Jakub
Powiązania:
https://bibliotekanauki.pl/articles/1186426.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Kardynała Stefana Wyszyńskiego w Warszawie
Tematy:
rock music
Polish rock
rockology
rock music studies
popular
music studies
Opis:
The article highlights the development of rock music studies in Poland, taking into account both (auto)biographical, journalistic, lowbrow and academic approaches. From a historical perspective, the subsequent stages of the formation of rockology are discussed here: from popularization works in the People’s Republic of Poland, through free-market publications appearing since the 1990s, which filled the gaps from the previous era, satisfying the hunger for knowledge among rock fans, to the development of rock studies at universities, institutionalization of research, diversification and development of thematic specializations within individual disciplines. The article presents the development of the music press, book literature, publishing houses and institutions specializing in rock research. The issue of its future perspectives future is also raised: challenges, threats, but also the shortcomings of Polish ‘rockology’ in relation to the international context.
Źródło:
Załącznik Kulturoznawczy; 2020, 7; 273-299
2392-2338
Pojawia się w:
Załącznik Kulturoznawczy
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Tradycje muzyczne Żydów aszkenazyjskich a Radical Jewish Culture: definicje i treści dawnej i współczesnej muzyki żydowskiej
The Music Traditions of the Ashkenazi Jews and Radical Jewish Culture: A Brief Outline of the Definitions and Content of Jewish Music in the Past and Nowadays
Autorzy:
Zapiór, Luiza
Powiązania:
https://bibliotekanauki.pl/articles/2176092.pdf
Data publikacji:
2020
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Jewish music
instrumental music
John Zorn
Radical Jewish Culture
contemporary music
Opis:
The main purpose of the article is to describe John Zorn’s approach to klezmer music and Jewish music tradition in general. The text was split into shorter paragraphs. The first part of the article is dedicated to providing an overview of the problems concerning the definition of Jewish music. The second part focuses on analysing klezmer motifs in John Zorn’s selected works and Jewish symbols present in the visual layer connected with his works. The last paragraph contains a summary and conclusions.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2020, 4(47); 215-228
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Stopy metryczne jako jednostki kształtujące przebieg utworu fortepianowego
Metric Feet as Units Shaping the Course of a Piano Piece
Autorzy:
Knapiński, Karol
Powiązania:
https://bibliotekanauki.pl/articles/21379381.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
cognitivism
music
metric feet
perception of music
Opis:
In this paper, I make an attempt to present the analytical possibilities offered by using metric feet as units that shape the course of a (piano) piece. This approach results from cognitive studies that clearly show that the perception of auditory events is based on grouping them into larger units on the basic strong–weak axis. In this approach, the foot is a scheme of one strong sound and one or two weak sounds (in different combinations) that repeats regularly in the course of the work. In this article, I present the most common ways of distinguishing strong sounds: using duration, dynamics, and pitch (features derived analogously from language, distinguishing strong syllables from the speech stream) and characterising the most common feet.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2022, 4(55); 5-37
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Bangla Rock: exploring the counterculture and dissidence in post-colonial Bengali popular music
Autorzy:
Kamalini, Mukherjee,
Powiązania:
https://bibliotekanauki.pl/articles/890511.pdf
Data publikacji:
2018-02-27
Wydawca:
Akademia Pedagogiki Specjalnej im. Marii Grzegorzewskiej. Wydawnictwo APS
Tematy:
counterculture
alternative music
bangla rock
vernacular music
Opis:
This paper is an attempt to explore the politics and the poetics of vernacular music in modern Bengal. Drawn from extensive and in-depth research into the current “scene” (as popularly referred to in the musician and music lover circles), this paper delves into the living histories of musical and linguistic revolutions in a part of India where the vernacular literature has been historically rich, and vastly influenced by the post-colonial heritage. The popular music that grew from these political and cultural foundations reflected its own pathos, and consecutively inspired its own form of oral tradition. The linguistic and musical inspirations for Bangla Rock and the eventual establishment of this genre in a rigidly curated culture is not only a remarkable anthropological case study, but also crucial in creating discourse on the impact of this music in the creation of oral histories. This paper will discuss both the musical and the lyrical journey of Bengali counterculture in music, thus in turn exploring the scope of Bangla – as in the colloquial for Bengali, and Rock – the Western musical expression which began during the 50’s and the 60’s (also populist and political in its roots). The inception of this particular political populist narrative driven through songs and music, is rooted in the Civil Rights movement, and comparisons can be drawn in the ‘soul’ of the movements, though removed both geographically and by time. Thus this paper engages with the poetics of Bangla Rock, to understand the marginal political voices surfacing through alternative means of expression.
Źródło:
International Journal of Pedagogy, Innovation and New Technologies; 2017, 4(2); 35-47
2392-0092
Pojawia się w:
International Journal of Pedagogy, Innovation and New Technologies
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Chopin and Polish FOLK
Autorzy:
Dahlig-Turek, Ewa
Powiązania:
https://bibliotekanauki.pl/articles/780339.pdf
Data publikacji:
2010
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
Fryderyk Chopin
mazurkas
traditional music
folk music
Opis:
Although Chopin’s music is continually analysed within the context of its affinities with traditional folk music, no one has any doubt that these are two separate musical worlds, functioning in different contexts and with different participants, although similarly alien to the aesthetic of mass culture. For a present-day listener, used to the global beat, music from beyond popular circulation must be “translated” into a language he/she can understand; this applies to both authentic folk music and the music of the great composer. In the early nineties, when folk music was flourishing in Poland (I extend the term “folk” to all contemporary phenomena of popular music that refer to traditional music), one could hardly have predicted that it would help to revive seemingly doomed authentic traditional music, and especially that it would also turn to Chopin. It is mainly the mazurkas that are arranged. Their performance in a manner stylised on traditional performance practice is intended to prove their essentially “folk” character. The primary factor facilitating their relatively unproblematic transformation is their descendental triple-time rhythms. The celebrations of the bicentenary of the birth of Fryderyk Chopin, with its scholarly and cultural events of various weight geared towards the whole of society, gave rise to further attempts at transferring the great composer’s music from the domain of elite culture to popular culture, which brings one to reflect on the role that folk music might play in the transmission and assimilation of artistic and traditional genres.
Źródło:
Interdisciplinary Studies in Musicology; 2010, 9; 343-356
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Towards effective music therapy for mental health care using machine learning tools : human affective reasoning and music genres
Autorzy:
Rahman, Jessica Sharmin
Gedeon, Tom
Caldwell, Sabrina
Jones, Richard
Jin, Zi
Powiązania:
https://bibliotekanauki.pl/articles/2031150.pdf
Data publikacji:
2021
Wydawca:
Społeczna Akademia Nauk w Łodzi. Polskie Towarzystwo Sieci Neuronowych
Tematy:
psychological signal
music genres’ classification
music therapy
Opis:
Music has the ability to evoke different emotions in people, which is reflected in their physiological signals. Advances in affective computing have introduced computational methods to analyse these signals and understand the relationship between music and emotion in greater detail. We analyse Electrodermal Activity (EDA), Blood Volume Pulse (BVP), Skin Temperature (ST) and Pupil Dilation (PD) collected from 24 participants while they listen to 12 pieces from 3 different genres of music. A set of 34 features were extracted from each signal and 6 different feature selection methods were applied to identify useful features. Empirical analysis shows that a neural network (NN) with a set of features extracted from the physiological signals can achieve 99.2% accuracy in differentiating among the 3 music genres. The model also reaches 98.5% accuracy in classification based on participants’ subjective rating of emotion. The paper also identifies some useful features to improve accuracy of the classification models. Furthermore, we introduce a new technique called ’Gingerbread Animation’ to visualise the physiological signals we record as a video, and to make these signals more comprehensible to the human eye, and also appropriate for computer vision techniques such as Convolutional Neural Networks (CNNs). Our results overall provide a strong motivation to investigate the relationship between physiological signals and music, which can lead to improvements in music therapy for mental health care and musicogenic epilepsy reduction (our long term goal).
Źródło:
Journal of Artificial Intelligence and Soft Computing Research; 2021, 11, 1; 5-20
2083-2567
2449-6499
Pojawia się w:
Journal of Artificial Intelligence and Soft Computing Research
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Musical Phenomenology: Artistic Traditions and Everyday Experience
Autorzy:
Szyszkowska, Małgorzata
Powiązania:
https://bibliotekanauki.pl/articles/2158918.pdf
Data publikacji:
2018
Wydawca:
Projekt Avant
Tematy:
aesthetic experience
music
music phenomenology
phenomenological aesthetics
Opis:
The work begins by asking the questions of how contemporary phenomenology is concerned with music, and how phenomenological descriptions of music and musical experiences are helpful in grasping the concreteness of these experiences. I then proceed with minor findings from phenomenological authorities, who seem to somehow need music to explain their phenomenology. From Maurice Merleau-Ponty to Jean-Luc Nancy and back to Edmund Husserl and Martin Heidegger, there are musical findings to be asserted. I propose to look at phenomenological studies of the musical aspects of existence as they appear in various philosophical works bringing together different accounts of music and aesthetics and pointing towards phenomenological study as a methodology for everyday aesthetics. While there are many different areas of music phenomenology such as studies of sound and listening, studies in perception of musical works, in experience of artistic creation, in singing and playing musical instruments, and phenomenology of transcendent or religious horizons of the experience of music, it is most promising—I suggest—to look at phenomenological studies of music from the perspective of everyday happenings and discoveries of musical aspects of life. Thus, I attempt to display the uses of phenomenology in finding musical aspects of everyday existence as well as in describing and illuminating the art of music. A look at Roman Ingarden’s and Mikel Dufrenne’s most intuitive and promising ideas will be broadened with a perspective from Don Ihde and Arnold Berleant.
Źródło:
Avant; 2018, 9, 2; 141-155
2082-6710
Pojawia się w:
Avant
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Dziennikarstwo muzyczne jako przedmiot akademicki
Music journalism as an academic subject
Autorzy:
Grzegorzewski, Krzysztof
Powiązania:
https://bibliotekanauki.pl/articles/649382.pdf
Data publikacji:
2012
Wydawca:
Uniwersytet Łódzki. Wydawnictwo Uniwersytetu Łódzkiego
Tematy:
musical journalism
music media
music
academic course
radio programs
musical knowledge
popularizing music
Opis:
This text is a short description of a new academic course: “Music journalism”. The author offers an analysis of media forms in press, as well as on the radio, television and the internet. Besides the traditional forms and genres, students can analyse such forms as internet encyclopaedias or websites dedicated to music. The teacher analyses with the students the frame structures of television and radio stations, and the nature of broad-casts. There is also a possibility of analysing music press: articles, reviews and columns. The next step is teaching students to write such forms as a column or a review. Students learn practical skills in a studio, as the lecturer teaches them to broadcast live radio pro-grammes (cooperating with a professional radio DJ). The course gives an introduction to the history of classical and popular music.
Źródło:
Acta Universitatis Lodziensis. Folia Litteraria Polonica; 2012, 17, 3
1505-9057
2353-1908
Pojawia się w:
Acta Universitatis Lodziensis. Folia Litteraria Polonica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Postmodern Music and its Future
Autorzy:
Rychter, Marcin
Powiązania:
https://bibliotekanauki.pl/articles/451377.pdf
Data publikacji:
2019-10-31
Wydawca:
Uniwersytet Warszawski. Wydział Filozofii
Tematy:
philosophy of music
philosophy of culture
postmodernism
avant-garde music
contemporary music
Opis:
The essay presents an attempt at characterizing contemporary music’s culture by identifying a dialectical tension between “modern” and “postmodern” currents in it. After initial considerations on the manifold usages of the term “postmodernism,” five composers’ approaches will be analyzed: John Cage, Philip Glass (and other minimalists), Bernhard Lang, Mauricio Kagel and Johannes Kreidler. However different they may be from one another, all these composers are being interpreted as undermining, in various ways, the practice and theoretical background of modernist avant-garde music.
Źródło:
Eidos. A Journal for Philosophy of Culture; 2019, 3, 3(9); 43-56
2544-302X
Pojawia się w:
Eidos. A Journal for Philosophy of Culture
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Music Recommendation System
Autorzy:
Hoffmann, P.
Kaczmarek, A.
Spaleniak, P.
Kostek, B.
Powiązania:
https://bibliotekanauki.pl/articles/308747.pdf
Data publikacji:
2014
Wydawca:
Instytut Łączności - Państwowy Instytut Badawczy
Tematy:
feature vectors
music classification
music information retrieval
music parametrization
principal component analysis
Opis:
The paper focuses on optimization vector content feature for the music recommendation system. For the purpose of experiments a database is created consisting of excerpts of music files. They are assigned to 22 classes corresponding to different music genres. Various feature vectors based on low-level signal descriptors are tested and then optimized using correlation analysis and Principal Component Analysis (PCA). Results of the experiments are shown for the variety of feature vectors. Also, a music recommendation system is presented along with its main user interfaces.
Źródło:
Journal of Telecommunications and Information Technology; 2014, 2; 59-69
1509-4553
1899-8852
Pojawia się w:
Journal of Telecommunications and Information Technology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Andrzej Mądro, Muzyka a nowe media. Polska twórczość elektroakustyczna przełomu XX i XXI wieku, Kraków 2017 Akademia Muzyczna w Krakowie, ss. 412, ISBN 978-83-62743-81-0
Autorzy:
Dziewanowska-Pachowska, Marta
Powiązania:
https://bibliotekanauki.pl/articles/28408931.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:
muzyka elektroakustyczna
muzyka polska
muzyka współczesna
electroacoustic music
Polish music
contemporary music
Źródło:
Muzyka; 2018, 63, 2; 153-160
0027-5344
2720-7021
Pojawia się w:
Muzyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Metafora synestezyjna w rosyjskich tekstach krytyki muzycznej
Synesthetic metaphor in Russian musical critical texts
Autorzy:
Dzienisiewicz, Maria
Powiązania:
https://bibliotekanauki.pl/articles/481993.pdf
Data publikacji:
2018-09-30
Wydawca:
Uniwersytet Warmińsko-Mazurski w Olsztynie
Tematy:
synesthesia
classical music
music critique
metaphor
Russian
Opis:
The paper presents a variety of synesthetic metaphors used by musical critics. The metaphors were retrieved from musical critical texts written in Russian, which described classical music events. The basis of division are human senses: hearing, touch, sight and taste. Metaphors are divided into two main groups: intermodal and singlemodal ones. The most representative type turned out to be synesthetic metaphors referring to the sense of touch.
Źródło:
Acta Polono-Ruthenica; 2018, 3, XXIII; 31-44
1427-549X
Pojawia się w:
Acta Polono-Ruthenica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Musemes in affect. Philip Tagg’s model of music analysis
Autorzy:
Zielonka, Stefania
Powiązania:
https://bibliotekanauki.pl/articles/1797347.pdf
Data publikacji:
2020-12-28
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
popular music
musical analysis
semiology of music
Opis:
The paper is an attempt to synthesize the most important aspects of a model of popular and film music analysis proposed by British musicologist Philip Tagg. Tagg, using the category of musemes – universal meaning units, isolated from the musical structure of the composition on the basis of criteria established for every given case – examines selected pieces using multi-level semiotic analysis. In his model Tagg takes into account both the importance of the broadly understood cultural context and the intertextuality of the piece. He also emphasizes the role of affect in musical communication, which is necessary to fully understand the meaning of a musical work.
Źródło:
Interdisciplinary Studies in Musicology; 2020, 20; 97-105
1734-2406
Pojawia się w:
Interdisciplinary Studies in Musicology
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Psychologia muzyki i muzykoterapia – przedmiot, klasyfikacja, relacja
Autorzy:
Konieczna-Nowak, Ludwika
Powiązania:
https://bibliotekanauki.pl/articles/1997124.pdf
Data publikacji:
2017-03-31
Wydawca:
Wydawnictwo Adam Marszałek
Tematy:
music therapy
psychology of music
interdisciplinary relationships
Opis:
The text is focused on two relatively young yet rapidly developing disciplines: psychology of music and music therapy. The goal of the article was to outline the territories of both disciplines and consider relationships between them. The text includes characteristics, presented through clarification of the subjects of both areas, attempt to place them in the general classification of sciences and considerations regarding the methodology. It also indicates important aspect of artistic component, present especially in practical music therapy, and reaching beyond scientific inquiry. The author notices difficulties of integrating activities utilizing arts with systematic, research-oriented perspective. She shows relationships between disciplines, paying attention to the significant differences, but also complementary values. She concludes that despite of being separate, psychology of music and music therapy have common grounds.
Źródło:
Kultura i Edukacja; 2017, 1(115); 63-78
1230-266X
Pojawia się w:
Kultura i Edukacja
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Missa in Dis Antoniego Milwida (1755–1837) w kontekście repertuaru kapeli klasztornej z Czerwińska nad Wisłą
Missa in Dis by Antoni Milwid (1755–1837) in the Context of the Repertoire of the Monastery’s Chapel from Czerwińsk
Autorzy:
Bujas, Jolanta
Powiązania:
https://bibliotekanauki.pl/articles/514057.pdf
Data publikacji:
2019
Wydawca:
Uniwersytet Jagielloński. Koło Naukowe Studentów Muzykologii UJ
Tematy:
Antoni Milwid
Polish music
church music
Czerwińsk
Opis:
The musical life of Czerwińsk nad Wisłą at the turn of the 18th and 19th centuries was strictly connected with the artistic activity of Antoni Milwid (1755–1837), a composer and organist. Although there are ten compositions signed with his name preserved in the collection of the monastery’s chapel as well as other manuscripts seemingly written with his hand, the religious output of the composer has not been investigated so far. The article discusses briefly the activity of Czerwińsk’s chapel during the difficult time of the partitions of Poland and secularisation of the monastery, sketching its repertoire based on preserved manuscripts. Then, Antoni Milwid’s life and art is presented in the light of accessible sources. Finally, Missa in Dis CZs Rps 5 from Czerwinsk’s collection is analysed in terms of its form, melody, rhythm, harmony and instrumentation, what allows the author to draw general conclusions concerning the compositional workshop of Antoni Milwid.
Źródło:
Kwartalnik Młodych Muzykologów UJ; 2019, 2(41); 43-72
2956-4107
2353-7094
Pojawia się w:
Kwartalnik Młodych Muzykologów UJ
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Eliminacja lamerstwa. O społecznym użytkowaniu muzyki: Z Adamem Czechem rozmawia Anna Zawadzka [Eliminating cheesiness. The social use of music: Adam Czech interviewed by Anna Zawadzka]
Autorzy:
Zawadzka, Anna
Powiązania:
https://bibliotekanauki.pl/articles/643697.pdf
Data publikacji:
2017
Wydawca:
Polska Akademia Nauk. Instytut Slawistyki PAN
Tematy:
music
distinction
cultural consumption
music education
nostalgia
Opis:
Eliminating cheesiness. The social use of music: Adam Czech interviewed by Anna ZawadzkaThe interview with Doctor Adam Czech deals with various forms of distinctions made with the use of music, in the circles of both its authors and recipients. The conversation addresses, among other things, the current status of contemporary classical, folk, and popular music in Poland, and the status of different manners of music consumption. Another issue under discussion concerns the prevailing artistic categories of music evaluations, such as being original and abstract, and the ways of validating and delegitimizing different musical genres. Eliminacja lamerstwa. O społecznym użytkowaniu muzyki: Z Adamem Czechem rozmawia Anna ZawadzkaWywiad z dr. Adamem Czechem dotyczy różnych form dystynkcji dokonywanych za pomocą muzyki zarówno w środowisku jej twórców/twórczyń, jak i odbiorców/odbiorczyń. Przedmiotem rozmowy jest m.in. obecny status muzyki poważnej, muzyki ludowej i muzyki popularnej w Polsce, jak również status poszczególnych sposobów muzycznej konsumpcji, czyli słuchania. Rozmowa dotyczy także dominujących w sztuce kategorii oceniania muzyki, takich jak oryginalność i abstrakcyjność, oraz sposobów uprawomocniania i delegitymizacji poszczególnych gatunków muzycznych.
Źródło:
Studia Litteraria et Historica; 2017, 6
2299-7571
Pojawia się w:
Studia Litteraria et Historica
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Muzyka w terapii rodzinnej
Music in Family Therapy
Autorzy:
Kataryńczuk-Mania, Lidia
Powiązania:
https://bibliotekanauki.pl/articles/2132219.pdf
Data publikacji:
2022
Wydawca:
Uniwersytet Wrocławski. Wydział Nauk Historycznych i Pedagogicznych. Instytut Pedagogiki. Zakład Historii Edukacji
Tematy:
muzyka
muzykoterapia
terapia rodzinna
music
music therapy
Opis:
Wprowadzenie. Ważnym elementem funkcjonowania współczesnej rodziny, a zwłaszcza terapii jej członków, może być wielostronne zastosowanie muzyki. Takie zadanie mogą spełniać elementy muzykoterapii domowej w pracy terapeutycznej z rodziną. W artykule ukazano specyfikę oddziaływania muzykoterapii na relacje, a także na trudności rodzinne. Cel. Celem artykułu jest zapoznanie z walorami muzyki i jej zastosowaniami w terapii rodzinnej. Materiały i metody. Przybliżono specyfikę pracy muzykoterapeutycznej w wybranych problemach rodzin. Posłużono się metodą indywidualnych przypadków w różnych sytuacjach rodzinnych. Wyniki. Współpraca muzykoterapeuty z rodziną umożliwia skuteczne oddziaływania terapeutyczne muzyki.
Introduction. In a modern family, an important element of functioning may be the multifaceted use of music, especially in the therapy of family members. Such a task can be fulfi lled by elements of home music therapy in therapeutic work with the family. The article shows the specifi city of the impact of music therapy in family relationships, as well as family difficulties. Aim. The aim of the article is to present the value of music and its applications in family therapy. Materials and methods. The work presents the specifi city of music therapy work in selected family problems. The method of individual cases was used in various family situations. Results. Thanks to the cooperation of the music therapist and families, therapeutic effects of music are possible.
Źródło:
Wychowanie w Rodzinie; 2022, XXVI, (1/2022); 79-90
2082-9019
Pojawia się w:
Wychowanie w Rodzinie
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Wirtualne symfonie dla każdego – muzyka w cyberprzestrzeni
Virtual Symphonies for Everyone – Music in Cyberspace
Autorzy:
Skrzydlewski, Wojciech
Powiązania:
https://bibliotekanauki.pl/articles/15827692.pdf
Data publikacji:
2021-10-15
Wydawca:
Uniwersytet im. Adama Mickiewicza w Poznaniu
Tematy:
culture
popular music
show business
phonography
music creation
generational influence of music
music and show business in pandemic time
Opis:
The article presents selected issues regarding the role of popular music. The following issues are addressed: the development of phonography from its mechanical form to the modern, virtual one, changes in professional music creation, the role of new media in functioning of musicians, and music as a medium of generational influence. Changes in the operation of show business in the context of the development of new media and pandemics were also shown.
Źródło:
Studia Edukacyjne; 2021, 62; 137-146
1233-6688
Pojawia się w:
Studia Edukacyjne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Music vs. Truth: Illustrative Music in the Context of Musical Aesthetics
Autorzy:
Barska, Joanna
Bednarek, Stefan
Rabiej, Stanisław
Powiązania:
https://bibliotekanauki.pl/chapters/1030899.pdf
Data publikacji:
2020-04-10
Wydawca:
Uniwersytet Warszawski. Wydawnictwa Uniwersytetu Warszawskiego
Tematy:
musical rhetoric
representation in music
aesthetics of music
Opis:
The paper discusses the problem of musical rhetoric in the Renaissance and the Baroque. In the 16th century, the imitative qualities of music were developed through the concept of imitazione della natura. The relationship between word and music stabilized. Representation was a major function and was inspired by the ancient concept of merging words, harmony, and rhythm. In ancient times, music had become a key to metaphysics and an important educational tool. Thus, specific compositions were related directly to a specific state of the soul, characters and emotions. The author presents the aforementioned concept in later times, i.e. in the Renaissance, when not only theorists but also composers, performers and listeners assigned musical-rhetorical figures to specific meanings. The paper extensively discusses examples of the musical application of different musical-rhetorical figures and how they are used. The author underlines, however, that despite the universalization of musical language, the rhetorical system in music is highly diverse and is subject to individual contextual interpretations.
Źródło:
Truth and Falsehood in Science and the Arts; 221-232
9788323542209
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
What do we actually measure as music-induced emotions?
Autorzy:
Janowski, Maciej
Chełkowska-Zacharewicz, Maria
Powiązania:
https://bibliotekanauki.pl/articles/2125553.pdf
Data publikacji:
2020-06-29
Wydawca:
Katolicki Uniwersytet Lubelski Jana Pawła II. Towarzystwo Naukowe KUL
Tematy:
emotions
affect
music emotions
emotional reactions to music
Opis:
The paper presents the results of a systematic review of 61 empirical studies in which emotions in response to music were measured. The analysis of each study was focused on the measurement of emotion components and the conceptualization of emotion both in hypothesis and discussion. The review does not support the claim that music evokes the same emotional reactions as life events do, especially modal emotions. Notably, neither a high intensity of feelings, nor intentionality were confirmed in relation to musical experiences, the emergence of specific action tendencies, or specific physiological changes. Based on the obtained results, it is recommended to use the terms “affect” or “music emotions” with reference to emotions experienced in reaction to music and to abandon the term “emotions” as misleading.
Źródło:
Roczniki Psychologiczne; 2019, 22, 4; 373-403
1507-7888
Pojawia się w:
Roczniki Psychologiczne
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Studies in historical improvisation: from Cantare super librum do Partimenti, red. Massimiliano Guido, Abingdon-New York 2017 Routledge, ss. 219. ISBN 978-1-4724-7327-1
Autorzy:
Wysocki, Michał
Powiązania:
https://bibliotekanauki.pl/articles/28408908.pdf
Data publikacji:
2018
Wydawca:
Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:
improwizacja
muzyka wokalna
muzyka instrumentalna
pedagogika muzyczna
improvistation
vocal music
instrumental music
music pedagogy
Źródło:
Muzyka; 2018, 63, 1; 131-136
0027-5344
2720-7021
Pojawia się w:
Muzyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Tytuł:
Ewa Mazierska, 'Popular Polish Electronic Music, 1970–2020. A Cultural History', London 2020 Routledge, pp. 226. ISBN 9780367191894
Autorzy:
Santacesaria, Luisa
Powiązania:
https://bibliotekanauki.pl/articles/26055141.pdf
Data publikacji:
2021
Wydawca:
Polska Akademia Nauk. Instytut Sztuki PAN
Tematy:
muzyka elektroniczna
muzyka polska
muzyka XX wieku
electronic music
Polish music
twentieth-century music
Źródło:
Muzyka; 2021, 66, 4; 163-167
0027-5344
2720-7021
Pojawia się w:
Muzyka
Dostawca treści:
Biblioteka Nauki
Artykuł
Wyświetlanie 1-50 z 1688

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